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Porter Robinson has revealed the release date of his long-awaited third album, SMILE! :D. Set to drop this summer on July 26th, 2024, the album will feature his recent hyperpop debut, "Cheerleader," as well as a brand-new single released moments ago, "KNOCK YOURSELF OUT XD." You can check out the official music video for that track below. Robinson took to social media to open up about his new album's recording process, hinting that it will be a drastic departure from its predecessor, 2021's Nurture. The Worlds producer admits that while he tried to create an absurd album filled with bangers, he ended up spilling his innermost feelings and ultimately created what he believes is his most confessional work to date. "the album that I was TRYING to write was this nonstop party — NO sincerity, ALL fun, an album that revels in absurdity for a world that rejects context," Robinson wrote. "And that was the plan until I accidentally started confessing how I was really feeling, and … you’ll hear the rest. "my most fun, and maybe my most heartbreaking album," he added. MY THIRD ALBUM “SMILE! :D” is coming out JULY 26th!! pre-order / pre-save : https://t.co/8LoGDWRiTw pic.twitter.com/ss5wHhMiRG — porter robinson (@porterrobinson) April 23, 2024 Those looking to enjoy the new album the old-fashioned way will have plenty of options considering Robinson announced multiple physical album bundles, which are set to launch with the release of SMILE! :D. Fans can preorder a CD, a pink 2LP pressing and a deluxe box set, the lattermost of which will feature the vinyl, an exclusive art print, a lyric and photo book, and an exclusive 7" "Cheerleader" vinyl all contained in a custom case. You can pre-save SMILE! :D and preorder physical bundles here. FOLLOW PORTER ROBINSON:X: x.com/porterrobinson Instagram: instagram.com/porterrobinson Facebook: facebook.com/porterrobinsonmusic Spotify: spoti.fi/2Zu4oNS

Listen to a colossal track we recently came across. What’s been on your mind lately? Is it Techno by any chance? If that’s the case, here’s good news for you: there’s a brand-new tune you should be playing in a loop. Very recently, we’ve had the pleasure of adding a new Saad Ayub track to our personal playlists. Works wonders! Saad Ayub Canadian-Bangladeshi DJ and producer Saad Ayub is one of those finely polished veterans of the Dance music industry. Having started at just 18 years old, he made waves in Bangladesh, all accompanied by Ministry of Sound World Tour gigs. He’s worked on a handful of releases, both on his own and by the hand of legendary artists such as Paul van Dyk, Markus Schulz, and Ferry Corsten. Five years ago, Ayub figured it was about time to open up a space for other like-minded artists to test and expand their limits of creativity, and founded VRTN Records. Since then, he’s featured nearly 40 releases, while also releasing his music on his and other prestigious labels like VANDIT and Coldharbour. Just before celebrating his tenth anniversary as a producer with a three-part album this year (more on that in a few weeks’ time), he’s got one more ace under his sleeve. ‘L’amour’ What do Paul Van Dyk, Sam Divine, Richie Hawtin, Kyau & Albert, and Ronski Speed have in common? They’ve all supported ‘L’amour’, Ayub’s latest release. Peak-Time Techno is what best describes this track, one quite dark, tense, and crafted especially for the most intense moments of the night. Let the sustained beds keep you glued to the dancefloor, anticipating the fall of the next round of hard-hitting beats. Wide leads and powerful kicks are bound to get you dancing throughout the duration of this track, and fly away with the soft whispers of legendary vocalist Zara Taylor, who also brings her magic to the piece. It’s minimalistic in terms of the number of elements, but each sound has a clear role to play, and plays it, in fact, to perfection. Listen to Saad Ayub’s ‘L’amour’ in full by clicking the Spotify button we’ve provided. Also, be sure to follow him on his socials, and click here to support the release on your platform of choice. And don’t forget to stay tuned to our page for the latest news and reviews from our beloved EDM industry. The post Saad Ayub Sets The Industry Ablaze With Latest Release ‘L’amour’ appeared first on EDMTunes.

The organizers of San Francisco's Outside Lands have revealed the festival's 2024 lineup. Co-produced by Another Planet Entertainment and Superfly, the three-day fest is scheduled to return to Golden Gate Park from August 9-11. Electronic music superstars Chris Lake, Kaytranada and Gryffin will headline along with The Killers, Post Malone, Sturgill Simpson, The Postal Service, Grace Jones, Jungle and Tyler, The Creator. Elsewhere on this year's Outside Lands lineup is the Kasablanca duo, a member of which recently made his triumphant return to the stage amid cancer treatment. Other big names from around the dance music world include SIDEPIECE, Snakehips, Seth Troxler, TSHA, Daily Bread, Idris Elba and EDM.com Class of 2023 star Knock2. Check out the full lineup below and find tickets and more information on Outside Lands' website. Three-day passes start at $465. The 2024 Outside Lands lineup features Kaytranada, Jungle, Chris Lake, Gryffin and more.Outside Lands FOLLOW OUTSIDE LANDS:Facebook: facebook.com/SFOutsideLands X: x.com/sfoutsidelands Instagram: instagram.com/outsidelands

Hi! Who are you? Nick: Yooo I’m Nick aka The Prototypes and myself and Benny V both own and run Roadblock Records! What’s your ethos? Nick: To release banging dnb from producers that push boundaries and package it differently to the rest Tell us your origin story… Nick: Myself and Benny weirdly both became available to work together at exactly the same time…I had a concept for a new label for a while and wanted to bring someone on board to make that a reality. Better than that we decided to start the project as a partnership and after a few meetings Roadblock was born. Benny V: I have always rated what The Prototypes have been doing and although the music style isn’t exactly the same as what I have been working on I have always loved the raw energy. Where are you based? Tell us about your local scene… Nick: I’m based near Brighton and the scene down here is thriving. I feel it gets a bit overlooked when the best places in the UK for raving get mentioned. Brighton was strong when some weren’t and remains strong to this day. Benny V: I’m born and bred in East London. Will never not appreciate growing up where I did, going to wicked raves every single weekend. A choice of multiple pirates on the airwaves and where I first cut my teeth DJing. Originally at 16 in my local Ice Rink at Lea Valley and then 17 when I started playing at Labyrinth. Do you have a specific sound or vibe? Nick: For the label, I think it’s not so much the sound as a sonic production but the sound that creates the vibe and energy in a track. I’ve always known what I like immediately. It’s an internal thing. Benny V: It is always best not say “This is the sound” because things evolve. The scene. The vibe. Even ourselves. We are staying true to being music with a great energy throughout. Do you have a regular artist roster? Nick: Not sure we can release that yet… Benny V: We have an absolutely brilliant blend of the top-level established acts and have hand-picked some of the rising stars that we believe in Tell us about your A&R process… Nick: We both get sent a lot of tunes and so far we’ve been on the same page with everything we’ve signed. I like to sit with the tune for a while and listen/play it in a number of different places before making a choice. It has to work for me day to day as much as in a club environment Benny V: “What you think of this” has been our motto for the last few months. Throwing tracks to and fro and thrashing out, not just the best, but what fits best too. What makes you different from other labels? Benny V: The branding, the eclectic mix of styles and probably the fact that two different people who have worked in the scene for as long as we have, without ever officially crossing paths professionally means we can both draw from a massive pool of talent and experience. Nick: I think it’s quite rare for two artists this far along to pair up on a project like this and I think our experiences from very different scenarios in career and life will really benefit the shape the label takes in the future What does it take to run a bass music label in 2024? Benny V: The game has changed immeasurably over the last few years. Before you got great music, got your artwork done, sent it to the club DJs and bang. Now you have to think of so many other aspects. It’s so unpopular to say for the original dons but the reality is, at this moment in time, the work you do on social media really can propel things. Whether that changes in the future we shall see. Nick: Gotta be bang on it with the socials obviously. A lot more networking with the vast array of pages available to push the releases. I feel like the music I want for Roadblock has to grab your attention one way or another so it’s about varied campaigns, consistent quality music and a few extra tricks chucked in too. What have you got coming up that we should look out for? Nick: My 2nd single came out on Roadblock on Friday April 12. It’s called ‘Don’t Wanta Play’ and features Genesis Elijah. Benny V: I team up with two exceptionally talented people Exile and Entice MC who I have done a fair amount of work with already, and we have something in the pipeline for Roadblock. I also have releases lined up on Suburban Base, Dance Concept, a liquid remix for Ruff DnB and even got a Hardcore track coming out in the summer which was tonnes of fun to make!

Nestled in the vibrant Provenza neighborhood of Medellín, dance music enthusiasts can find a surreal world of creativity and connection at Selina. The hostel offers travelers a unique blend of music, culture and coworking, making it the perfect accommodation choice for those attending Tomorrowland's upcoming CORE festival, which is scheduled for May 11-12. Selina Medellín boasts a vibrant ambiance filled with locally curated murals and art that reflect the city's rich history. And with a wide range of accommodation options to suit every budget, from shared dorms to private rooms, it provides a welcoming atmosphere for travelers who not only want to immerse themselves in the local culture, but also meet new friends. Selina/Facebook Apart from its amenities and relaxed atmosphere, Selina Medellín features a fully-equipped music studio on its rooftop that offers a 360° view of the city as well as a coworking space equipped with everything digital nomads need to stay productive on the road. After a day of work or exploration, guests can unwind in the wellness area with a yoga class or relax in the cozy onsite movie room. In the evenings, Selina comes alive with social events and live music performances so guests can mingle with fellow travelers. From casual bar nights to lively parties featuring local DJs, these events capture the spirit of vibrant Medellín's nightlife scene. Selina With Tomorrowland's inaugural CORE Medellín event just around the corner, Selina is a surefire go-to. Over 30,000 attendees are expected across its two days as the iconic festival brand will construct its spectacular new CORE stage. The event features a big lineup with Bicep, Agents Of Time, ANNA, Chet Faker and more. Find out more about Selina Medellín and book your stay here. FOLLOW SELINA COLOMBIA:Instagram: instagram.com/selinacolombia Website: selina.com/colombia

The electronic dance music industry has achieved a remarkable $11.8 billion valuation, according to the 2024 IMS Business Report. Reinforcing its prestige as a cultural and economic force, the global dance music business "is now firmly in its post-pandemic growth phase" after achieving 17% revenue growth in 2023, per the report. The upsurge can be attributed to EDM's universal appeal, technological integration and unparalleled ability to captivate audiences. As the genre's popularity snowballs at major events like Coachella, festivals and clubs continue to dominate revenues, amassing nearly half of the industry total. The next biggest segment was music hardware and software, which comprised roughly 25% of total revenues. The rise in the number of EDM fans far surpassed those of hip-hop, rock and Latin music, reflecting a substantial boon for its "share of global culture." Electronic music has the smallest fanbase of those four major genres but grew fastest across all key DSPs in 2023 by a wide margin, passing rock on YouTube, Instagram and TikTok. It was dwarfed by hip-hop, which still dominates in streams. The 2024 Ultra Music Festival in Miami.Kelly Knisel/EDM.com Elsewhere are key data points revealing the swelling influence of non-major labels, which increased their market share for the fourth consecutive quarter at a clip of 31%. The majors still dominate, according to the report, but lost share to "the newer generation of future-focused labels." When it comes to streaming, the four markets with the most monthly electronic music listeners are Germany, the US, Australia and the UK, respectively. But the report indicated strong market penetration from South Africa, which has nearly twice as many Spotify listeners as its total population. That figure reflects the degree to which the country "has built its own electronic scenes and culture." South African dance music icon Black Coffee won the Grammy Award for Best Dance/Electronic Album in 2022 and the renowned Defected Records imprint recently launched One People, a label aiming to "orchestrate a sonic celebration of Afrocentric music from a diverse and international roster of artists." Meanwhile, Zimbabwean producer Nitefreak was recently named to the EDM.com Class of 2024. That global appeal is the upshot of a post-pandemic rebound the likes of which David Guetta predicted in late-2021, when he said "the next few years will be the best years for dance music in history." Today's $11.8 billion valuation towers over the dance music industry's $6.9 billion reckoning a decade ago in 2014, when the genre experienced a cultural stateside explosion. "2022 was an unusual year, in that it reflected the post-pandemic bounce back effect for live," MIDiA Research's Mark Mulligan said. "There was a risk that 2023 would struggle to live up to those inflated expectations, but instead the electronic music industry grew strongly once again, with impressive growth across virtually all of its constituent parts. What is more, electronic music culture grew its fan bases faster than other leading genres, in part due to the rapid rise of African music and fans, illustrating the growing cultural footprint of electronic music culture and its vibrant global scenes." You can download the full 2024 IMS Business report here.

Involved Productions’ three core labels, Anjunabeats, Anjunadeep, and Reflections, celebrated Earth Day with its biggest sustainability drive to date. This special day was the launchpad for three key activations – Earth Day Label Mixes with Royalty Donation Scheme, Sustainability Publication, and Sustainability Action at Anjuna HQ. The labels have curated three planet-inspired mixes, which, in addition to inviting label fans to take a moment of pause and enjoy some music, are extra special because artists and Anjuna will be donating royalties from these mixes to the Ocean Conservation Trust in perpetuity. Additionally, donations made between April 18 and 25 are matched in the Big Give Green Match Fund campaign. Anjunabeats mix HERE | Anjunadeep mix HERE | Reflections mix HERE Online Statement The labels dedicated an entire post and caption to this year’s Earth Day, stating the following: “Being more sustainable requires us, as individuals, communities, companies, and governments, to reduce environmental impacts and preserve the planet for future generations. The effects of climate change are well documented. Human consumption of food, resources and technology contribute to escalating global temperatures and unpredictable weather systems. We envision a future where all of us are more mindful of the environmental impact of our actions to mitigate this effect wherever possible – and adjust our actions to reduce those impacts. On our part, we want to continue to run our business – creating community and life-affirming experiences through music, as well as supporting the livelihood of our artists and employees – but with an increased focus on lowered emissions, waste reduction, resource conservation, and improved procurement and sourcing. Greenhouse gas emissions are rapidly heating the planet and consequently affect the health of our environment. The Paris Agreement set out the goal to limit global average temperature rise to 1.5°C above pre-industrial levels. In response, many companies have made net zero pledges to reduce emissions by a minimum of 90% by 2050. Reaching this target requires radical business transformation and collective action on an unprecedented scale. Given how urgently we all need to address the climate crisis, we aim to reduce emissions by 50% from our business activities as quickly as possible within the next 5-10 years. We’re building a roadmap for how to do this, and we look forward to sharing more with you soon.” The post Earth Day Mixes From Anjunabeats, Anjunadeep And Reflections appeared first on EDMTunes.

Coachella 2025 Dates Announced for April 11-13 & 18-20, 2025 After a rocky start to Coachella 2024, which experienced a departure from its usual trend of instant sellouts, Coachella 2025 dates have been announced. The festival will be taking place April 11-13 & 18-20, 2025. Unlike previous years, it took several months to sell all the tickets for the first weekend. Typically the event sells out within one week of going live and took nearly an entire month this year to hit that benchmark. Remarkably, even as recently as this past Thursday, tickets were still available for the second weekend. On top of issues selling tickets, renowned Electronic artist Grimes hit some hiccups. She issued an apology publicly following her mishap. Additionally, short-term rental bookings in the area were down for the weekend from 2023. Coachella has received criticism from other angles as well for increasing ticket costs as well as high food and beverage prices at the festival. However, fans can look forward to another double-header weekend in 2025. Tickets will be on Advance Sale beginning Friday, May 3rd. Coachella welcomes you back and hopes to “See you in the desert” at the Empire Polo Club in Indio, California next spring to kick off festival season in 2025. Coachella 2025 YouTube Announcement Clip The post Coachella 2025 Dates Have Been Announced appeared first on EDMTunes.

Paco Osuna will be at Hï Ibiza for two special nights as part of his groundbreaking NOW HERE residency. Osuna, one of Spain’s most important underground musicians, will play music at the venue every night from September 5th to September 19th, 2024. Paco Osuna is a huge name in Spanish techno. His sound is full of energy and innovation, and it takes him all over the world to perform. His most famous show is his Club Room residency at Hï Ibiza, where he draws people from all over the world all summer long. Because he is open-minded about music, he draws from all areas of techno to create the high-definition sounds that have made his NOW HERE residency so well-known. He is known for his famous hybrid live and DJ sets that create truly dynamic noises. The NOW HERE brand and the residency Osuna builds on his long-term partnership with Hï Ibiza this summer by putting on two full-venue takeovers for the first time. The NOW HERE brand is based on Osuna’s philosophy of living in the present moment. Each event features upbeat music from the famous DJ and his close-knit group of regulars and hand-picked special guests. This way of thinking will be clear at both events, as Osuna will choose music that shows off his wide range of tastes and constant focus on the dancefloor. This year is special for many reasons, but particularly because I’m turning 50 and it’s also my 30th anniversary as a DJ! Finding a project that motivates me so much at this stage of my career wasn’t easy, but creating Now Here has filled me with enthusiasm and a renewed drive to fight for the creation and development of a project I wholeheartedly believe in. Hï Ibiza is the place where I can truly unleash my creativity, so having the chance to bring Now Here to the entire club, together with top DJs who have been connected with me throughout my career, is incredibly exciting and I will give 1000% to make these nights unforgettable – Paco Osuna All of this will be made even better by Hï Ibiza’s cutting-edge production, which is still the best underground experience on the White Isle and will make these dates even more important for true techno fans to miss. Key dates at Hï Ibiza Saturday 27 Apr: Hï Ibiza Opening Party Mondays 24 Jun – 9 Sep: Eric Prydz presents [CELL] | Patrick Topping Tuesdays 18 Jun – 24 Sep: The Martinez Brothers | Paco Osuna Presents Now Here Wednesdays 5 Jun – 25 Sep: FISHER | Vintage Culture Thursdays 27 Jun – 22 Aug: Tale Of Us Present Afterlife Fridays 7 Jun – 4 Oct David Guetta Presents Future Rave | Meduza & James Hype Saturdays 18 May – 5 Oct: Black Coffee | Damian Lazarus Sundays 5 May – 6 Oct: Glitterbox 20 Jun + 12 Sep: Zamna Festival at Hï Ibiza Saturday 12 Oct: Hï Ibiza Closing Party with Keinemusik The post Paco Osuna comments on his NOW HERE residency at Hï Ibiza appeared first on The Groove Cartel.

Berlin-based DJ and producer Julian Jeweil has released a new two-track Techno EP called “Yeah/Basement” on the Factory 93 label. The hard-hitting release showcases Jeweil’s signature pounding grooves and mastery of percussion. The first track “Yeah” starts off light before building to a huge kick drum and chanting vocal samples repeating “yeah” across dramatic builds and heavy drops. It has an uptempo, high-energy flow perfectly timed for making moves on the dancefloor. “Basement” takes things in a darker direction, fusing an underground sound with a distorted vocal intoning “ready for the drum” over acidic synths, reverb and stripped-back yet effective percussion. While the two tracks have a similar dramatic structure, “Basement” represents the EP’s deeper, more hypnotic side. Jeweil is a major force in the Techno scene, with multiple Beatport chart-toppers since the early 2000s. His unique approach blending melodies with darker sounds has earned support from Techno legends like Joseph Capriati, Pan-Pot and Deadmau5. He is a regular at events for influential labels like Drumcode. With an emphasis on huge basslines and percussive grooves, “Yeah/Basement” looks primed to make a major impact at festivals and clubs around the world this summer. Catch Jeweil at events like the Loveland Festival in August, or experience the “Basement” sound for yourself by picking up the new EP. The post Julian Jeweil Unleashes Hard-Hitting Techno EP “Yeah/Basement” appeared first on The Groove Cartel.

The letter directly calls out labels and publishers including Universal, Sony, and Warner Continue reading...

The app could be banned across the nation in just nine months Continue reading...

Ten years ago, the progressive house landscape was forever changed with the release of ‘Payback’, a monumental collaboration between Steve Angello and Dimitri Vangelis & Wyman. Released on April 22, 2014, ‘Payback’ quickly ascended to anthem status, capturing the hearts of dance music enthusiasts worldwide. It not only became a festival staple but also achieved iconic status, garnering over 50 million online streams thanks to its unforgettable melody and compelling energy. ‘Payback’ is often cited as a quintessential progressive house track, characterized by its powerful build-ups, euphoric drops, and the seamless synergy between Angello‘s masterful production and the distinctive style of Dimitri Vangelis & Wyman. The track’s widespread appeal and enduring popularity are testaments to its quality and the impact it has had on the genre. Steve Angello, a member of the legendary Swedish House Mafia, has long been recognized as a legend in the dance music world. Known for his versatility and prolific output, Angello has amassed a vast discography that continues to influence the EDM scene. His collaboration on ‘Payback’ is a highlight in a career filled with high points, showcasing his skill at crafting tracks that resonate on a global scale. Meanwhile, Dimitri Vangelis & Wyman have established themselves as stalwarts of the progressive scene, consistently delivering tracks that resonate with fans and fellow artists alike. With hits like ‘Payback’, they have cemented their status as influential producers whose work continues to excite and inspire. Their ongoing success is reflected in their strong following and the sustained impact of their music on the industry. Today, ‘Payback’ remains a beloved track, often played in sets and remembered as one of the all-time favorites among dance music fans. Its legacy continues to influence new generations of artists and producers, proving that true musical craftsmanship never fades.

Festival season is in full swing, and EDC Las Vegas (May 17–19) is just around the corner. People who are going to the festival are probably wondering what they should bring to make sure they’re ready for a great weekend of music, dancing, and building community, particularly those who have weekend passes to Camp EDC. Campers can choose between shiftpod and RV camping, and they can enter and leave the festival as they please. They can also use the Mesa, which is a busy area with entertainment, activities, and amenities like yoga, wellness workshops, pool parties, and beauty stations that campers can enjoy and participate in all weekend. Don’t like camping? Electric Daisy Carnival has you covered with the EDC Hotels. No matter how many times you’ve been camping before or if this is your first time, it’s important to know what you should bring to the Las Vegas Motor Speedway. Here are the things we think you should bring if you plan to camp at EDC Las Vegas: Locks There are TWO tent locks: There are two doors on each shiftpod, so you will need a lock for each one. You’ll need locks to keep your things safe and secure while you’re under the electric sky. Flags Flags: It’s easy to lose your tent at night when there are a lot of other campers in shiftpods and RVs setting up for the weekend. Put up flags, totems, and other items in your tent or RV to keep this from happening. This will not only make your weekend home more interesting and fun, but it will also make your tent stand out on the Camp EDC grounds. You should make sure that any totems you bring to Camp EDC or the event in general follow the rules set by EDC. Earplugs Earplugs: Since Camp EDC is part of the main event, the party really never ends. When you finally need to sleep, we suggest bringing earplugs or noise-canceling headphones to make sure you can get some Zzz’s. But make sure you bring some high-quality earplugs with you to the event. The noise level is lowered by these earplugs without changing the sound quality, so you can still enjoy the music without hurting your hearing. They are the official earplugs of EDC Las Vegas 2024, and this pair has an EDC theme. Comfy shoes Fashionable shoes: Whether they’re boots, sneakers, or even sports sandals, you’ll need your favorite rave shoes to keep you comfy while you walk, dance, and move around a lot at EDC and Camp EDC. You should also bring a cheap pair of waterproof flip-flops for the heated showers that are available to all Camp EDC guests at a number of facilities around the campgrounds. Sunscreen Cover up with sunscreen. Even though EDC is in the evening, campers will be moving around the Mesa all day doing yoga, rave exercise, guided meditation, arts and crafts, pool parties, and other group activities. Since the event is at the Las Vegas Motor Speedway, it can be hard to find a place with shade. Bring sunscreen with a high SPF and remember to reapply it often. The sun will never go down in Las Vegas, and no one wants to go to a party with a bad sunburn. Camp EDC Coolers The Camp EDC General Store has medicine, toiletries, clothes, food, drinks, and other things you might have forgotten at home. Bring a cooler with you so your food and drinks stay cool in the hot Vegas sun. They sell bags of ice. Water Pack If you want to stay hydrated during the whole event, bring a water pack. It will also come in handy at Camp EDC, where there are free water refill stations all over the grounds. Don’t like water packs? You can get an official Insomniac reusable water bottle from the Insomniac Shop when you get there, or you can order one online ahead of time. Tip: Bring electrolyte drinks or hydration packs with you to make sure you stay hydrated, even if you’re moving and sweating all weekend. The best non-alcoholic drink at EDC is Hiyo, which is tasty, refreshing, and energizing. It’s a great way to enjoy the party without any of the consequences. Fans Fans, it’s really hot in Las Vegas. Camp EDC has shade structures and water misters to help campers stay cool during the day, but a personal fan is always a good idea for when you want to cool off anywhere. Some people who go to festivals like folding hand fans, while others like small electric fans that run on batteries. Whatever you decide, you’ll be glad you chose to be on the Mesa where there is a cool breeze and an electric sky. Mirror There are a lot of other ravers at Camp EDC, so it can be hard to find a mirror when everyone is going to the bathroom to fix their hair, put on makeup, or finish off their shows. Have a travel mirror in your shiftpod ready to go so you don’t have to fight for a spot at the bathroom mirrors, which are sure to be busy. Kandi The clothes and accessories that people wear to raves are some of the most famous parts of rave culture. Kandi, which are brightly colored bracelets with beads and often funny sayings on them, are an important part of raves and are meant to be shared with other people who go. PLUR stands for peace, love, unity, and respect. Trading these bands is a nod to those values and a great way to get to know other campers. Bandanas Wear bandanas or pashminas. The Motor Speedway is in the middle of the desert, just outside of Las Vegas. The air is always pretty dirty, but it gets really dirty in the evening when the winds get strong. Some black boogers are bad things that could happen, but having a bandana or two on hand will help you avoid them. Also, pashminas are a good choice because they can keep you cool in the summer and protect you from dust at the same time. Bathing suits Camp EDC has four pools that were created and put together by Insomniac. From Friday to Sunday, there are pool parties with special guest DJs, specialty drinks, and an oasis-like atmosphere. So cool off during the day before EDC starts at night, and don’t forget to bring some bathing clothes because there will be pool parties all weekend. We hope you can share this with your users. Let me know if there’s anything else I can tell you about Camp EDC or the event in general. Camp EDC Announces EDC Las Vegas 2024 Return The post Camp EDC Packing Guide: 12 Must-Haves appeared first on The Groove Cartel.

Outside Lands Announces 2024 Lineup Featuring Headliners Chris Lake, Gryffin, Kaytranada, Tyler The Creator, The Killers and more Outside Lands announces 2024 Lineup featuring headliners Chris Lake, Gryffin, Kaytranada, The Postal Service, Grace Jones, Jungle, Tyler The Creator, The Killers and Sturgill Simpson. Notable acts in the realm of electronic music include Snakehips, Daily Bread, The Blessed Madonna, Dusky, HoneyLuv, Idris Elba, Seth Troxler, Shiba San B2B Cid, Sidepiece, and TSHA. (Photo by Alive Coverage/Sipa USA) (Photo by Alive Coverage/Sipa USA) 2023 featured Fisher, Zedd, Odesza, Foo Fighters, Kendrick Lamar, and Lana Del Rey as headliners. The Soma Tent featured Claptone, Justin Jay, VNSSA, and Disco Lines. As well as Nora En Pure, Monolink, Westend, and many others scattered throughout. You can get a taste of Outside Lands 2024 now with the official EDMTunes Outside Lands 2024 Playlist on Spotify down below. Lock in your tickets by visiting Outside Lands now. Outside Lands 2024 is brought to you by Another Planet Entertainment, Superfly and Starr Hill Presents. The post Outside Lands Announces 2024 Lineup appeared first on EDMTunes.

“Friends coming together to create special moments” is the motto Adam Ten and Mita Gami emphasized while gearing up for Coachella. Both named Dancing Astronaut Artists to Watch in 2024, the Israeli DJs executed one of the few and exclusive back-to-back DJ sets this year. While they’ve co-DJ’d many times in the past, the producers maintain unique and individual artist projects, with their joint productions comprising a supplementary creative outlet. Still, the duo boasts upward of thirty joint records, including “High On,” “Spring Girl,” and “Lego,” among others. In addition to being individually talented, Adam Ten and Mita Gami work exceptionally well together, both in the studio and onstage. In addition to their highly anticipated stints in the Yuma Tent, Adam Ten and Mita Gami played opening duties for Rüfüs Du Sol as late additions to the Quasar Stage lineup. The DJ pair came prepared with special edits and never-before-heard track IDs, offering attendees an exclusive, psychedelic atmosphere during their time in the desert. Dancing Astronaut sat down with the DJs for an exclusive interview ahead of their Weekend 1 performance; read it below. As one of the only back-to-back sets on the lineup, what does it mean for both of you to represent Israel at Coachella? Adam Ten: “We’re very happy bring our sound from [Israel]. We have been in the Tel Aviv scene for a while, and there are a lot of producers. We do our best to support those that we believe have good music and are worthy to hear about. It’s not about countries; it’s about the music.” Mita Gami: “Israel has a lot of very good producers, and the sound that comes from Tel Aviv is unique. The Maccabi house sound…It’s a movement, and it’s become a recognizable sound.” Adam Ten: “Regarding the back-to-back, it’s really good that we’re doing it because both of us are also independent artists. So, when we play back-to-back, I am playing my music and he’s doing his music, and then we do music together. We like to keep the back-to-backs for these special moments.” How did the Maccabi House label develop as a collaborative effort? Mita Gami: “It started a few years ago, and then I officially joined a little bit after that.” Adam Ten: “We started the concept as a platform to release our music, and friends’ music, that we believe in. After two years of just pushing the music, we got to focus more on the brand and parties.” When did you notice the first breakthrough of your sound reaching North America? Mita Gami: “We can say Burning Man 2022 at the Mayan Warrior Art Car. We played mostly an original set and people liked it. It was the first time a big crowd like that was listening to it and commenting on it.” Adam Ten: “We had stable growth without having just one hit. Burning Man was a place that we really wanted to go and play. After the set, people started noticing and we started building.” How would you guys categorize your genre of music? Mita Gami: “It’s a combination of a few, including funk, indie dance, and tech house.” Adam Ten: “I would say it’s like psychedelic house… Because it’s house, but with Israeli flavor, as psy-trance is the main genre in Israel.” How do you curate your sets for an intimate club setting compared to a big festival? Mita Gami: “When I go to a festival, I like to hear edits and happy songs. I’d go to festivals with my friends to have fun and listen to happy music. With clubs, its more underground and not as many big moments. It’s more about the groove and the continuous dancing. At festivals, it’s about moments. “ Adam Ten: “You have a limited amount of time at festivals. So, you come more prepared. It is less about improvisation and more about creating a kind of show structure. For Coachella, we would create a specially edited track, or a new track that we’re going to present at the festival. When you have those kinds of big stages, you want to bring your sound that people are familiar with, but you also want to bring something fresh.” “Toys” is your latest release on Higher Ground. How did this record come about? Adam Ten: “‘Toys’ is a collaboration with Rafael, a talented friend from Tel Aviv. He had prior releases on Maccabi House… We were just like jamming in the studio. We made a house song, but then we added psychedelic trance elements around it. I really loved the outcome. I think it really fits the American market.” Featured image: Khris Cowley The post Adam Ten and Mita Gami bring Maccabi House to Coachella [Q&A] appeared first on Dancing Astronaut.

Those who've adopted Day Trip's mantra, "house music all day long," are in luck after Insomniac announced a stellar lineup for the festival's return in 2024. The sun-kissed fest is returning to the scenic waterfront of Long Beach's Queen Mary from June 22-23, and it's bringing along a slew of artists at the vanguard of today's techno and house music scenes. Heading to SoCal this summer are Kaskade, Cloonee, Boys Noize, Armand Van Helden, Mau P, Loco Dice, Lilly Palmer, Seth Troxler, MK b2b Green Velvet and Nicole Moudaber b2b Paco Osuna, among others. The lineup also features EDM.com Class of 2024 star HoneyLuv, who is fresh off a performance at Coachella's Do Lab stage. They'll all perform across two main stages, the Deep End and High Tide, as well as the fan-favorite side-stage, Shoreline. Check out the full lineup below. You can purchase two-day and single-day tickets for Day Trip starting Thursday, April 25 at 12pm PT via the festival's website. Insomniac Events FOLLOW DAY TRIP:Facebook: facebook.com/daytripla X: x.com/daytripla Instagram: instagram.com/daytripla

For the idealistic minds behind the producers of music festivals, one question often gnaws like a spider in the brain: can a stage be more than just a platform? For Heather Shaw, it's a resounding "yes." Shaw is the designer of Coachella's brand-new Quasar stage, which propelled electronic dance music as one of the iconic festival's biggest draws in a year teeming with unforgettable rave moments. As the founder and CEO of Vita Motus Design Studio, Shaw has executed phantasmagoric stages for EDC, Electric Forest and Lightning in a Bottle, among other major festivals. She also made history in 2022 as the first female lead production designer for the MTV Video Music Awards. Heather Shaw.Vita Motus Design Studio But she found herself in a pressure cooker ahead of Coachella, the nation's quintessential music festival. In a whirlwind three-month design sprint, Shaw manifested a universe in the festival's hallowed desert metropolis, where Quasar dissolved the boundaries between conceptual art and performative spectacle. Reimagining the concert stage as a living, breathing organism, Quasar, Shaw tells us, was designed "to push the boundaries of what's possible at music festivals." She paints a picture of a bastion of iconoclastic design that transcends the typical festival stage's proscribed role as inert backdrop. Fans at Quasar willingly plunged into the rapturous rabbit holes of three-hour DJ sets by RÜFÜS DU SOL and a cancer-free Michael Bibi, among other influential dance music artists. An undeniable highlight came on Saturday of the festival's second weekend, when Eric Prydz and Anyma—two of the industry's most subversive purveyors of visual displays—performed together for the first time as the sun set. We caught up with Shaw to discuss how her team conjured the Quasar stage, a technological marvel that pushed the Coachella experience into the future. The way Anyma and Eric Prydz combined their visuals at @coachella's Quasar stage 🤯🔥 via: @anyma_eva @ericprydz pic.twitter.com/XSiC4nmn50 — EDM.com (@TheEDMNetwork) April 23, 2024 EDM.com: Take us back to the original blueprint of Quasar, when you first put ink to paper. With such an important project, what ideas were firing off in your mind from an architectural perspective? Heather Shaw: When I first conceptualized Quasar, my vision was to create a stage that not only serves as a performance venue but as a piece of immersive art. From an architectural standpoint, I was excited by the challenge of blending aesthetics with functionality, using geometric forms and interactive elements that respond to the music. The biggest challenge was trying to find what style would fit a festival like Coachella. Would it be a scenic stage, would it be another LED driven performance space, or would it be architectural? We are consistently designing and building media sculptures as stages, and this was the direction we went. Finding a narrative and visual that could be iconic for the future. The design started with the idea of monolithic LED walls that would not only serve as a backdrop but also integrate seamlessly with the performance, creating a fluid and dynamic visual experience. EDM.com: What were some of the biggest logistical and technical hurdles you had to overcome in bringing the Quasar stage to life? Heather Shaw: Well, the timeline we had for Quasar was definitely one of the most intense aspects of the project. We only got word of the project in late January which gave us just a few short months to take the concept to completion. Typically, a project of this scale would have a much longer runway, so it was a sprint from day one. Every element was a challenge due to that compressed schedule. We had to design, plan and execute simultaneously, which is as daunting as it sounds. This required an incredible amount of coordination among all team members from the design team to engineers, and the crews on the ground. Everyone had to be perfectly in sync, and there was no room for delays. Despite these challenges, we managed to pull it off, and I'm incredibly proud of what the whole team achieved. It was a testament to the dedication and creativity of our team, and I think it set a new standard for what's possible at music festivals. Anyma and Eric Prydz performing on the Quasar stage at Coachella 2024.Karel Chladek EDM.com: Can you walk us through some of the more ambitious tech specs of Quasar? Did you incorporate any groundbreaking technologies to make it stand out from past Coachella stages? Heather Shaw: There were a few ambitious steps that we experienced during the last two months of design and execution. One was the engineering because we have the cantilever in the walls in order to create sculpture. This engineering was a challenge especially in this timeline. Another ambitious technical spec is the integration of real-time content manipulation within the Unreal Engine. By using Prismax team's XLive tool, the visuals dynamically respond to the music being played, creating a unique and immersive audiovisual experience that stands out from past stages. This integration means that not only can the visuals keep pace with live changes in the music, but they can also be uniquely tailored to each performance. This capability allows for a much more personalized experience for both the artists and the audience, as visuals are not just pre-programmed but are created and manipulated in real-time based on the live environment. This technology represents a significant leap forward in live event production, combining high-end gaming technology with concert visuals to push the boundaries of what's possible at music festivals. This integration ensures that the Quasar stage offers an unparalleled sensory experience, setting a new standard for live music events at Coachella and beyond. EDM.com: Since 2024 marks Quasar's first iteration, what does the future hold? Could it be expanded or enhanced? Heather Shaw: As for the future of Quasar, while I don’t know the specific plans the festival has, I'm already dreaming up ways to push the boundaries even further. We've set a foundation that's rich with potential, especially in terms of audience interaction and engagement. I'd love to explore even more elements that can interact with the audience directly, perhaps through interactive installations that respond to audience movement and energy. The idea is to not only have the audience watch the performance but to be an integral part of it. If Coachella brings me back, I’m excited to expand on these interactive features, creating an even more dynamic and immersive experience that blurs the lines between performer and audience even more than we already have.

3 years ago today, Porter Robinson dropped his second artist album Nurture, which was his first body of work since Worlds (6 year difference between those two). And, just moments ago, Porter dropped the news regarding his third album. We’ve got a release date and title! SMILE! (yes, that is the full title) will be released to the world on July 26th. You can pre-order / pre-save at HERE. MY THIRD ALBUM “SMILE! :D” is coming out JULY 26th!! pre-order / pre-save : https://t.co/8LoGDWRiTw pic.twitter.com/ss5wHhMiRG — porter robinson (@porterrobinson) April 23, 2024 “MY THIRD ALBUM “SMILE! :D” is coming out JULY 26th!! the album that I was TRYING to write was this nonstop party — NO sincerity, ALL fun, an album that revels in absurdity for a world that rejects context. And that was the plan until I accidentally started confessing how I was really feeling, and … you’ll hear the rest. my most fun, and maybe my most heartbreaking album i think it’s my most interesting work and I’m dying for you to hear it ON JULY 26thhhh” This comes only 24 hours after we received a little snippet of the second track from the now-named album. “KNOCK YOURSELF OUT XD” 4/24 pic.twitter.com/H1aiobHyMZ — porter robinson (@porterrobinson) April 22, 2024 Check back here tomorrow for when the full version is dropped! “B*itch, I’m Taylor Swift.” The post Porter Robinson Announces Release Date & Title for Third Artist Album appeared first on EDMTunes.

Swedish electronic dance music supergroup Swedish House Mafia has pulled off a major coup for their diehard New York City fans. The trio of Axwell, Sebastian Ingrosso, and Steve Angello were keen to perform in the Big Apple during their permanence this week but faced one logistical hurdle – their desired venue, the popular Brooklyn Mirage outdoor club (recently redesigned), wasn’t scheduled to open until May. But the trio simply asked if the venue could open early just for them, and much to their delight, the Mirage agreed. Now, Swedish House Mafia will christen the 2024 season at the Brooklyn clubbing institution with an exclusive one-night-only performance this Saturday, April 27th. How to get tickets for the Swedish House Mafia One Night Only show at Brooklyn Mirage? Fans had just a brief window to enter for presale access, with registrations closing Wednesday night. A handful of lucky devotees will also win a pair of general admission passes in a competition run by the venue. Those who missed out on presale codes will have to try their luck with the general public on-sale this Friday at 12pm ET. The show will come after their brand new song, Lioness, coming out this Friday. The April 27th Brooklyn show promises to be an intimate but undoubtedly epic warm-up for this summer Residency in Ibiza. Don’t you worry child, New York – Swedish House Mafia are back. The post Swedish House Mafia asked Brooklyn Mirage to open earlier this year. They said yes! appeared first on The Groove Cartel.

*Featured Cover Photo Credit: IS U IS U (Kito & Chrome Sparks) After releasing their debut single as a duo, ‘All I Need’, the IS U IS U duo have now released their second single, ‘Lights On’, via Mad Decent. Furthermore, the duo composed of Australian artist Kito and indie-electronic producer Chrome Sparks and they just announced that their debut EP, Melter, will come out on May 8th. For this single, ‘Lights On’, IS U IS U bring out upbeat melodies that can get the crowds moving onto the stage floors in an instant, particularly with the top-notch vocals that will flow through the venues. With the duo’s great music production expertise gained over their careers, ‘Lights On’ is a track that becomes very dynamic in its own innovate manner. Particularly, the track’s utilization of piano tunes and elevating basslines makes it a track that one can listen to anywhere, no matter if it is their living room or at a pool party. Click ‘Play’ on the Spotify link below to stream ‘Lights On’, a track that will have music fans anticipate for the release of IS U IS U’s forthcoming EP, Melter. IS U IS U provide electrifying, innovative music styles that will make them one of the world’s top electronic music duos The duo, since releasing their debut single, ‘All I Need’, is still on a great path to becoming one of the world’s top electronic music duos, just like BONNIE X CLYDE and SOFI TUKKER. IS U IS U have released fantastic tracks in their individual careers and have collaborated with fantastic musicians in the past as well. Some of those artists include the likes of Skrillex, Flume, Khalid, Channel Tres, Jorja Smith, and many more. Last but not least, click on this link to pre-save their forthcoming EP, Melter, when it comes out on May 8th. The post IS U IS U Duo Release ‘Lights On’ and Announce ‘Melter’ EP appeared first on EDMTunes.

Project Glow weekend is upon us! Back for their 3rd edition in Washington DC at RFK Festival Grounds April 27th and 28th, the festival will feature three stages with over fifty artists taking over the weekend full of dance music. Headliners include ILLENIUM, Zedd, deep house maestro Lane 8, Swiss melodic house queen Nora en Pure and REZZ currently dominating the bass and techno space. Some surprising b2b combinations this year will be ACRAZE b2b Wax Motif, and Jerro b2b Marsh. Here are 5 sets you have to see this weekend! Please note that this is an editorial and thus the 5 sets picked were subject to personal preference. Acraze B2B Wax Motif Acraze and Wax Motif are two tech house giants in the scene right now, each known for blending hip hop and house beats with addictive basslines. This B2B is sure to be one to look out for. Nostalgix Born in Iran with roots in the Canadian dance music scene, Nostalgix is the epitome of a triple-threat in the industry. As a producer, writer, and rapper, Nostalgix incorporates spunky charm and a ’90s edge into her signature sound through thunderous basslines and electrifying beats. Nostalgix is also this year’s guest judge for the Project Glow Discovery Project. Knock2 Taking the world by storm in the last couple of years, and selling out shows across North America, Knock2 content took over everyone’s feeds on every social media platform, with fans clamoring over the unique sets and performances, begging him to come to their city or local festival. Seamlessly able to dive between genres like trap, bass house, and dubstep, Knock2 is one the most in demand acts in the industry right now. Illenium Who could forget the holy father of sadboi music, Illenium. His meteoric rise to commercial success has been astounding to witness. A curator of some of the most cutting edge bass music events, Illenium has been a staple of the EDM community for more than a decade. 2023 saw the release of his self titled album and a slew of new collaborations and IDs in the start of 2024. He is sure to rinse these tracks this weekend. REZZ Dubbed space mom by her legions of fans. REZZ is a pioneer in sound design and the midtempo genre of music. Having also launched her own label, HypnoVizion, REZZ is poised to continue her domination in an industry and genre oversaturated with testosterone. Her continued success has shattered glass ceiling after glass ceiling for women producers as well as LGBTQ+ artists. This Project Glow set comes fresh off the heels of a new album release and two of her biggest showcases yet at Miami Music Week and in Phoenix, AZ. The post 5 Sets to See at Project Glow appeared first on EDMTunes.

The biggest lineup in Groove Cruise history happening on the largest premier floating dance music festival! What more could one need? Even before the artist names dropped earlier this month, the ever-growing music festival was already more than 75% sold out. Since its inception 20 years ago, the genuine and hard working team behind the event have only pushed themselves with how to make it bigger and better. And, as of yesterday, the festival is OFFICIALLY sold out for its upcoming year. If you need a rundown of what Groove Cruise is, more about the artists joining and all the activities and fun details, take a look at our summary here! Congrats Captains, you did it! Groove Cruise Miami 2025 is now officially sold out. Thank you for your never ending trust, love, and passion. Opportunities do arise and cancellations occur, so regular and priority waitlists are now open. Link in Bio — Groove Cruise (@GrooveCruise) April 22, 2024 Join the WAITLIST here as cancellations and plans do change more often than you think. Come hang with us next January! Themes will also be dropping soon. Get your creative juices ready! The post Groove Cruise 2025 Sells Out 8 Months In Advance appeared first on EDMTunes.

France-based American producer Mario Pedron, AKA MarMar, is gearing up for the release of his highly anticipated EP Feel Okay under Seeking Blue Records. With his newest single, ‘Imposter’, releasing on and the EP following on May 30, MarMar sat down with EDMTunes to discuss his musical inspirations, experiences at the Seeking Blue writing camp, and the collaborative process behind his upcoming project. Which artists have been your biggest influences? I grew up listening to a lot of alternative rock, so guys like Kings of Leon and AFI, and then later on The 1975. A friend eventually showed me Ratatat while on an exchange trip to France, and I was just immediately captured by electronic music. Then of course Skrillex’s early work was a huge influence. Had posters and shirts from him and just gravitated so heavily toward his art. So yea I definitely found inspiration from quite a few different folks, but currently I’m finding alot of inspiration from Duskus and Pocket and what they are doing in the scene! We’ve heard that you went to the Seeking Blue writing camp this past year — how would you describe it? Beautiful. It was so much fun and so far outside my comfort zone. I’m so used to writing while I’m alone at my little desk, so being surrounded by creatives in the middle of the forest was just such a different and wonderful experience. I also learned a ton about production and writing just by being surrounded by such like-minded and talented people. I made incredible friendships while there. Seeking Blue is such a special creative brand. You have a few collaborations on your upcoming EP. What makes a good collaboration? Communication. Of course the song has to sound good and the pieces have to be there, but being able to effectively work with someone in a way that allows you both to be honest is so crucial. We’ve heard that you’re originally from the US and moved to France, would you say that has made an impact on your music? In more ways than I can say! It has sort of created this whole other creative identity within me that I have loved discovering. I feel like I’ve found something with music out here that I never knew existed. If you were able to describe Feel Okay (EP) in one sentence, what would it be? Feel Okay is about my struggles with culture change and mental health. What inspires your music, and are there any particular themes or messages you aim to convey through your songs? Emotion inspires my music completely. I love writing in a way that gives the listener a clear idea of the feeling I had when creating that song. I try to convey a message of hope through the music I make. I also try to help people know it’s ok to be honest with the music you make, even if the emotion is sad or not pretty. MarMar’s dedication to authenticity and emotional depth positions him to leave a lasting mark on the electronic music scene. As fans eagerly anticipate the release of “Imposter” on April 18, and his EP release on May 30 “Feel Okay,” MarMar’s ongoing journey of self-discovery and artistic exploration remains compelling to audiences worldwide. The post [Interview] MarMar Opens Up About His Musical Journey and Upcoming EP ‘Feel Okay’ appeared first on EDMTunes.

What can be said about Coachella that hasn't already been echoed across the sands of the Indio desert? Perhaps only that each year, the festival rewrites its own legend. 2024 adding yet another vibrant chapter to its illustrious saga. As the desert winds carried whispers of past triumphs, this year's festival carved out its own memorable moments, especially within the realm of electronic dance music. From groundbreaking performances to unexpected collaborations, the top dance music moments that defined Coachella's 2024 season not only captured the imagination but also solidified its continued reputation as a bastion of festival culture. Coachella's Sahara stage.Sam Balaban The Do LaB embodies serendipitous nature of dance musicCoachella's beloved Do LaB stage once again proved itself a nucleus of spontaneity and stellar performances. This year, the reimagined stage was a carousel of storied Coachella talents and unexpected sights, creating a myriad of moments that left us in awe. A true highlight was the impromptu back-to-back set between Alison Wonderland and Kaskade, two giants of their respective crafts, who merged their distinct sounds into an unforgettable performance. The collective spirit of collaboration exemplified the Do LaB’s reputation for fostering memorable musical experiences that are not often found elsewhere. The Do LaB at Coachella 2024.Jamal Eid Adding to the legacy of the Do LaB, Anna Lunoe, a veteran of the Coachella scene, graced the stage with a performance that elegantly bridged her rich festival history with her latest musical explorations. Her journey with Coachella is storied, beginning with a dream about which she tweeted—playing at the festival—which came true within a year. Her relationship with the event deepened subsequently, when she famously announced her pregnancy just before taking the stage, marking another significant personal milestone shared with the Coachella community. This year, Lunoe's set resonated deeply as she intertwined refreshed versions of her classic tracks with new, vibrant beats, reflecting her recent creative evolution. With its reputation for intimate yet dynamic performances, The Do LaB served as the perfect backdrop for her showcase, further demonstrating her adaptability as an artist. "The cool thing about me being a little less on the road the last two years with the pandemic and being based in Australia now is that my sound has really developed," Lunoe told EDM.com onsite. "I've edited a lot of my older songs to fit in with what I've been making lately." John Summit and Dom Dolla ascend into a new chapter of Everything AlwaysJohn Summit and Dom Dolla's synergy onstage is no secret, but their Coachella performance as Everything Always brought a new level of clarity as to where the powerhouse duo is headed. From the outset it was evident that this set was a cornerstone in their collaborative path, not just another performance but a decisive declaration of their artistic future. The duality of their visuals—a captivating interplay of light and shadow, intensity and calm—mirrored the depth and diversity of their new music. Emile Frederik, Creative Director and Co-Show Director for Everything Always, worked alongside Romain Pissenem of High Scream to make the effort a reality. In an interview, Frederik shared the themes that went into the conceptualization of the duo's statement-making performance. "It came across my desk probably a month to six weeks before the show," Frederik told us. "I approached it with two points of reference, one was from the guys themselves - duality, balance, and the yin and yang of things. Then the title 'Everything Always' suggests a really expansive universe and harmony between minimalism and maximalism." John Summit and Dom Dolla performing at Coachella 2024 as Everything Always.Miranda Nicusanti/EDM.com Thousands celebrate Michael Bibi's triumphant return under the desert sunA year ago, the music world held its breath as Michael Bibi faced a harrowing cancer prognosis with only a 30% chance of survival. Fast forward to this year's Coachella, and Bibi's return to the stage was nothing short of miraculous, embodying the ultimate feel-good story of the festival weekend. Surrounded by the warmth of family, friends and a sea of adoring fans, he delivered a set that resonated deeply with the thousands who danced under the desert sun, celebrating his remarkable recovery. Bibi's performance at Coachella's brand-new Quasar stage was a powerful affirmation of life and resilience. With his cancer now in remission, his presence onstage was a poignant reminder of the personal battles artists can face behind the scenes. The energy and affection from the crowd were palpable, transforming his set into a collective moment of joy and triumph on one of the world's biggest stages. View the original article to see embedded media. Swedish House Mafia's "Lioness" roars at Coachella during Steve Angello's solo Sahara setUnder the sweeping lights of Coachella's iconic Sahara stage, Steve Angello unveiled a glimpse into the future of Swedish House Mafia with the premiere of their unreleased single, "Lioness." The defining moment not only highlighted the close of his mesmerizing set but also signaled the potential start of a new era for the famed trio nearly two years after their debut album, Paradise Again. Crafted with soaring choir chants and a deep, gripping house rhythm, "Lioness" captivated the crowd, weaving an anthemic lead synth that propelled it into a collective high. The overwhelming response from fans lost in Angello’s climactic crescendo promised that the magic of Swedish House Mafia continues to thrive while setting the stage for their exciting next chapter. View the original article to see embedded media. Coachella after darkAs the last echoes of music fade on the Coachella stages, the revelry spills over deep into the night. Attendees seeking their afterhours fix did so at the NYLON House event hosted at a private estate, where SOFI TUKKER headlined an evening rich with music, fashion and immersive brand experiences. Meanwhile, the adventurous spirit of Coachella attendees was reignited at Framework In The Desert, an event hosted by Wynn Nightlife and Framework in an airplane hangar. Now in its third year, the series provided a respite from the chilly desert air and a backdrop for a night of top-notch techno and house rhythms delivered by heavyweights like John Summit, Dom Dolla and Charlotte de Witte. The raw, industrial setting enhanced the electrifying performances, making it a night to remember for those seeking an intense dance experience until the early hours. View the original article to see embedded media. Coachella soups up production of the Sahara stageCoachella's renowned Sahara tent underwent significant upgrades and a notable relocation. This move was part of an extensive revamp that saw the tent expand to a massive 320 feet while switching from aluminum to a more robust steel structure, enhancing both its durability and capacity for larger, more complex productions fit to house the sets of dance music's biggest stars. The changes dramatically improved the festival experience, allowing for greater production possibilities and a more immersive audience experience. Notably, Peggy Gou graced the new and improved stage, utilizing its expanded capabilities to deliver a show that was as visually arresting as it was musically vibrant. View the original article to see embedded media. Dom Dolla invites special guest Nelly Furtado to Sahara closing setCoachella's Saturday evening closing set at the Sahara saw an electrifying surprise as Nelly Furtado joined Dom Dolla onstage for a performance that had the crowd frenzied with excitement. The iconic singer emerged to perform several tracks, including their smash hit "Eat Your Man," which has dominated charts and dancefloors alike in the last year. The moment demonstrated that the festival's flair for unexpected and unforgettable, genre-crossing performances remains alive and well. Nelly Furtado performing “Eat Your Man” with Dom Dolla at Coachella 2024. The song went gold certified on Australia, #1 at Australian club tracks, nominated for 2023 ARIA Music Awards and 2024 Junos Awards. pic.twitter.com/FJh876o1q9 — Nelly Furtado Charts (@NellyFCharts) April 14, 2024 Drum & bass becomes the percolating pulse of CoachellaDrum & bass is unmistakably having its moment in the U.S. festival spotlight, and Coachella provided ample evidence that its influence is well on the rise. Legendary UK duo Chase & Status drew a massive crowd by the end of their unannounced set at The Do Lab, showcasing their mastery and the genre's broadening appeal. Further cementing drum & bass's burgeoning stateside dominance, Everything Always, typically not known for this style, surprised us by diving into the genre with multiple track selections. John Summit also highlighted this shift by debuting a new collaboration with drum & bass icon Sub Focus. View the original article to see embedded media. Anti Up reclaim the spotlight at CoachellaAnti Up's Coachella set marked a thrilling chapter for the collaborative genius of Chris Lake and Chris Lorenzo, who are gearing up to release a new joint album. They chose to perform on the Mojave stage in a move that was not without purpose. As Lake explained on social media, the duo's music—deeply rooted in British dance culture—was crafted with darker, more intimate spaces in mind. "We never felt we could create that atmosphere we wanted in the Sahara," Lake posted on X. The result was a mesmeric performance that exceeded expectations, reinforcing Anti Up's mission to deliver an unforgettable show tailored to their unique vision. Fans were advised wisely to wear comfortable shoes. View the original article to see embedded media. Follow Coachella:Website: coachella.com Facebook: facebook.com/coachella X: x.com/coachella Instagram: instagram.com/coachella