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NY based experimental producer Lawrence Lui returns to the drawing table with his first single of 2024, ‘M83 IDM OST MHZ‘. Now what does the song name even stand for? M83 = cool French shoegaze act IDM = 90s ‘intelligent dance music’ OST = original soundtrack MHZ = megahertz Known for his eclectic sound design, Lui continues to blur the fine line of genres on ‘M83 IDM OST MHZ.’ The track is a genre bending of ambient techno, and as lo-fi as it is futuristic. Like yin and yang, the track is a fluid balance between smooth and distorted. It’s a playful ode against conformity. with hints of Hans Zimmer and Scanner woven through the ambient static. Lawrence Lui defies the mold of your typical EDM artist, crafting a distinct path in the musical landscape. His debut EP, Retroism, hit over 5 million streams, and is known for its classful experimental sounds and retro aesthetic. Subsequent releases like ‘The Genius Of Time‘ showcased his dynamic artistic flair, blending cosmic techno with Buddhist chanson and experimental elements. Amidst the global pandemic, Lui’s creativity took a personal twist with Isolation Loops, an EP inspired by his battle with Covid-19, offering an introspective lo-fi ambient based sonic journey. The post Lawrence Lui Returns With Genre Bending Single ‘M83 IDM OST MHZ’ appeared first on EDMTunes.

The social media age is a wild thing, and a living meme can be created with just one social media post. Have you heard the tale of “Walmart Summit”? We’re not talking about baldie John Summif. It’s the hilarious but tragic tale of a John Summit fanboy who learned a very hard lesson from John. He had his dreams come true (in more ways than one) only to have his entire world crumble before him as a result, all in the span of about an hour. As the story goes, a young guy blind texts John Summit a selfie, apparently right after a sexual encounter with a girl who knows the real DJ. The girl reportedly told him she only had sex with him because he looked like a “Walmart version” of John Summit. The story must check out because she gave this guy John’s real number and his text was received. John Summit posted a screenshot of the text to his Instagram story. The thing is, Walmart Summit has a girlfriend (WHOOPS!) and now his infidelity has been broadcast to the entire world. He then proceeds to blow up John’s phone begging him to delete the post because he’s going to get caught and his life would be ruined. He was forced to learn a hard life lesson from the Experts Only boss. John said “sorry, but you made your bed and now you have to lay in it.” Are we sure John wasn’t a life coach, in addition to an accountant, prior to his DJ life? It’s not all bad though. We’re pretty sure Walmart Summit will get plenty of fresh attention now. Plus, John promised to list him for an upcoming show and “put in a good word to the ladies” for him. i hate cheaters but i love a good comeback story.. walmart summit i got u on list to any upcoming show and i’ll put in a good word for u to the ladies, chin up king the best is yet to come — John Summit (@johnsummit) May 17, 2024 The post You Need to Hear the Tale of “Walmart Summit” appeared first on EDMTunes.

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh Pickspluko, Evalyn - GET RIGHTClear Eyes, Madalen Duke - HIGH STAKESSAVI MINDS - WHERE'D MY EYES GO?FINNfm - Givemeafeelingr.em.edy - I'm FineBAMBII - One TouchModern Modern Life - London Wants You ThereAmy Douglas, Saison - Dare MyselfFrench 79 - TeenagersAlex Lustig - Awake (Ambient Edit)

Esther Anaya ushers in 2024 with her spirited, vocal-centric new single, “Higher Self.” This release marks Anaya’s first of the year, following a prolific 2023 that saw the DJ and musician drop three impactful tracks: “Sweet Dreams,” “Fiesta,” and “Before I Go.” “‘Higher Self’ is a song that talks about your transition from the lowest version of yourself to your best version and mastering your higher self. [It’s] inspired by a period of time in my life where I felt vulnerable, and lost, trying to follow what everyone else wanted me to do [and] finally realizing that we’re all unique and have our own purpose and trademark in life. Getting out of my comfort and tapping into my spiritual higher self for guidance and forgetting about all the negativity & obstacles around me that were trying to pull me down in life,” Anaya shared. Anaya’s latest effort stands as a testament to her dynamic career, which includes being the official DJ for the LA Chargers and performances at the Super Bowl and NBA All-Star Game. In 2022, she collaborated with Snoop Dogg on his 2022 single “BAYC” and previously played the violin on Lil Yachty’s 2017 album, Teenage Emotions. “Higher Self” is among more than 10 new records slated for release this year, heralding Anaya’s versatility and hinting at a promising year ahead for the artist. Stream it below. Featured image: Esther Anaya/Instagram The post Esther Anaya sets free empowering new single, ‘Higher Self’ appeared first on Dancing Astronaut.

Trance music's celestial architect, ATB, has announced his final studio album, bringing a poignant closure to a career that soundtracked a generation's daydreams. The German dance music legend, who has been active for roughly three decades, is releasing his last studio album in 2025, according to a press release shared with EDM.com. He has not announced a concrete release date at the time of this writing. 10 studio albums and over 55 Gold and Platinum records later, ATB's euphoric music continues to enrapture fans. From the timeless vocals of "9PM (Till I Come)" to the blissed-out grandeur of "Ecstasy," many of his songs are considered generational classics in trance lore. Back in 2021, we asked the influential producer what drove him to continue making music. "You know, when I was five and 10 years old, I used to take instruments and create new melodies. It's always been a goal for me to make melodies that survived over the years," ATB told us in an interview at the time. "Whenever someone comes to me and tells me that a song of mine brought them through really rough times, I tell myself, 'Okay, that's why I'm doing music.' So this is what drives me to do more music. I can be in other people's lives through my music and it's a good feeling." As the final radiant crescendo echoes from his studio, ATB is launching a 2024 tour, ironically billed as "Don't Stop." Kicking off today, the summer tour "will allow the fans to hear all the ATB classics but with special attention given to unreleased music that will appear on the final studio album," per the press release. You can check out the full list of tour dates below and purchase tickets here. The flyer for ATB's "Dont Stop" tour.c/o Press Follow ATB:Instagram: instagram.com/atbandre X: x.com/atbandre Facebook: facebook.com/ATB Spotify: spoti.fi/3svUgR6

Ornery returns with another Melodic House & Techno remix via the label Revelation, this time breathing fresh energy into Trilium’s ‘Spread Your Wings’. Known for his Techno sound, Ornery has been taking Electronic Music by storm, pushing boundaries as he continues to elevate his own creativity. With a busy release schedule that has seen him dropping tracks like ‘Sulfur’ and, recently, a remix of Sundrej Zohar’s ‘Blackout’, Ornery is surely retaining his momentum as he drops a new must-listen release once again. Versatile in his talents and musicianship, working as a Producer, DJ, Label Owner, and Sound Engineer, Ornery comes to music production from the perspective of an experienced professional. Having had releases on top labels like Stellar Fountain and Kitchen Recordings, along with appearances at some of Berlin’s most renowned venues and showcases worldwide, Ornery is fast establishing a place within the genre, continuing to captivate with each expression of his creativity. As he appears on the scene with commitment and determination, an attitude that has seen him providing a platform for new music both through his label, Daydreaming and monthly mixes for his Audere Radio, Ornery should remain high on the list of talents to watch closely. With ‘Spread Your Wings’, Ornery ensures his powerful signature sound shines through, invigorating the track with pounding beats, risers, and shimmering synth hooks, all woven together with the mighty low end, staggering pads, and underlying bass. With the intensity continuing to rise throughout, as the track introduces more sonic layers, adding in pulsing details, shuffled rhythms, and melodic elements, Ornery’s rework of ‘Spread Your Wings’ serves as the epitome of his dynamic style, incorporating in his signature energy and magnetising vibes. As he shows no signs of slowing his creativity down soon, Ornery no doubt remains an exciting talent on the scene and one not to be missed. So, be sure to follow Ornery across social media to dive further into his exhilarating sonic world. Ornery’s remix of ‘Spread Your Wings’ is out now via Revelation and is available to stream and download across platforms. Listen and Buy ‘Spread Your Wings (Ornery Remix) Out Now Spotify | Beatport Ornery Online Website | Soundcloud Trilium Online Spotify | Beatport Revelation Online Instagram | Beatport The post Trilium ‘Spread Your Wings (Ornery Remix)’ Lands On appeared first on Electic Mode.

One of techno’s current phenomenal stars, Lilly Palmer, has brought out a unique, innovative fusion to her music style for her latest EP, New Generation. The EP contains three tracks and signifies a new era in the wonderful career of this wonderful artist. Shortly before the release of this EP, the spectacular techno artist had released her sonic masterpiece, ‘Hare Ram,‘ and it now has over 2.7 million streams on Spotify. Fast forward to today, Lilly Palmer continues to provide her magnificent fusion style of techno for the New Generation EP. In fact, the techno style of this EP is a new experimental, rap-techno style, ‘gangsta techno.’ The three tracks in the New Generation EP of Lilly Palmer proves why ‘gangsta techno’ will become a powerful force in the techno genre. The electrifying title track of the EP provides an instant, energetic feel for anyone who wants to get their groove on right away. Afterwards, ‘Escape’ is a track that exudes heart-pumping, synth-rolling melodies that makes fans want to hear more. The third track, ‘Let’s Make One’ has darker tones that also gives off festival-like vibes when the music starts playing. Click ‘Play’ on the Spotify link below to stream Lilly Palmer’s fantastic new EP, New Generation, which will have everyone blasting the tunes on repeat throughout the night. The post Lilly Palmer Fuses Techno & Rap In ‘New Generation’ EP appeared first on EDMTunes.

DJ Dris is keeping his momentum high as he drops another release with his House production, ‘Lose My Breath’ via Born Digital Music. As he appears to be continuing to drive his creativity into exciting territories, fulfilling an impressive release schedule that has seen him offering fans high-quality tracks, including recent releases like ‘Work’ and ‘Ethereal,’ DJ Dris is surely paving his way within Electronic Music, ensuring he makes an impact with his music. Inspired by the infectious grooves of Afro House, Deep Tribal, and Funky House, DJ Dris presents a sonic identity that marks him out; as he marries elements from across genres, DJ Dris’ music continues to appear as a unique display of his passionate love for music itself and his continued commitment to exploring and expanding his artistry. With a signature style characterised by his originality and enthusiasm for bringing together catchy melodies with funky rhythms, DJ Dris ensures that each of his productions delivers engaging sonic experiences; whether poised to invigorate dancefloors or create emotive moments for his listeners, DJ Dris’ music continues to demonstrate his talents and innate abilities when it comes to crafting detailed soundscapes. With ‘Lose My Breath,’ DJ Dris invites listeners on a sonic journey through vibrant rhythms and beats, glowing synths, mighty basslines, and infectious melodic hooks. As the female vocal line enters, leading through the first breakdown, ‘Lose My Breath’ keeps building momentum, driving forward with relentless energy. As the tension continues to intensify throughout, with repetitive sonic details and hypnotising elements, the track surely makes for an exciting listen, one that will no doubt have listeners hitting repeat. Appearing as an unstoppable force, continuing to grow his production catalogue with must-listen releases, DJ Dris remains a talent to keep following closely, so stay up-to-date with him via social media as he is guaranteed to continue bringing productions for fans around the globe to enjoy. ‘Lose My Breath’ is out now via Born Digital Music and is available to stream and download across platforms. Listen and Buy ‘Lose My Breath’ Out Now Spotify | Youtube DJ Dris Online Website | Spotify | Instagram Born Digital Music Online Instagram The post DJ Dris Delivers ‘Lose My Breath’ Release appeared first on Electic Mode.

John Summit and Sub Focus are among the top names today in the house and drum & bass genres respectively and they have unleashed an awesome track, ‘Go Back’, on May 15. This track also has Julia Church providing the vocal support and it blends top-notch, high-quality melodies of house and drum & bass altogether. ‘Go Back’ utilizes John Summit’s talents in house music production while the second half has that powerful DnB kick that made Sub Focus a household name in the genre, particularly the rhythmic builds and drop that made the track a must-hear for the weekend. The two artists debuted their collaborative track back at an event at the Hollywood Palladium in Los Angeles, which also featured Dimension, Culture Shock, and 1991 as the headliners, when Sub Focus brought out John Summit on stage. John Summit and Sub Focus debuting ‘Go Back’ at that event got the crowds dancing right from the start. Additionally, the track’s debut proved it will become a hit that fans will never cease to stop playing repeatedly. Click ‘Play’ on the Spotify link of the track below, which will become a huge fusion banger in the forthcoming summer. John Summit explains his love of DnB and how he combined his house sound on the collaborative ‘Go Back’ alongside Sub Focus and Julia Church: “I’ve always loved drum and bass and knew I wanted to combine my sound with it somehow. As a fan of Sub Focus and his use of combining strong vocals with infectious melodies, similarly to my style, I knew there was potential. Being able to come together and truly combine our two styles worked out even better than we both anticipated. Seeing the crowds’ reactions to our production + Julia Church’s incredible vocals has been unreal!” -John Summit Sub Focus brings out details of how the production of ‘Go Back’ came into fruition: “I’ve always thought mine and John’s styles were quite similar but we lived in different genres so I was excited to get the chance to work together when he was over here on tour. We came up with the idea of speeding up the tempo in the middle of the song between House and Drum n Bass inspired by a drum and bass remix of Lil Louis – French Kiss that I used to love back in the day. It’s been amazing to see crowds from around the world respond to the song and the energy uplift that this tempo change creates.” -Sub Focus The post John Summit & Sub Focus Team Up On ‘Go Back’ appeared first on EDMTunes.

In a modern world where everything is documented through cell phones, nobody ever really experiences an event first-hand. Well now, more and more artists are taking action to change that by implementing a ‘no phone’ policy at their shows. The latest to join the trend and the first to officially enforce it in Ibiza is Damian Lazarus, who just announced his upcoming Hï Ibiza shows will be cell phone-free. The world-renowned DJ and producer will perform a summer residency at Hï Ibiza’s Club Room on Saturdays from May 18th through October 5th. He announced the ‘no phones’ policy on social media earlier this week, stating he promises to ‘deliver the very best underground electronic music’ in one of the ‘best club spaces in the world.’ The ‘No-Phone’ Movement Others have joined in on the global ‘no phones’ movement, including James Hype and MEDUZA, both of whom are scheduled to perform at Hï Ibiza this summer as well. Just last October, The DJs announced their own campaign against excessive phone use at shows. ‘Musicians and performers often find it disheartening to see audiences through the lens of a camera rather than through their eyes. It can disrupt the intimate connection between artist and audience that makes house music so powerful as a genre of music.’ -James Hype & MEDUZA in a joint statement. MEDUZA and Hype also explained constant recording of live events can also jeopardize individual privacy, in which fellow attendees may feel uncomfortable being recorded without their consent. Others to join the trend include popular dance music trio Wavedash, who recently announced an initiative to cover attendees’ smartphone cameras with stickers that read, ‘Social media? No thanks.’ Lane 8 implemented a similar initiative a few years back, which one could argue kicked off the movement altogether. As far back as 2018, the producer’s This Never Happened shows have required attendees to place a sticker over their smart phones or place their phones in a pouch at the door. It will be interesting to see how this movement plays out in the coming years, as technology continues in its ubiquity. In the meantime, you can enjoy the magic of a cell phone-free live experience at Lazarus’ upcoming residency at the world renowned club this summer. Tickets are available here. [H/T]: EDM.com The post Damian Lazarus Implements A ‘No-Phone’ Policy For His Upcoming Hï Ibiza Residency appeared first on EDMTunes.

Astara has steadily been building momentum since embarking on his musical journey, developing a signature style that appears distinct, his music continues to resonate with audiences around the globe. So today, we’re looking forward to being joined in conversation with the talented Producer to discuss his career so far, looking at the moments that stand out to him: from his first release, ‘Alone Tonight’, to delving into the inspirations that continue to motivate him, join us as we present this exclusive interview with Astara. Hi Astara! How have you been? What’s new? Hi! I am doing very, very well! Working on a new batch of songs for the summer and finalizing the signing of my forthcoming song “Walk Through Fire” as well! Busy times, but good times! What sparked your passion to pursue a career in music? Good question. My primary goal in pursuing music was to write songs that would resonate with people. I think we all have had that experience at a music festival or venue where we have felt a strong sense of connection with an Artist. But for me, it’s the quiet moments—on a train, on a ski trip, or on a rainy afternoon at home—where I feel the strongest connection to music and the Artists that create it. As a result, I have hoped my music would be compelling enough that people would feel encouraged to listen to it while going about their day—living their lives. After all, I think it’s the greatest honour to have an audience that appreciates your music and invites your songs into their daily routines. At what point in the beginning of your career, did you decide to make the move to Nashville and leave NYC? What was it that helped you make that decision and why? I finished college at Northwestern University in Chicago in late 2019 and headed down to Nashville immediately to start work in the music industry. Really, I just wanted to be in a place that had a solid energy and a robust music scene. What’s more, since I was born in North Carolina and have family here, I have always felt a connection to the South. Once I got to Nashville, I worked at an Americana music magazine and conducted interviews and wrote feature stories for the publication. It was a good way to get my feet wet in this town, and it introduced me to a lot of music I never had listened to before! What are some of your early career milestones that helped you gain recognition in Electronic Music today? I don’t look at milestones really. I think it’s better to keep your eyes in front of you and chart a solid path forward. I was happy with my first release “Alone Tonight” and some of the moderate success it experienced, but I know I have a lot more records in my catalogue, and I am excited to share those soon. Which achievement or recognition in your career has meant the most to you personally? I was very happy with my song “No Use,” which I released in early 2023. I felt that that song was a solid interpretation of Hayley Williams’s original, and I loved how my friend performed the vocals for it. It is a song I am very proud of to this day. How do you feel your music has evolved and changed over time, and what influences have shaped your sound now? I think melody has always been the primary driving force behind my records—with rhythm and percussion taking the backseat to it. But more recently, I think I have improved my ability to write basslines and drum grooves. As a result, I think the songs I have written this winter and spring have reflected a greater balance between these key elements. Additionally, I have always favored darker, underground music, but this year I have felt more emboldened to write these kinds of records. As a result, I will soon be releasing some underground tracks as well. One of them is a song I have been working on called “Dream Sequence,” which I’ve teased in a couple of guest mixes recently. I am very excited to release this one! Which collaborations with vocalists have been pivotal to your music career? I have had a number of great projects with vocalists—several of those Artists I count as friends. I couldn’t really pick one, because they have all been important to me and taught me different lessons. I think overall it’s just vital to get in the studio and chop it up with folks. You can’t sit in your room or a studio alone—you must get perspective from other Artists, particularly those with vocal talent, in my opinion! What are some of your favorite releases you are proud to have produced? These three are my favorites so far! 1. ‘Walk Through Fire’ (unreleased) 2. ‘No Use’ (released in 2023) 3. ‘DSCO Girl’ (released in 2023) With your disposition for bringing more lyric-based tracks into Electronic Music, were there some tracks of yours’ you felt had achieved that Nashville songwriting influence? Yes. My song “True Companion.” I didn’t write the lyrics though. It was a cover of a Marc Cohn song from the early 1990s. I learned of the song’s original version while I was here in Nashville, and it struck me as a quintessential Nashville-style composition. There’s narrative depth, development, and ultimately lyrical grace. When I made my version, I took the vocal which has that heartfelt lyricism, and I got in touch with a great singer here named Grant (who sang the cover), and I just created an instrumental that I felt embodied my sound at the time. This crossover really challenged me as a Producer. It wasn’t so easy to get the instrumental right If I’m being honest. I also did some rearranging with the lyrics in order to modernize the song. I think it took me 3-4 months to finally get the drop right on it and finalize the arrangement. Ultimately, integrating these disparate influences was a rewarding experience for me though, and I was happy with the result! What are some of your projects or aspirations for the future of your music career? I would love to open a venue here in Nashville. That’s my foremost aspiration right now. I feel like there aren’t enough good Dance music venues in this town, and it would be great to change that. Jason Aldean, Garth Brooks, Luke Bryan, Blake Shelton, and so many other Country musicians have big bars on Broadway or at least some kind of live venue in this town. All I’m sayin’ is, can’t we get one solid venue for the Dance music crowd!? So that’s up there as a big goal for me right now! Other than that, I just want to continue to grow my project, and we’ll see where that takes me. I’m just grateful that I have been able to make music and express myself thus far—it’s a great gift to have that opportunity. I look forward to the journey ahead! Having already begun making a name for himself within Electronic Music with dynamic releases and collaborations alongside other gifted Artists, we’re sure that Astara will continue with his current trajectory, taking to new ground as he keeps discovering fresh and exciting ways to stand out. So, a talent to keep watching, make sure to follow Astara via social media. Astara Online Instagram | Spotify | Website The post Astara – Career Highlights Interview appeared first on Electic Mode.

Astonishingly it’s been 12 years since the release of what is Hardwell’s most iconic song ‘Call Me A Spaceman.’ Originally it was released as an instrumental called ‘Spaceman’ on the 23rd January 2012, but only a few months later Hardwell came back with a new version with the now unforgettable vocals added by the Dutch singer Mitch Crown to create this legendary hit that he released on his record label Revealed Recordings. This song made Hardwell one of the biggest names in Electronic Music and would kickstart his journey to becoming the king of Big Room House. Hardwell had already been making a name for himself in the couple years before the release of ‘Call Me A Spaceman’ collaborating with other big names on the scene such as Nicky Romero, Showtek, Dannic and even Tiesto with their song ‘Zero 76.’ But ‘Call Me A Spaceman’ would launch him from a recognisable DJ to a household name on the Electronic Music scene. On July 28th 2012 he would perform at the biggest festival in the world, Tomorrowland, where he would open his set with the now iconic track. Since its release, Hardwell has gone on to dominate the Big Room House scene and pioneer the genre of Big Room Techno which was the staple of his latest album ‘Rebels Never Die.’ The deluxe edition of this album would also include a brand-new version of ‘Spaceman’ which incorporated the unmistakable melody with Hardwell’s new style to create a huge festival banger to be heard and felt for miles around. Even 12 years on from its release ‘Call Me A Spaceman’ is considered one of the biggest songs in Electronic Music history and it will stay that way for many years to come. The thumping kick and infectious melody will forever echo around the minds of everyone who’s heard it and provide many more fists pumping in the air in ecstasy.

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With the Summer right around the corner, the heat is rising up. Look no further, one of the hottest summer anthems just arrived. The song ‘My City‘ comes at the hands of none other than Dance Legend Tiësto & newcomers Prophecy. Insomniac has been releasing nothing but fire tracks recently. Are you ready to run this town? ‘My City’ Whether you’re on a mainstage or a nightclub, the local vinyl shop or the cafe, this track will swoop you off your feet. The sassy vocals exude confidence and sexiness. The temperature rises as the lyrics take you on an empowering journey. If you feel proud of your hometown or where you currently reside, this song is for you. No place is too big or too small to dance to this tasty groove. Tiësto & Prophecy earn even more brownie points for this one. Their styles combine as smoothly as a Tetris game. Tiësto Tiësto’s name isn’t just a name; it’s a melody that’s traveled the world. This talented artist has woven together different styles of music, creating a sound that transcends borders and unites millions. His achievements are like a beautiful soundtrack to his journey: a Grammy nomination, MTV awards galore, and even a place of honor at Madame Tussauds! Remember the 2004 Athens Olympics? Millions watched as Tiësto’s music set the stage for this iconic event. He’s not just a DJ; he’s a global ambassador for the power of music. With over 18 million Facebook friends and a social media following that could fill a stadium, it’s clear that Tiësto’s music connects with people on a deep level. Voted the “Greatest DJ of All Time” by Mixmag in 2011, Tiësto has collaborated with musical superstars like Coldplay, Katy Perry, and Kanye West. Talk about a dream team! And the beat goes on! He completed a world tour that touched 6 continents, thrilling over a million fans with his electrifying music. His ‘Club Life‘ project isn’t just a show; it’s a way to share his passion with the world. From radio shows to podcasts, Tiësto invites us all to join the party. But Tiësto doesn’t forget his roots. His ‘Club Life College Invasion Tour‘ brought his music to a new generation, reminding us that good music knows no age. Always pushing boundaries, Tiësto continues to innovate. From exclusive residencies to live-streamed concerts, he’s constantly finding new ways to connect with his fans. And the future is bright! With his own record label and exciting projects on the horizon, Tiësto’s sweet symphony of sound is sure to keep us dancing for years to come. Prophecy Prophecy, the enigmatic Spanish duo, isn’t content with a mere debut. They’ve burst onto the scene brandishing a sonic weapon – a fistful of support from titans like Richie Hawtin, Tiësto, and Claude VonStroke. Diplo, the Dance music oracle himself, has already been chanting their name on Sirius XM. This isn’t a slow burn; it’s an inferno ignited in their first year. Prophecy’s sound is a captivating chimera: monstrous melodic synths roar alongside ethereal vocals, all anchored by hypnotic basslines that burrow deep into your subconscious. The result? Pure, euphoric bliss that pushes the boundaries of the genre. With more music brewing in their sonic cauldron, Prophecy is a name you won’t forget. They’re not rising stars; they’re a meteor shower, poised to obliterate the established order and reshape the landscape. Keep your ears peeled, because Prophecy is a sonic storm you won’t want to miss. Hey! Sorry I missed your call I just landed in your city. I know we will have a blast because soon enough… it will be ‘My City‘: The post Tiësto & Prophecy Claim the Streets With ‘My City’ appeared first on EDMTunes.

Good news for Trance fans because the legend himself has proven with his latest track that he’s still not afraid of a fast BPM. Armin van Buuren’s ‘High on Love’ ft. Anne Gudrun is out today on Armada Music and delivers a classic uptempo beat with the euphoric bells and whistles that solidified his place as the godfather of Trance. Premiered at Ultra Music Festival Miami 2024, ‘High on Love’ serves as a sequel of sorts to Armin and Anne Gudrun’s 2023 collaboration, ‘Love is a Drug’. Anne’s vocals add an emotive touch, delivering catchy hooks that complement the energetic production. Armin’s been a busy bee in 2024, first releasing his ninth studio album Breathe In on January 12. The album explores the connection he has with his fans and aims to unite listeners through its positive sound. The 21st edition of his compilation series A State of Trance released today as well, featuring three mixes: On The Beach, In The Club, and Who’s Afraid of 138?! Last month, Armada Music announced it had established a new parent company and acquired Cloud 9 Music in Amsterdam. With plans to invest $500 million in new ventures, the acquisition positions Armada as a major player in the music industry’s evolving landscape. Armin van Buuren remains a driving force worldwide, forging a legacy that will resonate for generations to come. The post Get Ready To Be ‘High on Love’ With Armin van Buuren appeared first on EDMTunes.

French DJ/producer Dombresky is back with a fresh new track to kick off the summer season: ‘In My Soul’. A captivating anthem sure to become a staple in dance clubs worldwide, ‘In My Soul’ epitomizes the producer’s unique ability to blend soul-stirring melodies with unrelenting House beats. The track channels the essence of a 2000s House revival, infusing the genre’s classic vigor with modern vibrancy, making it impossible to remain still. Dombresky demonstrates production mastery as he weaves rich, melodic hooks over his signature dynamic beats, evoking the high-energy atmosphere of early millennium club scenes. A vibrant homage to the era with contemporary flair, ‘In My Soul’ presents an exhilarating ambiance that captivates listeners from the very first note, drawing from Dombresky’s roots in Disco, Tech House, and Deep House. ‘ON THIS SONG, I WANTED TO GIVE A 2000s HOUSE REVIVAL VIBE! THE TENSION BUILDS, AN THEN THERE’S A HUGE BREAK. I LOVE PLAYING THIS ONE LIVE, HOPE YOU like IT!’ -Dombresky Dombresky is still riding the highs of his recent collaborations and chart-topping hits like ‘Soul Sacrifice‘, which has amassed over 50 million streams on Spotify alone. The producer recently wrapped up his nearly sold-out 18-city North American LIFT OFF tour with epic final performances at New York City’s Knockdown Center on April 20th and at the iconic Shrine Auditorium in Los Angeles on April 27th. ‘In My Soul’ sets the stage for a big year, filled with innovative releases and electrifying live performances. Anticipated shows across prestigious venues and festivals signal a year where Dombresky aims to elevate his craft even higher, solidifying himself as a force to be reckoned with in the Dance music space. The post Dombresky Takes Us Back To Early 2000s With ‘In My Soul’ appeared first on EDMTunes.

Being online and having a presence is one of the most valuable ways to be make it this generation as an influencer or artist. With that comes a lot of pressure to not only be consistent, but also bring quality to your online followers. One person leading the way for India’s rising stars is none other than Adwaith S. This prolific music industry expert has been in the entertainment field from a very young age. Adwaith made a name for himself in the music and entertainment business as a person who can change things, especially for independent public figures, artists and celebrities. He was born in Kerala, India and has been working professionally since his young age. He has worked as a reputation and digital manager with leading Indian acts who’s booming worldwide right now, such as Thaikkudam Bridge, Dabzee, ThirumaLi, Masala Coffee, and many more, who have all been seen performing Internationally several times, despites in India itself. Adwaith started his career in Marketing and Social Media while still in college, working with labels and music artists. Over time, he transitioned into a notable reputation and digital manager for Influencers, Celebrities, and music organizations. who has managed almost all leading South Indian artists. With a roster including many top South Indian artists, his influence on the music business in South Asia is undeniable. One thing that sets Adwaith apart as a music businessman is his all-around attitude. Adwaith states he works on every step of the growth process, from creating a strategic growth plan for his clients, focusing on reputation and brand image development, market analysis, and trend adaptation. His efforts have culminated in building an established presence online for his clients and a significant presence for the clients under his wing. In 2024, He started a new venture launching a reputation management brand called CTLG (www.ctlg.in) (pronounced Catalog), alongside his friend, Aadil Mohamed. Excitingly, Adwaith revealed that they have signed their first deal with a South Indian Hip-hop artist “ThirumaLi” to oversee his online reputation and marketing. The post Meet Adwaith S, The creative mastermind who builds reputation and image for India’s Rising Entertainment Icons appeared first on Electic Mode.

Café Del Mar: Orbital & Michael Mayer Remixes by Energy 52 Energy 52‘s Café Del Mar is one of the most iconic tracks in dance music. Released in 1993, this instrumental trance anthem was named after the famous beach bar on the Balearic island, becoming synonymous with the euphoric, sun-soaked vibe of Ibiza’s dance culture. Crafted by German DJ Kid Paul and co-produced by Cosmic Baby, the track’s mesmerizing melodies and uplifting harmonies encapsulate the quintessential sunset moment, making it a staple in the sets of DJs worldwide. Its enduring appeal is reflected in its impressive chart performance and numerous re-releases and remixes by leading artists, ensuring its presence in dance music culture across decades. Over the years, Café Del Mar has achieved legendary status, regularly featuring in lists of the greatest dance tracks of all time. Notably, it was voted No. 1 position in Mixmag’s 2001 list of the “Top 100 Tunes of All Time” highlighting its almost unparalleled impact on the dance music landscape. To put it simply, Café Del Mar is a cultural phenomenon, encapsulating the spirit of an era and influencing generations of artists and fans alike. Now this iconic track is being remixed by two of the most revered acts in electronic music, Orbital and Michael Mayer. Orbital, the pioneering British electronic dance duo consisting of brothers Phil and Paul Hartnoll, have continued to shape the electronic music scene since their emergence in 1989. Known for their innovative live performances and seminal tracks like “Halcyon + On + On,” they’ve significantly influenced techno and electronic music. In 2024, Orbital maintained their relevance by releasing a critically acclaimed album and embarking on a global tour, showcasing their ability to blend contemporary electronic sounds with its signature style. Their sustained creativity and adaptability underscore a legacy that bridges the early rave scene with today’s electronic music landscape, solidifying their status as enduring icons in the genre. Orbital’s remix is an ode to the golden age of rave, with clattering breakbeats and an ethereal synth line pulsing through its early stages before the iconic lead warps into view. They preserve the iconic, hair-raising breakdown before landing on the other side in a flurry of synths, scything percussion and a punishing 4/4 beat. A key figure in Cologne’s electronic scene, Michael Mayer co-founded the influential Kompakt label, contributing significantly to its direction and success. His discography includes seminal albums such as “Neuhouse” (1998), “Immer” (2002), and more recent works like “Higher” (2020) and “Connecting the Dots” (2021). Known for his meticulous remixes and collaborations with artists like Superpitcher and Kölsch, Mayer’s work spans genres, touching on microhouse, experimental, and ambient techno. Beyond producing, Mayer’s mix CDs, including contributions to the Fabric and DJ-Kicks series, highlight his broad musical taste and ability to curate pioneering sounds. For his interpretation, Mayer leans into head-spinning, hypnotic rhythms, with tribal drums and the patiently evolving lead line building towards a climax that is more subtle but no less effective. A near-perfect sunrise track for the payoff to all-night, al fresco summer raves. More info and background on Michael Mayer and his views on this iconic classic please read here in Michael Mayer’s interview with Loudlife. While Michael Mayer’s remix was digitally released 26.04.24 the Orbital Remix is out today digitally as well as both Remixes together on vinyl. Stream / Download here The post Orbital & Michael Mayer remixes Cafe Del Mar appeared first on Decoded Magazine.

Louis Millne isn't afraid to play with the past, but he brings it screaming into the future with his new single, "W.Y.G.D." Out now via House Hats, the deep tech track samples Fat Joe and Nelly's 2005 hip-hop hit "Get It Poppin'" and flips it on its head like a backwards fitted Yankee cap. Stripped-down samples—just enough to ignite the memory banks—are interpolated and layered over a thick bassline. Millne has masterfully crafted a hypnotic, minimalistic rhythm that'll keep you locked in and sweating buckets. It's a testament to the timeless appeal of turn-of-the-century hip-hop, and a reminder that sometimes, less is more when it comes to creating dancefloor dynamite. Prior to its release, "W.Y.G.D." received early support from Sosa, Marco Carola and Joshwa and many more. Millne also a monster summer on the horizon as he gears up for performances at Creamfields and Abode Records' residency at Eden Ibiza, among others. Take a listen to the new track below. Follow Louis Millne:X: x.com/louismillne_ Instagram: instagram.com/louismillne TikTok: tiktok.com/@louismillne Spotify: tinyurl.com/mw77utj4

Watch Electric Daisy Carnival (EDC) Las Vegas 2024 livestream and check the set times for kineticFIELD and circuitGROUNDS. For dance music enthusiasts and festival-goers, Electric Daisy Carnival (EDC) Las Vegas holds a special place in their hearts. The annual extravaganza, organized by Insomniac Events, has been synonymous with electrifying performances, stunning visuals, and an unforgettable atmosphere. This year, Insomniac is taking the festival experience to a whole new level by live streaming the event for fans worldwide to enjoy. From May 17th to May 19th, EDC Las Vegas 2024 will be broadcasted live, allowing anyone with an internet connection to be a part of this incredible celebration. Unleashing the Energy via the livestream on EDC Las Vegas Stages: kineticFIELD, circuitGROUNDS, neonGARDEN and bassPOD The live stream will feature four of the most iconic stages at EDC Las Vegas: kineticFIELD, circuitGROUNDS, neonGARDEN and bassPOD. These stages have witnessed legendary performances and breathtaking production in the past, and this year will be no exception. With the live stream, fans will have a front-row seat to witness their favorite artists deliver mind-blowing sets, taking the energy levels through the roof. A Stellar Lineup EDC Las Vegas 2024 brings an impressive lineup that will leave dance music enthusiasts eagerly anticipating the live stream. Renowned artists such as Eric Prydz, Carl Cox, John Summit, Martin Garrix, ZEDD, deadmau5, and many more will grace the stages. Each artist will bring their unique style, creating a diverse and unforgettable experience for viewers around the globe. How to Tune In and Watch EDC Las Vegas 2024 livestream To catch all the action from EDC Las Vegas 2024, simply visit Insomniac TV on YouTube and Twitch. Starting from Friday, May 17th, until Sunday, May 19th, the live stream will keep the music playing non-stop, allowing fans to enjoy the festival vibes from the comfort of their own homes. Additionally, viewers can also tune in directly from their computers at tv.insomniac.com. EDC Las Vegas 2024 livestream set times kinetic FIELD day 1 Get ready to immerse yourself in the mesmerizing world of kineticFIELD, where larger-than-life productions and epic performances come together. Set time for the EDC live stream has yet to be announced. circuit GROUNDS Timetable day 1, Friday The circuitGROUNDS stage is renowned for its cutting-edge sound systems and mind-blowing visual displays. Here’s the timetable for the circuitGROUNDS stage during the EDC Las Vegas 2024 livestream: TBA neon GARDEN day 1 Set times: TBA bassPOD day 1 For all the bassheads out there, the bassPOD livestream channel will deliver a relentless stream of heavy beats and bone-shaking bass drops, bringing the electrifying energy of EDC Las Vegas straight to your screens. TBA The post EDC Las Vegas 2024 Livestream: How To Watch? appeared first on The Groove Cartel.

Renowned Electronic Music DJ Markus Schulz comes together with Billboard charting recording Artist Sir Ivan to present their debut collaboration, ‘Turn! Turn! Turn!’ via Coldharbour Recordings. A brand-new Trance production that fuses their musical individuality into a cohesive, powerful blend of uplifting sound, this new collaboration is sure to garner attention, showcasing the creative power of the pair as they join forces to offer listeners a captivating experience, that reimagines The Byrds’ 1965 track, breathing new life into the already inspiring hit. Markus Schulz’s unique signature sound has taken Electronic Music by storm, with listeners from around the globe continuing to be impressed by his innate talents and expert production approach; as he puts forward his distinct blend of Trance, Progressive, and Techno, Markus Schulz ensures that his music contributes to the evolution of Electronic Music, resonating with fans as he introduces refreshing and innovative sounds to the scene. With accolades that include earning the DJ Times‘, America’s Best DJ, an impressive three times, Markus Schulz’s talents appear undeniable, and this latest release only showcases this further. Another exciting talent within the world of Electronic Dance Music, Sir Ivan is also a name that echoes with respect within the genre: known for his ‘Peaceman’ status and penchant for introducing meaningful statements within his work, his desire for world peace and universal love is a message that Sir Ivan ensures remains evident throughout his music, appearing as a distinct asset to his signature style. When speaking about the release, Sir Ivan mentions: “My hope is that the contagious track Markus Schulz created will spread the lyrical message of peace throughout dancefloors all over the world and inspire its listeners to love one another.” A pulsing arpeggiator starts off ‘Turn! Turn! Turn!’ as the pounding beat, driving bassline, and compelling layers of sound quickly bring high energy to the track. Then, as the emotive vocals of Sir Ivan enter the mix, the track soon builds in captivating vibes, leading the uplifting listening experience as the infectious synth lead and energetic rhythmic details add another layer of sonic vibrancy. With the multi-layered soundscape, full-bodied in arrangement and sound, continues to evolve, bringing a party-starter vibe, Sir Ivan’s message of peace and love remains at the center of ‘Turn! Turn! Turn’, cementing meaning with each vocal-driven chorus. This track presents the hard-hitting energy inherent throughout Markus Schulz’s music, bringing dancefloor-ready vibes through infectious sounds and lively details while showcasing Sir Ivan’s signature musical approach through its impactful lyrical content. An enthralling collaborative project, this new track is no doubt a must-listen, highlighting the powerful potential of the pair as they link up and merge their individual abilities, styles, and creative energy. ‘Turn! Turn! Turn!’ is out now via Coldharbour Recordings and is available to stream and download across platforms here. Make sure to keep up to date with both Markus Schulz and Sir Ivan by following them across social media as they are guaranteed to keep paving impressive ways within Electronic Dance Music today. Follow Markus Schulz: Website | Instagram | Spotify Follow Sir Ivan: Soundcloud | Instagram | Spotify Follow Coldharbour Recordings: Beatport | Website

German electronic music icon ATB has announced that he will release his final studio album in 2025, capping off an illustrious career that includes 10 studio albums and more than 55 gold and platinum awards across various countries. ATB first soared to fame with his breakthrough single “9pm (Till I Come)” in 1998, which topped the UK singles charts and became the first dance song to achieve that feat. It also enjoyed significant success worldwide, including the US Billboard charts, and was at the forefront of the first wave of dance music on global radio. His storied career and deep discography is rife with consistent innovation and production finesse. Hits like “Don’t Stop,” “Ecstasy,” and “Let U Go,” have secured his place in the DJ Mag Top 100 for nearly two decades. Known for a meticulous approach to album production, ATB often crafts double album projects featuring one disc tailored for the dance floor and another composed of serene soundscapes for the come down. Let’s hope his final album follows in suit. Even though 2025 marks the release of his last studio album, ATB’s journey is far from over. Celebrating over twenty-five years of continuous music production, he will embark on his “Don’t Stop” Summer Tour. Not just a retrospective of ATB’s classics; the tour will also offer a preview of unreleased tracks from his yet to be named final album. The “Don’t Stop” tour is launching this week in New Orleans, continuing through major American cities including St Louis, Dallas, Washington, DC, and Portland, before heading to Europe for the summer festival circuit. ATB USA Tour Dates 5/17 – New Orleans – Metropolitan 5/18 – St. Louis – Ryse 5/23 – Dallas – Stereo Live 5/24 – Washington, DC – Soundcheck 5/26 – Portland – East 45 6/1 – London – The Steelyard 6/14 – Helsinki – Helsinki City Festival 6/15 – Dublin – Biggest Disco Festival 6/19 – Kolobrzeg – Sunrise Festival 6/20 – Bacău – Young Island Festival 8/2 – Székesdehérvár – Fezen Festival 8/10 – Cullera – Medusa Festival 8/16 – Riga – Wondersala 8/17 – Râmnicu Vâlcea – We Love Music Festival 8/31 – Budapest – Budapest Park 9/7 – Bochum – Musiksommer Bochum 10/2 – Dresden – Reithalle (Strasse E) 10/3 – Prague – Duplex More dates to be announced The post ATB announces final studio album and 25th anniversary tour appeared first on Dancing Astronaut.

Revealing the third mega collaboration from his forthcoming ‘Digital Family’ album, French Touch artist and industry mainstay Kiko joins forces with legendary French producer Étienne De Crécy for their festival anthem, ‘Superdata’. Setting an industrial soundscape from the very first beat, the producers call upon heavy percussion, striking synth work and rhythmic instrumentation to craft a commanding arrangement. Showcasing the undeniable synergy between Kiko and Étienne, this captivating instrumental cut has been blowing audiences away during their recent sets around the world. Speaking about ‘Superdata’, Kiko said: “At the beginning, I was inspired by the “Respect is Burning” parties in Paris in the 90s, which led me to propose collaborating on this track with Étienne. He added his touch, perfectly in tune with the ambiance of those parties. Together, we recreated the atmosphere of his productions with Motorbass and Superdiscount, in a style reminiscent of Daft Punk’s early works. I had never seen his studio before, so it was all new to me. For the track, I spent two days there, divided into two work sessions. The first session took place in the afternoon of my arrival, and the second on the morning of the next day. Everything was wrapped up quickly!! had brought a track that Étienne replayed with his analog machines, including a KORG MS10 and a TB303 Roland. We built the structure together and he handled the mixing. We got along very well, and everything went very fast. For mastering, choosing Alex Gopher was a no- brainer. He did an excellent job on the track.” Reflecting on over 30 years in the industry, Kiko‘s forthcoming collection will host collaborations with artists that have played a part in his musical journey over the years, including Agoria and Rodriguez Jr. and Étienne De Crécy. Encapsulating two decades of innovative music and profound influence in the techno-electro world, the ‘Digital Family’ album will provide a sonic gateway that transcends time and genre. An artist who has made an indelible mark on the history of electronic music, Kiko remains at the forefront of the scene. His eclectic discography blends melodic techno, indie dance, and Italo disco, and spans some of the industry’s most revered imprints, including Afterlife, Diynamic, Watergate, Stil vor Talent, Bedrock and Bodello A Parigi. Boasting a variety of hit records, Kiko saw global success with his French Touch anthem, ‘World Cup’ in 1999. His track ‘Beautiful Place’ was reported as one of the top 10 most-played tracks at Coachella 2015 by Mixmag, and his collaboration ‘Living in Space’ with Dave Davis and Phoebe received an official remix by Olivier Giacomotto. Joining forces with David Guetta under his alias Jack Back, they released ‘Supercycle’ on Tiësto‘s highly esteemed AFTR:HRS imprint. With the announcement of his most anticipated project to date, the ‘Digital Family’ album, 2024 is destined to be a monumental year for Kiko. Étienne de Crécy‘s trajectory from punk bassist, to Paris sound engineer, to iconic house music creator epitomizes innovation and influence. Best known for his seminal work on his classic ‘Super Discount’ album, he is a stalwart of the French Touch movement, constantly evolving within electronic music. His partnership with Philippe Zdar as Motorbass yielded the acclaimed ‘Pansoul’ album, a cornerstone of French house music, which was hailed as an instant classic when it hit the shelves. ‘Super Discount’, De Crécy‘s retail-themed “collaborative solo project”, was a critical and commercial hit on the release of Volume 1 in 1997, serving as a showcase for the wave of emerging French talent. De Crécy‘s subsequent releases, from the soulful ‘Tempovision’ to the experimental ‘Super Discount 2’, reflect his unyielding commitment to musical evolution. Renowned for his immersive live performances, blending audio-visual experiences, he captivates audiences worldwide. With every project, Étienne further cements his legacy as a pioneer and living legend in the genre.

He’s an American musician, songwriter, producer, and DJ born of Kashmiri-Indian descent. He’s the man behind ‘Like a G6’ and one half of The Cataracs. He’s incredibly talented and one of the nicest artists I have ever met. Introducing Niles Hollowell-Dhar, more commonly known as KSHMR. Let’s start at the very beginning – how did you come up with the name KSHMR? Random word generator- just kidding. My family is from Kashmir, which is a region in India. And that’s about it- I know it’s not that crazy or original, but hey, it’s important to me. Are there any exciting projects coming up that you can tell us about? There’s always shows and festivals coming up, and I’m excited for all of them. I have some new singles coming out soon too that I can’t talk too much about yet. I also am going to be working on developing new sound packs, that will require a lot of work and a lot of collaborating with different people, but I’m excited to put those together and share them with the world too. Check out some of KSHMR’s newest releases: What was the most pivotal moment in your career? Well in the beginning, it was this song called ‘Like a G6’. It was kind of like a fluke honestly- I was making a lot of tracks at the time that were similar- that had that sort of distorted sound. And somehow, that one happened to end up being a really big hit, and that changed my life forever. That song really took me from being the guy just trying to get his foot in the door to the guy who’s got the #1 hit in the country. After that my group broke up, and then that’s when I started to become KSHMR. What artist or group would you love to collaborate with? Such a good question. I would say, for sure, Brandon Flowers. I love The Killers- they’re one of my favorite bands. The Beatles are actually my favorite band, but unfortunately, I don’t think I’m going to be able to get Paul McCartney to collaborate with me on anything. Have you had a most embarrassing moment on stage that you feel comfortable sharing? Oh yeah, I’ve had multiple. Back when I was in The Cataracs, I had just broken up with my girlfriend at the time. I was playing at a show that I knew she would still be in attendance at. Of course, the DJ before me opened a bottle of champagne on stage and sprayed it all over… and the first thing I did when I ran out on stage was slip and fall in front of everybody. Like I medically injured myself- it was that painful- but I continued the show. It just felt so embarrassing doing that in front of everybody, and knowing she was in the audience made it even worse. The next one I have to share with you- I was in Germany. It was the last song of my set, I was outside performing at a festival, and it was raining. The last song I was playing had a huge build up to the last drop, so I jumped up on the table to get the crowd super hyped up. I then realized that I accidentally stepped on my USB was I was getting onto the table- like crushed it so hard that the wires were sticking out. Somehow, the song went into an emergency loop, so it literally was just going to loop forever if I didn’t do something. And since my USB was crushed there was literally nothing I could do, so I just let it loop for another minute or two, then turned the music down and said “Thank You” and ran off stage. Photo credit: Jeff Kravitz

World renowned dance music tastemaker Danny Howard has carefully curated an unmissable season of weekly events at BCM. The BBC Radio 1 regular will play every Tuesday from June 25th alongside a diverse mix of friends, legends, and the next generation stars that he has helped platform on the radio. Howard has long been a regular at BCM, where he has championed the most fresh and forward thinking dance sounds on the planet. He heads up his own Nothing Else Matters label and party series and has made many a new star off the back of his famously influential Radio 1 show. Plenty of them now play at BCM this summer, including label artists and radio regulars he has always been keen to champion. BCM itself has just undergone a huge renovation and is now ready to open its doors and offer the sort of thrilling experience it is known for around the world. The sounds system and the production are out of this world, and now Danny Howard‘s residency is all set to maximise that all summer long. Says Danny, “Hosting my own weekly party in Mallorca has become a staple of my summer and something we’ve built over the years into one of the biggest nights of the week in the resort. This year we’re taking it to the next level with some of the hottest global names in dance like Fisher, Gorgon City, Sam Divine and Sonny Fodera coming back to play with the addition of some new faces I’m excited to welcome to BCM such as Diplo, Hannah Laing, LF System and Franky Wah. Not only that, I’m delighted to welcome some names who have released records on Nothing Else Matters to the party with HoneyLuv, Fleur Shore and Miane all set to make their debuts. If you’re heading to Mallorca this summer, it’s all about Tuesdays!” This is going to be a summer like no other at BCM with Danny Howard at the helm and a global roster of DJs all serving up the cutting-edge sounds.