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The feud between TikTok and Universal Music Group over a hostile licensing dispute has ended after the companies inked a new licensing deal, according to a joint press release. That means UMG, which wields the world's largest music catalog of roughly four million songs, will soon unmute those tracks on TikTok. Music by Taylor Swift, deadmau5, David Guetta, Drake, Tiësto, Olivia Rodrigo and many more will reportedly return in the next two weeks. After UMG in late-January shared a scathing letter that castigated TikTok for mistreating its artists, hundreds of millions of videos were muted on the platform as the company removed its songs from the app en masse. The controversy gripped both the creator economy and music industry at large, leaving artists to grapple with the fallout and turn to other platforms for promotion. One of the cornerstones of the new agreement is protection against the scourge of generative AI for artists. TikTok has committed to working with UMG to improve songwriter attribution and remove unauthorized AI-generated music from the platform, which has over a billion monthly active users. The two companies "will work together to ensure AI development across the music industry will protect human artistry and the economics that flow to those artists and songwriters," today's press release reads. As part of the deal, they will also work together to establish "new monetization opportunities" and develop campaigns to support UMG's artists by virtue of TikTok's business model. "This new chapter in our relationship with TikTok focuses on the value of music, the primacy of human artistry and the welfare of the creative community," said Sir Lucian Grainge, Chairman and CEO of Universal Music Group. "We look forward to collaborating with the team at TikTok to further the interests of our artists and songwriters and drive innovation in fan engagement while advancing social music monetization." "Music is an integral part of the TikTok ecosystem and we are pleased to have found a path forward with Universal Music Group," added TikTok CEO Shou Chew. "We are committed to working together to drive value, discovery and promotion for all of UMG’s amazing artists and songwriters, and deepen their ability to grow, connect and engage with the TikTok community." UMG and TikTok are now "working expeditiously" to reinstate the former's music on the latter's social media platform "in due course." Meanwhile, the fate of TikTok hangs in the balance after President Joe Biden signed a bill that will ban the app in the U.S. unless its Chinese-owned parent company, ByteDance, sells it to an approved buyer. TikTok reportedly plans to challenge the bill in court.

Hailing from Sevlievo in Bulgaria, DJ and Producer Peter Hristov, also known as RealSounds, has been making waves both locally and internationally. With releases dating back until 2020, it wasn’t until 2023 that RealSounds would find himself within the world of future rave and since then he has delivered with some epic releases. Since June 2023, his mixes on YouTube have significantly raised his profile, accumulating approximately 1 million views and drawing widespread attention to his dynamic sound. By the end of 2023, RealSounds had also begun organizing his own music events in Sofia, Bulgaria. 2023 also saw the release of ‘Momentum’ and ‘Space’, two singles which would showcase his talents and creativity within the genre. Now kicking off his catalog for 2024, he presents us with the epic ‘Solar’. This single is yet another example of that future rave sound that the Bulgarian artist has perfected. With equal parts power and elegance, RealSounds combines powerful leads and pulsating basslines with a melodic and beautiful tone, all resulting in a production that cannot be skipped. With that uplifting and energetic vibe, this one is sure to light up any crowd and dancefloor across the world. Make sure to keep an eye on this artist as there is a ton more on the way from him. Stream this single below.

It’s unfortunate to see another major festival, We Are FSTVL 2024, canceled due to heavy rainfall. Council leaders in London have cited “safety concerns” as the reason behind the cancellation as “record levels of rainfall” posed a risk to the attendees. This has left many fans disappointed once again. The festival was scheduled to take place on May 25-26 this year. But We Are FSTVL confirmed earlier this week via Instagram that it will not be going ahead. We Are FSTVL 2024 was welcoming Eric Prydz and Chase & Status to headline. Joining them were Eats Everything, Gorgon City, Groove Armada, Hybrid Minds, Patrick Topping, Sonny Fodera, and more. However, just days before the team was supposed to start the build, the London Borough of Barking and Dagenham realized that they would not be able to provide a safe event space. One that met the requirements of the organizers. The News in London reported the heaviest period of rainfall in their history of 1,695.9mm of rain from October 2022 to March 2024. As a result, the festival was unable to return to its original location at Dagenham’s Central Park. Where it held its first edition in 2013. We Are FSTVL Social Media Last year they shared the timing and location change for the 2024 edition. The previous few editions of We Are FSTVL took place in Damyns Hall Aerodrome in Upminster at the end of August. The team is now focusing on preparing for next year’s festival. They have expressed their excitement to bring new experiences to the event in 2025. EDMTunes hopes the weather Gods do stay in favour for all upcoming shows this summer! Stay tuned for all your latest dance music event news! The post We Are FSTVL Cancelled Amid Heavy Rainfall In London appeared first on EDMTunes.

Following the incredible success of last year’s inaugural daytime event, John Digweed and Bedrock Records are coming back to London with another special summer party for 2024. Taking place at XOYO on Sunday, June 2, Bedrock’s second-ever London day party will run from 4 pm to 10 pm, with a special extended ‘all day long’ set from label head John Digweed. The label’s debut daytime event in October last year marked 25 years since the launch of the original Bedrock monthly parties at London’s Heaven and also celebrated the 1000th episode of John Digweed’s fabled Transitions radio show, which was recorded live from the club. This year, attendees can look forward to another immersive sensory experience complete with state-of-the-art visuals, lighting and sound design, as one of London’s most established venues transforms into a haven for electronic music lovers and Bedrock fans alike. Speaking about the upcoming event, John Digweed commented: “After doing so many parties in the capital over the years, I hadn’t actually done a daytime event in London until last year. Last year’s Bedrock party at XOYO changed all that when I celebrated 1000 Transitions radio shows, and 25 years since the original Bedrock parties at Heaven first began. All I can say is that the energy and atmosphere from the very start was truly incredible and a real credit to the Bedrock crowd who really appreciate great music and bring so much energy to the dancefloor. I just had to host another daytime event there as the last one was so special”. Bedrock’s 2024 Summer Party at XOYO will take place from 4-10 pm on Sunday, June 2. For tickets head to https://www.tegeurope.com/events/johndigweed/ The post John Digweed announces Bedrock Summer Day Party at XOYO appeared first on Decoded Magazine.

It seems Calvin Harris is ready to release another summer anthem with a powerhouse collaborator. The chart-topping producer this week posted a video of an ocean alongside a breezy beat featuring a voice that fans all across the web are convinced belongs to Miley Cyrus. As sun-kissed waves peacefully lap onto the shoreline, the vocals compliment soft chords before a four-on-the-floor beat kicks in. In true Calvin Harris fashion, the vocals blend effortlessly into an uplifting, summery beat. "We were dancing, we were wild in the ocean," they croon. "When the crowd is all around me, you’re still all I see." Leaving nothing but a cryptic caption with wave emojis, Harris did not leave any hints in his post. And while he has not yet officially confirmed Cyrus' involvement in the track, the overwhelming consensus is that the sultry vocals belong to her. Naturally, fans are also now clamoring for the third installation of Harris' beloved Funk Wav Bounces album series, which would include features from an array of contemporary superstars. The previous two volumes included acclaimed tracks with the likes of Frank Ocean, Dua Lipa, Justin Timberlake and many more. Watch Harris tease the rumored collaboration with Cyrus below. FOLLOW CALVIN HARRIS:X: x.com/calvinHarris Instagram: instagram.com/calvinharris Facebook: facebook.com/calvinharris Spotify: spoti.fi/3mmhsk7 FOLLOW MILEY CYRUS:X: x.com/mileycyrus Instagram: instagram.com/mileycyrus Facebook: facebook.com/MileyCyrus Spotify: spoti.fi/33aNzJ8

Jamie xx says he's long been fantasizing about opening up his own club in London. His dream is now becoming a reality thanks to a curated space he calls "The Floor." From May 16th to 25th, the UK-based electronic music luminary will take over London's Venue MOT for a 10-day residency, a nod to his new track with Honey Dijon, "Baddy On The Floor." Each night is set to feature a performance from him as well as from a curated lineup of his friends and collaborators, who will be announced on a day-of basis. "For years I’ve been dreaming of opening my own club in London, a place that represents my experiences in the best of London’s underground club scene; the intimacy, the community, the curation, the sound… this month, I get to make that dream a reality," Jamie xx wrote on Instagram. Elsewhere on the event front, Jamie xx recently performed at Coachella's remarkable new Quasar stage. Outside of his London residency, fans can catch him at Glastonbury, Pitchfork Music Festival, HARD Summer and Miami's III Points, among others. Jamie xx recently revealed that he's wrapping up his second solo album. He also recently worked with his The xx bandmates Romy and Oliver Sim on their debut solo albums, Mid Air and Hideous Bastard, respectively. Tickets for "The Floor" are on sale now. Follow Jamie xx:Facebook: facebook.com/jamiexxofficial Instagram: instagram.com/jamie___xx X: twitter.com/jamie___xx Website: jamiexx.com

Hot off the heels of a Coachella performance for the ages, Michael Bibi has released a merch collection to benefit cancer research. Bibi's uplifting set at the festival's remarkable new Quasar stage marked his first show back since his treatment for CNS Lymphoma, a rare form of cancer. In mid-March, the renowned DJ and Solid Grooves label boss announced that his three-month post-treatment scan results came back clear after nearly a year of intensive chemotherapy. "I am pure & I am free," Bibi wrote on Instagram a week ago. "Recovery is a slow healing process but ‘god’ had given me a second chance & I plan on using it to build a better future. See you all this summer." After wearing a special "One Life" tee onstage at Coachella, he's now launched an eponymous collection, which includes three t-shirt designs with butterfly imagery. Emblazoned on one of them is the quote, "Life is a journey, embrace the winds, navigate the storms, emerge from the cocoon of challenges, fly free as a butterfly." Another design features the hashtag "#FKCANCER." 25% of the profits from each purchase, according to Bibi, will be donated to the Royal Marsden Cancer Charity, the world-leading cancer center where he received treatment. You can shop the "One Life" merch collection here. View the original article to see embedded media. Follow Michael Bibi:Instagram: instagram.com/michael_bibi_ X: x.com/MichaelBibi1 Facebook: facebook.com/MichaelBibi1 Spotify: spoti.fi/3WMShaF

The multipurpose space is set to open today in Croydon Continue reading...

What should have been a triumphant return with new music for the Swedish House Mafia has turned into an unexpectedly bumpy road for the reunited electronic dance music legends. The buildup to their hotly anticipated new single “Lioness” has been plagued by delays, mixed messaging, and even some fan backlash – an uncharacteristic misstep from the usually hyper-meticulous DJ/producer trio of Axwell, Sebastian Ingrosso, and Steve Angello. It all started promisingly enough when Swedish House Mafia began teasing “Lioness” in the fall of 2023 during their wildly popular Ibiza set at Ushuaïa. They continued dropping teasers into early 2024, building hype for their first new original music since the 2023 single “Ray of Solar.” Then in mid-April, they shared a pre-save link for “Lioness” on streaming platforms, signaling an imminent release date within the standard 2-week pre-save window. Excitement reached a fever pitch when they performed the new track during the season-opening show at Brooklyn Mirage on April 27th. However, immediately after that live debut, Swedish House Mafia announced “Lioness” would not be released as expected. In a tweet, they explained: “After playing it live we weren’t satisfied with the production and needed to do last minute changes.” Thank You New York!!! As many noticed Lioness is not out yet Thank you for your patience and it’s with you soon, but after playing it live we weren’t satisfied with the production and needed to do last minute changes. New York you heard the final version now we are ready! We… pic.twitter.com/NajSjB8bv9 — Swedish House Mafia (@swedishousemfia) April 28, 2024 That kicked off a stretch of baffling decisions and miscommunications. They asked to remove a video clip uploaded by a fan where the song was played by Tomorrowland’s One World Radio saying it was the wrong version. Fans grew increasingly restless amid the mixed signals, with some harshly criticizing the “amount of unprofessionalism” on display. “This whole Lioness thing has become a Monty Python sketch,” one disgruntled supporter tweeted. “Hype is dying fast tbh. We learned not to trust them even if they officially announce a date,” wrote another. Comment byu/Commercial_Badger_94 from discussion inSwedishHouseMafia Last month’s well-received Brooklyn warm-up show proved Swedish House Mafia can still captivate a crowd live. But without clear communication, residual nostalgia could fade. But if there’s any act that can navigate these dicey waters, it’s the meticulous hitmakers who helped elevate EDM from the underground to the mainstream over the past two decades. Axwell, Sebastian Ingrosso, and Steve Angello have always been students of the game, knowing how to strategically build and sustain hype around their music. Perhaps all the fits and starts are simply the final steps in an elaborately mapped-out rollout for “Lioness.” But if “Lioness” fails to live up to immense expectations set by years of anticipation and hype, this messy prelude will be seen as another misstep. The stakes remain sky-high for the trio to stick their landing. The post What happened with Swedish House Mafia new song ‘Lioness’? appeared first on The Groove Cartel.

The South Asian-focused festival will be heading up north this July, with a line-up featuring Manara, Art, Tash LC and more Continue reading...

There is a new, exciting version of Les Irreprissibles‘ “In This Shirt” by the electronic artist Elegie out now. The Swiss artist has gotten great reviews for her latest work in the techno and experimental scenes. Elegie makes music that is both intellectual and emotional. She has a background in science and technology. Her remix combines ethereal melodies with deep, driving basslines, fusing the cosmic with the real in a captivating sound trip. She changes the haunting vocals of the original by adding shimmering synth sounds and driving beats. It’s both mentally stimulating and fun to dance to. Elegie’s unique atmospheric style moves between techno, ambient, and experimental music. She may be the only artist working in the electronic scene today who can combine raw technical skills with deep thought and story-telling. In addition to her studio records, Elegie has built a devoted fan base through her transcendent live shows. She is known for being a moving live performer. She has played at prestigious bars like San Francisco’s Monarch. People are amazed at how she went from being a scientist to a cutting-edge electronic artist. The “In This Shirt” remix has already gotten so much praise that it solidifies Elegie’s position as one of the most interesting and clever people taking electronic music to new heights. By blending science and art so well, she has created something both cosmic and grounded, which is a wonderful paradox to experience. The post Elegie’s Sci-Fi Infused Remix of Les Irreprissibles’ “In This Shirt” appeared first on The Groove Cartel.

The debut show was cancelled for a third time last night just moments before door were due to open Continue reading...

Just last week we shared that Solomun would return with his +1 series to Ibiza. Today we gear up for an action-packed summer 2024 with the reveal of the highly anticipated Solomun+1 schedule at Pacha Ibiza. This year’s lineup includes renowned artists such as Âme, Barry Can’t Swim, Denis Sulta, Dixon, HAAi, Jamie XX, Young Marco, and more. The Solomun+1 concept, which started in 2013, has been revolutionary, captivating audiences with its unique idea of Solomun inviting just one friend. Every Sunday night, Solomun+1 will transform Pacha Ibiza into a journey of discovery. This year Solomun will kick start the Sunday ritual with his All Night Long performance on June 23rd. He will have two more All Night Longs throughout the season, having partygoers pulsating on the dance floor until dawn. Sundays at Pacha Ibiza are known for their unparalleled fusion of talent and creativity. The club is set against the backdrop of the island’s most iconic venue, guaranteeing unforgettable experiences of sonic exploration. From June 23 to October 6, the Solomun+1 events will showcase outstanding performers selected by Pacha and Solomun himself. Each performer will bring their unique flair to the stage, ensuring a curated event of exceptional music and entertainment. Check out the unbelievably stacked schedule below. Solomun+1 2024 Schedule 23 June – Solomun Opening Party All Night Long 30 June – DJ Gigola 07 July – Job Jobse 14 July – Âme 21 July – Solomun All Night Long 28 July – Denis Sulta 04 August – DJ Seinfeld 11 August – Jamie XX 18 August – Marcel Dettmann 25 August – HAAi 01 September – Chloé Caillet 08 September – Dixon 15 September – Young Marco 22 September – Barry Can’t Swim 29 September – Solomun All Night Long 06 October – Gerd Janson Solomun+1 has become an annual affair in Ibiza, fans should experience it at least once in their rave years. Get your tickets here. Stay tuned to EDMTunes for all the upcoming Summer 2024 events you would not want to miss! The post Pacha Ibiza Reveal The Full Solomun + 1 Line Up appeared first on EDMTunes.

Maurits Jan Westveen, perhaps more commonly known as industry heavyweight Mau P, has officially returned to Insomniac Records with a hooky new club staple, “On Again.” Since making his Insomniac debut with “Gimme That Bounce” in early 2023, Mau P has linked his steadily growing catalog to some of dance music’s most cutting edge imprints. With an official music video due on May 2nd, “On Again” has arrived on the calloused heels of “BEATS FOR THE UNDERGROUND,” Westveen’s massively anticipated track ID that landed on Repopulate Mars in January. If there’s one thing that separates “On Again” from Mau P’s previous releases, it’s that it features vocals from none other than the producer himself. On April 21st, during Coachella Weekend 2, Mau P played out the new record during a back-to-back set with Diplo. Soon after, the Dutch frontrunner teased a video clip featuring an unforeseen collaborator. “I just didn’t have anyone else,” Mau P explains in the behind-the-scenes studio footage. It quickly becomes clear Westveen is responding to internationally acclaimed record producer Mike Dean, who had asked about the demo’s vocal performance in the clip. “On Again” is a simple yet tasteful contribution to dance music amidst the developing festival season. Stream the Mike Dean-assisted record, doubling as Mau P’s vocal debut, below. Featured image: Tommy Reerink The post Mau P returns to Insomniac Records with self-sung single, ‘On Again’ appeared first on Dancing Astronaut.

TWO LANES continue the build-up to their forthcoming EP, Innervision, with “Mind.” The second single from the project, following “Abstraction,” released in early March, “Mind” evokes the emotive and introspective elements that have come to define the Berlin-based production pair’s sound—an often reflective amalgamation of acoustic piano and analogue synthesizers with subtle rhythmic elements. “We developed this track after our last tour, when we came back to the studio and were trying to get into the creative mind again,” TWO LANES shared on X. “Really excited to finally share the outcome of this time with you all.” TWO LANES are in the midst of their Scandinavian tour, for which three dates remain before the live initiative concludes at ANTE Festival on May 29. Purchase tickets to the last three stops here. 'mind' is out now. we developed this track after our last tour, when we came back to the studio and were trying to get into the creative mind again. really excited to finally share the outcome of this time with you all pic.twitter.com/DzC4NlW02L — TWO LANES (@wearetwolanes) April 26, 2024 The post TWO LANES continue ‘Innervision’ EP rollout—stream their compelling new single, ‘Mind’ appeared first on Dancing Astronaut.

The organizers of New York City's Tribeca Festival have announced a rare screening of Daft Punk's beloved anime film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Originally released in May 2003 as a visual companion to the duo's sophomore album Discovery, Interstella 5555 was created by Thomas Bangalter, Guy-Manuel de Homem-Christo and former Daft Punk creative director Cédric Hervet alongside anime legend Leiji Matsumoto. With its inventive animation, the audacious film transcended the boundaries of mere music video at the time, conceiving a captivating sci-fi saga and setting a stratospheric benchmark for audiovisual storytelling. Interstella 5555 is now premiering in North America in remastered 4K, a rarity considering it's seldom aired in theaters, let alone in its original format. The hourlong film was splintered into scenes for a number of Daft Punk music videos in the past, including the ageless "One More Time." Daft Punk aren't the only electronic music legends to appear in a Tribeca film this year. The festival is also airing a new documentary about the life and legacy of Avicii, who tragically died by suicide in 2018. Directed by Henrik Burman, Avicii - I'm Tim will feature never-before-heard interviews with the superstar DJ as well his collaborators, like Coldplay's Chris Martin. "Before there was Avicii, there was just Tim," reads the film's synopsis. "For the first time through his own words, witness the journey of a shy but prodigious musical talent who would soon become one of the defining artists of his generation." The screening of Interstella 5555 is scheduled for Friday, June 14th at 8pm. You can purchase tickets here for $32.

HVDES has released a searing new single, a razored reminder that even in our darkest hours, the human soul has an almost supernatural tenacity to cling to life and meaning. Like the ancient city from which it takes its name, "Babylon (Don’t Let Me Fall)," chronicles the rise and inevitable fall of personal empires, questioning whether the foundations were ever truly stable to begin with. Awash in a haze of distortion, HVDES' aching vocals bleed with a profound sense of existential angst: "Am I corrupted? Is it my fault?" she quivers. Meanwhile, her stark imagery of scorched earth and smoldering temples invokes a visceral sense of loss and disillusionment. She then decimates them with the song's destructive drop, but amidst the rubble, a glimmer of hope persists within its lyricism—a plea to whatever higher power may exist to not let her spirit succumb to the same fate as the fabled Babylon. Reckoning with her own fragility in the throes of an existential crisis, HVDES shows that it's not always easy to find something to believe in. But by giving breath to the darkest depths of her psyche, she lyrically cauterizes those wounds and reminds us of the resilience that endures—however faintly—when all else seems to turn to ashes. "Babylon (Don’t Let Me Fall)" is the first single from HVDES' upcoming debut album. You can listen to the new single below and find it on streaming platforms here. Follow HVDES:Facebook: facebook.com/hvdesmusic X: x.com/hvdesmusic Instagram: instagram.com/_hvdes_ Spotify: spoti.fi/3qCpOU3

Hï Ibiza’s powerhouse Wednesday residents FISHER and Vintage Culture are back this summer with another masterfully curated season of guests at the World’s No. 1 Club. Wednesdays once again become unmissable with this influential pair at the helm of Hï Ibiza’s unique multi-room experience. It’s a place where musical adventures await around each corner and cutting-edge production heightens each party to all new levels of escapist excellence. To book tickets visit here. FISHER has remained one of the most prominent names in dance music since his unthinkably huge hit ‘Losing It’ propelled him onto the world stage. His sound traverses a wide spectrum of styles from deep to vocal, jacking to tech, and that is reflected in the tastefully eclectic mix of names who will join him each week at Hï Ibiza this summer. Amongst the many highlights are tech house titans Andrea Oliva & Nic Fanciulli, the maximal house sounds of British artists Chris Lake and Cloonee, underground grooves from house and techno party starters DJ Boring b2b Sally C, and dance music legend and big beat creator Fatboy Slim. Get ready for the awe-inspiring melodics of Italian pair Fideles, bumping grooves from Dutchman Franky Rizardo, raw and direct house from Chicago originator Green Velvet, and melodic techno from Kevin De Vries and Loco Dice. There’s a special house set from cult Berlin dancer and DJ Patrick Mason, a coming together of bass, house and techno from Skream b2b Salute, world-beating tech house from Solardo, and direct action from TSHA. All this, plus Airrica, Alec Monopoly, Alex Kennon, Arielle Free, Honeyluv, Joshwa, Kitty Amor, Little Fritter, Marco Lys, Prunk, Sarah Story, Sosa and SYREETA will all be joining the Australian superstar DJ this season. When FISHER takes a short mid-season paternity break, fellow Hï Ibiza resident Patrick Topping will take on Wednesdays from 19 June to 10 July, bringing his superb Trick event series to the Theatre for four explosive Wednesday nights. The UK tastemaker has been delivering high-octane house, techno and beyond every Monday in his Club Room residency, so expect more incredible special guests and Trick favourites to join Patrick in the booth at these special Theatre takeovers. Vintage Culture will continue his vital Club Room residency on Wednesdays at Hï Ibiza. The Brazilian hit-maker is responsible for an unprecedented number of essential house tracks, both as a solo artist and in collaboration with some of the biggest names in the scene. He brings rolling bass, rich melody and plenty of feel-good factor to his sets, as will all of the high profile guests who join him this summer. They include rising progressive house talent Adam Sellouk, the melodic mastery of Agents of Time, fresh tech house from Ibiza favourites Andrea Oliva b2b Arodes, darker sounds from Brazil’s Anna, and classically informed house music from US pioneer Dennis Ferrer. Watch out for eclectic and bass driven selections from Eats Everything b2b Dan Shake, indie-tinged dance from Elderbrook, the cultured depths of Francis Mercier, soulful influences from Honeyluv, serene techno soundscapes from Joris Voorn and Kölsch, melodic prog from Korolova, the fresh club anthems of hit-maker Mau P, and emerging Brazilian innovator Maz. Also playing will be Antdot, Armonica, Blancah, Classmatic, Doozie, Doozie, Eli Iwasa, Eynka, Franky Rizardo, Giu, Jessica Brankka, Kitty Amor, Meca, Mila Journée, Miss Monique, Rafael Cerato, Sarah Story, Solardo, Viot, Vivi Santana and Volaris. The post Fisher & Vintage Culture Announce 2024 Hï Ibiza Residency appeared first on EDMTunes.

Photo Credit: Benjamin Adams This past weekend marked the third anniversary of Project Glow in Washington D.C.’s RFK Stadium. With a stellar lineup, great stage production, and a good offering of pre and after parties, the festival’s continued improvement year over year has solidified its place as a staple east coast festival; and a welcome success as other events in the region crumble and decline. Seeing events like Ezoo, Firefly, and Imagine Music Festival fold and fail to make a comeback in 2024 due to operational issues (among many things) meant that all eyes this year were were on Insomniac and Club Glow, who started Project Glow in 2022 with hopes of invigorating the east coast dance scene. The Good Photo Credit: Annmarie Smith When I attended the first edition of the festival in 2022 and the world emerged from COVID-19, I found myself noticing how bare bones the event was. It was two stages, an art cart, simple food options and missing a lot of the pizzaz we have come to expect from events like EDC and Beyond Wonderland. But it was still a good time. Project Glow was very accessible and the price point was on the lower end for a festival with that caliber of a lineup. Last year saw the addition of a third stage, more activities, art installations and a better offering of pre and afterparties. This year, the trend continued. The festival again saw steady improvement: a new layout, expanded VIP services, and additional food options and merch vendors were added. In the blink of an eye, the festival had dialed up the quality level of the experience, all the while keeping more or less the same price point. Photo Credit: Benjamin Adams Some of the best sets this weekend included a B2B between Deorro and Valentino Khan, Knock2’s Main Stage debut, and a packed B2B with Acraze & Wax Motif. A few standout secret garden sets for me were Derrick Carter and Baby Weight. It was a big weekend for house music lovers, but that didn’t mean the bassheads were left out. REZZ and ILLENIUM closed out Main Stage night one with resounding success. Although the gloomy weather during the first day of this year’s festival left something to be desired, that didn’t stop festival goers from dancing the afternoon away and having what appeared to be a fantastic time. It really speaks to the power of music to be able to carry the energy through a day like that. Day two saw perfect sunny weather and an even better vibe due to the uplifted spirits and vitamin D. To cap off the weekend, I went to the highly anticipated and sold out Zedd B2B Knock2 afterparty. My mind as blown by how well the two artists’ styles meshed together for a cohesive sound and unbelievable energy as they weaved in and out of almost every genre on the EDM spectrum. As expected from an Insomniac event, stage design and production was impeccable and the sound quality of every stage was stellar, despite some small sound bleed issues in the VIP areas. Hats off to the tech and lighting team for a job well done. Medical services were easily accessible, and food was moderately priced. Opportunities for Improvement Photo Credit: Jordan Sabillo My main gripe for this festival has to do with entry/exits and the bathrooms. It was a long walk to and from the rideshare lot. It took my group of New York paced gays and girls almost 20 minutes to get to the entrance of the festival and even longer on the trip out. Cars were difficult to call and could not be relied on due to surge pricing and traffic. To have a smooth exit, you had to leave pretty early and miss quite a bit of the headliners. What I think could work in the future, is a system similar to Ezoo, where a queued up line of city busses are ready to take large amounts of attendees to downtown DC free of charge. The goal should be to move as many people off site as possible to areas where cars are more accessible. The only other option for leaving was relying on the metro which was inconsistent around the hours the festivals closed. The security line also tended to bottleneck due to the fact that this was a 18+ event, meaning ID checks and issues with entry held up a lot of people and caused delays. Project Glow being an 18+ event also meant that the crowd skewed on the younger side and I noticed a general lack of crowd decorum at times. But the kids will learn as time goes on. Finally all the bathrooms were a bit chaotic, but the worst issues came from the GA+ bathroom trailers. There was only one trailer per area, meaning the girls line for the airconditioned “premium” bathrooms were always disproportionately long and I felt bad that people paid extra for that particular experience. However, all things considered, I am happy with my personal experience and am excited to see what the future holds for Project Glow. The post [Event Review] Project Glow’s Third Edition: A Success Story of Continuous Improvement appeared first on EDMTunes.

Electric Daisy Carnival (EDC) Las Vegas, the world’s largest electronic dance music festival, has come a long way in the last decade. What started as a modest gathering of electronic dance music enthusiasts in 2011, has now evolved into a global phenomenon, attracting millions of ravers from across the globe. The Early Years: 2014 – 2016 In 2011, EDC Las Vegas made its debut at the Las Vegas Motor Speedway, following the festival leaving its original location of Los Angeles. Fast forward a few years later to 2014, EDC Las Vegas broke the record for having the largest structural stage in North America. That same year, Insomniac released “Under the Electric Sky,” a cinematic masterpiece that encapsulated all the magnificence EDC had blossomed into. As the years progressed, the festival’s popularity skyrocketed, attracting an ever-growing number of attendees. The organizers, Insomniac Events, recognized the need to expand and enhance the festival experience. In 2015, Insomniac launched the first-ever EDC Week Charity Auction, giving the public a chance to bid on once-in-a-lifetime EDC and artist-driven experiences while supporting local charities. The following year, a gimmick of epic proportions took place, when the iconic DJ Marshmello removed his helmet and underneath was DJ Tiësto. The Rise of a Phenomenon: 2017 – 2020 The years 2017 to 2020 marked a significant turning point for EDC Las Vegas. With each passing year, the festival continued to push boundaries, introducing new stages, art installations, and immersive experiences that left attendees in awe. Downtown EDC became a standout addition to the imaginative playground that EDC embodies, featuring a speakeasy, post office, schoolhouse, theater, and two wedding chapels where attendees could legally tie the knot. In fact, hundreds of couples have gotten married at the festival since its Las Vegas beginning. In 2017, EDC Las Vegas won the coveted ‘Festival of the Year’ award at the Electronic Music Awards, beating out fellow nominees Tomorrowland, Electric Forest, Movement, and Lightning in a Bottle. The festival’s live stream on Twitter also attracted an impressive 3.4 million viewers in just two and a half hours, showcasing its global reach and popularity. That same year, Clark County and the city of Las Vegas even commissioned a street on the Las Vegas Strip to be named “Electric Daisy Lane” during EDC Week, further solidifying the festival’s presence in the city. One of the most notable additions during this period was the introduction of the campEDC experience in 2018. This revolutionary concept allowed festivalgoers to camp on-site, creating a true sense of community and enhancing the overall festival experience. The campgrounds became a vibrant hub of activity, with impromptu dance parties, workshops, and unforgettable moments shared among like-minded individuals. The festival’s production value also reached new heights, with mind-bending visuals, intricate stage designs, and cutting-edge sound systems that transported attendees to a world of pure euphoria. Iconic stages like the neonGARDEN, quantumVALLEY, and circuitGROUNDS became synonymous with the EDC Las Vegas experience, each offering a unique and unforgettable atmosphere. The Pandemic Era and Beyond: 2021 – 2024 The COVID-19 pandemic brought unprecedented challenges to the world of live events, but EDC Las Vegas emerged stronger than ever. After a brief hiatus in 2020, the festival returned with a renewed sense of purpose and resilience in 2021. Adapting to the new normal, Insomniac Events implemented comprehensive health and safety measures, ensuring that attendees could enjoy the festival in a secure environment. Despite the challenges, the spirit of EDC Las Vegas remained unwavering, with revelers embracing the opportunity to reconnect and celebrate the power of music and community. As the world slowly emerged from the pandemic, EDC Las Vegas continued to evolve, introducing new stages, attractions, and interactive experiences that kept attendees spellbound. From mind-bending art installations to cutting-edge technology, the festival pushed the boundaries of what was possible, solidifying its position as a trailblazer in the world of dance music festivals. The week leading up to EDC has turned the entire Las Vegas Strip into one big rave, with A-list artists welcoming attendees to Sin City by performing at select pool parties and nightclubs. Throughout its journey, Insomniac has remained committed to giving back to the community that took them under their wing, partnering with over 50 local charities and organizations, including the Nevada Childhood Cancer Foundation, Rock the Vote, and Families for Effective Autism Treatment. Insomniac Events is one of the more socially responsible festivals, donating a percentage of their ticket sales to a whole host of causes to promote awareness to important issues. Looking Ahead: The Future of EDC Las Vegas As we look towards the future, one thing is certain: EDC Las Vegas will continue to captivate and inspire millions of attendees from around the globe. With its unwavering commitment to innovation, creativity, and community, the festival stands as a testament to the enduring power of electronic dance music. Whether you’re a seasoned raver or a newcomer to the scene, EDC Las Vegas promises an unforgettable experience that will leave you craving more. As the festival continues to grow and evolve, it remains a beacon of unity and celebration, bringing together people from all walks of life to dance, connect, and create lasting memories.

For electronic music fans seeking a transcendent journey through the full spectrum of human emotion, look no further than “Shifting” – the stunningly intimate and sonically impressive new album from producer Teho. His most fully realized artistic statement to date, “Shifting” takes listeners on an introspective exploration through Teho’s deepest fears, anxieties, and traumas. Yet it represents not just an exercise in melancholy, but a quest for inner healing and peace. Who’s Teho? But who’s Teho? Originally hailing from the south of France, Teho discovered his calling for melodic techno production after being inspired by acts like Daft Punk, Stephan Bodzin, and James Holden as a teenager. He quickly made waves in the melodic techno scene, catching the ear of pioneer NTO who helped nurture his early career. Teho’s soaring, hypnotic sound earned him a deal with mentor Bodzin’s label for classics like ‘Kabuki.’ Driven by artistic integrity, he launched his own imprint Labo T. His albums ‘Polytone‘ and ‘Infinity‘ established him in the global panorama, blending techno might with acoustic delicacy. Teho The new album: Shifting From the opening dreamlike mystery of “Hypernova” to the gently idyllic comedown of the closing title track “On My Way,” “Shifting” unfurls like an epic narrative – one movie traveling through radiant phases of hope only to plunge into shadowy bouts of fury and darkness. It’s a courageous reckoning with the dichotomies that exist within us all, leaving no crevice of the human psyche unexplored. What’s most remarkable is how Teho translates these interior emotional landscapes into such an aurally transfixing album. Melodically rich and possessing dancefloor-ready energy, “Shifting” abounds with progressive, euphoric journeys and breath of tempos and tones. Tracks like the shimmering progressive masterclass “Rising” and trance-tinged melodic beauty “Continuum” showcase Teho’s mastery of grand, cinematic harmonies and ethereal atmospheres. Yet the album is far from one-dimensional atmospherics. With the acid-flecked dancefloor destroyer “Day Off” and industrial-edged techno prowler “Disorder,” Teho flexes ample muscle for peak-time club moments. “Five – O” is a hugely infectious synth pop-adjacent gem, with soaring vocal melodies embedded in a groove compelling enough to ensnare the most discerning music fans. More than just a collection of disparate tracks, “Shifting” is a fully immersive listening experience – one that demands devoting quality time to its seamless emotional ebb and flow. The depth and nuance Teho achieves, both sonically and thematically, positively dazzles. One moment you’re awash in the sumptuous melodic escapism of “Pixels,” the next you’re shaken by the intensity of “Collapse“‘s stormy underground sonics. What unifies it all is the exquisite artfulness through which Teho builds tension, sculpts narrative arcs and ultimately provides cathartic release. Much like braving the torrent of life’s upheavals, “Shifting” requires opening oneself to moments of discomfort and confronting inner shadows. But in doing so, it unveils stirring beauty and profound solace on the other side. Too often, electronic albums – even wildly accomplished ones – can feel like collections of songs optimized for dancefloor deployment or zoning out. “Shifting” magnificently transcends any such compact description. It’s nothing less than an immensely creatively ambitious multimedia experience, fusing hypnotic grooves with powerfully evocative compositions and vivid storytelling. The captivating dynamic between whispery confessional intimacy and surging, even euphoric escapes and emotional purges reflects Teho’s own journey to understand “the reasons for his unhappiness when everything seems to be smiling on him.” By album’s end, what’s clear is that Teho has located his center – his core source of inner light – and magnificently translated it into what represents electronic music’s most absorbing and emotionally resonant album experience of the year thus far. More than just another masterful collection of productions, “Shifting” is a whole-hearted artistic statement as brave as it is beautiful. The post Shifting Into Transcendence: A Review of Teho’s Deeply Emotional New Album appeared first on The Groove Cartel.

Deadmau5 just celebrated two and a half decades of creating music with a sold-out anniversary show of epic proportions this past Saturday, April 27th at the Hollywood Bowl in Los Angeles. The three hour-long retro5pective show highlighted some of the greatest and most beloved material from the iconic producer’s illustrious 25-year career, ranging from his first ever production ‘Bored Of Canada‘ to hits like ‘I Remember,’ ‘Ghosts ‘n’ Stuff,’ and ‘The Veldt.‘ The sold-out crowd was treated to a selection of never-performed-before edits and a visual array of mau5 visuals from performances past, as well as new graphics and lighting styles unique to each segment of the show. Deadmau5′ Retro5pective Performance in LA The show kicked off with BSOD, his early project with producer Steve Duda, adding in DJ Aero and Tommy Lee for the fourtet that is WTF? Following came the tracks that solidified deadmau5’s spot as a dance music legend: mid 2000 cuts ‘Faxing Berlin’ and ‘Sometimes Things Get, Whatever.’ German techno marching band MEUTE then took the stage for a rump shaking brass rendition of classic mau5 cut ‘Slip.’ Next came the reveal of deadmau5’ massive touring production Cube V3, which has not been seen since 2020. From there the show continued elevating every fans delight. SOFI performed mau5 cult fave ‘Sofi Needs A Ladder.’ Kiesza enchanted fans with her futuristic fairy, glitter dusted dance moves with Joel for ‘Bridged By A Lightwave.’ LIGHTS performed her outstanding tracks ‘Drama Free’ and ‘When The Summer Dies,’ and HAYLA displayed her soaring vocals on ‘Escape.’ For the show’s encore, deadmau5 surprised audiences with a performance of ‘The Truth,’ his upcoming collaboration with Los Angeles hip-hop collective Coast Contra. Details on the song will be announced soon. Deadmau5′ Upcoming Retro5pective Performances Missed the LA performance? deadmau5 and friends will be heading east for ‘retro5pective’ celebrations at The Brooklyn Mirage in New York City this Thursday, May 2nd and Friday, May 3rd. Tickets for the Friday show are sold out, but limited tickets remain for the Thursday show here. deadmau5 will also be making an in-store appearance at Rough Trade NYC on Thursday, May 2nd. The post Deadmau5 Celebrates 25 Years With ‘Retro5pective’ Performance At The Hollywood Bowl appeared first on EDMTunes.

The electronic dance music scene has never been more escapist, and Tomorrowland serves as a prism, refracting anxieties into core memories. In an era of mental health awareness, today's ravers consider wellness their personal headliner—and the unfiltered euphoria of dance music festivals comes with a toll. So today's tickets need to hold the promise of much more than just music. CORE certainly fits the bill. By harnessing the power of nature's metaphors, Tomorrowland's visionary event brand creates a symbiotic relationship between music and its environment. Through its storytelling and stage design, the brand offers a plunge into the sublime interplay of electronic music and the wondrous complexities of the natural world. Born from the iconic festival's desire to cultivate deeper connections between attendees and their surroundings, the offshoot emerged in 2017 as a renegade stage tucked away in a forest on its grounds. Now, after unveiling a spectacular new stage, CORE has now become so popular that it lives independent of Tomorrowland itself, carving out its own universe in the helixes of the festival's DNA. As the fabled Tomorrowland brand celebrates its 20th anniversary, CORE stands tall as a bastion of its deep-rooted ethos, which says their events aren't as much festivals as they are vehicles for memories. We've teamed up with them to explore its evolution and celebrate its enduring impact on the global dance music community. 2017CORE at Tomorrowland Belgium, July 21-23 & 28-30The first-ever CORE stage debuts at Tomorrowland Belgium with performances by Tale of Us, Richie Hatwin, MK, Jax Jones, Loco Dice and Paco Osuna, among other illustrious techno and house music producers. 2018CORE at Tomorrowland Belgium, July 20-22 & 27-29CORE returns to Tomorrowland Belgium after its successful unveiling. Stage takeovers by Jamie Jones' Paradise and Claptone's The Masquerade fan the flames with massive sets by Nicole Moudaber, Claude VonStroke, Patrick Topping and more. 2019CORE at Tomorrowland Belgium, July 19-22 & 26-28CORE emerges as a hotbed of techno and house music in its third year. Techno legend Sven Väth closes the stage on its final day in the wake of performances by many influential artists, including the late Vigil Abloh, who tragically died two years later after battling cancer. 2020CORE at Tomorrowland Around the World, July 25-26In a virtual world with no semblance of COVID-19 concerns, CORE goes digital at Tomorrowland's groundbreaking "Around The World" event after shelving its flagship festival in Belgium due to the impact of the pandemic. Charlotte de Witte, Adam Beyer, ANNA and more throw down underneath the stage's giant, intricate face. STAGE PREVIEW: CORE - Surrounded by nature and the deeper sounds of Tomorrowland Around the World. Welcome to the Core stage with @realAdamBeyer, @adriatiquemusic, @djannamiranda, @CelliniGianM, @CharlottedWitte, @jorisvoorn, @patricebaumel and @yvesderuyter. pic.twitter.com/nOWlsQZFSx — Tomorrowland (@tomorrowland) July 17, 2020 2021Launch of CORE Radio ShowTomorrowland launches the monthly CORE Radio Show on its native station, One World Radio. Described as a "hub for alternative electronic music," the hourlong show is curated by host Dino Lenny and features a special guest each month. CORE at Tomorrowland Around the World, July 16-17After attracting one million viewers from an exhaustive list of countries, Tomorrowland's virtual festival returns along with CORE, now a fan-favorite. Tomorrowland diehards dance in their homes to DJ sets by Amelie Lens, Mind Against and the Keinemusik crew, among others. 2022CORE at Tomorrowland Winter, March 19-26CORE heads to the snowcapped mountains of southeastern France for Tomorrowland Winter, an offshoot of the fabled Belgian EDM festival at the idyllic Alpe d’Huez ski resort. Donning a dazzling design with the CORE logo, the stage hosts performances by Vintage Culture, Kölsch, Kevin de Vries and EDM.com Class of 2022 star Anfisa Letyago. CORE Festival Brussels, May 27 & 28The first edition of CORE Festival, a two-day boutique fest in Brussels with five stages, takes place at Ossegem Park. A collaboration between Tomorrowland and Rock Werchter, the festival attracts 40,000 visitors and features performances by Peggy Gou, Sam Gellaitry, Nina Kraviz and more as well as hip-hop luminary Nas. CORE at Tomorrowland Belgium, July 15-17 & 22-24 & 29-31With its stunning face design, the CORE stage makes its real-life debut in the enchanting forests of Tomorrowland in Boom, Belgium. London's iconic Printworks venue takes over the stage with a performance by Detroit techno legend Kevin Saunderson, who is followed by Âme, Maceo Plex, Marcel Dettmann and more. CORE at Tomorrowland Belgium 2022.Tomorrowland 2023CORE Tulum, January 14The CORE stage departs Belgium for the first time ever and lands in Tulum for its debut in the heart of the Quintana Roo jungle. Maceo Plex, Brina Knauss, Vintage Culture, Channel Tres and more perform. Launch of CORE RecordsTomorrowland launches CORE Records, a boutique label "crossing and fusing boundaries, cultures and genres," by virtue of releases from Afriqua, Mosley Jr and more. CORE at Tomorrowland Brasil, October 12-14The CORE stage travels to the lush Parque Maeda in Itu for its debut at Tomorrowland Brasil. Nina Kraviz, Âme and Vintage Culture b2b ANNA headline each day after performances by a slew of major artists, including TSHA, Skepta and Jaguar. The debut of CORE in Tulum.Tomorrowland 2024CORE Tulum, January 13 & 20The world premiere of the revamped CORE stage, a marvel of design due not only to its remarkable split human head, but also its inflatable composition. A feat of sustainability and efficiency, the groundbreaking stage deflates and compactly fits into a single container, making it portable and adaptable to locations around the world. The world premiere of Tomorrowland's revamped CORE stage in Tulum.Tomorrowland CORE at Tomorrowland Winter, March 16-23The brand-new CORE stage heads back to Alpe d’Huez to make its debut in France. Italian duo Mind Against stun with a mystical closing set underneath the stage's stupefying split human head. CORE Medellín, May 11 & 12CORE turns the page of a new chapter with a sold-out two-day festival in Medellín. The new CORE stage prepares to take over perhaps its most unique venue yet, the luxuriant Jardín Botánico de Medellín—more commonly known as the Botanical Garden of Medellín—and its famed centerpiece, the "Orquideorama." Bicep, Agents Of Time, ANNA, Chet Faker, Brina Knauss, Kevin de Vries and HAAi will perform. CORE at Tomorrowland Belgium, July 19-21 & 26-28The CORE stage will land in Boom for its biggest appearance yet: Tomorrowland's 20th anniversary festival. 400,000 people are expected to dance the nights away at the fest, which features an epic lineup with Alesso, Swedish House Mafia, Afrojack, Hardwell, Amelie Lens, John Summit, NERVO, Armin van Buuren, Tiësto, Dom Dolla and many, many more. CORE at Tomorrowland Brasil, October 11-13The CORE stage will travel to Parque Maeda for its debut in Brazil. Heading to São Paulo in 2024 are Hardwell, Axwell, Alesso, Charlotte de Witte, Afrojack, Armin van Buuren, NERVO, Steve Aoki and Krewella, among over 100 others. 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Another step towards federal legislation of Marijuana might be on the way. This week the Biden administration moved to reclassify marijuana as a lower-risk substance. The historic move would finally acknowledge the medical benefits of cannabis that so many studies have determined already. The US Department of Justice recommended that marijuana be rescheduled as a Schedule III controlled substance, a classification shared by prescription drugs such as ketamine and Tylenol with codeine. It currently sits as a Schedule I substance. The same category as Heroin, LSD, and MDMA. The formal rulemaking process is lengthy, typically includes a public comment period, and could take months to complete. The rescheduling of marijuana might mark the beginning of the end of the war on drugs. It could open the doors for Psilocybin and MDMA, which also have had many studies for medical benefits. Last fall, members of the FDA’s Controlled Substance Staff wrote in the documents that the agency recommended rescheduling marijuana because it meets three criteria: a lower potential for abuse than other substances on Schedules I and II; a currently accepted medical use in treatment in the US; and a risk of low or moderate physical dependence in people who abuse it. Currently, 24 states have legalized cannabis for recreational use. This has led to a multi-billion dollar industry with dispensaries everywhere you look. State-licensed cannabis dispensaries and retail shops are expected to generate $32.1 billion in sales this year. The post U.S. Justice Department Plans To Reschedule Marijuana As Lower-Risk Drug appeared first on EDMTunes.

Call Super, Chloé Caillet, DJ Tennis, and more are set to head to El Gouna this month Continue reading...