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In just two weeks, Mitis’ Unity tour is about to go ham. Not only does his tour finally land in the Lone Star state, but he’s also joining forces with Ham Choi Production, to deliver an unforgettable fusion of music and southern hospitality. Coming to Houston’s 9PM Music Venue on 5/2, Austin’s Concourse Project on 5/3, and Dallas’ The Factory in Deep Ellum on 5/4, be prepared for a Texas- sized celebration that you can’t miss because everything is bigger in Texas. Established in 2017, Ham Choi Production has emerged as one of the top hosting production teams in Houston, TX. Founded by Elvis Nguyen, whose two decades of dedication to the nightlife industry paved the way for the company’s success. Hailing from the small town of Port Arthur, Elvis left on a journey to make a big splash in the nightclub scene at just 20 years old. After gaining experience as a nightclub promoter, he finally took the leap of faith to form his own production crew. Giving homage to his Vietnamese roots, Elvis named his team “Ham Choi,” a term familiar to both Vietnamese and non-Vietnamese speakers, translating to “love to play.” This ethos is reflected in Elvis’s unwavering commitment, consistently delivering sold-out shows week after week in not just Texas but across the nation. If you need assistance to book an event in Texas, he is your man to go to. Mitis’ upcoming tour promises an experience you don’t want to miss, featuring tracks from his latest album, Unity. This captivating album, a heartfelt tribute to his devoted fans, showcases a diverse composition of 10 songs, each expressing a narrative of love, hope, and community. The melodic dubstep producer is celebrated for his ability to infuse his music with profound messages and aim to set a reminder that, no matter our differences, we are all connected by the universal language of music. Joining him on tour will feature a wide range of amazing talented guests and support, like Haliene, Yetep, Nurko, MVSE and more. Additionally, Houston will witness Psytrance artist Blastoyz’s debut, offering hypnotic beats for a mesmerizing experience. Embracing the theme of unity, Mitis and Ham Choi productions will be bringing together a unique, elevated experience to the Texas shows. From the tour’s heart-pounding beats and soul-stirring melodies to premier hospitality, expect an explosive night with a little Southern flare. For those seeking a VIP experience, Ham Choi can arrange exclusive tables for you and your rave crew, ensuring a luxurious night like no other. For those who’ve experienced a Ham Choi party, they know things are about to heat up, but for those anticipating Mitis’s show, get ready for an even wilder ride. For tickets and table reservations for the shows, visit here. The post Mitis Is Bringing His Unity Tour To Texas For 3 Shows appeared first on EDMTunes.

At EDMtunes, we have some exciting news to share with you on this lovely Friday, April 19. The label mau5trap, owned by the famous DJ and producer deadmau5, just released a refreshing, melodic techno remix of his legendary track ‘Not Exactly’. The chart-topping DJ/producer Rebūke worked on this new version, and it’s amazing! You’ll be happy to know that Rebūke‘s “Not Exactly” is the first official remix of the song that mau5trap has released in 17 years! Other artists that put their own spin on the track include Peter Gelderblom, Trick & Kubic, Jean-Claude Ades, and Major North. The original song was released as a single in 2007. It appeared on deadmau5’s third album, random album title, in 2008. The nine-minute and fifteen-second instrumental was an early success for the newly-formed mau5trap. It has won the Beatport Music Award for ‘Best Single,’ and charting on the US Dance/Electronic Digital Sales Song Chart two years after its release. About Rebūke’s Rebūke’s music career has been nothing short of outstanding! From his two-month Beatport chart-topping single ‘Along Came Polly’ to his notable Afterlife single ‘Syren,’ he has been making amazing music. Before ‘Not Exactly,’ Rebūke has taken on remixes for other big players such as Chris Lake, Fatboy Slim, and Kölsch. Rebūke is scheduled to perform at the Yuma tent of Coachella on April 13 & April 20. I’m sure you wouldn’t want to miss it! Plus, deadmau5 will be headlining the legendary Hollywood Bowl in Los Angeles on April 27. This will follow with two shows on May 2 & 3 at the Brooklyn Mirage in NYC. These will be ‘retro5pective’ shows celebrating his 25-year career in music. About deadmau5 Joel Zimmerman, more commonly known as deadmau5 (pronounced ‘dead mouse’), is one of the world’s most respected electronic music producers of modern times. Enjoying international chart success with his 2x platinum-certified singles. Thos include ‘Ghosts ‘n’ Stuff,’ ‘Professional Griefers,’ ‘Sofi Needs A Ladder‘ and ‘I Remember‘. He has also released seven critically acclaimed albums. The multiple JUNO Award-winning and GRAMMY®-nominated artist’s ability to push the boundaries of his talent grows at an equal rate to his fan base. This fan-base counts 15 million and more over his combined social media channels. His latest music offerings include ‘Pomegranate’ with The Neptunes, ‘Bridged By A Lightwave’ with Kiesza. Then ‘Channel 43’ with Wolfgang Gartner, ‘Infraliminal’ (as REZZMAU5) and ‘Hypnocurrency’ with REZZ, ‘When The Summer Dies’ with Lights, ‘Hyperlandia’ featuring Foster The People, ‘this is fine.’ with Portugal. The Man, ‘XYZ’ and ‘My Heart Has Teeth’ featuring Skylar Grey. I hope you enjoy listening to the new version of ‘Not Exactly’ and that you have a fantastic day! The post Deadmau5 – Not Exactly (Rebuke Remix) appeared first on EDMTunes.

New Avicii Documentary “Avicii – I’m Tim” explores the life of the Electronic Dance Music Legend The 2024 Tribeca Film Festival will take place June 5-16, in New York City. Organizers have recently unveiled this year’s lineup, which offers a diverse selection of films. While you can still enjoy foreign films and other niche genres, electronic music fans are in for a treat. Among the featured films is the world premiere of Avicii – I’m Tim, a documentary directed by Henrik Burman. “Before there was Avicii, there was just Tim. For the first time through his own words, witness the journey of a shy but prodigious musical talent who would soon become one of the defining artists of his generation.” – tribecafilm.com According to Billboard, the documentary will bring fans never-before-seen interviews with David Guetta and Avicii’s former collaborator, Chris Martin of Coldplay. Accompanied by a collection of photographs capturing a young Avicii, the film delves into the early life of the man who would later become one of EDM’s biggest stars, tragically cut short by suicide. “Tim was a seeker, a sensitive and a shy person who wanted to know the truth and find ways to an inner peace, he reacted to the injustices of the world and cared deeply about the planet. Yet it was in his music that he expressed himself, honestly and openly, and it gave him the most joy… the creative process and collaborations with the people he loved and respected for their art and talent.” – Tim Bergling Foundation While we all know and love Tim’s music, you can be sure to enjoy and appreciate it a bit more with this documentary. The post New Avicii Documentary Premiering at Tribeca Film Festival appeared first on EDMTunes.

Five-time UK Platinum producer Joel Corry is back in action on a new collaboration with rising star Pickle. The duo has created a club-ready tool titled ‘Stay Together (Baby Baby)‘, featuring Vula on vocals. Joel Corry is no stranger to high-profile collaborations, as he has songs with prominent artists such as David Guetta, Charli XCX, RAYE, MNEK, and Jax Jones. With his signature style, which combines underground and mainstream appeal, Joel has been dominating the charts ever since the success of his Beatport #1 track, ‘Liquor Store.’ On the other hand, eclectic selector and club favorite, Pickle, has a reputation for his unique song choices and for making some bumping house tracks. Now, the two have come together to rework a 90s classic with the help of Basement Jaxx vocalist Vula. With Joel’s signature style having both underground and mainstream appeal, ‘Stay Together (Baby Baby)’ incorporates Pickle’s heavier production influence and Vula’s unmistakable vocals to create a signature D4 D4NCE track that will set clubs worldwide on fire. Ravers can expect nothing but a banger that will have them dancing all night; ‘Stay Together (Baby Baby)’ is out now across all platforms. The post Joel Corry & Pickle Come Together For ‘Stay Together (Baby Baby)’ appeared first on EDMTunes.

A true staple of the underground sound, French producer Julian Jeweil brings out the big guns in his latest release, Yeah/Basement. The two-track EP showcase Jeweil’s hard-hitting grooves and mastery of percussions. While partnering with Factory 93 for the release, this EP will resonate at festivals and clubs all over. If you need to break down new footwear, these songs will help you warm them up to wear them all night. Yeah/Basement Sometimes it is hard to choose a song that will start your night properly. Fear no more, as ‘Yeah’ will become your absolute party starter. From a light groove to impactful kicks, this song ought to attract more and more people to the dancefloor. The use of repetitive “yeah” hovers across the tracks with great buildups and sick drops. Moreover, the tempo has the perfect timing to make your dance moves explode in a seamless flow. Basement is a dynamic song that fuses the sound of the underground along with some fun and determined vocal. “Ready for the drum” repeats throughout the track as the acid and reverbs take over. The repetitive dynamic of the vocal complements the minimal yet effective percussions. The final result is a multi-dynamic experience that truly represents the underground. Both tracks have a similar structure and carry each other together very nicely. ‘Basement’ is the darker side of ‘Yeah.’ However, both songs hit the mark tremendously. More About Julian Jeweil The Berlin based DJ and producer is a force to reckon with. With multiple Beatport chart-toppers since the early 2000s, Julian Jeweil has impacted the Techno scene with his unique approach to Techno. Whether he uses melodies or darker synths to produce, the results are usually showstopping. Jeweil has garnered the support from legends, including Joseph Capriati, Pan-Pot, and Deadmau5. Most recently, he has appeared in multiple Drumcode events and released multiple tracks under the major label. You can find Julian on his socials and places like Loveland Fest this August. But if you do not want to wait that long you can always bring it down to the basement… oh yeah. The post Channel Your Inner Baddie With Julian Jeweil’s ‘Yeah/Basement’ EP appeared first on EDMTunes.

Following break-out releases including her collaborations ‘Escape‘ with Kx5 (deadmau5 & Kaskade) and ‘Where You Are‘ and ‘Shiver‘ with John Summit, alongside her own solo single ‘Fall Again,’ award-winning electronic music artist Hayla releases new single ‘Embers.’ Look for the song to appear on Hayla’s highly anticipated artist album due out later this fall. The song features Hayla’s signature vocal riffs and a symphonic melody that stirs a deep sense of longing. Listen below: A dance music sensation, Hayla has been elevating dance floors around the world with her infectious songs and powerhouse vocals. ‘Escape’ and ‘Where You Are’ each landed Hayla back to back #1’s on US Dance Radio and currently each have over 100 million streams on Spotify alone. Coming out of the most recent Miami Music Week, the industry and fan favorite garnered four awards: EDMA’s for ‘Dance Track of the Year’ for ‘Where You Are’ and ‘Dance Vocalist Of The Year,‘ EDM Maniac presented her with ‘TikTok Track of the Year‘ for ‘Where You Are’ and Nexus Radio celebrated her with their ‘Future Of Dance‘ award. ‘Embers’ is sure to have the commanding singer-songwriter following in the footsteps of the success of these tracks. “’Embers’ is all about that tiny bit of love you still have left for someone,” shares Hayla. ‘You can burn everything that reminds you of a person but sometimes the last thing that remains glowing is that tiny ember that only time will put out.’ -Hayla Hayla is a Grammy-nominated, British singer and songwriter, with an extraordinarily powerful voice hailing from Formby, Liverpool, UK. Over the last couple of years she has emerged as one of the most in-demand vocalists and songwriters in global dance music, featuring on a number of significant records alongside high-profile artists such as: Wilkinson, John Summit, Sub Focus, Example, Ben Nicky, Kx5 (deadmau5 & Kaskade), and more. Hayla has performed headline shows including with Kx5 at the Coliseum in LA which broke records as the largest single-day concert headlined by an electronic music artist in North America per Pollstar, with Billboard confirming the show as the biggest ticketed global headliner dance event of 2022. Other 2023 headline performances included: Creamfields, Red Rocks, Brixton Academy, EDC Las Vegas and throughout the UK with Pete Tong & The Essential Orchestra. The post Award-Winning Singer & Songwriter Hayla Releases ‘Embers’ appeared first on EDMTunes.

Brazilian superstar DJ Alok is breaking new ground with his latest project, The Future is Ancestral, an album that transcends music and becomes a movement. Out today, just in time for Indigenous People’s Day, the album is a culmination of over 500 hours of studio work and features collaborations with over 50 indigenous musicians. The Future is Ancestral is an immersive soundscape that invites listeners to experience the richness and resilience of indigenous cultures. With eight unique tracks sung by various communities, the album weaves a narrative of cultural resurgence and innovation. Each song carries a powerful message, urging us to appreciate and preserve the wisdom of our ancestral roots. “I feel honored to be able to serve as a platform to amplify the voices of indigenous ancestry. ‘The Future Is Ancestral’ is not just a musical project; it is a movement to reforest the imagination of our society and its perception of indigenous peoples and the importance of their presence in multiple territories,“– Alok Started in 2021, The Future is Ancestral has quickly gained international momentum. Tracks from the album have been featured at prestigious events like Global Citizen Live (2021) and the pre-opening of Climate Week at the United Nations headquarters in New York (2022 and 2023). Most recently, the project received a pre-launch celebration at the GRAMMY Museum in Los Angeles. UNESCO itself has acknowledged “The Future is Ancestral” as a valuable contribution to the International Decade of Indigenous Languages. The project highlights the importance of indigenous voices within social and cultural spaces, fostering a more inclusive society. The post Alok Releases Indigenous Ancestry Inspired Album ‘The Future is Ancestral’ appeared first on EDMTunes.

Happy Coachella Weekend 2 Day! It’s quite awesome that we get a chance to watch our favorite sets and see ones that we missed out on from Weekend 1, whether physically in person or using Coachella’s streaming benefits. Day 1 is just about to begin. We’ve got some more details on that for this weekend. First, each day’s schedule is out! We’ll put that below in a link. But we also want to highlight that the infamous Yuma Tent is going to be added to the channels. Immerse yourself in finest club in the desert: YUMA Friday, April 19 4:00pm PT / 7:00pm ET – Miss Monique 4:15pm PT / 7:15pm ET – Innellea 5:30pm PT / 8:30pm ET – BLOND:ISH 6:45pm PT / 9:45pm ET – Kevin de Vries x Kolsch 8:15pm PT / 11:15pm ET – ANOTR 9:45pm PT / 12:45am ET – Adriatique 11:15pm PT / 2:15am ET – Gorgon City Saturday, April 20 4:00pm PT / 7:00pm ET – Mahmut Orhan 4:15pm PT / 7:15pm ET – Rebuke 5:30pm PT / 8:30pm ET – Will Clarke 6:45pm PT / 9:45pm ET – Ame x Marcel Dettman 8:00pm PT / 11:00pm ET – Reiner Zonneveld 9:30pm PT / 12:30am ET – Patrick Mason 11:00pm PT / 2:00am ET – The Blessed Madonna Sunday, April 21 4:00pm PT / 7:00pm ET – Flight Facilities 4:30pm PT / 7:30pm ET – Eli & Fur 6:00pm PT / 9:00pm ET – Adam Ten x Mita Gami 7:30pm PT / 10:30pm ET – Carlita 9:00pm PT / 12:00am ET – Folamour 10:30pm PT / 1:30am ET – ARTBAT CHECK HERE FOR THE REST OF TIMES FOR EACH STAGE Check out Coachella’s Youtube channel HERE for all the links to each stage depending on what artist or genres you’re looking for. If you missed out on merch from the fest, take a look at their online shop! Enjoy all the music! The post Coachella’s Weekend 2 Streaming Details & Yuma Tent Addition appeared first on EDMTunes.

After the resounding success of the instrumental version of ‘Black Ice,’ Subtronics and REZZ tap ‘Black Out Days’ creators Phantogram to elevate the track with powerful, yet deeply haunting vocals. The follow up to Subtronics’ remix of ‘Black Out Days,’ Phantogram continues to show their crossover-ability translating in the dance world. ‘Black Ice’ was premiered for the first time live, in front of 30,000 fans at Beyond Wonderland music festival in Southern California on March 23, 2024. Listen here. Drawing inspiration from the “tesseract,” a geometric marvel known in fourth-dimensional geometry as a 16-cell cube, Subtronics’ passion for quantum physics and high-dimensional theory is explored through the boundaries of sound design and genre fluidity, much like traversing the cosmos. This is evident throughout the album’s audio-visual experience, while continuing to channel his fascination into an innovative stage design, accompanied by breathtaking visual elements for the TESSERACT tour. ABOUT PHANTOGRAM Lauded as an experimental and alternative band and one that’s never been married to a particular genre, Phantogram – comprised of lifelong friends Josh Carter and Sarah Barthel – have continued to change the zeitgeist for almost a decade by consistently challenging it with their signature blend of hard-hitting beats, guitar driven dark psychedelia and electronic pop. ABOUT REZZ 29-year-old Canadian DJ/producer Isabelle Rezazadeh AKA Rezz has racked up tens of millions of streams, sold out legendary venues and headlined top festivals around the world. She oozes originality and produces genre-bending electronic works, striking a sharp balance between bass-heavy and minimal tech compositions. The post Subtronics and REZZ Release Vocal Mix of ‘Black Ice (feat. Phantogram)’ appeared first on EDMTunes.

One of the lead labels for artists specializing in live performances, ASW released an exceptional album showcasing some of its most notorious releases. Mixed by none other than the great Carl Cox, the new LP released by the label created by the English DJ Christopher Coe is an exhibition of unique, underground talent. Titled ‘ASW Is Live Mixed By Carl Cox’, this one is certain to become an industry favorite. Nowadays, compilation albums are one of the most popular ways labels promote their work and identity. Taking several songs from your catalog and grouping them for one strong release is most definitely the way to go. It helps both in marketing terms and when it comes to the impact the release can have inside the scene. ASW Highlights The Uniqueness Of Live Performance The Awesome Soundwave catalog is certainly one of the unique proposals we’ve heard of recently. Artists included in this compilation belong to a wide range. From afrohouse act Digital Afrika to experimental electronic house artist Stimming. From the legendary and prolific Robert Babicz to the spiritual explorer and player of modded toys Giorgia Anjiuli, and from the French superstar Vitalic to the underground live concept artist Hybrasil. These are some of the examples of the stuff you can find on this unique release. Artists known not only for their underground style and persona but for their mastery of live performing. On this new album, you can find different sounds, genres, and the same quality in every single one of them. Listening to Carl’s mix of 25 tracks from 25 artists highlights the range of talent and diversity of output from the Awesome Soundwave family. Certainly, a strong, well-thought-out, and quality-crafted release. ASW is Live mixed by Carl Cox is out April 26 on Awesome Soundwave. The post ASW Releasing New Album Mixed By Carl Cox, Featuring 25 Tracks From Their Label appeared first on EDMTunes.

HEAL Palestine, an NGO working to provide humanitarian aid to Palestinians in Gaza, has insisted it is "not affailiated" with the Berlin-based radio platform Continue reading...

Sam Wolfe, who burst onto the scene in 2020, has quickly established himself as a powerhouse in the US techno circuit, blending dark, aggressive tones with melodic intricacies. His dynamic stage presence and high-energy performances have captivated audiences worldwide. With a record of over a dozen top 10 hits on the Beatport techno charts and endorsements from industry titans like Tiësto and Armin van Buuren, Wolfe’s influence continues to grow. Following a packed 2023 with performances in over 44 cities across 15 countries, Wolfe is gearing up for an exciting year with new releases and a North American tour. His electrifying new single, “Govinda” released on UMEK’s 1605 Records further propels his hot streak. A blistering bit of techno, the track delivers a sensory overload with its pulsating techno, electro, squelching 303s, and psytrance rhythms, all set against a backdrop of traditional Hindu chants. This combination crafts a definitive peak-time track that Wolfe describes as a fusion of aggressive energy and immersive soundscapes, tapped into his experiences in Goa. Sam Wolfe North American Tour Dates April 20 – Inside Out – Albuquerque, NM April 26 – Biltmore Cabaret – Vancouver, BC April 27 – COMMON UNDGRND – Calgary, AB The post Sam Wolfe releases ‘Govinda’ on UMEK’s 1605 Records appeared first on Dancing Astronaut.

The club is the sister venue to the Anomalie Art Club and has replaced the now-closed Mensch Meier Continue reading...

In an exclusive interview, trance luminary Ferry Corsten sat down with us to chat about his illustrious career, the changing landscape of trance, and his highly anticipated performance ‘What the F’ at the iconic Maassilo in Rotterdam on May 3rd, 2024. I’ve noticed lately that electronic music tracks have gotten in general, shorter, and shorter. Back in the day, we had seven-minute-long trance anthems. Why do you think tracks are becoming shorter and do you think this is a trend that’s going to change and eventually go back to longer anthems? Or are we going to have 30 second songs in the future? I think if the formula becomes 30 seconds, that’s the end of melodic stuff, because there’s no buildup. A lot of this can be attributed to the Spotify culture we’re living in right now and the ADHD short attention span that people have nowadays. You know, I feel with Spotify, you’re not listening to music on Spotify, you’re listening to algorithms and analysis and numbers, that’s what people don’t realize. But Spotify ultimately is like a wind tunnel for cars, you know? Every car on the road nowadays seems to have the same shape. And that goes for music as well because algorithms and analysis say your track should be like this or like that. This is because “that” engages the listeners the fastest and the longest. I feel that in that sense, when you look at music, everything gets shorter and shorter just to get to the meat of the track straight away and keep your listener there. Some of these tracks are even shorter than the traditional radio edits. It’s not the best development if you ask me because it takes away the art of building a track and telling a story through music. But look, there’s the short version of that. Luckily, there’s also a lot of people that still release the longer original version. And I also understand that a track with like a minute and a half beats intro, for a lot of people is not interesting, that’s a DJ tool. So, I get that on sites like Beatport, where you get those, but otherwise, I would love to see a sort of like a middle road, if you know what I mean. Not straight to the vocal straight to the meat, but a bit of an intro, which is already music and not just straight up beats. You know, I get that that’s very boring to listen to. But I don’t think that we would go back all the way back to the seven-minute versions, unless you get those on Beatport, maybe. But I also definitely don’t see it going shorter than two minutes. I think for a proper trance track, if we speak in that genre right now, I don’t think you get very far in two minutes. You tell your melody line once, and that’s it, the track is over. And I don’t think that’s what we all want. Speaking of genres and specifically this year at A State of Trance, I noticed that this year there were more genres represented than when I went in 2020. What are your thoughts about that? And what are your thoughts to the people who push back on the inclusion of genres outside of “pure trance” at A State of Trance? If I look back at 20 years of doing this (trance), when I started DJing, I say mostly in the UK and also the early days in the US, people were way more open minded. It has grown in such a way that these “trance purists” only want to hear this and everything outside that sort of window is not trance. Trance has always been very, very diverse. If I look back 20 years ago, we had so many different genres, styles of music that I would now classify almost as house, but we consider that trance as well. Or at least I would play that in my set. Tiesto would play, Armin would play that in his set, you know, it was part of the staple trance sound that that we play. But it could be a house track, could also be tracks that are almost borderline techno. You know, when I listen to old sets of mine, 2004, for example. When I hear those purists talk about, “Oh, back in the day, everything was just so much more beautiful. And this and that.” I’m like, “Wow, you’re so wrong, man.” Because if you listen to that set from 2004, 2001, it’s almost like it leans more towards rave than trance. You know, occasionally, there was a track that had a big sort of trance synth. And that’s why those tracks were so massive, because, compared to the rest, those were the ones that really stood out and made a moment in the night. Now if you listen to pure trance, the 140 BPM stuff, track after, track after, track after, track after, track after track, I’m like, I’m done after three tracks, right? Because it’s all the same. So, I would say that, look, it’s cool to hear a track like that one or two, but mix it up because then the element of surprise when a track like that comes back in again, it’s just so much bigger than you hear than hearing, ten in a row. It becomes numbing, really. So back to A State of Trance, I love it that the lineup is more diverse than just that, because it also celebrates the influence that trance as a genre has on other genres, right? I mean, since everyone’s so afraid to use the word trance, they started using melodic. Ultimately, if you listen to melodic techno, that for me is just slow, slower, really slow down trance with a bit more depth in it. But it’s the same thing. And where techno is heavily borrowing from the big trance classics from 20 years ago. I think you should also really admit that those tracks are just ultimately trance tracks. So, in those genres, I would like to say that trance is almost like the tastemaker, salt and pepper, right? It brings the melodic element to those genres. And I think we should be proud of it, as a trance fan, that those genres are so melodic now that they’re being represented at A State of Trance. I think that’s amazing. I want to talk about your upcoming event that you announced in Rotterdam on May 3rd, ‘What The F’ repertoire. Can you tell us a little bit about that? ‘What The F’ is my open-to-close concept that I’m doing. I’ve been doing it now for two years, I’d say. I have done several shows in the US, Australia, Asia, Europe. So, for now, for the first time in my own hometown, which is great. At some point, I got all these questions from fans, because this was when I was really playing a lot with Marcus still, and Marcus doing his open-to-close sets, and fans asked “Ferry, when are you doing this?” I’m like, yeah, I don’t really want to do the same thing as Marcus. That’s really his thing. He’s master of it. But then I was thinking, I’ve also been doing quite a few producer sets, and they always take off. And I was like, okay, well, what if I have so much music with my various aliases, and all the music I produced over the years, I could easily fill eight, ten, twelve hours, if not more. So, what if I do an open-to-close producer set? And that way, I also have a chance to play my deeper stuff. I have a chance to play stuff that people don’t even know is me. People may even hear certain tracks that they know, but they never knew it was me. It’s an open to close producer set. So, playing all my stuff, and it’s a real journey from the biggest hits that people know to unreleased stuff, even back in the day, all the way to now. Ticket link for Grotesque presents – ‘What the F’ – Ferry Corsten in Concert: https://www.maassilo.com/events/grotesque-in-concert/ This interview was originally published on the Drop Bass Not Bombs podcast and an excerpt has been transcribed for this article.

Acclaimed producer Jack Back and Afro house pioneer THEMBA have teamed up for ‘Give Me Something To Hold’ out now on Defected. David Guetta created the Jack Back alias to return to his house roots, quickly building a strong relationship with the London label thanks to the chart-topping Defected hit ‘(It Happens) Sometimes.’ Then, in 2024, he released a highly anticipated remix of label staple Dennis Ferrer’s ‘Hey Hey,’ showcasing his fresh Afro-inspired sound. Now, the French titan joins forces with THEMBA, a prolific South African DJ who has brought his unique take on electronic music to the world since 2018. From explosive early releases like ‘Who Is THEMBA?’ to remixing works from Vintage Culture, Kerri Chandler, and Bob Sinclar, THEMBA’s meteoric rise to success has culminated in sets with Black Coffee at Hï Ibiza – cementing him as one of the biggest touring artists out of the continent. Now, in 2024, the two powerhouses have come together for the hypnotic club cut, ‘Give Me Something To Hold,’ as THEMBA’s modern, Afro-electronic rhythms work with Jack Back’s melodically engaging production, complete with arresting vocals that build tension in all the right places. The new release is part of Defected Records’ 25th anniversary Together series, as the iconic label continues to blaze the trail for house music by bringing together artists for original music and exclusive remixes. Jack Back and THEMBA’s styles have come together beautifully for a dance-floor ready anthem. ‘Give Me Something To Hold’ is available now on Defected. Check it out below: The post Jack Back & THEMBA Unite On Defected For ‘Give Me Something To Hold’ appeared first on EDMTunes.

Building upon the triumph of its debut edition in 2023, seasoned event organizers Gem & Jam and 4 Peaks Presents have just announced the eagerly anticipated lineup of Cascade Equinox‘s 2024 edition. Set amidst the tranquil landscapes of the Deschutes County Fairgrounds in Redmond, Oregon, the cross-genre festival will once again captivate attendees from Friday, September 20 – Sunday, September 22, 2024. Cascade Equinox has revealed a remarkable initial lineup for its sophomore year, showcasing a diverse array of acts that mirror both the vibrant community and stunning surroundings of the festival’s Central Oregon location. With a mission to connect with music lovers from all walks of life, the event seamlessly blends jam, electronic, funk, soul, and bluegrass genres, promising a rich and varied musical experience. Earlier this month, the festival began to release a wide array of headliners via social media, starting with French trailblazer CloZee, and continuing with additional headliners such as fan-favorite psychedelic band STS9, UK dance duo Jungle, electronic musician and YouTuber Marc Rebillet, Wakaan label boss Liquid Stranger, and Portland-based musicians John Craigie & The Shook Twins. Now, the festival reveals a handful of exciting support acts including hip-hop supergroup Deltron3030, alternative pop music duo NEIL FRANCES, producer, singer, and multi-instrumentalist Poolside, genre-melding bass maestro Barclay Crenshaw, versatile electro-soul artist Daily Bread, electro-twang outfit Dirtwire, electro-funk duo The Floozies, folk-infused bluegrass quartet Kitchen Dwellers, and Denver-based jamtronica trio SunSquabi. Additional acts gracing the Cascade Equinox lineup are experimental bass producer Ravenscoon, Los Angeles-based house act Justin Jay, American hip-hop virtuoso Sol, funk five-piece The Motet, and queer DJ and rapper Wreckno. Cascade Equinox will also welcome additional support acts including Assembly of Dust, Cliche, Cytrus, Dizgo, Free Creatures, Goodnight Texas, Goopsteppa, Häana, High Step Society, Karina Rykman, Late Night Radio, Living Roots, Noetik the Alchemist, Madeline Hawthorne, parkbreezy, Ryan Montbleau Band, Spunj, Sugarbeats, Talking Dead, Willdabeast, Wolfchild, Zach Darling, Billy & The Box Kid, Blackstrap Bluegrass, Call Down Thunder, DJPK, Feathered Indians, Fractal, Gonzofuze, Heaven Zest, Joel Chadd, Leadbetter Band, Majitope, Smokestack Lightning, Quattelbaum, Skillethead, Smokovich, Stealhead, Sunsei, Takimba, TEB, The Flying Skulls, The Hasbens, Tony Inorbit, and Tyler Spencer. The first-ever Cascade Equinox boasted more than 50 acts that spanned the genre spectrum, such as Pretty Lights (marking his first music festival after his 5-year hiatus), Big Wild, Goose, Phantogram, Trevor Hall & The Great In Between, Of The Trees, Emancipator, and many more. In a show of unity with its local community, Cascade Equinox is teaming up with the Pacific Northwest’s renowned Summer Meltdown Festival, in an exciting grassroots collaboration known as the “Melty Migration.” Following a hiatus in 2023 to secure a new venue, both festivals have decided to join forces to create an even more spectacular experience that will be showcased at Cascade Equinox. The festival is gearing up for an even bigger second year with a wide variety of experiential programming and activations throughout the Deschutes County Fairgrounds, in addition to its star-studded lineup. Cascade Equinox Festival will offer a bevy of activities and programming, including a vendor marketplace, workshops, kids zones, a roller rink, carnival rides, culinary commons, a healing sanctuary, yoga, beer and wine tastings, interactive art installations and live art. It will also have wellness experiences such as the Oasis Bath House that includes luxurious boutique showers, and options for enjoying a sauna and cold plunge. Deschutes County Fairgrounds is the Pacific Northwest’s premier event facility and venue. With sweeping panoramic views of snow-capped mountain peaks, trees, and a creek running through its 340-acre space, Cascade Equinox promises a vast, naturalistic music festival unlike any other. The festival will offer various camping options, including glamping in the Alpenglow Campground. The centrally-located, boutique campground is just a stone’s throw away from the festival’s epicenter, making it the perfect basecamp for festival-goers who want to immerse themselves in the excitement while also enjoying the comfort and convenience of premium accommodations. The Alpenglow Campground will offer amenities such as sponsor-activated happy hours, phone charging stations, yard games, dressing room and private areas to get ready, a lounge with music, premium bathrooms, concierge services, a separate private check-in, and a premium parking pass for one vehicle. This campground area will be fenced off with security guards and will have a prime location on grass. Cascade Equinox Festival will also offer Expo Center RV Park for RV hookups, as well as areas for dry RVs, car camping, walk-in camping, and basic camping packages. All onsite accommodation packages, as well as off-site hotel packages, are available here. Attendees who have already bought a 3-Day GA pass to the festival have the opportunity to purchase the The Inner Circle upgrade ($249 per person), which will give VIP access to: Express check-in at the box office Inner Circle parking on festival grounds Express entry into the festival, with dedicated Inner Circle – only entrances Full time hosts in lounges Beautiful lounge area with comfortable seating & shade Complimentary snacks and beverages in the lounges A designated viewing area at the main stage, with unobstructed views of the performers Inner Circle Private Bars in viewing areas and lounge Pop-up experiences Access to private restrooms A gift bag with festival merchandise and other surprises Phone charging stations Cascade Equinox aims to redefine the festival experience, seamlessly merging tradition with innovation. With a commitment to inclusivity and dynamism, this pioneering event caters to the diverse tastes and evolving expectations of its attendees. The festival is driven to showcase the best of the Pacific Northwest region by featuring local artists, food and craft vendors, performers, and more. Going beyond the usual crowd, it seeks to connect with individuals who share its mission, inviting them to be part of an extraordinary and transformative celebration for their second annual edition. Early Bird GA passes for Cascade Equinox are now sold out. Additional ticketing tiers and payment plans are currently available for all festival passes via https://cascadeequinox.com/tickets/ Stay tuned for additional acts to be announced soon. The post Cascade Equinox Festival unveils multi-genre initial lineup for its second edition appeared first on EDMTunes.

Weekend one of the Coachella Valley Music and Arts Festival was a rollercoaster ride of highs and lows. But nothing could dim the shine of the triumphant sets delivered by Doja Cat and No Doubt. They proved all the doubters wrong and showed that the festival had true headliners after all. However, the latest police arrest reports for Coachella 2024 show a surprising trend – a decrease in the number of arrests compared to previous years. According to a report shared by the Indio Police Department with SFGATE, there were only 81 arrests throughout the weekend, along with 47 parking citations. These numbers mark a significant decline, with arrests down by 20% and parking issues reduced by 43% from the previous year. Despite the overall decrease in arrests, the majority of the incidents were still related to drugs. Intoxication accounted for 28 arrests, while possession of drugs for sale resulted in another 28 arrests. Additionally, 18 individuals were arrested for using false identification, most commonly to purchase alcohol. While these numbers may seem high, Officer Guitron from the Indio Police Department highlighted that this year was relatively uneventful in terms of crime at Coachella. However, he did emphasize the ongoing concern of phone theft, urging festival-goers to be vigilant. One interesting detail from the arrest reports is the mention of recovered phones on the IDP Facebook page. A post revealed that 49 phones had been recovered, although it is unclear how many were lost rather than stolen. Despite the high number of recovered phones, there was only one arrest related to phone theft so far, indicating a potential disconnect between the number of thefts and the arrests made. Decrease in Arrests While drug-related arrests still dominated the statistics, it is worth noting that the overall trend of crime at Coachella seems to be stabilizing. Officer Guitron’s assertion that drug citations were no more prevalent than in past years indicates that law enforcement is effectively managing this recurring issue. However, the continued concern over phone theft serves as a reminder for festival-goers to safeguard their belongings and stay vigilant in crowded areas. As Coachella continues to evolve and attract a diverse crowd of music lovers, it is essential for both attendees and organizers to prioritize safety and security. The decrease in arrests and parking citations at Coachella 2024 is a positive step towards creating a safer environment for all participants. By staying informed about the rules and regulations, respecting fellow attendees, and taking proactive measures to protect personal belongings, festival-goers can contribute to a more enjoyable and trouble-free experience at Coachella. Addressing Phone Theft Concerns One of the persistent challenges faced by attendees at music festivals like Coachella is the threat of phone theft. The recent arrest reports from Coachella 2024 highlight the ongoing concern over stolen phones, despite only one arrest being made in connection to phone theft so far. The recovery of 49 phones, as mentioned in the IDP Facebook post, raises questions about the prevalence of theft versus the effectiveness of law enforcement in addressing these incidents. As festival-goers navigate the crowded grounds of Coachella, it is crucial to take precautions to prevent phone theft. Simple steps such as keeping phones secure in zipped pockets or bags, avoiding leaving them unattended, and enabling tracking features can help deter potential thieves. Additionally, staying aware of surroundings, reporting suspicious behavior to security personnel, and using password protection on devices can further enhance the security of personal belongings. While the decrease in overall arrests at Coachella 2024 is a positive development, the issue of phone theft remains a pressing concern that requires continued attention and vigilance. By working together to protect personal belongings, stay informed about safety measures, and support law enforcement efforts, festival attendees can contribute to a safer and more enjoyable experience for all at Coachella and similar events. The post Coachella Weekend 1 Saw Decrease in Arrests appeared first on EDMTunes.

When you think of the sounds of tennis, you probably imagine a quiet crowd politely clapping along to the grunting players on the court. That idea is challenged in the EDM-heavy soundtrack of TopSpin 2K25. Later this month, tennis fans will be able to play as their favorite pros in the next entry in the long-running TopSpin series. In this year's game, players will be able to compete for a Grand Slam title, play at some of the sport's most notable venues and take on other players in multiple online game modes. A press release issued to announce the new soundtrack revealed that trance legend BT has composed an original score for the upcoming game and is included on the electronic-dominated soundtrack. Joining the iconic producer is a large cast of superstar artists including Swedish House Mafia, Calvin Harris, Kx5, Armin van Buuren, FISHER, Elderbrook and many more. Additionally, Dillon Francis deserves a special mention as he's premiering a collaborative remix of Fall Out Boy's "Heartbreak Feels So Good." Outside the electronic realm, TopSpin 2K25 will also feature the sounds of Drake, Justin Timberlake, Halsey, Pharrell, Phoenix, Pusha T and more. TopSpin 2K25 is slated to hit the PlayStation 5, PlayStation 4, Xbox Series X|S, Xbox One and PC on April 26th, 2024. Check out the soundtrack below and learn more about the upcoming tennis game here. #TopSpin2k25 brought out the SMASH hits 💥🎶 Soundtrack is now available to listen 🔴 @AppleMusic https://t.co/RHLfa3bCLa 🟢 @Spotify https://t.co/y0TyXzd2Pg pic.twitter.com/Z69nrL5HT9 — 2K (@2K) April 16, 2024

Interactive art and psychedelia intertwine at Meow Wolf, a renowned brand that connects communities of EDM fans and art lovers alike. But for employees of the immersive events company and members of the Meow Wolf Workers Collective union, unexpected challenges are arising. The company is laying off 165 employees and cutting expenses by 10%, according to the Santa Fe Reporter. Meow Wolf let go of 201 employees at the outset of the pandemic, roughly four years ago. Since then, they've expanded to an additional location in Texas, hosted their branded Vortex Festival and threw an array of electronic music shows in Denver and Santa Fe, among other major cities. "There is no easy way to break this news," Meow Wolf CEO Jose Tolosa reportedly wrote in an internal company email. "On Wednesday [April 17], Meow Wolf will be announcing that we are cutting expenses by approximately 10% and reducing our workforce in order to right size the business, fund our growth and continue driving our future success." Despite the layoffs and budget cuts, the company will still expand, per the email. "Expansion is still an important part of our business strategy, and these changes will enable us to continue to grow in a way that is smart and sustainable," Tolosa added. The Meow Wolf Workers Collective (MWWC) union expressed their frustration with the news. "We believe the company knows it’s violating the collective bargaining agreement and are doing it anyway," MWWC President Roz Rosvold said in a statement. “There is a process outlined in our agreement by which they must handle layoffs and they’re not engaging in that process.” "I would say this is just the cost of doing business, and we’re not shocked at this point,” added MWWC Secretary Treasurer Jerome Morrison. "This is really draconian because we spent a year negotiating a contract for them to outright ignore it." FOLLOW MEOW WOLF:Facebook: facebook.com/meowwolf.sf X: x.com/MeowWolf Instagram: instagram.com/meow__wolf

If you've ever been curious to see what it's like to record an electronic album, Apashe has you covered. Behind-the-scenes footage, along with a heaping helping of humor and satire, collide in his new documentary, which is named after his stunning Antagonist album. Apashe documents his one-of-a-kind process working with an orchestra to record his sophomore album, while mixing comical and, at times, absurd elements in the "mockumentary." "Over the last three years we shot all our adventures, the ups and downs of this impossible album Antagonist. Some already had the pleasure of watching it in cinemas in LA, Brussels, Montreal and Prague but it’s finally going to be available for everyone on my YT channel," wrote Apashe on Instagram. Apashe recently wrapped up his barnstorming "Antagonist" tour, which sold over 70,000 tickets across North America and Europe. You can watch the new documentary below. FOLLOW APASHE:Facebook: facebook.com/Apashe.Official X: x.com/Apashe_Music Instagram: instagram.com/apashe Spotify: spoti.fi/2CSiT5C

There's nothing quite like the feeling of hearing a brand-new track debut live at a music festival. At this year's Coachella festival, surprise guest Peso Pluma joined DJ Snake onstage to perform their new collaboration, "Teka." An instant crowd-pleaser, the song has already amassed almost 300,000 plays on Spotify. Now, they've released the official music video. The video for "Teka" gives a whole new perspective on the tried-and-true musical "car test." In the video, directed by Benjamin Mege, Snake and Pluma are listening to the track on the car stereo when they notice tiny people dancing within the vehicle's speakers. A mini-dancefloor comes alive within its dashboard and everyone gets down, including grandma. Sleek lighting and cinematography add depth to the video's lighthearted narrative, with artistic angles complimenting the track. When Snake and Pluma are stopped and asked to take off their sunglasses, they, too, join the dance party. within the car's speaker. Watch the music video for "Teka" below. FOLLOW DJ SNAKE:Facebook: facebook.com/djsnake.fr X: x.com/djsnake Instagram: instagram.com/djsnake Spotify: spoti.fi/2Ydtfoq

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If you thought Subtronics and Rezz couldn't make their chilling collaboration "Black Ice" any better, think again. After teasing an updated version at Beyond Wonderland in SoCal earlier this year, they've finally released it with a stunning vocal contribution from Phantogram. While still feeling familiar, the track also feels entirely new as Phantogram's ethereal vocals float beautifully atop the song's gritty arrangement. The original version of "Black Ice" conjured a dark atmosphere that fans of both Subtronics and Rezz sunk their teeth into, but Phantogram adds even more depth to its haunting soundscapes. Year after year, Subtronics continues to propel his career even further. In 2024, he released his gargantuan sophomore album TESSERACT and took it on an eye-popping tour. Rezz also recently released a new album, the heavy-hitting Can You See Me?. You can listen to "Black Ice (feat. Phantogram)" below and find it on streaming platforms here. FOLLOW SUBTRONICS:Facebook: facebook.com/Subtronicsofficial X: x.com/subtronics Instagram: instagram.com/subtronics Spotify: spoti.fi/3jEqAfS FOLLOW REZZ:Facebook: facebook.com/OfficialREZZ X: x.com/OfficialRezz Instagram: instagram.com/officialrezz Spotify: spoti.fi/32DV4IY

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