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After years of secrecy, Deathpact is finally ready to release its debut album, FROM DARKNESS. According to a press release shared with EDM.com, the anonymous electronic music project's "initial DebUt ALbum transmission" will drop on May 31st. The release may be more than just an album, considering the capitalized letters spell out "DUAL." However, true to the enigmatic nature of Deathpact, only time will tell. In addition to the album's reveal, the collective has shared the next single off FROM DARKNESS after last month's "NEMESIS." A vocal-driven departure, "HOLD ON" is a plaintive track with smooth, languid production not often found within their distorted arrangements. Its aching keys, however, ultimately vanish and give way to a menacing drum & bass drop with crunching saws and hyperactive drums. This new single follows the reveal of Deathpact's "Eternity Research Group" experience, which will see fans in Denver go through an initiation and training before earning access to a VIP section of its Mission Ballroom show in June. Check out "HOLD ON" below and pre-save FROM DARKNESS here. FOLLOW DEATHPACT:Facebook: facebook.com/Deathpact X: x.com/deathpact Instagram: instagram.com/deathpact Spotify: spoti.fi/30C9Q1Z

Before taking the stage at Coachella, ISOxo threw down heaters in an underground parking garage. Back in February, the rising electronic music superstar teamed up with DEF, a red-hot promoter showcasing the sounds of the alternative in unique locations. For over 90 minutes, the EDM.com Class of 2022 star took over a parking garage in Atlanta for a riveting DJ set. DEF is a women-owned promoter who's made serious noise in the underground with their intimate, gritty DIY events featuring the sounds that major promoters might deem too off-the-wall. This dedication to the experimental has earned DEF millions of plays, major festival and venue pop-ups, and countless groundbreaking showcases. Considering ISO has quickly become a headlining name reserved for the nation's biggest stages, his intimate DEF debut is a rarity. Attendees packed around the underground stage for the performance, wherein he dropped fan-favorite like "Stinger," "dontstopme!" and "how2fly" alongside a bevy of unreleased IDs, including a long-awaited collaboration with Skrillex. "I do have a lot of music in the works," ISOxo told us in a late-2023 interview at the time of his massive debut album. "I just feel very creatively free now that the album's done, and there are a handful of collabs that I'm itching to get out." You can watch ISOxo's full DEF set below. Follow ISOxo:Facebook: facebook.com/ISOxo X: x.com/isoxo_ Instagram: instagram.com/isoxo_ Spotify: spoti.fi/3dwtO3h Follow DEF:YouTube: youtube.com/deftv Facebook: facebook.com/defineeverythingfuture X: x.com/wtfisdef Instagram: instagram.com/defineeverythingfuture

After years of secrecy, Deathpact is finally ready to release its debut album, FROM DARKNESS. According to a press release shared with EDM.com, the anonymous electronic music project's "initial DebUt ALbum transmission" will drop on May 31st. The release may be more than just an album, considering the capitalized letters spell out "DUAL." However, true to the enigmatic nature of Deathpact, only time will tell. In addition to the album's reveal, the collective has shared the next single off FROM DARKNESS after last month's "NEMESIS." A vocal-driven departure, "HOLD ON" is a plaintive track with smooth, languid production not often found within their distorted arrangements. Its aching keys, however, ultimately vanish and give way to a menacing drum & bass drop with crunching saws and hyperactive drums. This new single follows the reveal of Deathpact's "Eternity Research Group" experience, which will see fans in Denver go through an initiation and training before earning access to a VIP section of its Mission Ballroom show in June. Check out "HOLD ON" below and pre-save FROM DARKNESS here. FOLLOW DEATHPACT:Facebook: facebook.com/Deathpact X: x.com/deathpact Instagram: instagram.com/deathpact Spotify: spoti.fi/30C9Q1Z

The Magic City institution will be putting parties on hold this summer, along with sub-venues Floyd and The Ground Continue reading...

Electronic music is a field that is always changing, but Purified Records has already made a name for itself. With a strong focus on quality and a keen eye for new artists, the label has consistently released cutting-edge soundscapes. The label is now celebrating an important anniversary by releasing the long-awaited twentieth album in their popular Fragments series (XX). The compilation: Fragments XX Fragments XX is a musical tapestry made by three very talented artists. Each of these brings a unique musical view to the project. Palisade and Affektion, a dynamic duo, are leading the way with their track “Hurt Enough,” which sets the tone for the trip ahead. A flawless arrangement lets the track soar to great heights, carried by soaring voices and shimmering synths that surround the listener in a dreamy soundscape. Next on the list is TsuruSwing‘s “Okutama,” a melodic piece that expertly combines traditional and modern elements. This piece, which is built around a beautiful piano break, shows how well the artist can combine different types of music, making for an interesting and moving listening experience. “Paradigm,” Krokha‘s dramatic track that takes the listener into a deeper dimension, is the last track on the collection. With its growling bass lines and leading pads, this sound journey shows that the label is dedicated to pushing the limits and discovering the deepest corners of electronic experimentation. Daniel Nicholson and his cover photo Fragments XX isn’t just a collection of great songs, though; it’s also a feast for the eyes and ears. The cover art for the album was taken by the famous underwater photographer Daniel Nicholson. It shows a beautiful school of fish. This picture is not just a pick for its beauty; it also shows very well how schooling fish move together in a coordinated way. Fish that school, like the ones in the painting, have an amazing ability to coordinate and talk to each other. They move in synced groups to avoid being eaten by predators, find food more efficiently, and have more babies. This group behavior makes the fish look scary and confused, which makes it hard for predators to target specific fish within the group. Nicholson took this beautiful picture of the Ningaloo Reef in Western Australia. It’s a powerful reminder of how beautiful and fragile the underwater world is. It is becoming more and more threatened by humans and the terrible effects of climate change. Purified Fragments XX cover by photographer Daniel Nicholson Let’s save the ocean with the music and the Ocean Conservancy In this light, Purified Records’ choice to work with the Ocean Conservancy, a group whose mission is to protect the oceans around the world, becomes even more important. Raising knowledge and helping with conservation efforts is important to the label, and it fits perfectly with the Fragments series’ philosophy of pushing limits and questioning what people think they know. Fragments XX brings together artistic expression and environmental action, which is great for people who love both music and the ocean. The sounds of Palisade, Affektion, TsuruSwing, and Krokha will enchant you. Let the images of the swimming fish take you to the depths of the ocean, where a world of wonder and strength awaits. The trip doesn’t end there, though. All of us can help protect this important environment for future generations by giving our support to groups like the Ocean Conservancy and Only One, whose goal is to improve ocean health and fight climate change. The post Purified Records Celebrates 20th Fragments Release appeared first on The Groove Cartel.

Yet more shows have been cancelled in the past 24 hours at the crisis-hit venue Continue reading...

This spring, immerse yourself in “A Beautiful Morning,” the latest techno project by Parisian DJ and producer, Max by the Way. This EP signifies a pivotal rise in dance music, distinguished by its authentic analog production. Departing from sample-dense soundscapes, the album introduces robust synths and pads, igniting anticipation for what’s next. Launching this EP was a way for me to articulate these new ideas and affirm my ability to produce work that aligns with my artistic vision and direction. The collection captures a compelling mix of influences from the 90s and early 2000s, reflecting a significant phase in my sound. For those eager to explore a fresh chapter in techno, “A Beautiful Morning” awaits. Introduce yourself and your project I am a bludgeoning techno artist fueled by passion and exploration. From the earliest echoes of pop and trance tracks, music has became more than just a fascination, ”it became a lifelong devotion. These genres became the canvas upon which I painted my “sonic picture”, each beat and melody carrying a different fragment of my story. Collaboration has been a cornerstone of my career, especially with my closest confidant, Vincent Jane. Together, we have crafted a single that remains a high watermark in my career, and with the emergence of our own label, Jump in tha Crowd, we’re on the path to carry out a range of the most innovative and artistic events. Under the moniker “Max By the Way”, I have cultivated a persona that places the music above the musician. Guided by this philosophy, I always ensure that every note produced takes center stage, resonating with listeners on a deeply visceral level. At the core of my artistry lies a fusion of electronic, techno, and house, interwoven with subtle hints of pop influence. This eclectic blend reflects my diverse musical roots and the evolution of my sound. My music serves as a diary of soundscapes, each track a chapter in a larger narrative of exploration and expression. Explain what musical genre fits you best I identify most closely with the electronic music spectrum, particularly within the realms of House and Techno. Although I enjoy listening to a wide array of music, my own productions are deeply rooted in minimal and melodic techno. I pride myself on my versatility and resist confining my creativity to specific categories. Preferring a boundary-free approach to production, I am drawn to exploring a variety of styles that resonate with me. This openness ensures a dynamic and ever-evolving musical output that reflects my broad artistic inclinations and personal taste. Were you connected with music from a young age and did anyone inspire you? From a very young age, I was deeply connected to music, beginning with the pop rhythms of Jamiroquai, the transformative electronic sounds of Moby, and the entrancing music of various trance artists. These diverse musical influences not only shaped my early auditory experiences but also laid the groundwork for my later explorations into the broader electronic genre. Each artist brought a distinct flavour to my musical palette, encouraging a deep-seated appreciation for sound and its infinite possibilities. What kickstarted your music career? My music career took off when I dared to start producing after founding MLV Studio with my two best friends. This venture thrust me into the music world, allowing me to fully immerse myself in music production—a field I had always wanted to explore. Specific events, like our showcases across Europe, particularly at EGG London, were pivotal. While I’ve always been passionate about music, I initially hesitated to create it. Overcoming this fear marked a transformative moment, unleashing my artistic side. This liberation extended into my personal life as well, as the music I create is a reflection of my life, my mood, and my desire to express myself. This journey has not just been about music, but a profound expression of my identity. Tell us more about your sound and how it’s evolved over time. My music predominantly focuses on analog sound processing as much as possible, reflecting a commitment to authenticity and warmth in production. Over time, however, sampling has also played a significant role in shaping my tracks. This technique involves creatively slicing and integrating various sounds, allowing me to blend traditional elements with modern influences seamlessly. My sound as a result has evolved into a rich, textured landscape that respects the roots of electronic music while continuously pushing its boundaries. The blend of analog and sampled sounds has become a hallmark of my musical identity, enabling me to craft a unique auditory experience for my listeners. Any words you want to share to encourage other artists or producers? I believe it’s crucial to fully immerse yourself in music production and to not hold back. Fear can often deter us from releasing our work but it’s essential to overcome this. Sharing your creations is one of the most rewarding experiences when you truly love music. Don’t be afraid to express yourself and let your musical ideas flow. Each piece you release not only contributes to your growth as an artist but also enriches the broader musical landscape. Remember, every great track started as an idea that someone was brave enough to pursue. How do you nurture your industry relationships? I actively cultivate my industry relationships by attending numerous events featuring artists I admire. I also co-founded a record label, Jump in tha Crowd Records, with my best friend to maintain our independence and foster a strong artistic direction. We also organise events known as MLV Party, which serve as a platform for networking and collaboration within the music community. These initiatives not only allow me to stay connected with peers but also help in promoting mutual growth and creating opportunities for upcoming talents. By engaging directly with the community and contributing to its vibrancy, I strengthen my relationships and establish a supportive network. Is there anyone you’d like to thank that’s been crucial to your journey? I would like to extend my heartfelt thanks to everyone who has played a crucial role in this journey. I’m grateful for the artistic direction provided by myself, Vincent Grimaud (@vincegmd), and Adele Pedron; their collective vision has truly shaped the aesthetic and impact of our work. Special thanks go to Adele Pedron in particular, whose exceptional visuals have greatly enriched this project—her work can be admired on her profile @adele.ped. I also owe much appreciation to Paul from Berlin for his expert mastering that brought our sound to life. I am proud to release this project with Jump in tha Crowd Records, whose support has been invaluable. To all involved, your contributions have not only enhanced this project but have also deepened my artistic expression and reach. Name 3 songs you love and what they mean to you + Youtube links “Moby – Porcelain”: This profound track by Moby has resonated with me since childhood and continues to inspire me today. I treasure it for its avant-garde soundscapes and breathtaking beauty. “Jamiroquai – White Knuckle Ride”: I adore this song for its vivid recall of my childhood and the irresistible groove that I love. It perfectly encapsulates the energetic and funky spirit I admire in music. “Black Eyed Peas – Meet Me Halfway”: This track is uniquely memorable and I thoroughly enjoy the vibe of the Black Eyed Peas. It also harks back to my childhood, echoing the sounds that have shaped who I am today. Overall, the music from my childhood has profoundly influenced who I am now, both personally and in my musical passion. These tracks not only provided a soundtrack to my early years but also continue to inspire and shape my artistic expressions. What’s your favourite piece of studio equipment or software? I would have to say that the MicroKorg is my favorite piece of studio equipment as it was my first synthesizer. It’s truly fantastic because you can create a vast array of great sounds with it, thanks to its numerous effects and creative options. The presets are also excellent. By connecting it with my SSL 2+ sound card, I achieve an incredible sound quality that really resonates with me and fuels my creativity. This setup not only enhances my productions but also brings a vibrant energy to my music-making process. Name your favourite club or festival and how it makes you feel My favourite club is Cadavra, located in the legendary Malasaña district of Madrid. I have a particular fondness for this venue because of the sophisticated music selection that maintains a sharp, cutting-edge vibe while welcoming a clientele that comes to enjoy the sounds without any pretensions — everyone is friendly and laid-back. The visuals and light shows further enhance this wild experience, making each visit memorable. I’ve spent countless unforgettable nights at Cadavra, where the atmosphere and music combine to create a truly magical setting. Favourite clubbing memory and who or what did it involve? My favourite clubbing memory dates back to the first event I organized with my collective, MLV Studio, which I founded with my two best friends. It was a sold-out night at the iconic EGG London, a landmark club in the city. We had invited artists like TELMA, who was just beginning her DJ career at the time. The event was not only a significant breakthrough for us but also a thrilling discovery for the audience. The energy and excitement of that night remain vivid in my memory, marking a pivotal moment in our collective journey. What famous quote represents you best? Less is more. If you could play at any venue, where would it be and why? I would love to play at Fabric in London; it’s a dream venue for me. The renowned sound system and stunning visuals at Fabric would provide the perfect platform to showcase my musical universe to a large audience. The opportunity to perform there would not only allow me to fully immerse the crowd in my sound but also connect with them on a profound level. Fabric’s reputation for hosting world-class events makes it an ideal stage for sharing my artistic expressions and further establishing my presence in the global music scene. Music is….. (explain more) For me, music is a means of expression and a way to embrace my passion, which has always been centerd around music. It provides a unique outlet through which I can communicate my feelings, ideas, and visions to the world. Music allows me to translate my inner experiences into something tangible and shared, connecting me with others on a deeply emotional level. Through music, I find both a voice and a refuge, continually fueling my creativity and passion. One song you really couldn’t live without and why? “Veridis Quo” by Daft Punk is a song I absolutely couldn’t live without. I love this track deeply—it stirs so many emotions in me, illustrating the profound impact that music can have. It’s astounding how a piece of music can evoke such strong feelings of affection and connection. This song resonates with me on many levels, providing not just auditory pleasure but also a meaningful emotional journey each time I listen to it. It’s a timeless piece that continues to inspire and move me, no matter how often I hear it. Namedrop your favourite 5 artists or DJs (past or present) My top five favorite artists and DJs, spanning both the past and present, include Moby, Daft Punk, Solomun, The Weeknd, and Travis Scott. Each artist brings a unique sound and style to the music scene, from Moby’s ambient and electronic mastery, to Daft Punk’s revolutionary approach to house music. Solomun is renowned for his deep house DJ sets, while The Weeknd offers a distinct blend of contemporary R&B with a dark, atmospheric tone. Travis Scott rounds out the list with his innovative and energetic approach to hip-hop. These artists have significantly shaped my musical taste and continue to inspire my own creative endeavours. What was your first music memory and how did it fuel your fire? My earliest music memory involves spending time with my family as we listened to Mika, a French artist based in London. We would play his newly released album on repeat in the car during our summer drives. Those moments were incredibly joyful and filled with a sense of adventure and happiness that only music can provide. This experience not only introduced me to the powerful impact of music on emotions and atmosphere, but also ignited my passion for music. It showed me how songs could capture and enhance the spirit of moments, driving me to explore music more deeply as both a listener and later as a creator. Tell us more about your plans for the future I aim to further develop my music and deepen my understanding of sound creation and design. My ultimate goal is to master the art of producing music that not only resonates with a wide audience but also allows me to sustain myself financially through my artistic endeavours. I hope that one day I will be able to fully support myself through the music I create, turning my passion into a viable career. This journey is about constant learning and growth, and I am committed to evolving my skills to reach this dream. Any worldly advice you’d like to share? Continue making music and embrace the joy of life. It’s essential to find happiness in your passions and everyday experiences. Music can be a powerful companion on this journey, enriching your life and lifting your spirits. Remember, the key to a fulfilling life is to enjoy the process and the moments that come your way. Keep creating, keep exploring, and most importantly, keep enjoying every step of your adventure. a beautiful morning Is Out Now Follow Max by the way The post ‘a beautiful morning’ Is The Expressive Debut EP From Techno Artist ‘Max by the way’ + Artist Interview appeared first on Electic Mode.

‘Rebel With A Cause’ is the remarkable story of Darcus Beese: legendary music-industry executive, OBE and a man Music Week described as “one of the great A&R people of his or any generation”. It is the inspirational story of how a teenage Londoner (and apprentice hairdresser) worked his way up from being the ‘tea boy’ to becoming the President of one of the UK’s biggest and most successful record labels – Island Records. From signing and nurturing some of the greatest artists of the twenty-first century including Amy Winehouse, Mumford & Sons, Dizzee Rascal, Florence and the Machine and more, to him moving to New York to run Island USA but becoming despondent at what he saw and encountered. To be published on 15 August through Nine Eight, the dedicated music imprint of Bonnier Books UK. Pre-orders are available now from HERE. Alongside Darcus’s career successes, ‘Rebel with a Cause’ is also the story of a young man raised in musically fertile and politically febrile times. Activist parents Darcus Howe and Barbara Beese were prominent activists in west London, and members of the Mangrove Nine, during a time when racism was rife, not only on the streets, in schools and on the terraces, but also in the highest institutions of power. Fighting for equality – for himself and for his artists – has therefore been inevitable for Darcus. This is the incredible tale of an inspirational leader and rebel with a true cause. Darcus Beese said: ‘It feels unreal to me. As a kid, I never thought or dreamed that one day I would be writing my story, let alone having it published. But now I think why not me? Growing up in a family of activists, a mother and father who fought to change British society, I’ve always understood the importance of using your voice, and always felt a duty to speak my mind and stand up for what was right. Writing the book, looking back over my fifty-plus years, I really appreciate how blessed I am to have such a strong beautiful family and to have enjoyed the most amazing experiences working alongside some of the greatest musical talents. Hopefully, there’s plenty more to come. If this book inspires one kid to believe in themselves, to stay true to themselves, then it’ll be worthwhile.’ Pete Selby – publishing director of Nine Eight Books – said: ‘Darcus is one of the truly great music people of the past twenty-five years; a compassionate firebrand, musical zealot and no-bullsh*t ringleader. But Rebel With A Cause is also a book about family – be that growing up with his revolutionary parents Darcus Howe and Barbara Beese, at his second home of Island Records or the impact and influence of his own children. It’s an incredible story about how one man played a system which was stacked against him from birth and ended up going all the way to the top.’ Darcus Beese (OBE) was the president of Island Records in the UK and the first black CEO of a UK record company. He is also largely regarded as the best A&R man of his generation, signing and nurturing the likes of Amy Winehouse, Florence and the Machine, and Mumford and Sons. His family background is no less enthralling. His father was activist and broadcaster Darcus Howe and his mother was Barbara Beese, former UK Black Panther. Both were featured in the 2021 Steve McQueen short film ‘Mangrove’ as part of his Small Axe series. Darcus has recently launched his own label in a joint venture with Warner Music UK. ‘Rebel With a Cause’ will be published on 15 August in hardback, eBook and audiobook The post Book of the Month – Darcus Beese autobiography – Rebel With A Cause appeared first on Decoded Magazine.

Tiesto x Dimitri Vegas & Like Mike x Gabry Ponte – Mockingbird With ‘Thank You (Not So Bad)’ still being one of the most streamed singles in the EDM scene, Tiesto and Dimitri Vegas & Like Mike link up with Gabry Ponte to give us the official follow up. Titled ‘Mockingbird’ and premiered live at Ultra Music Festival in March, the single sees these 4 acts bring Eminem‘s iconic single to the mainstage with thumping energy. David Guetta & OneRepublic – I Don’t Wanna Wait (Hardwell & Olly James Remix) As if the David Guetta and OneRepublic single ‘I Don’t Wanna Wait’ couldn’t get any bigger, in come Hardwell and Olly James. Having already proved to be a match made in heaven with last years ‘The Seduction’ EP, the pair take the pop dance hit and turn it into a super energetic hyper techno banger. RealSounds – Solar With his mixes on YouTube accumulating approximately 1 million views and his previous releases still gaining traction, RealSounds kicks off his catalog for 2024 with the release of ‘Solar’. This single is yet another example of that future rave sound that the Bulgarian artist has perfected. With equal parts power and elegance, RealSounds combines powerful leads and pulsating basslines with a melodic and beautiful tone, all resulting in a production that cannot be skipped. aariaa – Money Speaks Hot on the heels of her previous release ‘Slow It Down’, aariaa returns to our new music roundup with ‘Money Speaks’. Almost as if she’s picking up where she left off, the female artists gives us another dose of her addictive electro house style. Rhythmic drum samples and punchy basslines are the main ingredient of this single and when they come together you can’t help but get invested. Sven Fields – Fuego Sven Fields is gaining more stripes in the renowned Tech House scene as we speak. With his work catching the attention of a lot of big artists like Loco Dice, it’s time for his third track ‘Fuego’ to be released on his own label, Fields Vision. Perfectly titled, this single is fire and needs no further introduction. Fire is what you can expect from this fresh new record. Calvin Harris & Rag’n’Bone Man – Lovers In A Past Life (Calvin Harris VIP Mix) After just teasing an upcoming collab with Miley Cyrus on his social media, Calvin Harris makes sure we don’t forget about his previous release, ‘Lovers In A Past Life’ with Rag’n’Bone Man with a sick VIP mix. Originally played at Ultra Music Festival with a thought to it being a live exclusive, the Scottish hit maker treats his fans to it this week. W&W x Vini Vici – Rave Mozart Prepare for an electrifying journey as W&W reunites with Vini Vici to unleash their latest collab. Following the monumental success of ‘Chakra’, the dynamic duos return to Rave Culture with an explosive new anthem that’s set to dominate festivals worldwide. Drawing from the timeless melodies of Mozart‘s ‘Eine Kleine Nachtmusik’, W&W and Vini Vici infuse their signature styles into the iconic composition, producing the adrenaline-fueled marvel: ‘Rave Mozart’. Honorable mentions: Andrew Rayel – The Way of Harmony (FYH 400 Anthem) Alan Fitzpatrick, HI-LO – Gimme The Word Alan Walker & Kylie Centrall – Unsure Cheyenne Giles – Little Luv Drove, Dillon Francis – Waterfall DVBBS x Boaz van de Beatz – Warmth Eleganto – Sugar Spice Harris & Ford, Alexander Eder – Therapie Headhunterz ft. Diandra Faye – Moonlight Felix Cartal x emma lev – dive /stay/ Fisher ft. Jennifer Lopez – Waiting For Tonight London Grammar – House (Solomun Remix) Marshmello & Kane Brown – Miles On It Robert Falcon x FOVOS – Underground StadiumX & Taylr Renee – Music In Me Steve Aoki ft. kalan.frfr – 3 Days The Magician – If You Go (ft. Griff Clawson) Third Party – Believe VINAI x RAAKMO – Follow the Stars Stream all these tracks and more in our New EDM Friday playlist – follow here.

San Francisco-based DJ and producer Buns is back with a fire-breathing exploration of the underground club scene with her latest track, ‘ALLIWANNA.’ This pulsating anthem is a full-on dive into the heart-stopping world of warehouse bass. ‘ALLIWANNA’ throbs with intense energy, its core built around pounding kicks and gritty, pulsating acid synths. Classic breakbeats weave their way through the aggressive basslines, creating a perfect soundscape to unwind and groove to. The track captures the simmering tension and inevitable explosion of energy that comes from holding back all day long. The repetitive ‘ALL I WANNA’ vocal builds towards a tipping point, representing that moment when you just need to escape and unleash all that pent-up rage and energy on the dance floor. The powerful drops feel like pure dancefloor bliss, while the warm chords evoke the warm sense of community you find in those late-night havens. Here’s what Buns had to say about the release: “All I want to do is feel the energy of the floor, the drums, the atmosphere, the people. I love that ascension and I love getting there by any means necessary. You don’t need a real genre or any song lyrics necessarily, you just need that energy.” This latest release comes hot on the heels of Buns’ support slot on Nitepunk’s Human Experience tour. It also follows her impressive performance opening for Devault at his sold-out San Francisco show during the Sensations tour. She will continue with this momentum into the summer, with her Outside Lands festival debut at the SOMA tent where she will be showcasing her NURAVE sound. The post SF Producer Buns Releases Warehouse Bass Anthem ‘ALLIWANNA’ appeared first on EDMTunes.

All Day I Dream and its Organic roster never cease to amaze. Delivering the Organic House choons for you all! We’re delighted to share the news that Argentinian producer Nathan Katz released an impressive EP just last week. The collection, which contains not one, not two, but four tracks, is titled Parallax, and is out now on our beloved blue-and-white label. If you see a blue sky and a cloud for an artwork, you know we’re talking about All Day I Dream, Lee Burridge’s Organic House imprint. Nathan Katz. He who’s seen quite the meteoric rise from his debut tracks in 2017, Katz quickly caught the attention of heavyweights Lee Burridge and Nick Warren, among many others. Featured for the first time in 2022’s A Winter Sampler IV compilation, Nathan’s interaction with the label goes a relatively long way, and this EP is sure not to be his last contribution to it. Parallax very welcomingly sits on the more groovy and heavy side of the Organic House spectrum. Four tracks describe the story of Nathan’s vision of his music, which he recognises as a blend of several influences that span much further than Dance music itself. “The direction of an object appears to differ when viewed from different positions… Parallax.” -Nathan Katz. Nathan Katz – Parallax EP Tracklist Parallax Moonlight Flamingo with Molac Dreamland ‘Parallax’ Immersive, mysterious, warm, euphoric. All in one package. Can you top an experience like this? It’s tough. No wonder this is the one song that gave the EP its name. Don’t get me wrong, the succeeding tracks are truly marvellous, but this one is something else. It’s one of those tracks that can really put you into a trance. Few track number ones have really been my favourite of the bunch in my life, it’s this EP, and Above & Beyond’s ‘Tri-State’. Quite the award on my end if you ask me. ‘Moonlight’ Super groovy, unbelievably so. And that’s a good thing. It’s playful, with the contrast of the little shy plucks, the chord progressions, the vocal, the bass, and, well, the star of the show, the incredibly tasty percussion lines. Ever went for a late-night snack on a drive thru after a party? The sensation of that first bite in the middle of the night, this track is the sonic equivalent. ‘Flamingo’ Second place for me. What a track, what a journey! Because there’s no other way of properly addressing this, other than a journey. As much as you can notice Molac’s hand on the record — a producer who’s now leading the Sendas Music Collective movement bringing an entirely new dimension of Organic power to the game —, there’s a lovely change in the break. It shifts your body from the dancefloor to Heaven, and back. I won’t anticipate what it is, your homework is to feel it. ‘Dreamland’ The perfect ending to a spectacular four-course auditive delight. Dancefloor-oriented at its most crowded sections, and made for self-reflection melody-wise, the closing track of the EP gives you one final angle from which to look at Katz’s work. And what a well-done work it is, if I’m honest with you. This one I see as the perfect high-energy encore for a Full Moon party by the beach. Don’t ask me why, but I feel it! Listen to Nathan Katz‘s colossal Parallax EP down below by hitting the ‘Play’ button on the Spotify block we’ve provided. Alternatively, click this link to support the release on your favourite platform. And be sure to stay tuned to our page for the latest news and views of the Dance industry. The post Nathan Katz Graces The Industry With Four-Tracker Parallax EP appeared first on EDMTunes.

Bingo, once considered a game for retirees in smoky bingo halls, has undergone a dramatic transformation in recent years. The traditional image of bingo dabbers and quiet concentration has been replaced by a vibrant, immersive experience that has taken the urban nightlife scene, quite frankly by surprise. Originating in the U.K., this new wave has slowly captivated young adults with its unique blend of nostalgia, excitement, and party vibes. One of the key players in this bingo revolution is Bongo’s Bingo, a phenomenon that has quickly gained popularity in over 40 countries, including a highly anticipated pop-up show in New York City. The shift from a stodgy Rotary Club favorite to the centerpiece of alcohol-and-nacho-fueled Dance parties is a testament to the power of reinvention and innovation. As bingo enthusiasts seek new ways to engage with the game, entrepreneurs have embraced the challenge of creating unforgettable experiences that cater to a younger, more diverse audience. One such pioneer comes to be Hijingo, a permanent bingo nightclub in London, looking to bring this exciting concept to the States. With a portfolio that includes Flight Club, a “social darts” chain, and AceBounce, a “social ping pong” restaurant in Chicago, its founder, Harris, understands the appeal of immersive entertainment that offers a unique and affordable night out. Don’t be fooled, though, since at Hijingo in London, patrons are not just playing bingo; they are part of a riotous, interactive show that blends humor, competition, and camaraderie. As Harris aptly puts it, guests are trading in expensive steakhouse dinners for a more affordable yet equally entertaining experience. The rise of bingo as a nightlife phenomenon is not just a passing trend but a cultural shift that reflects the changing preferences and desires of a new generation seeking fun, social connection, and a break from the ordinary. The Rise of Bingo in America Bongo’s Bingo While bingo as immersive entertainment for young adults originated in the U.K., it is now making inroads in America, captivating audiences with its unique blend of nostalgia and modern flair. Bongo’s Bingo, with its global reach and energetic atmosphere, has been instrumental in introducing Americans to this reinvented version of the classic game. The upcoming pop-up show in New York City is just one example of how bingo is transcending its traditional boundaries and captivating a whole new audience. What sets bingo nightlife apart is its ability to appeal to a younger demographic who may not have grown up playing the game. By infusing bingo with elements of nightlife culture, such as music, dancing, and interactive performances, venues like Hijingo are able to attract a diverse crowd looking for a unique plan. This fusion of traditional bingo with modern entertainment has breathed new life into the game, turning it into a must-try experience for those seeking something different from the standard club scene. The Future of Bingo Nightlife Hijingo Bingo UK With the success of Bongo’s Bingo and the growing popularity of bingo nightclubs like Hijingo, the future of bingo nightlife looks bright and promising. As more entrepreneurs and innovators embrace the concept of immersive entertainment, we can expect to see even more creative and exciting ways to experience bingo in the years to come. The affordability and accessibility of bingo nightclubs make them an attractive option for young adults looking for a fun and memorable night out. So, the next time you’re looking for a night out that’s anything but ordinary, consider stepping into the world of bingo nightlife and see where the numbers take you. Who knows, you might just find yourself dancing the night away, surrounded by neon lights, disco balls, and the unmistakable thrill of a bingo win. The post Bingo Revolution: From Rotary Clubs To Nightclub Dance Parties appeared first on EDMTunes.

This past weekend marked the third anniversary of Project Glow in Washington D.C.’s RFK Stadium. Check out our review of the festival itself here. In addition to the already stacked lineup, the festival offered seven amazing pre and afterparties for attendees to explore during the weekend taking place at staple DC venues EchoStage & SoundCheck. EDMTunes was able to attend the Wax Motif Preparty and the highly anticipated Zedd B2B Knock2 Afterparty, both of which took place at EchoStage. The venue was voted the best venue in North America in the DJ Mag Top 100 poll in 2021 and despite not taking the title this year, they still provided us with world-class production, one of the best sound systems in this hemisphere and an amazing time. Both events (including the sold-out Zedd B2B Knock2 event) felt full, but not overcrowded, bathrooms were clean and efficient, and there were plenty of bars and service spaces for drinks and refreshments. Wax Motif Australian Tech House and G-House producer Wax Motif has been a titan in the scene and is no stranger to curating his own events. This intimate show was held in 360 style. Support acts included Koster, TOBEHONEST and VNNSA. This was a Tech House lover’s dream event and the vibes were amazing. People were respectful, the music was pumping, and it was a great appetizer for the long weekend of music ahead. In his 2-hour set, Wax showed off some amazing new IDs and edits that he would not normally be able to play in a 1-hour festival slot. It was amazing to be able to see what he has been cooking recently. Zedd B2B Knock2 When this B2B event was announced, internauts lost their minds! Knock2 has been slowly taking over and is a rising artist known for his versatility and high-energy sets. His ability to connect with his audience is unmatched in the scene right now. Zedd is, well, a legend in the industry and one of the OG EDM pioneers. His work in the 2010s led to the popularization of EDM and contributed to the commercial success of so many after him. However, Zedd is NOT known for playing live with others, and he is almost always only seen solo in shows and festivals. It came as a surprise to many that he would be sharing the stage with one of today’s rising stars. The two artists’ styles worked extremely well together. I will admit I had my doubts about Zedd’s ability to match some of Knock2’s energy, but those concerns ended up being unwarranted as they were both able to blow my mind drop after drop. The two ducked and weaved between almost all genres in the EDM spectrum and played everything from EDM classics to current hits, to completely unexpected mashups left and right that kept everybody on their toes. The afterparties were (in all honesty) the most fun I had all weekend. Looking forward to what the next batch of Project Glow events will bring in 2025. The post [Event Review] Project Glow Hosts Amazing Pre And Afterparties appeared first on EDMTunes.

GRIDLIFE Midwest Festival has announced daily stage lineups for its 11th edition, which will return to Gingerman Raceway from Friday, June 7 – Sunday, June 9, 2024, where it has annually welcomed thousands of adrenaline-seekers for the premier ‘Speed Meets Sounds’ experience. The two-night motorsports and music extravaganza will kick off on Friday, June 7 on the Arcade Tent stage with Night Engine DJs, Some Black Cat, Bongo, Mistah Dill, Oddist, and Lowke to close out the stage. Friday’s MainStage lineup will be anchored by experimental bass virtuoso Mersiv, who will be making his GRIDLIFE Midwest debut. His smashing set will be preceded by performances from bass music virtuosos Tape B, G-Rex, A Hundred Drums, Acemyth, Karuth, and Magnus. On Saturday, June 8, the Arcade Tent stage will host a bevy of local acts including SpaceBarn, INV3RT3D, Food Fight, Soular Spice, Tarrow, Farrero, and FreeSBass. Closing out the Main Stage’s music festivities for the weekend will be Deadbeats label heads Zeds Dead, who will be supported by several genre-bending bass acts like Barely Alive, EAZYBAKED, SuperAve. b2b HEYZ, KTRL, Audia, and N8 b2b Kacper Kawala. GRIDLIFE organizes a series of annual motorsport events and festivals across North America. Among them, GRIDLIFE Midwest, GRIDLIFE Laguna, and GRIDLIFE South Carolina shine with their fusion of motorsport and musical entertainment. These standout weekends attract a diverse crowd, from music lovers to avid car enthusiasts and those simply intrigued by the automotive world. GRIDLIFE warmly invites attendees to immerse themselves in its inclusive celebration of car culture. Excitingly, GRIDLIFE recently unveiled its latest addition, Summer Apex Festival, premiering this July. Whether you grew up on the track or are a complete car novice, GRIDLIFE Midwest ensures an unforgettable weekend experience, featuring world-class music from national headliners and local talent, alongside a plethora of attractions including hundreds of race cars in action, the finest drifters worldwide, racing simulators, captivating car shows, diverse vendors, camping facilities, and delectable food options, all in an open all access environment. Spanning three exhilarating days, this event, known as ‘The Music Festival At High Speed,’ unites hundreds of grassroots and professional drivers from across the nation, seamlessly blending the worlds of cars and music. In addition to a weekend of world-class music and thrilling car showcases, GRIDLIFE Midwest 2024 will be introducing HPDE Beginner Single Sessions that will be held on Sunday, June 9. This on-track option gives attendees the opportunity to learn how to drive their own car on the track with the help of a driving instructor. More details and pricing information can be found at gridlifemidwest.com. For attendees looking to transcend the high-octane spectator experience, GRIDLIFE’s on-track presentation includes top-tier drifting featuring amateur and pro drivers, hair-raising sprint races with the GRIDLIFE Touring Cup (GLTC), and heavily modified time attack race cars. Attendees can apply to exhibit their vehicle in the #GRIDLIFE Showcase, test their driving skills in the Virtual Racing Arcade, explore a wide array of vendors, see high-profile builds up close and personal, and so much more. The best way to get the full GRIDLIFE Midwest Festival experience is to camp on-site. The event offers Thursday early-access passes that allow attendees to start the weekend of fun early. VIP Packages include all GA amenities plus VIP access including Thursday early-arrival, exclusive Trackside VIP viewing area, a VIP-Only bar, two free drink tickets, limited edition swag bag, a drift taxi raffle entry, and more. Check out all camping options here. Tier 1 General Admission tickets and tier 1-3 VIP tickets have already sold out. Single day tickets for all three days are now available. Explore all available ticketing options right here. The post GRIDLIFE Midwest unveils daily stage lineups and single-day tickets for 11th annual Motorsports Music Festival appeared first on EDMTunes.

Established in the Techno scene, Balthazar & JackRock are known for their innovative sets and distinctive sounds that have been released on various respected labels. Here they impress once more and say of the EP. “For us it has always been important to convey strong emotion through our music. With In The Dark, we fuse comforting nostalgia and energising, inspiring sounds that bring promise for the future. There’s no feeling quite like witnessing everyone coming together as one, reflecting on that emotion”. Moreover, In The Dark opens up with the title track containing dark beats and flashy synths that bring light. Background pads are edgy and twitchy textures make this another arresting cut for the club. ‘Better’ then hits hard with hammering kick drums and rumbling bass all backlit with evocative and celestial synths, while ‘In The Machine’ closes down with an acid touch and linear tech drum that locks you in as freaky vocals and pulsating trance synths all race on beneath a hypnotic vocal hook. With a career dating back to 1996, Bulgarian duo Balthazar & JackRock have been heavily involved in the Techno scene for the past 22 years with numerous Beatport Top 100 Techno charting tracks, collaborated with Richie Hawtin and have released certified anthems on Terminal M, Hypostate, Drumcode, Filth On Acid and more. Charlotte de Witte loved the Balthazar & JackRock EP, as you can see by her comments on it. The current-era Techno Queen mentioned: “It doesn’t happen often to completely fall in love with a track after hearing it for the first time, but it happened with ‘In The Dark’ and it happened hard. Initially not knowing who made it, I’m very happy to have had an open talk with Balthazar & JackRock to make this release happen.” “In The Dark is a magical track that truly has the power to travel far. This is a stunning release that I support wholeheartedly.” You can listen to Balthazar & JackRock’s new EP, out via RPM, below and on all available streaming platforms. Stay tuned for more news! The post Balthazar & JackRock Unleash Techno EP, In The Dark appeared first on EDMTunes.

The Co-op Live Arena in Manchester canceled its opening show for the third time minutes before doors open on May 1. According to an article from the Manchester Evening News, the main headliner for the May 1 show was legendary rapper A Boogie wit da Hoodie and the major reason for the cancellation of the show was because before the event kicked off, a part from the A/C unit fell from the gantry and onto the venue floor. Afterwards, event organizers then told the fans to leave the venue because of “technical issues”, 10 minutes before the opening act got on stage. The Co-op Live Arena in Manchester is a 23,500-capacity venue and the spokesperson then told the press that there were no injuries. Additionally, the event organizers are working on a plan to reschedule in the next few days. The Co-op Live Arena and its cancellations The previous show cancellations of the arena go back to April 20, the original projected date of the venue’s grand opening. That date’s original planned headliner was top 80s music icon, Rick Astley, and more cancellations for shows on April 23 and 24 then came along afterwards. Mixmag reported that those cancellations were because of “last-minute work” that needed to complete before the full completion of the venue. Soon after the May 1 incident, Co-op Live Arena then announced cancellations of the upcoming shows for May 3 and 4, which would have had Olivia Rodrigo as the headliners for those two dates. It’s now only a matter of time until the arena will reopen, especially since the arena should definitely do more work on ensuring that it will have improved and enhanced infrastructure modifications so that future events can start to happen. The post Co-op Live Arena Cancels Opening Show For the Third Time appeared first on EDMTunes.

Calvin Harris took to socials yesterday (May 1st) to tease a new track, with a surprise collaborator many speculate to be Miley Cyrus. The DJ/producer posted a 50-second snippet of the song paired with a video clip of the beach. The mysteriously vague caption was simply three wave emojis. While we don’t know much else about the track or when we can expect its release, we can tell it’s going to be another Calvin Harris insta-hit. With lyrics like “We were dancing, we were wild in the ocean,” the mystery artist’s soothing vocals sing over gentle acoustic guitar, which later morphs into a bright EDM beat. “When the crowd is all around me, you’re still all I see.” Check out the new song teaser below and stay tuned for more info. Harris released his last single, ‘Lovers In A Past Life (with Rag’n’Bone man)‘ back in February, and it’s since seen official remixes from the likes of Westend, Felix Jaehn, and LP Giobbi. He hasn’t released a full-length album since 2022’s Funk Wav Bounces, Vol. 2, which debuted at No. 17 on the Billboard 200 that August. Perhaps this new teaser marks the start of a new album. One can only speculate for now but stay tuned for more details. The post Calvin Harris Teases New Track With Mystery Collaborator Speculated To Be Miley Cyrus appeared first on EDMTunes.

The famous Zamna Festival is going to the beautiful Cote d’Azur area in southern France for the first time. It has already taken over the world’s party capital cities. The first Zamna Cote d’Azur will happen on August 2nd and 3rd at the beautiful BASE NATURE venue in Fréjus, which faces the stunning Mediterranean Sea. About the Zamna Festival Since its first event in 2017 in Tulum, Mexico, Zamna has become one of the most popular dance music festivals in the world very quickly. Fans come from all over the world every year to enjoy the best in underground house and techno in the beautiful Mexican Caribbean setting. Now, Zamna is bringing the beach happiness and transcendent music that are so typical of Tulum to the beautiful French Riviera. The Lineup for Zamna Cote d’Azur More than 40 acts from all over the house and techno scenes will be playing at Zamna Cote d’Azur over the course of two days. The headliners are the well-known musical duo Tale Of Us, the relentless techno queen Amelie Lens, the giants duo ARTBAT, the respected DJ Jamie Jones, the uncompromising Joseph Capriati, and the rebellious Brazilian bass artist Vintage Culture. The mood will change from hypnotic and psychedelic to cool and brutally tough techno rage. Legendary &ME and Adam Port, rising Brazilian star GORDO, local heroes Agents Of Time, the beautiful Anfisa Letyago, and many more are also must-see acts. The Lineup for Zamna Cote d’Azur What It Will Be Like According to Zamna style, the Cote d’Azur edition will give people a full sensory experience that goes beyond the sounds. Innovative visual installations, custom lighting to create the right mood, and a cutting-edge sound system will all come together to make a transcendent two-day trip. The event will also take place at the beautiful BASE NATURE venue, which has a great tropical setting. Zamna Cote d’Azur tickets will go on sale to the public on Thursday, May 9 at 2 p.m. local time through mrnicevip.com. If you want to feel the magic of Zamna in one of the most beautiful places on earth, don’t miss this chance. The post Zamna Reveals Massive 30+ Artists Lineup for Cote d’Azur Festival appeared first on The Groove Cartel.

Having already teased and confirmed many acts through a number of phases over the past couple of months, the time has finally come for Electric Love Festival in Austria to unveil the full lineup and it does not disappoint. Packing a punch with over 160 acts across 6 stages, Electric Love Festival is gearing up for its biggest edition yet. Wednesday marks Electric Love’s warm-up day. After one year of patiently waiting, visitors will reunite and get a first glimpse of what the upcoming weekend will look like. For the first time in 2024, the warm-up will be hosted on two stages. At the Club Circus, Tream, Harris & Ford, GPF and more will get the Electric Lovers hyped up. Bass Music fans will get their daily dose of brutal Dubstep, Drum and Bass and co already on Wednesday, when Dan Lee brings on his fellow Bass friends to the brand new BlueBoXX Stage. Being hosted by one of the friends of Electric Love each day, this stage will provide an up close and personal experience with your favorite artists. One of the many highlights of Electric Love is the perfectly orchestrated Opening Show. In the planning for months on end, the spectacle marks the official start of the festival. The show seamlessly blends live performers and a theatrical production, enhanced by spectacular fireworks and show elements. This unforgettable experience sets Electric Love apart on a global stage. Further Mainstage highlights on day one are the Techno legends Scooter, American duo The Chainsmokers, ELF-Veteran Armin van Buuren and the sunset headliners of the day Sunnery James & Ryan Marciano. At the Club Circus, Ski Aggu, €uro Tra$h, Bausa, Nicolas Julian and more will bring an exciting genre mix to ELF. Sickmode, Vertile, Sefa, Dither and Adjuzt are just a few of the many Hard Dance artists that will perform at one of the two stages dedicated to 150 BPM plus – Hard Dance Valley and Shutdown Stage. Toby Romeo, the Salzburg EDM local hero, is your BlueBoXX host of the day. Curating an exhilarating line-up, the stage will be filled with irresistible energy to the brim. When the sun sets behind the grassy hills, our Friday Sunset Headliner Boris Brejcha will fascinate the crowd with his High-Tech-Minimal sounds. With EDM superstars such as Oliver Heldens, Timmy Trumpet or Yellow Claw, our magnificent Mainstage will be the playground for the world’s biggest artists of the genre and fans alike. A further highlight is the German sensation Bunt. Based in Los Angeles, the young feel-good house artist will be at ELF for his only European festival gig in 2024. Friday at the Club Circus is all about the heaviest Bass Music. Bootshaus export Blacklist will bring Chase & Status, SVDDEN DEATH, Hedex, Luude, Barely Alive and many more to the #GroundsOfLove. At the newly-designed Hard Dance Valley, legends such as Brennan Heart, Ran-D, Rebelion, Rooler or Dimitri K vs. Spitnoise will make the Hardstyle and Uptempo hearts beat faster. The BlueBoXX Stage will be all about vibing to the sounds of Sonntagstanz, who bring their successful concept to Electric Love for the first time. Get ready to dance the night away one more time with your crew. As the sun goes down, sunset headliner Reinier Zonneveld will take the mainstage by storm, joined by EDM favorites like John Newman, DJ Snake, Meduza, Mau P, or Toby Romeo, ensuring fans old and new make unforgettable memories. Over at the Hard Dance Valley, Sub Zero Project, Da Tweekaz, Mish, Miss K8, and more will push the BPMs into the abyss. Meanwhile, Slashy Disco will command the BlueBoXX stage with an unforgettable hosting. For those that still don’t have enough, the Club Circus will keep the party going until 3 am with the finest Hard Techno tunes from Charlie Sparks & Parfait, I Hate Models, Nico Moreno, and others or enjoy the sounds of rising EDM and Hip-Hop stars at the Heineken Starclub. Most VIP and many camping options are already sold out. Those who want to be part of the eleventh edition of Electric Love Festival should secure their tickets now in the official ticket shop: http://tickets.electriclove.at/ Photo credit: EDMKEVIN

The four-tracker from the B.A.D founder is set to land on Or:la’s Céad label this month Continue reading...

The new "multi-dimensional" deal will see the return of music from Universal's artists to TikTok Continue reading...

In 2025, Washington DC will host a groundbreaking event as World Pride celebrates its 25th anniversary in conjunction with the 50th anniversary of Capital Pride. This monumental occasion, set for June 6-7, promises to be an unparalleled celebration in the history of LGBTQ+ community events. The mastermind behind the festival’s impressive scale and creative vision is none other than event producer Jake Resnicow, known for turning ambitious ideas into spectacular realities. He is teaming up with Insomniac to take things to a level never seen before. The festival, to be held at the RFK Festival Grounds, home of Project GLOW, aims to redefine the concept of a global dance party with its ambitious programming. Over two days, attendees will experience a lineup that spans various music genres including House, Pop, Drag, Circuit, and Techno. This festival is not just a music event; it is a vibrant celebration of diversity and unity, featuring immersive experiences and cutting-edge production by Insomniac, a leader in the world of music festival production. Jake Resnicow’s vision for the festival is clear: to bring the community together in a celebration that is bigger and better than any before it. His experience in producing large-scale events ensures that this will be a meticulously crafted, high-energy event. “We are creating a space where everyone can feel celebrated and safe, while enjoying the best of global music culture,” Resnicow states. Adding to the excitement, this edition of World Pride will be presented by “Dreamland” in collaboration with Glow and Insomniac. These production powerhouses are known for their innovative and dynamic event executions, guaranteeing a top-tier festival experience. This partnership exemplifies a fusion of creative minds that will undoubtedly elevate the festival to extraordinary heights. The festival not only serves as a platform for celebration but also supports a meaningful cause. A portion of the proceeds will benefit the nonprofit Capital Pride, which advocates for and supports the LGBTQ+ community in the nation’s capital. This integration of festivity and philanthropy underscores the festival’s commitment to fostering both community and support within the LGBTQ+ movement. Jake Resnicow’s “Dreamland” events have previously featured a dazzling array of headliners such as John Summit, Galantis, Gorgon City, Paris Hilton, Above & Beyond, Diplo, Kim Petras, and Purple Disco Machine. Special appearances have included icons like Cher, Camila Cabello, and Elton John, adding a touch of star-studded glamour to the events. Additionally, Jake Resnicow is no stranger to orchestrating record-breaking events. He previously produced the World Pride main event in New York City during the 50th anniversary of Stonewall at the Javits Center on June 29, 2019. This event set a new world record for the largest nightclub event in history and featured a star-studded celebrity lineup, including electrifying and iconic live performances by Bette Midler, Kygo, Cyndi Lauper, Brandy, Billy Porter, Conchita Wurst, the Broadway cast of STOMP, and Zumanity by Cirque du Soleil. This landmark event also showcased Resnicow’s commitment to philanthropy, as it generated $500,000 in donations to LGBTQ+ charities. As we approach 2025, the excitement builds for what promises to be the largest LGBTQ+ music festival ever. Under Jake Resnicow’s expert direction, the festival at the RFK Festival Grounds is poised to become a landmark event that will celebrate the LGBTQ+ community like never before. Make sure to mark your calendars and prepare for an unforgettable experience that celebrates diversity, music, and unity in the heart of Washington DC. For more info and to register for presale, visit www.WorldPride25.com The post Insomniac Partners with Jake Resnicow for Largest LGBT Music Festival During World Pride 2025 in Washington DC appeared first on EDMTunes.

We recently sat down with one of the living legends of Dance music for a chat. When you hear the name Hardwell, what’s the first thought that comes to your mind? ‘Spaceman‘? Ultra Miami? Electro House? Whatever you think of, though, the undeniable fact is that this man jumped to the spotlight around 2012, and from the next year on, he was atop the EDM spectrum. Hit after hit, track after track, show after show. Every new concept he came up with was more spectacular than the last. He’s learnt to carry that very energy and magic for all these years. The proof is that, even after taking a break from the shows and going relatively silent for some time, people still look up to him, and through his current Big Room Techno sound he’s still the very trendsetter he was when he played Miami in 2013 — a defining moment in Dance music history, and one that marked a before and after for many fans and enthusiasts, me included. Well, during his recent South America tour alongside Ultra, we got to sit down with him and have a lovely little chat. So sit back, and enjoy our conversation, which involved everything from his most recent Ultra Miami set, music collaborations he’s done, and even a look into the future. The Interview (Please note, the bolded text represents a question, while the paragraph(s) following it represent Hardwell’s answers.) First of all, thank you so much for taking the time to do this. We’re super, super excited to have you. So, first of all, how are you feeling today, mate? Are you excited for your return to South America? I’m really excited, yeah. It’s been a while. Last show I played here in South America was Brazil, if I’m not mistaken, so it’s been over a year. So, I’m happy to be back here in Chile. And it’s Ultra, I’m closing the night, so I can’t complain. I’m really excited. Absolutely. Actually, glad to have met you at an Ultra event. Kind of your second home when it comes to festivals, in my eyes, at least. Yeah. We were all awaiting your Ultra Miami gig this year. That was quite the rollercoaster of emotions. I bet for you and the crowd as well. How did you feel playing Saturday? Do you feel the vibes were amplified because of the show being rescheduled from Friday to Saturday? Well, as you mentioned, it was such an emotional rollercoaster. I think it couldn’t work out better than it actually did. You know, that sunset slot reminded me so much of my 2013 set. Absolutely. Which was one of my favourites that I ever played at Ultra. So, yeah. I think everything happens for a reason, right? That’s what I’m always saying. So, I think it was a perfect example of something that actually worked out in the end. And probably even better than playing on Friday. So, yeah. I bet. It was incredible. Actually, I see the 2013 link. That was my first set of yours and there was sort of a flashback all throughout. It had the same energy, obviously, but I feel like the anticipation was also the same. Yeah. Let’s change topics for a bit. About your most recent monster collaboration, ‘16‘, alongside Blasterjaxx and Maddix. You guys have great chemistry in your sounds. How did the track come about? How was it born? Credit: Koen Akkermans Actually, Maddix approached me. In ’16’, we sampled that horn. It’s from an old, early Hardstyle track. And Maddix approached me around two years ago, saying he wanted to do something with the song. It was one of my favourite songs when I started out as a DJ, when I was 14 or 15 years old. So, yeah. I definitely wanted to jump on it. It was tough, though. Didn’t have the time. There was a lot of hustle with the clearance of that sample. I didn’t see it happen. In the end, it was like, “You know what, I’m not sure what we’re going to do with this track“. And then, boom. I got a phone call a year and a half later. We got the clearance for the sample. That was the moment we actually started working on it. Finished it, because there was a demo floating around. Maddix was playing it, Blasterjaxx were playing it. It was just floating around for such a long time. And then I finally put my hands on it and made the final touches. It’s incredible that artists like you, as big as you, still have problems clearing samples. It’s a whole world. You don’t want to push that, you know? I’m not really a sample kind of guy. 80% of my songs are original songs that I wrote myself. But sometimes it’s super cool if you have an idea and you love a track so much, why not sample it? And introduce a completely new crowd and… you know, my fans are so much younger! They don’t know that song from 2001. They were probably born after 2001. Sometimes it’s really cool to sample something and introduce a new generation to a record that I loved when I was younger. It makes me feel old when I say this kind of stuff. [laughter] Haha! Well, how’s the reception been on the track? How does the crowd react to it? Is it kind of a highlight moment in your sets? Definitely, yeah. Especially at Ultra, when you play the new, new music. That no one knows. No, that’s always the most anticipated moment. People know that I’m always dropping a lot of unreleased stuff. I think that’s the coolest thing when you see a DJ live. I think the best part of my job is to introduce and educate people about new music, instead of playing out the hit songs. It’s super easy for me to go on stage and bang out my ‘Every Time We Touch’ remix which everybody loves, and that’s fine. I can play out Spaceman, which everybody loves. But in the end, I think it’s always cooler to play the new stuff and the unreleased stuff, and educate them with new sounds and new directions of music. And it gets you excited as well, because if you play Spaceman every single time for 10, 15 years… But I have to, though, I have to. You get what I’m saying. Another topic, the sample pack you released a little while ago with Apple. Well, that’s absolutely neat! What inspired you to share a piece of your sound, your textures, even your identity with other producers, new producers and everything? Well, even with Revealed, my record label, I always try to help out new talents, guide them, do the A&R. I’ve been working with Logic, which is a digital audio workstation (DAW) from Apple, since I was 18, so I’ve always been with Apple. And when they approached me and asked if we could do something together like a sample pack, I had just finished the album REBELS NEVER DIE, I was like, “You know what? I can take inspiration from all of those kick drums and from the album itself and finally release that“. Because I got so many questions about the kick drums, about how I programmed the basslines and everything. I mean, first of all, if Apple approached you to do a collaboration, you can’t say no. [laughter] Absolutely. And secondly, it’s a perfect collaboration to be able to finally put out a sample pack in this way. I don’t ask for any money. It’s a free sample pack, I don’t want to be that guy, “Follow me on YouTube, buy my sample packs!”, I don’t care. If you really want to help people out you should do it for free. The last question to close this. Do you hope you can keep inspiring and shaping the sound of EDM like you’ve been doing for the last decade or so, or do you feel like it’s time to leave that to someone else? Hardwell: No pressure. Good question. No pressure. [laughter] No, I always try. I love Dance music so much. I need Dance music more than my own oxygen, I’m not even kidding! I always try to push every single boundary in Dance music. I want to keep it interesting for myself and for the crowd. Obviously, everybody follows, kind of, trends. Even after the REBELS NEVER DIE album, I took a lot of inspiration from my childhood, from the Dance music from back when Tiësto was coming up in 2001. 99 even. Around that time. It’s always like a cycle of music. I just try to make my version out of it, and I’m glad to see that so many people got inspired by that. I’ll always try to look out for new genres, new ideas. If somebody gets really bored real quick, that’s me. So when I’m in the studio, I always try to do something different. (End of the interview) Final Words There are no words other than “Thank You” in capital letters from my end. Having been inspired by Robbert back when I wasn’t even in Highschool, I could only dream of meeting him, let alone sitting down and having a chat. Pinch me moment, no one told me the time when I’d meet my first EDM role model was so close. Thank you to him for being such a friendly lad, and thank you to the entire team who worked to make this one happen. Check out ‘16‘, Hardwell’s most recent track alongside Maddix and Blasterjaxx, here. Also, you can read more about the sample pack he did with Apple by following this link. And as always, make sure to stay tuned to our page for the latest news and views from all over the world regarding our beloved Dance music industry. The post [INTERVIEW] Hardwell Talks Ultra Miami, Music, And Future Plans appeared first on EDMTunes.

In a statement by the UK Competition and Markets Authority out today (Thursday 2.5.24), AlphaTheta Corporation (AlphaTheta) announced last year a deal to acquire Serato Audio Research Limited (Serato). AlphaTheta is involved in the manufacture of DJ equipment, including mixers, controllers, DJ players and all-in-one systems under the Pioneer DJ brand, and both parties are involved in developing DJ software. After conducting an initial Phase 1 investigation, the CMA found that AlphaTheta and Serato compete closely to supply DJ software – with the latter being seen as the market leader. The deal, if allowed, would create a supplier almost double the size of its nearest rival, consolidating the market and potentially impacting the price, quality, and innovation of DJ software. The CMA is concerned that the remaining (largely much smaller) suppliers would not provide strong enough competition to constrain AlphaTheta and Serato once combined. The CMA also found that the deal could weaken competition in various DJ hardware markets by restricting or worsening AlphaTheta’s rival DJ hardware manufacturers’ access to Serato’s software. Maintaining current levels of competition in all relevant DJ hardware types is particularly important given AlphaTheta’s already strong position in these markets. The investigation also revealed concerns that AlphaTheta’s DJ hardware competitors could be disincentivised to innovate or share information with Serato as this could then be used by the combined business in their own DJ hardware product development. Also, AlphaTheta could, after the deal is completed, reduce its own innovation efforts to stay only marginally ahead of its rivals. Joel Bamford, Executive Director for Mergers at the CMA, said: “DJs and entertainers depend on having access to the best equipment and software in order to put on a good show. We’ve found this deal could substantially reduce competition in DJ software, resulting in increased prices, less innovation, and less choice. We’re also concerned it could negatively impact the hardware markets by allowing the combined business to leverage Serato’s leading software to harm its hardware competitors, ultimately affecting DJs and consumers. It’s now up to AlphaTheta and Serato to address our concerns.” Both AlphaTheta and Serato have 5 working days to respond with meaningful solutions to the CMA, otherwise, the deal will be referred to a more in-depth Phase 2 investigation. More information can be found on the AlphaTheta / Serato case page. The post AlphaTheta’s proposed deal to acquire Serato could reduce innovation, choice, and access to DJ equipment and software according to CMA appeared first on Decoded Magazine.

The ‘Road to Verknipt ArenA’ video series launches today, giving Verknipt ArenA festival goers an intimate first-look at the meticulous preparations and electrifying anticipation leading up to the biggest hard techno event in history. The show will take place on Saturday July 20th, 2024, in Amsterdam’s iconic Johan Cruijff ArenA with a mindblowing capacity of 40.000 visitors, going above and beyond anything that has been pulled off in the hard techno scene to date. As the anticipation builds for the biggest hard techno event in history, ‘Road to Verknipt ArenA’ gives fans unprecedented access to the team, crew, production and artists that are contributing to this epic event. Spread out across five documentary-style episodes that will drop between now and the event, each part of the series unveils a new facet of the monumental show’s creation, giving fans a firsthand glimpse of the passion, dedication and creative vision driving Verknipt’s mission to expand the hard techno scene around the globe “With our ‘Road to Verknipt ArenA’ video series, we’re really pulling back the curtain and letting you in as we create history,” spills Mer Hajbarati, co-owner at Verknipt. “We wanted it to feel like a backstage pass to what goes into creating the world’s biggest hard techno event ever. At the same time, this series is about making our entire community feel like an integral part of the team, because, let’s face it, this journey is as much theirs as it is Verknipt’s. Together, we’re creating something truly extraordinary.” This first episode, titled, ‘Road to: Verknipt ArenA | EP.01 – The Location’, sets the stage for the monumental journey ahead. Viewers will be transported into the heart of the Johan Cruijff ArenA in Amsterdam, where the sheer magnitude of the venue’s greatness serves as a backdrop for the preparations underway. In episodes to come, Verknipt will also zoom into the technical aspect that comes with a production of this scale. The massive lighting rigs, laser set-ups, time-coded shows and out of this world visuals will take centre stage, drumming up the hype around the already hotly anticipated event. As for the show itself, Verknipt recently lifted the veil on the line-up, revealing a jam-packed roster with 15 acts featuring many Verknipt favourites. On stage at the Johan Cruijff ArenA in Amsterdam will be artists like Sara Landry, Alignment, Shlømo, DYEN, OGUZ, DIØN & 6EJOU, to name a few. Verknipt ArenA will take place on July 20th and will go down in the history books as the biggest hard techno event ever. Fans still have the chance to access tickets by signing up for the waiting list through this link.