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It’s shaping up to be the summer of the sad dance ballad, with Kygo’s new tune ‘Without You’ featuring HAYLA out now. A refreshingly longer track at over four minutes, HAYLA’s bluesy singing is juxtaposed by Kygo’s signature melodic piano riffs. And while there’s not much of the Tropical House sound that launched Kygo into mainstream popularity, the uplifting progressive beats will have you belting along to the melancholy lyrics. ‘Without You’ gives us a taste of what’s to come from Kygo’s fifth studio album, releasing on June 21. Simply titled KYGO, the EP seems to be shaping up as a reflective of the Norwegian’s storied career, which began in 2013 after uploading his remix of Ed Sheeran’s ‘I See Fire’ and the 2014 single ‘Firestone’ featuring Conrad Sewell. 2024 has seen releases like ‘Whatever’ featuring Ava Max, which samples Shakira’s hit ‘Whenever, Wherever’ and ‘For Life’ featuring Zak Abel and Nile Rodgers. Kygo, whose real name is Kyrre Gørvell-Dahll, became the fastest artist to reach 1 billion streams on Spotify in 2015. He released his debut album Cloud Nine in 2016 and has since collaborated with major artists like Selena Gomez and Imagine Dragons. His accessible blend of pop and tropical house music made him a pioneer of the genre and his notable achievements include being the first house music producer to perform at an Olympic closing ceremony (Rio 2016), ranking 3rd on Billboard’s Dance 100 in 2018, and consistently placing in DJ Mag’s top 100 DJs. As the summer sun blazes on, Kygo’s latest track ‘Without You’ promises to be an anthem for the season, blending heartache with danceable beats. Listen below. The post Kygo’s ‘Without You’ with HAYLA Ushers in a Summer of Melancholy Dance Beats appeared first on EDMTunes.

The 18-track LP is set to arrive this month via Classic Music Company Continue reading...

When you picture a beach club in Tulum, drum and bass probably isn’t the first soundtrack you expect to accompany your mojito. For the last three years, a 170bpm speaker heist has taken Mexico by storm every March, with the mighty LOCUS festival flipping the script to put Tulum on the map for much more than house music, bougie holidays and Spring Break. The men responsible are Ritesh and Jigar Patel. As well as launching the first LOCUS festival in Tulum in 2022, they are also founders of ticketing platform The Ticket Fairy. With the support of this platform, they’re taking the LOCUS concept to Indonesia for the inaugural LOCUS Bali coming in hot in June. I caught up with Ritesh to find out what inspired his multi-stop ticket to world drum and bass domination. “Tulum was one of the only places in the world still open during the pandemic,” says Ritesh of the place he is dialling in from, palm trees waving through the window of his zoom screen. “I’ve been spending four months of every year in Mexico since late 2020.” “There are some incredible beach clubs, and festivals here in Tulum. There has been an electronic music culture here for a long while, even when the rest of the world was closed.” With outdoor venues still up and running, the vast majority of bars and clubs started using Ritesh’s Ticket Fairy as their platform of choice during COVID. It was an easy switch. The user-friendly platform provided a better experience for promoters and a loyalty program that drove engagement and revenue. There’s also a built-in resale function so no one can buy and resell for profit. “We built strong relationships with local operations crews, production people and promoters as they began to use Ticket Fairy,” says Ritesh. “During that process, I grew to know more about why Tulum was one of the top event destinations for house music in the world.” Crucially, Ritesh was aware that there has never been a drum and bass festival in Mexico, or in North, South or Central America, ever. “We saw an opportunity to create something brand new, to do something that had never existed before,” he says. “Tulum is the Ibiza of North America. People will always come here for house music. Why not expose them to music they haven’t heard before?” Ritesh and Jigar have certainly done that, reframing the luxe holiday destination of Tulum as a temporary haven for super sharpshooters and original nuttahs from around the world. Of course, this week in the sun has not been without its challenges. “This year we had noise complaints at one of our venues. We were supposed to be there for three days and another venue for two days. We had to move to the second venue, an incredible cenote, earlier than planned. It was very challenging to deconstruct everything mid-festival, but we made it happen.” The core of the success is engaging and working with the local community. “My Spanish is pretty rusty,” says Ritesh, “but we’ve got some trusted boots on the ground.” The community engagement element of LOCUS is crucial and goes beyond hiring locals to be part of his team. He offers tickets to locals at heavily discounted prices and feels a strong connection to the culture and country of Mexico, choosing to make it home for several months of the year. On June 14, Ritesh and Jigar are taking their tried-and-tested business model to Indonesia to introduce the world to LOCUS Bali. The brand spanking new venue, Luna Beach Club in Nuanu is Burning Man tribal meets beach club luxe in a futuristic development that spells bougie in every language. It’s going to be so satisfying to hear the filthiest tunes and most sublime liquid in such an idyllic session. Paradise means lots of things to lots of people, this is definitely how mine looks. Drum and bass originated in dark clubs with sticky floors, but I think we can all agree it’s nice to enjoy it in a fancy place with a margarita. It’s also a great excuse to book another holiday. “We were asked to launch the Ticket Fairy in Bali for the Nuanu development,” says Ritesh.“Luna Beach Club where we are hosting LOCUS Bali is just one part of this future-focused development, which encompasses multiple venues, including a residential component and a school.” “It’s a similar story to how we chose Tulum. I went there and realised I’d discovered a beautiful and undiscovered location for drum and bass, along with a strong connection to community and country.” “There’s a historical connection with Bali and drum and bass. Around 10 years ago Paradise in Bali was held, and there’s a passionate local DnB scene, with several crews working hard to grow the audience, such as Oraclesoundlab, and DJs such as Koyuki and Rizkycore.” “The venue for LOCUS Bali has been super supportive and is helping us with local logistics, making sure we do things correctly and respectfully. LOCUS’s job is to bring the best DnB DJs we can and create an amazing experience.” That brief has been well and truly nailed. LOCUS Bali’s second release lineup dropped as I was pulling this piece together. Adding the likes of S.P.Y, Harriet Jaxxon, The Upbeats, Degs, Makoto and Charli Brix to an already stacked lineup including Fabio and Grooverider, London Elektricity, TC, Pola and Bryson, Etherwood and Ivy Lab, LOCUS has made so many dreams come true. If the people weren’t flocking before, they would be now. A duo on the first lineup that came as a pleasant surprise for some people was Stakka and Skynet, who haven’t toured together in years. “I approached Skynet and asked if he would consider doing a comeback set,” says Ritesh. “I told him how much of a big deal their music was to me back in the day. We tried to make it happen in Tulum, but it didn’t work out. But we nailed it for Bali. It took a year and a half to sort out!” It’s a surefire bet that Bali will be filled with even more Australians than usual in the middle of June. Not to mention our drum and bass-obsessed Kiwis and our South East Asian brothers and sisters who are thirsty for a fix of 170 BPM. Not surprisingly the main patrons of LOCUS Tulum are largely from the states, but there are plenty of Brits and Germans who make the pilgrimage. “If we can get people to Tulum, then we can definitely get people to Bali as there’s such an amazing DnB scene in the region,” says Ritesh. As well as spending time in Mexico, Ritesh splits his time between Dubai and the U.S., but he’s originally from London. The LOCUS concept was bedded down in Bristol, where many iconic drum and bass projects came to life. Among other important partnerships that have made the success of LOCUS possible is the Ticket Fairy’s partnership with Sun and Bass. For those who have felt the magic of Sardinia and understand why September is a non-negotiable date in the drum and bass calendar, you may see some common themes in Ritesh’s production. As well as being their chosen ticketing platform, they are strong partners. “Sun and Bass are very supportive and connected to LOCUS,” he says. “We scheduled our two events very intentionally. The dates are purposefully staggered. If you want to go somewhere in European winter, you’ve got LOCUS Tulum. In June, if the southern hemisphere wants to keep warm, they go to LOCUS Bali. After that, everyone makes the pilgrimage to San Teodoro for Sun and Bass in September. There’s no scheduling conflict.” Every year, the fabled Sun and Bass festival sells out in minutes. It’s very hard to get a ticket. They’ve been in the business for decades and a lot of work has gone into building their allegiance. In another smart move, Sun and Bass have added LOCUS to their loyalty program, meaning if you buy a LOCUS ticket, you are one step closer to your golden ticket to Sardinia. “It’s the biggest compliment,” says Ritesh. “It’s rare that a festival would consider another festival’s attendees to be equivalent to their own. Sun and Bass is our sister festival and we are proud of that connection.” I’m curious to know where in the world Ritesh wants to stick his next pin as his next destination drum and bass concept. His answer surprises me. “Two festivals a year is enough,” he laughs. “I think we’ll stick to Mexico and Bali for now.” Tell your boss you’re taking a week off in June. Book your flight. Grab your bikini. Bag your villa. Decoded will be seeing you at the first LOCUS Bali on 14-17 June. Tickets here. The post Interview: Tulum is the Ibiza of North America – Ritish appeared first on Decoded Magazine.

The modular synth maestro will headline two events in Johannesburg and Cape Town Continue reading...

Cercle announced the first nomad musical structure of its kind in the world. This marks the start of a new era in live touring entertainment. Cercle Odyssey brings together music, technology, and new ideas to make an unforgettable trip for people all over the world. Cercle Odyssey: a 360° immersive concert where phones are not allowed The innovative idea changes the usual concert structure, going beyond limits and boundaries to create an all-encompassing sensory experience. My current obsession is to create the shortest connection between the music played by the artist, the video narrative that we will present live on the screens and the audience’s emotions. I want to connect these 3 things together at the deepest level and I believe this is still underdeveloped in the entertainment industry. If, by the end of a Cercle Odyssey show, I see people on the dance floor literally moved to tears, then I will consider it a success. – Derek Barbolla (Cercle founder and Creative Director) Cercle Odyssey will change the way people experience concerts. It combines live music with a new kind of visual storytelling in a 360° projection scene. This modern odyssey, based on the story of Ulysses, offers a multidimensional experience: Odyssey comes to each person, making them feel like they’ve accomplished a lot when they get home after a long trip. Visually, we will keep up and even transcend our very specific and unique Cercle signature. The videos will be real, human and natural. We feel that we need this sort of humanity in the content, in a world where we sometimes feel disconnected from nature, from Earth… We are actually going the opposite way of most of the visuals we currently see in the electronic music scene. We will be working with the amazing Neels Castillon as a film director and the narrative and visual structure of Cercle Odyssey will revolve around the universal quest of “returning home,” inspired by the adventures of Homer’s hero. A few characters will evolve through encounters, beautiful landscapes, and natural phenomena, which merge through a prism of vivid and intimate colors. Each concert will be completely unique, and will unfold like a living painting. – Derek Barbolla Neels Castillon, who co-founded Motion Palace, will be in charge of directing Cercle Odyssey’s videos. He will add his own unique style of storytelling to them. His work has a unique style and a deep understanding of art. It looks at how people relate to nature and its huge, unexplored areas. The lineup and the artists Cercle Odyssey will work with artists from a wide range of styles and backgrounds to make musical programming. Later this year, the acts that will play at Cercle Odyssey will be made public. Cercle’s set design is a work of engineering and creativity that combines cutting-edge technology with environmentally friendly materials. The scenography we created for Cercle, in its pure form, serves as a bridge between the event venue and the surrounding world, like a panoramic window onto the planet we inhabit. The monumental doors that comprise Odyssey transport us on a journey between dream and reality, between sky and earth, through space and time. – Victor Perrin & Samuel Chatain, RAINBOW, Scenography Studio No more LED walls; Cercle chooses projectors Cercle Odyssey The 2300 m² of huge projection screens that surround the crowd are a big part of how technically advanced the show is. These cutting-edge screens are 10 to 12 meters (40 to 40 feet) tall and 55 meters (180 feet) long. They are based on standard movie screens and show a changing set of high-quality 8K images that are perfectly timed with the music. Cercle Odyssey is unique not only because it uses cutting-edge technology, but also because it cares about the environment and rents out all of its sound, light, and screens locally. Cercle doesn’t have to move around a huge load of LED screens because they use 29 high-tech projectors instead of standard LED screens to light up the set. This cuts down on energy use and pollution from movement by a huge amount. The use of screens is also an impressive piece of technology. The team at Cercle seamlessly integrates these projectors to make an experience that is just as beautiful as traditional ways while leaving behind less of a carbon footprint. No phone policy To make sure that everyone in the crowd can fully experience what’s going on, phones are not allowed at all inside the set. This helps everyone feel like they are there and connected, which makes the experience stronger as a whole. As a farewell gift, though, each guest will get a box with videos from Cercle. In short, what’s Cercle Odyssey? What is Cercle Odyssey? A new nomadic concert structure blending live music with 360° projected visuals. What makes it unique? Immersive combination of music, visuals, and narrative storytelling in a panoramic environment. Who creates the visuals? Director Neels Castillon is known for capturing human/nature connections. What kind of music? Artists whose music resonates both audibly and visually. How is it sustainable? Local equipment rental and projector setup minimize emissions. No phones allowed? Yes, to allow full immersion. Filmed content is given as a souvenir. When/where is it touring? 2025 dates/locations TBA. Pre-register for early notification. The post Cercle Odyssey, the new 360° immersive concert appeared first on The Groove Cartel.

Despite some challenging mid-festival weather, Movement 2024 once again showcased why fans from all over the world descend upon Detroit year after year. The festival's producers, Paxahau, hosted another entry in the historic festival's saga over Memorial Day Weekend. While many of today's large-scale festivals feel like glorified selfie stations, Movement seems one of the few remaining events that's actually about the music. With a more mature crowd than the average fest, it was easy to get immersed in the sound without trains of discourteous people shoving you during every set or influencers doing influencer things around every corner. And speaking of the music, this compassionate, techno-loving crowd was rewarded with one of the finest lineups on the festival circuit in 2024. An attendee dancing at the 2024 Movement Festival in Detroit.Sylvia Jarrus The word "legendary" is overused these days in music circles, but over on the Movement Stage, attendees were able to witness headlining performances by some true electronic music legends. On Saturday, Solomun closed out the first night of Movement with a masterful two-hour set. Richie Hawtin took over the wet but energetic second night with a special live DEX EFX X0X performance while the big beat pioneer Fatboy Slim sent fans home with a smile with arguably the best set of the weekend. Also featured on this large concrete amphitheater were Dom Dolla, Stacey Pullen, LP Giobbi, Jaguar, Seth Troxler and many more. Fatboy Slim performing at the 2024 Movement Festival in Detroit.Katie Laskowska While the Movement Stage is clearly the "main stage," the Pyramid and Stargate amassed some of the largest crowds of the weekend. The former featured a unique, pyramid-like area right on the Detroit River, creating a large but intimate atmosphere with sets by Honey Dijon, DJ Minx, Kevin Saunderson, Floorplan, Carl Craig and the second Fast & Furious star of the weekend, Idris Elba. It was also the only stage to host curated stage takeovers on all three days of Movement. Elsewhere, the Stargate Stage was designed to feel like a block party inside the festival. With a long but narrow dancefloor next to the Michigan Labor Legacy Monument (should-be sci-fi movie prop), this stage had festival-goers the closest to the streets of Detroit with scenic views of the city. Chris Lake, Jayda G, Skream, Channel Tres, Masters at Work and Gorgon City had Stargate consistently overflowing into the festival grounds all weekend long. In a dark, damp corner beneath the festival's grounds, the Underground Stage delivered the heaviest sounds of the festival. Despite chilly weather above ground, shoehorned bodies in motion raised the temperature and enhanced the warehouse-ready sounds of Julia Govor, Speedy J, 999999999, Skin On Skin and EDM.com Class of 2023 star Indira Paganotto. Indira Paganotto performing at the 2024 Movement Festival in Detroit.Katie Laskowska While Movement primarily caters to fans of techno, the festival featured artists from plenty of other genres. The Waterfront Stage is where attendees could find most of them. Nestled right next to the river, this stage featured experimental bass from Claude VonStroke's alter-ego, Barclay Crenshaw, hours of drum & bass from Goldie, Special Request and more during the "30 Years of Metalheadz" stage takeover; and even hip-hop from Detroit native Tee Grizzley and hip-hop icon Ludacris. Dedicated to the birthplace of techno, the Detroit Stage featured a lineup comprising entirely artists from the Motor City. Fans here got to experience the sounds of Detroit by virtue of performances from Huey Mnemonic, Terrence Parker, DJ Cent, Fabiola, DJ 3000, DJ Psycho and more. Ludacris performing at the 2024 Movement Festival in Detroit.Katie Laskowska VIP ticket-holders were treated to elevated amenities at Movement Festival 2024, including a separate entrance that led you to a VIP section with a pop-up stage, various programming and exclusive vantage points overlooking the mainstage. It was a stellar option for fans looking for a more seamless and easygoing festival experience as the VIP section offered private bathrooms, a route through the back of Movement that wasn't surrounded by large crowds, and plenty of places to sit comfortably. About halfway through the second night of Movement, downtown Detroit got battered by severe thunderstorms, which caused the festival to evacuate and shut down. The gates opened back up around 10pm and organizers were able to keep the party going an extra half-hour past the scheduled close time. While the delay unfortunately led to some musical cancellations, Movement's organizers made it up in a huge way. All single-day Sunday ticket holders were granted free access to Monday's festivities in an effort to make up for the lost portion of the second night of the weekend. HEADS UP Sunday Pass Holders!⁠ ⁠ As a show of our appreciation for your patience and overwhelming support during yesterday's severe weather evacuation, we are excited to offer all Sunday pass holders free entry for TODAY!⁠ 🙌⁠ ⁠ 1/1 pic.twitter.com/6z9VckMKMe — Movement Detroit (@MovementDetroit) May 27, 2024 In addition to the music, Movement offered some art exhibits for fans to take in. Once again, the "Respect the Architects" exhibit was displayed in the old home of the Underground Stage beneath Hart Plaza, displaying portraits and biographies of many of the pioneering artists that helped techno become the international sensation it is today. As the sounds of Movement reverberated around you, it was a surreal experience to stroll between sets and learn about these historic artists while your feet were on the hallowed grounds of one of its most iconic stages. This combination of rich history and modern-day performers was the ideal way to understand just how much Detroit has influenced the music industry. You can learn more about Movement here. Follow Movement:Facebook: facebook.com/movementdetroit X: x.com/MovementDetroit Instagram: instagram.com/movementdetroit

Electronic dance music cruises have exploded in popularity in recent years, providing a unique and immersive festival experience for fans. Experiences like Holy Ship! and Groove Cruise offer voyages off both American coasts but for the thrill seeker looking to explore further from U.S. soil, Neonyx Cruises offers an unparalleled experience in the Aegean. Departing from Piraeus, Greece, these cruises explore stunning destinations like Mykonos, Çeşme, and Santorini. Neonyx cruises bring world-class DJs like Steve Aoki, Hardwell, NERVO, and Nicky Romero on board, transforming the journey into a floating festival that uniquely combines music and luxury. With three-day and four-day options, you can customize your experience to fit your schedule. Enjoy gourmet dining, a lively casino, and diverse sports facilities. Exclusive excursions, including beach parties, catamaran sails, and cultural tours, add an extra layer to the adventure. Meet the Goddess of the Night The Goddess of the Night isn’t just a ship; it’s a marvel of contemporary design and innovation. This 105,000-ton vessel, built in 2004, features 13 decks with 1,354 renovated cabins, accommodating up to 3,470 passengers and 1,068 crew members. Measuring 893 feet in length and 118 feet in beam, it cruises at 22 knots. The ship’s exterior showcases signature artwork by renowned artist Sake, adding a mesmerizing touch to its uniqueness. Upcoming Voyages NORA EN PURE: Mon. 15 Jul NERVO: Tue. 16 Jul, Sat. 20 Jul, Sat. 17 Aug DENIZ KOYU: Tue. 16 Jul CEDRIC GERVAIS: Tue. 16 Jul, Sat. 20 Jul STEVE AOKI: Wed. 17 Jul, Wed. 31 Jul, Fri. 16 Aug, Mon. 19 Aug SANDER VAN DOORN: Wed. 17 Jul, Sun. 21 Jul, Fri. 09 Aug PAUL OAKENFOLD: Thu. 18 Jul KRYDER: Thu. 18 Jul VINAI: Thu. 18 Jul SICK INDIVIDUALS: Sat. 20 Jul NICKY ROMERO: Sun. 21 Jul SUNNERY JAMES & RYAN MARCIANO: Mon. 22 Jul, Mon. 05 Aug MORTEN: Mon. 22 Jul, Mon. 05 Aug DJ CHUS: Mon. 29 Jul JOESKI: Mon. 29 Jul DVBBS: Wed. 31 Jul, Sat. 03 Aug, Sat. 10 Aug Learn more at neonyxcruises.com. The post This Cruise Line Features All Festival Cruises Through Greece appeared first on EDMTunes.

The footballer has teamed up with Casio on the project, aiming to “improve music education across the UK” Continue reading...

Adriatique has united with Austrian-Swedish pairing Solique for their new single ‘Changing Colors’ featuring singer-songwriter Also Astir out now via X Recordings. Over a sprawling 5-minutes, Adriatique and Solique let their percussive-heavy melodic techno take form. On ‘Changing Colors’, the pair of duos have beautifully balanced deeply rhythmic instrumental movements with airy backings for Also Astir’s ethereal vocals. The latest addition to X Recordings showcases the level of depth amongst the foursome as slow-burning builds turn to sophisticated breaks, keeping a steady pace to move dancefloors far and wide. Zürich creatives Adrian Shala and Adrian Schweizer have distinguished themselves with their forward-thinking sound and pioneering artistry. For over a decade, Adriatique has earned a reputation with releases on Afterlife, Rose Avenue, and Diynamic, and remixes of RÜFUS DU SOL, Swedish House Mafia, and The Weeknd. Adriatique launched their new label imprint X Recordings in 2023 with ‘The Future Is Unknown’. ‘Changing Colors’ marks the fourth release on X Recordings, following Adriatique’s collaborative Horizon EP with Undercatt and ‘The Echo’ with The Element MT. Based in Germany, the duo of Austria-born Julien and Sweden-born Can have gained recognition in the underground dance scene. Drawing inspiration from 90s house and techno, they’ve honed a hypnotic and introspective sound led by intricate rhythms, pulsating basslines, and emotive melodies. Their releases on Innervisions, LIFEFORMS, Applied Magic, MoBlack, and MoBlack have garnered support from acts such as Dixon, Black Coffee, and Agoria. Solique will support Adriatique at their upcoming Adriatique presents X live show at OFFSónar in Barcelona on June 13. Stream / Download here The post Adriatique unite with Solique on the new single ‘Changing Colors’ appeared first on Decoded Magazine.

Cercle announces a new era in live touring entertainment – the world’s first nomad concert structure of its kind. Cercle Odyssey is where music, technology, and innovation converge to create an unforgettable journey for audiences around the globe. The groundbreaking concept redefines the conventional concert format, transcending boundaries and limitations to deliver an immersive and multisensory journey. “My current obsession is to create the shortest connection between the music played by the artist, the video narrative that we will present live on the screens and the audience’s emotions. I want to connect these 3 things together at the deepest level and I believe this is still underdeveloped in the entertainment industry. If, by the end of a Cercle Odyssey show, I see people on the dance floor literally moved to tears, then I will consider it a success.” Derek Barbolla (Cercle founder and Creative Director) Cercle Odyssey redefines the concert experience by intimately blending live music with a new type of visual storytelling within a 360° projection panorama. This modern odyssey, inspired by the myth of Ulysses offers a multi-dimensional experience: Odyssey comes to each person, provoking that deep feeling of fulfilment upon returning home after a long journey. “Visually, we will keep up and even transcend our very specific and unique Cercle signature. The videos will be real, human and natural. We feel that we need this sort of humanity in the content, in a world where we sometimes feel disconnected from nature, from Earth… We are actually going the opposite way of most of the visuals we currently see in the electronic music scene. We will be working with the amazing Neels Castillon as a film director and the narrative and visual structure of Cercle Odyssey will revolve around the universal quest of “returning home,” inspired by the adventures of Homer’s hero. A few characters will evolve through encounters, beautiful landscapes, and natural phenomena, which merge through a prism of vivid and intimate colours. Each concert will be completely unique, and will unfold like a living painting.” Derek Barbolla Neels Castillon, globally represented by Ridley Scott Creative Group and co-founder of Motion Palace, will oversee the direction of Cercle Odyssey’s videos, infusing them with his distinct narrative style. The esteemed director is acclaimed for his ability to capture intimate and poetic moments in his films. With a distinctive aesthetic and keen artistic sensitivity, his work explores the human connection with nature and its vast, unexplored landscapes, making him a natural fit to bring Cercle Odyssey’s immersive vision to life. MUSIC AND SCENOGRAPHY In terms of musical programming, Cercle Odyssey will collaborate with artists from various genres and backgrounds. The hallmark of careful musical curation lies in the selection of artists whose compositions seamlessly blend auditory and visual elements. These artists are revered for crafting music that resonates acoustically and paints vivid mental landscapes. The artists who will play at Cercle Odyssey will be revealed later in the year. Cercle’s scenography is a marvel of engineering and imagination, blending cutting-edge technology with sustainable design. The scenography we created for Cercle, in its pure form, serves as a bridge between the event venue and the surrounding world, like a panoramic window onto the planet we inhabit. The monumental doors that comprise Odyssey transport us on a journey between dream and reality, between sky and earth, through space and time. Victor Perrin & Samuel Chatain, RAINBOW, Scenography Studio Central to the technical prowess is the 2300 m² of giant projection screens enveloping the audience. These state-of-the-art screens are 10 to 12 meters (up to 40 feet) high and up to 55 meters (up to 180 feet) long. Inspired by traditional movie screens, they showcase a dynamic array of high-quality images shot in 8K, meticulously synchronized live with the music. What sets Cercle Odyssey apart is not only the technical innovation but also its commitment to sustainability, due to all of the equipment (sound, light, and projectors) being sourced and rented locally. By opting for 29 state-of-the-art projectors instead of traditional LED screens to illuminate the scenography, Cercle eliminates the need to transport a massive load of LED screens. This drastically reduces transportation emissions and energy consumption. The use of projectors also represents a technical achievement. Cercle’s team seamlessly integrates these projectors to create a visually stunning experience that rivals traditional methods, all while maintaining a smaller carbon footprint. NO PHONE POLICY To ensure that every audience member can fully immerse themselves in the experience, phones are strictly forbidden inside the scenography. By disconnecting from digital distractions, attendees can focus solely on the emotive journey unfolding, allowing the music and visuals to transport them to new realms without interruption. This fosters a shared sense of presence and connection, amplifying the collective experience. However, as a parting souvenir, each guest will receive a folder of filmed content from Cercle. Cercle Odyssey 2025 dates and locations will be announced soon. Pre-register HERE to be the first to receive a notification. CERCLE Cercle is an artistic movement that hosts and curates experiences, events, festivals, a record label, and immersive musical journeys. At the intersection of music, aesthetics, heritage, and video, Cercle aims to create and produce innovative experiences on a global scale, highlighting unique artists on unique stages and fostering a new perspective on the cultural and natural legacy of our world. Cercle has produced over 240 events around the world to this day, including about thirty UNESCO World Heritage sites. The post Cercle announces the world’s first nomad concert structure appeared first on Decoded Magazine.

Beatport, the world’s leading music platform for DJs, producers, and fans, announced the debut of a first-of-its-kind human-curated playlist featuring music created by independent electronic music artists. The dedicated Best New Independent Artists playlist is created in collaboration with Beatport’s current independent artist distribution partners TuneCore, DistroKid, and Music Hub. It will highlight independent artists’ standout creations each week. It will also provides a featured platform for their music to be discovered by a global audience of DJs. By curating a dedicated space for independent electronic music artists, Beatport is not only providing a platform for discovery, but also ensuring that standout self-produced artists receive the recognition and compensation they deserve right away. While other platforms may struggle with the distribution of small payments to artists with fewer streams, our focus remains firmly on furthering the voices of inde-pendent creators and fostering a more equitable ecosystem for electronic music. – Raphael Pujol, Beatport’s Vice President of Global Curation The playlist: Best New Indie Artists In an industry dominated by major labels and established bands, Beatport understands the importance of supporting and promoting emerging talent. The Best New Indie Artists playlist will be the first of its kind to highlight indie artists. It will connect producers around the world to new audiences. The playlist has been created through a careful curating process led by Beatport’s internal curation team. Independent electronic music artists are urged to submit their songs to TuneCore, DistroKid, or Music Hub for consideration in the playlist and access to the Beatport DJ community. The Best New Independent Artists playlist is updated weekly. We launched our distribution partnership with Beatport last year which has since enabled TuneCore’s electronic music artists to unlock the direct pipeline between electronic music creators and the DJs placing their music into live sets and mixes. Beatport has become a vital medium for music discovery for our emerging artists, with 40 tracks reaching Beatport’s Top 100 chart since its introduction. Beatport’s Best New Independent Artists playlist recognizes and supports emerging indie electronic music artists by amplifying their music and providing additional possibilities to propel their audience development to the next level. – Andreea Gleeson, CEO of TuneCore The post Beatport presents new Curated plyalist for Indie artists appeared first on The Groove Cartel.

The internet is abuzz after an enterprising fan recorded and uploaded the entirety of Fred Again.. and Skrillex‘s impromptu San Francisco “rave” that took place this past weekend. The 3-hour back-to-back set from the superstar DJ/producers was cut short on Saturday night after hitting the city’s 10 pm sound curfew. But now fans everywhere can experience the full, uninterrupted event IN 4k. YouTube user realifejon has shared a video of the complete June 1st performance at Civic Center Plaza in crisp 4K resolution. The fan wielded their smartphone with the stamina and precision of a professional videographer, capturing the duo’s every transition and remix across 59 tracks. The set opened with the recently released “Sun Up” collaboration between Skrillex, Vigro Deep, Sarz, Burna Boy, and Amaarae before making its way through an incredibly diverse array of genres and artists. Highlights included Skrillex’s sizzling edits of classics like “Bangarang” and “Cinema,” hard-hitting rap remixes of Kendrick Lamar and Megan Thee Stallion, and world premieres of new Fred Again.. original tracks and collaborations with the likes of Four Tet, Future, and Anderson .Paak. The full 59-track setlist recorded by realifejon can be found below, complete with regular updates via a public link: Skrillex & Vigro Deep & Sarz & Burna Boy & Amaarae – Sun Up [OWSLA] Fred again.. – ID Skrillex ft. Sirah – Bangarang (ID Remix) [OWSLA/BIG BEAT] Lojay ft. Sarz – Monalisa (Skrillex Edit) ROSALÍA – A Palé (Gesaffelstein Remix) [COLUMBIA] Dog Blood & Josh Pan & X&G – 4 Mind [OWSLA] Lemon – Samaritan [ELDRUMS] Skrillex & Beam – Selecta [OWSLA/ATLANTIC] ID – ID Taylor Swift – Love Story (KH Edit) Fred again.. – Billie (Loving Arms) [ATLANTIC] w/ ID – ID ID – ID Kendrick Lamar ft. Jay Rock – Money Trees (AYYBO Edit) ID – ID Baby Keem ft. Kendrick Lamar – vent (Fred again.. Edit) Fred again.. & Skrillex & Four Tet ft. Lil Baby – Baby Again.. [OWSLA/ATLANTIC] Steve Angello & Sebastian Ingrosso – Skip [SUPERHUMAN] AHADADREAM & Priya Ragu & Skrillex ft. Contra – TAKA [MAJOR RECORDINGS/FFRR] Skrillex – ID Justice – Phantom Pt. II [ED BANGER] ID – ID Fred again.. – Danielle (Smile On My Face) [ATLANTIC] Skrillex ft. Bobby Raps – Leave Me Like This [OWSLA/ATLANTIC] Fred again.. & Swedish House Mafia ft. Future – Turn On The Lights Again.. [ATLANTIC] Benny Benassi vs. Jeremih – Cinema Oui (Benzi X Skrillex X BryceM88 Edit) [ULTRA] Skrillex & Fred again.. & Flowdan – Rumble (KOHMI Remix) [ATLANTIC/OWSLA] Fred again.. – Jungle [ATLANTIC] Skrillex & Starrah & Four Tet – Butterflies [OWSLA/ATLANTIC] Skrillex & Boys Noize ft. Opus III – Fine Day Anthem [OWSLA/ATLANTIC] JOYRYDE & Skrillex – ID w/ Headie One – Both (Acappella) [RELENTLESS] w/ Megan Thee Stallion – Body (Acappella) [300 ENTERTAINMENT] Joy Orbison – Flight FM [XL] w/ Lil Yachty & Future & Playboi Carti – Flex Up (Acappella) [QUALITY CONTROL] Skrillex & Fred again.. & Flowdan – Rumble [ATLANTIC/OWSLA] Skrillex & Hamdi & Taichu – Push [OWSLA/ATLANTIC] ID – ID w/ D12 – Purple Pills [INTERSCOPE] Kendrick Lamar – HUMBLE. (Skrillex Remix) (Live Edit) [TOP DAWG] Skrillex ft. Nai Barghouti – XENA [OWSLA/ATLANTIC] AHADADREAM & Priya Ragu & Skrillex ft. Contra – TAKA (VIP) [MAJOR RECORDINGS/FFRR] Anderson .Paak on Stage Fred again.. & Anderson .Paak ft. CHIKA – places to be [ATLANTIC] ID – ID Fred again.. & Obongjayar – adore u [ATLANTIC] ID – ID Frank Ocean – Lost (Pacoussa Remix) [ISLAND DEF JAM] DJ Nardini & Jhona! – Xerecation [SELF RELEASED] Fred again.. & Lil Yachty & Overmono – stayinit [ATLANTIC] Space Laces – Dominate (VIP) [HIGH VAULTAGE] w/ BrEaCh – Jack (Acappella) [DIRTYBIRD] Firebird vs. Fred Baker – Bipolar [ITWT] Jack Ü ft. Justin Bieber – Where Are Ü Now [ATLANTIC/MAD DECENT] India Jordan – For You [LOCAL ACTION] Skrillex & PEEKABOO & G-REX & Flowdan – Badders (VIP) [OWSLA] Romy & Fred again.. – Strong [YOUNG] ID – ID ID – ID Skrillex & Sleepnet & Joker – Tears (ID Remix) [OWSLA/ATLANTIC] ID – ID Damian Marley – Welcome To Jamrock [UMG] w/ Skrillex & Damian Marley – Make It Bun Dem [BIG BEAT/OWSLA] Benga & Coki – Night [TEMPA] Fred again.. – Delilah (Pull Me Out Of This) [ATLANTIC] Skrillex & Mr. Oizo ft. Missy Elliott – RATATA [OWSLA] Skrillex & Fred again.. – ID The post Watch the full 3-hour Skrillex and Fred again.. b2b rave in San Francisco appeared first on The Groove Cartel.

Anyma may soon crack down on the rave community's newest drug of choice: the smartphone. It might sound like heresy, but excessive smartphone usage is one of today's most contentious flashpoints in the global electronic dance music scene. And Anyma's influential Afterlife brand, whose events regularly go viral due to their mind-bending visual spectacles, is often the focus of the conversation. The superstar DJ and producer has now taken to social media to test the waters of a no-phone policy at his events. Polling his followers, Anyma shared two comments on his own Instagram post: "YES, BAN PHONES" and "NO, ALLOW PHONES." At the time of this article's publication, the former comment has 9,388 likes compared to 1,823 for the latter. Anyma's remarks are timely as the pitfalls of gratuitous smartphone usage continue to take shape in the form of new policies and privacy concerns, the likes of which are nascent but becoming more prevalent by the day. While some argue that attendees should be free to use their devices as they please, others bemoan them for provoking a sense of trepidation in those who don't want to be documented. The issue isn't endemic to crowds. A number of prominent dance music artists and venues have taken concerted action, like MEDUZA and James Hype, who in late-2023 launched a campaign to "preserve the authenticity" of club culture by denouncing excessive recording at their co-branded events. Popular electronic music trio Wavedash also discouraged smartphone use by asking fans attending their tour to cover their cameras with stickers blazoning the phrase, "Social media? No thanks." Meanwhile, renowned DJ and festival organizer Damian Lazarus recently announced a groundbreaking no-phone policy for his summer residency at the famed Hï Ibiza venue, establishing a new precedent on the fabled Spanish party island. And across the Atlantic, the owners of Miami's iconic Club Space are laying the groundwork for their first-ever no-phone event. Whether or not Anyma plans to follow suit remains to be seen, but it's extremely implausible, at least on a macro scale. He could instate a no-phone policy on a limited basis, but a comprehensive ban would likely throttle the virality of his visuals—the pièce de résistance of his concerts—and atrophy his brand's authority in the live music space. Check out Anyma's post below. View the original article to see embedded media. Follow Anyma:Instagram: instagram.com/anyma_ofc X: x.com/anyma_eva TikTok: tiktok.com/@anyma Facebook: facebook.com/anyma.ofc Spotify: tinyurl.com/2p976k79

ODESZA are treating fans to their first-ever live album, The Last Goodbye Tour Live. The new album, which features 27 tracks, captures the electrifying atmosphere of their eponymous 2023 tour, which many hold in high regard as the best live shows of their illustrious career. Breathing new life into their four-album discography with new VIP mixes and exclusive mashups, ODESZA manage to transport their fans to those spectacular stages and shows. Edits such as "Across The Room x Falls" and "Say My Name x Late Night" capture the electrifying energy and emotional depth of those nights. Harrison Mills and Clayton Knight of ODESZA performing during 2023's "The Last Goodbye Tour." Garrett Poulos/EDM.com With their live drumline and organic crowd noise present, each track resonates with the vibrant atmosphere of ODESZA's momentous run, offering fans both old and new a chance to experience the magic of their performances in an entirely fresh way. "Nothing better than hearing the roar of the crowd through these recordings," ODESZA said in a statement. "We hope you guys enjoy listening as much as we did crafting the set." And if listening to the music from the shows isn't enough, ODESZA also released their documentary, The Last Goodbye Cinematic Experience, which is now available through both physical and digital formats. Check out The Last Goodbye Tour Live below and find the album on streaming platforms here. FOLLOW ODESZA:Instagram: instagram.com/odesza X: x.com/odesza Facebook: facebook.com/odesza Spotify: spoti.fi/3hCvE32

Star studded lineup of artists have come together for a brand new track called ‘Morning’ and it is as good of a bop as the artists behind it. Cheat Codes, Jason Derulo, De La Ghetto and Galantis have all made major waves in their own ways and for them to put their talents together is truly a rare opportunity. Corresponding to the title of the track, the upbeat sound and the vocals of the track are energizing and causes a rush of adrenaline. There is no doubt that ‘Morning’ will be contender for song of the summer as it is played out throughout the dance floors of festivals and parties in the next few months. Dance producers, Cheat Codes and Galantis incorporated their signature touches into the track to give it the bouncy energy while talented vocalists, Jason Derulo and De La Ghetto present the track with identity. ‘Morning’ by Cheat Codes, Jason Derulo, De La Ghetto and Galantis is out now on Big Beat Records and you can take a listen to the track below now. The post Cheat Codes, Jason Derulo, De La Ghetto – Morning (With Galantis) appeared first on EDMTunes.

When Tiësto spun Hedex’s "MHITR (Semi-Automatic)" at Ultra Music Festival 2023, little did the rave community know it was witnessing the advent of something special. In a seismic fusion of talent, the Dutch dance music icon has teamed up with Hedex and Basslayerz for a new single, "Click Click Click," a track destined to once more keep drum & bass burning bright on mainstages throughout the 2024 festival season. In true Hedex fashion, "Click Click Click" is a sonic tour de force anchored by the EDM.com Class Of 2024 producer's signature horn-driven melodies. Instantly grabbing listeners' attention, the track's barking vocal hooks add a raw edge that complements its rapid-fire synths. The origin of the collaboration traces back to a pivotal moment in 2023. During his set on the mainstage at Ultra, Tiësto unexpectedly dropped Hedex's "MHITR (Semi-Automatic)," one of EDM.com's best song's of the year. The crowd's reaction was instantaneous and social media buzzed with excitement, marking a highly visible, viral moment for stateside drum & bass. The impromptu showcase highlighted the genre's rising influence in the US and set the stage for what would become a monumental year for its growth. "Click Click Click" is emblematic of that surge, demonstrating the genre's versatility and its ability to unite different styles and influences. The song is both a testament to the individual talents of its producers and to the collaborative spirit driving drum & bass forward. Listen to "Click Click Click," out now on Tiësto's Musical Freedom imprint, below. FOLLOW HEDEX:Facebook: facebook.com/hedexuk Instagram: instagram.com/hedexuk Spotify: sptfy.com/QqbV FOLLOW TIËSTO:X: x.com/tiesto Instagram: instagram.com/tiesto Facebook: facebook.com/tiesto Spotify: spoti.fi/3dVvySo FOLLOW BASSLAYERZ:Instagram: instagram.com/basslayerzdnb Spotify: tinyurl.com/f7fzahfp

Gina Breeze is a rising star in the underground house and techno scene. She blends influences from Chicago, New York, and the UK club scenes. Based in Manchester, Breeze has become a mainstay at prominent queer parties and events like HomoElectric, HomoBloc, and underground raves throughout the city. Her musical journey began in the late 2000s, when she was exposed to the booming electronic music culture in Yorkshire through friends and local clubs like SpeedQueen. After honing her DJ skills spinning a mix of trance, house, and bassline/garage, Breeze pursued formal music production training in Sheffield before making the move to Manchester. The city’s rich musical heritage and melting pot of styles left an indelible mark on Breeze’s sound. As a resident DJ for the HomoElectric crew, she experimented with more leftfield and eclectic sounds, shaping the percussive, groove-driven house and techno that has become her signature. Breeze’s burgeoning production talents recently landed her a release on Peggy Gou’s acclaimed Gudu Records compilation ‘Gudu & Friends Vol. 2.‘ We sat down with the fast-rising DJ/producer to discuss her musical roots, developing her unique sound, experiences in Manchester’s dance music underground, and what the future holds. What was your experience like studying music production in Sheffield, and how did that shape your sound? The course I did in Sheffield was the start of my production journey. It was a pretty intense 6 month course working in Logic & also looking at songwriting, live elements, arrangement. Honestly, it was one of the best decisions I ever made. It was the start of my sound evolving, which it still is today. How would you describe your signature sound, and what influences have played a role in shaping it? Musically I’ve been influenced by New York & Chicago sounds. Since buying my first drum machine, layering tom rhythms have been the backbone to a lot of my tracks. I love percussion & laying down the beat is one of my favorite parts. SpeedQueen (my first residency in Leeds) was a huge part of my story & that kind of classic house music will always hold a special place in my heart. I feel that’s why I’m a sucker for a diva vocal or pumping bassline. Can you tell us about the process of blending influences from different genres and cultures into your productions? I’ve been influenced by the places I grew up clubbing. Although I’m not really a trancehead now, all the experiences play a part. I feel I take inspiration from the scenes in Leeds & Sheffield massively. I never went to Niche, but we always listened to speed garage/bassline music. It was more of a guilty pleasure but I hear that kind of bass sound is something I will lean towards, even now. As someone based in Manchester, how has the city’s rich musical history and rave culture influenced your work? When I moved from Yorkshire to Manchester, my eyes were opened further in terms of music & DJing as a whole. I met Luke Unabomber & started playing for HomoElectric. I was hearing a lot of left-field music, hearing a lot more sets while really went on more of a musical journey. It was totally different to the clubs I was used to – where everything would be pretty much high energy all night. I started playing radio shows & longer sets where I could spread my wings a bit more creatively. I was also around a lot more creative minds /Artists. This melting pot of all things musical has been a driving force in everything I do today. You’ve been a resident at several prominent events and venues. Can you share some highlights from your residencies? SpeedQueen is where my journey started as a DJ so it will always hold a special place in my heart. When I moved to Manchester, my next home was (and still is) with HomoElectric. I feel I have really grown as an artist since being a resident here. I can test out new material and go off-piste with different sounds. It’s also been great to play events like HomoBloc, queer parties on a massive scale at Mayfield Depot. It’s completely different to playing places like Hidden, and these underground basement-type raves but very cool all the same. How do you approach crafting a captivating live set or DJ performance? I think of each set as a new journey. I try to research the venue/artists playing on the same lineup where I can. I want to complement to next artist & for the night to have the right flow. I feel the warm-up set is a dying craft & so important for the energy of the whole night. Being a resident at the places I mentioned before I think gives you real necessary experience on how to warm up a room. It’s essential not to bang it out from 10 pm. I do love fast music & enjoy playing at higher tempos but I think the build of a warm-up set can make or break the night. If I’m warming up I’m very aware of this & see the warm-up as big of a deal as the main set. Can you walk us through your production process and the various elements you consider when creating a track? Since buying my first drum machine this has usually been the starting point & backbone to a lot of my tracks. My Roland TR8-S is a part of my studio I couldn’t live without. I love percussion & laying down the beat is one of my favorite parts. Getting hands-on is a big part for me & getting the groove just right before adding the other elements. I feel I can bounce off the rhythm and percussion which can inspire the rest of the track. Gina Breeze How do you feel your sound has evolved over the years, and where do you see it heading in the future? I think my sound has evolved a lot since I put out my first E.P. (2015) you can usually hear my New York / Chicago influences in my music. Think this goes back to the drums. Musically I just want to keep things fresh & exciting. I’m working on an album at the moment so this is a chance to stretch my creative muscles & make some more melodic/down tempo tracks. I love to collaborate and am lucky to have worked with some incredible vocalists over the years. I would love to see more of that in the future. As a female artist in a male-dominated industry, what challenges have you faced, and how have you overcome them? I feel I’m been fortunate to work with a real mix of male/female promoters, agents over the years. The industry can be rough, I think now more than ever. There are so many DJs, especially after lockdown. It can be hard to rise above the noise. For me I just try to stay authentic, keep going in my own lane & work with as many females in the industry as possible. Who are some artists or producers that have particularly inspired you or that you admire? I am inspired by artists like KiNK & Miss Kittin, I would love to incorporate live elements into my DJ sets eventually & KiNK is just the absolute master. It is also amazing to see female artists at the forefront of the electronic scene, Peggy Gou of course, Blessed Madonna & Honey Dijon. I have been a big fan of The Blessed Madonna since seeing her years ago at the Warehouse Project. I also love Cinthie & saw her play recently at Night Tales in London. She really is a class act. How do you balance the creative and business aspects of your career as a DJ and producer? I think this balance is quite difficult, the business side has never really been one of my strongest points but I am much better now than when I started. The business side comes second, always. I need to remind myself of that sometimes. Music first, should keep the creative juices flowing rather than trying to chase numbers. Can you share any exciting projects or collaborations you have in the works? I am sketching ideas for an album at the minute which I’m really excited about. Also working on a new E.P for a very exciting label. More info to come on that soon! Can you tell us about the track you have on the Gudu & Friends Vol. 2 compilation? What was the inspiration or concept behind it? Rebound started after a fun jam session with the Prophet synth. It’s quite a stripped-back track but has that real euphoric / summer vibe when the chords kick in. I added the ‘rhythm’ vocal, roughed that up a bit, and layered the percussion. The Prophet riff is just the one, this drives the whole track. How did the opportunity to release on Peggy Gou’s Gudu label come about, and what has that experience been like so far? I managed to get my hands on the A&R details for Gudu after making some music specifically for the label. I really wanted to be a part of the Gudu family & can honestly say, the experience has been so enjoyable. The label is run really well, great communication & I got the opportunity to do Guest Mix for the Gudu Mix Series on Apple Music. It’s great to be a part of this compilation, I feel it has a diverse mix of artists & I’m a big fan of all of them! The comp is killer! What are some of your favorite venues or festivals to perform at, and why? One of my favorite festivals I played at is Wildwood Disco in Cambridge. I closed the main stage after Erol Alkan & I feel played one of the best sets Ive ever played. Everything just slotted in right that day, the sun was setting as Erol played, and the lighting for the stage was so trippy & bounced off the trees. It was honestly magical. I’m playing there again this year on my birthday actually & cannot wait! Of course, there’s Love International Festival which has been a favourite for years, the boat parties & Barbarellas. I played Barbarellas for the first time last year for Classic at Defected. That club is very special, especially the sunrise sets. Had some incredible moments there. I think in terms of clubs, as cliche as it is Fabric is just up there & is one of my favorites. I supported Eats everything there and the sound in room two is just lush. The way the DJ booth is positioned in that room just gives you great energy and connection with the crowd. Love it there. The Cause London too, is amazing. Adonis parties are just another level there now. Gina Breeze How important of a role does social media play in your career as an artist, and how do you approach building and engaging with your online following? Social media is a blessing & a curse. I would love to be off all social media as I feel it drains me & can have a negative effect on me mentally. However, I am able to reach different demographics through the power of social media & have more of a reach. I don’t have a massive amount of followers but what I do have has grown organically over the years. I should probably put more time into growing my followers but that’s not why I came into the music industry. I want to create, move people & create lasting memories. I want my content to be real, release, mixes real-life stuff Rather than super contrived and scheduled. Beyond music, what other interests or passions do you have that influence your artistry? I love to travel, this can be the hard part when flying solo. I try to take inspiration from all the places I’m booked to play at. Sound bytes, the feel of certain places, I want to channel this into the music. I’m looking to get more of a portable sampler actually for when I’m on the road to sketch out ideas in the moment. As our conversation winds down, it’s clear that Gina Breeze is an artist firmly rooted in the rich musical traditions that shaped her. She also consistently pushes her sound forward in exciting new directions. Her release on Peggy Gou’s Gudu Records has given Breeze’s talents a bigger platform, but she remains grounded in the underground scenes and queer party crews that gave her a start. As she puts it, “I want to create, move people & create lasting memories.” With her passion, talent, and authentic approach, she’s well on her way. The post Let’s Talk About Gina Breeze appeared first on The Groove Cartel.

The highly anticipated “rave” in San Francisco’s Civic Center Plaza featuring superstar DJs Fred Again.. and Skrillex came to an abrupt halt on Saturday night after the duo hit the city’s 10 p.m. sound curfew. The English DJ and producer Fred Again.. and his American counterpart Skrillex were in the middle of a song when the audio system was shut off due to the curfew. Though the music stopped, the pair remained on stage for several minutes afterwards, waving to the massive crowd of an estimated 25,000 fans to provide a proper send-off. The show was billed as a chance for Fred Again.. and Skrillex to test out new music they had worked on during a recent trip to Mexico. Some attendees traveled from out of town for the rare performance, which sold out shortly after being announced last week. “This doesn’t feel like San Francisco anymore,” Skrillex, a former SF resident, remarked during the set. “I think we transported somewhere else.” The abrupt ending capped an evening that saw the pair attempt to recreate the electric energy of an underground rave on a massive scale in downtown San Francisco. It was the latest in a series of outdoor dance music events hoping to reinvigorate the city’s nightlife as it recovers from the pandemic. Mayor London Breed has been a supporter of bringing more nightlife and entertainment back to central San Francisco. Her administration is implementing state legislation to allow outdoor alcoholic beverage areas and is providing grants to nightlife businesses. The post What happened to Fred again.. and Skrillex b2b ravein San Francisco? appeared first on The Groove Cartel.

Over the past few years, James Hype has been establishing himself as one of the most skilled DJs in the world performing incredibly complicated mixes in front of thousands upon thousands of people. But now he wants to bring his talents to smaller venues with a ‘Get Closer UK Tour’ where he wants to go to venues across the UK with capacities of less than 600 people. In the past year alone, James Hype has been amazing crowds at some massive events such as Amsterdam Music Festival, EDC Mexico and has played at some of the UK’s greatest venues like Drumsheds, Warehouse Project and many more. He also found himself storming into the Official UK Top 40 with his 2022 track ‘Ferrari’ and has recently released the infectious ‘Drums’ with Kim Petras that has been blasting out in clubs across the world. It’s no secret that clubs in the UK have been struggling ever since the nightmare that was COVID as the cost of living has risen to the point where people can’t afford to go out. With this, many clubs have had to shut down which is slowly killing off the once thriving nightlife that the UK had which is an awful thing to be happening. James Hype is no stranger to doing ‘Get Closer’ DJ sets which offer fans the opportunity to see his skills up close and in a much more personal space. Now with this new plan for a ‘Get Closer UK Tour’, he has said he is “trying to do something for the people” of the country that he is from. Doing this tour is not only something for the fans but will also support the small venues that have been suffering in these hard times. No venues have been announced yet, but with him aiming to go to venues that most other DJ’s wont, keep an eye out for when dates start getting announced.

In a rallying cry for worldwide peace, German trance icon Markus Schulz has teamed up with electronic dance recording artist and philanthropist Sir Ivan for a new track, "Turn! Turn! Turn!." Out via Schulz's very own Coldharbour Recordings in collaboration with Black Hole Recordings, "Turn! Turn! Turn! reimagines the 1965 song of the same name by illustrious rock band The Byrds. The song fits well into the discography of Sir Ivan, who has become known for his covers of peace- and anti-war songs from the 1960s and early 1970s. Boasting a catalog that spans two decades, he has donated all of the net proceeds from his music to his non-profit, The Peaceman Foundation, which he launched back in 2005 to help combat PTSD. As "Turn! Turn! Turn!" kicks off, listeners are immediately engulfed in Schulz’s timeless trance production. Sir Ivan's vocals help lead the way towards a soaring drop, which explodes with the help of infectious synths and a bassline as powerful as the song's message. "In a world overshadowed by discord and unrest, the enduring message of hope can still resonate loudly: It's not too late for peace," Schulz said. "This powerful sentiment drew me to this song, compelling me to be a part of its narrative. In a landscape where division seems to dominate, the reminder that peace is still within reach is not only timely but paramount. Through the gift of our bond with music, we have the opportunity to amplify this message." "My hope is that the contagious track Markus Schulz created will spread the lyrical message of peace throughout dancefloors all over the world and inspire its listeners to love one another," Sir Ivan added. Listen to "Turn! Turn! Turn!" below. FOLLOW MARKUS SCHULZ:Facebook: facebook.com/markusschulz Instagram: instagram.com/markusschulz X: x.com/MarkusSchulz Spotify: spoti.fi/3wVTAvi FOLLOW SIR IVAN:Facebook: facebook.com/sirivanofficial Instagram: instagram.com/sirivanofficial X: x.com/sirivan Spotify: spoti.fi/455gFrX

Club Space is inviting partygoers to dance through one last sunrise and one last sunset before its summer hiatus. And with a no-phones policy, this 24-hour party promises to be a mesmerizing journey back to the roots of pure, undistracted revelry. The decision to implement the policy is all about creating an authentic clubbing atmosphere. Space will provide attendees with pouches to securely store phones before they flow into the club for its last 24-hour celebration in the immediate future. Throughout the electronic dance music community at large, fans have been asked to leave their phones at the door more in recent memory as artists and event organizers alike aim to curate dancefloors without hollow distraction. Similar action was taken recently by Damian Lazarus in Ibiza, by Wavedash on the trio's 2024 tour, and by James Hype and Meduza at select "Our House" shows. Following their groundbreaking party, the iconic Miami nightlife institution will hit pause to accommodate nearby urban development. The venue's proprietors are planning significant adjustments to its exit infrastructure, including demolishing the current staircase and building a new north-side stairwell, necessitated by the construction of the adjacent E11EVEN Hotel and Residences. Despite the hiatus, the club's spirit remains unbroken. "The party is never over," Space assured fans in a recent Instagram post, promising a return in the fall of 2024. Until then, the venue's owners will aim keep the party going at their sister venue, the nearby Factory Town. Tickets to the June 2nd closing party at Club Space are on sale now. View the original article to see embedded media. Follow Club Space:Facebook: facebook.com/ClubSpace X: x.com/clubspacemiami Instagram: instagram.com/spacemiami

In honor of AAPI Heritage Month, CHYL and Softest Hard have teamed up to drop a new single, "Mysterious World." "Mysterious World" is a genre-blending gem, combining elements of melodic techno, happy hardcore and CHYL's signature speed-house production. After she worked on the first verse and drop, she sent the song to Softest Hard, who added her twist to the track with an LFO effect, electric piano, arpeggios and hardstyle fills. The result is fresh and creative, a perfect fusion of their distinctive styles. Fans of the producers can also look forward to more new music after they teased a collaborative project, Softest Chyl, hinting at more exciting releases to come from the formidable duo. Take a listen to the new single, out now via Monstercat, below. FOLLOW CHYL:Facebook: facebook.com/itschyl Instagram: instagram.com/itschyl Spotify: bit.ly/49Z8eQL FOLLOW SOFTEST HARD:Facebook: facebook.com/Softest-Hard-1623147677920866 X: x.com/softest_hard Instagram: instagram.com/softest.hard Spotify: sptfy.com/6GEZ

Armin van Buuren and Chef'Special are in a championship state of mind. Joining forces with the Dutch men's national football team, the beloved Dutch hitmakers have released "Larger Than Life," a collaboration that lives up to its name in all forms. Armin van Buuren and Chef'Special, the indie-pop ensemble, found common ground in a shared vision: to inspire greatness. The result is "Larger Than Life," a testament to their collective sense of energy and ambition, with anthemic melodic synths and stadium-filling claps and chants contributed by the vaunted Dutch men's football team. "We wrote 'Larger Than Life' from the desire to spark a fire," Chef'Special's frontman, Joshua Nolet, explained. "It's about the journey that hopefully leads to greatness, meaning something that’s bigger than ourselves. That process and that type of belief in one another can lift you up and make you feel larger than life. When we combine our strengths and connect as human beings, there’s nothing we’re incapable of." "I thoroughly enjoyed working with Chef’Special and the Dutch men’s national football team for 'Larger Than Life,'" van Buuren added. "Our track embodies the faith required to make dreams come true and I hope its euphoric and positive tone will inspire everyone listening to the track." With its electrifying energy and heartfelt message, "Larger Than Life" promises to lift spirits and propel the Dutch team towards triumph, embodying the very essence of unity and perseverance on the grand stage of the European Championship. Take a listen to the new track below. Follow Armin van Buuren:Facebook: facebook.com/arminvanbuuren X: x.com/arminvanbuuren Instagram: instagram.com/arminvanbuuren Spotify: spoti.fi/2WHsl2t

On June 3, 2016, childhood friends and electronic dance music prodigies Otto Knows and Avicii released their long-awaited collaboration, ‘Back Where I Belong’. This track marked a significant moment in their careers, as it brought together two artists who had known each other since their school days and shared a deep passion for music and DJing. Their friendship blossomed as both artists rose to prominence in the EDM scene, with Avicii gaining international fame with ‘Levels’ and Otto Knows making waves with ‘Million Voices’. At the peak of their careers, they decided to join forces in the studio, resulting in ‘Back Where I Belong’, a track that beautifully melded their individual styles into a harmonious and uplifting anthem. Prior to this collaboration, Otto Knows had already made a name for himself with hits like ‘Parachute’, ‘Can’t Stop Drinking About You’, and ‘Next To You’. His talents in the studio translated seamlessly into his live performances, allowing him to grace some of the world’s most renowned stages, including Tomorrowland, Ushuaia Ibiza, and London’s Alexandra Palace. Avicii, known to the world as Tim Bergling, was a superstar in the EDM world, with millions of records sold and billions of streams. Despite his shy nature and struggles with life on the road, Avicii‘s music left an indelible mark on the industry. His chart-topping hits like ‘Levels’ and ‘Wake Me Up’ catapulted him to global stardom, but also highlighted the pressures he faced as a leading figure in dance music. The release of ‘Back Where I Belong’ was a celebration of their friendship and shared musical journey. Tragically, Avicii‘s death on April 20, 2018, sent shockwaves through the music industry, and his absence is still profoundly felt today. This collaboration stands as a testament to their creative synergy and the lasting impact they have had on the world of electronic dance music.

In a year where the techno landscape is shifting like tectonic plates, Sara Landry has emerged as a seismic force. Shaking the scene with her latest heart-racing release, Landry has returned with "Heaven," a collaboration with Alt8. The track is a masterclass in blending soulful, evocative vocals with the relentless, mechanical thump of techno kicks, showcasing once more Landry's boundary-pushing spirit. Her signature cadence and intensity are on full display, making this track a prime example of why she's rapidly ascending through the ranks of the ominous world of techno. A recent inductee to the EDM.com Class of 2024, Landry's influence in the genre is undeniable. Her unique brand of techno is creating an urgent desire to witness her live performances, which was palpable during her high-profile set at EDC Las Vegas. The reaction she drew from crowds at the largest dance music festival in North America once again left festival-goers eagerly anticipating her next move. Listen to "Heaven" below and find the new single on streaming platforms here. Follow Sara Landry:Instagram: instagram.com/saralandrydj X: x.com/saralandrydj Facebook: facebook.com/saralandrydj Spotify: spoti.fi/3RKgqwu Follow Alt8:Instagram: instagram.com/alt8music X: x.com/alt8music Facebook: facebook.com/alt8official Spotify: tinyurl.com/mr3h264s