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In the music industry, where financial transparency often feels like a mirage, Mogul is emerging as a lifeline for artists seeking clarity in their earned compensation. Mogul addresses the longstanding problem of financial opacity in the music business by centralizing royalty data across all rights types into a single actionable hub, an effective go-to solution for artists aiming to simplify their finances and capture every cent of their earnings. According to a press release shared with EDM.com, the platform has now tracked over $100 million in royalties since its debut in early February, a clear sign the company is establishing itself as a promising, transformative force for artists. "Surpassing $100 million in tracked royalties so quickly is a clear sign that the industry’s opaque and fragmented nature needs to be remedied," said Mogul CEO Jeff Ponchik. "Artists and their teams receive an ocean of data from each royalty source and have little to no tools at the ready to make sense of how their business is actually working. We’re thrilled Mogul is filling that need for new artists every day so that they can understand their business and generate more income." Ponchik has an established track record of success when it comes to developing artist-friendly tech tools. The serial entrepreneur famously founded Repost Network, an artist-facing distribution and promotional tool that was later acquired by SoundCloud in a $15 million deal in 2019. "I'm excited about what Mogul can do for artists at all levels of the industry," added Aloe Blacc, an early adopter of the platform and frequent collaborator of the late dance music icon Avicii. "To have a system to synthesize all sources of income in a transparent way is transformative tech we all need." You can find out more about Mogul via the company's official website.

The “world’s first vinyl-focused festival” returns to the Netherlands this September Continue reading...

UK’s leading independent festival Secret Garden Party (SGP) shakes up the music industry with their announcement to support Chai Wallahs’ Drop a Headliner campaign, in order to nurture grass roots artists for their 2024 edition. Further highlighting a 20 year history as an incubator event for emerging and independent talent. In a bold departure from traditional festival programming, Secret Garden Party is foregoing big-name headliners to allocate resources to supporting rising performers and providing visibility for acts to evolve with an aim to leverage the music industry from its current position. The curated line-up features over 350 artists includes Unkle, Crystal Fighters, Chinchilla, Franky Wah, Carly Wilford, Adelphi Music Factory, Jakkob, Omega Nebula, Technobrass, TC & The Groove together with independent collectives Chai Wallahs, The Living Room, Noiganica hosting dedicated venues to diverse, grassroots live music. Save Our Scene, Parable Music, Dubtendo and Truth Tribe plus many more collectives are providing exciting stage takeovers to deliver an unparalleled event in July. Leaning into their vibrant history that proudly spans across two decades, Secret Garden Party has consistently pushed boundaries forward with their programming, actively championing developing acts. In past years, Secret Garden Party has hosted some of the most exciting talent from across the industry, including Lily Allen, Ed Sheeran and Dua Lipa whilst also playing a monumental role in breaking the careers of now global superstars Florence & The Machine, The XX and Regina Spektor who’s first ever festival appearance was at SGP. Founder Fred Fellowes emphasises the importance of inclusivity, stating “We believe in being a breeding ground for talent to grow. Why allocate a massive budget to one or two headliners when it could fuel another 50 outstanding acts? This year’s focus is on providing grassroots artists the ability to shine, whilst actively redefining festival experiences for the future.” Si Chai, Chai Wallahs’ founder says “Having been ardent supporters of the grassroots scene for over 20 years, we were chuffed as f%$k when Secret Garden Party agreed to be the first independent festival to collaborate with us on the ‘Drop a Headliner’ campaign. There is so much more enjoyment to be had in the discovery of new music, and please trust me when I say that there is a massive world of undiscovered talent. For the grassroots scene to survive and thrive, this talent needs platforms and opportunities to be able to develop, so we must address the disparity.” More than 100 festivals are at risk of disappearing in 2024 as costs continue to soar. This year, an astonishing number face the imminent threat of vanishing unless measures are implemented to ease the escalating operational expenses. The financial strain on the nation’s festivals has surged to unparalleled heights. Without prompt intervention, the UK could witness their gradual disappearance. Recently 34 major events have already declared a postponement, cancellation or complete closure this year, as well as Music Venues Trust reporting 16% of UK grassroots music venues lost in the last 12 months. This is an alarming call to action to save independent music festivals and venues across the UK. Further analysis underscores an industry-wide misalignment, shedding light on the growing concerns that stem from corporation dominance in the entertainment sector. With alarming figures that clearly reflect this position that includes one headliner commanding approximately £150,000, this is equivalent to £2,500 per minute. The opportunity to re-allocate this vast resource becomes evident, with a recommendation that this figure could finance in preference around 222 individual acts, which would comprise of roughly 1,110 performers across 266 total performance hours. This staggering number would create a marked upsurge in independent music and become a building block for its sustained growth. Si Chai further comments “This campaign highlights not only the opportunities for programmers to be more creative with their million pound budgets, but also presents a chance to support a whole ecosystem of artists. It provides greater enjoyment to open minded music lovers, and a healthy alternative to playing the big name game, where programmers are held to ransom by unscrupulous booking agents. Goaded into exclusivity battles with corporate players, and lumbered with countless arguments about where someone’s ‘Giant Ego’ appears on a poster, imagine a grassroots scene so vibrant that you could discover something new, to suit any mood, at any time, on any stage, at any venue or festival. If you love music and discovery then get involved…. Roots don’t grow unless you feed them!” The Secret Garden Party has never just been about the music. Nurturing grassroots creatives from all genres you will see artwork, sculpture, immersive experiences, costumes and performances from multi talented individuals and groups. Blending seamlessly with the audience participation, the curators of this party have consistently fostered a community-driven ethos, dubbing all participants and audience alike as fellow Gardeners. Save Our Scene inputs “To be involved in SGP is a privilege. A place which has bred so much creativity, talent and amazing memories. There is something truly special about the place and we are proud to partner with them for a second year. Our ethos are aligned and we are excited to showcase some collectives and talent who we believe have a bright future!” Secret Garden Party: Roots will be taking SGP back to where it all began. Bringing the anarchic freedom of their early formative years, whilst breaking down the divide between artist and audiences. They promise to create an intimacy and liberation that other festivals rarely offer in this space. This year they will reintroduce iconic areas from previous years, including The Lost Woods, Doghouse, The Garden Shed and The Pagoda. These areas will feature an expanded lineup that crosses multiple genres ranging from Nu Disco and House, through to Techno, UKG, DnB and beyond with a highly eclectic mix of live performances. Tickets are now on sale and available via the website. www.secretgardenparty.com For Updates Follow Secret Garden Party | Chai Wallahs | Save Our Scene The post Secret Garden Party Drops The Headliner To Support Grassroots Artists Featuring 350 Acts appeared first on Electic Mode.

Life, love, art, and music are celebrated all over the world at EDC Las Vegas 2024. It takes place under the Electric Sky, at the Las Vegas Motor Speedway from May 17th to May 19th. There is a lot to enjoy at EDC Las Vegas, from the amazing stages and sounds to the mesmerizing fireworks and captivating performers. You are welcome to wander, explore, interact, and connect at EDC Las Vegas. Positive energy and imagination are what made this amazing event possible. Each area is a unique mix of technology and nature that awakens the senses and sparks the mind. The beat of the music brings people together, making beautiful memories that will last a lifetime. EDC Las Vegas is like a big playground with big thrills. It has rides and activities for everyone, from those who want to relax to those who want to get pumped up. Get lost in a world with three-dimensional structures, glowing, bright environments, and plants and animals that are lit up by LEDs. There are interactive art installations all over the fairgrounds. They connect nature and technology and inspire everyone who sees them. The Funkdafied Freaks perform at EDC Las Vegas. They are dancers, stilt walkers, aerialists, circus artists, and other strange characters dressed up in outrageous outfits who are ready to amaze, charm, and play with you all night. At special bars or the outdoor theater, you can see live shows. At the Tokyo-style karaoke bar, you can even sing on stage. You can get married in one of the beautiful churches, promise your love to your festival best friend at the free Commitment Deck, or dance the night away at the Headlight Disco or the Silent Disco. At its core, EDC Las Vegas shows that its guests are like-minded people who share a deep love for music and the people who make it possible. For me, the Headliners are what make EDC Las Vegas truly unforgettable. Their energy and excitement are what make the event what it is. Venue and Logistics Location EDC Las Vegas 2024 will take place at the Las Vegas Motor Speedway, located at 7000 N Las Vegas Blvd, Las Vegas, NV 89115. For a detailed map and directions, check out the Location & Directions page. Event Dates and Times The festival will run for three days: Friday, May 17 Opening Ceremony: 5:00 pm – 7:00 pm Full grounds open: 7:00 pm – 5:30 am Saturday, May 18, and Sunday, May 19 Full grounds open: 7:00 pm – 5:30 am (no Opening Ceremony) Stages EDC Las Vegas 2024 will feature multiple stages, each with its unique theme and musical lineup. Here are some of the main stages: kineticFIELD: The legendary kineticFIELD has taken many forms over the years, from a cathedral for sonic worship to the embodiment of universal love and energy. cosmicMEADOW: Converge at cosmicMEADOW for the epic EDC Opening Ceremony and immerse yourself in the sounds of HARD, featuring top names in electronic music and hip-hop. circuitGROUNDS: This renowned stage features LED walls and plumes of fire, creating a positively charged energy felt far beyond our own perceptions. neonGARDEN: Presented by Factory 93, neonGARDEN is where subliminal minimalism and immersive live art meet cutting-edge technology and expertly curated deep house and techno. bassPOD: Headbangers make their annual pilgrimage to bassPOD, the proving ground for lovers of dubstep, bass house, drum & bass, and trap. wasteLAND: wasteLAND is the refuge of ravers looking to experience the blistering tempos and relentless energy of hard dance, hardcore, and all forms of hardstyle. quantumVALLEY: Join the international Trance Fam at quantumVALLEY, where Dreamstate presents the entire spectrum of the trance genre. stereoBLOOM: Enjoy various shades of the dance music genre, from house to tech house to bass music and beyond, curated by the Insomniac Music Group. bionicJUNGLE: The newest addition to EDC, bionicJUNGLE takes you on a journey deep into the wild with a carefully selected roster of house artists. EDC Las Vegas mainstage 2018 Additionally, Art Cars – glowing buggies and massive party ships – will be roaming the Speedway, broadcasting all forms of dance music. Transportation, Shuttles, and Parking For a convenient and stress-free experience, EDC Las Vegas offers an official Shuttle program with various options: Standard Shuttles (SOLD OUT) 3-day round-trip transportation Shuttles depart and return on an ongoing basis Stops: Downtown Lot, The Rio, The Strat, Grand Prix Plaza Departure times: 6:30 pm – 11:30 pm Return times: 2:00 am – 60 minutes after the music ends at the Kinetic Field (no service between 11:30 pm and 2:00 am) Premier Shuttles (SOLD OUT) Reserved shuttle departure and return times Premier merchandise item Stops: Resorts World, The Strat, Downtown Lot, The Rio, Grand Prix Plaza Departure times: 6:30 pm, 8:30 pm, 10:30 pm Return times: 3:00 am, 4:00 am, 6:00 am Peak and non-peak pricing options Opening Ceremony Shuttles (Add-On) Shuttles to the festival grounds for the Opening Ceremonies on Friday Available as an add-on for all shuttle pass holders Departs from The Rio from 4:00 pm – 6:30 pm on Friday only All shuttle stops will have amenities, including restrooms and water, and a dedicated support team will be available to assist riders. Premier Parking (SOLD OUT) For a hassle-free experience, Premier Parking allows you to get in and out of the parking lot more easily, giving you more time to enjoy the festival. Premier Parking is accessible via I-15 North, Exit 58 at Apex. Turn right on N Las Vegas Blvd, follow signs for Yellow Lot/Premier Parking, and turn right into Entry 9. This is the only way to access Premier Parking. Premier Parking Lot Opens at 3 pm on Friday, 5 pm on Saturday & Sunday rice: $165 + taxes and fees General Parking General Parking is free. The largest lots with easiest access are the Brown and Green Lots on the west and south sides, accessible via Las Vegas Blvd. Note your parking location, landmarks, and the route you take to the venue for an easy return. General Parking Lots Open at 3 pm on Friday, 5 pm on Saturday & Sunday ADA Parking For ADA Parking, take I-15 North to Exit 58 at Apex, turn right on N Las Vegas Blvd, follow signs for ADA Parking, and turn right into Entry 8. ADA Parking Opens at 3 pm on Friday, 5 pm on Saturday & Sunday Rideshare, Taxi, and Guest Drop-Offs Rideshare availability is expected to be limited due to high demand. Consider backup options like taxis or carpooling, especially for late-night/early-morning hours. All rideshare, taxi, and guest drop-offs and pickups must occur at the designated Guest Drop-Off and Pickup location (Mid-Brown Lot). Approach the Speedway from I-15 North via the E. Tropical Parkway exit and follow signs for the Rideshare/Taxi/Pick Up & Drop-Off lot. For safety reasons, drop-offs/pickups are not allowed on-street near the Speedway or along Las Vegas Blvd between the Speedway and Downtown Las Vegas. EDC Las Vegas 2022 drone show opening ceremony Charter Buses Private charter buses will not have access to the Speedway during EDC Las Vegas. It’s highly recommended to use the Official EDC Shuttle Service. VIP Transportation (Optional) For a luxurious experience, you can book a round-trip or one-way ride with a VIP transportation service. These luxury vehicles seat up to 6 people and offer amenities like premium water, phone chargers, and music connectivity. Pickup and drop-off locations include MGM Grand, Resorts World, VIP, and SkyDeck areas. Prices start at around $175 per person per day (based on 6-person occupancy). Parking Lot Restrictions Vehicles must vacate the parking lot each day at the close of the festival. Activities like tailgating, sleeping in vehicles, buying/selling tickets, vandalism, loitering, drinking alcohol, and illegal drug use are strictly prohibited in the parking lot and surrounding areas. Getting ready for the festival: EDC Las Vegas 2024 While going to EDC Las Vegas is exciting, it’s important to make sure you’re ready for the desert and the demands of a multi-day event. To make sure you have a safe and fun time, here are some important tips: What to Pack Comfortable shoes: You’ll be standing for a long time, so buy good sneakers or boots that have been worn in and offer good support. Hydration pack: In the hot desert, it’s important to stay fresh. If you have a hydration pack with a tank, you can drink water all night long. Portable fan: A small fan that runs on batteries can help you cool off and feel better. A scarf or dust mask: The air in the desert can be dry and dusty, so a scarf or mask can help keep your lungs safe. A small bag or a fanny pack: Use a hands-free bag to carry important things like your phone, cash, lip balm, and portable charger. Portable charger: Your phone’s battery will die quickly with all the photos and videos you take. Bring a charger that you can take with you to keep it charged. Light-up toys or accessories: Add some fun to your event with glow toys or accessories that light up at night. Clothes and other items Fabrics that let air pass through: To stay cool, choose light, breathable fabrics like cotton or materials that wick away sweat. Layers: It can get cold at night in Las Vegas, so bring a light jacket or hoodie to wear over your outfit. Shoes with closed toes: The fair grounds can be rough, so shoes with closed toes will keep your feet safe. Shield or hat: During the day, wear a shield or hat to shield your eyes and face from the sun. Sunglasses: To protect your eyes from the bright desert sun, buy a good pair of sunglasses. Bandana or face mask: If you need extra warmth, a bandana or face mask can help keep you safe from dust. Health and Drinking Water Keep yourself refreshed. Even if you don’t feel thirsty, drink water all day and night. In the desert, it’s easy to lose water very quickly. Put on sunscreen. Wide-spectrum sunscreen with at least 30 SPF should be used, and it should be reapplied often, especially if you’ll be outside during the day. Don’t push yourself too hard; take breaks. Take breaks to rest and rehydrate in the shade or at a cooling stop. Eat often and have snacks: Fuel your body with healthy meals and snacks all day long to keep your energy up. Pay attention to your body. Don’t ignore the signs if you start to feel sick, too hot, or tired. Take a break, drink some water, and if you need to, get medical help. Remember that being ready is the most important thing you can do to have a fun and safe time at EDC Las Vegas. You can dance the night away under the stars if you remember to pack the important things, dress right, and take care of your body. Watch EDC Electric Daisy Carnival Las Vegas 2018 Day 2 Highlights and experiences from EDC Las Vegas With a great lineup of artists, amazing stage designs, and immersive experiences that will take you to another world, EDC Las Vegas 2024 looks like it will be an adventure you’ll never forget. Here is a sneak peek at what’s to come: List of performers The artists on this year’s list include both big names in electronic music and up-and-coming stars, so there’s something for everyone. As for headliners, they can look forward to thrilling shows from Trance Legends: Armin van Buuren, Aly & Fila, Paul van Dyk, and Andrew Rayel will take you on a euphoric journey at the iconic quantumVALLEY stage. House Music Heavyweights: Carl Cox, Jamie Jones, Peggy Gou, John Summit, Green Velvet, Nicole Moudaber, and Purple Disco Machine will keep the energy high at the neonGARDEN and stereoBLOOM stages. Bass Music Titans: Excision, Zomboy, Subtronics, NGHTMRE, and the Hivemind trio (Kayzo x Space Laces x Must Die!) will bring the earth-shattering basslines and head-banging beats to the bassPOD. Dubstep and Drum & Bass Royalty: Virtual Riot, Dimension, and Culture Shock will unleash their high-octane sounds at the wasteLAND stage. Techno Pioneers: Adam Beyer and Joseph Capriati will showcase their techno prowess at the neonGARDEN. There are a lot of different types of acts on the lineup, like Deadmau5, David Guetta, Tiësto, Kaskade, Alison Wonderland, and many more. There is something for every music fan. Designs for stages and immersive experiences EDC Las Vegas is famous for its amazing stage designs and settings that make you feel like you’re in a different world. The sets this year look like they’ll be even better: kineticFIELD: The famous kineticFIELD will change into a beautiful futuristic city with tall buildings and neon lights that pulse to the beat. cosmicMEADOW: Enter a lush, intergalactic park where plants and animals from other worlds come to life, creating a mesmerizing show that combines nature and technology. A high-tech fantasy awaits you at circuitGROUNDS, where LED screens and fireworks will overwhelm your senses and leave you speechless. In neonGARDEN, you can get lost in a strange, neon-lit maze that is full of mesmerizing art pieces and cutting-edge lighting effects. Aside from the stages, EDC Las Vegas has a lot more to offer, such as interactive art and statues that seem to be bigger than life, as well as mesmerizing light shows and performances by the Funkdafied Freaks. Having a unique atmosphere and energy The mood and energy at EDC Las Vegas are what really make it stand out. The moment you walk onto the fairgrounds, you’ll be surrounded by a lively, friendly group of people who share your love of music and expressing yourself. The festival’s theme of happiness and acceptance makes it a place where you can relax, be yourself, and meet people from all walks of life. It looks like EDC Las Vegas will be an unforgettable experience, whether you dance under the bright sky, look around the interactive art pieces, or just enjoy the contagious energy. After-Parties and Side Events EDC Las Vegas isn’t just a 3-day festival; it’s a week-long celebration of music and culture. From May 15th to May 21st, 2024, Las Vegas will host EDC Week, featuring a lineup of special events and after-parties that will keep the energy flowing long after the festival grounds close each night. Official EDC Week Events Insomniac has organized a series of official events throughout EDC Week, providing Headliners with opportunities to extend their festival experience: Club Techne: We All Scream (May 15th) – Kick off EDC Week with this immersive club night featuring a lineup of techno and house artists. Bassrush & RVLTN Present: Reload Pool Party (May 15th) – Beat the heat at this bass-fueled pool party at the Citrus Grand Pool Deck. Bassrush Massive (May 16th) – This one-night outdoor music festival at the Downtown Las Vegas Events Center will feature some of the biggest names in bass music. Dreamstate Las Vegas (May 16th-18th) – Experience a trance music lover’s dream with this 3-day event at Area15, featuring melodic trance, psytrance, and more. Lost in Dreams Night Swim (May 16th) – Dive into the Night Swim experience at Daylight Beach Club, with a lineup of deep house and techno artists. After-Parties After dancing the night away at EDC, keep the party going at one of the many after-parties hosted by top nightclubs and dayclubs in Las Vegas. These events often feature extended sets from artists performing at the festival, as well as special guests and surprise appearances. Some notable after-parties include: Excision & ARMNHMR at Encore Beach Club (May 16th) Steve Aoki: Dim Mak Takeover at Hakkasan (May 16th) Adam Beyer & Nicole Moudaber at Marquee Nightclub (May 16th) Martin Garrix at Omnia (May 17th) Vice at Marquee Nightclub (May 17th) Acraze at Encore Beach Club (May 18th) Steve Aoki at Omnia (May 18th) Additionally, many clubs and pool parties will feature EDC-themed events and lineups throughout the week, providing plenty of opportunities to extend the festival vibes. The post Your Guide to Attending EDC Las Vegas 2024 appeared first on The Groove Cartel.

The late pioneer is being commemorated in her home city Continue reading...

With a series of groundbreaking releases from renowned underground producers such as 4am Kru, Guido YZ, Krunx, and Phasmid, Da Demolition Squad has quickly established itself as a dominant force in the UK grassroots scene, earning a valid reputation for pushing the boundaries of multi-genre bass music. Established in 2020 as an offshoot of Singularity UK, Da Demolition Squad boldly test the confines of bass music through multi-genre grassroots revitalisation. What sets them apart is their innovative approach to music production, embracing a multi-genre “squad” mentality that transforms every artist into an integral part of the crew. By embracing spirited collaboration and a multi-genre approach, they’re pushing the boundaries of the old-school sound and challenging dance music conventions. Last September, Da Demolition Squad excitingly announced their ‘Da Total Demolition Tour’, spanning ten cities across the UK. The tour featured some talented names in underground music, including Tim Reaper, Louise Plus One, Hughese, Worsley, and Glinks, who showcased the Squad’s unique blend of jungle, techno, UKG, and 160. Da Demolition Squad’s success on the tour wasn’t just due to their talented roster of artists – it was also a testament to their innovative and collaborative approach to music production and event promotion. In addition to their successful UK tour, Da Demolition Squad has been making exciting debuts across major cities in Europe, further solidifying their grassroots presence. We had the chance to chat with Ariel, aka The Bass Injector, head-honcho of Da Demolition Squad, who shared exclusive insights into the Squads’ essence, the highlights from last year’s tour, and the label’s contribution to the international spread of underground UK bass music. I bet you are very busy at the moment. Any cool updates or achievements you’re excited about lately? Our recent show in Milan was really good fun! Myself and Guido YZ had the opportunity to go out there to represent Da Demolition Squad, which was probably the highlight of March. Milan looked sick! How is it doing all these shows now that are attracting international crowds? As we’re based in the UK, international crowds don’t often get to hear our music, unless they specifically come to hear it, which definitely creates a more genuine energy amongst the crowd. Even if they stumble upon it, they’re open to the experience because it’s so different from what they’re used to hearing. I especially enjoyed the show in Milan as we started at 130 bpm with garage house and gradually sped it up to 160 bpm by the end – and they were loving it! They were honestly such a cool crowd with genuine energy. And how was the Radio Raheem show… While we were out there we got to do the show for Radio Raheem. It was in a cultural centre in one of the central parks. When we stepped out from the radio show, there was this exhibition going on with lots of freaky photos. It was very cool. Fracture (Charlie Fieber) plugged it for Guido and me, which is very kind of him, so shout out to Fracture. That sounds like a wicked experience. Let’s dive into the recent releases from Shirley Temper, Guido YZ & 4am Kru, and Krunx. What’s it like representing these diverse bass artists? Our audience is diverse, and some people might wonder how these different styles correlate. But with Demolition Squad, the focus is on the old-skool sound, and if I enjoy the music, I’m happy to share it with the world. That’s why our music evolves based on my interests and what artists are sending me. I’m fortunate to know all the individuals you mentioned personally so it’s good to have a lot of mates that I can put out their music. It’s like a family, and I’m glad to support their music by putting it out there. Tell us, how exactly did Demolition even come about? I have been running Singularity with my friend Benji since 2019. Then lockdown happened so we had to start to think about doing things differently, away from organising parties. We were doing a Singularity online radio show but I also wanted to turn Singularity into a record label. There were three of us working on it regularly at the time, and it was just taking really long to properly turn it into a record label. When you have three people working and giving input, it takes more time. Even though that was on the way, I knew that I just wanted to put people’s tracks out very quickly. I wanted it to be simple artwork, and to be able to do that I just thought I needed to do something by myself. Shout out to Silva Snipa, I was in her living room when I decided ‘fuck it’ I am doing this, I’m going ahead with this. The first track that I signed in September 2020 was by Saxoneer, shout out to Saxoneer! Nedway massive! Stan did the first bit of artwork for that. Could you tell me more about the significance behind the name “Demolition Squad” and what it represents to you and the collective? The concept behind the name is that everyone who puts out their music is part of the squadron- a massive squad of sick producers. I think it’s worked because of how frequent the releases are and how varied they are. With four years in the game, what significance does Da Demolition Squad hold for the underground bass music scene? How does it contribute to shaping and supporting emerging talent? I think if someone stumbles across Da Demolition Squad who isn’t really into this music, they are given a very good overview of lots of different styles. I guess what they have in common is that they all belong to retro styles and genres. It has definitely helped some artists gain some sort of recognition. Cheetah’s first tune was released on Demolition Squad, you know that tune “Of Course”? Of Course! Of Course… it is the name of the track. That track alone, being the absolute banger it is, would have been enough to satisfy me if it were the only contribution Demolition Squad made to the scene. Thankfully, we’ve got numerous other fantastic releases that have all contributed to the demolition sound. It’s exactly how you said it, Demolition has become a family of celebrated multigenre underground bass producers celebrating variety rather than sticking to one sound. Yeah exactly! Even though they are all different genres, there is a correlation. I encourage producers to explore multi-genre music, blending different styles rather than sticking to just one. Variety is key. Was it always the intent of Da Demolition Squad to be multigenre? Yes, indeed. The first track we released on Demolition by Saxoneer was a grime track. Grime releases on the label have been relatively few, numbering around six in total. It’s all about the music that resonates with me at the moment. While my taste has evolved significantly since then, it’s fascinating to reflect on the journey over the past years. I still appreciate all the music we’ve put out, and I continue to explore new genres and sounds, whether they’re within the realm of dance music or not. With all this in mind, what makes a top-notch demolition track? Big bass and authenticity are key elements for me. I believe it’s beneficial for producers to sample influences from outside of dance music. By incorporating these diverse influences, you can create a dance track that stands out and resonates more deeply. Getting those exterior influences from outside of the scene you’re in. It is so easy to have that tunnel vision when it comes to dance music. Even myself, I recently have been finding myself going out to gigs and seeing actual live music and I am enjoying that a lot. I’d say about 75% of the music I listen to at home isn’t classified as dance music, although I do find myself dancing to it. However, when I’m out at events, that’s when it truly transforms into all-time dance music. Now, let’s talk about last year’s Da Demolition Tour. I mean, what a milestone! First and foremost, I want to give a massive shoutout to Cheetah because none of this would have been possible without him. He was the driving force behind it all, pushing me to take the leap and leading the organisation. Big ups to him for that. As for the highlights of the tour, Belfast and Newcastle were definitely at the top of the list. The energy from the crowds was incredible. Additionally, the promoters were amazing and made the whole weekend a blast. It was all good vibes and a lot of fun. How did you get in touch with the venues and promoters? For some of the events, we didn’t have any local promoters involved. For instance, in Manchester, we teamed up with Distant Planet, and in Bristol, it was solely organised by Demolition Squad. In Belfast, we did a collaboration with Big Jacket Crew for a collaborative event, which turned out to be a great success. At the end of the day, Demolition Squad is a respected name and it’s doing well for itself but the aim is still to expose more people to it. The tour must have been a milestone for you guys. The curation for each city was brilliant and even featured Tim Reaper in the London show. Can you tell us more about that? It was a very intense and busy time for us, but definitely worth it. Yeah, we got him to play for our event down at Venue M.O.T, but couldn’t announce his name on the flyer, so we had him come as a surprise guest. But I was happy with the way that turned out- a 2-hour set of Tim Reaper vs Cheetah & Janaway. But, overall we just took it city by city and saw which artists would be suitable for each place. It was good to give people a taste of Da Demolition Squad sound across the UK. Having such a variety of genres in the mix, how do you ensure the releases remain cohesive? Appealing to the listeners? That’s a very good question. Cohesion ain’t what I’m going for, it’s a byproduct. All the songs are old-school focused and are made with that in mind then they naturally become cohesive. Now, with the video edits that I do for the Instagram promos, that’s also where the cohesion takes place. Tell us a bit more about that… For the first few releases, it was just the artwork spinning. But because our primary medium is Instagram, people want something that they can engage with. It wasn’t until Janaway – Junglism, our sixth or seventh release, that he suggested creating a video. After that, I realised it made sense to do it every time. And that’s how it became a regular part of our releases. Where do you source these beautiful two-step videos from? The internet. Youtube is my friend. I think it’s good to give people a bit of visual stimulation to accompany the sound. Now it’s come to a point where people have associated these videos with Da Demolition Squad. I also use an online editor which barely has any functions, it forces me to keep it very simple. And ain’t that the beauty of life? Keepin’ it simple. Lastly, what’s on the horizon for Da Demolition Squad? What do you expect to see from the underground bass scene? More worldwide recognition for the scene in general. I think there are underground communities everywhere around the world, in every country of people that appreciate UK music. We are playing in Tarragona, Spain in April which is very exciting. It’s nice to see the sound getting appreciated more and more outside of the UK. Follow: Instagram / Soundcloud

Thirteen years ago, before hitting monumental success with ‘Levels’, Avicii, the Swedish DJ and producer who would become one of the most influential figures in electronic music, released ‘Blessed’. This track came out on May 9, 2011, showcasing Avicii‘s signature melodic piano house style that had already begun to captivate fans worldwide. ‘Blessed’ quickly became a fan favorite, resonating deeply with audiences, especially after Avicii included it in his groundbreaking performance at Tomorrowland 2011. Just two months after its release, the track was being sung by the entire crowd at one of the biggest music festivals in the world, highlighting the immediate impact of Avicii‘s music on the electronic dance community. The song itself is imbued with uplifting melodies and vibrant energy, characteristics that defined many of Avicii‘s early works and helped to cement his reputation as a master of melodic dance music. Even in its early days, ‘Blessed’ was more than just a track; it was a harbinger of the phenomenal success that Avicii would achieve in the subsequent years. Sadly, the music world was shocked and saddened by Avicii‘s untimely death on April 20, 2018. His passing was a significant loss to the music industry and fans around the globe. Avicii‘s legacy, however, continues to live on through his music. Tracks like ‘Blessed’ not only showcase his talent but also serve as a reminder of his profound impact on the world of music. His creative genius and spirit remain an inspiration, ensuring that his influence will be felt for generations to come. ‘Blessed’ stands as a testament to his extraordinary talent and his enduring contribution to the world of electronic dance music.

The hero of the documentary Era of Dance and the ideologist of revolutionary rave culture events during the 80s and 90s Indulis Bilzens passed away in Frankfurt following an illness. Last weekend in Frankfurt people from different generations who were close connected to Bilzens, said Adios to the Master (as many called him). Indulis Bilzens. Born in Riga on April 27, 1940 – a refugee of WW2- graduating from the Latvian Gymnasium in Munster, Cambridge College and Technical University of Stuttgart after which he dedicated decades to creating and strengthen the movement of independent media in the post-war era. It all culminated with the founding of the independent Press Corps “ID” in Frankfurt in the 70s which later became the well-known newspaper “Die Tageszeitung” and forming an artist based opposition movement contrary to conservative Germany. He was also the publisher of the avant-garde magazine “D!Fanatic” and worked as a broadcaster for WDR Radio in Cologne and Stuttgart. Indulis Bilzens during the 80s created independent TV broadcasts (Braeunungsstudio Malaria” and others) where he granted greater freedom over the new talents from the music and arts scene. In the early ’80s, Bilzen’s love affair with electronic music began, introducing German listeners to new talent and giving the stage name to Maximilian Lenz – DJ WestBam. After all, it was thanks to his efforts in the USSR that in 1987 the first Western DJ Westbam came to Riga (part of the Soviet Union back then), whose performance amazed the adherents of the Soviet disco movement, who literally took Westbam’s manifesto about record art. and then transformed into a unique new youth culture. Bilzens was a visionary man and culture historian who was the driving force and ideologist of many electronic music culture and independent media projects of the 80s and 90s. Bilzen’s influence on the early techno music scene in Germany and the late Soviet Union was undeniable. Berlin’s cult label Low Spirit and the first techno music festival in Europe Mayday are just some of the projects behind which Indulis Bilzēns stood. The movie ”Era of Dance”, released in 2017 and directed by Viktors Buda, was dedicated to the techno music movement and the relationships between the West and the East. Indulis Bilzens served as a diplomat for this historic invasion, one that would become a cultural phenomena. Watch the Era of Dance film trailer The post Indulis Bilzens – early rave culture ideologist and driving force passed away at the age 84 appeared first on Decoded Magazine.

Desert Hearts Festival has long been defined by a feeling of belonging and solidarity on its universally celebrated dancefloor. It’s a place where self-discoveries are realized, lifelong family is found, and the boundary between artist and reveller evaporates with ease. This year, Desert Hearts has sought a return to its roots, teaming up with its longtime allies at Walter Productions to reinvigorate their foundational ethos at the beautiful Playa Ponderosa in Northern Arizona, July 4-8. In tune with this mission, Desert Hearts has enlisted artists close to the beating heart of its 12-year journey to raise a flag of unity in its brand-new location. Each selector represents a different chapter in the Desert Hearts saga, a patchwork of longtime family members, Desert Hearts Records mainstays, and those who have inspired the sonic tastes of the founding group since their humble beginnings. In the words of Desert Hearts Co-Founder Mikey Lion, “The festival industry is in a make-or-break moment of time as it grapples with rising costs, market saturation, and a stalling economy. Independent festivals and the communities that grow around them are the heart and soul of the music world, but they are struggling to survive.” Mikey continues, “While many festivals focus on recycling the same trending headliners to compete with festival giants, Desert Hearts is taking a different approach. This year our festival is focused on building up our community, showcasing label friends and family, talented local DJs, and a number of our favourite international touring artists. Desert Hearts Festival is “One Stage, One Vibe” playing nonstop House & Techno all weekend long. We’re essentially programming a 72-hour DJ set with the right artists playing the right music at the right time. Everything Desert Hearts Festival does is geared towards creating the best possible vibe, and on July 4th weekend, we’re going to throw the best party in the world.” Returning attendees will be no stranger to the returning favourites who have soundtracked unforgettable memories on DH dancefloors past including the likes of veteran production duo Walker & Royce fresh off their sophomore album, Berlin techno veteran Anja Schneider, historic clubland favourite Doc Martin, and Los Angeles mainstay VNSSA. Plenty of world-class international talent will also be scattered among the bill, from Soundgarden founder NickWarren, to, Kater Blau resident Mira, Shanti Radio label head Gorje Hewek, and the unique stylising of Coco & Breezy. Additional acts to discover include the unpredictable expertise of Atish, Andhera label boss Ky William, Burning Man staple Tara Brooks, sister DJ duo Lisbona Sisters, the smooth styling sounds of Life On Planets, the hypnotic sounds of ÖonaDahl, cinematic techno producer Rinzen, four to the floor favourites like Kevin Knapp and Gettoblaster, and the party-starting Ardalan – each artist arrives with their own unique story to tell at Playa Ponderosa. In true Desert Hearts Fashion, the next generation of house and techno superstars will take centre stage, with sets in tow from Nala, Mary Droppinz, SHADED, and Lubelski. Of course, attendees can expect alluring journeys from the Desert Hearts crew who know the crowd and dancefloor better than anyone, represented by co-founders Mikey Lion, Marbs, LeeReynolds, and Porky. There will also be a special Desert Hearts crew closing B2B to properly close out the festival. The partnership between Desert Hearts and Walter Productions stems from a decade-long relationship born at Burning Man. Walter is known for its fleet of art cars, most famously ‘Walter’, the world’s largest VW Bus forged from a retired fire truck. Walter has since expanded its influence on the Arizona arts and music scene with its venues Walter Where?House and Walter Studios, the Walter Station Brewery, and its foundational nonprofit arm, the Walter Hive. The Walter team has been a mainstay of numerous events and festivals like Bonnaroo, EDC and Life is Beautiful, bringing their art cars, travelling stage Kalliope, and larger-than-life fire features and installations to crowds for more than a decade. Desert Hearts Festival 2024 fittingly takes over July 4th weekend to redefine what it means to be truly free under azure skies. Nestled in the natural splendour of Coconino National Forest just 30 minutes outside of Flagstaff, the 75-acre private property of Playa Ponderosa sits at an elevation of 7,000 feet, smack-dab in the world’s largest ponderosa pine forest — notably one of the most iconic sites in the United States. The private venue will allow Desert Hearts to channel the renegade spirit felt at its original home of Los Coyotes Indian Reservation while offering a cool-weather respite from Arizona’s notorious summer temperatures, with average temperatures ranging from the low 50s to the low 80s. The 2024 edition will move back to its foundational ‘one-stage, one-vibe’ format and showcase its unique festival layout: an interconnected arena of theme camps, live painters, installations, and art cars that border the entire dance floor – set to the backdrop of the majestic Ponderosa Pines and spectacular views of Flagstaff’s San Francisco Peaks. For those in pursuit of full sensory immersion, Desert Hearts Festival will provide attendees access to a host theme camps including Pile Palace, which hosts a plush dancefloor lounge and free beverages to patrons, the Dreamscape Collective Art Gallery featuring a tea lounge alongside visionary art, spiritual wellness at the Healing Sanctuary, and a Walter Theme Camp and art car arena around the dance floor, plus a vendor village with craft and clothing vendors as well as a variety of food and beverage options. Another key art fixture will be the Black Hole Experience (BHX), an immersive black hole simulation in a mobile format making its USA and festival debut created by Montreal-based environmental organization Age of Union and its founder Dax Dasilva and designed by multidisciplinary artist Kelly Nunes. Tickets for the 2024 edition of Desert Hearts Festival are currently 70% sold out. For Tickets and More Information on the Desert Hearts Festival Visit: https://desertheartsfestival.us/ The post Desert Hearts Festival announces lineup for 2024 edition appeared first on Decoded Magazine.

Pulse Events unveils a groundbreaking addition to the New York City dance music scene: the highly anticipated U.S. debut of S2O, Asia’s renowned immersive water festival. S2O New York will take place over Labor Day Weekend, from August 31st to September 1st at the iconic Brooklyn Mirage. Ticket pre-sale registration begins on Tuesday, May 14 with general tickets on sale the following day on Wednesday, May 15 on the official website here. What is S2O? S2O Festival celebrates Songkran (Thai New Year) which involves the tradition of spraying one another with water for good luck. Since its inception in 2015, the event brand has become the world’s biggest Songkran/Thai New Year celebration with events in Japan, South Korea, Hong Kong, Thailand, Taiwan, Vietnam, and now upcoming in New York. S2O New York attendees will immerse themselves in a water music festival experience with experiential elements as well as a cool indoor lounge for the best end-of-summer experience in the Big Apple. Synonymous with electrifying music and an unforgettable water festival experience, S2O is here to bring a never before seen experience to the U.S. festival circuit. Festival-goers can expect heart-thumping sets by a diverse lineup of established and emerging talent, all while enjoying the water-refreshing atmosphere curated by S2O. Leading the charge is global superstar Marshmello, marking his Pulse Events debut. Bass music fans can look forward to a set by the the dubstep wubz titan Subtronics, following his recent success at both Barclays Center and S2O Thailand. S2O New York’s meticulously crafted lineup boasts a wide range of artists. This includes veteran Norwegian DJ Alan Walker, who headlined S2O Taiwan, melodic bass powerhouses Said The Sky and William Black performing a dynamic b2b set, multi-platinum producer and live performer Timmy Trumpet, American big room titan Borgeous, Canadian talent Dzeko, the versatile Kaivon; Asian-American duo ARMNHMR, and the undisputed queen of dubstep, LEVEL UP. With its proven track record of hosting exceptional live events, Pulse Events has been entrusted to translate S2O’s increasingly global success to the U.S. market. The company aims to represent Asian-Americans within the global dance music community through their productions, showcased by their two successful editions of Spring Festival: Lunar New Year (which celebrates Chinese New Year) and now, the debut edition of S2O New York. Through these experiences, the brand is introducing American audiences to Asian cultural celebrations while creating unforgettable festival experiences. Pulse Events’ debut edition of S2O New York will reflect the cultural diversity of the melting-pot city, while simultaneously showcasing world-renowned DJs, stunning visual effects, and exhilarating water-themed elements and performances. Inspired by New York City’s vibrant landmarks and iconic waterways, The Brooklyn Mirage’s sprawling complex, expansive 200-foot LED wall, and city views will provide the perfect backdrop for the inaugural multi-sensory event. The post Pulse Events Announces U.S. Debut of S2O Festival, The World’s Wettest Party in NYC appeared first on EDMTunes.

Get ready, New York City! We Belong Here is set to bring its renowned festival experience to the heart of the Big Apple. From October 4-6, 2024, Wollman Rink in Central Park will be into a vibrant celebration of music, community, and the unique of New York itself. This exciting event promises to be a one-of-a-kind experience that you won’t want to miss. We Belong Here has a reputation for creating unforgettable events in iconic locations, and this year’s festival in Central Park is no exception. With a history of hosting successful festivals at historic sites like the first New York Stock Exchange and Bowery Savings Bank, We Belong Here is bringing its magic to Wollman Rink for the first time ever. This move marks a new chapter for the festival, as it expands its reach to the bustling streets of New York City. “We are creating a refined festival experience in New York that is truly for all New Yorkers—with the fan at the forefront of every decision. We’ve worked tirelessly over the past two years of planning to strike a balance between the most well-received aspects of our Miami festival and an artistic ambiance that is true to the City’s cultural diversity,” said Justin Dauman, Co-Founder of We Belong Here. Wollman Rink, a cherished New York institution dating back to the 1950s, is the perfect setting for this unique event. Nestled in the heart of Central Park, the rink’s rich history and vibrant atmosphere make it an ideal location for the festival. With its dual identity as both a historic landmark and a bustling public space, Wollman Rink offers a picturesque backdrop for the festivities that are sure to unfold during the We Belong Here Festival. For the past three years, We Belong Here has captivated audiences with its immersive festivals held at Miami’s Historic Virginia Key Beach Park. Now, the spotlight shifts to New York City, where the festival will make its debut in a location as vibrant and dynamic as the city itself. The anticipation is palpable as fans eagerly await the lineup announcement, ticket releases, and all the exciting details that will make this inaugural New York festival truly unforgettable. For those eager to secure their spot at this historic event, presale registration is now open at www.webelonghere.world/nycfestival. Be sure to subscribe for updates and be the first to know about the artist lineup, production insights, and more. Get ready to experience the magic of We Belong Here in the heart of the Big Apple! The post We Belong Here NY Festival in Central Park at Wollman Rink This October appeared first on EDMTunes.

‘Just Begun,’ is a groundbreaking genre bending collaboration between American electronic act Mojave Grey and Swedish DJ duo Moonshine. The story begins back in 2023, when the Moonshine brothers, Oliver Simic and Victor Simic, stumbled upon Mojave Grey’s unique rock-infused electronic sound. Totally blown away, they reached out, sparking a year-long creative quest. With a clear vision and a fresh perspective on electronic music, Oliver and Victor guided the project. This fresh outlook not only birthed a new sound for Mojave Grey, but also sent them back to their artistic roots. Zander Bleck, Mojave Grey’s vocalist, unleashes his impressive range on ‘Just Begun,’ channeling the power he honed touring with Lady Gaga. Meanwhile, Michael Pozzi’s guitar mastery shines through, weaving a tapestry of melody and electrifying riffs that propel the song forward. Moonshine’s production expertise completes the masterpiece, blending raw energy with crisp detail. ‘Just Begun’ is a testament to the magic that happens when artists embrace their individuality while fearlessly exploring new sonic landscapes. Check it out below and enjoy! The post Mojave Grey & Moonshine Forge Genre-Bending Gem ‘Just Begun’ appeared first on EDMTunes.

In a remarkable demonstration of endurance and dedication, rising dance music talent InteliDey completed the 2024 London Marathon following an overnight DJ performance at the Amazonica electronic dance music event. InteliDey, whose real name is Somdip Dey, is also an entrepreneur, academic and the CEO of Nosh Technologies, a tech company that tackles food waste. Demonstrating his resilience both on and off the stage, the DJ undertook the marathon without prior training due to his busy schedule across academia, music and the tech industry, and his determination shined through as he crossed the finish line. The night before the marathon InteliDey was performing at Amazonica, an event curated by London-based Italian DJ RETTILE, enchanting the audience with his unique blend of tech, progressive and melodic house music. Despite the demanding task, he left a lasting impression on attendees. View the original article to see embedded media. InteliDey's completion of the marathon serves as a testament to his perseverance and versatility while strongly inspiring his fans and colleagues across various domains. With determination, challenges can be overcome, and InteliDey’s latest feat is a strong reminder of that sentiment. Check out InteliDey's latest single "Agare (Club Edition)" below, a progressive house anthem that was released via via Extreme AIM Records earlier this year before landing at #1 in its genre on Audiomack. FOLLOW INTELIDEY:Facebook: facebook.com/deysomdip Instagram: instagram.com/somdipdey X: x.com/somdipdey Spotify: spoti.fi/3ShdOrs

Split across the Glade Stage and Glade Dome, this year's programme features Faithless, Mall Grab, Logic1000 and more Continue reading...

Tomorrowland Festival is coming back to De Schorre in Belgium in just over two months to celebrate its 20th anniversary. Finally, the full lineup for the two-weekend extravaganza has been released. Over 800 of the biggest names in dance music are playing on 16 stages, so music fans of all kinds will be able to find something they like. A lot of big names in music are going to be there, like David Guetta, Tiësto, Alesso, Oliver Heldens, and Don Diablo. There will also be underground techno giants like Adam Beyer, Amelie Lens, and Tale Of Us, as well as returning favorites like Swedish House Mafia and Hardwell. There are, however, some worries among eager fans about the last two scenes. Hardwell and Swedish House Mafia are both set to play on the same day on different stages during weekend 1, which means that their sets might overlap if they are placed too close to each other on the list. When two of the most-anticipated shows happen at the same time, fans would have to make the tough decision of which famous act to see. Even though the show times haven’t been announced yet, many people are nervous about the idea of these two generations of artists playing against each other. Fans are hoping that Tomorrowland has thought about this possible problem and will schedule Hardwell and Swedish House Mafia so that people can see both of their hugely popular sets. Weekend 2 is safe tho, with both Swedish House Mafia and Hardwell playing on the mainstage. No matter what, the lineup is absolutely packed from top to bottom with a wide range of acts from every corner of electronic music. ACRAZE, Boris Brejcha, John Newman, Purple Disco Machine, Rezz, and Vintage Culture are just a few of the well-known artists who will be playing. Tomorrowland’s 20th-anniversary event is set to be one for the ages. It will be themed around “LIFE” as a lead-up to 2016’s “Elixir of Life” idea. But the party planners would be smart to deal with the Hardwell/Swedish House Mafia schedule problem ahead of time to make sure everything goes smoothly. The post Tomorrowland 2024 Stage by Stage Lineup Could Have a Problem appeared first on The Groove Cartel.

The Everything Always (John Summit & Dom Dolla) performance at Coachella both weekends set the internet ablaze. However, Coachella is really good at tracking and taking down audio and visual from any performance that gets out onto the internet. So sadly, the sets in their entirety are not to be found. However, leave it to John and Dom to continue their new project in more places this year. Yesterday, news hit that the two are going to a new place to debut their music. On September 13, 2024, Everything Always will be heading to the iconic Gorge Amphitheater in Washington. Based on how Summit’s Caverns weekend went recently, we can expect some incredible artists joining the two of them as well as activations and of course, all the scenery. The artist presale begins this Thursday, May 9th! The general public on sale begins the following day. Find the link and more information here. We still have some time for more details of the event to be released. In the meantime, start planning your trip! You know this will be a great one full of good music and outstanding vibes and views. The post Everything Always Announce Performance at The Gorge This Summer appeared first on EDMTunes.

Following its massive debut last year, Seismic Spring Lite returns to Austin, Texas on May 10-11, taking over The Concourse Project with an electrifying lineup of world-class talent. Celebrating its 15th anniversary this year, RealMusic Events, the force behind Seismic Spring Lite Edition, is bringing together some of the biggest names in the dance music industry for an explosive two-day fest with top-notch production.. Headlining Seismic Spring Lite 2024 is none other than dance music legend Armin van Buuren. He's joined by MEDUZA and James Hype, who will bring their special "Our House" experience to Austin for the very first time for what feels like an instant-classic B2B set. The lineup also features a diverse array of international talent, among them celebrated Slovenian DJ and producer Brian Knauss, Dutch trailblazer Colyn, German Afterlife favorite Chris Avantgarde and esteemed UK producer Cristoph. Take a look at the full lineup for Seismic Spring Lite Edition 2024 below. c/o Press What sets the event apart is its intimate atmosphere and meticulous programming, which allow festival-goers to fully immerse themselves in the music and appreciate every artist on the lineup. With one outdoor stage for daytime performances and afterparties within The Concourse Project's gigantic main room, attendees can enjoy the best of both worlds and not worry about scheduling conflicts. "The last time I played Seismic was amazing. I ended up playing two sets. For my set inside the Concourse, I was able to play a lot of new, unreleased music at the time and I opened up with ‘The Edge’ and the reception of that was unbelievable," Cristoph tells us. "I was lucky enough to play both inside and outside which allowed me to play two completely different sets. The vibe and atmosphere from the crowd at both stages were exceptional." "The first time I got to play at Concourse Project was for Seismic Dance Event 2021. I flew straight from EDC Orlando and had no idea what to expect," added Kill Script. "I opened the small side stage outside in the baking heat and for the small amount of people that showed up to my set, the vibes were unmatched. One of the first times I felt one with playing techno live. Forever a memory of mine." As one of electronic music's hidden gems, Seismic Dance Event continues to impress with its dazzling production, sustainable footprint and eclectic lineups. Whether you're a diehard electronic music fan or simply looking for an unforgettable festival experience, Seismic Spring Lite Edition is not to be missed. Tickets are available now. In the meantime, RealMusic Events are also gearing up for the flagship Seismic Dance Event, which is taking place from November 15-17, 2024. FOLLOW SEISMIC DANCE EVENT:Facebook: facebook.com/seismicdanceevent Instagram: instagram.com/seismicdanceevent X: x.com/SeismicTX

Last Saturday, on May 4, 2024, Exposition Park in Los Angeles was the place to be for music lovers as the renowned collective Keinemusik delivered an unforgettable show. The night kicked off with Andre Power setting the stage on fire, preparing the crowd for a night of soulful dancing. As the sun began to set, Keinemusik took over at 7 pm, leaving Angelenos mesmerized and craving for. Let’s dive into the details of this epic night that will surely be etched in the memories of all those who were lucky enough to be present. Photo credit: kinderella As the first act of the night, Andre Power wasted no time in getting the crowd in the right mood for what was to come. With his infectious energy and impeccable track selection, he seamlessly transitioned between genres, creating a sonic landscape that had everyone on their feet. From classic House tunes to modern Techno beats, Andre Power curated a set that appealed to the diverse audience at Exposition Park. The air was filled with anticipation as the sun began to dip below the horizon, signaling the imminent arrival of Keinemusik. Andre Power’s ability to read the crowd and adjust his set accordingly was truly impressive. He had a way of connecting with the audience, making them feel like they were part of something special. The atmosphere was electric, with people from all walks of life coming together to share in the universal language of music. As the last notes of Andre Power’s set faded away, the stage was set for Keinemusik to take the spotlight and deliver a performance that would be talked about for years to come. Keinemusik Takes Center Stage Photo credit: kinderella As the clock struck 7 pm, the moment that everyone had been waiting for finally arrived. Keinemusik stepped onto the stage and immediately commanded the attention of everyone in the park. Their unique blend of Deep House, Techno, and soulful beats had the crowd moving from the first note, and it was clear that this was going to be a performance to remember. Keinemusik’s energy was infectious, and their passion for their music was evident in every beat they played. The crowd was completely entranced, dancing as if their lives depended on it, lost in the music and the moment. The energy in the park was electric, with every person in attendance feeling a connection to the music and to each other. Photo credit: kinderella As the night went on, Keinemusik continued to deliver one unforgettable track after another, keeping the energy high and the crowd on their feet. Their set was a perfect blend of old favorites and new tracks, keeping everyone engaged and dancing until the early hours of the morning. By the time they took their final bow, the crowd was left in awe, wanting more and already looking forward to the next time they could experience the group live. About Keinemusik Keinemusik is a group made up of five Berlin-based DJs, producers, and artists – Rampa, &ME, Adam Port, Monja, and Reznik. What does “keine musik” mean? Well, it directly translates to “no music” in German. Interesting choice to say the least. The origin story of the group starts with Rampa and &ME’s first meeting at a recording studio in Kreuzberg where &ME was an intern. They hit it off and began meeting regularly to work on music. Rampa already knew two of the other members who would eventually make up the collective – Adam Port and Reznik. It was Rampa’s idea to form a collective. Keinemusk came to fruition in 2009 when Reznik relocated to Berlin. Shortly thereafter, they met Monja, who was bartending at the club they had a residency at. They brought her on as their creative director/designer of sorts as she is a visual artist. They formed this powerful group and the rest is history. At the center of the collective is their record label. Their mission statement is “The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path”. Fashion is an essential pillar of the Keinemusik brand. The group has been making merch since its conception. Just a few years after getting together, the group landed a collaboration with Nike. The group worked with Nike on their release of the Nike Air Pegasus ’89 “Berlin,” a tribute to the 20th anniversary of the fall of the Berlin wall. They’ve had several other notable fashion collaborations throughout the years including working with Converse and designer Native Teenage. The group is still actively releasing music and running the festival circuit worldwide. It doesn’t seem like they’re planning on slowing down any time soon. The post [EVENT REVIEW] Keinemusik: A Night To Remember At Exposition Park Los Angeles appeared first on EDMTunes.

Just coming off their recent South America two-day events, ULTRA Worldwide has just announced the highly-anticipated debut edition of ULTRA Hong Kong, marking the first ULTRA Worldwide event in the region since 2018. Taking place on Saturday, September 14, 2024 at Central Harbourfront EventSpace in Central, Hong Kong, the one-day event promises to combine top-shelf production with some of the world’s most in-demand Electronic music acts. ULTRA Hong Kong 2024 will mark the region’s first-ever multi-stage ULTRA Worldwide event, as well as the first ULTRA Worldwide event to take place at Central Harbourfront Event Space – an expansive, waterfront venue boasting 360-degree view of the iconic Hong Kong skyline. Offering 36,000 square metres of outdoor, open-air space with easy accessibility to public transportation, Central Harbourfront Event Space is the perfect location to host ULTRA Hong Kong‘s inaugural edition, which promises to reignite its stature as the region’s premier Electronic music showcase. Hong Kong will host two massive stages for this year’s ULTRA: the Main Stage, where revelers can experience the stadium-smashing tunes of globally-renowned artists, and the RESISTANCE Stage, which will represent a hub for the thumping sounds of ULTRA’s esteemed underground House and Techno brand. ULTRA Worldwide has previously hosted three successful installments of single-stage Road To Ultra Hong Kong events, gathering more than 100,000 ULTRAnauts and hosting superstar acts such as Axwell Λ Ingrosso, David Guetta, Hardwell, Galantis, Knife Party, Kygo, Martin Garrix, Marshmello, Nero, Zedd and more. Registration is now open at ultrahongkong.com/tickets. Ticket sales will begin on Monday, May 13, at noon local time. Stay tuned for line-up announcements coming in by connecting with the brand on Instagram, Facebook, and Twitter. The post Ultra Announces Return To Hong Kong After Six Years appeared first on EDMTunes.

Mondays at Amnesia are set to ignite the island once again with the dynamic return of Sonny Fodera and Danny Howard. Amnesia Presents, the quintessential kickoff to the Ibiza week, spans 15 dates from Monday, June 17th to September 30th. Prepare for a sonic journey through various forms of house music, curated by Sonny Fodera and Radio 1 luminary Danny Howard, complemented by a lineup of special guests on the terrace throughout the season: Arielle Free, Belters Only, Chris Lorenzo, D.O.D, Dombresky, Jazzy, LF System, Miguel Bastida, Oden & Fatzo. Introduced for 2024, the Club Room transforms into a haven for UK garage enthusiasts. Each week unveils the genre’s most sought-after 2-step artists, featuring talents such as Sammy Virji, Interplanetary Criminal, alongside revered figures DJ EZ and Todd Edwards, plus a roster of emerging stars including Salute, Conducta, Girls Don’t Sync, Riordan, and Yung Singh. Sonny Fodera‘s electrifying presence has captivated Amnesia over the past two summers, propelling him to new heights with his chart-topping releases and exhilarating DJ sets. With 250M global streams amassed in the past year alone and a lineup of massive singles on the horizon, his momentum shows no signs of slowing down following a sold-out Alexandra Palace show in London and a series of sold-out tours across the UK and USA. Danny Howard, a multi-faceted figure in the dance music realm, continues to leave an indelible mark with his extensive experience as a broadcaster, DJ, label head, and producer. Renowned for his decade-long stint at BBC Radio 1, he now spearheads Radio 1‘s Dance Party, solidifying his status as a tastemaker of his generation. As he embarks on his next chapter, Danny‘s legacy as a musical connoisseur and industry luminary only continues to flourish. Amnesia Presents offers an intimate encounter with the industry’s leading artists, spanning the iconic Terraza and Club Room, enhanced by the unparalleled KV2 Audio sound system. With each night elevated by exceptional production, the echoes of last year’s unforgettable season resonate, promising another year of unparalleled experiences in Ibiza. Secure your tickets now for a welcome return to the pinnacle of Ibiza nightlife at amnesia.es.

Coming off his Coachella performance, multi-platinum artist and Grammy-Award winning producer Purple Disco Machine has teamed up with Swedish hit maker Benjamin Ingrosso, global music icon Nile Rodgers, and Jamaican rising star Shenseea to release their eagerly anticipated single, ‘Honey Boy’, out now via Sony Music Germany/RCA Records. Sweet Like Honey ‘Honey Boy’ sees the four musical powerhouses unite to create an electrifying summer anthem. The group combined the infectious grooves of classic funky Disco with modern Pop sensibilities. ‘Honey Boy’ transports listeners to a realm of pure euphoria with its rhythm, vocals and driving energy. The single has become a firm favorite in Benjamin Ingrosso’s captivating live performances. He introduced the song as a special addition to his sets. Inspired by its underlying funk vibes, Purple Disco Machine added his Nu Disco signature touch to the track setting the stage for a collaboration of epic proportions. Purple Disco Machine enlisted the legendary Nile Rodgers to add his trademark iconic guitar licks. As a result, they took the track to new heights. Shenseea emerged as the perfect addition, solidifying the track’s status as a surefire hit. Benjamin Ingrosso said: “I came up with ‘Honey Boy’ at a nightclub in Stockholm, carried away by the rhythm of a house beat that instantly had me humming along to what would become the chorus. (…) We all felt the potential the song had and that we had to add more talented influences to make it reach its full potential”. He then adds, “I reached out to Tino [Purple Disco Machine] to see if he wanted to finalise it with me, which he wanted! After having gone back and forth and crafted what we believed was the perfect foundation for the song, we reached out to Shenseea who joined in and added her touch to the record.“ “The final piece of the puzzle was when Tino got Nile Rodgers to add live guitar to the song, infusing the track with authentic disco-era vibes.” -Benjamin Ingrosso Purple Disco Machine adds: “Benjamin sent the track to me late last year and I was immediately intrigued by its hook, infectious melody and overall funky vibes. I just couldn’t wait to really upgrade and highlight the disco and funk sensibilities of this one. Shenseea’s voice just fits the song perfectly and really complements Benjamin’s amazing vocal performance”. And as a piece of Trivia, he didn’t hesitate to mention Rogders: “Obviously with an artist name like mine it is pretty easy to guess that Nile Rodgers is one of my all-time heroes and someone I always dreamed of working with. Legend doesn’t really cover it! I reached out to his team and was just so thrilled when his guitar lines came back“. “It’s the perfect match to this track and I could not be prouder to have my name with his on the artist credits. Just can’t wait to actually meet him.” -Purple Disco Machine Revival of Disco Purple Disco Machine has been at the forefront of a disco revival, earning accolades and chart success with his infectious grooves. The track follows recent singles ‘Higher Ground’ feat. Roosevelt and ‘Beat of Your Heart’ with ÁSDÍS, ‘Something On My Mind’ alongside Duke Dumont and Nothing But Thieves, and ‘Substitution‘, which achieved over 200 million streams worldwide. With an impressive track record that includes Grammy wins and remixes for a multitude of acclaimed artists, Purple Disco Machine has solidified his position as a trailblazer in electronic music. Having received a Grammy for Best Remixed Recording for his rendition of Lizzo’s ‘About Damn Time,‘ Purple Disco Machine continues to ride a wave of incredible success. Benjamin Ingrosso Swedish singer, songwriter and producer Benjamin Ingrosso brings his unique energy to ‘Honey Boy’. With 850 million global streams across his catalogue, Benjamin Ingrosso reached the whole world. The single follows on from his recent track ‘Kite’. The latter has amassed over 10 million global streams since its release in January. ‘Kite’ has been mentioned approved and highlighted by Billboard and Rolling Stone. With over 17 thousand airplays across 465 radio stations, ‘Kite’ has made its mark on international airplay charts. In effect, it achieved notable peaks at #1 in Sweden, #16 in Italy, #40 in Denmark, and #86 in Germany. In February, Apple Music announced Ingrosso as its very own ‘Up Next Nordics’ artist. The award solidified his status as one of the most exciting talents coming out of Sweden. He is also in demand live and sold out 100 thousand tickets on his last tour. Shenseea and Rodgers Shenseea has cemented her place as one of music’s most in demand rising stars. She exudes confidence, slick-tongued patois rhymes and energetic reworkings of dancehall hits. Consequently, Shenseea has earned stamps of approval from The New York Times, The Guardian, Billboard, Missy Elliot and more. Prior collaborations include Christina Aguilera, Major Lazer and Kanye West. Shenseea’s collaboration with Purple Disco Machine, Benjamin Ingrosso and Nile Rodgers promises to be a highlight of her already illustrious career. Nile Rodgers, is the iconic musician and producer behind some of the greatest funk and disco hits of all time. He lends his unparalleled talent to ‘Honey Boy’. Rodgers is a Rock And Roll and Songwriters Hall Of Fame inductee and multiple Grammy winner. Moreover, he has left an indelible mark on the global music industry with his band Chic. Furthermore he has collaborated with a very long list of legends such as David Bowie, Madonna, Daft Punk and, most recently, Beyoncé. He was recently announced as the 2024 recipient of the Polar Music Prize. Disco is alive and better than ever. Get your sweet booties on the dancefloor and recalibrate your senses with ‘Honey Boy’. The post Purple Disco Machine & Benjamin Ingrosso’s Delightful ‘Honey Boy’ appeared first on EDMTunes.

One of the rising talents in Dance music has released his highly anticipated One Of A Kind EP on STMPD RCRDS. Hailing from Spain, Eleganto has been tearing up the scene since his debut EP in 2021. One Of A Kind marks a significant chapter in his artistic evolution. More than just a project, the EP represents Eleganto’s profound journey of self-discovery and his relentless pursuit to develop his unique sound. Listeners can expect a vibrant fusion of House music with mainstage elements throughout the EP. Each track showcases Eleganto’s commitment to crafting a sound that stands out in live settings. He expertly crafts a bass groove around brain-tingling synths. The EP’s live debut at Levenslang showcased Eleganto’s new artistic direction, reflecting an ongoing journey of self-expression rooted in his vision for the future. Following the releases of ‘Hands Up High’ and ‘Hot Rush,’ the EP now includes three additional tracks, further solidifying Eleganto’s commitment to pushing musical boundaries. Out of the new tracks, ‘Does it Seem’ is my favorite. I really like this vocal chop work here turning a voice into a synth. ‘U Got Me’ is a unique more energetic twist on Tech-House. ‘Sugar Spice’ with UK rapper LexBlaze really adds a nice element to finish off the EP. Eleganto had this to say about the EP: “It’s called the ‘One of a Kind’ EP because we’re showcasing different sounds within the Eleganto brand. We want to break the rules of genres and show the world what Eleganto can bring musically.” Eleganto – One Of A Kind Tracklist: Hot Rush U Got Me Hands Up High feat. Kota Does It Seem Sugar Spice feat. LexBlaze The post Eleganto Drops Electrifying One Of A Kind EP appeared first on EDMTunes.

In an unannounced move that’s stirring up conversations across social media, Spotify has begun restricting access to one of its cherished features — song lyrics — on the free tier. The introduction of a lyric-viewing cap for non-premium users marks another step in Spotify’s strategy to encourage a shift towards its paid subscription. Listening With Limits For the spontaneous lyricist in all of us who revel in decoding misheard lines, Spotify’s free tier has been a haven of musical exploration. However, recent reports, including those from Android Authority and Dexerto, highlight a new limitation. Screenshots shared by users depict messages indicating a monthly cap on how many times one can view lyrics without a premium subscription. This feature adjustment has not been officially announced but is evident from user-shared experiences online. Behind the Paywall Push This strategy isn’t unique to Spotify. It reflects a broader trend in the streaming industry, where services are gradually moving essential features behind paywalls, increasing prices, and enforcing stricter account-sharing rules. Companies like YouTube are tightening grips on ad blockers, directing users towards their premium services. While Spotify still offers a free, ad-supported version — akin to a digital radio with limited skips and shuffled playlists — the gap between free and premium benefits continues to widen. The Cost of Streaming With 615 million monthly active users and a solid base of 239 million paying subscribers as of the end of March 2024, Spotify remains a powerhouse in the streaming world. Despite its popularity and a reported €3.6 billion in sales in early 2024, the company is navigating financial challenges, evidenced by significant layoffs in the previous year. This context paints a picture of a streaming giant balancing user experience with economic pressures. Spotify’s move to monetize lyrics can be seen as part of a broader strategy to enhance revenue streams amidst the costly demands of licensing music and operating globally. Lastly, as streaming platforms evolve, the delineation between free and premium offerings becomes sharper, posing the question: Are we witnessing the end of truly free digital music experiences? In conclusion, for more information check out Spotify’s official website, here. [H/T] – CNET The post Spotify Moves Lyrics To Premium Subscription Features appeared first on EDMTunes.

The Ultra Music Festival is celebrating its 25th anniversary, The festival is just 10 months away, but the excitement is already building up. To ensure you don’t miss out on the celebration of a lifetime, secure your tickets to #ULTRA25 now at the best possible price by joining the waitlist here! Tickets will officially go back on sale on May 14, so don’t wait until the last minute to guarantee your spot at this epic festival. The History of Ultra Music Festival Founded in 1999 by Russell Faibisch and Alex Omes, the Ultra Music Festival has grown from a small one-day event to a massive three-day celebration of electronic music. Over the years, the festival has hosted some of the biggest names in the industry, including David Guetta, Calvin Harris, and Tiesto. What sets Ultra apart from other music festivals is its dedication to pushing the boundaries of electronic music and creating an immersive experience for its attendees. From the iconic Main Stage to the underground Resistance stage, every aspect of the festival is designed to transport you to a world of music and celebration. As Ultra gears up to celebrate its 25th anniversary, you can expect the biggest lineup yet, with surprises and special guests that will make this year’s event truly unforgettable. Don’t miss your chance to be a part of history – secure your tickets now! Why Join the Waitlist? Joining the waitlist for Ultra Music Festival’s 25th anniversary edition is not just about securing your tickets early; it’s about being part of a community that shares your passion for music, art, and culture. By signing up, you’ll be the first to receive exclusive updates, special offers, and insider information about the festival. You’ll also have the opportunity to connect with fellow music enthusiasts, plan your trip, and make the most of your Ultra experience. Don’t miss out on the chance to be part of something extraordinary – join the waitlist today! Joining the waitlist is also a smart financial decision. By securing your spot early, you can take advantage of the best possible prices and avoid the last-minute rush that often leads to inflated ticket costs. Whether you’re a seasoned festival-goer or a first-time attendee, getting your tickets early ensures that you can budget effectively, plan your accommodations, and make the most of your Ultra Music Festival experience without breaking the bank. So why wait? Sign up now and secure your tickets to #ULTRA25 before they sell out! So what are you waiting for? Join the waitlist now and secure your tickets to #ULTRA25 before they’re gone. Don’t miss out on the opportunity to be part of history and celebrate 25 years of music, unity, and unforgettable moments at Ultra Music Festival. Get ready to experience the magic – see you at #ULTRA25! The post Ultra 2025 Tickets Going Back On Sale appeared first on EDMTunes.

Meetch unveils his newest Tech House track, ‘Upside Down’, inviting listeners on an enthralling sonic journey with a release that places his unique sound at its centre. Known as a talented DJ on the live circuit, Meetch is continuing to build his production catalogue, now adding a fresh, new single to his collection to once again spotlight the originality of his signature sound. Having carved out a place within Electronic Music, Meetch continues to find motivation through his passion and love for music itself, continually appearing confident in his pursuit to push the limits of the genre. With a live performance style that is no doubt unique, adding a visual element to his live sets with his robot helmet, and a production approach that sees him pushing the elements of House music to curate a sound that is individual in character, Meetch continues to impress. As he consistently offers fans the opportunity to discover the depths of his creativity, delving further into his artistry with weekly episodes of his radio show ‘Digital Dance Radio’, Meetch is breaking apart from others on the scene to establish a reputation as a talent to take note of. With ‘Upside Down’ coming as the debut release to his 2024, Meetch has ensured the production captivates, keeping the standard raised with a refreshing soundscape. Featuring potent beats, a compelling lead, a groovy bassline, vocal hooks, and intense risers, ‘Upside Down’ brings the party-starter vibes, delivering dancefloor-ready energy that positions it to become a staple in the playlists of DJs around the world. As the track guides through tension-building breakdowns, leading the listener with filtered vocals and pulsing synths, ‘Upside Down’ presents its intricately detailed soundscape, incorporating anthemic sonic details and hypnotising melodies. A production poised to enthral listeners, ‘Upside Down’ surely appears as a must-listen from the talented Producer and DJ Meetch. So, be sure to keep up-to-date with Meetch by following him across social media, as he surely remains a talent not to miss. Listen and buy ‘Upside Down’ Now: https://www.beatport.com/release/upside-down-radio-edit/4511686 Meetch Online  Spotify | Soundcloud | Instagram    The post Meetch’s ‘Upside Down’ Delivers a Driving Soundscape of Punchy Beats and Hypnotising Details appeared first on EDMTunes.