Ravebot

Mancunian producer SALO will provide a soundtrack for the Shakespeare comedy, as well as playing the character of Moon Continue reading...

In 2011 David Guetta released his 5th studio album ‘Nothing but the Beat’ which was packed with huge hits that would rocket into the charts including the iconic ‘Titanium.’ As if the album couldn’t get any better, the following year Guetta would expand the album adding 6 extra tracks with the lead single being another absolute classic, ‘She Wolf (Falling To Pieces)’. Sia would provide the vocals on this track following on from also singing on ‘Titanium’ and she once again gave an incredible, powerful performance that created a lot of the emotion within the verses while Guetta’s classic club energy takes over for the choruses. This meshing of talents would be a great success with ‘She Wolf’ going to no. 1 on the Billboard Hot Dance Club Songs chart and going on to rack up over 300 million Spotify streams. ‘Nothing but the Beat’ also featured collaborations from the likes of Nicki Minaj, Snoop Dogg, Flo Rida, Chris Brown and several other huge names from many different genres of music. The album received a Grammy nomination for ‘Best Dance/Electronica Album’ but more importantly would act as one of the catalysts for bringing EDM into the mainstream and kicking off a fantastic era for electronic music. David Guetta is widely considered to be one of the main reasons for EDM’s rise in popularity coming into the early 2010s and he has continued to plough his way into the charts since. ‘She Wolf’ is one of the many amazing tracks that David Guetta has created where he managed to walk the line of creating a pop hit without losing his epic club sound. With the fantastic songs they managed to create together, do you think we’ll see another collaboration between David Guetta and Sia soon?

In the fiscal year since the grand opening of the Las Vegas Sphere, the next-generation venue's proprietors have reported on remarkable revenue growth to the tune of over $1 billion. Fueled by a string of high-profile music residencies both current and forthcoming, Sphere Entertainment's flagship property in Vegas has proven to be a financial juggernaut since its September 2023 debut. The mesmerizing venue has quickly established itself as a premier destination for live entertainment, hosting iconic acts like U2, Dead & Company and Phish, each of whom have drawn massive crowds during their residencies. The Eagles are also slated to begin a highly anticipated 20-show residency in September, further solidifying the Sphere's status as a magnet for top-tier talent. Adding to the momentum, Anyma is set to make history as the first electronic dance music artist to perform at the Sphere. His limited six-show engagement, starting in late December, sold out in short order. With those momentous concerts on the horizon, it’s clear that demand for EDM talent at the cutting-edge venue is only positioned to accelerate as 2025 looms. As Sphere Entertainment wraps up its fiscal year on a high note, its record-breaking venue in Vegas continues to set the stage for even greater achievements ahead. "Fiscal 2024 marked the opening of Sphere in Las Vegas and a new chapter for our Company," said Executive Chairman and CEO James L. Dolan. "Sphere has already welcomed millions of guests, world-renowned artists and numerous global brands. We are confident that we are on the right path to execute on our vision for this next-generation medium."

Taking over Transylvania, UNTOLD Festival's 2024 edition was one for the history books. Spread across four days and nights soundtracked by over 250 artists across eight stages, UNTOLD 2024 once again surpassed expectations while delivering a world-class festival experience in Cluj-Napoca. This year's Mainstage lineup featured a jaw-dropping slate of DJs, including Martin Garrix, Swedish House Mafia, Alok, Lost Frequencies, Mahmut Orhan and many more taking the decks. In classic UNTOLD fashion, those big-name electronic headliners were joined by contemporary music superstars such as Louis Tomlinson, Sam Smith and Burna Boy, not to mention rock icon Lenny Kravitz. Burna Boy.Jarett Lopez/EDM.com UNTOLD’s Galaxy stage kept the party going until the early morning hours with the likes of Black Coffee, Solomun, FISHER, Gordo and many more. Techno icon Carl Cox, who performed one of his rare "Hybrid Live" sets, delivered an undeniable highlight. Elsewhere at UNTOLD, drum & bass music sent the energy to stratospheric levels thanks to icons like Netsky, Andy C and Macky Gee. Other dance music trailblazers to set the fest alight include Bora Uzer, Guy Gerber, Jan Blomqvist, Nicky Romero and Jax Jones, among many others in a gigantic lineup. Black Coffee.Jarett Lopez/EDM.com While UNTOLD’s impressive lineup once again featured something for everyone, its numerous onsite activities, fashion village and tattoo booth added to the experience. To that end, it upheld its reputation as a top destination festival. UNTOLD X, the festival's special 10th anniversary edition, is taking place in August 2025. Fans can register for the next wave of tickets here, with 40,000 passes already booked. Follow UNTOLD Festival: Instagram: instagram.com/untoldfestival X: x.com/untoldfestival Facebook: facebook.com/untoldfestival

If you can't get a crowd to show up for your LEGO DJ performance, you can always just build one. A new design on LEGO's "Ideas" platform, which allows consumers to submit ideas for LEGO products to be turned into sets available commercially, has been making noise with music lovers who have a fondness for little plastic bricks. One user has created a functional replica of the Technics SL-1200 MK2 Turntable so you can cut and scratch using the power of LEGO bricks. Builders can upload their creations to the crowdsourcing platform, where the submission can then be voted on by users. If their design amasses 10,000 votes, it will then be reviewed by LEGO staff, who will determine if it should become an official set. Created by Tomasso, the Technics turntable recreation contains realistic features like a needle, adjustable pitch control, and a 45 RPM adapter. He used 2,215 blocks to achieve the build. This is not the first time Tomasso has shared a DJ-related LEGO set with the world. Last year, he started a campaign for a Pioneer DJ CDJ-2000 Nexus build, which has since reached the necessary 10,000 votes and will be reviewed by LEGO's designers in September 2024. Considering that success , it seems likely his take on Technics will reach the same fate. You can support the project on the official LEGO Ideas page.

The festival cited rising production costs and low ticket sales Continue reading...

The local authority has announced a "public protection" probe after seven people were hospitalised after attending the Newquay-based festival Continue reading...

Experience the exhilarating return of the winter electronic music festival, Desert Air, this November courtesy of Splash House and Goldenvoice. Mark your calendars for November 15-17. Prepare to be part of this extraordinary event at the beautiful Palm Springs Surf Club. With a lineup featuring avant-garde tastemakers and boundary-pushing DJs, Desert Air promises an unforgettable experience at two stunning open-air venues in the region. Desert Air Photo Credits- Desert Air During the day, Palm Springs Surf Club comes alive with vibrant music, fascinating cultural programs, and a tempting array of water activities and culinary delights. As night falls, the party shifts to the iconic grounds of the Palm Springs Air Museum. Here, the allure of electronic music fills the open-air tarmac, surrounded by vintage aircraft and the breathtaking backdrop of the San Jacinto mountains. Along with the main event, you can also anticipate a lineup of exclusive after-parties, top-notch food experiences. It is all designed to showcase the diverse global nightlife and the vibrant culture of Palm Springs. For accommodations, secure your place at a selection of partner hotels. These include the iconic Ace Hotel, The Saguaro, The V, and the luxurious Hyatt Palm Springs. Line Up Prepare to be amazed by the billing highlights featuring innovative super producer Jamie xx and the genre-defying Kaytranada. Welcome a special guest Club Heat—a newly formed collaborative project from Tove Lo and British singer-songwriter/producer SG Lewis. Additionally, the lineup includes British icon Shygirl Presents Club Shy, underground queen VTSS. Along with the electrifying Slayyyter (DJ Set), and the fast-rising UK bass and garage phenom Sammy Virji. The genres continue to blend with the likes of Swedish pop phenom COBRAH, KETBOI69 by Partiboi69 and KETTAMA, Australian standout Mall Grab, and the ethereal soundscapes of Sofia Kourtesis. Dedicated to spotlighting left-of-center movement leaders, Desert Air presents sets from multi-talented Pretty Girl (Live), Punjabi garage leader Yung Singh, Italy’s okgiorgio, London duo JOY (Anonymous), and underground rising stars Anish Kumar and ATRIP. Get ready for an unforgettable experience! Sign up for pre-sale here. General admission (GA) passes are available from $184 plus ticketing fees. VIP passes start from $334 plus ticket fees. You can also explore lodging options at partner hotels, with prices starting at $285 for 2 people (per person) and $172 for 4 people. Don’t miss out on this incredible experience! Stay tuned to EDMTunes for all your dance music updates. The post Desert Air Festival Makes An Exciting Return To Palm Springs appeared first on EDMTunes.

Louis The Child brought their annual Alter-Ego show to the North East this past weekend and took over the entire venue for a very special night of music. Normally when artists visit The Brooklyn Mirage, they perform at one of the 3 stages available at the venue but like typical Alter-Ego fashion, Louis The Child took over all 3 stages for a full venue takeover this past weekend. The 3rd annual Alter-Ego show at The Brooklyn Mirage was no doubt a special one. The full venue takeover consisted of music flowing throughout the Avant Gardner indoor venue, The Brooklyn Mirage mainstage area and even a comedy presentation in King’s Hall. Louis The Child played 2 sets throughout the evening. Kicking things off with a playground set at 10PM, many fans flooded to the venue as doors opened to catch their special show opening performance. Their second set was another special experience as they tapped their close friend, Jai Wolf for a headlining B2B set which was no doubt a highlight for everyone in attendance. Evan Giia, MEMBA, and Troyboi were all notable names that took the stage at the event this past weekend adding to the Alter Ego experience. With the success of the annual Alter Ego shows at The Brooklyn Mirage, there is no doubt that we can expect them to make a return for a fourth annual show next year. With the different elements incorporated into their shows, it’s certainly exciting to see what they will attempt to do next year. The duo of Louis The Child are currently on tour so check out their full tour schedule here to see what city you can catch them next. Photos Cred: Jon Gray The post Louis The Child Turned Brooklyn Mirage Into Their Playground This Past Weekend appeared first on EDMTunes.

In an official collaboration with Aloe Blacc, virtual DJ kai.wav has cemented a brand new, soul-fueled house rendition of Blacc’s 2010 global hit, “I Need A Dollar.” An anime-designed product of web3 record label Hume, kai.wav burst on to the scene earlier this year, on March 15th, with an official remix of Norwegian dance veteran Matoma‘s 2022 single, “The Power.” Now, kai.wav returns with the world’s first official rework of “I Need A Dollar.” “There aren’t many people I would trust to re-imagine ‘I Need A Dollar,'” says Grammy-nominated R&B icon Aloe Blacc. The “Wake Me Up” singer added, “Kai.wav is literally ushering in the future of music. I’m proud to be a part of this collaboration.” “I Need A Dollar” is poised to elevate summer spirits, aided by an intoxicating dose of nostalgia. The record will surely drive the rising metastar’s career to new heights in an experimental, virtual dance space. Take a listen to kai.wav’s first career single below. The post kai.wav dubs ‘serotonin house’ with official Aloe Blacc edit, ‘I Need A Dollar’ appeared first on Dancing Astronaut.

The WORLD CLUB DOME in Frankfurt, recognized by DJ Mag UK as Germany’s number one festival and one of the top 10 unmissable festivals worldwide, unveils its enchanting full lineup. For the glamorous summer edition, WorldClubbers will be transported into the world of the future, featuring headliner acts such as the world’s No. 1 DJ David Guetta, Grammy Award winner Black Coffee, 3 Are Legend, hard dance icon Angerfist, Claptone, Chicago techno legend DJ Rush, multi-platinum hit producer DJ Snake, Felix Jaehn, HUGEL, Imanbek, Joel Corry, German superstar DJ Robin Schulz, European techno uber-stars Scooter, and US megastar DJ Steve Aoki. Alongside this unforgettable lineup are blockbuster acts CASSÖ, Jamie Jones, Honey Dijon, LOVRA, and Solardo, as well as confirmation that legendary Drum & Bass icons Chase & Status will make their long-awaited return after five long years. Netsky will be travelling from Belgium to Frankfurt, and travelling from England, progressive house DJ and producer D.O.D. joins the lineup of the “biggest club in the world.” The Future Edition of WORLD CLUB DOME, set to take place on September 6th, 7th, and 8th, will be the last major mega-festival of the 2024 season, and serves to all dance music fans as the official closing event of the summer season. Catering to all club music enthusiast tastes thanks to its eclectic lineup spanning techno, hardstyle, hip-hop, and pop, featuring the brightest and best acts from each of these insanely popular genres. Techno purists can look forward to electronic music maestro Richie Hawtin, alongside Frankyeffe and Ilario Alicante. Fleur Shore and Hot Since 82 will be flying in direct from the UK, specifically to perform on the WCD Pool Sessions Main Stage. On Day 3, Sunday 8th, the outdoor main stage will once again host the big Hip Hop Takeover, in a repeat of last year’s massively successful event. Stars from the German Hip Hop scene, including Badmómzjay, Ćelo & Abdï, Haftbefehl, and Katja Krasavice, are all set to perform to a soon to be sell out crowd. In celebration of its 11th edition, the WORLD CLUB DOME Festival is transforming the stadium grounds of Frankfurt’s Deutsche Bank Park into the incredible world of the future. How will the future appear to us, and what can we expect? In an era where topics like artificial intelligence, virtual reality, ChatGPT, and most importantly sustainability and diversity are ever-present, the future is no longer a far-distant scenario. WORLD CLUB DOME has already gazed far beyond the scope of a traditional festival thanks to its record-breaking, mind-bending collaborations with the ESA and the renowned Alfred Wegener Institute. Now, visitors can prepare to embark on a futuristic festival journey, during each of the three exciting days, where people come to celebrate and dance harmoniously to the future beats of tomorrow. Promising one of the most magnificent festival atmospheres and immersive experiences in Europe: This year’s ‘Future’ theme is set to attract more than 180,000 festival-goers from around-the-world, a literal hour’s flight from almost every major European city and a quick 10 minute jaunt from downtown Frankfurt. WORLD CLUB DOME will transform the 700,000 square meters of space into a futuristic world of unforgettable sights, sounds, and spectacle, featuring two all-star Main Stages, the WCD Pool Sessions, and an earth-shattering hardstyle stage. World Clubbers can lose themselves in the sun and fun at the WCD Pool Sessions or party on the lawns in front of the hardstyle stage and outdoor Main Stage. The stadium’s state-of-the-art indoor Main Stage, features many of the biggest electronic music headliners in the world, each performing many of the most iconic tracks in dance music history, backed up with 1.8 million watts of crystal clear sound. On green meadows, surrounded by blue water and framed by picturesque forests, stands the Deutsche Bank Park. Each year, BigCityBeats transforms this urban archipelago into a mecca of club music culture, cementing its place as the hotspot for international music festival travelers. In 2024, a futuristic landscape will emerge in the heart of Frankfurt, and for three days more than 700,000 square meters of space will be transformed into a musical district of hedonism. Sports fields will become helicopter landing pads for the planet’s top DJs. The world’s longest red carpet will serve as a Walk of Fame for both visitors and artists alike. Grand festival stages and intimate club floors will be set up across sprawling green meadows, in forests, alongside swimming pools, and at the very heart of it all, groundbreaking stadium will serve as a modern-day coliseum, and a monstrously fantastic Main Stage will help create the largest dance floor in the world. “Coachella Vibes” in Frankfurt will launch the latest edition of Reality Star Island and BigCityBeat GLAM at WORLD CLUB DOME, and a promise of the largest gathering of TV stars, celebrities, and influencers, will deliver an outpouring of glamour, fashion and sparkle to the fantastic festival. As stage hosts, Elrow, known as the wildest and most notoriously colorful party label in the world, hailing from Barcelona, will be an integral part of WORLD CLUB DOME. HEX, the revered techno label by Lorenzo Raganzini & Paolo Ferrara, will make its long-awaited Frankfurt debut. Meanwhile, Pyramid, Amnesia Ibiza’s infamous techno event is returning to WCD Pool Sessions. Claptone’s award-winning Ibiza-inspired Masquerade event is also set to transform World Club Dome Pool Session – and promises to make a splash. And ensuring the party is always flowing The much-loved BCB Family will be hosting throughout the festival. Phase 4 tickets for the Future Edition of BigCityBeats WORLD CLUB DOME are currently available for €209.00 (3-day club ticket) plus fees, and can be purchased at www.future.worldclubdome.com. Be warned, tickets at this low price are limited and should be snapped up quickly.

The proprietors of Subvert, an upcoming music service, say they're delivering something Bandcamp ultimately couldn't: a "community-owned" platform unencumbered by corporate interests. Bandcamp was sold to Fortnite creators Epic Games back in 2022. Amid layoffs at the gaming giant, music licensing firm Songtradr then acquired Bandcamp 18 months later in a move that resulted in layoffs of their own, amounting to roughly half of the platform's staff. Enter Subvert, whose founder, Austin Robey, saw those developments as a sign of the downfall of the platform and, on a larger scale, the music industry considering its emphasis on monetary value rather than music's intrinsic personal value to artists and fans. In an open letter posted on Subvert's site, Robey highlights the need to address the "inevitable consequence of platform capitalism," the upshot of placing more value in stakeholders rather than independent users. He says he envisions a music marketplace "where the community owns the code, controls the decisions, and shares in its success." "Subvert is a Bandcamp successor that is collectively owned, stewarded, and controlled by its community, with 100% of its founding ownership reserved for its artists, community, and workers," Robey wrote in his impassioned letter. "We’re building a platform that has artists' interests, collective ownership, and democratic governance hardwired in its very DNA. "Subvert's primary goal is to create a collectively owned alternative to Bandcamp—a marketplace that makes it easy for artists to directly sell physical and digital work, while also giving them greater control over their own destiny," Robey adds. Elsewhere in the letter, Robey promises platform updates and information in the weeks ahead pertaining to the launch. At the time of this article's publication, the site also features a countdown with 36 days remaining. You can read more about Subvert's mission here.

In the evolving landscape of UK festivals and clubbing, Houghton stands out as a reliable haven for quality music and a shared sense of community. It brings together a diverse collective of people, all united by their passion for music and the desire to share an unforgettable experience. The atmosphere is warm, welcoming, and seriously social, making it feel like an extended family gathering of clubbers from across the country, whilst consistently delivering on every level. The hype is real: great artists creating a journey of sound like no other. After clocking in 100K steps, the Electric Mode team can confidently say that Houghton Festival stands head and shoulders above the rest, delivering music that truly satisfies the soul, electric from start to finish. Tantrum Photo credit is : Khroma Collective Craig Richards and his team have meticulously crafted a home for festival-goers, a place where music lovers can truly immerse themselves in the experience across a variety of unique venues. This festival is a haven for true music enthusiasts, particularly those passionate about electronic and underground sounds. Designed with dedicated ravers in mind, the production and music curation are unmatched, offering a one-of-a-kind, 24-hour experience, highlighted by the incredible Terminus venue. Choosing a favourite stage at Houghton is no easy task. Each one blends effortlessly into its natural surroundings, creating a sanctuary for sound. With four stages nestled in the forest, you’re truly spoiled for choice. However, Terminus might just take the crown—running 24 hours throughout the weekend, with unannounced lineups that hark back to the days when great music mattered more than the names behind it. All weekend provided an extensive list of top selectors and endless highlights. The music sparked memories of the magic of the early electronic scene, free from barriers and raw. This was for the heads that love to dance. There was no ego, only inspiration that was fluidly delivered at every corner. One of our favourites was Anna Wall making her debut at Terminus, keeping it rolling with an authentic and unique vibe, delivering an outstanding set of epic electronic, synth-infused vinyl selections. Our standout moments of the weekend undoubtedly included Houghton’s own Craig Richards delivering flawless sets at both Pavilion and Tantrum. A true master at work, Richards was relentless in crafting an unparalleled soundtrack across multiple sets, combining finesse and energy that left everybody craving more. Friday night saw Voigtmann close the Earthling stage, following on from Raresh who got the crowd in a perfect position with edgy, groove laden rolling beats and a high octane energy that pushed until the early hours. Bobby Pleasure swiftly became a crowd favourite, delivering two outstanding sets at Tantrum and Pavilion. A true connoisseur, he effortlessly moved between Disco, Deep Techno, and everything in between. The Giant Steps was a consistent highlight for the Electric Mode Team, with its incredible low-slung, dub disco beats resonating beautifully through a warm sound system, rumoured to feature speakers from Studio 54, adding to the venue’s mystique. Another forest find was Optimo at Outburst, delivering the driving Techno we all crave on Sunday. Of course, no Houghton experience would be complete without a visit to the Pavilion stage. The production and light show here, combined with incredible lineups, make it truly exceptional. Sunday was unforgettable, with Rhadoo and Ricardo Villalobos taking on closing duties, doing what they do best. But Houghton offers more than just music. Nestled beside the shimmering lake, you’ll find the Napkin and Turntable restaurant, hosted by Wolf & Lamb. Here, you can savour a peaceful three-course meal while the soothing murmurs of House and Techno play in the background. Our team also had the chance to embark on the renowned art train tour, exploring the gardens of Houghton Hall. We were guided through an impressive collection of sculptures by Antony Gormley, Dame Rachel Whiteread, and James Turrell and provided some insights into the installations. What truly defines Houghton is its in-tune music crowd. With their warm, friendly smiles, they make the festival feel like home akin to the 90’s Acid House rave movement. This sense of community is a testament to Craig, Amanda, and Flo, who pour their love for music into creating this incredible experience. The dedication and effort they invest are palpable to everyone who attends. In a challenging festival year, Houghton stands out as one of the UK’s most significant independent festivals. Houghton, we salute you! The post Houghton 24’ Review : Houghton is Home appeared first on Electic Mode.

Moody Good reaffirms his penchant for grimy, ominous dubstep with his new single, "Get Splashed." With its deep vox and eerie soundscapes, the wobbling dubstep track provides fans with a litany of nasty sounds and samples. Meanwhile, its drops blend genres with a hip-hop twist, delivering an irresistible and heavy-hitting record. Switching gears in its final minute, the song's coda could easily soundtrack a sci-fi alien film, its haunting call-and-response carrying suspense and leaving listeners hungry for more. Its titular phrase returns at the eleventh hour to bring the arrangement home, cohesively wrapping up the experimental banger through a formidable showcase of his sound design capabilities. "It's good to be back!" Moody Good said in a press release. "Off the back of my tracks with Zeds Dead and Hamdi, I'm pumped to give you all my first solo original tune 'Get Splashed.' Ya boy is back and here to stay." Listen to the new single below and find it on streaming platforms here. Follow Moody Good:X: x.com/moodygood Instagram: instagram.com/moodygood Facebook: facebook.com/moodygoodofficial Spotify: tinyurl.com/44dnbyfy

Flosstradamus has teamed up with promising bass music producer Viperactive for a trap track of epic proportions, "HITA." Through its entirety, the track unsurprisingly urges listeners to put their "hands in the air," building the energy. The beat eventually overflows into a ground-shaking drop, where thick 808s and rapid-fire tribal drums set the perfect scene for a laser show while a whistling melody slices through the mix. Accompanied by an unrelenting rhythm, Flosstradamus and Viperactive then opt for a four-on-the-floor arrangement in the second drop of "HITA," showcasing their versatility and infusing depth to the trap banger. The release comes in the midst of a rapid rise for Viperactive, who recently garnered support from Skrillex when the dubstep legend played his remix of "Rumble" at Chicago's iconic Lollapalooza festival. His music has also received support from Dillon Francis, Alison Wonderland, Four Tet, Valentino Khan, Steve Aoki and many others. Listen to "HITA" below and find the new collaboration on your favorite streaming platform here. FOLLOW FLOSSTRADAMUS:X: x.com/flosstradamus Instagram: instagram.com/flosstradamus Facebook: facebook.com/flosstradamus Spotify: tinyurl.com/48vtj5t5 FOLLOW VIPERACTIVE:X: x.com/viperactive Instagram: instagram.com/viperactive TikTok: tiktok.com/@viperactiveofficial Facebook: facebook.com/Viperactive Spotify: tinyurl.com/2zehy4ce

The news of the historical super-club Privilege in Ibiza being torn down has sent shockwaves through the dance music community. But amidst the uncertainty, a new era will dawn on us with the advent of [UNVRS] – the world’s first Hyperclub in Ibiza. As one chapter ends, another begins, and the excitement for what lies ahead is palpable. [UNVRS] In the realm of social media, you’ve probably witnessed the captivating videos featuring Privilege, the famed club. Recently, there has been significant hype surrounding a groundbreaking project set to establish the world’s largest venue. Though not officially confirmed, it’s widely assumed that [UNVRS] will take over from Privilege. We reached out to The Night League to confirm and they remain tight-lipped. However, the video very clearly shows a hulking pre-existing building under construction and that lattice sphere structure which is the dead giveaway for Privilege. Video Scene Privilege Closing Part of Teaser The grand opening of [UNVRS] will be for the summer of 2025. It promises to be the world’s inaugural “hyper-club,” backed by international entertainer Will Smith. With over 52 million views, the video above, set against the stunning backdrop of Ibiza’s Es Vedrá, has instigated global speculation and made international headlines. This campaign has been truly out of this world. Revealing the name with a viral sensation is just the beginning. Seeing so many media outlets, celebrities, and influencers engage with the story has been incredible and having the possibility to reveal the brand with such an iconic actor like Will Smith was a dream come true. Now that the truth is out there, we can’t wait to welcome everyone to our new universe in 2025 as we launch the world’s first Hyperclub. Yann Pissenem, Owner, Founder & CEO of The Night League CEO Yann Pissenem, behind [UNVRS], and Will Smith Introducing [UNVRS]: a revolutionary concept in nightlife entertainment. It will seamlessly combines the high-end service, luxury, and attention to detail of a nightclub with the infrastructure, scale, and ambition of arena events. With the visionary mind behind High Scream, Romain Pissenem, at the helm, expect mind-blowing production that will elevate the experience to new heights. Following in the footsteps of the world-renowned Ushuaïa and Hï Ibiza, [UNVRS] will redefine the standard for upscale entertainment venues. The groundbreaking concept continues to push the boundaries of entertainment. Currently they drawn over 1.5 million visitors each season to Yann Pissenem’s venues all over Ibiza. The addition of [UNVRS] will elevate Ibiza’s nightlife even further and set the stage for the next generation of entertainment and nightlife. Sign up here to get updates for [UNVRS]. Stay tuned to EDMTunes for all your latest news in the dance music world. The post The Team Behind Ushuaia & Hï Opening World’s 1st Hyperclub in Ibiza appeared first on EDMTunes.

Following successful exhibitions in Australia in the summer of 2023, Behind The Boosh 20, a photography exhibition by Boosh cast member Dave Brown, is coming back to the UK in celebration of 20 years since The Mighty Boosh first appeared on the telly box. ​Presented by Behind The Gallery at 2 Hoxton Street, London N, London, N1 6NG, from 10 – 13 October, Behind The Boosh is an up-close and personal look behind-the-scenes of the generation defining comedy. Dave was not the “official photographer”, just a friend/fellow troupe member who ultimately liked taking photos and always had a camera to hand (before everyone had a camera to hand!). The result is an extensive collection of images that are personal, natural and tell the story of the journey of an iconic comedy troupe that started in the late 90’s to become a hit TV show and globe trotting live tour. ​With an invite only preview night on 9 October, it opens to the public on 10, 11, 12 and 13 October with an Artist Talk with Dave being held on Saturday 12th at 12:30. Prints will be available to purchase at the exhibition or here. “I’m in total denial that it’s been 20 years since I donned a fake mullet and sprayed on the fake tan to play Joey Moose in Killeroo, the first episode of season 1 back in 2004. I had a Nokia brick phone back then, social media consisted only of Friends Reunited and MySpace, Franz Ferdinand were number 1 and Rich Fulcher had a perm. It’s been a while since I showed some Behind The Boosh pics to the UK fans! It’s gonna be great to get my monkey hands back into the dusty Boosh archives to find some old fan favourite classics but I’m also keen to show some never before seen moments from all the TV and Live shows. The exhibitions I had last year in Sydney and Melbourne blew me away, it was so great to meet a new generation of fan who’s older siblings and parents had handed their Boosh love down to them, I’m hoping there are a few new Boosh babies over here too but also great to see all the fans who still watch it late on a Saturday night with a Pott Noodle and a bowl of Coco Pops” ​Behind The Gallery Creative Director Stephen Dallimore said “The love The Mighty Boosh still has to this day, is comparable to legendary acts such as Monty Python and continues to draw together all fringes of society. Like in Australia, our aim is to provide fans with a memorable experience that will take people on a journey through time and space via Daves photography and create space where fans can hang out ​Dave, a university friend of Noel Fielding, has been a part of The Mighty Boosh from the beginning. The comedy brainchild of Fielding and Julian Barrett, Dave was integral to the Boosh’s imagery having not only played multiple characters in the show, he also designed tour posters, DVDs, set graphics and merchandise; compiled and designed The Mighty Book of Boosh; and had a hand in Boosh music and choreography. The post Behind The Boosh 20 – a photography exhibition by Dave Brown aka Bollo appeared first on Decoded Magazine.

Cash Only returns to DVINE Sounds, this time alongside Charlo to remix a UKG classic, Lenny Fontana’s ‘Spirit Of The Sun’, out on now ‘Spirit Of The Sun’ was originally released in the late 90s by iconic underground garage label Public Demand, responsible for pivotal anthems such as Craig David’s ‘Rewind’ and ‘Boo’ by Ms. Dynamite, to name a few. The Steve Gurley rework of Lenny Fontana’s original dominated the underground scene at the time and remains a firm favourite by heads in the know to this day. Now, DVINE Sounds party starter and club stalwart Cash Only steps up on remix duties alongside prolific studio engineer and burgeoning artist Charlo. Together the two combine their knowledge and respect for garage with their remix of ‘Spirit Of The Sun’, upping the tempo, dropping a speed garage-style bassline and carrying on the legacy of this legendary track. Check out footage of DVINE Sounds founder Sam Divine dropping the remix in Leeds, at the Defected Croatia DVINE Sounds boat party and at Defected Sydney at The Ivy with Low Steppa. You can also watch Sam Divine drop the track at Tomorrowland 2024 (at 1hr 56m), and there’s footage of Charlo dropping the remix at Boomtown Festival via his Instagram. Cash Only has been making a major name for himself as of late, delivering a concoction of driving house music along with Afro-inspired elements and a nostalgic nod to his UK garage and jungle beginnings in 1996. This has resulted in releases on Nervous, DVINE Sounds, Upcycle, Stashed and Electronic Nature, securing three top tens and a Top 20 on Traxsource while building steady streaming numbers on Spotify. Alongside a busy production schedule, Cash Only’s DJ diary has exploded this year, seeing him play all around the world at Ministry of Sound, The Ivy in Sydney, Defected Festival in Croatia and Malta, Miami Music Week and, for the second year running, Glastonbury Festival. With influences from almost every angle, his versatility as a selector keeps the ravers on their toes no matter what time of night or vibe. Charlo started his journey into house music at the early age of 14 while living in Spain, managing to secure his first residency at just 15 at Sisu & Cavali clubs in Marbella, supporting major artists like Disclosure, MK, Snoop Dogg, and Tiësto. Charlo’s now a regular performer on the festival and club scene across the UK, and in Ibiza and Marbella, and has performed guest mixes on major UK radio stations like Kiss 100, BBC Radio 1, and 1Xtra. In the last three years, Charlo’s been refining his production skills. He released his first single, ‘Anybody Out There’, on his label Peace Of Mind Records in 2016, which was premiered by Pete Tong on BBC Radio 1. This was followed up by a house version of Marvin Gaye’s iconic ‘Grapevine’ and a UKG-inspired single aptly titled ‘Dubplate 98’. Cash Only and Charlo’s remix of ‘Spirit Of The Sun’ by Lenny Fontana respectfully ramps up an underground UKG classic for the dancefloors of today. Having already shown what it can do on dancefloors, it’s well on course to be a major hit off-stage. The post Lenny Fontana’s UKG classic ‘Spirit Of The Sun’ receives huge remix appeared first on Decoded Magazine.

Circles Revisited Reboots by ADAM F MOBO Award-winning drum ‘n’ bass icon Adam F revisits his classic ‘Circles’, “one of the greatest tracks to ever come out of England”, out via 181 Recordings. The ‘revisited’ version of the 1995 track – which reached #20 in the UK Singles Chart – precedes the release of Adam F’s upcoming rework album, ‘Colours Revisited’. For this project, he’s completely re-recorded and revamped his 1997-released MOBO Award-winning debut album, including ‘Circles’, enlisting top drum ‘n’ bass and jungle artists for a series of further fresh ‘revisited reboots’. ‘Circles Revisited’ brings out the acoustic bass, jazzy saxophone, and synths in stellar style. The sub-bass and drum breaks are sharper than ever, with each ride, snare and hi-hat sounding distinct and crisp. Remarking on the incredible 29-year journey since its original release, Adam F reflects on how ‘Circles’ has become a cornerstone of UK dance music: “‘Circles’ is one of the first tracks where I could express my influences with no boundaries,” he says. “The music became known as Drum ‘n’ Bass but started off as hardcore Rave and Jungle. One of the greatest things about it for me was that I could express myself through that medium using all my influences; funk, soul, reggae and jazz – freely and unrestricted. “I was incredibly humbled when I heard Gilles Peterson endorse ‘Circles’ on a live gig as “One of the greatest tracts to ever come out of England”. Further proof came when I was sandwiched between Erykah Badu and Jamiroquai in Brazil and the audience was singing along with my set. I was truly humbled.” “My music has crossed three generations and still feels relevant to the people. I was inspired to know that Pink Pantheress was into my music and opened the door for us to go into the studio together to record ‘Break It Off’. This provided new impetus and elevated ‘Circles’ to the next level as it continues to touch new audiences.” Liverpool-born producer, musician and songwriter Adam F – real name Adam Fenton – found early success with ‘Circles’, alongside tracks like ‘Metropolis’, ‘Mother Earth’, and ‘F-Jam’, often drawing from influences in jazz, funk, soul and reggae. He’s been named one of the Top 5 Producers In The World by MTV, achieved seven Gold and four Platinum certified awards, and won Best Album for ‘Colours’ at the 1998 MOBO Awards. In 2001, Adam F ventured into hip-hop, co-producing Dead Prez’s ‘It’s Bigger Than Hip Hop’ with DJ Fresh, followed by the album ‘Kaos: The Anti-Acoustic Warfare’, featuring collaborations with LL Cool J, Redman and De La Soul. Shortly after the release of ‘Colours’, Adam F took a break from releasing his own music, launching – with DJ Fresh – record labels Kaos Recordings and Breakbeat Kaos in 2003. Breakbeat Kaos laid the foundations for staple names in modern drum ‘n’ bass, such as Chase & Status, Pendulum, Nero and DJ Fresh. True aficionados recognise the poignancy of this release. Drum ‘n’ bass heads, get stuck into this revitalised ‘Circles’ version and keep an ear out for more of Adam F’s reimagined, rebooted classics leading up to February’s ‘Colours Revisited’ album. Stream / Download here The post Adam F revisits ‘Circles’ for a modern makeover of the 1995 drum ‘n’ bass classic appeared first on Decoded Magazine.

Nightmares on Wax is thrilled to unveil the trailer for the mini-documentary Carboot Soul Live at The Royal Festival Hall, ahead of its full release on August 22nd, 2024. Directed by Pedro Takahashi and produced by Friend London alongside Fred Qvortrup, this documentary offers an intimate look at the creative journey behind the genre-defining, iconic album and two sold-out performances, at London’s Royal Festival Hall on April 19th, 2024. As Warp Records’ longest-serving artist, Nightmares on Wax, also known as George Evelyn, has consistently been at the forefront of contemporary music, seamlessly blending electronica, jazz, hip-hop, techno, dub, funk, and soul. The album Carboot Soul remains a cornerstone of N.O.W.’s genre-defining work, captivating audiences for 25 years with its timeless sound. This masterpiece features unforgettable contributions from musicians such as Chris Dawkin, Hamlet Luton, Bruce Wood, Robin Taylor-Firth, and Sarah Winton. The performances at the Royal Festival Hall celebrated the 25th anniversary of this iconic album, with Nightmares on Wax collaborating with The Outlook Orchestra to create an entirely new rendition of Carboot Soul, crafted exclusively for that night. The project brought together the visionary talents of Evelyn, Musical Director and award-winning composer Tommy Evans, and Matt Roberts, who oversaw orchestration and arrangement. The trailer provides a glimpse into the creativity and innovation behind this unique event, showcasing the reimagining of a classic album for a live audience. The full documentary, releasing on August 22nd, will explore the artistry, collaboration, and lasting impact of Carboot Soul. The post Nightmares On Wax unveils mini-documentary ‘Carboot Soul Live At The Royal Festival Hall appeared first on Decoded Magazine.

The festival season will start earlier than ever in 2025 as world-renowned drum & bass brand Hospitality launches a brand new venture, Hospitality Weekender, which will play out Friday 31st Jan – Sunday 2nd Feb 2025 on the South Coast at holiday resort Butlins in Bognor Regis. The essential three-day getaway will transform the legendary holiday resort into a utopian raver community where the drum & bass family can reunite for an escapist weekend soundtracked by more than 100 DnB artists across four unique stages. Tickets which are sold as accommodation groups go on sale Friday 30th August from weekender.hospitalitydnb.com. Following in the footsteps of seminal adult weekenders like Bangface and Southport Weekender, this three-day celebration will give the ravers the feeling of stepping into a one-of-a-kind and fully-dedicated Hospitality Drum & Bass village, with packages for the weekend starting at affordable prices. Expect indoor festival arenas hosted by the most renowned Drum & Bass brands, labels and sound systems with all subgenres from across the DNB spectrum represented by pioneers, legends, nu skool tastemakers and everything in between. Photography by Giulia Spadafora Music plays out from the afternoon until the early hours of the morning at which point dancers won’t have to trek back to a muddy field to find a tent, instead they can expect the comfort of on-site accommodation where they can shower and rest up after a long day of raving. There will be a range of options from premium hotel rooms to affordable self-catered apartments while the rest of the resort has everything needed on site from a mini-market stocked with food & drink at normal UK retail prices. There’s everything a rave would need to fuel themselves for an unforgettable weekend of raving with on-site pubs serving classic pub grub, bars, household name takeaways & restaurants serving a vast yet quality range of food. Hospitality is known for its musical innovation and inclusive atmosphere, offering a space where ravers from all walks of life can come together and build connections. Hospitality Weekender will be an affordable and unforgettable getaway where music, comfort, and the bass community unite to make some truly magic memories to get your year underway with a bang. Sign up now weekender.hospitalitydnb.com The post Hospitality announces brand new Weekender for epic start to 2025 appeared first on Decoded Magazine.

Reinier Zonneveld just dropped a bomb on this release Friday with his reimagining of the 2001 classic ‘Sunglasses at Night’ by Tiga & Zyntherius. The track has been a regular during Zonneveld’s unique and iconic live sets. This new take on the timeless classic ‘Sunglasses at Night’ is now available on Filth on Acid. ‘Sunglasses at Night’, originally released by Corey Hart, became an iconic hit of the ‘80s. The legendary 2001 remix by Tiga and Zyntherius gave the track an electronic twist. Thus turning it into a major hit in the electronic music scene. With an energy that was perfect for the dance floor, its appeal spanned generations, from those who remembered the original to those discovering it anew, driving the track to the top of the club charts. Now, legendary and acclaimed artists Tiga and Zyntherius, join forces with Zonneveld’s energetic techno sound, resulting in a dynamic reinterpretation that elevates the BPM and brings the song into 2024. Together they showcase how timeless hits can be transformed, making it appealing for today’s audience by placing them in a new musical context. This rendition continues to connect different generations much like Tiga and Zyntherius’ 2001 version did, blending nostalgia with modern trends. This new version of ‘Sunglasses at Night’ is more than just a remix. It’s a reinterpretation that captures the essence of the original while pushing it into uncharted territory. It’s a track that’s destined to become a staple in clubs and festivals around the world. What are your thoughts on this new release? The post Reinier Zonneveld & Tiga & Zyntherius – Sunglasses at Night appeared first on EDMTunes.

Two of EDM's biggest names, Tiësto and Afrojack, have teamed up for a new collaboration, "Light It Up." The track features MC Ambush, a New York-based MC who has worked with David Guetta, Hardwell, R3hab and many more dance music powerhouses. It comes with high energy from the very outset, its titular phrase pairing with unyielding lead synths before the producers unleash a vintage electro drop reminiscent of Afrojack's signature Dirty Dutch sound. The vigor continues until the break, its crashing waves turning into a gentle rocking for a brief intermission. The calm doesn't stay for long, though, as the arrangement builds into another drop sequence to bring the festival banger home. For Tiesto, "Light It Up" follows his genre-bending hit "Hot Honey" with Alana Springsteen. Afrojack finds himself equally as busy, recently teaming up with Pitbull and Ne-Yo to release "2 The Moon," a follow-up to their 2011 global hit "Give Me Everything." Listen to "Light It Up" below and find the new single on streaming platforms here. FOLLOW AFROJACK:X: x.com/afrojack Instagram: instagram.com/afrojack TikTok: tiktok.com/@afrojack Facebook: facebook.com/djafrojack Spotify: spoti.fi/2B06Di0 FOLLOW TIËSTO:X: x.com/tiesto Instagram: instagram.com/tiesto TikTok: tiktok.com/@tiesto Facebook: facebook.com/tiesto Spotify: spoti.fi/3dVvySo FOLLOW MC AMBUSH:Instagram: instagram.com/mcambush TikTok: tiktok.com/@mcambushh Facebook: facebook.com/mcambushofficial Spotify: tinyurl.com/5pxd8vf7

Billed as the "world's first hyperclub", owners The Night League have enlisted the help of Will Smith to tease the venue via a UFO-themed social media campaign Continue reading...

Festivals vendors are struggling with their businesses right now. As a matter of fact, traders are questioning the value of attending festivals as costs rise and events are being canceled. In 2024 only, at least 36 UK festivals were either postponed or shut down, according to the Association of Independent Festivals (AIF). In addition to that, increasing fees and commission demands are squeezing profits of the vendors, making it very difficult to make the experience a success. Emily Fields, a vendor who runs the Cornwall-based furniture restoration business The Fields, expressed frustration over the fees now imposed by festival organizers, calling them driven by “pure greed.” She noted that her earnings have significantly dwindled, and lamented how festivals have transformed from their earlier days into highly commercialized events. She has been attending festivals since childhood, and the changes she sees now contrast sharply with the more community-focused gatherings of the past. “They’re now making you use their card payment systems – you pay to rent the card machine, they then take a percentage of your takings and charge for the pitch.” A spokesperson for Glastonbury Festival stated that their system ensures vendors are fully aware of all costs before arriving at the site. Unlike many other festivals that have switched to a sales-based percentage fee for all traders, Glastonbury continues to charge a fixed fee, which is individually calculated for each stall. John Rostron, CEO of the Association of Independent Festivals, stated in June that the UK’s festival industry had hit a “regrettable milestone” and urgently needs more government support. He warned that their research indicates around 100 festivals may close by the end of the year, with even more at risk in 2025 if temporary financial aid is not provided. Stay tuned for more news! H/T : BBC The post Festivals Vendors Struggle as Costs Soar and Events are Cancelled appeared first on EDMTunes.