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Breakaway is making its latest splash in Worcester, Massachusetts, gearing up for a debut that pours fuel on the fire of the country's largest music festival. Breakaway is in the midst of its busiest summer season yet with almost a dozen festivals across the US, including debut events in three new markets. Scheduled for September 6-7, its upcoming Mass edition has the feel of another home run for the surging festival brand. Tickets are on sale now. Hosted by Bobby Hendrickson of DJ Lovers Club fame, the first-ever Breakaway Mass at The Palladium Outdoors in Worcester features a slate of big-time headliners in ILLENIUM, Tiësto, Big Gigantic and deadmau5. They lead an eclectic lineup that features 17 nationally recognized artists and–in true Breakaway spirit–a handful of promising local acts. Other notable DJs include house music mainstays Malaa, Disco Lines, J. Worra and Noizu, bass music stars Ray Volpe, Kayzo and Jessica Audiffred, and EDM.com Class of 2024 trailblazers Levity, among others. And as always, Breakaway will feature a special Silent Disco soundtracked by local DJs, as well as lots of additional activations. Check out the festival's lineup below and find out more here. c/o Breakaway Festival FOLLOW BREAKAWAY FESTIVAL:Facebook: facebook.com/breakawayfestival Instagram: instagram.com/breakaway X: x.com/breakawayfest Website: breakawayfestival.com

Electronic music sensation Rezz has unveiled her latest venture: a line of signature Hypno Googles. The enigmatic artist, known for her distinctive visual style, has translated her iconic stage look into wearable fashion. These LED-infused goggles replicate Rezz’s signature eyewear, allowing fans to channel their inner electronic music icon. With a focus on style and aesthetics, the Hypno Googles are designed to make a bold statement and complement any outfit. While not offering any audio or visual enhancements, the goggles are a must-have accessory for die-hard Rezz fans and fashion-forward individuals alike. They offer a unique opportunity to embody the spirit of Rezz’s captivating performances. The release of the Hypno Googles marks a new chapter in Rezz’s entrepreneurial endeavors, expanding her brand beyond music. As with all of her projects, the goggles have generated significant buzz and excitement among fans. Whether you’re a dedicated Rezz follower or simply looking to add a touch of futuristic flair to your wardrobe, the Hypno Googles are sure to turn heads. You can get yours here Rezzshop.com. What do you think of Rezz’s new Hypno Googles? The post Rezz Drops Signature Hypno Googles: A Fashionable Statement appeared first on EDMTunes.

Available via his imprint Noetic, there's an accompanying remix by Truncate Continue reading...

There's an accompanying launch party at London's Pickle Factory next month Continue reading...

The four-tracker is available now via Kessler and Koboro's Elicit Records Continue reading...

Damian Lazarus has revealed the 2025 lineup of his beloved Day Zero Festival. Ahead of his fest's return to the jungles of Tulum on January 11th, the influential DJ and producer is poised to once again blend ancient Mayan traditions with the alluring appeal of the region's nightlife. Alongside Lazarus himself, who will perform a special set in the early morning hours, the lineup features a wide range of dance music trailblazers and icons alike. Fatboy Slim, Major League DJz, Patrick Mason, Lee Burridge, Dubfire, Victor Calderone, Carlita, Adam Ten and many more grace the lineup. Alive Coverage Staying true to his commitment of championing local artists and DJs, Lazarus will also present the El Teatro at Day Zero, which will host sets from a unique lineup of innovative Mexican talents. That includes Sainte Vie, Sabrina, MNTY, Rafatel, Roderic, Discosis and Secret Echoes, among others. Around 70% of Day Zero’s tickets were sold at presale and general tickets will release on Thursday, August 22nd. You can sign up to be notified here. Take a look at the full Day Zero 2025 lineup below. c/o Press FOLLOW DAY ZERO:Facebook: facebook.com/dayzerofestival X: x.com/dayzerofestival Instagram: instagram.com/dayzerofestival

When Daft Punk shattered our dreams by announcing their split back in 2021, the prospect of a Tron sequel without their creative input felt like a cruel glitch in the system. Now, Disney has revealed who will step into the robots' shoes: the influential duo of Nine Inch Nails' Trent Reznor and Atticus Ross. In the world of Tron, music is the pulse of the digital landscape. Fans of the franchise surely remember how Daft Punk's timeless soundtrack and appearance in Tron: Legacy intertwined with the film's visual spectacle and elevated it to cult-classic status. Tracks like "Derezzed" became instant classics, cementing the legendary electronic music duo's legacy as the sonic architects of the Grid. But when they officially disbanded, the future of Tron's soundscape was thrown into uncertainty. Enter Reznor and Ross, the industrial rock legends whose visceral scores have shaped films like The Social Network and Pixar's Soul, both of which landed them the Academy Award for Best Original Score. The duo's pedigree positions them as the perfect successors to Daft Punk's Tron legacy. The future of the franchise's soundtrack is now in the hands of a tandem that has redefined film scores, and fans can rest assured that the digital frontier will be as audibly thrilling as ever. "The Tron series of films has a real high bar when it comes to composers and scoring music," Reznor said in a recent red carpet interview. "So when it was offered, we were excited and we're up for blowing everybody's minds in the process." The Grid will light up once more when Tron: Ares hits theaters on October 10th, 2025.

A recent interview with Martin Garrix has sparked widespread speculation about a potential collaboration with Coldplay. After Coldplay unexpectedly featured Garrix's track "Breakaway" in their Glastonbury 2024 set, the prospect of him joining forces with the chart-topping band is no longer just a far-fetched fantasy for fans. holy shit!!! @coldplay playing ‘Breakaway’ at Glastonbury was not on my 2024 bingo card 🤯🤯❤️ pic.twitter.com/CuAC1Lr45V — MARTIN GARRIX (@MartinGarrix) June 30, 2024 In a recent interview with Jordi Warners of the Dutch station Radio 538, Garrix let slip a tantalizing hint that sent the rumor mill into overdrive. After receiving a text message from Coldplay frontman Chris Martin, the Dutch dance music superstar was left in disbelief. "I thought to myself, is this real?" Garrix recalled in comments translated from Dutch by EDM.com. "And it turned out that it was really Chris and yes, very surreal." But the interview didn't stop there. When asked about the potential for a studio collaboration between the two, Garrix's response was anything but vague. "I think it's only a matter of time before a lot of great things come," he hinted, suggesting that this dream team-up could be on the horizon sooner than we think. Check out the snippet from Garrix's interview below. View the original article to see embedded media. Follow Martin Garrix:X: x.com/martingarrix Instagram: instagram.com/martingarrix TikTok: tiktok.com/@martingarrix Facebook: facebook.com/martin.garrix Spotify: spoti.fi/2YszVxQ

Six years ago today, Marshmello released ‘Happier’, a collaboration with British indie pop band Bastille. This soulful track features a bittersweet chorus that ends with the lines, “I wanna raise your spirits / I want to see you smile, but / Know that means I’ll have to leave,” urging listeners to reflect on past moments. The music video deepens the song’s emotional impact, portraying a young girl who grows into a woman and eventually becomes a mother. The story begins with her father giving her a puppy for her birthday. As the girl matures, the dog becomes her constant companion, offering comfort during tough times. In a tearful goodbye, she must say goodbye to her beloved pet as it passes away. The video then fast-forwards to her adulthood, where she is now a mother. At her daughter’s birthday party, her father, now a grandfather, gifts his granddaughter a puppy, bringing the mother to tears. It’s no surprise that ‘Happier’ is Marshmello‘s most-streamed track on Spotify and his first Top 10 hit, peaking at #2 on the Billboard Hot 100. The song’s popularity even led to its use in an Amazon Echo commercial and Google’s Year in Search for 2018—both in the same year.

The track lands alongside the launch of her new platform and party series Cosimea Continue reading...

'Cleanfields' is a three-year plan intending to preserve the 600-acre festival site Continue reading...

Listen to the most flavour-packed tracks we discovered this week. Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday. Here are our top picks for the best music we came across this week, in no particular order. And remember, if you would like to contact us for a chance to feature your track on our page, head over to this link right here. Ben Böhmer – Rust Genre: Melodic House This week we were graced by the award-winning artist and producer Ben Böhmer, who unveiled yet another wonderful single, entitled ‘Rust.’ The track continues the lead-up to Böhmer’s third studio album, Bloom, arriving September 27 via Ninja Tune. This one is a treat for all of us who have been following him for years. While Ben’s previous singles serve as a stark departure from his signature sound, ‘Rust’ is a callback for his fans who adore the sound of his previous projects. Begin Again (2021) and Breathing (2019) earned Ben immense success, and this single is a nod to the dreamy, Melodic House sound we all associate with him. Tiago Dima & Will Vance – Air And Darkness Genre: Organic House, Melodic House We’ve been digging the MMR releases lately. They’re developing a lovely sound that spans all things Melodic, Organic, above and below. And this time we’ve got Will Vance — an old friend — behind the decks. He’s joined Tulum sensation Tiago Dima on a beautiful release, simply titled ‘Air And Darkness‘. This one is a beautiful piece of Organic. So organic, in fact, the bass is much more analogue and real than it is digital and programmed. Can I just say, for the record, that bell playing through the break, really reminds us of that one DKC track, ‘Aquatic Ambience’. The nostalgia paired with the sheer nature of this record carved a spot for itself in our hearts. Are you a producer and you want your song featured on EDMTunes? Follow this link right here. Porter Robinson feat. Amy Millan – Hollowheart Genre: Ambient / Electronica One of the defining albums of EDM, one of the core ingredients of what we are today as a genre, that’s Worlds to us, Porter Robinson‘s beloved artist album. This week, his debut LP turned 10. And in true Porter fashion, he finally released the “lost” 13th track that never made it onto Worlds. Four years ago, out of the blue, Porter tweeted that he uploaded another track that he created in 2012, ‘Shepherdess / She Heals Everything‘, for the 6th anniversary. Along with that, he explained that he would release ‘Hollowheart‘, one of the album’s declined tunes, for its tenth birthday. And here we are, enjoying a lovely Ambient piece — with lossless free download. What more could you ask for?! Porter Robinson · Hollowheart ft. Amy Millan (From the Worlds 10th Anniversary Edition) Peggy Gou – Find The Way Genre: Tech House, House Dropping just ahead of her biggest headline show to date at London’s Gunnersbury Park this weekend, the artist, producer, DJ and cultural trailblazer Peggy Gou returned with her latest ‘Find The Way‘ on Gudu Records. The first new track since the release of her debut album I Hear You, this latest single builds on her recent sonic terrain. Making a midsummer bid for song of the season, on ‘Find The Way’ Gou addictively blends her featherlight breezy vocals with a balmy, technicolour 90s House beat lush with mellow keys, acid-tinged synths and hypnotic basslines. The year 2024 has been a huge one for Gou already with the release of her hotly anticipated debut album I Hear You on XL Recordings in June. Final Words Stay tuned, for more of our compilations every Friday — based on demand. Are you a producer and you’d like to be featured in the next edition of our New Music Fridays? Then head over to this link right here, you champ. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music! The post EDMTunes New Music Friday – Week 33 appeared first on EDMTunes.

Metal fans rejoice, because SNAILS just dropped a collaboration with Hi I’m Ghost, Whales, and Qoiet to reimagine the 2001 classic ‘BODIES‘ by Drowning Pool. SNAILS has been playing this one out on tour and it’s quite the dancefloor banger, dropping bodies in the mosh pits it creates. This new dubstep version of ‘BODIES’ is a collision of worlds that promises to be nothing short of explosive. With its raw, aggressive energy, the original track is a perfect foundation for a dubstep overhaul. Expect a relentless barrage of heavy basslines, mind-bending synths, and distorted vocals. What’s unique about this one is that the track features a number of drops, all with their own unique flare and dubstep rage. The reimagined version transforms the iconic anthem into a high-octane, mosh pit inducing masterpiece that caters to both old-school metalheads and modern bass music enthusiasts. Check out the visualizer for the track down below: The post SNAILS Drops Mosh Pit Inducing Collab With Hi I’m Ghost, Whales, and, QOIET, ‘BODIES’ appeared first on EDMTunes.

On August 16, 2005, the world was introduced to a track that would become a defining anthem of the dance scene: “Everytime We Touch” by Cascada. The song didn’t just top charts—it became a cultural phenomenon that would forever change electronic dance music. “Everytime We Touch” wasn’t just another song, it was a game-changer. Cascada, fronted by singer Natalie Horler and producers DJ Manian and Yanou, delivered an anthem that caught on with listeners worldwide. It dominated radio stations, clubs, and parties across the globe. The single quickly climbed the charts, reaching top positions in several countries, including the UK, US, and throughout Europe. Its success was further amplified by its music video, which featured amazing energy and an upbeat vibe. While “Everytime We Touch” is often associated with the 2000s dance scene, its influence on EDM cannot be overstated. The song helped bridge the gap between mainstream pop and electronic music, bringing dance music to a wider audience. Before Cascada’s hit, EDM was primarily an underground genre in clubs and festivals, but rarely breaking into the mainstream. “Everytime We Touch” was one of the tracks that changed that narrative. Cascada’s success paved the way for a new wave of electronic artists to emerge and find commercial success. The song’ became a blueprint for future EDM hits, influencing artists and producers across the genre. In the years that followed, the fusion of pop and EDM would become a dominant force in the music industry, with artists like Calvin Harris, David Guetta, and The Chainsmokers continuing to blur the lines between the two genres. C

Burning Man‘s annual ticket scramble has taken an unexpected turn this year, with attendees facing significant financial losses as they desperately try to offload unwanted passes. Traditionally, Burning Man tickets have been highly sought after, with resale prices often surpassing face value. But this isn’t a typical year: Burning Man still hasn’t sold out online, the organization hawked tickets in-person for the first time since 2011 and Facebook is flooded with people desperately trying to offload extra passes. Long-time attendees, known as Burners, are reeling from the sudden drop in value. Many have found themselves in the unenviable position of selling their tickets at a substantial loss, with some reporting losses of hundreds of dollars. Theme camps, which often purchase multiple tickets in advance, are particularly hard hit. The reasons behind the plummeting ticket prices are still unclear. While Burning Man organizers attribute the decline to global economic trends and a shift in last-minute ticket buying, many Burners believe the issue lies with the organization’s handling of ticket sales. Last year’s Burning Man event was marred by severe weather conditions and logistical challenges, leading to a prolonged evacuation. The traumatic experience may have deterred some long-time attendees from returning this year, contributing to the overall drop in ticket sales. Additionally, the negative press surrounding the event might have discouraged potential first-time attendees, further impacting demand. As the event approaches, some attendees are exploring creative alternatives to selling their tickets, such as bartering for goods or services. Others are expressing concerns about the influx of last-minute attendees, fearing a potential decline in the event’s unique culture and community spirit. With the Burning Man experience facing unprecedented challenges, the future of this iconic event remains uncertain. More on this news and details here. The post Burners Take Massive Losses to Sell Unwanted Burning Man Tickets appeared first on EDMTunes.

Drumcode welcomes another debutant to the label, with Metodi Hristov‘s stunning Build to Destroy EP. The Bulgarian DJ/producer has been building a solid body of work stretching back a decade. Those include quality drops on labels like Terminal M, Octopus, and Filth on Acid. It’s no wonder he finally made it onto Adam Beyer’s radar. In turn, Hristov finally gets to see his chance at a release on Drumcode. The EP leads with ‘Flatline’, a sexy techno track with bags of groove and charisma. From the start, it is driven by dreamy synth lines and an arresting vocal, while balancing silky and punchy elements with a deft ease. Next, ‘Build to Destroy’ is a bulldozing beauty that kickstarts with plenty of low-end energy. Then, it moves into a succession of atmosphere-laden bass stabs and effects of varying rhythms and intensity. It’s a dynamic cut that repeatedly piques your interest to the end. This is a solid addition to the Drumcode discography. What’s more, Bart Skils liked the tracks so much that he even linked Hristov to Beyer immediately! It was a beautiful moment when Adam wrote to me and asked if I’d like to release them on DC. My head was in the clouds and I will always be grateful to Bart for what he has done for me. I’ve always wanted to release on Drumcode, but it was not a fixed plan till October last year when I fully embraced the idea and nailed it with my heart and mind. I ended up in a long three-month studio session from which I extracted some of the best productions I’ve made in my career Metodi Hristov, on Build To Destroy EP Bulgarian-based Metodi Hristov wins the fans of electronic music with his truly unique style. He ranges from the darker side of tech house to the raw house beats. Plus, he loves to experiment and mix up different music styles and garners support from industry stalwarts like Marco Carola, Richie Hawtin, Joris Voorn, Mendo, Andre Crom, Mark Knight, Jay Lumen, Pan-Pot, Ramon Tapia, and Audiojack. Keep an eye out on this rising star. We may just see more releases from him. Metodi Hristov – Build To Destroy EP | Buy/Stream The post Metodi Hristov – Build To Destroy EP appeared first on EDMTunes.

Industry heavyweights Tiësto and AFROJACK have joined forces to deliver a scorching new track, ‘Light It Up’ featuring MC Ambush. Released on Tiësto’s imprint, Musical Freedom, the single has been making waves in the festival circuit already throughout the year. The collaboration between these two legendary artists is a match made in electronic music heaven. Tiësto’s signature euphoric sound blends seamlessly with AFROJACK’s high-energy beats, creating a track that is both infectious and exhilarating. With its driving rhythm and catchy melody, ‘Light It Up’ is a bonafide festival anthem. Seeing the response for this track when played out live has been incredible and I’m super happy we were able to make it official! It’s always fun to collaborate with a friend and I’m super excited to give this one to fans!” – Tiësto “I’m excited to be releasing this track with Tiësto who’s a longtime friend. The collaborative process was seamless as always, and after such a great response by fans previewing this track in some of my sets, I’m glad everyone can finally hear the official version.” – AFROJACK The post Tiësto & AFROJACK Unite on Latest Collaboration ‘Light It Up’ appeared first on EDMTunes.

In what might have been its best edition to date, VELD recently took over Toronto’s Downsview Park for a spectacular festival that attendees won't soon forget. From ruthless bass music to spellbinding house and techno, VELD’s lineup was as diverse as ever this year. Superstar headliners such as Alesso, FISHER, Kaskade, Marshmello and Martin Garrix took over the festival’s mainstage with their spectacular shows while Eric Prydz’s performance served as an undisputed weekend highlight. The iconic Swedish DJ and producer brought his beloved HOLO show to Canada for the very first time, blowing Toronto’s crowd away with his eye-popping production. c/o VELD Additional highlights included an infectious throwback set from hometown hero Frank Walker as well as a surprise b2b performance between Loud Luxury and Wax Motif. After VELD revealed that house music icon Green Velvet unfortunately couldn't make it to Toronto in time for his set, Boys Noize and Wax Motif stepped in to keep the party going with extended sets. c/o VELD VELD also included fiery performances from the likes of Eric Prydz's Cirez D alias, Alan Walker, Elderbrook, Alok and Steve Aoki, as well as thunderous dubstep and bass sets from SLANDER, Subtronics, ISOxo, Seven Lions and many more. VELD Music Festival is already gearing up for its return to Downsview Park from August 1-3, 2025. GA and VIP tickets are available for purchase here. FOLLOW VELD MUSIC FESTIVAL:Facebook: facebook.com/VELDMusicFestival X: x.com/VELDFest Instagram: instagram.com/veldmusicfestival Website: veldmusicfestival.com

From spinning records to setting them straight, James Hype has had enough of fans falsely claiming he does not DJ live. His recent clash with skeptics and rebuttal to such claims highlight a persistent issue in the electronic music community: accusations of "fake DJing" continue to plague even the most talented artists. That troubling trend, Hype says, is "damaging for the culture." "A few months ago I started to notice a trend: Whenever a video of my DJing went viral, 50% of the comments were from people saying it was fake and that I was a fraud," Hype said in an emailed statement to EDM.com. "There seems to be a narrative that all big DJs on big stages are playing pre-recorded sets and I want to break that. I’m trying to deliver a different show every single time and doing stuff that’s actually LIVE, unique, and RISKY is the only way I know how to perform." Hype then invoked a 2021 livestream by deadmau5 that resurfaced in the summer of 2023, wherein the influential producer claimed that DJs performing at major festivals play pre-recorded sets "most of the time" to adhere to rigorous time constraints imposed by the organizers of those events. A few months later in November 2023, a contentious Reddit thread began to pick up steam as ravers questioned en masse which DJs were genuinely performing live at EDC Orlando. Hype, who was mentioned frequently, then took to social media to bemoan deadmau5's commentary by virtue of an Instagram Reel containing a number of clips from his DJ sets. "I saw a video where deadmau5 told his fans that EDC requires all artists to pre-record and it’s just not true, I’ve played all the biggest festivals on all the biggest stages!" Hype's statement continues. "I think this narrative is damaging for the culture and the new DJs coming up." It's worth noting that deadmau5 clarified his remarks in a comment on Hype's Reel. "I'm almost positive this wasn't directed at you," he wrote at the time. "Nor was it at anyone really, getting pretty tired of having to explain myself over and over, but the clip was taken and edited from a literal popcorn eating facetious rant... but since everyone's just taking it so damn serious, run with it I guess." View the original article to see embedded media. Hype's comments are timely. From a macro standpoint, today's DJs must navigate a landscape where technical prowess and creative pre-planning are both essential and scrutinized. To that end, it's fair to wonder whether the culture's obsession with authenticity in the social media age sadly overlooks the rigorous preparation and skill required to deliver a DJ set of Hype's competence. A real challenge lies in educating audiences and preserving the integrity of DJing in an increasingly pernicious digital world. Whether or not the stigma persists remains to be seen, but it's a safe bet. Fans of Hype can catch him DJing at his Hï Ibiza residency every Friday through October 4th, 2024 as well as at Creamfields, III Points and Groove Cruise, among other festivals. Check out his tour here. Follow James Hype:Instagram: instagram.com/jameshype X: x.com/jameshype TikTok: tiktok.com/@jameshype Facebook: facebook.com/jameshypethedj Spotify: spoti.fi/48HiNaN

Local people have been invited to share memories and artefacts that help commemorate the club Continue reading...

Morelli was called out for relaying “far-right” rhetoric in a recent podcast episode Continue reading...

Available until August 21, the festival is offering 1000 tickets to 18-24-year-olds impacted by the Cost Of Living Crisis Continue reading...

In a world that often feels overwhelming, Peggy Gou's latest single offers a musical sanctuary where, for a few minutes at least, everything feels alright. Dripping with disco nostalgia, Gou's songs have become warm cocoons where worries dissolve with each sun-dappled synth. That rings true for "Find the Way," out now via her own music and design label, Gudu Records. Gou's vocals float above the mix like dandelion seeds on a summer wind, carrying a simple yet powerful message. A gentle nudge towards brighter days, her lyricism, though sparse, resonate with anyone who's ever needed to leave their troubles behind and find solace in music. Meanwhile, her production shimmers with retro flair, marrying classic disco elements with modern house sensibilities. It's a delicate balance, but Gou walks the tightrope with ease, crafting a sound that feels both nostalgic and fresh. The release arrives in the midst of a breakout for the South Korean dance music superstar, who in June released her debut album I Hear You on XL Recordings. In the live music arena, she threw down high-profile DJ sets at Coachella, Ultra Music Festival and EDC Las Vegas, among others, and she's performing her biggest headline show yet tomorrow at London's Gunnersbury Park. Check out "Find the Way" below and listen to the new single on streaming platforms here. Follow Peggy Gou:Instagram: instagram.com/peggygou_ Facebook: facebook.com/peggygoupeggygou Spotify: spoti.fi/3w0Xy0b

FDA has delivered a huge blow to MDMA therapy this week. If you have been following over the last few years, MDMA (also known as Molly) has gained increasing psychotherapy support, especially concerning PTSD. The FDA recently announced a negative ruling on MDMA therapy for PTSD. Psychedelic experts are criticizing this. They stated the agency ignored solid overall results from the clinical trials. The FDA asked Lykos Therapeutics, which had filed a new drug application with the regulatory agency, for an additional late-stage clinical trial to further study MDMA’s safety and efficacy. An effort like this would require significant additional funding and likely take years to complete. The decision immediately drew dismayed reactions from patient advocates and experts involved in developing and studying psychedelic therapies. Jennifer M. Mitchell, a neuroscientist at the University of California, San Francisco had this to say: “It’s a true disappointment…From my perspective, I thought we met the criteria that the FDA requested, and I absolutely stand by our data.” Treatments like these are needed for veterans and so many others feeling despair in their lives. Lykos has not made the FDA’s letter of rejection publicly available. But in a statement, the company said that the issues the agency raised mirror those discussed in an FDA advisory committee meeting in June by a panel of psychiatric experts who had voiced concerns about MDMA’s effectiveness and safety. One major issue the panel raised was the inability to distinguish MDMA from a placebo effect because most trial participants correctly guessed whether they received the drug or a placebo. This issue, called functional unblinding, is a well-known and common problem in many trials that involve psychoactive pharmaceuticals. The post FDA Rejects MDMA Therapy For PTSD In Phase 3 Clinical Trials appeared first on EDMTunes.

Celebrating the rich diversity of UK independent artists, the winners will be announced at a ceremony at London's Roundhouse in October Continue reading...