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The injury, which was the result of an attempt to jump off the stage during his set, is "much more serious" than had originally been reported Continue reading...

The three-track release marks the first outing on her new imprint, Uppers and Downers Continue reading...

Swedish House Mafia ft. Niki & The Dove – Lioness * release delayed* Armin van Buuren & D.O.D. – By Now Trance icon Armin van Buuren and D.O.D collaborate for the first time on ‘By Now,’ featuring Laura Welsh. Their mutual admiration and desire to blend genres result in a track that merges trance melodies with house beats and emotionally charged vocals. This release follows a strong start to 2024 for both artists, with D.O.D‘s recent UK Top 20 hit ‘So Much In Love’ achieving BRIT Certified Gold status and Armin van Buuren‘s continued success with ‘Breathe In’ and ‘What Took You So Long.’ The Chainsmokers & Fridayy – Friday With their previous single, ‘Addicted’ with Zerb, still dominating the streaming world, The Chainsmokers link up with Fridayy to give us the perfect weekend anthem. A single that seems to take them back to their roots with a style similar to ‘Roses’ and ‘Closer’, ‘Friday’ is a feel good tune that will have you singing along all weekend. BENNETT – Lullaby BENNETT has once again orchestrated a sonic revolution, this time producing a Lullaby and turning it into a pulsating anthem that electrifies the scene. He trades the French flair of his previous hit for nocturnal vibes, seamlessly blending gentle melodies with impressive techno beats. The track beckons listeners to follow its hypnotic rhythm, promising an escape from the ordinary into a realm where dreams collide with pulsating basslines. Ashley Paul & Luv Foundation (UK) – Hearts Up Just one month removed from the release of ‘Bingo Baby’, a single that has amassed over 800 thousand streams across all platforms, Ashley Paul & the duo of Julian Napolitano and Mark Loverush, known as Luv Foundation (UK), offer up their next single titled ‘Hearts Up’. Much like what came before, this new single is an emotional hands in the air summer smash that will be an instant hit with dance music lovers across the globe. Ashley Paul x Luv Foundation (UK) · Ashley Paul x Luv Foundation (UK) – Hearts Up Extended iFeature – Forbidden With such a lengthy catalog of music over a long time, iFeature has proved time and time again that he is not afraid of reinventing himself, delivering fresh new sound for his fans. Now, appearing on our new music feeds with a 12 track album, iFeature presents us with ‘Forbidden’. Officially released today, ‘Forbidden’ is iFeature‘s 4th album but he feels it’s more than just an album. “The album is a declaration of breaking free from silence and suppression, a journey of self-discovery and authenticity. It’s a call to trust and express oneself fearlessly, a testament to my music and artistic dedication.” he stated. Honorable mentions: Bessey & Tita Lau – To L.A Blinders & Skidope – VAMP Breathe Carolina x STVW – Long Night Darren Styles ft. MERYLL – So High Da Tweekaz x Djane HouseKat – La Di Da David Puentez x Bonn – I Want You Justice – Hyperdrama (album) Koven, A.M.C. – Hooked Mesto, Vluarr – Over Soon Mike Williams – The Alarm Noizu & Joshwa – Get Rockin’ Odd Mob & OMNOM: HYPERBEAM – The Unexplained EP Orjan Nilsen & Mark Sixma – Gone Robbie Mendez – Be There Tony Romera & Crusy – The Unknown Topic x A7S – Out My Head Stream all these tracks and more in our New EDM Friday playlist – follow here.

From the opening bars of Hyperdrama, Justice's first new album in eight years, the duo reminds us why we fell in love with their timeless electro in the first place. Those starved for Justice's visceral French house music need starve no longer, as the record overflows with an embarrassment of synth-washed riches. But while it's still anchored in the gritty analog tones that made them icons, the album finds Xavier de Rosnay and Gaspard Augé exploring uncharted territory with a renewed sense of adventure and emotional depth. With Hyperdrama, Justice transcend the simple pleasures of body music to speak to the tragedies, triumphs and bittersweet complexities that loom over the dancefloor's euphoric release. Eschewing the aloof electronic stoicism that defined their earlier works, Justice bleed pathos and restless yearning without abandoning their roots. Listeners needn't look any further than its opener, "Neverender," a sublime collaboration with Tame Impala where cathartic synth-rock meets aching lyricism drenched in regret over unresolved heartaches. And on "Mannequin Love," Justice tap into their time-tested analog synth craftsmanship to produce a walk-on-air anthem with fizzy arpeggios flittering through effervescent vocals from The Flints. Justice performing at the 2024 Coachella Valley Music and Arts Festival.Miranda Nicusanti/EDM.com Elsewhere on Hyperdrama is the psychedelic "Explorer," a dark horse for the album's best track. Here Justice weave a lysergic latticework of eerie, cinematic textures alongside a madcap Connan Mockasin, whose guttural vocals envelop us like a hypnagogic nightmare. A masterclass in tension-building, his haunting soliloquy about a barren desert with a sinister figure in the distance sends shivers to your toes. Despite those departures, it's clear the legendary Justice haven't lost their retrofuturistic French house touch. They turn back the clock by virtue of "Generator" and "Incognito," a pair of raw, vintage bangers oozing with the white-knuckle intensity of their seminal debut album, †. The album's evocative nature is no accident, according to Justice's Xavier de Rosnay. "Classical pieces of music, like Beethoven's 'Fifth Symphony,' are the biggest hits ever and they have no drums, no beats, no lyrics. But they've been the biggest hits for centuries because they have a very powerful, evocative strength," de Rosnay told GRAMMY.com. "For us, music is first and foremost meant to reveal this. So we never make music with the idea that it has to be for dancing or pop or anything, we always make music to try to convey powerful emotions." Hyperdrama is out now via Ed Banger Records/Because Music. You can listen to the album below and find it on streaming platforms here. Follow Justice:Facebook: facebook.com/etjusticepourtous Instagram: instagram.com/etjusticepourtous Spotify: spoti.fi/2SEFlXM

German drum-n-bass artist Phace, birth name Florian Harres, released a three-track sampler of his upcoming album, Everyday, on April 19th. The album will come out on May 24th on Zeds Dead‘s label, Deadbeats, and it will be the first album for Phace since six years ago. The album will feature dance floor anthems that contain fantastic bass-lines and innovative melodies that will have listeners groove to the beats from dusk to dawn in an instant. The three-track sampler from Phase contains the following tracks: ‘Everyday’, ‘Cruisin’ and ‘Cray’. Additionally, the release of this sampler, as well as the upcoming album release, may become one of the most exciting release from the drum-n-bass artist as he has dropped phenomenal releases on labels like Mau5trap, OWSLA, and Vision. Peace also released music on his imprints too, NËU and Neosignal. Click on the Spotify link below to stream the three-track sampler of Everyday from Phace. This is an artist who has received support from the likes of stars such as Skrillex, Noisia, and Amon Tobin. Phace describes how the upcoming album, Everyday, made him feel “This album pushed me beyond comfort zones, blending styles, vibes and perspectives. It’s about breaking habits, about finding creativity in the everyday, reflecting my journey as an individual and my musical evolution”. Phace describing the emotions that he got from producing the upcoming album, Everyday The tracklist for the upcoming album, Everyday Everyday Cruisin Blessed Lost Touch Cray Self Talking Resist Fatigue Kaputt Ein schöner Platz (feat. Affe Maria) In Habits The post Phace Dropped Three-Track Sampler Ahead of Upcoming Album appeared first on EDMTunes.

The first day of IMS Ibiza 2024 started in a packed indoor summit room with hosts Pete Tong and Jaguar welcoming thousands of delegates, before plunging into the IMS Business Report. In business terms, the report showed that the past year has been one of solid growth – not the dramatic post-COVID bounce-back of ‘22, but a strong, more uniform surge across everything from live events to publishing. In cultural terms, the research showed there’s clearly still work to be done to make sure every part of our community is equal in terms of opportunity and appreciation. And the IMS Ibiza 2024 theme, ‘Rebuilding Our Community’ resonated throughout the day – in the Brave Space, where HE.SHE.THEY, Downtown and FUGA warmly welcomed delegates with a Break the Ice Session, to Alpha Theta General Manager Mark Grotefeld’s passionate opening keynote about finding purpose as a company, to the pivotal discussion of IMS ibiza 2024: Rebuilding Our Community: How To Bring Back Peace, Love, Unity + Respect, where a group ranging from DJ Pierre to agent Maria May – and unerringly steered by AFEM’s Georgia Taglietti, looked especially to the lessons we’ve forgotten from the acid house era – and how we can apply that spirit to today’s more corporate culture. In a similar vein, Pete Tong helmed a frank and fascinating interview with Abel Matutes Prats, CEO of the Palladium Hotel Group and scion of a family who have been a major force behind the tourism and nightlife in Ibiza for decades. Covering everything from the scene’s intense rivalries to how young people are being priced out of the Island, this felt like a genuine ‘only at IMS Ibiza’ moment that pulled back the curtain on the power makers in the industry. We also were treated to a scoop: Ibiza’s biggest club, Privilege, will be revamped, renamed, and reopening in 2025.On a more nuts and bolts industry tip, Beatport lifted the lid on the new streaming reality, from its benefits to DJs and artists to the new scams to watch out for, while ‘The Future Of Artist Deals and Contracts’ was a deep insight from leading lawyers into how everything from AI to the rise of single track deals is changing the structure of deals. These two talks alone were genuine potential moneymakers – or savers – for industry pros. In the Art Of Areté space, presented by AlphaTheta, the focus was as ever on wellness and mental health in an industry where too many people still stay up too late and work – and play – too hard. DJ Chloé Caillet was on hand to give her insight into the balance of self-care and artistic success, while the breathwork, addiction and nutrition sessions offered genuine insights for delegates to take away.In weather news, a chilly start gave way to blazing sunshine by the afternoon, and by sunset, the Helix, Ultra, and Change The Beat events were buzzing with delegates dissecting the day, catching up, and looking forward to tomorrow’s even more packed Summit – beginning with Areté’s nature walk at first light. https://www.internationalmusicsummit.com/ The post IMS 2024: A Recap Of Day One appeared first on Electic Mode.

Listen to a magnificent track we recently came across. The spectrum of Dance music is quite the noble crop. It just keeps on giving, and the more you look, the more golden berries you find hanging in the trees. Are you ready to harvest one special fruit? This one is a journey to the inside. Meet ZUSO. ZUSO Hailing from The Land Down Under, Gabriel Cuenca embarked on a mission. One that involves crafting the most unique, warm style of Dance imaginable via blending elements and spices from genres such as Progressive House, Breakbeat, and Drum & Bass. Under the ZUSO brand, he’s developed a sound which could be roughly described as “RÜFÜS DU SOL meets Lane 8 meets Tourist”. That’s quite the statement, but trust me, everything will fall into place once you get to meet his compositions. His latest, you ask? ‘Crystal Lights’. ‘Crystal Lights’ Further diving into the idea of charming music with an electronic outfit, ZUSO’s ‘ Crystal Lights’ is a laid-back, soft, heartwarming Breakbeat track which truly feels like sitting on a little hill, on a cloudy afternoon, watching the world below. By contrasting gated vocal beds with floaty pads, the track teleports you to a place of calm, soother, and self-recognition. “‘Crystal Lights’ was an idea that came about pretty naturally”, says ZUSO. “I wrote the song pretty quickly and I feel it represents [my] sound quite well. I actually took a bit of inspiration from one of my past EPs, Lost In Time, with this one and wanted to bring those feelings of escapism and vivid imagery back”. “It’s definitely a song you can get lost in and let go of all worries too, and I hope it has the same effect for everyone who listens.” -ZUSO Listen to ZUSO’s ‘Crystal Lights’ in full by clicking the Spotify button we’ve provided. Also, be sure to follow him on his socials, and click this link to support the release on your platform of choice. And don’t forget to stay tuned to our page for the latest news and reviews from our beloved EDM industry. The post ZUSO Presents Heartwarming And Introspective Single ‘Crystal Lights’ appeared first on EDMTunes.

Two of the best in dance music teamed up for an unforgettable show at Coachella this past weekend. Known for their live show visuals, Eric Prydz and Anyma came together for a special B2B. Thanks to a beautiful soul in the crowd who filmed the whole set, we can now all feel what it was like to be there. There is one insane moment when Anyma’s robot angel meets Prydz’s robo-human at the 2:50 hour mark. There are many other cool moments but the two iconic visuals coming together is awesome. They reach for each other’s hands for Opus Vs. Sumulation. It is beautiful to see two artists who dominate their respective genres come together. This was truly an awe-inspiring show that we all hope continues in the future. You can watch the set begin in the sunlight and go through the sunset to finally the night. The set occurred at Coachella’s new Quasar Stage. It was a scenic playground for attendees and featured many extended sets from DJs. The stage looked almost like it perfectly fit in the scenery of Coachella Valley. The post [WATCH] The Full Anyma x Eric Prydz Set Before It Gets Taken Down appeared first on EDMTunes.

Brussels Airlines and Tomorrowland proudly present ‘Amare’, the newest Belgian Icon, which represents unity for people all over the world. The brand-new and specially painted Airbus A320neo’s livery also features augmented reality. Amare will not only bring the festivalgoers to Tomorrowland but will be operating commercial flights as from April 26, 2024. Brussels Airlines has announced its extension of partnership with Tomorrowland until 2028. Since 2012, the Belgian airline has proudly collaborated with Tomorrowland, bringing tens of thousands of festivalgoers to Belgium every summer. This partnership is built on shared values, including a passion for exploring the world, connecting cultures, and a commitment to environmental sustainability. This summer almost 47.000 festivalgoers will travel to Tomorrowland Belgium via the unique Global Journey travel packages, offering an all-inclusive experience with transportation (flight, bus, train), accommodation (DreamVille, B&B, hotel) and festival tickets. Roughly 14.500 festivalgoers booked a Global Journey package with flight. Approximately 165 different flights from around the world will take place over the two weekends. Celebrating 20 years of Tomorrowland, Tomorrowland Belgium 2024 will take place across two weekends from July 19-21 and July 26-28. Set to open up a new world in the beautiful scenery of De Schorre in Boom in the summer of 2024, the festival’s new theme ‘LIFE’ is the prequel of the 2016 ‘Elixir of Life’ theme. The post Tomorrowland and Brussels Airlines present ‘Amare’ appeared first on EDMTunes.

Dance music titan Solomun has announced that his ever-dependable Solomun+1 residency will return to Pacha Ibiza for the summer 2024 season, and it’s set to be bigger and better than ever. Solomun+1 Kicking off on 23rd June, Solomun +1 will run for 16 consecutive Sundays, Solomun will bring some of the hottest and most revered DJs on the planet to the White Isle. Guests include +1 favorites Dixon, Ame, and Gerd Janson, as well as Ibiza exclusives from Jamie XX and Barry Can’t Swim, who makes his Solomun +1 debut. Also playing for the first time this season is Job Jobse, Young Marco and Chloe Caillet who join a host of returning talent including HAAi, DJ Gigola and Denis Sulta. In addition, the season will shine with an extra-special series of All Night Long sets by Solomun himself, which generated a huge turnout in 2023. First launched in 2013, Solomun +1 is one of the most integral and unmissable parties on the island, captivating audiences with its unique concept of sharing a night with just one friend. Renowned for his ability to blend diverse music with raw emotion, Solomun transforms Pacha Ibiza into a journey of discovery every Sunday night. Behind Solomun+1 lies a revolutionary concept: creating an intimate space where music lovers can come together. With carefully selected guest DJs complementing Solomun’s unparalleled sound, each Sunday is a celebration of music like no other. With a glittering new cast of all-star guests, Solomun +1 will bigger and better than ever this summer 2024. Background Story His Solomun+1 residency at Pacha Ibiza started in quite a laid-back fashion in 2013. He moved the DJ booth into the center of the club to be close to the dancefloor instead of the usual high podium. This introduced a fairly unheard-of concept on the Island: a night together with only one friend. Since its commencement in 2013, Solomun+1 has become an Ibiza household name, with its Solomun+LIVE offshoot on the Island and +1 editions all over the world, be it Berlin, New York or Tulum. Get your tickets to enjoy a Sunday service like no other. The post Solomun+1 Marks Epic Return to Pacha Ibiza This Summer appeared first on EDMTunes.

Dance music maverick Gryffin has unveiled his newest single ‘MAGIC’ featuring babyidontlikeyou out now ahead of his anticipated third studio album PULSE, due out later this year via Virgin Music. Ambient and upbeat, ‘MAGIC’ is an exhilarating blend of the vibrant electro house and trance tones that permeate Gryffin’s PULSE era. Charged with an energizing burst of momentum, ‘MAGIC’ is propelled by Gryffin’s invigorating synthwork and four-on-the-floor percussion surrounding babyidontlikeyou’s pitched vocals. With ‘MAGIC’, Gryffin continues to showcase the adrenaline-induced originals fans can expect on PULSE. Listen here. ‘MAGIC’ marks the latest single off PULSE, following ‘LAST OF US’ with Rita Ora and Gryffin’s recent collaboration with Armin Van Buuren, ‘What Took You So Long’. Inspired by the progressive sounds of his 2000s roots, PULSE harnesses the uplifting energy and interpersonal spirit that first sparked his love of dance music. Set to arrive later this year, the album embraces the unity and emotional connectivity that is universal no matter the dance floor. The post Gryffin Releases the Next Single From PULSE Album: ‘Magic’ appeared first on EDMTunes.

Electronic music legend Jean-Michel Jarre became the first-ever passenger to ride in KleinVision's groundbreaking flying car in a move the company called "a new era of transportation with a touch of magic." That's according to Stefan Klein, an inventor, pilot and the Founder and CEO of KleinVision. The company's AirCar, which transforms from a sports car into a plane in minutes, was certified to fly in 2022 and its proprietors reportedly hope to bring it to market within a year. "We are bridging the gap between the road and the sky, giving cars the freedom they symbolized 50 years ago," Anton Zajac, co-founder of KleinVision and ESET, said in a press release. Jarre has been backing cutting-edge technologies since the 1970s, from experimenting with trailblazing hardware in the studio, to paving a path forward for concert audiovisual tech and ultimately changing the way live shows are experienced. Moreover, his early perspectives on society's embrace of AI demonstrated his prescient tendencies back in 2018. Now, Jarre is taking another leap into the future after his historic ride in the revolutionary flying car. "One second you speak to the driver, and next, you are up there in the air—an amazing experience!" he said after completing two flights in the AirCar at Slovakia's Piešťany Airport. Watch footage of Jarre's flight below.

It seems Apple’s Vision Pro headset isn’t doing quite as well as they expected. According to Apple analyst Ming-Chi Kuo, the company has slashed its production target for the number of Vision Pro units that it plans to ship in 2024. Originally, they planned to ship 700,000 to 800,000 units, but now that number’s down to 400,000 to 450,000. Kuo states this is because demand in the U.S. fell way short of expectations, even before the headset launched in markets outside of the U.S.. This means Apple will likely be more conservative when releasing the Vision Pro in new countries. Kuo previously predicted a global launch before Apple’s developer conference in June, so the headset might be available in more places within the next month. Apple also expects to ship fewer units in 2025 than in 2024, and they’re ‘reviewing and adjusting’ their roadmap for future headsets. Kuo doesn’t expect an upgraded Vision Pro model next year, despite an earlier report suggesting a revision in late 2025. Back in February, Kuo mentioned Apple was focusing on production efficiency, rather than changing the design or user experience. At that time, he predicted a major Vision Pro update wouldn’t come until 2027. According to Kuo, Apple needs to address the lack of must-have apps, the price tag, and comfort without sacrificing user experience. Weak sales of the Vision Pro are also expected to hurt the development of pancake lenses and the use of microOLED displays in small consumer electronics. Source – [H/T] The post Apple Cuts Vision Pro Shipments As Demand is Lower Than Expected appeared first on EDMTunes.

*Featured Cover Photo Credit: International Music Summit The International Music Summit (IMS) has released their 2024 Business Report and stated that the value of the dance music industry reached $11.8 billion. How the dance music industry arrived at the $11.8 billion mark shows how widespread it became globally in many major markets, including rising ones in Asia, Africa, and Latin America. The $11.8 billion value for the dance music industry rose up 17% from the previous year, which also followed up from the 34% growth from two years before as well. In fact, Mark Mulligan, Managing Director and Analyst at MIDiA Research, presented the findings at Day 1 of the IMS in Ibiza (which goes from April 24 to 26). In the report, the sector with the largest growth was the “live events” sector, with music festivals and clubs making up nearly half of the revenue contributors for the industry. Independent and mainstream labels, physical and digital sales of releases, music technology brands, and streaming platforms are also among the many sectors in the dance/electronic music world that also made strides as well. Image Courtesy: International Music Summit Valuation of Dance Music Industry at $11.8 Billion Announced at IMS in Ibiza The IMS in Ibiza that announced the $11.8 billion valuation of the dance music industry is a prominent three-day conference that discusses the ongoing growth of the industry itself. According to an article from Billboard, the event’s founders include legendary English DJ/producer and BBC Radio 1 programme host, Pete Tong, as well as the full presentation of the aforementioned IMS Business Report. Amongst other key findings in the report were the affirmation of SoundCloud as the #1 source for dance/electronic music producers, tech house’s confirmation as the top electronic music genre on Beatport, and electronic music seeing more growth in followers than rock, hip-hop, and Latin music. Conferences such as the IMS allow industry executives, the artists, and even the fans themselves to see how strong the dance/electronic is continuing to spread amazingly around the world. The post The Value Of Dance Music Industry Reaches $11.8 Billion appeared first on EDMTunes.

Three massive faces find common ground in this hot new House single. Do we even need an introduction here? Chances are, you either know Vikkstar, Masked Wolf, JME, or all of them. It’s always exciting to witness history in the making when artists from different backgrounds craft a piece together. Analysing how their sounds blend is often really interesting, even more so if the resulting song is a banger. Case in point, enter ‘Know Me Better‘. DJ-producer hybrid and YouTube icon Vikkstar has taken Dance music by storm over the past months. After sitting in the studio with Alan Walker and Dash Berlin for their own take on the 90s classic by Alice Deejay, ‘Better Off (Alone, Pt. III)‘, which was a rousing success with over 60 million Spotify streams as we speak, the Sidemen member has stayed on the path of providing music for the whole world to enjoy. This time, his new single welcomes an equally exciting project, Masked Wolf, the talented artist behind the world hit ‘Astronaut In The Ocean‘ from a few years ago. Not satisfied with their combo, ‘Know Me Better’ completes its battle team with the addition of legendary rapper and UK Grime trailblazer, JME. The single is now available to stream, courtesy of Monstercat Instinct. ‘Know Me Better’ Through clever elements, the track portrays a warm Deep House vibe, using synthesised trumpets, fat basslines, soft sine plucks, and the optimal amount of dirtiness on the percussion supporting the whole arrangement. As for the vocal bits, Masked Wolf walks you through the entire track with his iconic style. And just when you thought you had heard it all, boom, JME pops up and elevates the piece to new heights. The lyrics of the single have a deeper underlying meaning as well, which has its roots in personal growth. As Wolf himself puts it, “There is always an element where people will judge you or get to know you and think they know you better than yourself. I wanted to express these ways of people not really caring for the other side of the story and just caring about their own. The whole verse depicts someone plotting against you, whether it is in love or friendship, to derail you. They think they can outsmart you because they believe they know you better than yourself, well they don’t“. Regarding the creation of ‘Know Me Better’, Vikk reflects, “Since entering the music space, I have really enjoyed collaborating with old and new friends. Wolf and I regularly play Dota 2 together, from opposite sides of the planet. I have known Jamie for over a decade and always have a great time with him“. “We all have different styles, and I feel that fusion worked really well on this track.” -Vikkstar Listen to Vikkstar, Masked Wolf and JME‘s brand-new ‘Know Me Better‘ below for your regular, beloved Spotify play. Also, Be sure to click here to check out the official video, and here to support the release on your platform of choice. Stay tuned to our page for the latest news and views from the Dance music industry! The post Vikkstar, Masked Wolf And JME Come Together For ‘Know Me Better’ appeared first on EDMTunes.

It's almost that time of the year, when sun-soaked days and balmy nights call for infectious beats and groovy rhythms to set the tone. And who better to soundtrack these sultry summer vibes than Disco Lines and SIDEPIECE? One of the latest tracks making waves in the house music scene is "Give It To Me Good," a dynamic collaboration between Disco Lines and SIDEPIECE. After teasing the new single on social media months prior to its release, the track is now out via Big Beat Records. The song kicks off with a catchy vocal loop layered over a driving bassline and thumping kick drums. Sharp hi-hats and an earworm of a chorus then enter the fray to add depth to the arrangement's energetic pulse, delivering an instinctive, head-nodding beat that doesn't let up. You can listen to "Give It To Me Good" below and find the new collaboration on streaming platforms here. FOLLOW SIDEPIECE:Facebook: facebook.com/youasidepiece X: x.com/youasidepiece Instagram: instagram.com/youasidepiece Spotify: spoti.fi/3GxBWgS FOLLOW DISCO LINES:Instagram: instagram.com/discolines X: x.com/discolines Facebook: facebook.com/discolines Spotify: tinyurl.com/2p8626ah

A decade after Porter Robinson released Worlds, he's traveling them. He's announced his first-ever world tour, "SMILE! :D," ahead of his new album of the same name, which is scheduled to release on July 26th via Mom+Pop. Robinson is set to travel to five continents for the tour and highlights seem aplenty, but its undeniable pinnacle will come in February 2025, when he heads to Asia. Long enamored with Japanese culture, the dance music superstar will perform in Tokyo, Osaka, Nagoya and Fukuoka. Fans can expect plenty of whimsical cherry blossoms and Kawaii-inspired visuals, but before then, he'll kick off the tour in North America in late-August, when he'll take over a slew of major cities in Canada and the US. He'll then cross the Pacific for an Australian run—the dates of which have not yet been announced—before venturing into Asia, Europe and South America, respectively. The tour will feature support from Japanese indie-rock band Galileo Galilei as well as hyperpop stars ericdoa and underscores. Pre-sale passes will be available starting Tuesday, April 30th at 10am local time and tickets then release to the general public Friday, May 3rd. The flier of Porter Robinson's upcoming world tour, "SMILE! :D."Porter Robinson/X Robinson recently released two singles from SMILE! :D, "Cheerleader" and "KNOCK YOURSELF OUT XD." Opening up about its recording process this week, he painted a picture of his most vulnerable work yet. "the album that I was TRYING to write was this nonstop party — NO sincerity, ALL fun, an album that revels in absurdity for a world that rejects context," Robinson wrote in posts across his social media. "And that was the plan until I accidentally started confessing how I was really feeling, and … you’ll hear the rest." "my most fun, and maybe my most heartbreaking album," he added. Fans can pre-save SMILE! :D and pre-order vinyl here. Porter Robinson - SMILE! :D World Tour Dates08/29: Boston, MA - MGM Music Hall at Fenway 08/30: Boston, MA - MGM Music Hall at Fenway 08/31: New York, NY - Forest Hills Stadium 09/05: Atlanta, GA - Coca-Cola Roxy 09/06: Orlando, FL - Addition Financial Arena 09/07: Miami, FL - FPL Solar Amphitheater at Bayfront Park 09/10: Nashville, TN - Municipal Auditorium 09/ 11: Charlotte, NC - Skyla Credit Union Amphitheatre 09/13: Philadelphia, PA - TD Pavilion at the Mann 09/14: Washington, D.C. - Merriweather Post Pavilion 09/15: Pittsburgh, PA - UPMC Events Center 09/17: Montreal, QC - MTelus 09/19: Toronto, ON - History 09/21: Toronto, ON - History 09/22: Detroit, MI - The Fillmore 09/23: Indianapolis, IN - Everwise Amphitheater 09/26: Madison, WI - The Sylvee 09/27: Chicago, IL - Huntington Bank Pavilion at Northerly Island 09/28: Minneapolis, MN - The Armory 09/30: St. Louis, MO - Saint Louis Music Park 10/01: Oklahoma City, OK - The Criterion 10/08: El Paso, TX - El Paso County Coliseum 10/11: Los Angeles, CA - Hollywood Bowl 10/12: Phoenix, AZ - Talking Stick Resort Amphitheatre 10/13: San Diego, CA - The Rady Shell at Jacobs Park 10/15: Albuquerque, NM - Revel 10/17: Denver, CO - Ball Arena 10/18: Salt Lake City, UT - Utah First Credit Union Amphitheatre 10/19: Las Vegas, NV - BleauLive Theater 10/24: Sacramento, CA - Wheatland Toyota Amphitheatre 10/25: San Francisco, CA - Shoreline Amphitheatre 10/29: Boise, ID - Revolution Concert House 10/31: Portland, OR - Alaska Airlines' Theater of the Clouds 11/01: Vancouver, BC - Doug Mitchell Thunderbird Sports Centre 11/02: Seattle, WA - Climate Pledge Arena 11/25: Bangkok, Thailand - Samyan Mitrtown Hall 11/27: Singapore - The Star Performing Arts Centre 12/08: Manila, Philippines - The Podium 12/10: Taipei, Taiwan - Zepp New Taipei 12/12: Seoul, South Korea - Myunghwa Live Hall 02/10: Tokyo, Japan - Tokyo Garden Theater 02/11: Osaka, Japan - Namba Hatch 02/12: Nagoya, Japan - Diamond Hall 02/14: Fukuoka, Japan - UNITEDLAB 02/21: Berlin, Germany - Huxleys Neue Welt 02/22: Hamburg, Germany - Fabrik 02/24: Oslo, Norway - Rockefeller Music Hall 02/25: Stockholm, Sweden - Berns 02/26: Copenhagen, Denmark - Vega 02/28: Amsterdam, Netherlands - Melkweg 03/03: Cologne, Germany - Live Music Hall 03/04: Paris, France - Salle Pleyel 03/06: London, UK - O2 Academy Brixton 03/07: Manchester, UK - Albert Hall 03/08: Glasgow, Scotland - SWG3 Galvanizers 03/10: Dublin, Ireland - 3Olympia Theatre Follow Porter Robinson:X: x.com/porterrobinson Instagram: instagram.com/porterrobinson Facebook: facebook.com/porterrobinsonmusic Spotify: spoti.fi/2Zu4oNS

Big week for Porter Robinson fans. Let’s do a quick recap; his first 3rd album single, “Cheerleader“, came out. Then he also announced that the album will be released July 26th. Then we heard “KNOCK YOURSELF OUT XD“, the second single from the album, yesterday. This man is keeping us busy. But wait, there is even more. And now, we have a world tour announcement! The Grammy nominated producer and performer will be stopping at over 5 continents with over 70 performances! You still have time to plan as the tour doesn’t begin until April 29th in Boston. Take a look at all the the details, ticket information, and venues below: Pre-sale starts Tuesday, April 30 at 10am local time. Various presales will take place throughout the week including a CITI presale in the U.S. (detailed in each stop on the website linked) ahead of the general on sale on Friday, May 3 at 10am local time. There will be different ticket packages available to choose from with various perks and presales. SMILE! World Tour Dates: August 29, 2024 – Boston, MA – MGM Music Hall at Fenway August 30, 2024 – Boston, MA – MGM Music Hall at Fenway August 31, 2024 – New York, NY – Forest Hills Stadium September 5, 2024 – Atlanta, GA – Coca-Cola Roxy September 6, 2024 – Orlando, FL – Addition Financial Arena September 7, 2024 – Miami, FL – FPL Solar Amphitheater at Bayfront Park September 10, 2024 – Nashville, TN – Municipal Auditorium September 11, 2024 – Charlotte, NC – Skyla Credit Union Amphitheatre September 13, 2024 – Philadelphia, PA – TD Pavilion at the Mann September 14, 2024 – Washington, DC – Merriweather Post Pavilion September 15, 2024 – Pittsburgh, PA – UPMC Events Center September 17, 2024 – Montreal, BC – MTELUS September 19, 2024 – Toronto, BC – HISTORY September 21, 2024 – Toronto, BC – HISTORY September 22, 2024 – Detroit, MI – The Fillmore September 23, 2024 – Indianapolis, IN – Everwise Amphitheater September 26, 2024 – Madison, WI – The Sylvee September 27, 2024 – Chicago, IL – Huntington Bank Pavilion at Northerly Island September 28, 2024 – Minneapolis, MN – The Armory September 30, 2024 – St. Louis, MO – Saint Louis Music Park October 1, 2024 – Oklahoma City, OK – The Criterion October 8, 2024 – El Paso, TX – El Paso County Coliseum October 11, 2024 – Los Angeles, CA – Hollywood Bowl October 12, 2024 – Phoenix, AZ – Talking Stick Resort Amphitheatre October 13, 2024 – San Diego, CA – The Rady Shell at Jacobs Park October 15, 2024 – Albuquerque, NM – Revel October 17, 2024 – Denver, CO – Ball Arena October 18, 2024 – Salt Lake City, UT – Utah First Credit Union Amphitheatre October 19, 2024 – Las Vegas, NV – BleauLive Theater October 24, 2024 – Sacramento, CA – Wheatland Toyota Amphitheatre October 25, 2024 – San Francisco, CA – Shoreline Amphitheatre October 29, 2024 – Boise, ID – Revolution Concert House October 31, 2024 – Portland, OR – Alaska Airlines’ Theater of the Clouds November 1, 2024 – Vancouver, BC – Doug Mitchell Thunderbird Sports Centre November 2, 2024 – Seattle, WA – Climate Pledge Arena November 25, 2024 – Bangkok – Samyan Mitrtown Hall November 27, 2024 – Singapore – The Star Performing Arts Centre December 8, 2024 – Manila – The Podium December 10, 2024 – Taipei – Zepp New Taipei December 12, 2024 – Seoul – Myunghwa Live Hall February 10, 2025 – Tokyo – Tokyo Garden Theater February 11, 2025 – Osaka – Namba Hatch February 12, 2025 – Nagoya – Diamond Hall February 14, 2025 – Fukuoka – UNITEDLAB February 21, 2025 – Berlin – Huxleys Neue Welt February 22, 2025 – Hamburg – Fabrik February 24, 2025 – Oslo – Rockefeller Music Hall February 25, 2025 – Stockholm – Berns February 26. 2025 – Copenhagen – Vega February 28, 2025 – Amsterdam – Melkweg March 3, 2025 – Cologne – Live Music Hall March 4, 2025 – Paris – Salle Pleyel March 6, 2025 – London – O2 Academy Brixton March 7, 2025 – Manchester – Albert Hall March 8, 2025 – Glasgow – SWG3 Galvanizers March 10, 2025 – Dublin – 3Olympia Theatre The post Porter Robinson Announces World Tour Ahead of 3rd Album Release appeared first on EDMTunes.

If the world seemed a bit quiet at the end of March, it’s because the entire electronic music community had descended on Miami for Music Week, when Vice City reached its pulsing pinnacle. This year I got to live the dream right on South Beach. “It’s not rained like this in months,” said the bartender as she mixed me another lethal Mescal Marg. The water on Collins Ave was above ankle height. Car horns were blaring. Down at Bay Front Park, Ultra Festival had wisely been evacuated. 100,000 ravefugees were stomping the streets seeking out afterparties. Fortunately, there were plenty of other shenanigans to keep Friday night cranking. I maybe just needed one of the giant flamingo-shaped inflatables sitting atop the Sagamore Hotel from the Epic Pool parties to float my way there. Taking decadent to the next level, the Faena Theatre was our first stop, where a decidedly soggy red carpet had been rolled out for the Martinez Brothers and their uber-glam entourage, who I expect glided down the flooded Collins Avenue on a diamond-encrusted jet ski to make their grand entrance. The crown princes of DC10 spanked out a cheeky set of Latin-infused booty bangers as a decadently dressed crowd posed and ponced in their roped-off VIP bottle service pens; while I danced like a maniac in General Admission. Down the road, it was time to up the ante with my first of the Ultra Resistance parties. This stellar series had opened with Reinier Zonneveldt’s savage Filth on Acid party smashing open five nights of house and techno at the throbbing behemoth club M2 on Wednesday, and Joris Voorn presents Spectrum showcase on Thursday. My baptism of fire came on Friday from Ukrainian techno duo Artbat, who were throwing down the drama underneath a symphony of emerald lasers. Brooding vocals, searing drops and fully charged melodic techno blew the roof off the seething mass of M2 for another sell-out show. “Return to Oz” and “In Your Arms” were among goosebump-inducing moments of a cinematic set that just didn’t quit. And neither did we, holding on til the bitter end until the VIP balcony chuck out time at sunrise. Day 2 and the weather gods were still tinkering with the taps upstairs, but it was going to take more than a few grey clouds to stop playing again. Ultra was back in full swing down on Bayfront Park. My first Don Julio of the day began with a quick stroll down the road to the fancy AF Sagamore Hotel, where a double whammy billing of legends was ready to kick off another day of hedonism distilled at the Epic Pool parties. It had all kicked off on Wednesday with DJ Mag presents Joseph Capriati and Louie Vega, followed by Defected on Thursday with the likes of Eliza Rose and Sam Divine and Friday’s Knee Deep in Sound with Hot Since 82 and Kerri Chandler – stacked lineups for days. My first taste saw Damion Lazarus kick off with some classic Crosstown Rebels sounds to chase the clouds away from Saturday. Epic Pool parties’ founder Jonathan Cowan jumped on for a set under the palm trees as we began slipping into darkness. The money shot was a signature mammoth set from Danny Tenaglia who rounded out an astronomical journey of house music all night long to once again answer the question of why his music never fails to be the answer. Next year, the maestro will celebrate a jaw-dropping 50 years of DJing and it was as always an honour to be in his presence in a kaleidoscope of piano house and classics under rose pink lasers. Accelerating into the evening back at Club M2, Saturday was not for the faint-hearted. The speakers were copping a pounding from techno titans Pan-Pot, who paved the way for some heavy artillery from the incredibly talented Amelie Lens, who made her debut at Ultra Resistance this year. I’ve wanted to see Siberian-Italian icon Anfisa Letyago for a long time and she did not disappoint, dropping a deliciously deadly barrage of bangers as ice cannons pummelled the rowdy crowd. The sun finally showed its full face on the last day of Music Week and set the perfect backdrop for a pre-rave walk for tequilas and tacos in the pastel buildings lining Ocean Drive. Away from the look-at-me workout junkies and BBLs on muscle beach, a saunter from the main drag took us to admire the art Deco architecture down the backstreets. A drive downtown brought us to the impressive murals and street art of Wynwood Walls, where bars and clubs that never close had a decidedly grungier feel. But for the final round, it was back to the skyscraper hotels, swagger, basslines and fluorescent Ferraris for one last South Beach skirmish. The last day kicked off ducking our heads into The National Hotel to see one half of Solardo shaking South Beach back to life with some quality jacking house and classics. Then we headed next door to see our old friends at The Sagamore. After their debut last year, Epic Pool Parties was happy to welcome Glitterbox back to the podium for a sequin-encrusted sunshine Sunday session at the Sagamore. And who better to spin the sugar out of the last day than Roger Sanchez. The S-Man brought a set of classics to a sparkly crowd at Glitterbox, with shiny happy people kicking back on cabanas next to the turquoise pool. Eric Prydz and Kolsch took the helm to close Ultra Resistance at M2 at the Official Miami Music Week Closing Party, but not everyone took the finale as read. Back at Wynwood, a marathon session was kicking off at elite sesh club Space, who were setting the challenge of a marathon 36-hour Music Week death throes party kicking off Sunday from 11 pm. A drool-worthy lineup for rave tragics was studded with heavyweights like Marco Carola B2B Paco Osuna, king of the bender Seth Troxler, and Dennis Cruz B2B Pawsa. For all I know, they are probably still going. Miami really is the elite in raving royalty – what brain cells I have left will reminisce this weekend with rosy tint heart-shaped sunglasses for a lifetime. It’s such a great city, which may be shiny and scene queen on the surface, but not too fancy to get its hands, feet and other appendages gleaming dirty with disco gunk. If you’re sold on a trip you don’t have to wait for Music Week 2025. A man noticeably missing from March’s billing was Carl Cox, who is heading back there for race Week on Friday 3 May when Resistance will awaken from its disco nap to blow the roof off of M2 again. More here. The post Review – What went down at Miami Music Week 2024 appeared first on Decoded Magazine.

This summer, Paris is heating up with an epic open-air soirée headlined by Skrillex. He'll be joined by WhoMadeWho, horsegiirL, EDM.com Class of 2022 star Anfisa Letyago and many more at the 2024 Peacock Society festival, which is taking over a beautiful public park in Paris, Parc de Choisy. Scheduled for July 13th, the fest will also feature a rare collaborative performance by influential electronic music producers Âme and Marcel Dettmann. Peacock Society is now in its 11th installation and this year's "Open Air XXL" offshoot is bigger than ever. 25 artists will perform across four stages in the storied Parisian park, including the surging DJ and house music producer Chloé Caillet, who will perform a momentous hometown set. Peacock Society organizers called the festival "an opportunity to celebrate our love for electronic music together with an eclectic lineup," on Instagram, translated from French. Fresh off the release of a long-awaited collaboration with Ahadadream, who is also performing at Peacock Society this year, Skrillex will DJ on the mainstage. He follows last-year's massive lineup, which featured sets from Richie Hawtin, Dixon, Ben Böhmer, Nina Kraviz and many more. Tickets for Peacock Society 2024 are available here. Check out the full lineup below. View the original article to see embedded media. Follow Skrillex:Facebook: facebook.com/skrillex X: x.com/skrillex Instagram: instagram.com/skrillex Spotify: spoti.fi/30OEWUh Follow Peacock Society:Facebook: facebook.com/thepeacocksociety Instagram: instagram.com/peacocksociety X: x.com/peacocksociety Website: peacocksociety.fr

Wiwek's beloved EP series, Jungle Terror, is clawing its way back. The Dutch DJ and producer ushered in a movement a decade ago, when he released the first Jungle Terror EP in 2014. Its groundbreaking music took on a life of its own and spawned a new genre as Wiwek inspired legions of artists in his wake to produce big room bangers with a tribal twist. Prized collaborations with Skrillex, Hardwell and many others poured gasoline on his patented sound, leading to its explosion on the festival circuit at the time. Wiwek will now resurrect the series by virtue of Jungle Terror V, its fifth installation and first since September 2020. The new EP is scheduled to release on May 3rd via his longtime home of Barong Family, Yellow Claw's record label, he announced this week. Wiwek recently dropped the EP's first single, a vintage, four-on-the-floor jungle terror track called "Sirens." You can listen below and find it on streaming platforms here. Follow Wiwek:Instagram: instagram.com/wiwekdj X: x.com/wiwekDJ Facebook: facebook.com/wiwekDJ Spotify: spoti.fi/36Uxtoq

Just one month removed from the release of ‘Bingo Baby’, a single that has amassed over 800 thousand streams across all platforms, Ashley Paul & the duo of Julian Napolitano and Mark Loverush, known as Luv Foundation (UK), offer up their next single titled ‘Hearts Up’. Much like what came before, this new single is an emotional hands in the air summer smash that will be an instant hit with dance music lovers across the globe. Not the first time these artists would work together, Ashley Paul and Luv Foundation (UK) have previously proved to be a match made in heaven with the releases of ‘Love Light Me Up’, ‘Blindfolded’, ‘Bingo Baby’, and now they add ‘Hearts Up’ to that list of hits. For this one they linked up with the super successful songwriter Lucas Marx and the amazing results are there to be heard. ‘Hearts Up’ begins with a four on the floor house beat that sets the tone for what’s to come. It doesn’t take long for Ashley Paul‘s tremendous vocals are introduced and take center stage. As the single progresses, Luv Foundation (UK) pair those vocals with euphoric synths and melodies that build hype towards the drop. When the drop comes we are hit with a massive wave of uplifting energy that you can’t get enough of. The remainder of the single keeps delivering with those euphoric and uplifting vibes, making this the perfect summertime anthem. Available to stream on Soundcloud below, ‘Hearts Up‘ will be available on all streaming platforms on May 17th via Dauman Music & Xelon Digital and can be pre-saved here. Ashley Paul x Luv Foundation (UK) · Ashley Paul x Luv Foundation (UK) – Hearts Up Extended

The organizers of Miami's III Points Music Festival have revealed the first phase of artists to perform in 2024. Propelled by the city's vibrant music and arts scene, III Points is an ode to Miami's diversity. The alternative festival, now in its 11th year, fuses an array of different genres like hip-hop, techno, indie and many more across multiple curated stages. III Points 2024 will take place on October 18th and 19th from 3pm to 4am at the Mana Wynwood Convention Center, which is located in the heart of Miami's art district. This year's fest will feature performances by Justice, Jamie xx, Arca, Mochakk, Rick Ross, Jungle, Toro y Moi, Yung Lean and EDM.com Class of 2024 star Sara Landry, among others. Over 100 additional artists have yet to be announced. c/o Press Over 10 stages with state-of-the-art audiovisual design will be curated this year, according to a press release issued by organizers, as well as immersive art exhibitions to explore. Last year's installations included a skate rink, as well as Danny Daze's "BLUE," an otherworldly audiovisual experience inside a massive geo-dome. Mokibaby's "Mokiworld" transformed the warehouse space into an Instagrammable atmosphere with rainbows, red velvet and retro chrome. Beyond the two-day festival, III Points will take over Miami with their satellite parties. Over 60 artists will perform at five venues during the week. For tickets and more information, visit the III Points website. III Points 2024 Phase One Lineup:ARCA BAD GYAL CLOONEE JAMIE XX JUNGLE JUSTICE MOCHAKK PAWSA RICK ROSS SAMMY VIRJI SARA LANDRY TORO Y MOI YUNG LEAN FOLLOW III POINTS:Facebook: facebook.com/iiipoints X: x.com/iiipoints Instagram: instagram.com/iiipoints

Seventeen years ago, David Guetta and Chris Willis released ‘Love Is Gone’, a track that would become a seminal anthem in the evolution of electronic dance music. Released in 2007, this hit single from Guetta’s third studio album, ‘Pop Life’, captured the essence of the late-2000s dance scene and helped catapult David Guetta to international fame. ‘Love Is Gone’ featured the powerful vocals of Chris Willis, whose dynamic range and emotive delivery perfectly complemented Guetta‘s driving beats and catchy melodies. The track was celebrated for its energetic rhythm and became an instant favorite in clubs around the world, significantly influencing the mainstream acceptance of EDM. The success of ‘Love Is Gone’ was pivotal for David Guetta, establishing him as a household name in the music industry. It showcased his ability to blend catchy pop hooks with dance-floor-ready production, a formula that he would continue to refine throughout his career. The song not only dominated charts globally but also became a defining track of the era, often credited with helping to bridge the gap between electronic music and mainstream pop audiences. Today, ‘Love Is Gone’ remains an iconic track in David Guetta’s discography and a beloved classic among EDM fans. Its enduring popularity underscores Guetta‘s impact on shaping the sound of contemporary pop and dance music, highlighting his role as one of the pioneers of the global EDM movement.

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