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Electronic music artist Deathpact has issued a public apology after an incident with a fan at a recent show in Phoenix. The artist, who performs masked, addressed the situation in a statement released today on X. I am part of Deathpact and I was the masked person who appeared in a video circulating on the internet from the show in Phoenix last weekend. I am incredibly sorry to her for what happened. In hurrying to meet and greet as many fans as possible, I wasn’t careful enough and… — DEATHPACT (@DEATHPACT) March 20, 2025 “I am part of Deathpact and I was the masked person who appeared in a video circulating on the internet from the show in Phoenix last weekend,” the statement began. “I am incredibly sorry to her for what happened.” Deathpact explained that while attempting to greet as many fans as possible, they inadvertently touched the fan in a way that was inappropriate. “In hurrying to meet and greet as many fans as possible, I wasn’t careful enough and clearly touched her in a way that I shouldn’t have – and did not intend to,” the statement continued. “I promise you, it was not intentional. My intention was to give her a friendly shoulder tap. I missed her shoulder.” The artist emphasized that their actions do not reflect their values or the ethos of the Deathpact project. “My wife, my family, and team were right there with me in that moment. As soon as I became aware of what happened, I apologized to her and her partner that same evening, in person. This is not in any way – and never has been – what we as a project or I as an individual stand for. I am sickened that I failed her, our community, my team, and my family.” Deathpact also acknowledged a misstep in their initial response to the situation earlier this week. “Earlier this week while trying to address the situation as quickly as possible, we missed the mark in trying to explain what happened. My responsibility isn’t just about what I meant to do, it’s about the impact of my actions on others. Period.” Moving forward, Deathpact announced changes to the way they will engage with fans. “Going forward, we are changing how we engage with our community to ensure that personal space is respected so that something like this never happens again.” The apology comes in response to a video that circulated online, capturing the incident at the Phoenix show. The post Deathpact Issues Apology Following Incident with Fan at Phoenix Show appeared first on EDMTunes.

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksTWO LANES, Recondite - LunaBIJOU & Bexxie - Nowhere to HideSigurd K - track 5milk., Search Party Animal - 2.JOY. - Out of LoveLOMELI - Life and EchoOn Planets - So Long (Tails Remix)Mont Duamel - Find MyselfSfven - forest aveGreen Ring - CloudedGR1FN - OVER AGAINMELVV - ALL I NEEDBreez - Don't WorryPrimal Distortion - Space Bass

Burgeoning electronic tastemaker Bad Nonno, born Joey Francis, has imparted a collaborative new tech-house cut, “One More,” drawing production support from French-Canadian duo Lucky Rose, comprising producer/DJs Vincent Carrier and Marc-Antoine Thibeault. Now streaming via Kanary Music, “One More” marks both Francis’ and Lucky Rose’s first single of the calendar year. The deep new club groover follows up Francis’ highly praised DVBBS collaboration, “Upside Down,” which garnered massive streaming support after landing on Ultra Records in October 2024. Lucky Rose’s last public offering was also in 2024; “Close To You,” featuring a radio edit and extended mix, materialized on independent electronic imprint Reliant Records in late November. “One More” sets the stage for promising 2025 catalogs from both artists. Stream Bad Nonno and Lucky Rose’s infectious new joint effort below. The post Bad Nonno & Lucky Rose join forces on new tech-house weapon, ‘One More’ appeared first on Dancing Astronaut.

A new album, a new era for Adam Beyer and his music. The revered Swedish producer, DJ, and label head of Drumcode and Truesoul has consistently pushed the boundaries of techno in his own 30+ years of releases, while his imprints have launched many new artists and boosted the clout of major stars. Now, he announces a new studio album for summer release (June 13th), Explorer Vol. 1, presaged by title track single ‘Explorer’, out now. Explorer Vol. 1, the album: that “Vol.1” is a tantalising hint of things to come, with Adam showcasing his inspiration from his whole past creative journey whilst continuing to explore different sounds and new genres. It reflects permutations of Adam’s headspace and who he is, celebrating his personal interests and influences including in sci-fi, both musically and visually. A new age for Adam Beyer, after a prolific slew of superb EPs, singles and collabs which have spanned 20 years since his last LP. ‘Explorer’ the single: A metallic chain of notes accompanies techno beats & hi-hats, with deep bass stabs and snatches of chopped spoken word. The growling voice dominates the track, intoning assertive, challenging lyrics – this is a time for change, “so whatchu gonna do?.” The dark, brooding theme punches home the thought-provoking message. The announcement and single drop ahead of Drumcode X Drumsheds (Saturday 22nd March), Drumcode’s second instalment at the iconic venue, featuring Adam Beyer b2b Vintage Culture (for the first time ever in the UK), plus a list of DC luminaries; Drumcode’s London Pop Up event (more details TBA); and a live stream from DJ Mag HQ coming early April. Stay tuned for more news! The post Adam Beyer Announces Artist Album & Releases 1st Single appeared first on EDMTunes.

The organizers of the Amsterdam Dance Event have revealed a handful of speakers for its ADE Pro conference in 2025, spotlighting influential figures shaping the global electronic music industry. Influential techno producer Chris Liebing will lead an exclusive masterclass on production and remixing, offering a rare chance for attendees to learn directly from one of the genre's most respected artists. Also confirmed is grime icon Skepta, who will present alongside the team behind his house music label, Más Tiempo. The imprint has emerged as a critical player at the intersection of dance music and underground club culture. Further strengthening the program is Cristiana Votta, the longtime manager of South African house music luminary Black Coffee, who will explore strategies for building a global brand while preserving creative independence. Votta, a vocal advocate for representation in the industry, will also address strategies to empower women in the music industry. ADE Pro 2025 is also broadening its international focus with dedicated sessions on key emerging markets, including Brazil, MENA and Sub-Saharan Africa, alongside expanded matchmaking and networking opportunities designed to connect grassroots movements with global industry players. The full ADE Pro program will be announced in the coming months. You can purchase passes here. Follow Amsterdam Dance Event:X: x.com/ade_nl Instagram: instagram.com/amsterdamdanceevent TikTok: tiktok.com/@amsterdamdanceevent Facebook: facebook.com/amsterdamdanceevent YouTube: youtube.com/user/amsterdamdanceevent

AVA London has landed for 2025! Keynote lectures, masterclasses, raves, cutting-edge live shows, and industry connections make up the three days, with leading artists, creators, innovators and industry at the forefront of contemporary culture, arts and music events. Individual day tickets are available for Thursday and Friday of the conference for those wanting to experience one day. AVA’s Day & Night—Access Everything passes also offer an extended and explorative networking experience for professionals and curious minds involved with the industry. The Access Everything ticket will also provide access to a dynamic range of networking events, mixers, and club shows featuring exclusive live performances, debuts, and AV shows. Final additions to the programme include xxxx – bringing together pioneering voices from across music, culture, art, film and creative industries. From game-changing artists and industry leaders to in-depth discussions on sustainability, health, and global expansion, this year’s lineup is set to inspire, innovate and discuss culture beyond boundaries. THURSDAY CONFERENCE To kick off the proceedings on Thursday with an opening keynote in the British Library’s Pigott Theatre, UK rave tastemakers Underworld set the tone for knowledge, reflection and inspiration – Karl Hyde and Rick Smith have defined the sound and spirit of dance music in the UK. In discussion with Séamas O’Reilly, they will cover “legacy”, their creative process, and the continued inspiration offered by their anthem, Born Slippy, celebrating 30 years this year. As well as this interview, later in the day in the Bronte Room, Underworld’s classic track ‘Two Months Off’ will be deconstructed by Ski Oakenfull. Head of Education and Curriculum at Point Blank Music School. Following on from the opening keynote Annie Mac and international DJ Jayda G will be in conversation discussing their journeys to date in music as well as the landscape for women in the industry. Activist and model Munroe Bergdorf will join the proceedings, hosting a popular session returning for this year’s program titled ‘Requeering Dancefloors’ centred around nightlife and queer culture. Bergdorf is an activist and global voice for under-represented communities, fighting for trans rights, safer spaces, equality and justice. Joining her we have Jaguar, I. JORDAN, pop operatic singer and songwriter Tom Rasmussen Head of Music & Entertainment at Satellite 414, Tom Mehrtens. The individuals will dissect the current state of queer clubbing in the UK afar and the impact it has had in recent years on popular culture. Munroe Bergdorf will also feature with Tom Schroeder, Maria May and Mark Gordon discussing pioneers and Game Changers in the arts, music and culture scene. A stone’s throw away from the library, London staple station Rinse FM will be broadcasting live from The Standard. Key contributors to this year’s programme, Rinse founder Geeneus will be heading a talk on sustainable culture outlining the future of clubbing and music. Another special segment for day one: Pulp frontman Jarvis Cocker will take to the stage to deliver a climate-themed lecture titled “Biophobia” in association with EarthPercent. To round off day one of the conference, MUBI will be hosting a panel at The British Library featuring a lineup of experts touching on film, sound and production. Hosted by Tarsza, they are joined by the likes of the award-winning composer of ‘The Substance’ Raffertie and ‘Aftersun’ music supervisor Lucy Bright. The talk will be followed by a screening of ‘In Camera’ directed by Naqqash Khalid who will also be a part of the panel. FRIDAY CONFERENCE Keeping the momentum for Day 2 on Friday, amidst the global sensation of her Eusexua album campaign, FKA twigs will open the conference for a special live edition of the Resident Advisor Exchange podcast in the Pigott Theatre hosted by Nadine Noor (Pxssy Palace) to discuss her career, creative process, and inspirations, offering a perspective from one of the most compelling artists of our time. Also waving the flag for the queer community horsegiirL reflects on her journey from being “just a foal from the farm” to making waves as one of the most in-demand names in electronic music. Joined and hosted by Megan Wallace from Gay Times for an intimate keynote + Q&A as she shares the story behind her sound, creative process, and what it means to have the “relentless support” of her community. TikTok’s Toyin Mustapha will present a keynote conversation with Major League DJz, experience ticketing platform Easol, who will present an industry-focussed keynote panel titled: “How to Design World Class Experiences” – Amid a challenging climate for Experience Creators everywhere, this panel asks how we can create a more positive future. What does the perfect festival look like? Where does it happen? Who is the audience – how do we attract them? Who’s playing? Key figures from the industry, including Festival Creators and Artists lay out where we should go and how to get there. In another session for budding artists and artist managers, Ned Beckett, founder of LittleBig Agency, shares his expertise on successful Talent Discovery and Artist Development with Georgia Taglietti (IGNAC / AFEM / Laurent Garnier). Representing groundbreaking acts such as Aphex Twin, Ryoji Ikeda, Holly Herndon & Lorenzo Senni, – Beckett has built careers that shape electronic music. Ned will discuss discovering talent, taking artists to the next level, and sustaining long-term success in an evolving industry. Building on the programme further, heavyweight electronic musician Paul Woolford AKA Special Request features as the guest speaker on ‘No Tags podcast. Chal Ravens & Tom Lea, the mastermind journalists behind ‘No Tags’ podcast, will sit down with Woolford for an unfiltered conversation on underground music and pop culture. This session at AVA London is not to be missed. Italian producer Lorenzo Senni will join the programme to present a new version of his production and process-focused masterclass, “The Architecture of Intensity”. The Warp Records-affiliated artist is well-known for deconstructing the epic build-ups and ecstatic synthesiser arpeggios of ’90s trance and hard techno along with the Hardcore Punk influences that often feature in his work Lorenzo uses repetition and isolation as key tactics in his production. Contributing to the club and conference programme, techno pioneer Marcel Dettmann sits down with emerging DJ and pannelist Vanessa Maria for a keynote interview around his new live project “My Own Shadow”. Dan Lambert, manager to the Belfast trio Kneecap & Rich Peppiatt director of the film Kneecap will sit down with Eric Davidson from The Tenth Man uncut discussion on ‘Managing Mayhem & Breaking the Fourth Wall’ as well as how these fundamentals have cemented the iconic group’s mercurial career across music, film & pop-culture. Concluding the final day of the conference, AVA producers themselves UP PRODUCTIONS! Founded by Sarah McBriar will host a talk into the power of collaboration with Yinka Illori and Mazdak Sanii. Brainstorming the power of collaboration where art goes above and beyond boundaries relating back to their own experiences in the industry. NIGHT TIME PROGRAMME AVA London will feature a solid night programme, with a focus on live acts, DJs and AV explorations, these events will show why AVA is a leading tastemaker in the electronic music world. Thursday 20.03- Erika de Casier, Kojaque, Mechatok Live – Earth Hackney Thursday kicks off in Hackney at Earth with quality live acts and DJs – including Danish singer and producer Erika de Casier. Known for her delicate vocals and charming productions, De Casier’s performances are intimate yet powerful. London-based Irish rapper Kojaque will also join the bill for a typically theatrical and charismatic show; Mechatok will also perform a new live. Friday 21.03 – Ryoji Ikeda Live, Marcel Dettmann Live, EMA – Outernet / HERE AVA’s second night heads to Outernet will be a night of experimental soundscapes and techno power. Ryoji Ikeda, a master of minimalist sound design, will explore the boundaries of sound and perception. Marcel Dettmann, one of techno’s most influential figures, will bring his signature dark and intense beats to the floor. He will make the UK debut of his new My Own Shadow Live; Dettmann is undoubtedly the don when it comes to techno. The night will also feature talent on the rise – EMA. Saturday 22.03 – X CLUB., LSDXOXO, Juicy Romance + Marion Hawkes – The Cause For the final night, The Cause hosts another night of boundary-defying electronic music. AVA is excited to host LSDXOXO brings hyper-pop, club, and experimental electronics, while London-based Australian duo X CLUB. present their blend of 90s techno influences with forward-facing contemporary club sounds, with support from the powerhouse Juicy Romance, and Northern Irish act Marion Hawkes also joins the bill. AVA aims to inspire, educate, and shape the future of culture – in the biggest city in the world for creativity. DAY TIME PROGRAMME FKA twigs – RA Exchange Live – Keynote Interview with Nadine Noor Underworld – Keynote Interview with Séamas O’Reilly Jarvis Cocker – Presents ‘Biophobia’ in association with EarthPercent Annie Mac & Jayda G – In Conversation Music’s Leading Role in Film with Raffertie (composer, The Substance), Lucy Bright (music supervisor, Aftersun) and Naqqash Khalid (director, In Camera) hosted by Tarsza – MUBI Presents (talk + screening) Marcell Dettmann – “My Own Shadow” Interview + Q&A with Vanessa Maria “How to Design World Class Experiences” – Easol Presents horsegiirL – Interview + Q&A hosted by Megan Wallace – Gay Times Nonotak Visual Arts Masterclass No Tags podcast Live with Paul Woolford Lorenzo Senni – ‘The Architecture of Intensity’ Masterclass Tom Elmhirst – Mixing Masterclass Demystifying Music Publishing Music Presents The Game Changers: Munroe Bergdorf, Tom Schroder (Team Wass) & more TBA Art Beyond Boundaries: the Power of Collaboration’ hosted by Sarah McBriar (AVA Festival) Curating Contemporary Culture: Bengi Unsal (ICA London), Eva Jáger (Serpentine), Luke Kemp (Barbican) Trippin Presents Re-queering Dancefloors: Munroe Bergdorf, Jaguar, I.JORDAN, Tom Rasmussen, Tom Mehrtens Talent Discovery & Artist Development with Ned Beckett (LittleBig) & Georgia Taglietti The Kneecap Story: Managing Mayhem & Breaking the Fourth Wall with Dan Lambert Beating Burnout: Health & Resilience in Electronic Music – AFEM Presents Going Global – How to take your music brand international – AFEM Presents “From The First Beat To The Big Hit” – Presented by b:electronic Presents Sustaining Culture: The Future of Music & Clubbing – Rinse FM Presents Spitfire Audio Workshop The Art Of Brand Partnerships The post AVA London: Beyond Boundaries: Three Days & Nights of Music, Culture & Visual Art appeared first on Electric Mode.

Electronic music fans can now discover club nights in their city through a new app, Dancefloor. Available now on iPhones and Android devices, the app aims to provide "the best place to discover DJs and club nights in your city." With three major sections on its platform, Dancefloor displays to users nearby events, DJs in their area and venues that regularly host branded club nights. Users can view each venue's calendar of events and purchase tickets in-app. There's also a social media aspect of Dancefloor in which fans can follow artists for posts, YouTube uploads and upcoming shows. In addition to helping concertgoers discover club nights, Dancefloor's developers have shared information on their website about how artists and promoters can utilize the platform. Artists can launch fan sites, newsletters and posts directed at their followers, and they can also access analytics on their shared content and broadcast links to events. On the promoter side of things, the developers promise no booking fees on their first three events and "some of the lowest booking fees in the industry." They can also implement loyalty programs from within the app and customize event pages with trailers, image galleries and more. You can learn more about the Dancefloor app and download it on iOS and Android here.

Government officials have shut down the operations of a controversial dolphin attraction at the Barceló Riviera Maya, the host venue of ILLENIUM's Ember Shores festival, following a month-long investigation, Mexico News Daily reports. The move follows months of advocacy with a recent push from the festival's organizers. The initial crackdown was triggered by a viral video showing a dolphin, Mincho, suffering a severe acrobatic injury after landing on concrete during a performance in January, along with reports of two dolphin deaths last year. Citing inadequate conditions, a lack of proper permits and unauthorized activities, Profepa, Mexico’s environmental enforcement agency, reportedly found that the facility was in violation of multiple regulations. Federal Attorney for Environmental Protection Mariana Boy Tamborrell confirmed the shutdown on social media. 🚧 La Procuraduría Federal de Protección al Ambiente suspendió este día actividades en el delfinario del Hotel Barceló Riviera Maya, pues esta instalación no cuenta con la autorización de la Semarnat para realizar actividades de espectáculos con delfines. 🐬 @SEMARNAT_mx… pic.twitter.com/8aPHtyuVTb — PROFEPA (@PROFEPA_Mx) March 11, 2025 The news follows our earlier report on Ember Shores' efforts to investigate the dolphinarium. The festival faced pressure from fans and activists to take a stand against dolphin captivity as the facility's practices became public. While concerns remain over Mincho's survival, Tamborrel stated that the dolphin has been relocated for monitoring. She also claimed that Profepa will continue to carry out inspections of all the dolphinariums across the country to ensure proper treatment. Profepa's decision establishes a precedent for stricter oversight of marine animal facilities in Mexico, prompting the enforcement of existing regulations and further inspections across the country. “We support the investigation into this case and call for transparent inspections in all dolphinariums in the country," said Eugenia Morales, Wildlife Campaigns Manager at World Animal Protection. "It’s time for this to be the last generation of dolphins used for entertainment in Mexico."

Following a winter of renovation it has now been revealed that Destino Five Ibiza will be returning with its Grand Opening for the 2025 season on June 19th 2025 with Marco Carola and CamelPhat. The luxury venue located on the cliffs of Cap Martinet above the resort of Talamanca is coming back in a big way with huge plans for the summer. Marco Carola will continue to play at Destino Five as his ‘Music On’ residency will act as one of the flagship nights over the summer. Bringing back his legendary techno party that has been drawing in people for years, it’s sure to be another huge season of jaw dropping music and experiences. He will be stepping onto the stage on: June 26th, July 3rd, 10th, 17th, 24th, 31st, August 7th, 14th,21st, and September 4th. The iconic open-air stage has undergone a huge series of renovations to improve the already astonishing experience of watching the worlds best DJs with a panoramic view of the Mediterranean. The winter has seen both the interior and exterior facilities being reinvigorated taking the hotel from 4-star to 5-star status with top-of-the-line dining and leisure facilities. All the rooms, suites, and villas have also been tastefully redesigned. The improvements don’t stop there as Destino Five Ibiza now operates on 100% green power as part of Pacha Group’s 34% carbon footprint reduction. As well as this they have reduced their water usage by 24% with all of this contributing to the Balearic’s Net-Zero targets. Destino Five Ibiza has already built an outstanding reputation as one of the premier places to go in Ibiza for luxury and lavish experiences. Now having been revamped over winter to go above and beyond expectations, the sight of the summer season on the horizon is ever more tantalising. To look at all Destino Five Ibiza events click the link below: https://pachaicons.com/events/ibiza: Destino Five Ibiza Announces Grand ReopeningTo follow Destino Five Ibiza on Instagram click the link below: https://www.instagram.com/destinofiveibiza_/: Destino Five Ibiza Announces Grand Reopening

Above & Beyond are returning this July with a brand new album, the first one in seven years. Titled ‘Bigger Than All of Us,’ the album represents the group’s gratefulness for what they have and what they’ve created so far together. The album will debut on 18th July and will be taken on a tour later this year. The dates are yet to be confirmed, but the British trio announced that more news will follow soon. Until then, ‘Bigger Than All of Us’ will be teased through the release of ‘Quicksand (Don’t Go)’ which is set to release Friday, 21st March. The song features Zoë Johnston’s vocals, a British singer and song-writer who has collaborated with the trance band multiple times and gave colour to some of the most beautiful Above & Beyond creations. ‘Quicksand (Don’t Go)’ was premiered by the trio in 2024, during their set at Group Therapy 600, and will be the first song people hear from the ‘Bigger Than All of Us’ album. The collaboration with Zoë Johnston has been announced to be only one of the many cross-overs that the album will have. The trance producers mentioned that ‘Bigger Than All of Us’ will contain collaborations with familiar artists, as well as new musicians. The three members of Above & Beyond spoke a few words about the upcoming release in July, saying: “how lucky we are that we get to be part of something like this for 25 years, and to have built a community that cares for each other in the way it does. It’s not about any of us individually. When we all work together to make something happen, something bigger happens.” The new Above & Beyond album arrives this year just in time for the 25th anniversary of the trio’s label, Anjunabeats. Launched in July 2000, the label had the honour of bringing music from the likes of Alan Fitzpatrick, Andrew Bayer, Audien and many more to electronic music enthusiasts all over the world. ‘Bigger Than All of Us’ is now available for pre-order in vinyl and CD formats, along with limited edition merchandise that can be found on the official Above & Beyond website.

Canadian DJ and producer Ben Fox has dropped a new single, "Playground," his debut release on his new label, Foxxed Records. Featuring the ethereal vocals of Liinks coupled with vibrant piano house beats, the song is a testament to Fox’s ability to merge the underground energy of house with mainstream dance music. "This record is really special to me because it reflects my love for house music and my home in British Columbia," Fox said. "Having Liinks bring her magic to it took it to another level." Fox sets the tone with an infectious piano progression and crisp percussion, evoking a summer afternoon on the beach as Liinks' silky, emotive vocals glide effortlessly into an uplifting drop. Blending euphoric melodies and club-ready production, the track is right at home in poolside DJ sets and festival stages alike. You can watch the official music video below and stream the track here. Follow Ben Fox:X: x.com/benfoxmusic Instagram: instagram.com/benfoxmusic TikTok: tiktok.com/@benfoxmusic Facebook: facebook.com/benfoxmusic Spotify: tinyurl.com/48de6u3u

Adam Beyer is stepping into a bold new chapter with the announcement of a new album, Explorer Vol. 1, marking his first full-length studio release in over two decades. Scheduled to release June 13th via his own Drumcode label, its title suggests this collection represents just the first installment in a broader creative vision from one of techno's most respected figures. The project is described in a press release as reflecting "permutations of Adam's headspace and who he is," with both musical and visual elements drawing inspiration from his personal interests, including science fiction. Explorer Vol. 1 will feature 16 tracks, including collaborations with Chris Avantgarde and EDM.com Class of 2025 stars Max Styler and Layton Giordani, among others. Beyer today released the album's first single, "Explorer," a dark and driving techno track. The timing of Beyer's reveal seems particularly significant as it precedes several major Drumcode events, including the brand's return to London's famed Drumsheds venue this Saturday, March 22nd. The lineup features a rare b2b set between Beyer and Brazilian dance music superstar Vintage Culture, alongside performances from other Drumcode roster mainstays. This flurry of activity builds momentum toward 2026's anticipated "DC30" celebration, which will commemorate three decades since Beyer founded Drumcode, a label that has become synonymous with forward-thinking techno music. Fans of Beyer can check out the tracklist of Explorer Vol. 1 below and pre-save the album here. Adam Beyer - Explorer Vol. 1 TracklistAdam Beyer & Coco Francavilla - Silent Mapping Adam Beyer - Taking Back Control Adam Beyer & Layton Giordani - Alto Adam Beyer - Explorer Adam Beyer - Circus Freaks Adam Beyer - Waypoint Adam Beyer & Chris Avantgarde - Desolate Lands Adam Beyer & Max Styler - Accelerate (ft. Kyozo) Adam Beyer - Tanit Adam Beyer & Julian Jeweil - Loca Adam Beyer - Boundless Adam Beyer - Push (ft. Kyozo) Adam Beyer - Do It for the Bass Adam Beyer - The Distance Between Us Adam Beyer & HNTR - Hypnotic (feat. Kyozo) Adam Beyer - The Long Way Home Follow Adam Beyer:Instagram: instagram.com/realadambeyer X: x.com/realadambeyer TikTok: tiktok.com/@adamdrumcodebeyer Facebook: facebook.com/realadambeyer Spotify: tinyurl.com/56xrkjv6

The venue's Dang Thai Mai home will close "in the coming months" as development begins in the Quảng An​ Peninsula Continue reading...

The single lands as part of Planet Mu’s 30th anniversary compilation Continue reading...

“Luna,” the stunning new single from TWO LANES and Recondite, doesn’t just mix styles; it reimagines what’s possible when neoclassical elegance meets the hypnotic pulse of atmospheric techno. Leo and Rafa, who are brothers, make up TWO LANES. They are known for finding the perfect mix between classical instruments and electronic production. The emotional core of their work is their signature piano records, which are close, rich, and full of life. These crystal melodies and the carefully made analog synth textures that go with them make music that sounds both classic and completely modern. Here comes Recondite, an artist whose ten-year journey through the more reflective parts of techno has made him one of the genre’s most unique voices. The artist’s most recent record, “Indifferent” (October 2024), shows that he is still pushing the limits and finding new emotional ground in soundscapes that breathe and change slowly. “Luna” started with a simple piano track and some synth explorations from TWO LANES. These were the delicate seeds that would grow when they worked together. Recondite’s transforming touch added new dimensions to the composition. He gave the beat kinetic energy and shaped the track’s stunning middle section, where tension builds with masterful control and then breaks out into moments of pure sonic catharsis. We’ve been long-time fans of Recondite’s music and are excited to finally share our collaboration. It all started with a piano recording and some synth ideas we sent his way. Recondite then added his unique touch to the track, giving the beat more energy and crafting the build-up in the middle. We went back and forth for a while until we all felt it was perfect. – TWO LANES The main part of the song, a buildup that gets stronger over time and shows how good both artists are at manipulating emotions, creates a moment of sublime tension before melting into a stunning ending. In these times, the collaboration shows its true strength: it can take fans to emotional places that neither artist could have made on their own. The post TWO LANES and Recondite team up for ‘Luna’ appeared first on The Groove Cartel.

A new album, a new era for Adam Beyer and his music. The revered Swedish producer, DJ, and label head of Drumcode and Truesoul has consistently pushed the boundaries of techno in his own 30+ years of releases, while his imprints have launched many new artists and boosted the clout of major stars. Now, he announces a new studio album for summer release, ‘Explorer Vol. 1’, presaged by title track single ‘Explorer’, out today. ‘Explorer Vol. 1’, the album: that ‘Vol.1’ is a tantalising hint of things to come, with Adam showcasing his inspiration from his whole past creative journey whilst continuing to explore different sounds and new genres. It reflects permutations of Adam’s headspace and who he is, celebrating his personal interests and influences including in sci-fi, both musically and visually. A new age for Adam Beyer, after a prolific slew of superb EPs, singles and collabs which have spanned 20 years since his last LP. ‘Explorer’ the single: A metallic chain of notes accompanies techno beats & hi-hats, with deep bass stabs and snatches of chopped spoken word. The growling voice dominates the track, intoning assertive, challenging lyrics – this is a time for change, ‘so whatchu gonna do?’. The dark, brooding theme punches home the thought-provoking message. The announcement and single drop ahead of Drumcode X Drumsheds (This Saturday 22nd March), Drumcode’s second instalment at the iconic venue, featuring Adam Beyer b2b Vintage Culture (for the first time ever in the UK), plus a list of DC luminaries; Drumcode’s London Pop Up event (more details TBA); and a live stream from DJ Mag HQ coming early April. All this builds up to 2026, the year of DC30, aka 30 years of Drumcode – no doubt with intensive celebrations to mark such a milestone in music. ‘Explorer Vol.1’ drops June 13th, pre-save here: https://drumcode.ffm.to/DC329. The new single ‘Explorer’ is out now, listen here. The post Adam Beyer Announced A New Era With His New Album ‘Explorer Vol.1’ appeared first on Electric Mode.

The nightlife industry is one that is going through a rough time at the moment with clubs around the world shutting down due to financial problems. However, thanks to the launch of Dancefloor there could a shift in this momentum. Founded by Ben King, Dancefloor is a platform that allows fans to find when and where their favourite DJs are performing, DJs to get in touch with promoters, and promoters to advertise their events. He explained that “It was annoying having to bounce around multiple apps, and it was surprisingly hard to find out when my favourite DJs were playing in my city.” Dancefloor is to club nights what Songkick is for gigs as it allows you to select the artists you want to follow and will then notify you when they are playing. Through this system you can keep a close eye on the artists you love while also discovering new artists by following venues. You can discover new nightclubs and check out all their upcoming events so you can make sure you never miss the opportunity to have a great night out. Not only does it benefit the fans, but Dancefloor is also looking to help out DJs, promoters, and venues through its services. It offers a platform upon which DJs can get in touch with promoters to be able to get gigs and in turn promoters can see which DJs are blowing up who could be a good fit for their event. This means promoters can build the best gigs possible and the benefits don’t stop there. With the advanced marketing tools available they’ll be able to push their events out to more people to draw in a bigger crowd. Fans benefit, DJs benefit, promoters benefit, but most importantly the industry benefits. In a time where so many venues are having to close, Dancefloor offers support in better advertising events to bring more people in which in turn pulls in money for venues. This innovative platform is here to keep the dance community alive. If you’re wanting to get out to more gigs and discover new artists, Dancefloor is the answer. Available now on iOS and Android. You can learn more about Dancefloor through their website below: https://dancefloor.fm/: DJ And Club Night Discovery Platform ‘Dancefloor’ LaunchesFollow Dancefloor on their socials below:

Jamie Demetriou, Alexander Skarsgård and Rosanna Arquette will star alongside Charli in the film, which is set to follow "a pop star in the lead-up to her first headline arena tour" Continue reading...

Afro-house sensation AMÉMÉ is giving DJs and producers the chance to reimagine his hit single “Power” featuring the captivating vocals of Mario Reyes. As the founder of “One Tribe”, label and events series known for its vibrant gatherings that unite diverse individuals across art, fashion, and music – AMÉMÉ is gearing up for another massive year of performances around the globe. The winning remix will receive an official release on AMÉMÉ’s One Tribe Records and earn a spot on the lineup for the label’s NYC showcase this autumn at House of Yes. The winner will also receive exclusive One Tribe merch, industry recognition, and the chance to have their remix played by AMÉMÉ and other top DJs around the world. The competition kicks off with stems released on March 19, submissions due by April 11, and the winner announced via AMÉMÉ’s TikTok in late April after his return from Coachella. Think you’ve got what it takes? This is a rare chance to transform this club hit into something fresh and unique. For full details: HOW TO ENTER #PowerRemixCompetition #AMEME #OneTribeRecords AMÉMÉ INSTAGRAM | AMÉMÉ TIKTOK The post AMÉMÉ Launches Global Remix Competition for Afro-House Anthem “Power” – Your Chance to Join the One Tribe Movement appeared first on Electric Mode.

Destino Five Ibiza’s Grand Opening for the 2025 season takes place on Thursday, 19 June 2025 with Marco Carola and CamelPhat, while Carola is also set to return for a full Music On residency this summer. The stunning luxury of Destino Five Ibiza is located on the cliffs of Cap Martinet above the resort of Talamanca, with truly mesmerising views over Ibiza Town and towards Formentera. It is an intimate place to party and one of the few open-air venues on the island with otherworldly production and high class sound. This year’s grand opening party gets things underway in style with techno mainstay Marco Carola bringing his rolling groves next to Grammy-nominated and trail-blazing UK house duo Camelphat. One of the flagship nights this summer will be Marco Carola’s Music On, the Italian’s legendary techno party that has been at the forefront of the underground and one of Ibiza’s most iconic nights for years. It offers cutting edge soundtracks with international guests and has an electrifying energy that has made it one of the island’s most popular open-air parties. It plays out on 26 June, 3, 10, 17, 24 31 July 7, 14 and 21 August plus 4 September 2025. As soon as the doors closed on the superb 2024 season, Destino Five Ibiza set to work on a huge transformation that has reinvigorated the venue while preserving the integral tenets of love, joy, connection, celebration, inclusiveness and diversity of The Pacha Group’s legacy on the Island. The hotel has undergone a comprehensive renovation of both its interior and exterior spaces which have resulted in an elevation from four star to five star status, and every detail from dining and leisure facilities to the rooms, suites, and villas have been thoughtfully redesigned with a sophisticated contemporary aesthetic. Contributing to the Pacha Group’s 34% carbon footprint reduction and accelerating the Balearics’ Net-Zero targets, Destino Five Ibiza now operates on 100% Green Power. What’s more, Destino Five Ibiza has further advanced water stewardship, cutting usage by 24% in the 2024 season, while the Group’s dedication to responsible sourcing ensures that 39% of its fruits and vegetables come from Ibiza and 86% from within Spain. Cementing its sustainability leadership, The Pacha Group has registered all core properties—including Destino Five Ibiza – with the US Green Building Council, targeting LEED Gold or higher certification and beyond operations continues to champion Ibiza’s social welfare, environmental conservation, cultural arts, and sports initiatives, ensuring that sustainability remains at the heart of the brand’s legacy. Instagram | Website | Tickets The post Destino Five Ibiza Announces Grand Reopening Following Renovation, New Green Credentials and Music On Residency appeared first on Electric Mode.

The record is being produced “solely” by The Alchemist Continue reading...

There’s never a bad time to redefine yourself, and SHOSH is the latest example of this. After 10 years of being at the forefront of garage with 24 Hour Garage Girls, she thought it was time for something different. This does not mean she’s done with garage, though. She’s still got her weekly show on KISS FM and is still incredibly passionate about building up the scene and supporting the underground movement. While trying something different, the right direction turned out to be dubstep. In 2024 SHOSH released her first ever dubstep track ‘This is Not a Test’ on UKF, and in 2025, she’s following this up with ‘Skanner Power’ on Deadbeats and an upcoming EP on Deep, Dark & Dangerous. “I feel like I’m really nailing my dubstep sound and that’s just giving me so much confidence,” she says. We had a chat with her and talked about her move to the dubstep scene. A lot has happened since the last time you sat down with us in 2021… Tell us all about it! I’m so grateful for everything that the garage scene has done for me. I started with a brand idea and as a promoter in 2013, putting on parties, and then I grew into a DJ and a producer organically out of that. Garage seemed to be the place that I was best suited for because of the branding and the ideas that we had at the time. I think I’ve always struggled to make the kind of music that I want to be making in the garage genre. It’s always been a little bit of a struggle to get there quality wise. With my production I’ve always felt like I’m underperforming, I didn’t really ever make that big garage banger, but then I started making dubstep last year. It was actually an accident, because I was just messing around on Ableton and I had all these random ideas about, oh, maybe I’ll try a jungle track or maybe I’ll just throw a lot of ideas into the mix and see what comes out. Let’s play with it. I accidentally made dubstep out of that and it felt so natural. It’s almost a cosmic thing. When I sit down to make a dubstep track now, I finish it that night and it’s something I’m really proud of. I’ve been getting these tunes signed to lots of amazing labels and big international organizations that I’ve really looked up to over the years. I never really felt like I got that far with garage so it felt like an instinctive calling to dubstep. It’s been something that I’m naturally much more proficient with in the studio so, I’m very excited to be launching this new direction for myself. It is a step away from the brand that I brought up, 24 Hour Garage Girls is my identity and it’s been my brand and my identity for 10 years. So the step away from that has been quite scary, but I’m so excited about this next chapter. So are you completely done with garage? No, as 24 hour Garage Girls, I can continue to play garage and with KISS FM I’m still flying the flag for underground artists and helping the scene with breaking new artists and keeping the genre relevant right at the forefront of KISS. I can perform with my garage girls Kelsey, Millie, Jasmine, they’re some of my closest friends and I would be so sad if I didn’t get to perform with them anymore. I can still do all of that but then the idea of SHOSH as a solo artist is now fully 140 dubstep, so I’m getting the best of both worlds. I am trying to get KISS to let me play some dubstep on my show, TBC on that one. I feel like KISS FM needs a dubstep specialist show and I’m on it. When did the love for 140 start? I used to be a massive dubstep head in the 2010s. Oh my gosh, I was absolutely obsessed with dubstep. I used to listen to every single Zeds Dead mix, even some Skrillex and Pendulum stuff. Artists like Skream and Benga, Coki, Flux Pavilion, these artists were absolutely out of this world geniuses to me. I used to live in Brighton back in that time and they used to put on an event called FreeBass, a free dubstep all night event. I would still go around the side of the building and sneak in around the side just so that I was there for every minute of it. Even though it was free to get in! But I never saw myself making dubstep back then, it was more of a personal passion whereas garage was my identity and my brand. It feels crazy to be meeting all these artists now, 15 years later, and actually getting to tour and collaborate with them when I was a die-hard fan back in the day. How have you changed as an artist going from garage to dubstep? Being a garage girl, that’s definitely still in me. I love the genre, I love the artists that I worked alongside for the last 10 years, I love playing it. I think the biggest difference on a personal level is probably my confidence. I always felt like something was missing from my garage production whereas I feel like I’m really nailing my dubstep sound and that’s just giving me so much confidence. Just knowing that I can do it, knowing that there’s not something wrong with me. I’m reaching my potential in the studio with dubstep. You were saying that your confidence is getting higher now. On your socials, you’re really open, playing your song in public and doing these videos. That’s nice to see... It’s so hard. As much as I feel confident now in the studio, I’m still a total introvert and going out in the streets and making TikToks or trying to make videos, it’s a mix of cringe and being mortified. I get really shaky before I do it. But then I think, if I don’t do it, then I’ve only got myself to blame for not moving forward. I still hate doing content, but at least I know the track is a banger, so I can at least back myself on that. How do you get over that initial nervousness? When I’m playing to a huge crowd, I’ve got that voice in the back of my head. They booked you, they want you here, so I try to manifest that. I’m invited, people have asked me to come and play my music here. It’s about giving everything to the crowd and making sure that the promoter gets a good show. Doing live performances has never been about my emotions or how I feel, it’s always been about delivering to the crowd, delivering to the event and giving everybody a really amazing time. With making content, no one’s asked you to do that like. You’re just standing on a street corner getting in people’s way or giving people something to laugh at on their commute home or whatever. It feels very different. Luckily I feel so welcomed and invited by the dubstep community. UKF has been amazing. Dead Beats have been incredible. Deep Dark & Dangerous, who I’m releasing with next month… Everyone has been so supportive, sending me garms and supporting the music and booking me for shows in America and Asia. I feel so welcome and I’m so grateful for it. How is the dubstep scene different from the garage one? I don’t know yet. I can’t wait to find out though. Despite releasing a couple of records I’ve only played one or two dubstep specific sets. One of them was for UKF at Drumsheds, which was amazing. I loved planning for that set because it was my first opportunity to go wall to wall 140 all the way through, and delivering that set to the crowd was so much fun. For now, I’m really looking forward to finding out more about what dubstep raves are like, especially in America. I am going to America in three weeks and it’s going to be dubstep shows over stateside. I know it’s huge over there, so I’m going to get a real taste for dubstep raves then. I can’t wait. The difference between UK and US dubstep as well! Yeah, I prefer UK dubstep over US dubstep, though. I prefer the minimal bassy, more rootsy vibes that UK dubstep has. It’s very subby, it’s very woppy, it’s very low frequency, moody and I love that. As happy as I appear, I’m a very grumpy girl and that fits me right to the T. But I love the energy behind American dubstep and some of the producers out there are absolutely killing it. So yeah, I’m looking forward to seeing the difference in real life. There’s definitely a merge happening between the UK and US sound, because DJs like Hamdi are moving to the States now. You’ve got a bit of that sound in your tracks as well. Thank you, I love Hamdi. He’s probably been the biggest inspiration for my tunes. I’m actually an American citizen, I lived in Chicago till I was a teenager, so I can go back quite easily. This year I’ve got more gigs in America than I have confirmed in the UK. I’m going out for a tour in April but then I’m also going back in July, August and September for individual big stadium shows. America seems to be the place that keeps pulling me back at the moment so I might end up doing a Hamdi! It feels like everything that I’ve been waiting for from garage over the last 10 years is happening in dubstep in the space of six months. It feels really powerful. What are you taking from garage into 140? Do you feel the influence? Definitely! With most of my dubstep tracks I’ve literally stolen hi-hats and percussive things right out of my garage projects. I’ve taken all of the sounds from my garage drums and repurposed them into the dubstep tracks. The drum work feels quite similar sonically but then to be honest, the bassy wubs and everything, they’re really not that dissimilar. When I play a live set I will mix garage in at 140 and have a two-step moment. Why not? I’m really excited to see how well that goes down in America. There’s definitely a scene bubbling there. You’ve got a few 140 tracks out now on different labels, the most recent one is ‘Skanner Power’ on Deadbeats. How did you end up working with them? I hunted down Deadbeats, because they’ve got so many artists that I look up to on their roster. A Hundred Drums, Sicaria, Hamdi, Moody Good, Levity, all these amazing female artists, loads of really powerful UK dubstep and American dubstep artists. I could see this being a really good home for my music, alongside artists I really look up to. It’s been a great honor to release with them and there hopefully is more in the works with them in the future. Another label I’m gonna release with this year is Deep, Dark & Dangerous. I met them when I went to play Outlook Festival a few years ago and I was on the same artist transport with Dre from Truth who runs the label. We had a chat and we kept in touch because we had respect for each other’s genres. When I started making dubstep, it was a year and a half later. I was thinking of who I knew who supports dubstep. I ended up messaging him and he instantly was like, “We’ll sign it.” I’ve got an ep with them coming out soon, so they’ve signed a few tracks of mine. That was just super organic. It was two people who love music finding the right home for these particular tracks. Last but not least, I released with UKF in November 2024. ‘This Is Not a Test’ came out and I would say that was probably the biggest honor for me. UKF are the goats for dance music in the UK. I’ve been looking at that purple circle on YouTube for the full 15 years. Having my debut with them felt like I couldn’t have asked for a better launch to enter the genre. I’m releasing more with them in 2025, which I’m very happy about. Any final thoughts? One of the great things about working in the dubstep genre is that I’ve started collabing with Flava D and Mary Droppinz, two really powerful female producers. They’re amazing at what they do, genuine artists. So I’m excited to finish up those projects and get them out as well. ‘Skanner Power’ is out now, and look out for the Deep, Dark & Dangerous EP dropping in April. I’m also coming to America in April, so keep an eye out!

The Crow Hill Company has announced the availability of VAULTS – ACID SYNTHas the latest entry into its lengthening line of free and accessible virtual instruments arising from company co-founder and composer Christian Henson effectively opening his ‘vaults’ for everyone to enjoy — this time creating an homage to the revered Roland TB-303 Bass Line, launched with high hopes in 1981 as a so-called Computer Controlled bass synth by the Japanese giant of electronic musical instrument manufacturing responsible for its creation before being deemed a commercial failure and discontinued quite quickly thereafter, though it was later instrumental in driving Acid House into the musical mainstream as a whole new EDM (Electronic Dance Music) genre and associated cultural movement, the popularity of which triggered a dramatic rise in the price of used units — as of March 19… It is fair to say that when Roland released its TB-303 Bass Line in 1981 as a so-called Computer Controlled bass synth with the intention of mimicking the characteristics of an electric bass guitar, there were far fewer tools to create electronic music available. But buyers of the TB-303 Bass Line were possibly swayed by the fact that it could be time-synced — using Roland’s proprietary five-pin DIN sync interface (later superseded by MIDI) — to its contemporarily-released Computer Controlled sibling, the TR-606 Drumatix drum machine, making for an affordable rhythm section that could conceivably fit into a small briefcase as a beautiful backing combination for the solo gigging musician, further helped by both devices being battery operated as an attractive alternative to their (included) AC adapters… or so Roland had hoped. Though the engineers involved tried their best to imitate the sound of an electric bass guitar with the technology of the time, the TB-303 Bass Line fell short in capturing its subtleties as an instrument, sadly, so it was discontinued within a couple of years, with Roland cheaply selling off the last of the 10,000 units manufactured. Now, normally this would be the end of the story, yet something incredible happened… Helpfully, for the benefit of anyone not already in the know, The Crow Hill Company’s Theo Le Derf picks up what is an incredible story in itself: “DJ Pierre and his band called Phuture found a used TB-303 in a music shop in Chicago for a bargain price. They started experimenting with the bass sequencer and a drum machine while playing about randomly with the filter and resonance knobs. The sound they produced was so unique and, frankly, weird that they decided to commit the jam session to tape. With the release of this experiment on Trax Records in 1987,they unwittingly birthed a new genre: Acid House. This slimy, hypnotic, subversive sound subsequently built a cultural movement, and was the soundtrack to many illegal warehouse parties of the late Eighties — all of this from a tiny synth that was used ‘incorrectly’.” Thanks to VAULTS – ACID SYNTH’s GUI (Graphical User Interface) being as intuitive as always, correct — or ‘incorrect’ — usage of the virtual instrument in question comes quickly. “The first large dial — CUT OFF — is a 24dB lowpass filter that controls what high frequencies you cut out, and it is automatically assigned to MIDI CC1.” So starts Theo Le Derf by way of an appropriately quick guided tour, before continuing: “RESONANCE determines the peak of the filter as it opens and closes, which creates that characteristically ‘squelchy’ sound that the synth is known for. The small dials are more concentrated effects — MOD controls how much voltage is being sent to the filter, so you can get some really interesting sounds by adjusting the CUT OFF dial and MOD simultaneously; DECAY controls the decay for all the envelopes; and, ofcourse, there is also our standard ECHO and SPLOSH, with the SPLOSH being an algorithmic imitation of a cave, which suits this synth so brilliantly.” It is as easy as that, though Theo Le Derf is keen to add: “Another thing to mention is that you can obviously play staccato, but when you playlegato — MIDI notes overlapping with one another, you get a glide between the notes. This glide effect is another characteristic that the ’303 is renowned for.” No need, necessarily, then, to risk dropping a bank-balance-busting four-figure sum on a decades-old Roland TB-303 Bass Line when The CrowHill Company’s ‘tribute’ truly captures the essence of its distinctive sound for all to enjoy for literally nothing. Notes Theo Le Derf, ending on a high note: “The story arc of this synth is so amazing — from its unpromising beginning to completely defining a genre and an era, it’s so exciting to have this celebrated instrument at my fingertips for free!” VAULTS – ACID SYNTH is free for everyone — as are all VAULTS… releases from The Crow Hill Company — from here: https://thecrowhillcompany.com/vaults/ VAULTS – ACID SYNTH installation and activation requires installation of The Crow Hill App — an easy-to-use app designed by the best in the business to provide seamless download, installation, integration, calibration, and organisation of The Crow Hill Company tools — available for free from here: https://thecrowhillcompany.com/crow-hill-app/ The post Crow Hill Company creates VAULTS – ACID SYNTH as an homage to the revered Roland TB-303 appeared first on Decoded Magazine.

Cave Studio, the Italian duo known for their explosive fusion of 90s/00s Hip-Hop and cutting-edge Tech House, return with a heater titled ‘Playboy’ on Catch & Release. Teaming up with San Pacho, the track is a masterclass in club energy, featuring tight tribal and jungle percussion elements layered beneath a hypnotic hip-hop top line that’s both sampled and looped. Designed to dominate dance floors, ‘Playboy’ is a high-octane anthem that captures the raw energy of festival stages and upscale club settings alike. Its infectious rhythm and urban edge have already secured a spot in the Beatport Top 100 Overall, further proving Cave Studio’s knack for producing successful singles that connect with an audience on a global scale. With support from heavyweights like DJ Snake, David Guetta, and Cloonee, ‘Playboy’ is one of Cave Studio’s biggest releases to date. About Cave Studio Blasting onto the international scene, Cave Studio has rapidly become a powerhouse in the Tech House world. Initially discovered by Tchami and backed by his Confession label, the duo has since earned the trust of major imprints like Insomniac, Terminal Underground, and Repopulate Mars. Their standout releases, including ‘Shake The Dice”'(over 2 million streams) and ‘Party People’ (1 million+ streams), have shown their ability to craft tracks that dominate both streaming platforms and dance floors. The post Cave Studio – ‘Playboy’ (with San Pacho) appeared first on EDMTunes.

Marc Antonix transforms Heidi Montag’s ‘I’ll Do It‘ into a glitchy, electro-house powerhouse with a dark, dystopian flair. The remix leans heavily into arpeggiated synths and bouncy basslines, creating a haunting yet addictive energy that feels ripped from a post-apocalyptic rave. Known for weaving playful elements into his productions, Marc keeps the energy high without losing the eerie undertones that define this remix. The track’s synth work is sharp and deliberate, layering glitch effects with melodic progressions that hit at just the right moments. Meanwhile, the basslines bounce with precision, giving the track a relentless drive that commands the dance floor. The result is a remix that feels as cinematic as it does club-ready. Its perfectly aligning with Marc Antonix’s known style for generating genre-bending, festival-sized anthems. Be sure to check out I’ll Do It (Heidi Montag Remix) for yourself, out everywhere now! The post Heidi Montag – I’ll Do It (Marc Antonix Remix) appeared first on EDMTunes.