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One of New York’s favorite DJs is returning to Brooklyn in September. The brand-new Brooklyn Storehouse will host Alesso and a stellar lineup on September 6th and 7th. Joining him on stage includes AC Slater, Westend, John Alto, and more. The venue holds a whopping 5,000 ravers. Alesso has been one of my favorite dance artists for almost a decade. Every time I see him he brings a new sound and vibe to his sets. But at the same time, he stays true to his old progressive sound and makes sure to send everyone home happy. Alesso promises to showcase a deeper catalog of underground cuts as part of his new house and techno project. He launched in April with his BODY HI performance on Coachella’s famous Do LaB stage. Alesso dropped an impressive Hypnotize EP earlier this year filled with heat. A few tickets remain for September 6th while the 7th is sold out. I recommend jumping on a ticket ASAP if you are trying to go because both will be sold out soon. The post Alesso To Take Over Brooklyn Storehouse In September appeared first on EDMTunes.

Amnesia Ibiza, the iconic nightclub will bid farewell to the 2024 season with two days of partying, featuring more than 30 artists and a B2B lineup from start to finish.This major and unique closing will take place on October 11 and 12 at the nightclub that has made history on the island and continues to do so. The Amnesia Closing Festival arrives intending to surpass its own limits. That’s why this year it adds an extra day for all those who want to feel the energy of Amnesia, multiplied. Amnesia Closing Festival Lineup Amnesia On Friday, October 11th, the lineup landed from the UK will be presenting in the Main Room: Ben Hemsley, Hannah Laing, Les Schmitz, and Malugi. Meanwhile, on the Terrace, people will dance with Claptone, Danny Howard, Sammy Virji, Sonny Fodera, and Jan. The real test for the bravest will be on Saturday, October 12, when something unprecedented happens on the Terrace. As the saying goes, unity is strength, and strength will abound with a B2B lineup from start to finish, featuring Adam Beyer B2B Marco Faraone, Cuartero B2B Manda Moor, East End Dubs B2B Mar-T, Londonground B2B Manu Desrets, Hot Since 82 B2B Rossi., Sidney Charles B2B Caal, and, repeating the success of the 2023 closing, the resident DJs of the iconic nightclub, Jamie Jones B2B Joseph Capriati, who will delight us with a Sunrise Extended Back to Back Set. As part of the deployment of its new brand identity, Amnesia has executed a total blackout on its social media, reinforcing the meaning of its own name with a powerful message: memories are overrated. The Amnesia Ibiza closing festival invites clubbers from around the world to forget everything to be truly free. These will be two days to focus on the present and nothing else. The season ends, and it’s all about leaving that last drop of sweat on the dancefloor, gathering all the energy of the crowd and the magic of the white island. Amnesia Ibiza Closing 2024 Tickets are available here. The post Amnesia Ibiza Announces Massive Closing Festival and Lineup appeared first on EDMTunes.

Following the announcement of a tragic death on the first day of Burning Man 2024, the Pershing County Sheriff's Office has revealed the victim's identity. Authorities on Monday identified the deceased as Kendra Frazer, a 39-year-old woman. She was pronounced dead on Sunday, August 25th after the event's emergency services personnel responded to a report of an "unresponsive individual" at 11:29am and unsuccessfully performed life-saving measures on the scene. The cause of Frazer's death, which occurred before the official start of Burning Man, is under investigation. Her next of kin have been notified. "Kendra’s cause and manner of death are still pending results of an autopsy and toxicology screening," Sheriff Jerry Allen said in a statement. "Our thoughts and prayers go out to Kendra’s family and friends." "Our thoughts and condolences go out to the family and friends affected by this loss," adds a statement released by Burning Man Project, the nonprofit that produces the annual gathering in Black Rock City. Burning Man Project says its Black Rock Rangers—veteran "Burners" who help participants and staff throughout the event—are available to provide peer support services at Ranger HQ (5:45 & Esplanade) and Outposts (behind the 3:00 and 9:00 Plazas). The same goes for Burning Man's Emergency Services Department's Crisis Support team, which can be reached at the ESD stations located at 5:15 & Esplanade and behind the 3:00 and 9:00 Plazas. Organizers expect over 70,000 people to attend this year's event on the playa. Burning Man began on Sunday, Aug 25th and will conclude Monday, September 2nd.

Disclosure‘s highly anticipated surprise set at Boiler Room London was cut short on Sunday due to safety concerns arising from overcrowding. The British duo were only five minutes into their performance when organizers were forced to intervene. The British duo were just “five minutes” into their set at Boiler Room’s latest World Tour event on Sunday, when organisers were forced to intervene amid overcrowding concerns. “It’s out of our control but the festival has deemed it unsafe for us to play due to crowd surges,” Disclosure shared in an Instagram story after leaving the stage. “ We won’t be coming back on, but hope to see you soon again London.” We worked really hard on the set for months… and are honestly heartbroken we can’t play Disclosure Boiler Room also issued a statement acknowledging the high demand and apologizing for the disruption. They assured fans that they would bring Disclosure back to London soon. Our secret guests, Disclosure, pulled a massive crowd in London today. We unfortunately had to halt their set due to such high demand—not their fault. Boiler Room While no injuries were reported, the incident highlights the ongoing challenges of crowd management at large-scale events. It’s worth noting that this is not the first time Boiler Room has faced such issues. A similar incident occurred at a Peggy Gou Boiler Room show in Seoul earlier this year. The cancellation has sparked discussions about the safety of electronic music events. Many attendees expressed their frustration and disappointment, questioning the organizers’ ability to manage crowds effectively. Some have called for stricter safety measures and improved crowd control strategies to prevent similar incidents in the future. Despite the setback, Disclosure managed to salvage the weekend by performing a pop-up DJ set at a record shop in North London. They also announced that they would be releasing the mix they recorded there online. The cancellation has undoubtedly left a sour taste in the mouths of many fans. We hope Boiler Room will address the issue and ensure the safety and capacity management of future events. The post Disclosure’s London Boiler Room Evacuated Due to Overcrowding appeared first on EDMTunes.

Surviving member Hubert ‘Boombass’ Blanc-Francard is set to play a one-off DJ set at the Paris Paralympics closing ceremony on September 8 Continue reading...

Zedd shrunk his stadium-sized spectacle into a synth-fueled sardine tin of euphoria over the weekend, turning a humble NYC bodega into a secret rave he called his "smallest show ever." Just 25 people shuffled into The Little Shop, a tiny corner store that lives up to its name in the South Seaport neighborhood of Manhattan. The bar was high thanks to MUNDO, whose renegade reggaeton and amapiano raves have been taking the Bronx by storm. EDM met ATM at the shop, the location of which had been kept secret as part of an elaborate scavenger hunt initiative hosted in partnership with 5 gum. Fans had to decipher a series of hints and clues on social media, then show up to receive a Zedd-branded, glow-in-the-dark pack of 5 gum, which doubled as their ticket. One attendee even said he camped out overnight to ensure access to the rare rave. The event's development took place over a period of 10 months, according to Maria Urista, Vice President, Gum & Mints at Mars. Her team, she says, set out to "deliver an extremely stimulating sensorial experience fans could get nowhere else" while celebrating dance music culture. "We kept coming back to the energy and excitement around secret raves, performances for a group of fans dedicated enough to seek them out," Urista tells EDM.com. "It's what led us to developing an underground event of our own, but adding the tension of hiding it in plain sight, with one of the genre's most recognizable talents, in a location where 5 gum can already be found." "From there, the toughest part to navigate was the ingenuity of our and Zedd’s fans—they dug into each clue we dropped so deeply, sharing theories with each other, and using some incredibly novel ways of piecing everything together," she continues. "We actually ended up changing our clues and the cadence of information we doled out in response to the fervent fan response." Zedd performing at The Little Shop in Manhattan.c/o 5 Gum The scene was surreal for those found themselves in Zedd's pocket universe. And the irony was palpable—a man accustomed to commanding crowds at the world's biggest festivals was now locked in a within-arm's-reach interplay with barely two dozen fans. Remember 5 gum's wild commercials? The ones that showed the world "how it feels to chew 5 gum," which apparently meant spontaneous levitation, the ability to taste colors and the uncontrollable urge to parkour? Crammed into a single narrow bodega aisle and dripping sweat as Zedd performed the most intimate show of his career, we finally understood what they meant. "This is just such a fucking unique experience for me," Zedd said at one point. "So I can't say 'thank you' enough because I never get to do this." Zedd performing at The Little Shop in Manhattan.c/o 5 Gum We experienced an exclusive nosedive into the stratospheric Telos, Zedd's first album in nearly a decade, which releases on Friday. As never-before-heard music and generational dance anthems like "Clarity" and "I Want You to Know" reverberated off linoleum floors, The Little Shop transformed into a hypnogogic dream where the ordinary collided spectacularly with the extraordinary. In this minuscule slice of raving heaven, he proved that true musical magic isn't measured by the size of the venue, but by the electricity shared between an artist and their fans. "It far exceeded my expectations and the energy and vibes were unmatched," said attendee Flo Patino. "From Zedd thanking us for being there, to talking to us, the new songs that haven't come out yet, everything was incredible—it felt like having a best friend in front of me playing. It was so beautiful that I got home, thought about everything that had happened and had teary eyes from the emotion because it felt like a once-in-a-lifetime experience." Zedd NYC Bodega Rave (0:56) The rave capitalized on 5 gum's long-latent goal of harnessing the energy of electronic dance music to appeal to their consumers, according to Urista. The partnership, she says, was the latest in the brand's mission "to be part of life's most thrilling moments" through music events and activations with beloved artists. "Music means so much to our consumers, and our product can be found at concerts, festivals and shows across the country—it’s only natural for our brand to look for ways to amp up that experience," Urista explains. After a number of compelling brand activations in the hip-hop world, like a unique jewelry collection featuring actual 5 gum chewed by Yungblud and a custom cassette track with J.I.D that only five fans could listen to just five times before the tape shredded, it was time. So they called on Zedd, one of the world's most influential electronic music producers. "We have wanted to play in EDM for years, and partnering with Zedd for this year’s campaign was a no-brainer," she continues. "His fandom and our audience perfectly overlap, he’s been creating some of the most thrilling music moments for more than a decade and he’s on the verge of releasing his first new album in almost 10 years—the perfect moment for the brand to celebrate." Fans of Zedd can pre-save Telos here. The album is scheduled to release on August 30th, 2024. Follow Zedd:X: x.com/zedd Instagram: instagram.com/zedd TikTok: tiktok.com/@zedd Facebook: facebook.com/zedd Spotify: spoti.fi/2CoYpk2

It’s almost time to come back to the house music capital. From the following 30th of August to the 1st of September, Arc Music Festival will return to Chicago for the 2024 edition. It won’t be just the music festival as Arc is also ready to host a series of afterparties that will let you dance all day and night long. The lineup includes the most in-demand artists from the house and techno scene, including ANOTR, Carl Cox, Charlotte de Witte, Sven Vath, and more. With this stellar lineup, some of the less famous names could come under the radar so, in this feature article, we would like to spot a light on the less-known yet super interesting acts that will play at Arc 2024. Here it is our 5 emerging artists you can’t miss at ARC Music Festival 2024 in Chicago. Azzecca Based in the city of Chicago, Azzecca has that sounds defiantly love. It is fast, it’s catchy, and it’s non-stop but has also some slower and melodic parts. Her 2022 single, Other Side, amassed over 11 M plays on Spotify alone. Out on Diplo’s Higher Ground, the tune immediately gained traction thanks to that stripped guitar sound on the breakdown that prelude to a fantastic energetic second drop. I personally love the juxtaposition between euphoria and darkness in music She was Beatport’s Radar Artist of the Month and landed Radio 1 support from Pete Tong in the form of spins and a 30-minute mix. She recently played at the Audioriver Festival Poland last July and, the full set is on her Soundcloud. We suggest to have a listen. DUNES OF DAWN It’s time to go a litter bit deeper and darker with Dunes Of Dawn. The duo rises from the underground with their hypnotic, minimal, and melodic sound. They are habitue of Insomniac’s Factory 93, having recently released the Rendezvous EP and they even appeared on Rotate Vol. 12. Known for their extended sets, it’s no wonder these two are on the rise. Their 2-hours set at an unknown location is proof of that. You can check it below. HOTPRETTY I don’t know if the name refers directly to the look of the duo or their music, but surely I would say their debut EP, Pure Play, is hot and sexy as well. Released just a month ago, the title track is a very energetic mix of pure emotion and fast beats. Hotpretty have even played a fantastic (and kind of funny given the setting) set for Elevator Music. If you like trippy and fast house music, they’re for you. Monty Kiddo “Fat & funky house music from my brain to you“. That’s what his Spotify bio says and we can trust, for sure. Just have a listen to his Upside Down EP. That fat and wobbling baseline packed with catchy and funky beats is everything. Last year he played alongside ANOTR delivering a more chill experience but, with some sparkle of energetic beats as well. We suggest having a look at his latest performance, available on Soundcloud, for Smoke & Mirrors, Chicago. VITIGRRL VITIGRRL (Hannah Viti) is a proud Chicagoan who believes in the transformative power of music to help us feel at home in our bodies. She started DJing in 2018, but her passion for music selection began years earlier at her college radio station. Viti currently holds residencies at the award-winning queer dance party Slo’ Mo and is the founder of I-94, a mix/event series that champions and uplifts the next generation of DJs and artists from Chicago and Detroit. Along with Lady D and Lori Branch, VITIGRRL established The Good Girls, a dynamic DJ collective combining four decades of musical expertise. They empower women, LGBTQ+, and POC artists with their mission to create inclusive spaces, promoting intentionality and equity through music, one dance floor at a time. Tickets for the ARC Music Festival are still available. The post 5 emerging artists you can’t miss at ARC Music Festival 2024 in Chicago appeared first on The Groove Cartel.

Mallorca Live Festival establishes itself as the most important cultural and musical event in the Balearic Islands via the experience, its commitment to placing Mallorca as the focal point of interest of the music industry throughout the week and its economic impact on the island. A total of 65,000 people visited Mallorca Live Festival on June 13, 14 and 15, enjoying performances from headliners including Blondie, Michael Kiwanuka, Pet Shop Boys and Underworld. Establishing itself as the most important cultural and musical event of the Balearic Islands with its seventh edition, the festival is also predicted to make an economic impact of over 12 million euros. Three days of international, national and local music A fantastic Debbie Harry owned the stage at the start of the festival leading Blondie, on their first visit to the island and back in Spain after a long time, and the audience euphorically received Mallorcan artist Rels B, who offered an impressive show at home. On this opening day, Dani Fernández revolutionised the venue and Love of Lesbian triumphed with their timeless anthems. The Bresh party and rhythms from around the world hosted by Sa Fonda Deià on Stage 4 – The Club Mallorca were other main acts on Thursday. The second day was marked by the rave spirit of the legendary Underworld, the pureness and class of Michael Kiwanuka’s live set and the energy of Lori Meyers’ infallible show. Friday’s eclectic line-up included a magical performance by María José Llergo, the madness of Shame and the Andalusian rock by Derby Motoreta’s Burrito Kachimba, as well as late-night dancing with the DJ set of 2manydjs and the visit of names as unique as Fab Morvan of Milli Vanilli, Spanish classic Los Manolos and drag queens to the fun Stage 4 – The Club Mallorca with Flexas as host. The grand finale to the seventh edition was Pet Shop Boys, who delivered the show that the island had dreamed of for years, and the long-awaited and spectacular show of Aitana, with both names filling the Stage 1 – Estrella Damm’s esplanade. Not far behind were the different rock musical exhibitions of Arde Bogotá, the avant-garde electronic music of The Blaze, the moving indie pop of Belle & Sebastian or the fantasy folklore of Rodrigo Cuevas. The Sunday Sunday party kept the crowd dancing for hours to names like John Talabot and Yu Su, and Jayda G provided the soundtrack as Sunday dawned at the venue. The festival’s impact In economic matters, the organisation predicts that the festival’s impact will be greater than last year and that in terms of the number of people who worked at the event, there will be an increase over the 2,100 workers in comparison to 2023. Even so, the specific number will come from a study that is being carried out by the University of the Balearic Islands with the impact predicted to exceed 12 million euros. Mallorca Live Festival establishes itself as a social and musical reference point event for the thousands of residents who, year after year, attend the festival. Once again, the project has become the main ambassador promoting cultural and quality tourism in Mallorca. All of this secured Mallorca Live Festival’s position as a boutique festival amongst the greats. The audience for this edition was divided between 68% of attendees from the Balearic Islands, 20% from the Peninsula and 12% international visitors. In this edition, the concept of a boutique festival was consolidated thanks to the access flow, mobility, fast service at bars, cleanliness, and rest areas. Each of these points has ensured that Mallorca Live Festival offers a satisfactory experience for its attendees. A sustainable stage Another important step the festival took during this edition in terms of sustainability was the implementation of a hybrid battery system in Stage 3 – Endesa (the festival’s sustainable partner), which made it possible to reduce the energy consumption of said stage, which in 2023 had emissions of 1. 41 tCO2. Happening! Market The design and food market of Mallorca Live, Happening! Market, was once again present at the venue with stalls and food trucks. Vintage clothing, bags, jewellery and crafts are some of the products that could be purchased in this area from local brands and businesses such as Nulina, Lebon, Flamingos, Sari Mallorca and Salvador4men&women and Lovers by SR, amongst others. Within the gastronomic offer, local products also had their place, such as the smash-style burgers prepared in ‘coca de patata’, a traditional sweet from Valldemossa, from Double Take. An assorted selection of foods from around the world and with vegetarian, vegan, gluten-free and lactose-free options were available in the market, the Chill Out area and Stage 1 – Estrella Damm. Radio 3 at Mallorca Live Festival The festival was broadcast live nationwide by the Spanish Public Radio music station Radio 3, which this year took to listeners’ homes the performances of the three days of the Mallorca Live Festival with hosts Nacho Álvaro ‘El Patillas’, Leyre Guerrero and Virginia Díaz.The broadcast featured live performances by Love of Lesbian, Shame and Dani Fernández, as well as the full and only concert in Spain by the international band Blondie. Stage 5 – Radio 3 once again hosted for three days the most interesting up-and-coming acts from the Spanish independent scene, such as Habla de Mí en Presente, Meeky (band selected by the station), Las Odio, Bum Motion Club, B1N0 or Sila Lua, amongst others. Friday and Saturday’s last dances at said stage featured El Patillas and Virginia Díaz on the turntables. IB3 with the Balearic talent During this edition and, for the first time, IB3, the Public Radio and Television Broadcasting Service of the Balearic Islands also had a set at the Mallorca Live Festival venue, which gathered different artists from the Balearic Islands included in this year’s lineup. As a public media outlet, IB3 wanted to give exposure to the musical talent of the islands, and that is why a streaming was carried out during each of the days of Mallorca Live Festival with interviews and audio fragments from concerts by artists such as: María Hein, Ultraviolet, Júlia Colom, The Ripples, El Cairo, Guille Wheel & the Waves, Caspary, Negre and Danïo. A document that can be seen on the IB3 YouTube channel and that will also feature a special Mallorca Live Festival program on IB3 Ràdio in the coming days with Joan Trias. MLF On the Road, the festival’s parallel activities This year, the Mallorcan event presented MLF on the Road, a programme of parallel activities that took music and culture beyond the venue. It started on May 15 with an event at the Gallery Red in Palma, followed by a very special party at Sa Fonda Deià on June 1. As a warm-up before the festival opened and in collaboration with the Palma City Council, the grand opening gala of the ‘Nits a Bellver’ concert cycle took place on June 12 at the city’s unique Castell de Bellver, with acoustic performances by Lori Meyers and Alanaire and a session by DJ Bruno Roth. The final stop was the celebration of the ‘Closing Party’ at the beautiful Balneario de Illetas on Sunday, June 16. The event was attended by sponsors and the festival’s organizational staff, who enjoyed the dreamy sessions by Arena Jäara, Paco Colombàs and one of Spain’s DJ duos of the moment, Mëstiza. 2024 Institutions and sponsors Mallorca Live Festival has had the support of Estrella Damm as main sponsor, Innside by Melià, Endesa (sustainable sponsor), Air Europa, Trasmed, Caixabank (strategic partner), Coca-Cola, Tanqueray 0.0., Logitravel, Pringles, El Corte Inglés, Goldcar, RCD Mallorca and See Tickets as official ticketing platform. Radio 3, Radio Mallorca Cadena SER, Mondosonoro and Jenesaispop have been the official media of the festival. In addition, Mallorca Live Festival has had the support of institutions such as the Government of the Balearic Islands – Conselleria de Turisme, Cultura i Esports through the Agència d’Estratègia Turística de les Illes Balears (AETIB) and the Institut d’Estudis Baleàrics (IEB), with the support of the Consell de Mallorca through the Fundació Mallorca Turisme (FMT) and the Department of Culture and Heritage, and the Calvià City Council. The post Mallorca Live Festival establishes itself as the cultural event of the Balearic Islands appeared first on Electic Mode.

Avicii stunned the world with his debut album ‘True’ that was an unquestionable masterpiece which meant when it came to releasing his second album ‘Stories’ expectations were high. Thankfully he lived up to those expectations delivering another album packed with incredible music with ‘For a Better Day’ being one of the highlights of the album. The track would initially be released as part of an EP alongside another track that would appear on ‘Stories’, ‘Pure Grinding.’ The song itself is classic Avicii with an excellent piano melody at the heart of the track, but the most important thing about this song is its message. The track speaks of making a change to achieve a brighter future and the message is shown in its extreme within the music video. The music video depicts a story of two children who have fallen victim to human trafficking but manage to escape and exact revenge upon their captures. This would be Avicii’s directorial debut, and he wanted to tell this story as he intended to start a louder discussion surrounding the problem of human trafficking. Both the song and the music video are inspiring in their message, giving the hope of a better day. ‘For a Better Day’ is an amazing song and was a bold statement from Avicii that he wasn’t afraid to speak his mind on issues of the world through his music. Since its release its wracked up over 250 million streams on Spotify making it the 3rd most streamed song on ‘Stories.’ In 2021 the song would make a return as the Royal Stockholm Philharmonic Orchestra would record their own version following the renaming of the Ericsson Globe to the Avicii Arena. The music left behind by Avicii continues to touch hearts across the world and the messages within the music will keep spreading to more ears to hopefully create a better day.

Prepare for an unforgettable summer with Opnot’s latest electrifying DJ set, “Opnot DJ Set 2024 – Medellín, Colombia.” Filmed at the renowned Audiowave Studios, this 28-minute high-energy performance set features a dynamic mix of all my productions released in the first 6 months of this year, delivering an unparalleled musical experience that promises to keep you moving from start to finish. Explain what musical genre fits you best House, Techno, Melodic Techno, EDM, Tech-House Were you connected with music from a young age and did anyone inspire you? Yes. A cousin´s boyfriend is a DJ and introduced me to this world at age of 8 What kickstarted your music career? I always have been very compromised with my career and i think the perseverance is what makes the difference Tell us more about your sound and how it’s evolved over time At a young age I was into hip hop. Later I discovered reggeaeton which made a big impact in my career. I always was looking for my own sound, producing all kind of genres and became more and more interested in the electronic music, and begin to explore. This exploration and experimentation is a very important step for me at the moment. Any words you want to share to encourage other artists or producers? Never give up, organise yourself, your mind and be constant. How do you nurture your industry relationships? I try to connect the most organic ways possible. I mean if you are working the connections happen. So go outside and find places where industry promoters are . Is there anyone you’d like to thank that’s been crucial to your journey? All the people in my life have been very important to learn. So im grateful for all people that have crossed on my path. Good and Bad, all have taught me a lot What’s your favourite piece of studio equipment or software? Software The Daw Ableton. Hardware I would say the Teletronix la2a compressor. Name your favourite club or festival and how it makes you feel I like Brooklyn Mirage a lot. Makes me feel free Favourite clubbing memory and who or what did it involve? New Years Eve in Salon Amador, Medellin. I danced a lot without worries What famous quote represents you best? “It’s not that I’m so smart, it’s just that I stay with problems longer.” Albert Einstein If you could play at any venue, where would it be and why? EDC, Sunburn, Untold….. because it’s the biggest crowd Music is….. (explain more) All, and all is music. All is Waves. One song you really couldn’t live without and why? Jalapeño by Opnot, because it represents me, and pray to jah. Namedrop your favourite 5 artists or DJs (past or present) 2pac, Bob Marley, Mozart, Beethoven, Paul Van Dyk and Opnot What was your first music memory and how did it fuel your fire? My family was in the music industry. My parents had a Club. So i remember all my life wanting to be musician. Tell us more about your plans for the future I will be touring the entire world sharing my music and the energy Any worldly advice you’d like to share? Keep dreaming always Follow Opnot Instagram | Tik Tok | Threads | Facebook The post Opnot Drops Exclusive DJ Set Video from Medellín + Artist Interview appeared first on Electic Mode.

Petit Biscuit has always been a master of evocative dance music, but he's outdone himself with his new single, "The Forest." The renowned producer collaborated with Maxime Chabroud, better known as the French YouTuber Amixem, to create the spellbinding song deep in a forest in just 24 hours. They then performed it live at the 2024 Beauregard Festival in the Loire Valley of France. "I never set myself any challenges (let alone time constraints) when it comes to composing, but when Maxime called me to create a track in 24 hours and then play it the same week at a festival, I immediately loved the idea," Petit Biscuit wrote on YouTube. "We had a lot of fun in the studio and on stage." View the original article to see embedded media. Out now via Écurie, "The Forest" is a testament to Petit Biscuit's ability to produce music that makes our most unshakeable emotions bubble up in just a matter of minutes. The haunting refrain, "It'll never come back / This feeling won't come back," echoes as a stark reminder of the fleeting nature of life's most precious moments. Driven by a propulsive house beat, the track seems to challenge fate, urging us to seize the day and savor every fleeting sensation. Just like most of Petit Biscuit's visceral music, it's a sonic embodiment of the ancient adage, "carpe diem." Check out the music video below and find "The Forest" on streaming platforms here. Follow Petit Biscuit:X: x.com/PetitBiscuit Instagram: instagram.com/petitbiscuit TikTok: tiktok.com/@petitbiscuit Facebook: facebook.com/petitbiscuitsound Spotify: tinyurl.com/2235vyvb

Marking its 17th edition in 2024, Les Plages Électroniques once again shone as a pristine Mediterranean dance music experience–and arguably Cannes' very best. Taking place from August 16-18, the festival's 2024 edition enchanted roughly 60,000 attendees over three days and nights. With a stellar lineup, 15 hours of nonstop music from 2pm until 5am and a festival site taken out of a movie set, there was nothing not to love. Torterolo Valentin Les Plages Électroniques takes place at a unique venue in the heart of Cannes, offering 360° views of the Mediterranean across an impressive seven stages. The radiant festival includes a variety of stages, like a daytime indoor club and one on the rooftop of the iconic Palais des Festivals. Attendees seeking some sun found themselves beachside on the Mainstage, which was soundtracked by some of dance music’s very best. Alex Martin Les Plages Électroniques' lineup was as impressive as ever this year, featuring headlining DJ sets from by oris Brejcha, FISHER, Kaytranada, Timmy Trumpet, Paul Kalkbrenner and Lost Frequencies, as well as special performances from French rappers Gazo and SCH. The diverse lineup also included Creeds, Stella Bossi, Apashe and EDM.com Class of 2024 star Sara Landry, among many others. The organizers of Les Plages Électroniques have already announced next year’s edition, which returns to Cannes from August 8-10, 2025. Blind Pass tickets to the 2025 edition are available for purchase here. FOLLOW LES PLAGES ELECTRONIQUES:Facebook: facebook.com/lesplages Instagram: instagram.com/plageselectro X: x.com/plageselectro

An investigation has been launched after the woman, identified as Kendra Frazer, was found unresponsive at the festival on Sunday morning (August 25) Continue reading...

The latest release from Mincer, “Mansion”, captures the emotional essence of finding home in unexpected places. Forced to leave his home country due to an economic crisis, Mincer found solace and inspiration in a new connection that brought comfort and joy. The production of “Mansion” was a six-month journey, pieced together in various locations from coffee shops to airports, reflecting the diverse experiences and emotions behind the song. With its uplifting energy and themes of love and positivity, “Mansion” stands out as one of Mincer’s most essential tracks to date. Introduce yourself and your project My name is Mincer and I’m a 27-year-old musician and producer with a Master’s in Software & Multimedia Engineering from Beirut, Lebanon. I’ve always loved electronic music, but I truly fell in love with it after watching the 2012 Tomorrowland aftermovie. Seeing how happy people were and the impact music could have gave me goosebumps. That’s when I knew this was what I wanted to do. I’m also one of the founding engineers at Fundbot, a Lebanese Fintech company. I began working on ‘Mansion’ in 2023 during a work trip to Istanbul, Turkey. ‘Mansion’ is one of many progressive house tracks I’m currently working on. It talks about finding home in unexpected places which is something I have been experiencing since 2020 after the tragic explosion in Beirut which forced me to leave the country. The goal of this project is to revive the joyful, euphoric sound of classic progressive house while adding a modern twist to appeal to a new audience. Explain what musical genre fits you best Good old progressive house from the golden age of EDM back in 2012-2013. Were you connected with music from a young age and did anyone inspire you? I began my musical journey at the age of seven at the National Conservatory of Lebanon. Initially, I disliked the instrument my father chose for me, which led to a brief hiatus from music. After a few years, I rediscovered my passion through electronic music, inspired by artists like Hardwell, Swedish House Mafia, Avicii, and Alesso. What kickstarted your music career? I never originally thought of music as a career; I was just doing it because I loved it. Then I started getting some local gigs, especially at university events, and people loved it. Seeing how happy it made them was priceless. And now, here we are! Tell us more about your sound and how it’s evolved over time When I first started, everything I made sounded like Trance, but it wasn’t great haha. After moving to Germany and learning more about production from different artists, my sound began to shift towards a Deadmau5-inspired style and progressive house, which you can hear in my album ‘SMFONIKA.’ A few years later, after a lot of experimentation, mistakes, and confusion, my sound evolved into what it is today, the sound I had been aiming for since the beginning, inspired by 2012-2013 Progressive House. You can clearly hear this in ‘Paradise,’ ‘Nirvana,’ and my latest single, ‘Mansion.’ Any words you want to share to encourage other artists or producers? Just keep going and keep adapting. There will be times when you feel like you understand everything, and other times when it feels like you don’t understand anything at all. It’s all part of the learning process. Whenever you feel like giving up, just pull up a track you made a few years ago and listen to it. You’ll notice your progress, and it will motivate you to keep going. How do you nurture your industry relationships? I try to place myself in environments where industry professionals are present. For example, DJLAB in Lebanon started as a small DJ store with a relaxed area where artists would frequently hang out. You’d be surprised at the amazing people you can meet there. Another effective way I connect with the industry is by collaborating with local artists. Is there anyone you’d like to thank that’s been crucial to your journey? Mostly, I want to thank my sister and friends for their unwavering support since day one, especially Moe. He’s also an artist, and we began this journey together at university, continuing to work on music together to this day. I also want to express my gratitude to DJLAB in Beirut for being like a second home and for providing countless opportunities throughout this journey. Name 3 songs you love and what they mean to you + Youtube links My all-time favorite Swedish House Mafia song is ‘Don’t You Worry Child.’ I can’t fully explain why. Maybe it’s the story, maybe it’s because it’s a musical masterpiece, or perhaps it’s just nostalgia and good memories. It gives me goosebumps every time. “Tom Odell’s ‘Another Love.’ The original is already full of emotion and really hits home, but when I heard the remix in one of Tomorrowland’s aftermovies, it made it ten times better. Alesso’s ‘Years’ brings back so many great memories from my teenage years. It’s a feel-good song full of hope, and every time I’m feeling down, this is my go-to. What’s your favourite piece of studio equipment or software? When it comes to VSTs, Serum is my go-to virtual synthesiser for every project. For hardware, it’s definitely the MicroFreak by Arturia. That thing is a piece of art, so portable, affordable, and it produces amazing sounds. It’s been a core piece in every performance of mine for the past year. Name your favourite club or festival and how it makes you feel Tomorrowland. Even though I’ve never been, watching the after movies always gives me goosebumps. It gives me hope for a better world when I see all those flags and everyone so happy and peaceful, just enjoying the music. Playing there would be a dream come true. It’s definitely on my bucket list. Name an outlandish rider request? I haven’t encountered many outlandish requests yet, but I did receive a request for both a flamethrower and a fog cannon from one of the acts at a low-budget festival I organized at university where we barely managed to get an LED screen for the performers. There was a good five seconds of silence before one of the organizers responded with a bewildered, ‘What?’ Favourite clubbing memory and who or what did it involve? Seeing Monolink in Istanbul was magical. I experienced it with a special someone the night before my flight back to Lebanon, after spending nearly a year and a half in Turkey. I even rescheduled my flight just to make sure we could see Monolink together and it was definitely worth it. What famous quote represents you best? “If someone else has done it then I can do it too. If no one has then I can be the first. If I can do it so can you” If you could play at any venue, where would it be and why? The Tomorrowland Main Stage is the ultimate dream for every electronic music producer, and it’s mine as well. I can only imagine how incredible it would feel to share my music and message with so many people who share the same passion for electronic music. It would be an honor to offer them a unique experience, taking them on a journey through my music and hopefully forming an emotional connection along the way. Music is….. (explain more) Music is like magic, an international language that everyone understands without needing to learn. Its impact on people is truly magical. I firmly believe that music has the power to heal, transform our moods, and uplift our spirits. Even after all these years, the more I explore music, the more curious I become to delve deeper. It has enriched my life in countless ways, and it would be an honor to bring that same joy and healing to others. One song you really couldn’t live without and why? You’ve probably guessed it by now… It’s ‘Don’t You Worry Child’ by Swedish House Mafia. It was one of the first tracks that made me realise electronic music was something I wanted to pursue for the rest of my life. Every time I listen to it, I still get goosebumps. The song also holds special significance for me because it was the last release by Swedish House Mafia before they disbanded in March 2013. Namedrop your favourite 5 artists or DJs (past or present) Above & Beyond Swedish House Mafia Monolink Deadmau5 Avicii What was your first music memory and how did it fuel your fire? As a Lebanese who grew up in the ‘90s, my first music memory is undeniably Fairuz. She’s more than just a singer; she’s a Lebanese icon. If there’s one thing all Lebanese people can agree on, it’s the timelessness of Fairuz. My parents used to play her music every morning when driving me and my sister to school, and those melodies became a core memory for us. While her style is far from the electronic music I’m passionate about today, Fairuz’s music is deeply ingrained in my cultural roots. Although I didn’t draw direct inspiration from her, I felt a strong connection to her songs and decided to put my own spin on them. That’s why I released a couple of Lo-fi remixes of her classics ‘Ana La Habibi’ and ‘Kifak Enta.’ Tell us more about your plans for the future I’m definitely planning to stick with Progressive House for a while, and I have a few new originals lined up for release this year and next. In the long run, I aim to push the boundaries of Progressive House by integrating even more advanced technology into my music and performances, creating immersive experiences that resonate with audiences on a deeper level, especially AI. I’m a bit of a tech geek myself. I also hope to collaborate with other artists and producers who share my vision to blend our styles and create something truly unique and innovative. I will definitely continue mentoring young artists, sharing the knowledge and experience I’ve gained over the years to help them navigate the challenges of the music industry and develop their own unique sound. Beyond the music itself, I aspire to contribute to the evolution of the genre, and hopefully influence the next generation of producers to keep the spirit of Progressive House alive. Any worldly advice you’d like to share? Don’t rush art. Nowadays, everyone seems obsessed with becoming famous overnight, and it’s taking the soul out of music. I’ve met so many people searching for shortcuts to ‘make it’ in the industry, and they’re missing out. The feeling you get when you find the perfect melody with the right chords, or when you release a track and people tell you how it makes them feel, that’s priceless. Mansion Is Out Now https://ditto.fm/mansion-mincer Follow Mincer Instagram | https://instagram.com/iammincer TikTok | https://www.tiktok.com/@iammincer Twitter | https://twitter.com/iammincer ​​ Facebook | https://facebook.com/iammincer​ Website | https://iammincer.com/ The post Lebanese Producer Mincer Unveils Brings Back The Euphoria Of Old Prog House With His New Single ‘Mansion’ + Artist Interview appeared first on Electic Mode.

MPH stuns with Refraction, his debut album, out now via Night Bass. In the sonic labyrinth of Refraction, the UK producer shatters genre boundaries like a prism splitting light. It's a shapeshifting beast, prowling the shadowy realms between garage's swagger, jungle's frenetic pulse and the quaking rumble of 140 dubstep. To that end, Refraction isn't just a display of technical skill; it's a journey through the evolution of UK dance music, reimagined through one producer's unique lens. The album stands as a testament to MPH's versatility and his deep understanding of the genres from which he draws, leading to a must-listen for fans of electronic music who crave innovation and experimentation. Highlights are everywhere in Refraction, which doesn't just push envelopes—it shreds them. In "My Mind," he beautifully blends brisk UK garage with soulful vocals, creating a haunting track that leaves listeners questioning where their minds end and the music begins. That walk-on-air delirium continues in "Lights On," a collaboration with Eloise Keeble and Night Bass founder AC Slater, before crashing back to earth with a blistering bass house drop. Elsewhere, MPH stuns with "Funk Master," one of the album's undeniable standouts. A stunning descent into 140 dubstep, it's a sonic rollercoaster built by a demented architect, plunging us through hairpin turns of writhing bass and warped, cinematic textures. The same goes for "Crowd Rolling," a jungle banger where loungey keys slink through frenetic drum patterns. Listen to Refraction below and find the new album on streaming platforms here. Follow MPH:Instagram: instagram.com/mph_uk X: x.com/mph_uk TikTok: tiktok.com/@mphuk Facebook: facebook.com/mphukofficial Spotify: tinyurl.com/kb5an64w

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As the pulsating energy of Tomorrowland 2024 swirled around us, I found myself in a quiet corner, face-to-face with one of electronic music’s most intriguing rising stars. Might Delete Later, with her warm smile and eyes that sparkled with creativity, immediately put me at ease. There was something refreshingly genuine about her presence – a quality that, I would soon learn, infuses every aspect of her artistry. As Might Delete Later began to share her story, I was struck by the beautiful simplicity of her concept: turning voicemails from strangers into electronic music that pulses with human emotion. It’s an idea born from the isolation of the pandemic, yet it has blossomed into something that connects people in ways I never imagined possible. As we chatted, I couldn’t help but feel a sense of wonder. Here was an artist who had found a way to make electronic music – often criticized for its detachment – into something deeply personal and touching. Her enthusiasm was contagious, and I found myself leaning in, eager to catch every word about her creative process. Might Delete Later full interview at Tomorrowland 2024 So I have to be honest, I didn’t know you before. But I was stunned in a good way by your production and your idea of music. You are like no other artists: you put out songs but you kind of engage with the public. So I wanted to ask how it all started, how you thought about this idea, and why electronic music in general, and not, maybe, another kind of type of music? Well, the thing is, I used to do a lot of what is called top lining. So I worked with Patrick Topping and those kind of guys. I’m still doing it, but a little bit less now especially during Covid. I felt really alone in the studio during that time and at some point I thought, you know what? I have to change something; I don’t want to make music alone anymore. This was the time when you could not go out. And so what I did was there was this book closet on our streets. And one day I put a sticky note, a yellow sticky note, just saying, “Hey, here’s a phone number call it if you want”. I went home and had no idea that anything was going to happen. Next thing I knew, a neighbor was calling: “So my apartment was flooded”, and then another girl said: “I’m not sure if I’m feeling it today. I’m feeling bad” so we started talking. These conversations somehow clicked and we came to an idea. A voicemail is something that we’ve forgotten about. Who uses voicemail these days? And I bought this single-use SIM card inserted into an old Nokia. And from then onwards. There’s always a Nokia in every story [laughing] And it’s so reliable. And yeah, right now I receive about 10 to 15 voicemails per day. Which is wild. Amazing as I think the fact that you interact with people on a personal level, that you can hear their voice it’s I thing that you won’t see normally. Yeah, sometimes I listen to those voicemails and I get goosebumps and I think “Did someone just say this openly?” Some people might draw comparisons between your work and that of Fred Again, who’s become quite famous recently, because of the voicemail in the songs. But you mentioned that you started during COVID-19, which seems to predate Fred’s rise to prominence. That’s interesting timing. Given your unique approach, how would you describe your musical genre? I’ve noticed elements of UK garage, tech house, and house in your music. I would say it’s very much house, but also very pop. Pop because every song evolves around the voicemail or the voicemail mixed with my vocals. But ultimately I just make whatever happens in my head. And mostly it is house and pop. But that’s not always the case; lately, I got so many, so many touchy voicemails that I had to make something slower from it. The main thing is that it’s mostly ends up being danceable. Something in between. You mentioned before that you were in the studio, so, are you kind of a hardware girl or more a software girl? Do you like to use a synthesizer or something like that? I’ve lately been a bit overwhelmed with the teenage engineering gear. So good. They’ve also been really nice to help me out with some awesome gear. So I think it’s in between. I also really love that I can take the voicemails with me on a bench in Amsterdam and just sit and do everything on software, but when you play some old prophet synths or something like that, you feel it. It’s really warm (the sound – editor’s note). Plus on the stage, we’re playing live with the modular. We like improvisation so a set is never the same. There are always different voicemails. There’s always a different modular. Now, let’s talk about the industry. We know that the electronic music environment is kind of male-oriented and there are a lot of male people on the top. How do you live being a female artist in a male-powered industry? To be honest, I have to. I have to say that sometimes it’s been a bit rough, especially because sometimes, especially when I was a top liner, you would enter a studio and the first thing they tell you is: “Oh, so you’re the singer?” I also am a singer, but I also produce. I always wanted to have a hold of all my tracks from start to finish, and that’s what I do. And still, it’s especially true when you go to the Amsterdam Dance Event, for instance. It’s a weird thing that there are so few women producers out there, but there are a couple, and they are amazing. I think it’s growing and we’re getting there, but it’s a rough place out there in terms of just getting the support you need. It’s a big competition. But I’m proud that there are so many amazing artists, especially at this festival (Tomorrowland) as well, coming out. And what about your production routine? I’ve seen you released an album but a lot of singles as well. What was the drive to it? What was the idea behind writing an album instead of another single? Well, first of all, it’s my own self-confidence. It’s just, I need to get some kind of a border where I can stop. But I feel that sometimes the voicemails that I get are in some kind of a time frame. They are often times related to what’s happening in the world. What is happening in those specific countries or in those specific languages? And I feel that a collection of singles makes like a complete package for that period in time. And so right now I’m actually working towards an album as well. I feel there is a set, there’s a theme, and that just needs to be put out and needs to be attached to a certain period so that later in 50 years, when I listen to this, I’m like “yep, that’s where we were. That’s how we felt”. Then that’s, and you’re going to play Tomorrowland in a couple of hours so what can we expect? So you told me before there are some new songs. Yes, there are. There are a lot of new songs. And actually, there’s one song that I made two days ago. I asked people on my social media to leave a voicemail if they would possibly want to end up being heard on the stage. And there might have been some that made it to my set. And also, I know for a fact that that person will be in the audience. You’ll have a live reaction out of it Yeah, exactly. Actually, I know his name because of Instagram. He told me he was going to be there. His name is Will. So big up for Will. And that’s actually why I’m making this whole music for that. There will be someone sitting at a cafe or being at that festival who’s going to be like: “Wait a second.” “It’s me”. Yeah, that’s fantastic. And last question. So as you receive voice mail, you put out this paper card that turns out to be environmentally friendly. You thought about 360 degrees on the whole process, including the fact that this thing could have an impact on the environment and how to tackle that. The thing is, we try to do the best we can. We have our own merch and we have these bags that we give only to those people who decide to order the flyers and merch around the world, and our flyers are made from biodegradable paper as well. And even the sticky stuff is made from recycled paper. The thought behind it is thanks to my art director Hime, who’s sitting here. He helps me enormously to make sure that we can pull this off together. But we really want to make sure that if we do make something, it’s the safest for the planet we can think of. It doesn’t mean that it’s easier, it’s a lot harder and a lot more expensive. But we just try to put out things that have the least impact that we at this stage can. Well, wonderful. That’s amazing. I hope you will have a great time at Tomorrowland. And we will be there for sure. As our conversation drew to a close, the anticipation for Might Delete Later’s upcoming set was palpable. The idea that someone in the audience might suddenly hear their own voice, transformed into music, sent a shiver of excitement down my spine. It was a reminder of the magic that can happen when art and life intersect in unexpected ways. Make sure to follow Might Delete Later on Instagram and all their social media. You can also check the full Tomorrowland set below. The post Let’s Talk About Might Delete Later appeared first on The Groove Cartel.

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It’s time for some real hard techno, shall we? Belocca and Heerhorst join forces for an exciting new release on Factory 93, ‘Flipping’. The tune, which is a mix of hypnotic beats and nonstop percussions, is another massive tune on Insomniac’s techno-driven imprint. The beat is fast, mysterious, and dark. The vocal perfectly merges with the techno vibes creating a narcotic feeling. The synth on the drop generates the right depth to bring Flipping on the bigger festivals. The breakdown slows down things, creating a sense of anticipation and relaxation before another heavy-hitting drop. This opposition of sounds, from cinematic and dreamy harmonies on the breakdown and eerie and obscure drums on the drop creates a unique feeling you can’t easily find in other tunes. Belocca and Heerhorst collaboration is out now on Factory 93 and it is called ‘Flipping’. Factory 93 will host stages on the major festivals worldwide in the next few weeks. They will take over Sonus 2024 as well as Decibel Open Air. The post Belocca and Heerhorst team up for ‘Flipping’ appeared first on The Groove Cartel.

Montréal’s summer isn’t winding down just yet—not if Piknic Électronik has anything to say about it. After a standout season featuring over 23 electrifying events, the UK’s Disclosure is making a triumphant return for a special one-night DJ set that promises to be one for the books. Set against the backdrop of Parc Jean-Drapeau’s island, OfF Piknic is pulling out all the stops with Disclosure headlining on Friday, August 30, 2024. Setting the stage for the night’s main event, UK dubstep trailblazer Hamdi will be on warm-up duties, followed by a back-to-back set from Montréal’s own crowd-pleasers, Guthrie and Lia Plutonic. This event marks the kickoff of the Labour Day weekend, transforming it into a dance-fueled spectacle that’s sure to light up the city. Since their last Montréal gig in late 2021, Disclosure has been on a tear, notching up new accolades along the way. Among their recent highlights: a scorching back-to-back session with Mochakk at Cercle Festival and dropping their highly-anticipated summer anthem, “She’s Gone, Dance On.” Tickets for Disclosure’s OfF Piknic performance are still available for purchase online, but they’re moving fast. Featured image: Venla Shalin/Redferns The post Disclosure makes one-night stop in Montreal for OfF Piknic show appeared first on Dancing Astronaut.

The first ever U.S. Edition of S2O Festival is less than a week away from splashing down this upcoming weekend in New York City. There’s no better place to be in the tristate area as this 2 day festival takes place during Labor Day Weekend on August 31st and September 1st at the Brooklyn Mirage. Known as one of the best festivals which takes place in countries such as Thailand, Hong Kong, Korea, and Taiwan, the anticipation for this event is at a high. S2O is set to revolutionize the U.S. festival scene with a one in a kind experience. Get ready for electrifying performances from a star-studded lineup, all while cooling off in S2O’s signature water-filled atmosphere. Tickets for S2O’s two day pass and Saturday single day tickets are sold out, with only a few Sunday single passes available. Be sure to secure your tickets here before its too late. One of the headliners bringing the heat on Saturday is none other than Timmy Trumpet who is coming off a massive performance, closing out Tomorrowland mainstage during weekend 1. With over 3 billion streams on Spotify, and collaborations with the biggest artists such as Armin van Buuren, Hardwell, Afrojack, Steve Aoki, Dimitri Vegas & Like Mike, and many others, the multi platinum artist is one of the explosive and entertaining DJ’s to watch perform in the past decade. Here are just some of the major milestones for Timmy in 2023: Massive following on TikTok with over 4.5 Million followers Ranked #6 on DJ Mag’s Top 100 DJ’s Headlined over 50 international festival brands including Tomorrowland, Ultra, EDC, Creamfields, Lollapalooza, Parookaville, V&B Fest, Electric Zoo, Air-Beat One, World Club Dome, and many more His breakout single ‘FREAKS’ has reigned in over a Billion streams ‘FREAKS’ has earned Gold and Platinum status in over 10 countries and is the highest selling single of all time on Ministry of Sound ‘NARCO’ hit #1 on the Spotify Viral charts in America with over 100 million social media views inside 7 days Appeared on Jimmy Kimmel Live and sat in with the house band, playing trumpet live for the entire episode First live instrumentalist and DJ to perform in Zero Gravity in a collaboration with the European Space Agency and Big City Beats We had the chance to speak with Timmy before his upcoming performance at S2O and see what he’s been up to in 2024 as well as talk about his future plans. For anyone that’s not familiar with your background, can you fill us in on how you got started playing the trumpet, and how that transitioned into dance music? I’ve been playing the trumpet for as long as I can remember—since I was big enough to hold it. My father taught me, just as his father taught him. It’s in our blood, a family tradition. I’m blessed to have inherited this magical instrument, and it means the world to me. The fact that I’ve built a career performing with it around the world still blows my mind, and I’m forever grateful for that. Transitioning into dance music was as simple as me jamming in my bedroom as a teenager. I’d listen to Daft Punk on the radio, start playing along with the melodies, and I thought, “Damn, this actually sounds pretty good.” I started experimenting from there, and the rest, as they say, is history. Congrats on your recent performance at Tomorrowland where you closed out mainstage during weekend 1, can you describe the emotions you felt and what you were thinking during the set? F*cking epic!! It’s been a dream of mine for a decade. The first time I went to Tomorrowland, I was just in the crowd, looking up at Dimitri Vegas and Like Mike on the main stage. I told myself I didn’t know what it would take, but one day, that would be me up there. It was a real moment where I had to pinch myself to believe it was all happening. After my set, I was physically shaking from the emotion. It felt like ten years of hard work and dreams were released all at once. It’s a moment I’ll never forget. Your live shows are legendary for their energy. What goes into creating such an electrifying atmosphere? I’ve got the greatest job in the world, so the least I can do is give it everything I’ve got when I’m on stage. The energy and love I feel from everyone out there remind me every day to pour my heart into every performance and never let anyone down. People spend a lot of money, save up, and even travel across countries to see me, so I never want to disappoint them. When I’m on stage, I become the monster they paid to see—and I absolutely love it. You will be performing at S2O at the Brooklyn Mirage Labor day weekend. This will be the first time the water festival takes place in the U.S., do you have anything special prepared for your performance? Absolutely, and it’s been a dream of mine to play Mirage too. It’s my first time as well as the first time for this S20. It’s the craziest party on Thailand – and that place is wild! I’ve got some tricks up my sleeve for this one, but you’ll have to come along to see what’s in store. Tell us about your new collaboration ‘Drumroll Please’ with GRAVEDGER. How was it working with him and what’s the story behind the track? He’s a beast! I love everything he does—it’s pure madness, and that’s exactly what I’m all about when I’m on stage. This track was all about creating a moment that I could play at every single show, capturing everything we both represent when we’re performing. I’m so happy with how it turned out. I play it in every set, and it goes absolutely mental, even if you’ve never heard it before. I love it. What do you have in store for the rest of the year music/touring wise? This summer has been wild. I’ve closed the main stage at so many of my favorite festivals in countries all over the world, and each show just keeps getting crazier. Our whole team has nailed it with the entire production, but as we head towards the end of the year, we’ll be focusing more on my own branded events, FREAKSHOW. Everything’s a little extra—extra SFX, extra pyro, extra production—and the madness never stops. I can’t f*cking wait!! The next FREAKSHOW in the states is at The Torch in LA. Such an iconic venue. It’s gonna be sickkk! The music industry can be demanding. How do you prioritize your mental health and well-being? Be as present as possible in every moment. It’s really demanding, especially with the travel. As I’m doing this interview, it’s my seventh show in nine days across seven different countries, and that can be tough. It’s especially hard on my team, who give everything they’ve got every single day to ensure I can do what I do on stage. When I have time off, I love spending it with friends and family as much as possible. I eat well, I go to the gym, I tell the people around me I love them, and I feel their love. That goes a long way to keep you grounded in the middle of all this chaos. Lastly, do you have a message you want to tell your fans. I F*CKING LOVE YOU GUYS!!! The post [Interview] EDMTunes Chats With Timmy Trumpet Ahead of U.S. Debut of S20 Festival in Brooklyn appeared first on EDMTunes.

Get ready for the ultimate experience as the people’s DJ, Le Youth, makes a powerful comeback! In excitement for his upcoming & EP release, Le Youth has unveiled his North American Tour this fall, featuring special guests. For those who have been following EDMTunes, it’s no secret that we are massive fans of Le Youth. He has been a force to reckon with in our Year of Tunes. Earlier this year, his electrifying track ‘Stay Still’ dominated our top 10 list. Wes has had a string of stellar releases this year, including ‘Golden’ and ‘every-little-part’ from the eagerly anticipated EP &. Le Youth is set to ignite the stage with unforgettable performances. Le Youth & The upcoming & EP and tour by Le Youth, will feature electrifying collaborations with emerging superstars from the This Never Happened Label. So far, we’ve been treated to mesmerizing collaborations with MYRNE and Otherwish as part of the seven-track EP. Wes is on a mission to push the boundaries of his sound and ideas, working with artists who share his passion for innovation. The highly-anticipated EP & will drop on This Never Happened this October, and you can expect captivating collaborations with Robby East, Hessian, and Ocula. This is a musical journey you won’t want to miss! & Tour With the upcoming EP comes a brand new fall tour. Starting in October, the tour will take you on a journey across North America. From the vibrant city of Indianapolis to the lively streets of Baltimore and Charleston, and culminating in the mesmerizing atmosphere of Portland. Join us as Le Youth brings a stellar lineup of This Never Happened artists on this unforgettable tour. Don’t miss out – check out the full lineup below and secure your tickets here. Stay plugged in to the latest news in the dance music industry by following our page. DateCityVenueSupport18 OctIndianapolis, INBlack CircleLexer19 OctKansas City, MOModLexer25 OctUrbana, IL Canopy ClubLexer26 OctMilwaukee, WIMiramarLexer1 NovBuffalo, NYElectric CityRobby East2 NovHamilton, ONClub 77Robby East8 NovBaltimore, MDAliceannaOtherwish9 NovRichmond, MDEmberOtherwish15 NovWilmington, DEThe QueenWarung16 NovDurham, NC The FruitMassane21 NovCharleston, SCMusic FarmWarung22 NovMiami, FLMad LiveWarung6 DecAlburquerque, NM Electric PlayhouseOTR07 DecOklahoma City, OKBeer City Music HallOTR13 DecDallas, TXIT’LL DOLuzi Tudor14 DecHouston, TXBauhausAyokay20 DecSalt Lake City, UTSkyShingo Nakamura21 DecPortland, OR 45 EastRinzen The post Le Youth Announces Exciting & North American Fall Tour appeared first on EDMTunes.

Mura Masa has always been ahead of the creative curve, but with his new album, the tenured producer is consciously forging a path inspired by his newfound independence. "Feels very different to be releasing a record this time around," Mura Masa said of Curve 1. "Being independent affords so much more control and connection to the work. I wanted to make something no frills, no cynical music industry narrative, no manipulative backstory. Just music that I think is really great and that people can gather around." Following 2022's Demon Time LP, Masa has returned with a collection of tracks that, in typical fashion, challenge the conventional limits of dance music. The album arrives with a handful of singles that have already proven themselves on the dancefloor, including "We Are Making Out," "Still" and "FLY," each of which reflect some of the many dynamic sides of his eclectic sound. The album opens with "Wherever I Want," a track that immediately sets the tone for the broader project's free-spirited flare. Frenetic vocal chops slice through the air, syncopated in a way that feels spontaneous yet perfectly orchestrated. As the breaks-style drums kick in, the arrangement takes off with a heart-racing pace, the perfect blend of hip-hop and dance music that makes for an exhilarating ride. Meanwhile, "We Are Making Out" takes the album in a darker, more sultry direction. With distorted vocal effects that echo through gritty basslines, the track creates an atmosphere thick with tension. In contrast, "Shuf (Adore You)," is a standout bursting with lightheartedness as playful, fluttery vocals dance over a backdrop of bright melodies and driving drums, leading to an organically uplifting moment while showcasing Masa's range. The album’s closer, "FLY," is a fitting end to a record that celebrates freedom and creativity. With yearning vocals from Cherish and modern, club-dominating synths, the track encapsulates the adventurous spirit of Curve 1. It doubles as a love letter to the fans who continue to support his career journey, especially as the producer traverses a critical creative juncture. Listen to Curve 1 below and find the new album on streaming services here. Follow Mura Masa:X: x.com/mura_masa_ TikTok: tiktok.com/@the_mura_masa Instagram: instagram.com/the_mura_masa Facebook: facebook.com/MuramasaMusic Spotify: spoti.fi/31auRUc