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A landmark bill preventing the use of artists' images, voices and likenesses without consent has been passed by the Illinois State Senate. HB 4875, signed into law by Illinois Governor J.B. Pritzker, formally enacts amendments to the state's Right of Publicity Act, which passed back in 1999 to require written consent for the use of an artist's likeness for commercial purposes. The revamped bill allows musicians, record labels and other rightsholders to sue parties using AI to generate and disseminate unauthorized digital replicas. The bill defines "digital replica" as a "newly-created, electronic representation of the identity of an actual individual created using a computer, algorithm, software, tool, artificial intelligence, or other technology that is fixed in a sound recording or audiovisual work in which that individual did not actually perform or appear." Senator Mary Edly-Allen advanced HB 4875, which had received bipartisan support since its introduction to the Illinois State Senate. "In the last few years, we have seen an explosion of AI tools and AI-generated content, often created and distributed without authorization," Edly-Allen said in a press release issued by her office. "While AI is a powerful tool with the potential to do much good, guardrails are necessary to protect artists and the general public." The scourge of AI-powered deepfake technology has emerged as the music industry's most explosive flashpoint, raising urgent questions and fears surrounding authenticity. Deepfakes pose significant, existential challenges for musicians, who are rightly concerned about the potential for their work, voices and identities to be exploited and repackaged in misleading ways. "As an indie artist, every song I make is a piece of my soul," added Dani Deahl, a DJ, dance music producer and Chicago Chapter Recording Academy trustee, who testified in the case. "House Bill 4875 is not just legislation—it's a shield protecting that soul from being mimicked and monetized by unauthorized AI. It guarantees that our identities remain uniquely our own. This law ensures that as technology advances, it does so with respect for our rights and our very essence as creators." The legislation is just the tip of the iceberg with regard to AI-related protections for artists, as the swift proliferation of unethical deepfake tech has led to swelling support beyond the state level. Led by Delaware Senator Chris Coons, a group of Congress members in July introduced the NO FAKES Act, which seeks to establish federal guardrails "to protect the image, voice, and visual likeness of individuals" from unfair use. The United States Senate Judiciary Committee's Subcommittee on Intellectual Property held a hearing on Tuesday, April 30th titled "The NO FAKES Act: Protecting Americans from Unauthorized Digital Replicas." "This bill would protect people from having their images, voices, or likenesses used to create digital replicas that say or do things they never agreed to or would never say," Coons said in his testimony at the time, per Tech Policy Press. "The bill accomplishes this broad goal in two ways: by holding individuals and companies liable if they produce an unauthorized digital replica of an individual's voice image or likeness and by holding platforms liable if they host or distribute an unauthorized digital replica if the platform knows the person depicted did not authorize it." HB 4875 was officially signed into Illinois law August 9th, 2024 and will be enacted January 1st, 2025.

The auction will be held on October 1 with all proceeds donated to The Tim Bergling Foundation, a charity founded in the name of the late producer Continue reading...

The two-day event, from Goldenvoice and Splash House, is taking place in Palm Springs this November Continue reading...

The venue explained that its rental agreement has been terminated Continue reading...

It's been a long, quiet year for fans of GRiZ, but those attending Burning Man will see that his creative flame has far from extinguished. Beloved for his funk-infused dubstep and high-energy live shows, GRiZ in June 2023 announced an indefinite hiatus from music, citing a desire to travel and spend more time with loved ones. "Life is really good, and often I make myself too busy to see just where I am and how far the project has come," he said at the time. "I'm following my gut instincts so for now, I’m not going to put a hard time limit length on the break... I'm excited to take time to travel, find fresh inspiration, write music and to be in a new headspace." But the hush has been suddenly, dramatically shattered with the news that GRiZ will be gracing the hallowed grounds of Burning Man's beloved Camp Questionmark this year. It's a big moment for the Rainbow Brain producer, who has remained steadfastly out of the public eye since announcing his hiatus. The lineup revealed this week via Camp Questionmark's Instagram page in a post that has since been deleted, but not before the sleuths at GRiZ's official subreddit captured a screenshot. According to the flier, which you can view below, GRiZ is scheduled to appear on Friday, August 30th as part of a slate that also features Diplo and Louis The Child. Other notable artists to perform throughout the week include What So Not, Maddy O'Neal, Equanimous and FLY. Camp Questionmark's official website now features a countdown that's scheduled to end on the afternoon of Sunday, August 25th. View the original article to see embedded media. Follow GRiZ:X: x.com/griz Instagram: instagram.com/griz TikTok: tiktok.com/@mynameisgriz Facebook: facebook.com/mynameisgriz Spotify: spoti.fi/3hEXfjz

The 250-page book will contain interviews, essays, features and photographs of Aphex Twin over the years Continue reading...

With record-high ticket prices, many music fans opted out of the live experience this year Continue reading...

Behind every superstar is a story of humble beginnings, and for some of the biggest names in EDM, their journey to stardom started with regular jobs like everyone else. From grocery stores to classrooms, these six EDM DJs hustled in everyday professions before making it big on the global stage. Here’s a look at their surprising backgrounds and the paths they took to become some of the most influential figures in electronic music. 1) Calvin Harris: Grocery Store Worker Before topping charts with hits like ‘Summer’ and ‘Feel So Close’, Calvin Harris was stocking shelves and scanning groceries. The Scottish DJ, born Adam Richard Wiles, worked in a local grocery store during his early years, earning just enough to scrape by while he continued to work on his music. Harris would spend his nights honing his production skills and uploading tracks to MySpace, which eventually led to his breakthrough. Today, Calvin Harris is a global phenomenon, with multiple Grammy Awards and residencies in Las Vegas. But it wasn’t always glitz and glamor—he started out like many of us, bagging groceries for minimum wage. 2) Steve Aoki: Waiter Steve Aoki, known for his high-energy performances and crowd-surfing antics, wasn’t always at the center of the EDM universe. Before headlining festivals and running his own record label, Dim Mak, Aoki worked as a waiter in Los Angeles. Juggling his job with his passion for music, he put in hours at the restaurant to make ends meet. Aoki‘s experience as a waiter likely helped him develop the strong work ethic that propelled him to success. His persistence paid off, and he eventually went on to become one of the most prominent DJs in the world, known for collaborations with artists like BTS and Kid Cudi. 3) Diplo: School Teacher Long before Diplo was playing packed venues and producing tracks for artists like Beyoncé and Major Lazer, he was teaching history to middle school students. The Grammy-winning producer, whose real name is Thomas Wesley Pentz, worked as a school teacher in Philadelphia. While teaching, Diplo was also dabbling in DJing and producing music on the side. Eventually, his passion for music won out, and he left the classroom behind to focus on his career full-time. Despite the career change, Diplo has often spoken fondly of his time as a teacher, crediting the experience with helping him develop patience and creativity, both of which have served him well in his music career. 4) John Summit: Accountant John Summit, one of the rising stars in the house and techno scene, didn’t always have his sights set on DJing. Before his music took off, Summit worked as an accountant in Chicago. His nine-to-five job involved balancing books and crunching numbers, but his passion for music never waned. After spending his weekends performing at local clubs and producing tracks, Summit decided to take a leap of faith and focus on his music career full-time. That decision paid off, as he quickly rose through the ranks with chart-topping tracks like ‘Deep End’, earning him a spot among the industry’s elite. 5) Kaskade: Mormon Missionary Before becoming one of the most respected names in electronic music, Kaskade, born Ryan Raddon, lived a very different life. He spent two years as a Mormon missionary in Japan, spreading the teachings of his faith. Kaskade‘s experience abroad helped shape his worldview and build his discipline, traits that have been instrumental in his music career. Upon returning to the United States, he pursued his passion for DJing and producing, eventually becoming a staple in the EDM scene. Known for his melodic sound and deep emotional connection to his music, Kaskade has since won multiple awards and performed at some of the world’s biggest music festivals. 6) deadmau5: Factory Worker Joel Zimmerman, better known as deadmau5, wasn’t always performing in front of massive LED screens with his iconic mouse head. Before his rise to fame, deadmau5 worked as a factory worker in Niagara Falls, Ontario. The monotony of factory life gave him the motivation to dive deeper into his passion for music production. Zimmerman spent his free time experimenting with electronic music and developing the sound that would later define his career. His perseverance paid off when his unique production style and innovative sound design earned him recognition in the global electronic music scene. Today, deadmau5 is a household name in EDM, known for his experimental approach and boundary-pushing performances. The paths to success for these EDM superstars were far from glamorous at first. They worked regular jobs, just like millions of people around the world, using those experiences as stepping stones toward their dreams. Their stories serve as a reminder that perseverance, passion, and a little bit of hustle can go a long way—even from the grocery store, the classroom, or the factory floor to the biggest stages in the world.

For their 17th edition, OSHEAGA Festival has once again succeeded with another momentous event. In a city where summer is embraced like no other, Montréal opened its arms to over 147,000 attendees from August 2 – 4 for three days of wonder. Through the lens of OSHEAGA Festival, festival goers from across the world got to experience Montréal’s finest music and arts culture in one place. Among the 90 exceptional acts that graced the festival stages, Montréal’s local talent shined the brightest, exposing attendees to the vibrant and talented artist pool the city has to offer. Of the standout performers, Montréal-based Sinca was one to watch, delivering an uplifting, groovy afternoon set to warm the dancefloor up. The Peruvian/Canadian producer quickly made a name for herself in 2021 after catching the attention of label industry leaders, Anjunadeep. Her single “Mancora” debuted on Anjunadeep Explorations 19, officially launching her artist career into the spotlight. Since her entry into music production, Sinca has fine-tuned her signature sound, creating a sonic identity of her own. Her unique style weaves elements of progressive and melodic house into her work, fuelled by rolling basslines and feel-good grooves – imprinting her own auditory identity that channels joy to any dancefloor. Crowned earlier as one of Dancing Astronaut’s 2024 Artists to Watch, Sinca has blazed into the year with unstoppable force. From releasing music on Lee Burridge’s All Day I Dream label, to working alongside UK progressive-house veteran, John Digweed to offer a fresh remix on the near two-decade old “Santiago”, her accomplishments have decorated the first half of the year with finesse, with more to come. Sinca’s afternoon OSHEAGA set heated up the Coca Cola stage dance floor, where fans were drenched in sunshine, soundtracked with sixty inimitable minutes of pure summer jubilation. Throughout the hour, her ease commanding the stage was manifest through a dose of funky record picks from artists like Natema and Monblaire, peppering in her own original productions including mainstays “Printemps” and “Made Up”, and even dipping into her ID vault to treat her hometown crowd. For those looking to relive Sinca’s glorious sixty-minute set, it’s available to stream exclusively on Dancing Astronaut’s SoundCloud. Featured image: OSHEAGA Festival Dancing Astronaut · Sinca – OSHEAGA Festival 2024 Set [DA Premiere] The post Premiere: Sinca dons groovy 60-minute OSHEAGA Festival daytime set appeared first on Dancing Astronaut.

Jessy Covets is back with "Monsters In My Head," an electro-pop track moonlighting as a descent into the abyss of the human condition. A versatile producer, DJ, singer-songwriter and multi-instrumentalist, Covets is no stranger to the electronic dance music world. She's graced the stages of EDC Orlando, Wakaan Music Festival and Colorado's iconic Red Rocks Amphitheatre and collaborated with NGHTMRE and Liquid Stranger, among other renowned producers. She's harnessed the energy of EDM in her new single but channels it through hauntingly catchy pop to deliver a stark, unsettling peek into her psyche. Her lyrics are a twisted embrace of the anxious thoughts that so often dominate our waking hours—an acknowledgment that even our darkest impulses have a grip on our mind that can become difficult to shake. Covets' tortured, crystalline vocals glide over a glitched-out backdrop in "Monsters In My Head," painting a vivid portrait of those internal demons and fighting off their commitment to consume her. "Always listening to the monsters in my head / Can't let them control me / But without them I'd be lonely," she plaintively intones, her voice dripping with a melancholic resignation. It's a lament that will be familiar to anyone who has struggled with anxiety or depression—the realization that even our most debilitating thoughts have become a sort of comfort. Check out "Monsters In My Head" below and find the new single on streaming platforms here. Follow Jessy Covets:X: x.com/jessycovets Instagram: instagram.com/jessycovets TikTok: tiktok.com/@jessycovets Facebook: facebook.com/jessycovets Spotify: tinyurl.com/bupdzw67

Justice have teamed up with the Soundwaves Art Foundation to offer electronic music enthusiasts the opportunity to own a one-of-a-kind work of art that gives back. You'd be hard-pressed to find a cooler philanthropic organization than Soundwaves, which raises money by developing and selling bespoke pieces of art from the recorded audio waveforms of songs. Turning tunes into triumphs for the greater good, the foundation has donated over $10 million to charities by working with over 700 musicians, including Outkast, Elton John, Dolly Parton, Pearl Jam and countless others. They've also collaborated with ODESZA, Flume, RÜFÜS DU SOL, Fatboy Slim and The Chemical Brothers, among many other illustrious electronic music acts. Soundwaves has now joined forces with the legendary Justice, who are fresh off the release of one of the year's best dance albums, Hyperdrama. The band's 2007 track "Genesis," the opener of their seminal debut album Cross, finds itself crystallized in the foundation's pioneering art format. Each print is both a tangible echo of the deeply influential song and a visual representation of its timeless French electro, which has redefined dancefloors for two decades. This isn't just about aesthetics, however. Autographs by Justice's Gaspard Augé and Xavier de Rosnay elevate these pieces into rarified territory, making them coveted items for collectors and music aficionados alike. The prints, of which only 50 are available, were signed ahead of the duo's show at the Brooklyn Navy Yard on July 25th, Soundwaves Director Jeremy Klitzman tells EDM.com. c/o Soundwaves Art Foundation c/o Soundwaves Art Foundation c/o Soundwaves Art Foundation This collaborative endeavor not only showcases Justice's musical prowess, but also harnesses the power of their sonic signature to drive positive change. All proceeds from sales of the prints will benefit War Child UK, a non-governmental charity "working to protect, educate and stand up for the rights of children caught up in war." The autographed prints are up for sale for $300. Unsigned prints are also available for $75 and each is signed by Soundwaves founder Tim Wakefield. You can purchase and find out more about the rare art pieces here. Follow Justice:Instagram: instagram.com/etjusticepourtous Facebook: facebook.com/etjusticepourtous Spotify: spoti.fi/2SEFlXM Follow Soundwaves Art Foundation:X: x.com/soundwaves_art Instagram: instagram.com/soundwaves_art Facebook: facebook.com/soundwavesart

Artist Ionne is thrilled to announce the release of his latest E.P., Right Foot Front, a project deeply rooted in the vibrant world of skateboarding. Inspired by a silent documentary shot by local artists Kulimushi Barongozi and Jisu Sheen at the Second Floor Hardware School in New Haven, the E.P. offers a sonic exploration of the skateboarding scene, blending elements of drum’n’bass, jazz, and lounge music. The documentary, available on YouTube, follows four New Haven skaters and captures their unique connection to the sport. Initially conceived as a four-track collection, the E.P. features the songs “Fly,” “Right Foot Front,” “A Kind of Dance,” and “Inducta,” each representing one of the skaters from the film. As the project evolved, Ionne added a fifth track, “From Afar,” reflecting his personal experiences observing skaters at local parks and immersing himself in the culture. Ionne’s journey into the world of skateboarding was guided by his friends J Joseph and Steve Roberts, both seasoned skaters. Roberts, the founder of New Haven’s Push to Start skate program, along with Joseph, co-founder of the Scantlebury Park skatepark, provided valuable insights that shaped the E.P.’s narrative. The advice to “keep your right foot front” became a metaphorical and literal guide throughout the composition process, leading to a thematic progression from observation (“From Afar”), to learning (“Fly”), to embracing the skate lifestyle (“Right Foot Front” and “A Kind of Dance”), and finally to mastery (“Inducta”). Right Foot Front initially started as a drum’n’bass project, but Ionne’s creative process led to genre-blending additions, such as the jazz-infused “From Afar” and the lounge-inspired “A Kind of Dance (Chill Mix).” These stylistic choices became integral to the storytelling, highlighting the diverse influences that shape the skateboarding community. The E.P. also features a lineup of rising vocal talents, including rapper Dogman Rukus, spoken word artists Egypt English and Ms. Latrice P. Young, and singers Lou Alexander and Kleidi Buroz. The track “Right Foot Front” includes a contribution from the rapper Preferably Anonymous, whose distinctive London accent pays homage to the UK jungle scene that heavily influences drum’n’bass. Ionne’s connection to jungle and drum’n’bass dates back to the 1990s U.S. rave scene, and this influence resurfaced in a defining moment at Edgewood Park in New Haven. As a DJ played a drum’n’bass set while skaters performed tricks, the mood for Right Foot Front was set, culminating in a project that celebrates both the energy and the artistry of skateboarding. Right Foot Front is available on all major streaming platforms on August 13th. Whether you’re part of the skateboarding community or simply a lover of innovative music, this E.P. offers a fresh, immersive experience. Stream https://open.spotify.com/album/0nuKfO7bbZycE2oVxAgWke?si=pjrvyJ1rRJWDIvXfEXgdrA Find Out More & Follow Website Instagram Facebook YouTube Spotify The post Ionne Releases New E.P. “Right Foot Front” – A Sonic Tribute to Skateboarding Culture appeared first on Electic Mode.

Back in May, American audio equipment manufacturer Sonos updated its app and it received a lot of criticism from its long-time customers. According to an article from Digital Music News, the update removed many features that have appeared on the app for several years. Some of the features the app removed include the “shuffle all” from the combined library, no more volume numbers, timers and alarms, and lack of EQ control. The unpopularity of the update later influenced Sonos CEO Patrick Spence to apologize and, a few days ago, the company confirmed layoffs affecting about 100 employees. The Reason Behind Sonos’ Layoffs The layoffs from Sonos also come while the company continues fixing the effects of the updates that arrived back in May. According to a post from The HR Digest, the multiple bugs, missing features, accessibility issues, and other malfunctions that came from the app’s update disrupted the general workflow of the various departments in the company. On the day of the Sonos layoffs, the 100 employees instantly lost access to their work. This meant that those employees were unaware until later that they were on the layoff list and got the sack by Sonos immediately. The latest layoffs from Sonos are not the first time the company has overseen a situation like this. In 2020, during the beginning of the COVID-19 pandemic, it had to let go of 12% of its workforce and then in 2023, it laid off 7% more. So far, the manufacturer has not laid out a plan that can get the app back going efficiently. The layoffs even prompted Sonos to halt two product launches so that the company could allow the developers more time to fix the app. There are also rumors that the app may return to its old version that many customers liked. CEO Patrick Spence then emphasized a goal towards improving the app to much more qualitative standards. The CEO said, “Continued commitment to the app recovery and delighting our customers remains our priority, and we are confident that today’s actions will not impact our ability to deliver on that promise”. The post Sonos Confirms Layoffs After Poorly Received App Redesign appeared first on EDMTunes.

Will Clarke, renowned producer, DJ, podcaster, and Grammy-nominated songwriter, announced the upcoming release of his debut album, Midnight Mass, set to drop on November 8, 2024, via long-term partner Armada Music. The album will be accompanied by an innovative live show concept, debuting in November in conjunction with the album release. “I’m tipping my hat to the sound that has defined me so far, but this collection of songs goes beyond just being suitable for a DJ set“, says Clarke, regarding the album. “I wanted each track to have a strong vocal presence and to work both in a club setting and for casual listening“. “Collaborating with unbelievably talented artists, who became close friends during the process, was the most important part of making this album. I hope that sense of collaboration shines through in the music.” Will Clarke Midnight Mass encapsulates music as a unifying force, both through fostering creative collaborations with fellow artists during the writing and recording process and through bringing people together on the dancefloor. Although he maintains a solo artist project, Will Clarke thrives on the synergy of collaborating with others. The thirteen-track album features collaborations with renowned songwriters such as Blythe, Hayla, Julia Church, Mitch Jones, Sharlene Hector, and Clementine Douglas. Tracks like ‘Weekend Love’, featuring the esteemed House Gospel Choir, highlight Will Clarke’s ability to blend casual listening with dance floor energy, paying homage to his signature blend of House and Techno while showcasing his songwriting talents. What’s coming next In addition to the album, Will Clarke will embark on a tour of major US cities at the end of the year, presenting his brand-new live show. The tour will be Will Clarke’s first venture into live performance and will be a cinematic experience spanning six cities across North America. In addition to the album, Will Clarke hosts the renowned ‘The Will Clarke Podcast,’ now approaching its fifth anniversary, boasting over 200 episodes featuring engaging conversations with industry leaders such as Carl Cox, Duke Dumont, Mochakk, London Grammar, and many more. In celebration, the podcast will make a special appearance at ADE this year, with more details to be revealed soon. Check out all the lifted singles so far, down below. Click here to pre-save ‘Midnight Mass’ (available on November 8, 2024). Tracklist : Summit feat. Georgia Meek Weekend Love feat. House Gospel Choir Pray feat. blythe Need Some Time feat. Hayley May Breakthrough Holding On feat. Sharlene Hector Set Me Free Memories feat. Georgia Meek Burn This City feat. JOSEFINA Breathe Again feat. Fractures Worship feat. Karen Harding Be My Baby feat. Hayley May You Alone feat. blythe The post Will Clarke Announces Debut Album, Midnight Mass, And More appeared first on EDMTunes.

In a career-defining move, Will Clarke has revealed his debut album, Midnight Mass, due out in the fall of 2024. A 13-track project that traverses the crossroads of house and techno, Clarke's upcoming effort will see him teaming up with a cadre of talented collaborators, including HAYLA, Blythe and Sharlene Hector. The album is said to serve as a testament to his evolving artistry, showcasing a heightened focus on profound vocal energy and meticulous songwriting. Thematically, Midnight Mass merges Clarke's signature club-ready production with rich, soulful melodies, offering fans a deeper emotional connection while still delivering the high-octane rhythm to which they are accustomed. Alongside the album, he will debut an "innovative" live show concept across six major North American cities, beginning in Los Angeles on November 22nd, according to a press release issued by Armada. Offering a cinematic experience that goes beyond a typical DJ set, the live production will complement the collaborative spirit and unifying force of the album itself. "I'm tipping my hat to the sound that has defined me so far, but this collection of songs goes beyond just being suitable for a DJ set," Clarke said. "I wanted each track to have a strong vocal presence and to work both in a club setting and for casual listening. Collaborating with unbelievably talented artists, who became close friends during the process, was the most important part of making this album. I hope that sense of collaboration shines through in the music." Midnight Mass is scheduled to drop on November 8th. You can pre-save the album here. View the original article to see embedded media. Follow Will Clarke:Facebook: facebook.com/willclarkedj X: x.com/djwillclarke Instagram: instagram.com/djwillclarke Spotify: tinyurl.com/56fcbh5x

Twin Peaks has always been a place where reality blurs with the surreal, and with his latest track, "Garmonbozia," Flying Lotus masterfully captures the series' same spellbinding essence. The new single conjures up the eerie atmosphere of the series' source material, leaving listeners in a hypnotic trance as they traverse its dark corridors. With "Garmonbozia," he ventures deep into the cinematic universe of the franchise, crafting a soundscape that feels as characteristically enigmatic as one would expect, and then some. Each sonic element in "Garmonbozia" is meticulously crafted, allowing the track to become a vessel for our own confrontations with pain and sorrow, much like the mysterious substance from the show from which it takes its name. The track brims with a plotting, grungy bassline that slithers through the mix, its presence both ominous and magnetic. As the bassline coils around the foundations of the track, FlyLo's own crooning vocal delivery emerges while swelling synths rise like dark clouds on the horizon, creating a sense of impending doom. Just when it seems the tension can stretch no further, otherworldly, mangled growls erupt, adding an additional layer of the producer's singular sound design. Hair-raising arpeggiated synths then seep into the soundscape, filling every shadowy crevice with a haunting charm. Listen to "Garmonbozia" below and find the new single on streaming platforms here. Follow Flying Lotus:X: x.com/flyinglotus Instagram: instagram.com/flyinglotus Facebook: facebook.com/flyinglotus Spotify: spoti.fi/2MpLC2J

The imprint is bringing some of its greatest talent on tour through the US and Canada. The iconic London-based record label, Anjunabeats, has just lifted the veil on the lineup for its eagerly anticipated After Dark North America tour this autumn. The tour sees a gathering of label favourites, both veterans of the sound and emerging talents. Anjunabeats, founded and nurtured by Above & Beyond, has rocked the Dance scene ever since the year 2000. Initially conceived as a platform for the trio’s own productions, the label swiftly evolved into a safe place for a diverse range of global talent. Over the years, Anjunabeats has played a pivotal role in launching the careers of esteemed artists such as Mat Zo, Audien, ARTY, Andrew Bayer, and many more. Anjunabeats After Dark NA The comprehensive lineup features Anjuna favourites and rising acts, starring Alex Sonata & TheRio, ALPHA 9, Amy Wiles, anamē, Andrew Bayer, Avenue One, Gabriel & Dresden, Genix, ilan Bluestone, Jaytech, Mat Zo, Naz, Oliver Smith, and SØNIN. In the weeks preceding Above & Beyond’s renowned ABGT600 milestone gig in Mexico City, the After Dark tour will make stops in Honolulu, Seattle, Los Angeles, San Francisco, Dallas, Boston, Montréal, and Toronto. These events will provide fans with the opportunity to experience the enchanting allure of Anjunabeats, whether they are preparing for the momentous event in Mexico City or simply relishing in the music within their hometowns. Check out the full lineup below, and secure tickets over here. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. DateCityVenueLineup9/27HonoluluThe RepublikAlex Sonata & TheRio – anamē Genix – Mat Zo9/28SeattleShowbox SoDoAlex Sonata & TheRio – Amy Wiles anamē B2B Genix Andrew Bayer B2B Oliver Smith10/4Los AngelesShrine Expo HallAlex Sonata & TheRio – Genix ilan Bluestone B2B ALPHA 9 – Mat Zo10/5San FranciscoThe MidwayAlex Sonata & TheRio – anamē B2B Genix Avenue One – Gabriel & Dresden Jaytech – Mat Zo – SØNIN10/11DallasSILOAmy Wiles – anamē Andrew Bayer – Genix10/12BostonRoyaleAmy Wiles – anamē B2B Genix Mat Zo – Oliver Smith10/17MontréalMTELUSAmy Wiles – anamē Gabriel & Dresden – ilan Bluestone10/18 TorontoHISTORYALPHA 9 – Amy Wiles – ilan Bluestone Naz – Oliver Smith B2B SØNIN The post Anjunabeats Reveals After Dark North America Tour Lineup appeared first on EDMTunes.

Thirteen years ago, Calvin Harris released “Feel So Close.” The song became one of the defining tracks of the early 2010s, while pivoting the evolution of EDM. As we look back on its release, it’s obvious that “Feel So Close” was more than just a hit; it was a cultural phenomenon that continues to resonate with listeners. By 2011, Calvin Harris was already a well-established name in music. However, “Feel So Close” marked a significant shift in his career. Unlike his previous work, where he often collaborated with other artists, Harris took center stage on this track, using his own voice in the song. This decision not only showcased his versatility as an artist, but also set the tone for a new wave of EDM that blurred the lines between DJ and singer. When “Feel So Close” made its debut, it quickly became a success. It was not just a reflection of Harris’ talent, but also an indication of a broader shift in the music industry. EDM was beginning to take over mainstream music, and tracks like “Feel So Close” played a crucial role in bringing the genre to a global crowd. Beyond its impact on the music charts, “Feel So Close” holds a special place in the hearts of fans. It’s a song that brings nostalgia for a time when EDM was on the rise, and the possibilities for the genre seemed endless. The track’s message of closeness and connection has remained relevant today, making it a timeless piece of music that continues to be enjoyed by listeners old and new.

Fans of the late Swedish DJ and producer Avicii (real name Tim Bergling) have a unique opportunity to own a piece of his legacy. A charity auction featuring a collection of Avicii’s personal belongings has been announced, with all proceeds going towards The Tim Bergling Foundation. The auction, organized by Stockholm Auction House (Stockholms Auktionsverk), will offer fans the chance to bid on a variety of items, including: Clothing: Fans can own a piece of Avicii’s personal style, with jackets, shirts, and other garments up for grabs. Musical Instruments: Instruments used by Avicii in his creative process will be available, potentially including synthesizers, keyboards, or studio equipment. Memorabilia: Unique items related to Avicii’s career, such as stage props, awards, or tour merchandise, could be part of the auction. The exact number and details of the items haven’t been revealed yet, but the auction is expected to be a major event for Avicii’s devoted fanbase. This initiative holds a special significance beyond owning a piece of music history. All proceeds from the auction will be donated to The Tim Bergling Foundation. Established in Avicii’s honor after his tragic passing in 2018, the foundation advocates for mental health awareness and suicide prevention, particularly among young people. The auction is a fantastic way to keep Tim’s memory alive and raise money for a cause that was close to his heart Klas Bergling, Avicii’s father and co-founder of The Tim Bergling Foundation. The auction will be held both online and in-person at Stockholms Auktionsverk. While specific dates haven’t been announced yet, interested fans can keep an eye on the auction house’s website for further details. This auction presents a powerful opportunity for fans to not only own a tangible piece of Avicii’s legacy but also contribute to a vital cause he passionately supported. By raising awareness for mental health and suicide prevention, Avicii’s music and generosity continue to inspire and make a positive impact even after his passing. The post Avicii’s Personal Items Hit The Auction Block for Charity appeared first on EDMTunes.

Mixmag and Burn Energy will be heading to Hungary this September, exploring Budapest’s burgeoning drum ‘n’ bass scene Continue reading...

Will Smith is creating fresh dance tracks in Ibiza while also playing a role in the launch of an innovative new club, leaving fans excited for both his own music and the broader future of nightlife on the White Isle. Amid the unending pulse of Ibiza's storied nightlife scene, Smith is quietly crafting a new chapter in his multifaceted career—this time, with a focus on dance music. Smith's recent releases, "Work of Art" and "You Can Make It," are his first singles in nearly 20 years and his recent time spent on the island suggests there's much more to come. The iconic actor and Big Willie Style rapper "has been spending time in Ibiza working on new music, drawing inspiration from the dance scene on the island," according to a press release shared with EDM.com. While Smith's musical endeavors are gaining momentum, his recent involvement in a headline-grabbing UFO stunt has also been making waves. The viral moment, which featured a mysterious "sighting" over the island of Es Vedrá, was revealed to be a cleverly orchestrated marketing campaign for [UNVRS], a new club set to open in 2025. Masterminded by Yann Pissenem, the club's owner and founder of The Night League and Ushuaïa Entertainment, the stunt saw Smith putting on his detective hat. In a playful nod to his Men in Black days, he embraced the role of UFO investigator. As it turns out, the UFO was nothing more than an ambitious drone, part of a larger-than-life vision to introduce [UNVRS] to the world. "This campaign has been truly out of this world," said Pissenem. "Revealing the name with a viral sensation is just the beginning. Seeing so many media outlets, celebrities, and influencers engage with the story has been incredible and having the possibility to reveal the brand with such an iconic actor like Will Smith was a dream come true." "Now that the truth is out there," he continues, "we can’t wait to welcome everyone to our new universe in 2025 as we launch the world's first Hyperclub." [UNVRS] is expected to open in 2025. You can find out more here.

We sat down with R3HAB at Unseen Festival in Bangkok, Thailand, on August 9, 2024, just before he took the stage. With the anticipation of his set in the air, we talked about his recent collaborations, including his latest track with Deorro, his upcoming release with Sophie and The Giants, and his experiences at Tomorrowland. As we caught up, R3HAB ’s down-to-earth insights gave us a glimpse into his creative process and what keeps him pushing boundaries in the world of electronic music. Here’s what he had to share. Welcome, and thanks for sitting down with me on behalf of EDM House Network. Can you tell us about your recent release with Deorro which was released on August 2nd? Deorro is a very cool guy and I love working with him. We wanted to try something uptempo and that’s how it happened. We’ve had a good record in the past and I thought we should try something new. It’s been really cool. It’s sort of going out of what you usually do right? Yes, we try to do new things. I think it’s a nice period in the music industry to experiment. I think a lot of people are experimenting and then you find something fresh so it’s nice. You have a release coming out on August 23rd with Sophie and The Giants via Universal Music. What can you tell us about that? Sophie’s vocals are great. This record is something that’s nice for listening instead of partying. I would say it’s in between, like a floater. I’m really excited about this one. I really love the hook on it and the melody of the accordion. You have a stacked and busy schedule with shows all over the world including here at Unseen Festival in Bangkok and you’re fresh off your Tomorrowland show. Some of the shows you have coming up are Dreambeach Festival in Spain, WKND Festival Finland, Smukfest Denmark, Mysteryland Netherlands, Ministry of Sound London, EDC China, Mega DJ Festival South Korea…you are going all around the world. Yeah the festivals are crazy. I’m collecting frequent flier miles. Speaking of EDC China, you must have heard we’re having EDC Thailand? I heard. It’s going to be nice, right? I like Insomniac doing different things around the world. I think they always have a good concept. What I really like is that they always focus on dance music. They’ve got such a wide knowledge of dance music and experience. I’m looking forward to it. Could you tell us a bit about your recent Tomorrowland 2024 set? I think Tomorrowland is very well done. When you look at the theme and the owner, they love dance music. They’re so experienced with it, and that’s why the festival is so good. They know how to program it and develop it. It’s difficult for a festival that goes on for 12 hours to keep it interesting for 12 hours but Tomorrowland does such a phenomenal job. And it’s always better with good weather. Speaking of Tomorrowland, what did you think of the stage this year? It’s beautiful. I was there in the night, the lasers, the lights and the moon was amazing. I was really impressed with everything. It was really impressive and I’ve seen a lot of stages. You also released a remix of DJ Snake and Peso Pluma’s Teka via Universal/Interscope, how do you feel about that? Snake is a legend and I love him. I think he’s very important in dance music because he’s done a lot of things that people haven’t done before. He’s inspired a lot. It’s always an honor to remix him. Is there anything you’d like to say to your Thai and International fans and to EDM House Network? I love coming to Thailand. It’s amazing. Every time I’m here, I feel like I should stay longer and every time I’m sad to leave. I’m actually excited to be back. Last year I was on vacation here, and I hope to come back on vacation soon. Love Thailand. Thank you so much for sitting down with me on behalf of EDM House Network. Thank you so much.

While uncovering and sharing set recordings is common in the Aphex Twin fandom, his latest performance might be his most exclusive yet. The enigmatic and deeply influential producer recently took over DJing duties at his friend's wedding, according to multiple reports. Whether or not he played "Cha Cha Slide," however, we're unable to confirm. Went to a friend's wedding reception last night and they had APHEX TWIN DJing! pic.twitter.com/nMHT14UaO3 — Heather (@_hthr_) August 17, 2024 Aphex Twin is often known for his unconventional, brazen approach to electronic sound design, but beneath his aggressive tracks lies some of the most beautiful, enchanting ambient music to ever hit the airwaves. These intoxicating melodies are, on the surface, perfect for a celebration of eternal love, but that was very much not the case. In footage shard by a wedding guest on X, Aphex Twin can be seen performing from a modest DJ booth with nothing more than a small projection screen behind him. Instead of family-friendly sounds and a heartwarming montage of the bride and groom, he opted for drum & bass with eye-popping visuals featuring his iconic distorted face, as seen on the album cover of 1996's Richard D. James Album. aphex twin playing his friends wedding party yesterday. (luke vibert also played). currently drowning in an endless sea of envy. pic.twitter.com/RjLZ0rLXI8 — babybera 🐻⛓️ (@babyberafinance) August 18, 2024 In addition to Aphex Twin, a wedding guest also reported that Luke Vibert took the stage alongside an undiclosed DJ from the record label, Future Retro. At the time of writing, no footage of these performances has surfaced. Follow Aphex Twin:X: x.com/aphextwin Facebook: facebook.com/aphextwinafx Spotify: spoti.fi/34xoFmQ

The Paris-born DJ and modern-day disco star had a massive season last year. After a string of strong releases, iconic performances (which included appearances at different elrow shows and nights at Amnesia Ibiza, where he played 8-hour long sets), and the debut of his successful side project Disco Dom, Dombresky’s ready to take another career-defining step. Last week, the man behind some of the best house music tracks of the last decade announced the debut of his very own label. Dombresky’s new label, called Process Records debuted its first track, ‘Heads High’ last Friday. Dombresky’s reached the highest point in the industry. At this point in their career, it is quite normal for artists to decide to create a project that works as a funnel for all the tracks and the material they’re constantly receiving. After years of performing at some of the best stages in the world, DJs develop the ability to know which type of tracks the crowd wants to listen to. And, if the DJ happens to be particularly good, they might even be able to foresee what type of sounds the people will like in the future. PRX, a Tribute to Clubbing Culture PRX, Process Records’s first collection marks a bold shift in Dombresky’s musical approach. It is focused on delivering high-energy beats created specifically for clubs. The goal? To keep dancefloors across the globe bumping all night long. Each track in the forthcoming series represents a commitment to pushing the boundaries of club music, crafted to elevate the energy and excitement. The label’s first release, ‘Heads High’ came out last Friday. It is a powerful, percussion-driven track that perfectly encapsulates the current sound of the Ibiza clubbing scene. Led by a sample of the track with the same name made by the Jamaican dancehall artist Mr. Vegas, it is the perfect tune to kick off what’s sure to be an exciting new project inside the industry. Stream ‘Heads High (PRX 001)’ by Dombresky out now everywhere! The post Dombresky Announces The Debut Of His Very Own Label: Process Records Along With Its First Release ‘Heads High’ appeared first on EDMTunes.

Opened in 1994, Privilege Ibiza quickly established itself as a monumental force in the world of Ibiza nightlife. With its immense capacity and eclectic mix of electronic music, Privilege earned its place in the Guinness World Records as the world’s largest nightclub. Boasting a dance floor that could accommodate up to 10,000 people and an impressive overhead dome that housed a massive swimming pool, Privilege offered an unparalleled clubbing experience. Over the years, however, the venue faced various challenges, including changes in music trends and shifts in the Ibiza clubbing scene. Despite its iconic status, the club struggled with maintaining its previous grandeur and eventually closed its doors in 2020, a victim of evolving tastes and the impact of global events. The legacy of Privilege still remains significant. It was more than just a nightclub; it was a symbol of Ibiza’s pleasure-seeking spirit and its status as a global party capital. The blend of extravagant design and high-energy performances made it a mecca for electronic music enthusiasts and an emblem of the island’s vibrant nightlife. In a bold move to reshape the nightlife landscape, the creators of Ushuaia and HÏ Ibiza are set to reimagine the iconic space during Summer 2025. The venue will be reborn as [UNVRS], the world’s first “hyperclub.” This ambitious project aims to merge the luxury and meticulous service of high-end nightclubs with the grandeur and scale of arena events. [UNVRS] promises to elevate the clubbing experience, combining cutting-edge technology with a high-energy atmosphere to create an unprecedented nightlife experience. As [UNVRS] prepares to take over the legendary space, it stands as a testament to the evolving nature of nightlife, blending the rich history of Privilege with a bold, futuristic vision.