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The steady stream of new Marshmello music isn't over. The masked, chart-topping producer has stormed into 2024 with several bass-forward singles, staying especially attuned to his bass music roots in recent times. Based on his latest comments on social media, Marshmello is telling fans there's certainly more where that came from. "Riddim ep coming very soon btw," he posted on X. "Maybe next week if you ask nicely." Riddim ep coming very soon btw…maybe next week if you ask nicely — marshmello (@marshmello) April 18, 2024 The news follows Mello's recent release of Mellodeath Tapes Vol. 1, the producer's collaborative EP with SVDDEN DEATH. Despite the ominous nature of their music, the two have been sharing seemingly swell times on the road with high-profile pop-up sets in Minnesota at the famed Mall of America and in Chicago atop the local landmark restaurant, The Wieners Circle. Marshmello's upcoming riddim EP may be his next focus, but there's no shortage of new tunes he's been workshopping. That includes a trap single alongside EDM.com Class of 2024 inductee Hamdi, which dropped on the Do LaB stage over the weekend at Coachella. Hamdi x Marshmello 👀👀 pic.twitter.com/urtv5pX1NI — Hamdi (@hamdimusic) April 18, 2024 Follow Marshmello:Facebook: facebook.com/marshmellomusic X: x.com/marshmellomusic Instagram: instagram.com/marshmellomusic Spotify: spoti.fi/3eeTJuD

After a tumultuous year marred by a battle with cancer, Michael Bibi's return to the stage at Coachella 2024 was a celebration of life, music and resilience. The influential DJ and house music producer, who in 2023 faced a rare form of brain and spinal cancer, graced the stage with a set that encapsulated more than just his raw skills on the decks. It was a profound emotional journey shared with thousands of adoring fans. Nearly a year ago, Bibi received a daunting prognosis, casting shadows over his career. However, his surprise performance in Ibiza during a break in his cancer treatment hinted at his unwavering spirit. By December he shared heartening news of his remission, a sign of hope not just for him, but also his fans worldwide. Before taking to Coachella's new Quasar stage, he reflected, "One year ago I was given a 30% chance of survival, today I'm packing to perform at Coachella... Never give up on your hopes or dreams." Bibi was joined onstage by his mother, who was simultaneously experiencing her first music festival with her son. The emotional weight of the performance was palpable, Bibi said. "It was emotional, it was intense—there was happiness, there was some sadness," he told BBC's Newsbeat. "And there was just a huge range of emotions coming through." View the original article to see embedded media. Bibi’s journey to Coachella was his first long-distance travel since his treatment, signifying a major step in his recovery. "That was a big step in itself, just getting on a plane and coming to the US," he added. "And then adding on top of that, doing my first show and coming to a festival, it was a lot." "But it actually gives you a sense of purpose again, moving and coming back out into reality and seeing people. Because I've been kind of sheltering a lot, because of the treatments, I've had to kind of isolate myself. So getting back out into the world and connecting with human beings is a good feeling." Follow Michael Bibi:Instagram: instagram.com/michael_bibi_ X: x.com/MichaelBibi1 Facebook: facebook.com/MichaelBibi1 Spotify: spoti.fi/3WMShaF

The Amsterdam-based festival has added a further 22 artists to its 10th edition, as it brings streaming in-house for the first time in a decade Continue reading...

DJ Snake threw a curveball at this year's Coachella, striking a chord with festival-goers by bringing out hip-hop icon 50 Cent in a groundbreaking set that bridged electronic dance music with old-school hip-hop. Euphoria swept through the crowd as 50 Cent performed 2003's "In Da Club," a track that has become synonymous with hip-hop excellence over its 20-year reign. The energy surged as they followed up with "P.I.M.P," turning the festival atmosphere at the Sahara tent into a block party of epic proportions. Elsewhere on the festival's grounds, Snake popped up to surprise fans with a dedicated hip-hop set at the Do LaB stage. He certainly made the most of his two weekends at the Indio-based festival as his high-energy Weekend 2 set followed up a star-studded outing the weekend prior, which saw the "Turn Down For What" producer bringing special guests Peso Pluma, Robin S. and Kodak Black to the stage. Check out a video of Snake and 50 Cent performing together below. View the original article to see embedded media. FOLLOW DJ SNAKE:Facebook: facebook.com/djsnake.fr X: x.com/djsnake Instagram: instagram.com/djsnake Spotify: spoti.fi/2Ydtfoq

In 2024, when the electronic dance music scene is dominated by technologically advanced visuals, Excision stands tall as one of its foremost innovators. Following the viral sensation of his 3D visuals, which seemingly leap out of the screen, the anticipation for his "Nexus" tour surged to unprecedented levels. For two of its biggest shows, Excision came to Los Angeles' Kia Forum in mid-April and delivered captivating, unparalleled experiences. Despite not being a festival but rather a single event on his extensive 50-stop tour, Excision spared no effort in curating an exceptional lineup. From emerging talents such as Hairitage, DRINKURWATER and LAYZ to industry heavyweights like ATLiens, Eptic and Space Laces, every supporting set featured stellar production, underscoring the Excision Presents' team's meticulous attention to detail. As Excision took the stage, the energy in the venue was already palpable, but the Lost Lands founder wasted no time in elevating it further. He also treated fans to a slurry of surprises, bringing out Dion Timmer and Juelz for performances of their unreleased collabs. Excision's production stands in a league of its own, distinct from even his beloved festival performances. And the experience he offers on his "Nexus" tour is unparalleled, showcasing a combination of energy and immersion that you just can't quite find elsewhere. For those yet to experience the thrill, there are still tickets available for the tour's summer 2024 run here. FOLLOW EXCISION:Facebook: facebook.com/Excision S: x.com/excision Instagram: instagram.com/excision Spotify: spoti.fi/3lLJ5jl

Powerhouse Swedish Trio Swedish House Mafia is back at it again, as the group announces new music is on the way. The superstar DJ group is set to release their latest single ‘Lioness‘ this Friday on music streaming platforms. Die-hard fans may recognize the new track, as Steve Angello, Sebastian Ingrosso, and Axwell first debuted the single during their show last summer at Ibiza’s Ushuaia nightclub. Steve Angelle also performed the track during his closing performance at the Sahara Stage at Coachella last weekend. ‘Lioness’ marks the first release of 2024 for the renowned house music group, a follow-up of last year’s single ‘Ray Of Solar‘. Listeners can expect to experience Swedish House Mafia’s signature electronic sound, featuring the vocals of indie singer Niki & The Dove. Those eager to get their hands on this precious new gem can presave the single here. The post Swedish House Mafia to Release New Music This Friday appeared first on EDMTunes.

SIZE Records is getting ready with another banging tune. The Corey James remix of Steve Angello’s “Rave ‘N’ Roll has been released on the 5th of April. This version of Steve Angello’s famous song is ready for the main stage. It will surely light up the festival scene with its unmatched energy and dynamism. Corey James injects his iconic energetic and electro sound in the already legendary Angello’s single. This remix has been a highlight of Swedish House Mafia and Steve Angello‘s sets for the past two years. It has been heard by thousands of people at big events like Ultra Miami, Tomorrowland in Belgium and Brazil, Creamfields, and USHUAÏA. Its release to the public is a big part of the SIZE XX Celebrations, which honor 20 years of groundbreaking music. Corey James gives “Rave ‘N’ Roll” a big festival vibe that makes it ready to be the sound of this summer’s concert circuit. The remix not only honors the original’s lively style but also elevates it to the level of mainstage hits, making it sure to be a hit at festivals and with DJs all over the world. This remix of “Rave ‘N’ Roll” from SIZE Records is another step forward for electronic music. It’s a track that will be played at a lot of festivals this summer. The post Steve Angello ‘Rave ‘N’ Roll’ gets Corey James Remix appeared first on The Groove Cartel.

The UKG star said his imprint has “accomplished its mission” after five years Continue reading...

At the IbizaVinylClub, the belief is that vinyl music is an art form that transcends age, experience, and boundaries. The community embraces vinyl enthusiasts from all walks of life, fostering an in-clusive environment which actively involves like-minded people at their popular VinylExchange events; and has a constantly expanding network of vinyl junkies and wax enthusiasts who share the same passion on the island. The real pull of the IVC is their interactive events, where guests and members can get involved on Opendecks, the VinylExchange & sale and the AudioPoint. These hands-on experiences allow attendees to engage with vinyl music tangibly and memorably. Each event also sees performances from the island’s most revered vinyl DJs, including long time Ibiza heads such as Ken Fan, David Phillips, Joan Ribas, Andy Baxter, Pete Gooding, Jo Mills, Karlos Sense and DJane Tsunami to name just a few. Thus far over 140 vinyl DJs have graced the IVC decks at more than 100 IVC events which have taken place at over 40 of Ibiza’s favourite music spots… including the legendary Café del Mar, Las Dalias, Ibiza Rocks Bar and Pikes Ibiza. Looking to 2024, the IbizaVinylClub has exciting plans in store. They are thrilled to close their third winter residency at Las Dalias cafe; the addition of numerous vinyl DJs to their roster (the IbizaVinylColectiv IVCLCTV), and exciting new partnerships with Technics and Ibiza Sonica Radio. Furthermore, they continue to support their very own charitable cause, PROJECT EQUILIBRIUM, which aims to Enhance Lives with the Power of Vinyl Music. In addition to multiple fundraising initiatives, they donate all fees received for vinyl sales at events and online to vulnerable children and orphan projects in Africa, with over €10,000 already gifted to beneficiaries in Uganda and Tanzania. Additionally, 2024 will see IbizaVinylClub launch its CLUBHOUSE campaign. This fundraising project aims to establish the IbizaVinylClubHouse, a dedicated resort designed for vinyl lovers from around the world. ThelClubHouse will feature multiple performance stages, 100% analogue sound systems, a vinyl museum, an analogue production studio, vinyl-disc etching, listening booths and events, and an extensive selection of vinyl music for purchase and exchange. It will be a haven for vinyl enthusiasts and a hub for collaborative opportunities and unforgettable vinyl adventures. “The vision for IbizaVinylClub is continuously expanding, and we invite you to join us in this vibrant community. Whether you’re a seasoned collector or new to the vinyl scene, we guarantee a warm welcome and an unforgettable experience. Come meet, swap, and play with us the next time you’re in Ibiza, and immerse yourself in the world of vinyl music.” – Gary Peachey (IVC founder) “It’s been great watching this community take shape and grow as vinyl has remained very close to my own heart” – Pete Gooding “Ibiza Vinyl Club (IVC) is a great community of vinyl lovers based in Ibiza; it is always a pleasure to be asked to play for this crew and to be part of the family. The events are top notch bringing local and international DJs together to celebrate all things vinyl, it is such a warm felt and loved community, bringing something authentic to the Ibiza music scene.” – Michael Wilson (DJ Mag) “Meeting the IVC has gifted me great memories of my teacher José Padilla… and with the help of Gary, and his friends, we now have a great, fun event and a community for everyone, with each event contributing being a charitable purpose for children in Africa” – Djane Tsunami Find out more and follow Instagram: @IbizaVinylClub @project_equilibrium_ The post Introducing: IbizaVinylClub – Vinyl addicts who are making a positive change for vulnerable children appeared first on Decoded Magazine.

Artists including Goldie and Chuck D paid tribute to the late rapper Continue reading...

Indira Paganotto is set to return to Amnesia Ibiza this summer and take over curation of The Club Room as part of Joseph Capriati’s Metamorfosi residency. Metamorfosi opens on 19th July and closes on 6th September so promises eight unmissable Fridays of high-class musical action in the world’s most celebrated club. Paganotto is one of the hottest stars in the contemporary scene. The Spanish artist has a potent sound and plenty of technical skill as a DJ and has played every major club and festival in the world in the last 12 months while also dropping music on Charlotte de Witte’s KNTXT, Nina Kraviz’s Trip and her own Artcore. Having just released an official remix for Depeche Mode, Indira is scheduled to play Movement Detroit, Tomorrowland Main Stage, EDC Las Vegas, and plenty of others this summer. She has impeccable taste that takes in many sub-styles from 90s disco to the most current underground techno. After the success of last year’s three-week residency, the ‘Psymama’ will be inviting a range of carefully curated guests to play alongside her each week at Amnesia this summer. She says, “Honestly, I am humbled by the trust and support I have received from Joseph Capriati throughout the years. I have so much gratitude towards him. This really feels like a family project and I couldn’t be prouder to be joining forces again after last year’s success. I am very proud of what we are creating – we genuinely are a true family!” Tickets available here The post Indira Paganotto to curate the club room at Amnesia Ibiza for Metamorfosi appeared first on Decoded Magazine.

Picture this: sunset at Coachella on the brand new Quasar stage. What’s better? Well, maybe the fact that Australian electronic trio RÜFÜS DU SOL took the decks for an unprecedented 3+ hour DJ set. Once you get there, you are immediately struck by the massive LED panels that make up the performance area. The striking futuristic design radiated an almost extraterrestrial energy. As RÜFÜS took their place behind the towering DJ booth, those panels blinked to life with abstract, ever-evolving geometric visualizations. We were about to embark on a true audiovisual journey. The opening warm-up saw the group ease us in with understated, atmospheric soundscapes zoning in on a hypnotic, rolling groove. Melodic synth pads ebbed and flowed as RÜFÜS effortlessly blended new unreleased tracks with deeper cult cuts from respected underground imprints. The visual accompaniment matched the vibe – hazy, colored clouds and fractalized natural scenery pulsated organically. Slowly but surely, the intensity was ratcheted up. Acapella vocals from the group’s anthemic hits like “Underwater” were deftly weaved in between punchy, driving kick drums. The visuals shifted too, morphing into hyper-realistic urban environments that disintegrated into otherworldly alien landscapes. We were being transported to another realm. As the night reached a feverish climax in the set’s final lush third, RÜFÜS kicked up the energy into an irresistible techno frenzy. Remixes from scene heavyweights like Adriatique got funky reworks, while the iconic “The Runner” by Foals got a thunderous club edit. Laser rave sticks danced feverishly as the crowd moved as one pulsating organism. Watching RÜFÜS seamlessly flow between underground house, techno, melodic grooves and more was a true clinic in technical wizardry and creative versatility. But it was the fully immersive, symbiotic audiovisual experience that left me in awe. The Quasar stage’s visuals were as much a “performer” as the three artists themselves, transcending standard concert visuals. As the final thumping kicks faded and RÜFÜS raised their arms in triumph, the human ocean roared its approval. We had all just witnessed a historic, boundary-pushing statement that raised the bar for what a DJ “performance” can be. The post Watch RÜFÜS DU SOL Coachella Groundbreaking 3+ Hour DJ Set appeared first on The Groove Cartel.

Two of electronic music’s greatest made the most of their time overseas. Illenium and Martin Garrix both played Creamfields in Hong Kong a couple of weeks ago. And over the weekend, both posted that they met up in the studio in Tokyo to work on some music! Martin is seen holding a guitar but other than that, no other information has been released. To no one’s surprise, the internet is all for it. With intense die hard followings for both artists, it’s going to be hard to not get excited to hear what the two can create. Hopefully we can get some teases of whatever they have created during festival season. If anything, we’ll hope to have an official release by the end of the year! b2b’s and collabs are popping up all over lately. Just this weekend, Anyma and Eric Prydz dominated Coachella on the new Quasar stage. It’s great to see artists pushing themselves out of their comfort zones to provide us with fresh & interesting tunes for our ears. The post Illenium & Martin Garrix Tease Collaboration with Social Media Posts appeared first on EDMTunes.

Dimension and Alison Wonderland hold nothing back in their first collaboration, a soaring dance track called "Satellite." "Satellite" is the perfect fusion of both artists, seamlessly intermingling their signature sounds through an arrangement dripping in nostalgia. The intro sees Wonderland step into the spotlight as her airy vocals lead to a bouncy four-on-the-floor sequence. Her catchy songwriting is yet another highlight in a track brimming with matchless talent. She calls out to those feeling lost, offering herself as a guiding light by virtue of uplifting lyrics that make for a perfect singalong moment during live sets. Then comes a breathtaking drum & bass drop to bring "Satellite" home with a flourish, ultimately delivering an anthemic track that'll prove a staple for both artists all summer long. "Alison Wonderland was the only artist I wanted for this record, her voice is a perfect fit for the 90s-trance influence and it’s a true honour to have her feature," Dimension said in a statement. "When we first met, there was instant chemistry. I remember encouraging her to go on a first date with a man who she is now engaged to and has children with! Releasing a track together is a beautiful full circle moment and we’re both in love with the track." You can listen to "Satellite" below and find the new collaboration on streaming platforms here. FOLLOW DIMENSION:Facebook: facebook.com/dimension X: x.com/dimension_uk Instagram: instagram.com/dimension Spotify: spoti.fi/3sbzWE9 FOLLOW ALISON WONDERLAND:Facebook: facebook.com/awonderdj X: x.com/awonderland Instagram: instagram.com/alisonwonderland Spotify: spoti.fi/3clhKRg

Excision has revealed the lineup for the return of Bass Canyon in 2024. Alongside Excision and the three sets he plays every year, he's enlisted the help of some of the biggest bass music acts in the world. Zeds Dead, Ganja White Night, Ray Volpe, Space Laces and Kill The Noise are all set to throw down at the scenic Gorge Amphitheatre in August. The dubstep superstar has diversified the Bass Canyon lineup further, tapping drum & bass artists like 1991, Kanine and Friction while also booking house music producers Habstrakt and Jake Shore. Per usual, some of the hottest rising talents are on the lineup as well, including DRINKURWATER, OMAS and Viperactive as well as EDM.com Class of 2024 stars Levity and Hamdi. Bass Canyon will once again be hosted at the Gorge and feature three stages. The festival will span three days from August 16th through 18th, as well as a camping pre-party on the 15th. Check out the full Bass Canyon 2024 lineup below. Those interested in attending can find tickets and information here. FOLLOW BASS CANYON:Website: basscanyon.com Facebook: facebook.com/BassCanyon Instagram: instagram.com/BassCanyon X: x.com/BassCanyon

The electronic music community is constantly evolving with new sounds every week as artists become more innovative with their compositions. EDM.com's weekly Fresh Picks series is helping uncover the latest and greatest tracks from the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksManu Dia - Often InsideSideluv - No FeelingsJouska - Why'd You Leave Me in the RedShallou - Losing FocusJuelz - Freaks & Geeks (Tails Remix)Bossa - Go CrazyZanski - SomnolenceAfternoon Bike Ride - Dog Years (weird inside Remix)Errance, Hologramme - GuidanceAlex Baker - Distant

Chinese-American producer and DJ HELANG has officially imparted the penultimate single, “No One,” ahead of her forthcoming Lovers of the Unknown EP. Now streaming on her self-founded record label, Dauntless Recordings, “No One” materializes a direct follow up to her March-released one-off, “Wise Devil.” Having tended decks alongside the likes of Eli Brown, CamelPhat, Joris Voorn, and deadmau5‘s Testpilot alter ego, HELANG aims to capitalize on her snowballing traction with the May 17th release of Lovers of the Unknown. Speaking on her latest single, HELANG mused, “When I came across this vocal sample, I just knew I had to incorporate it into [‘No One’]. Next thing you know, I was building a synth bass and gated vocals around the powerful voice, which I hope people can resonate with in terms of being their most authentic and unique versions of themselves.” An intricately-percussive, club-ready techno offering, “No One” triumphantly embodies the Asian-American producer’s sonic signature. As HELANG gears up to deliver her debut EP of 2024, stream “No One” via Dauntless Recordings below. Featured image: Aram Constantin The post HELANG shares penultimate single, ‘No One,’ ahead of upcoming EP appeared first on Dancing Astronaut.

When it comes to the world of electronic dance music, collaborations between superstar DJs and producers are always highly anticipated events. These joint efforts often result in massive hits that dominate festival stages and mainstream charts alike. However, some truly memorable collabs have flown under the radar over the years, overshadowed by the constant influx of new music. In this article, we revisit five forgotten EDM collaborations that deserve to be rediscovered and appreciated. David Guetta & Afrojack – “Louder Than Words” Released in 2010, “Louder Than Words” was a electro house tour de force that brought together two of the biggest names in the genre at the time. Featuring powerful vocal hooks and a high-energy drop, the track perfectly captured the sound that had propelled both David Guetta and Afrojack to superstardom. Despite its undeniable dance floor appeal, the song is often overlooked as both David Guetta and Afrojack have a repertoire of bangers both individually and collectively. Hardwell & Tiësto – “Written in Reverse” In 2014, Dutch powerhouses Hardwell and Tiësto joined forces for “Written in Reverse,” a melodic big room house anthem that showcased the producers’ respective strengths. Blending euphoric breakdowns with hard-hitting drops, the track was a quintessential festival banger that deserved more attention than it received. Perhaps overlooked due to its release amidst an oversaturated market during a time where big room house was booming, “Written in Reverse” remains a hidden gem in both artists’ discographies. Calvin Harris & Nicky Romero – “Iron” Calvin Harris and Nicky Romero made an unlikely pairing on the 2012 track “Iron.” Fusing Harris’ pop sensibilities with Romero’s signature progressive house sound, the result was a high-octane, synth-laden banger that deserved more recognition. “Iron” was the first single from Nicky Romero’s label to reach number one Beatport and was much a crowd hit during the time, however today it’s one we don’t hear as often. The 2010’s era is often known as the golden era of EDM and this track was certainly one we jammed to then and hopefully can bring it back again this festival season! Skrillex & Kaskade – “Lick It” In 2017, dubstep pioneer Skrillex and house music veteran Kaskade joined forces for the unexpected collaboration “Lick It.” Blending their respective styles into a genre-defying hybrid, the track was an experimental departure for both artists that showcased their creative versatility. Unfortunately, “Lick It” flew under the radar, overshadowed by the artists’ more mainstream releases. Porter Robinson & Mat Zo – “Easy” Before embarking on their respective artistic evolutions, Porter Robinson and Mat Zo crafted the electro house gem “Easy” in 2013. A melodic, emotive offering that perfectly captured the sound of the era, the track deserved more recognition than it received. Perhaps overlooked due to its subtlety amidst the bombastic trends of the time, “Easy” remains a standout in both producers’ early discographies. While these five collaborations may have been forgotten by the mainstream, they remain cherished by dedicated fans and serve as reminders of the creative potential that arises when talented artists join forces. As the ever-evolving world of EDM continues to explore new sounds and styles, it’s worth revisiting these hidden gems and rediscovering the magic that made them special in the first place.

Since its inception in 2019, Peggy Gou‘s Gudu label has established itself as a truly international house for electronic music talent from around the world. The label’s latest release, Gudu & Friends Vol. 2, doubles down on that cosmopolitan ethos, compiling a wildly diverse array of artists from Korea, Italy, the US, and beyond. The compilation is the second installment of Gudu‘s various artists series. It follows last year’s eclectic Gudu & Friends Vol. 1. This new edition sees familiar Gudu associates like Korean techno maverick Mogwaa, Italian house mavericks Hiver and Dukwa, and Gou’s fellow Blessing Recordings alumni Matisa return alongside a fresh crop of global voices. Among the newcomers is Alinka, whose “Night Train” is a hypnotic late-night house roller. L.A.-based Jordan Nocturne links up with vocalist Coco Cole for the sultry deep house vibes of “Thrill of Desire.” Gina Breeze brings a skipping electro/UK funky fusion on “Rebound,” while Minju channels nostalgic ’90s piano house energy on “‘90s Street.” The collection runs the gamut from the glacial, atmospheric techno of Mogwaa’s “Arctica” to Matisa’s sugary sweet house delight “Yummy.” Dukwa’s idiosyncratic “Coco” and Nyra’s dreamy “Every Night You” showcase the compilation’s more leftfield experimental sides. Tying it all together is Seoul illustrator Jin Young Choi’s cover art reflecting the lunar year of the dragon. It’s a fitting symbol for the international, mythic journey the compilation takes across its multicultured tracks. Gudu & Friends Vol. 2 Hiver – Drama A tense, cinematic techno roller from the Italian producer, building an atmosphere of brooding suspense. Alinka – Night Train A late-night, hypnotic house groover with moody chords and rattling percussion evoking an after-hours journey. Gina Breeze – Rebound Rubbery basslines and skipping rhythms make this a snappy electro/UK funky fusion primed for the dancefloor. Mogwaa – Arctica The Korean producer crafts an icy, ethereal techno soundscape filled with glacial pads and muted percussion. Dukwa – Coco Funky, off-kilter rhythms and warbling synths come together in this idiosyncratic, adventurous house cut. Matisa – Yummy A sweet, sugary house delight from the Italian artist, with playful vocal samples and buoyant grooves. Minju – ’90s Street Retro breakbeats and irrepressible piano house vibes transport you to the golden era in this nostalgic stormer. Jordan Nocturne (feat. Coco Cole) – Thrill of Desire Breathy vocals and hypnotic deep house pulsations create a seductive, alluring after-hours ambiance. Nyra – Every Night You Skittering percussion and waves of atmospheric pads underpin this entrancing, dreamlike techno odyssey. With Gudu & Friends Vol. 2 leading the way, Gou’s label is firing on all cylinders in 2024. They’ve already launched a new dancefloor-focused single series called Club Gudu, with Gudu’s eagerly anticipated debut album still to come later this year. After establishing themselves as a vital launchpad for global underground talent, Gudu’s latest V/A is asolid evidence that their international outlook remains as vibrant and vital as ever. Gudu & Friends Vol. 2 is out digitally and on limited cassette on May 2nd. The post Peggy Gou’s Gudu Label Announces “Gudu & Friends Vol. 2” Compilation appeared first on The Groove Cartel.

Armin van Buuren co-founded label Armada Music, based in Amsterdam has set up a new parent company, Armada Music Group as it continues to grow through acquisition. Its latest acquisition is Netherlands-based label and publisher Cloud 9 Music. The new parent company which will encompass Armada’s label, publishing and investments arms. Last year, the label announced the BEAT Music Fund, which it described as the first-ever dance music investment fund and a plan to spend $100 million on catalog acquisitions in its first two years. Now, the newly formed parent company has annouced it’s planning am additional $500 million in investments within the next five years. “This acquisition is significant to us and will boost our ability to empower today’s dance artists and expand their opportunities to monetize their work in the current landscape. Now more than ever, today’s artists need a trusted partner. Providing label, publishing services and opportunities within catalog investment all under one roof directly fuels our ongoing mission to advocate for dance artists, contribute to their success, and uphold the value of creativity.” – Armada co-founder and CEO Maykel Piron The new parent company is designed to “seamlessly offer label, publishing, and catalog acquisition services under one roof with a mission to bolster creativity for current and prospective representation,” the company said on Tuesday (April 16). The post Armada Forms New Parent Company, Targets $500M In Investments appeared first on EDMTunes.

Fusion Remixes 02​/​03 by Len Faki Berlin-based renowned techno artist Len Faki has announced the second instalment of his Fusion remix trilogy, out on his label imprint Figure. Nearly a year on from the original LP release, Fusion Remixes 02/03 reminds us of the versatility and musical expansiveness of Len Faki’s latest masterwork. The Berliner has hand-picked his favourite producers, from ANNA to Modeselektor, to reimagine eight originals on the second double 12“ EP of the Fusion Remixes collection, following January’s first instalment. Part two of the trilogy kicks off with ‘Sexuality (My Reality)’, recrafted by Len himself under the moniker Hardspace into a rasping stomper, adding a cacophony of hit hats into the mix using his understanding of floor dynamics. Fusion deep cut ‘Shri Yantra’ gets the club treatment next, with Luke Slater’s Deep Heat remix ramping up the intensity, transporting the original’s delicate synth textures into a high-octane screamer. On the B-side, Amotik morphs the bouncing ‘Make Me Scream’ into a one-way tunnel of haunted voices and pummeling percussion, while the sharp breakbeats and warm synths give Ploy’s rework of ‘Raum 422’ a distinctly old-school feel. Next up, ANNA crafts the album highlight two-parter ‘Hymn’ into a club anthem with thick low-end and intricate topline melodies, and ‘Astra’ gets a rework from the man Len Faki himself on a lean Beat Room mix crawling with otherworldly sound effects. Closing this second remixes EP out, Fusions lead single ‘Don’t Be Stupid Day’ is reinterpreted as an ominous, distorted fever dream by Modeselektor, before Beste Hira’s grand finale, a hair-raising take on the stunning ‘Waver’. Stay tuned for part three of the remix trilogy, bringing even more of the Fusion originals back in a new guise… The post Len Faki releases second instalment of his ‘Fusion’ remix trilogy appeared first on Decoded Magazine.

Ten years ago, the electronic dance music scene was rocked by the release of ‘Tremor’, a monumental collaboration between Martin Garrix and the powerhouse Belgian duo Dimitri Vegas & Like Mike. Released on April 21, 2014, ‘Tremor’ quickly became a festival anthem known for its seismic bassline drops and unforgettable melody, defining the sound of a generation in EDM. First teased during the DJ Mag Top 100 DJ party in Amsterdam in October 2013, ‘Tremor’ captured the attention of the global dance music community with its raw power and energy. By the time it was featured in the official TomorrowWorld 2013 Aftermovie, anticipation had reached fever pitch, setting the stage for its explosive full release. The collaboration between the then-rising star Martin Garrix and established EDM icons Dimitri Vegas & Like Mike was a perfect storm of talent and creativity, resulting in a track that not only dominated playlists but also became a staple in festival sets around the world. Its impact on dance floors was immediate, with its pulsating rhythms and catchy drops commanding massive crowd reactions. Today, ‘Tremor’ remains a beloved classic in the EDM genre, a testament to its enduring appeal and the unique synergy of its creators. It continues to be celebrated for its contribution to shaping the big room house genre, cementing the reputations of Martin Garrix, Dimitri Vegas & Like Mike as leading figures in electronic music.

Located on the beachfront with views across the Mediterranean, Playa Soleil is a multi-sensory oasis, designed to nourish mind, body, and soul. Following its debut season in 2023, which saw the immersive beach experience become one of Ibiza’s most talked-about hotspots, Playa Soleil will open its doors for the 2024 season on Friday 26 April. The Grand Opening Party is scheduled on Sunday 28 April, and carefully curated music residencies are set to inspire and energise guests on Ibiza’s sun-drenched coastline all summer long. Platja d’en Bossa’s premier beach bar, restaurant and club invites guests to indulge in the finer things and soak up the island’s spiritual energy and natural beauty, surrounded by tropical palm trees, crystal-clear waters and glistening sand. The grown-up paradise offers a perfect blend of music, food, art, and wellness. Relax by day at the beach experience, indulge in world-class gastronomy at the restaurant, and dance from day into night with invigorating soundscapes from globally renowned DJs and exceptional talent. GRAND OPENING PARTY 2024 Sunday 28 April Playa Soleil’s Grand Opening Party will take place on Sunday 28 April 2024, offering a taste of the music residencies for the 2024 season. Get ready for scintillating sets from Guy Gerber and Andrea Oliva, two artists who were instrumental in shaping the music experience at the venue last summer with their respective residencies RUMORS and All I Need. They will be joined by Argentine DJ KINTAR who will bring his revered Ibiza party SUMMERIANS to Playa Soleil for the first time this summer, and Spanish artist Arodes, whose deep, melodic soundscapes always take the dancefloor on an unforgettable journey. Register for free entry at playasoleil.com. Looking ahead into the season, here’s what’s coming up… ALL DAY I DREAM Monday | 17 June – 30 September Lee Burridge’s singular party concept All Day I Dream is to host its debut residency at Playa Soleil this summer, taking over Mondays from 17 June to 30 September. The blissful beach venue will provide the perfect canvas for the many musical fantasies served up by All Day I Dream founder Lee Burridge, a long-standing underground figure who has helped define many musical niches over the years, and his core team of label associates. Synonymous with house music that brings emotion, storytelling, and dreamy synths, All Day I Dream is packed with subtle details and infectious grooves and has a superb array of artists from around the world who all make it the truly special experience it is today. ALL I NEED Sundays | 5 May – 9 June For those seeking a Sunday escape filled with culinary delights and soul-stirring beats, All I Need at Playa Soleil is the ultimate destination. Helmed by the renowned DJ and producer, Andrea Oliva, All I Need expertly blends captivating music and laid-back ambience, to create a unique day-to-night experience. The “All I Need” founder will curate and perform alongside an impeccable lineup of guest DJs every Sunday from 5 May to 9 June. KINTAR PRESENTS SUMMERIANS Saturdays, 25 May – 5 October Prepare to embark on a sonic journey as visionary Argentine DJ/Producer KINTAR makes his debut at Playa Soleil with SUMMERIANS. Renowned for his authentic mystical and ethnic sound, KINTAR seamlessly blends organic and ancient instruments from diverse cultures with cutting-edge synthesizers to craft a truly unique electronic experience. Every Saturday from 25 May to 5 October, SUMMERIANS promises an unparalleled experience of immersive multi-sensory delights. PALMARAMA Sundays | 16 June – 6 October Playa Soleil’s flagship Sunday party Palmarama returns for a second season, bringing world-class sounds to the idyllic beachfront location. Last summer, the buzzing event played host to acts including Luciano, Sven Väth, The Martinez Brothers, Damian Lazarus, and Joseph Capriati, and music fans can expect plenty more surprises this year as it returns for its biggest season to date. Every Sunday from 16 June – 6 October, Palmarama will showcase a top-tier selection of international DJs, special guests, and exceptional talent. RUMORS Fridays | 7 June to 4 October The debut season of RUMORS by Guy Gerber at Playa Soleil proved a huge hit with music lovers last summer and this year the iconic Ibiza DJ, musical tastemaker and multi-instrumentalist Gerber, returns alongside another carefully curated mix of international artists from across the electronic spectrum. For those who like to get down in intimate and beautifully naturalistic surroundings with a true Ibiza spirit in the air, there is no finer party than Guy Gerber’s RUMORS at Playa Soleil, every Friday from 7 June to 4 October. With its unparalleled gastronomy, breathtaking views of the Mediterranean, expertly curated soundtrack, and unrivalled atmosphere, Playa Soleil is once again set to be an unmissable island experience. For beach and restaurant bookings, and to register for free entry to the Grand Opening Party, visit playasoleil.com. PLAYA SOLEIL 2024 – KEY DATES & RESIDENCIES Sunday 28 April GRAND OPENING PARTY 2024 Monday | 17 Jun – 30 Sep ALL DAY I DREAM Sundays | 5 May – 9 Jun ALL I NEED BY ANDREA OLIVA Saturdays | 25 May – 5 Oct KINTAR PRESENTS SUMMERIANS Sundays | 16 Jun – 6 Oct PALMARAMA Fridays | 7 Jun to 4 Oct RUMORS BY GUY GERBER The post Ibiza beach club Playa Soleil announces summer 2024 events appeared first on Decoded Magazine.

John Graham, known to dance floors as Quivver, makes his debut on Franky Wah’s cutting-edge imprint, SHÈN Recordings. Still riding high on the wave of his Beatport chart-topping success with his Balance Music Mix compilation, alongside Dave Seaman, Quivver’s two-track release for SHÈN, road-tested on dance floors globally by Wah, is a testament to Quivver’s enduring ability to resonate with the ever-changing landscape of electronic music. Graham, under his moniker Quivver, remains a true legend in the melodic music space. A former DJ Mag Top 100 regular, his past label releases are featured on the who’s who of industry giants, including Anjunadeep, Toolroom, and Bedrock. Quivver’s ‘That Place You Know’ aligns perfectly with SHÈN’s ethos of releasing forward-thinking progressive sounds with a touch of tribal and emotion. Complementing this is ‘Dovetail’, a track that’s solely aimed at dance floors. To mark the milestone of the success from his Balance release, Quivver is about to embark on a global tour with Dave Seaman, with the following dates announced and more to be confirmed. Quivver Tour Dates: – April 19th – Bali, Indonesia – April 21st – La La Land, Brisbane, Australia – April 25th – Howler, Melbourne, Australia – April 27th – Café Del Mar, Sydney, Australia – May 9th – Bar Americas, Guadalajara, Mexico – May 10th – Vagalume, Tulum, Mexico – May 11th – Hookah Condesa, Mexico City – May 18th – Islamabad, Pakistan – July 12th – Noisily Festival Quivver’s ‘The Place You Know’ is available to download/stream via Franky Wah’s SHÈN Recordings. Download/stream it here The post Quivver Debuts on Franky Wah’s SHÈN Recordings With ‘The Place You Know’ appeared first on Electic Mode.

Etherwood is launching his own label, Stillness Music. After 10 years at Med School and Hospital Records, he thought it was time for something new. Drawing from his third album, In Stillness, Etherwood was inspired by nature, meditation, and mental health. He hopes to bring this same ethos of peace to his new label. “The idea behind Stillness Music is a focus on the more chilled and serene side of drum and bass, creating a space to find calmness and stillness among the chaos of everyday life,” he explains. With the first single announced, it’s safe to say Etherwood is staying true to the sound we all know and love him for: liquid drum & bass, deep melodies, and a hint of nature. You might have heard the track at Liquicity or Shogun Sessions, but on April 25, it’s finally out on Stillness Music. We caught up with Etherwood and talked about the new label and life lately. Congratulations on the label! Can you start by telling us the story of how it started? Thank you! When I started producing, I never thought I’d start my own label, but the idea has been slowly forming over the past few years. After ten years, four albums and an EP with Hospital, I felt it was time to start something fresh and exciting. My contract was naturally coming to an end, and I’d seen some of my friends and artists starting their own labels. I was very inspired to do the same. I’ve always had a very strong vision and notion of who I want to be as an artist and for my music to reflect the themes that I live by, so I think this has ultimately led to me wanting to take more control. I owe so much to Hospital and Med School, it’s been an amazing ride, but it feels like I’m ready for the next chapter to further hone my vibe as an artist and create a platform to release my own tunes and music I love. What’s that vision you’re talking about? I chose the name ‘Stillness Music’ because I wanted something relevant as an artist. My third album is called In Stillness, and for that one, I went out into isolation and stayed in a little cabin in the Finnish woods for 10 days. It invited all these calm and chilled vibes without any distractions. Since then, I’ve felt connected to the idea of stillness and figured it’s a perfect name for the label and its ethos. Listening to music can be an escape from the present, but it also makes us feel connected, grounded and alive. During a hectic time, we can put our headphones on and return to what’s real, special and important. Drum & bass has this beautiful ability to make us feel a million different ways in one. To me, it’s all about the calmer, deeper side, the stuff that hits you where it matters. The idea behind Stillness is to create a platform for the more chilled and serene side of D&B, a soundtrack to a drive through the mountains, a walk through the forest or a stroll on the beach. That’s the vision. That’s the vibe that I yearn for as an artist and a listener. Talking about stillness, it’s also been a while since you released music. How was it to take some time off? It was really, really important. It feels like a long time now, but I have been doing loads since the last album came out. I was converting a camper van so that I could travel to gigs and write music in there, be away from home, and enjoy being in nature. I was finishing that off, and then after a little while, I moved into a flat on the south coast. It was a very busy time for me, so I couldn’t get into the studio as much as I’d have liked. I also felt like I needed to take some time off to assess where I am as an artist and gain more inspiration from travel. Try to figure out what I want to do. That’s when the idea for the label really took form. The whole Stillness theme has become a bit of a mantra for me, especially recently. 10 years in, it’s obvious that the DJ lifestyle is really intense and really hectic… It’s easy to get carried away. Sometimes, you feel like you struggle to stay grounded and keep your feet on the ground. I think after that period of time, when my contract with Hospital Records was coming to an end, I felt like that was a good time to take a step back and assess everything. I was meditating a lot and grounding myself, essentially. I really needed that time off. Otherwise, you just carry on. You burn out and get stuck in a loop, then it’s another 10 years, and you’re in the same place as you were before. Musically, as well, I didn’t want to keep writing the same stuff. I took some time to learn new production techniques, got some new synths and changed the software I use for production. It’s been nice. I feel like I’m coming back refreshed and renewed. What’s the plan for the label? I don’t really want to restrict myself to being a drum & bass label only. I hope to release anything that ties nicely into the label’s ethos. It would be nice to incorporate some wellness and mindfulness, maybe some yoga, and perhaps work with some mental health charities. What’s important for me is to try and use this platform to promote wellness and ultimately create a sense of peace and well-being for everyone involved. Where did your relationship with nature start? I’ve always been kind of obsessed with nature. I used to go camping a lot when I was younger. I used to go to the woods, go wild swimming whenever I could… enjoying everything nature offered. It always gave me this strong feeling of peace. I guess that ended up coming through in my music, and that’s where I still find most of my inspiration. I discovered meditation around the same time that I started making music. I started getting into Buddhism, and I was meditating more and more. I think it really helps, and for me, it’s really important to balance this mad DJ lifestyle. It’s very up and down and very mentally challenging. You need something to keep you happy and peaceful, and that’s what meditation did for me. I talk to a lot of people about it, but I try not to preach about it too much. There’s a big mental struggle for anyone in this industry. For me, meditation was the thing that allowed me to move past that and stay on top of everything. A few years back, I struggled a lot with my mental health, particularly when I first started life as Etherwood. It was a huge culture shock, and it took some time to adjust to that, but the more you meditate, the more you learn to navigate life a little better. You don’t find yourself getting quite so stressed. Even things like nerves when you’re DJing, lack of confidence, or judging yourself. Meditating helps you with all of this. I’m hoping to do some Stillness Music events with all the usual joys of a D&B rave, but it could be cool to have meditation sessions at the event as well, or a gong bath or some sound therapy. It’s not normally the kind of thing you’d find at a drum & bass rave, but it’d be great to have that or just an area where you can sit and find your chill. In the long run, I’d love to try and do some sessions to try and introduce more DJs and producers to meditation cause it’s helped me so much. How does that tie in with your relationship with traveling? I’ve always felt quite nomadic. I don’t tend to stay in one place for too long, which is why I decided to convert a van into a camper. I travel a lot because of my job, and I love being amongst nature, so I thought it would be great to combine the two. I have a small studio set up in there, which is cool. When you’re on the move a lot, you need those times of stillness to reflect. It’s been three years since your last album, Neon Dust. How have you grown as an artist? I think there’s a lot of self-discovery. When I’m writing, I always find I have to remove myself from the day-to-day and step away from my home for a bit to get that inspiration. I feel more settled now as a person and artist. On Neon Dust, I experimented a bit with different genres and listened to a lot of 60s music while writing it. There were some slow bits in there. There were some more housey bits. This bit of time between releases has allowed me to focus more on developing my sound. For this first release on Stillness, I’m fixed on drum & bass, trying to put as much of myself into it as possible and not stray too much into different genres. I do feel as though I’ve learned a lot when it comes to songwriting and production, and I hope that carries through. On social media, you posted something about learning how to drone. Is it important for you to keep learning new stuff? Well, it’s funny you mention that because I had a bit of an accident this weekend involving the drone and a tree that literally came out of nowhere. But yeah, I love learning new stuff. I’m quite a creative person anyway. I’ve just started painting a lot. The great thing about the drone is that there are so many awesome spots because we travel a lot. I figured it would go hand in hand. The drone footage looks really nice when combined with music. But yeah, I’m always creating. Music is where my heart and soul go, but I love learning new stuff when possible. You’ve had some gigs recently, like Shogun Sessions, for example. How was it to go back out there and tease your upcoming music? It’s always nice. I’ve been playing ‘Lucid’, my new single, a lot, and it’s getting a nice reaction. My music isn’t particularly made for dancefloors. It doesn’t have this huge mega filthy drop or anything, so it’s nice to see people reacting well to that kind of music in a rave setting. How would you like people to listen to your music, then? I don’t know, really. I guess my music comes from a place where I feel very relaxed, at peace, and comfortable, and that’s when I can create. It’s all coming out as naturally as possible. Because it’s all very inspired by nature, and I know I keep talking about nature a lot, but I would say it’s probably better appreciated there. A lot of people tell me that they listen to my music when they’re travelling, which is really nice. It’s like the soundtrack to people’s travels. I love it when people share those kinds of stories. I suppose any time when you feel like you just need some comfort, that’s what I’m trying to do with my music, like an audio hug. I’m speaking from my own point of view here, but there’s something about liquid drum & bass and the feeling it gives you. The soul and the passion… there’s so much energy in it, but then at the same time, you’ve got some serious feels from all the pianos and the guitars and the vocals and that deep sub. It’s just the best. What else do you have planned for this year? I’ve got some cool shows that I’m looking forward to. I’m heading to America in May for the first time in quite a while, which will be good. I’ve got some great shows in the summer, one in Bali, which I’m looking forward to. Another thing I’m hoping to start is a YouTube mix series. This will be a stream from the camper van. A lot of the time when I’m parked up somewhere nice, I’ve got the decks out, and I’m having a mix, so I think it would be really nice if we filmed this. So that’s the plan. Also hoping to explore lots of other avenues related to the label, but I’d better not say too much for now… Follow Etherwood: Instagram | TikTok | Facebook/Meta | SoundCloud