Ravebot

The Chicago Transit Authority (CTA) has abruptly pulled the plug on a Brown Line "Rave Train" event that was set to take place in the Windy City on June 15th. The event's organizer, Redline Chicago, sold out of tickets to what was billed as an "exclusive charter train experience" complete with performing DJs across three multiple cars while traversing the city's downtown stations. Redline Chicago characterized the last-minute cancellation as "shocking" and maintain that they had been in talks with the CTA since November to launch the experience. They alleged the agency had approved the event, dubbed the "Redline Express," following negotiations and the two parties have a contract in place. "The CTA's last-minute cancellation is as shocking as it is disappointing, as the CTA has hosted similar rave events in the past, including a multi-train charter event in 2001," organizers said in a statement. A statement from the CTA, however, suggests the event was never approved. "CTA became aware of additional details of the proposed event through the organizer’s promotion that raised concerns regarding rider safety, as well as the sale of event tickets, which does not align with CTA’s policy to charter trains only for private, non-commercial purposes," the organization said. "After careful consideration of all of these factors, this request could not be approved and no formal agreement was entered into between the two parties." As the dust settles, questions linger as to how the line of communication broke down between Redline Chicago and the CTA, and whether the dream of a mobile rave will ever leave the station in the future. Redline Chicago has suggested they will process refunds, but have not yet issued them at the time of this writing.

Henri Bergmann, a rising producer in the melodic house and techno space, has returned with a new track under her very own Automatik record label. Out now, “Come On” is a joint effort alongside Wennink, who also sang on Henri Bergmann hit singles “Here’s The Fear” and “Higher Dimension.” Now boasting releases on Afterlife, Watergate, and Stil Vor Talent, among others, it’s time for Bergmann’s Automatik imprint to take center stage. “Come On” triumphantly capitalizes on its melodic bassline and anthemic vocal opening. Wennink’s expertly delivered topline matched with Bergmann’s production work together in perfect harmony, each artist offering their dynamic talents to create a memorable record. While establishing a unique identity of its own, “Come On” is a nostalgic yet contemporary embodiment of the emotional intensity deriving from Depeche Mode‘s historic catalog. Continuing to push the boundaries of the underground, “Come On” materializes as another weapon added to Automatik’s arsenal. Stream the new single below. Featured image: Andrew Farrar The post Henri Bergmann and Wennink reunite for ‘Come On’ appeared first on Dancing Astronaut.

Breakout singer-songwriter, producer and EDM.com Class of 2024 inductee Kenya Grace is receiving some well-deserved recognition from ASCAP. The leading performance-rights organization will soon award Grace with its prestigious Global Impact Award, which recognizes her meteoric ascent to the upper echelon of electronic music following the release of her 2023 hit "Strangers." After going viral on TikTok, the track effectively redefined liquid drum & bass for a new generation of dance music enthusiasts en route to being named one of EDM.com's best songs of the year. It's also worth noting that "Strangers" became the first #1 in the history of Billboard's Hot Dance/Electronic Songs chart to be written, produced and sung solely by a woman. "Kenya Grace is at the forefront of a new wave of dance-driven pop music," said Paul Williams, ASCAP President and Chairman of the Board. "As the sole writer and producer of her self-recorded songs, Kenya possesses a DIY style that is staggeringly innovative and has made her a favorite with the dance music community. We are thrilled to present this trailblazing music creator with the ASCAP Global Impact Award." Grace is joined in celebration of her award by fellow recipient Cian Ducrot, an Irish indie singer-songwriter who received the ASCAP Vanguard Award, which recognizes "artists whose innovative work is helping to shape the future of music." By receiving the honor, Grace follows previous recipients the likes of Charli XCX, Dua Lipa, MNEK, Lewis Capaldi, Dev Hynes and Becky Hill among others. The award will be presented at "ASCAP London Celebrates," an invitation-only celebration scheduled for June 18th in London. Follow Kenya Grace:X: x.com/kenyagracemusic Instagram: instagram.com/kenyagrace TikTok: tiktok.com/@kenyagracebaby Facebook: facebook.com/kenyagracemusic Spotify: tinyurl.com/f85uras9

Zeds Dead just revealed the highly anticipated lineup for the sold-out Deadrocks X, set to take place July 2 and 3 at the iconic Red Rocks Amphitheater in Morrison, Colorado. The 10th edition of the event will feature Doctor P, VCTRE, Levity, Bou feat. B Live 247, IMANU b2b Nitepunk, Alleycvt, and more. For fans interested in keeping the party going, you won’t want to miss the 4th annual Backyard Jamboree on July 4th at Denver’s Civic Center Park. The Event The Backyard Jamboree promises to be an extravaganza of music, games, and family fun, perfectly capping off a weekend of top-tier performances and breathtaking production. The day-time event will feature an array of activities and lawn games such as water balloon toss, horse shoe toss, a giant inflatable dart game, food trucks, bouncy castles, and a glam station to complete your rave look. Compete in the 3-legged race, dunk tank, or donut on a string challenge for a chance to win incredible prizes, while you can plan on spotting costumed superheroes running around throughout the event. Backyard Jamboree at Civic Center Park Last year’s hot dog eating contest saw unprecedented participation, with the winner consuming six hot dogs in three minutes, earning them tickets to all Deadrocks events for the following year and a coveted spot on the guest list for all Deadbeats shows. As one of the biggest eating contests in the U.S., it draws a significant crowd and adds a unique flavor to the day’s festivities. The Lineup The Jamboree will feature a stellar lineup of performers from the Deadbeats roster across three stages, encapsulating the diverse sounds and styles that the label is known for. The lineup features artists like CASPA, Justin Jay, Jessica Audiffred b2b Nostalgix, Bou feat. B Live 247, and more, as well as a closing set from Zeds Dead themselves. Tickets for the Backyard Jamboree are on sale now here. Given the popularity of past years’ events, early purchase is recommended to avoid missing out on this celebrated conclusion to the Deadrocks weekend. The post Extend The Deadrocks X Party This July With The 4th Annual Backyard Jamboree appeared first on EDMTunes.

Ah, New York nightlife – a labyrinth of dos and don’ts, especially when it comes to your sartorial choices. Forget about just showing up; your outfit is your ticket past the gatekeepers, the omnipotent doormen and bouncers who are all about cultivating that elusive “vibe.” Meet Jonah Almost, the gatekeeper at Silencio and sometimes Inferno, who chatted with NYLON about the quest to weed out the “NPCs” – that’s “non-player characters” for the uninitiated. Apparently, the club scene isn’t just about looking good; it’s about what you’re “contributing to the space.” Spoiler alert: your contribution is judged strictly by your wardrobe (at least in NYC – making me grateful for the casual atmosphere cherished in my town of Denver. If you dress up for the club here, you’re the weirdo.) So, what are the absolute no-gos when trying to make it past the velvet ropes in the city that never sleeps? White Sneakers Yes, the beloved white sneakers – adored by all, except the bouncers. Cameron, the doorman at Paul’s Casablanca, dismisses them as a “lack of imagination” and a dead giveaway that you’re no fun on the dance floor. Almost shares this disdain, calling them the “boring” staple of the generic young, straight-guy look. Unless the club is having a particularly slow night, those pristine kicks aren’t cutting it. Golden Goose Shoes Golden Goose shoes, with their intentionally scuffed aesthetic, are apparently too last season for the discerning eyes at the door. Once a millennial favorite, these “dirty” shoes have resurfaced among Gen Z – to the utter dismay of Carattini, who sees their popularity as nothing more than “lemming behavior.” Crocs Seriously, Crocs? This should be a no-brainer. Donté McGuine, a partner at Outer Heaven, might let Balenciaga Crocs slide, but for the love of nightlife, leave the garden clogs at home. Loro Piana Slippers Thinking about rocking your Loro Piana slippers? Think again. Cameron warns they might actually make him nauseous. He’s all for individuality and personal style – just not if it involves these. Shorts Got a great pair of shorts? Keep them far from the club. Carattini has no interest in seeing your kneecaps, ever. McGuine is slightly more lenient, granting an exception only for high-end brands like Miu Miu or Prada (lol). Vineyard Vines Preppy threads from Vineyard Vines? Save them for the Hamptons, quips McGuine. If you must go preppy, at least put some effort into it. Almost begrudgingly acknowledges that preppy can be cool, but not when it’s as thoughtless as throwing on a polo. Sorry, tech bros. Nap Dresses Nap dresses in a club? Seriously? Carattini wonders if you’re planning to catch some Z’s on the dance floor. Save the comfy summer frocks for, well, napping. In short, New York club doors aren’t just guarded by doormen – they’re guarded by fashion critics. So, next time you plan a night out, remember: your outfit is your ticket, and the fashion police are very, very real. That is, if you even care – because being yourself is way more valuable than any “label” that might impress a few random people. And let’s face it, many of our favorite DJs wouldn’t even make it past the door with rules like this. Happy raving! The post What Not To Wear, According to NYC Club Bouncers appeared first on EDMTunes.

Franky Wah has been robbed in Ibiza, the English house music star revealed this week. Taking to social media, the DJ said his laptop and bags were robbed on the island. Wah called on his fans and music contemporaries in the area to help him locate his belongings and their captor, offering a reward to anyone who can aid in locating the stolen belongings. "Everything's been taken," he said in his video. "It's got so many irreplaceable items in there. All my music, my laptop, everything." Many of Wah's fellow artists showed their support online, like techno icon Carl Cox and superstar dance music duo NERVO. View the original article to see embedded media. Wah is currently in Ibiza for his SHÈN residency at Club Chinois, with a Madrid stop to follow. In 2023, he released a nine-track album called Road to Ibiza, in which he soundtracked his 16-week residence on the fabled Spanish party island. He provided an update on the theft less than 24 hours later and said none of the items had been recovered, but his team has been actively tracking them down. "Of course I have a lot of my music backed up but there’s also lots of projects and ideas that aren’t, hours, weeks, months, years of work," he said, "which I’ll have to work relentlessly now to recover in time for my shows this weekend." View the original article to see embedded media. Follow Franky Wah:X: x.com/frankywahmusic Instagram: instagram.com/frankywahmusic TikTok: tiktok.com/@frankywahmusic Facebook: facebook.com/frankywahmusic Spotify: tinyurl.com/ycksv3as

Prepare your dancing feet for Eternal Reverie, TOKiMONSTA's upcoming fifth studio album. In addition to the album's reveal, the Grammy-nominated DJ and producer today released a new single, "Switch It." The hip-house track, a collaboration with Cakes da Killa and GAWD, will tide fans over until the album's fall 2024 release under TOKiMONSTA's own Young Art Records banner to align with the label's 10-year anniversary. The album's title is fitting, as TOKiMONSTA's lighthearted yet beautifully complex beats are sure to put listeners into a dreamlike reverie of their own. "Switch It" fits the bill, immediately putting us in the mood to dance at a sun-kissed poolside party. R&B duo GAWD combine their sultry vocals with buttery melodies that appeal to the fierce, feminine side of any listener. Cakes da Killa then jumps in with witty lyricism, chock full of smooth metaphor and rhyme, reflecting his bold style. Their interplay melts together in a seamless flow while TOKiMONSTA provides the perfect canvas of sound on which all contributors paint a blissful, summery scene. Listen to "Switch It" below and find the new single on streaming platforms here. You can buy tickets for TOKiMONSTA's upcoming tour here. Follow TOKiMONSTA:X: x.com/TOKiMONSTA Instagram: instagram.com/tokimonsta TikTok: tiktok.com/@tiktokimonsta Facebook: facebook.com/tokimonsta Spotify: spoti.fi/3gZKLD6

This past weekend, one of the biggest music festivals on all of the East Coast returned to New York City’s Flushing Meadows Corona Park. Governors Ball has established themselves as one of the most anticipated weekends of the year for music lovers from all over who travel to town to experience the magic of the festival. Every year, the iconic festival stacks their lineup with unbelievably talented artists over the course of 3 days defining an experience unlike any other. This year was no different with headliners, Post Malone, SZA, and The Killers taking control of the mainstage on their respective nights. Here’s a breakdown of how the festival went. Day 1 The first day of any festival is always an exciting one as everyone explores the grounds to see all the various activations, food venders, stage locations, and all else that Governors Ball has to offer as part of the experience. The artists billed for Friday include Post Malone, Rauw Alejandro, Dominic Fike, Labrinth, Farruko, Yung Gravy and more. The great thing about Governors Ball this year is that even though there were 3 stages spread across the festival grounds, none of the headlining artists clashed in times with each other which allowed fans to catch almost all of their favorite artists. Rauw Alejandro brought in many Reggaetón fans to the gopuff stage where he performed many of his biggest hits like ‘Santa’, ‘Desesperados’, and ‘Todo De Ti’. After he concluded his performance, the crowd migrated over to the Gov Ball Mainstage, where Post Malone got ready to perform the closing set of the evening. From beginning to end of his hour and half performance, you felt the passion from him in every single song he performed. You almost forget how many hits Post Malone has until you realize that every single song he sang was iconic in their own ways. He didn’t leave out a single song as he ‘I Fall Apart’, ‘Sunflower’, ‘Circles’ and all of his other major hits that everyone knew the lyrics and sang along to. There was no doubt that he had one of the best performances of the entire weekend. Day 2 The second day of the festival started a bit earlier but that only meant fans arrived earlier to explore the festival. Day 2 was headlined by The Killers, 21 Savage, Carly Rae Jepson, Sabrina Carpenter, and many more. Pop superstar, Sabrina Carpenter, was definitely a major highlight of the day and with her performing earlier in the afternoon, this meant the festival grounds was packed up earlier than usual. She put on an incredible performance on the Gov Ball mainstage where she sang hit songs ‘Espresso’ and her newest single ‘Please Please Please’. Another headliner that performed on the Gov Ball mainstage was Carly Rae Jepsen who created one of the most singalong moments of the festival when she performed her iconic hit ‘Call Me Maybe’. Sexyy Redd and 21 Savage performed on the gopuff stage where mayn of the hip-hop acts took place over the weekend. There was no doubt that 21 Savage was one of the most anticipated and most crowded stages of the weekend. Closing out Day 2 of the festival was the legendary rock band, The Killers. Their large library of hit tracks including ‘Mr. Brightside’, ‘When You Were Young’ and ‘Somebody Told Me’ brought in a wide variety of fans of all ages showing that their music is truly timeless. Day 3 The final day of any music festival is always bittersweet. Having spent 2 incredible days at the festival already, there is no doubt that everyone in attendance wishes it can go on for a few more days. However, if it has to end, there is no better closing to Gov Ball than with SZA. The final day of the festival saw performances from Don Toliver, Kevin Abstract, Chappell Roan, and Peso Pluma. There is no doubt that Peso Pluma was one of the biggest highlights of the weekend. Fans of the artist were draped in the Mexican flag and gathered at his stage early to secure the best spots possible to witness him perform. Unfortunately, he fractured his leg early into his set which limited his movements throughout the rest of the performance but he didn’t let that stop him from performing an incredible show to all his loyal fans. The main attraction for the evening definitely belonged to SZA as she closed out the festival on the mainstage. Fans sang along to her all set as she performed all her biggest hits from ‘Kill Bill’, ‘All The Stars’, ‘Snooze’, and ‘Nobody Gets Me’. Festival Grounds + Food Governors Ball festival grounds are always widely decorated to create an immersive experience for all in attendance. Trees are covered with pink fur, various statues are placed throughout the festival and many photo opportunities are available every where you look. They also have everything situated in a way where all the food venders are in the same location and bars are collected together so that you don’t need to search too hard to figure out all your options. This year had a large variety of food options with many iconic restaurants including Roberta’s Pizza, Luke’s Lobster, Fuku, Magnolia Bakery, Van Leeuwen Ice Cream and much more. There ere also many activations spread across the festival with even an NBA Finals booth where there were many photo opps and you even the chance at watching the Finals game during the festival. Rakuten was also on site and hosted their own arcade which featured various prizes that you could win. The activations truly added to the experience for fans to enjoy in between performances. VIP Experience Like all other music festivals, Gov Ball offered a variety of tiers for tickets. GA, GA+ and VIP were the most accessible but there were also cabana options that gave you an elevated table section that oversaw the mainstage. If VIP is within your budget then it is definitely worth your money. Each stage had their own designated VIP viewing area that was near the front of the stage separated from the rest of the crowd. Within the VIP section, there were unique food options that were unavailable to the rest of the festival along with different games like corn hole, Jenga and other fun activities to enhance your day. There were also tables and chairs to relax at in between sets and even some shade to stay cool from the sun. The VIP section between the gopuff stage and the Gov Ball mainstage was actually connected so fans were able to hop between the stages with ease. The Gov Ball VIP experience was definitely the definition of partying in style and certainly created an elevated experience for all those who had access. Governors Ball has established itself as one of the most anticipated music festivals across the East Coast every year. With so many talented artists billed on the lineup and the festival experience continues to evolve year after year, there is no doubt that Gov Ball is a must attend event. If you didn’t get the chance to make it out to the festival this year, make sure to stay on the look out for the date announcement for next and year and secure your tickets early because this is one festival you simply do not want to miss. The post Governors Ball Returned to New York City for What Might Be Their Best Festival Yet appeared first on EDMTunes.

Following the release of his single, ‘Russian Roulette,’ on June 7th, DJ/producer Porter Robinson has now gifted us with an official lyric video for the track. Featuring screenshots from various social media platforms and websites, the video visually conveys the overall message of the song, touching on the pressure one can feel from modern-day social media culture. ‘Russian Roulette’ is the third single of the producer’s upcoming third album, expected to drop on July 26th. It follows ‘Knock Yourself Out XD’ released in April and ‘Cheerleader,’ released along with the album announcement in March. Clocking in at over six minutes, ‘Russian Roulette’ takes the listener a little deeper into the producer’s soul, with raw, heartfelt lyrics like “Then I close my eyes. Gamble with my life. Trying not to smile. Maybe this time, I won’t be alright.” “I’m always toying with and entertaining the idea of oblivion, of career suicide, of disappearing. In ‘Russian Roulette’, I’m trying to reconcile those fantasies against the real responsibilities that hang over me. And then it gets dark, and light all at the same time.” -Porter Robinson Arguably on the of the most influential musical acts of our time, Porter Robinson was catapulted onto the scene back in 2011 with his debut EP Spitfire. Since then he has stayed true to himself, by rejecting genre boundaries and the status quo with success. His critically acclaimed albums, Worlds (2014) and Nurture (2021), have demonstrated why the producer deserves the spotlight, and his upcoming album, SMILE! , sees the producer taking yet another turn into unknown territory with a more poppy, guitar-driven style. The post Porter Robinson Releases Official Lyric Video For ‘Russian Roulette’ appeared first on EDMTunes.

At a Tape B show, it's not uncommon (in fact, it's expected) to hear some of your favorite hip-hop throwbacks along with current hits, mixed and distorted into a wobbly barrage of bass. The breakout DJ and bass music producer has now revealed his biggest tour to-date, giving fans and strangers alike the chance to experience his unique "old school x new school" style. Along the way of the 16-show tour, which represents its first phase, other rising artists in the trap and dubstep scenes will join Tape B, including Effin, sumthin sumthin EDM.com Class of 2024 trio Levity, among others. Prior to the announcement, Tape B in May took to social media to announce his upcoming headline show at Denver's Mission Ballroom, which now appears toward the end of the tour in November. The show sold out in a matter of hours, leaving the artist and his fans in disbelief. But it shouldn't come as a surprise. Tape B's ascent to tour headliner is underpinned by the fact that he has sold out every show he's announced since December 2023, performed at major festivals like Lost Lands, Ultra and EDC, and most recently provided direct support for dubstep superstar Subtronics at the iconic Red Rocks Amphitheatre in Colorado. The DJ can also attribute the surge in popularity partly to his and Mersiv's recent single "Trippy Land," which features hip-hop luminary Juicy J. Tape B performing at Miami's Ultra Music Festival 2023.Kelly Knisel/EDM.com Those who share Tape B's home state of Florida are in for a treat considering four of its 16 dates are located in various major cities of the state. He promised two more phases to the tour to be announced in the weeks ahead, updates for which fans can register here. Upcoming shows of Tape B's before the fall tour begins include Tape B & Friends Block Parties in Dallas and Austin, Texas, on the 15th and 16th respectively. He'll then travel north for Ottawa's Escapade Music Festival before performances at Breakaway Festival Minnesota, Shambhala and North Coast, among other stops. You can purchase tickets to the upcoming tour here and check out the Phase 1 flyer below. Perplex Studios Follow Tape B:X: x.com/Tapebbeats Instagram: instagram.com/tapebbeats TikTok: tiktok.com/@tapebbeats Spotify: tinyurl.com/2naz7wb7

Avicii: The Life and Music of Tim Bergling has been released Fans of the late EDM superstar Avicii can now experience a visual narrative of his life and career. The official Avicii online shop has released a photobook available for international fans. It captures the essence of Avicii’s journey from his early days to becoming a global icon in electronic dance music. Avicii: The Life and Music of Tim Bergling is now available for purchase. The book is filled with a collection of photographs that reveal not only Avicii’s public triumphs but also private moments seldom shared with the world. These images chronicle his evolution from a young music enthusiast to a pioneering DJ and producer. In partnership with the Tim Bergling Foundation, the photobook serves a greater purpose beyond remembrance. Established by Avicii’s family in 2019, the foundation dedicates itself to addressing mental health issues and preventing suicide among youth. Proceeds from the photobook sales will directly support these vital initiatives. Avicii’s parents, Klas Bergling and Anki Lidén expressed their pride in commemorating their son’s impact through this publication. “Tim’s music and legacy continue to resonate deeply with fans around the world” they stated. The book’s narrative poses reflective questions about the makings of a star and the moments that define a legacy. It illustrates how Avicii’s signature performances and music redefined the EDM genre, leaving an enduring influence on artists and fans alike. This follows the earlier release of Tim: The Official Biography of Avicii by Måns Mosesson in 2021. The biography offers a candid look at Avicii’s life, complementing the visual storytelling of the photo book. Adding to the tributes, the documentary detailing Avicii’s artistic journey made its debut at this year’s Tribeca Film Festival. The post Avicii’s Legacy Celebrated in New Photobook appeared first on EDMTunes.

This April, Spotify made waves with its controversial decision to reclassify its Premium tiers as ‘bundles’. They did so by combining music and audiobooks. This move allowed Spotify to pay a lower mechanical royalty rate to publishers and songwriters in the US. However, the backlash from songwriters and publishers has been fierce and unrelenting. NMPA’s Fierce Response At the National Music Publishers’ Association (NMPA) Annual Meeting in New York on June 12, NMPA boss David Israelite declared, “Spotify has declared war on songwriters. Our response shall be all-encompassing.” Indeed, the music publishing community has mobilized an aggressive campaign against Spotify. This includes a legal threat over unlicensed lyrics and a lawsuit from the Mechanical Licensing Collective (MLC) for underpaying royalties. It also calls for Congress to update copyright laws. This would allow publishers to negotiate in a free market like record labels. FTC Complaint Filed Adding to Spotify’s troubles, the NMPA has now filed an official complaint with the Federal Trade Commission (FTC). This accuses Spotify of “unlawful conduct” that harms millions of consumers and the music marketplace. The complaint alleges that Spotify deceived consumers by converting their music-only subscriptions into bundled audiobook-and-music subscriptions without consent, increasing prices, and complicating the process of canceling subscriptions. The NMPA claims that this practice negatively impacts music publishers and songwriters by reducing royalties and disadvantages market competitors. Broadening the Battle Israelite also revealed that the NMPA has referred the matter to several state attorneys general, inviting them to investigate the alleged consumer protection violations in their states. Additionally, the NMPA has reached out to leading consumer advocacy organizations, expecting them to object to Spotify’s treatment of consumers. Addressing the audience, Israelite emphasized the NMPA’s commitment to defending songwriters and music publishers, stating, “Spotify knows that what it is doing is risky and problematic… But it is not too late for them to do the right thing.” In response, a Spotify spokesperson defended the company’s actions as industry standard, noting that users were notified of price increases and offered multiple plans, including easy cancellations. Despite these reassurances, the dispute over Spotify’s bundling strategy and its impact on the music industry remains contentious. Conclusion Spotify’s attempt to expand its offerings by bundling audiobooks with its Premium plans has sparked a significant backlash from the music publishing community. Furthermore, as the battle intensifies, the outcome could have lasting implications for the music and audiobook streaming landscape. In conclusion, whether Spotify will reverse its course or continue to face mounting legal challenges remains to be seen. Be sure to check out the original complain, here. [H/T] – MUSIC BUSINESS WORLDWIDE The post Music Publishers File FTC Complaint Against Spotify Over Audiobook Bundle appeared first on EDMTunes.

Good news! NYC City Council has just approved new legislation to support its nightlife sector as part of Mayor Eric Adams’ ‘City of Yes’ plan to change the zoning rules of New York which was established in the city many decades ago. The ‘City of Yes for Economic Opportunity’ is made from 18 proposals and is cited for removing “outdated limitations” on businesses including the nightlife sector. In 1926 the Cabaret Law was introduced which banned dancing comedy, and open mic nights in restaurants and venues in commercial zoning areas as well as to those without one of its hard-to-obtain licenses. And despite the law being repealed in 2017, the ’60s era Zoning laws still prohibited dancing and other actives in over 80% of NYC venues. This new legislation passed on June 6 has overused both the Cabaret Law and the zoning rules of the ’60s therefore allowing the nightlife industry to grow beyond its previous restrictions. This new legislation finally removes these outdated zoning limitations. This means bars, clubs, and restaurants across the city can now allow dancing without fear of fines, paving the way for a more dynamic nightlife experience. The post NYC Passes Legislation to Remove Antiquated Nightlife Restrictions appeared first on EDMTunes.

The decision follows a number of high-profile artists and bands withdrawing their appearances at Download and Latitude festivals Continue reading...

Two of Holland’s biggest EDM exports, R3HAB and Don Diablo, have joined forces for a feel-good house anthem titled ‘Disco Marathon,’ featuring the rising London-based singer/songwriter duo NEEKA. This collaboration marks a fresh direction for both R3HAB and Don Diablo. While both are known for their energetic and crowd-pleasing productions, ‘Disco Marathon’ promises to venture into new sonic territory. Out now via Spinnin’ Records, the track is sure to be a highlight of the summer festival season, following a string of successful releases for both DJs in the first half of the year. It’s a vibrant dancefloor stormer with uplifting melodies, infectious rhythms, and captivating vocals. This unique blend of their styles is perfect for summer parties – catchy, refreshing, and guaranteed to be a dancefloor staple. Adding further star power to the track is NEEKA, a talented duo with an impressive list of writing credits. Their work has graced tracks by Drake, Michael Jackson, Miley Cyrus, MØ, Avicii, Craig David, and more. “Super excited to finally have a record with Fadil after all these years of crossing paths around the globe. A record that perfectly merges both of our sounds with the help of super talented female vocal duo NEEKA. Bring on the summer” – Don Diablo “Don and I have crossed paths for over a decade now and it’s special to finally join forces on our first collaboration “Disco Marathon” featuring NEEKA. This record fuses our dance styles, and summer feels like the perfect time to share it with the world. Our fans loved it when it pre-premiered live; we hope everyone enjoys this positive energy” – R3HAB The post R3HAB and Don Diablo Team Up for ‘Disco Marathon’ With NEEKA appeared first on EDMTunes.

The National Music Publishers’ Association (NMPA) has lodged a formal complaint with the U.S. Federal Trade Commission (FTC) against Spotify, alleging that the streaming service’s recent audiobook bundle offering has led to a decrease in royalty payments to songwriters. The NMPA claims that Spotify’s bundling of audiobooks with its subscription service constitutes a reduction in the value of music streams, thereby diminishing the royalties owed to creators. According to the NMPA, this strategy is not only detrimental to songwriters but also deceptive to consumers, as it may have been implemented without adequate disclosure or consent. The association has estimated that this could cost songwriters and publishers $150 million over the next year. David Israelite of NMPA voiced at NMPA‘s Annual Meeting in New York “Spotify has declared war on songwriters. Our response shall be all-encompassing” The complaint also highlights concerns regarding Spotify’s compliance with the Restore Online Shoppers’ Confidence Act. It suggests that the company may have automatically transitioned its premium users to the new bundle without offering a clear option to opt out or maintain a music-only subscription. In response to these allegations, Spotify has defended its practices, stating that its approach to offerings and pricing is standard within the industry and that users are notified well before any changes to their subscriptions. This dispute comes on the heels of a lawsuit filed by the Mechanical Licensing Collective against Spotify earlier this year, further intensifying the ongoing conflict between the streaming service and music publishers Spotify has received much criticism recently for both increasing prices of subscription premiums and lack of sufficient payment to content producers on its platform. The post Complaint Filed with FTC Against Spotify Over Audiobook Bundling appeared first on EDMTunes.

Elements Music & Arts festival is prepping for it’s biggest year yet. The premier immersive electronic festival of the Northeast, has announced the day by day lineup ahead of its 2024 edition in Long Pond, Pennsylvania on August 9-11. If you arrive early Thursday you will get a kick off party including party-starting Desert Hearts crew of MikeyLion, Marbs, Porky & Lee Reynolds plus fan favorite bass producer Of The Trees. Friday is led by stadium-filling superstar Illenium and a special sunset Redux set from pioneering GRAMMY-nominated DJ and producer Kaskade. Veteran house selectors Green Velvet B2B Patrick Topping, and the forward thinking sonics of Liquid Stranger alongside special guests Sullivan King B2B Kayzo and Tape B will have you dancing all night long. On Saturday, fans can look forward to the head-splitting sounds of Excision and melodic bass pioneers Slander plus the techno-tinged frequencies of their Slander Presents: Before Dawn sets. Multi-talented French artist and Odyzey Music label head CloZee, Late Checkout boss Chris Lorenzo and Night Bass label head AC Slater as Fly With Us. LSDREAM playing not only his renowned futuristic dubstep production but also the sound healing and ambient bliss of his Lightcode project in a second set. Sunday wraps with headliners featuring four to the floor favorites Chris Lake B2B Cloonee and bass music behemoth Subtronics playing two standalone sets. Live jam band stalwarts and Pennsylvania royalty The Disco Biscuits, plus special guests Bob Moses (Club Set), high priestess of hard techno Sara Landry, and breakout DJ and producer it’s murph. Drum & Bass superstars Sub Focus and Dimension will also be ready to rock the crowd. Limited Tickets are still available here! The post Elements Music & Arts Festival Announces Day by Day Lineup appeared first on EDMTunes.

Avicii, a name that means so much to people globally. It’s the stage name of Tim Bergling, the Swedish DJ and Producer who took the world by storm when his track Levels gained popularity in 2011. At that time Avicii was in his early twenties and had no inkling of what would soon come following his foray into the electronic dance music scene. With songs like Wake Me Up, Without You, Hey Brother, The Nights and Waiting for Love playing on radio stations and at major festivals like Tomorrowland and Ultra Miami, Avicii became renowned globally for not only his talent but also an iconic figure that many can relate to. At just a young age, he was already touring the world, playing back to back shows and pushing himself more and more. When people think of Avicii, they think of his songs and his untimely death. But what many aren’t aware of is that he often struggled with being an influential global figure. Over the years, Avicii often grappled with his demons, especially being unable to cope with the pressures of this world. This was evident over the years as in 2012, Avicii was diagnosed with acute pancreatitis and had his gallbladder and appendix removed. But this setback didn’t stop Avicii, he kept pushing himself and giving fans more catchy hits and appearances. I was fortunate to have seen the legend at work at Road to Ultra in Bangkok in 2016. At that time, I was so enamored with his music and him that it never occurred to me that it would have been the first and only time I got to see him play. Fast forward to April 20 2018, a day that shook the global dance scene to its core…when Avicii was found unresponsive in his hotel room in Oman. It wasn’t until later that we’d all come to learn that he often talked about suicidal thoughts, and being unable to deal with the pressure and lack of privacy, took his own life. Now, 6 years after his untimely death, more information has been brought forward at the recent screening of the Avicii: I’m Tim, documentary directed by Henrik Burman which premiered at the Tribeca Festival on June 9, 2024. By showcasing the influence of his avant-garde music, which crossed genres and broke down barriers, the movie pays tribute to his brilliant and serene personality. Although it celebrates Avicii’s career, the film also reveals new information about the DJ’s state leading up to that dreaded day of April 20th, 2018. The documentary, titled Avicii: I’m Tim, claims he was so strung out on painkillers towards the end of his life that he looked like a ‘zombie’. The never-before-seen footage features his friends, family, and famous pals such as Nile Rogers and Coldplay’s Chris Martin, who he collaborated with. They reflect on the toll touring took on the world-famous DJ, who shot to fame when he was a teenager and performed more than 800 shows in six years – sometimes playing in two cities in one night. Avicii‘s family issued a heartfelt statement after his passing that said, “Tim was a seeker, a fragile artistic soul searching for answers to existential questions.” He worked quickly and meticulously, which caused great tension. He had a great deal of difficulty thinking about happiness, life, and purpose. Tim desired to be at peace. He was not cut out for the corporate world; although he loved his fans, he avoided the limelight. Tim, you are loved and missed forever. The documentary has rekindled conversations around mental health in the music business, highlighting how critical it is to provide artists with greater assistance. In addition to expressing their sorrow and solidarity, fans and fellow musicians have called for reforms to stop tragedies like this from happening again. Beyond just his music, Avicii has left a lasting legacy that is a strong call to action for society and the music industry to put the welfare of people who inspire us first. Despite being tragic, the documentary pays homage to his remarkable talent and long-lasting influence on the music industry.

The National Music Publisher’s Association (NMPA) held its yearly gathering at Alice Tully Hall in Lincoln Center, New York. The New York event honored songwriters including Lana Del Rey, featured a fireside chat with WMG CEO Robert Kyncl, and the reveal of the U.S. music publishing revenue in the last year — $6.2 billion — but what got the most attention was the raised concerns about Spotify‘s bundling strategy. NMPA President & CEO, David Israelite, outlined a complaint the organization sent to the FTC regarding Spotify’s bundling scheme, urging government intervention. It’s estimated that Spotify will pay $150 million less in music royalties this year because of its audiobook bundling. The NMPA alleges that Spotify is misleading its customers by automatically switching its music subscribers to these bundled plans without their consent. They argue that Spotify is not providing an option for subscribers to switch back to a music-only subscription and is making it difficult to cancel through confusing website interfaces and dark patterns. The NMPA hopes the FTC will take action against Spotify’s bundling, pointing out that its Audiobook Access Tier is exclusively available in the United States, which they see as an attempt to exploit U.S. royalty regulations established in the Phonorecords IV settlement. Israelite criticized Spotify’s move to reclassify its music service as an audiobook bundle as a cynical and potentially illegal action, disrupting the peace agreed upon in 2022. The NMPA is considering all options and has filed a complaint with the FTC. Although an agreement was reached to modernize the treatment of bundled products or services containing music streaming, the NMPA accuses Spotify of violating the spirit of the agreement by offering Premium plans at a rate lower than the established headline rate for 2024. Stay tuned for more news! The post NMPA Annual Meeting Reveals Music Publishing Revenue For 2023 appeared first on EDMTunes.

Following the successes of his two recent tracks, ‘HIGHER STATE’ and ‘Come With Me’, the Scottish Progressive and Tech House maestro Grum unveiled his newest track, ‘The Way To The Light’. This upbeat beat contains a fantastic dose of rolling bass lines, ethereal synths, and steady drum kicks that aim to get one’s body to move to the groove in an instant. It is also a track to help get through the rest of the day before you arrive at that amazing 3, 4 or 5 p.m. mark this evening. ‘The Way To The Light’ represents another step in the wonderful career that Grum has cultivated nearly the past couple of decades. It also represents a continuing path for his career since the artist has been taking a more aggressive, acid-like direction for his music production while still maintaining the same passion for creating one-of-a-kind tracks that fans can continue putting on repeat. Click ‘Play’ on the Spotify link below to stream this track, which came out via the Being label. The post Grum Unveils An Upbeat Track, ‘The Way To The Light’ appeared first on EDMTunes.

Boiler Room announces its return to Ibiza on 12th July as part of its World Tour series, teaming up with one of the island’s fabled institutions, Amnesia. Marking a truly iconic return, Boiler Room will be inviting Charli XCX to take over the Terraza with an all-star lineup including Shygirl, Romy, Kelly Lee Owens and more, whilst Boiler Room family Taylah Elaine, Call Super and KETTAMA are set to play in the Club room. The one-off takeover follows shortly after the massive viral success of Boiler Room & Charli XCX pres. PARTYGIRL event, which took place in New York earlier this year. Breaking Boiler Room records and taking social media by storm, Boiler Room & Charli XCX pres. PARTYGIRL received over 40,000 RSVPs—the most in Boiler Room history—and featured performances from A. G. Cook, George Daniel, Finn Keane and Doss as well as special appearances from Addison Rae and Julia Fox. Watch the Charli XCX pres. PARTYGIRL stream here. Since 2010, Boiler Room has been dedicated to shining a light on emerging artists. A brand that began in London’s underground scene but has reached every corner of the world, with video archives that have become classics for top DJs. Today, they boast over 8000 performances by more than 5000 artists in 200 cities and remain true to their history, connecting emerging artists with the world. Hosting this format excites and honors us; soon we will reveal the lineup that will fill Amnesia’s dance floor. The post Boiler Room Returns To Ibiza Headlined By Charli XCX appeared first on EDMTunes.

The second annual Regenerate Festival, produced by AEG Presents and 128 Productions, returned with a two day EDM extravaganza at Civic Center Park in downtown Denver. Held June 7-8, the 2024 edition delivered an unparalleled lineup featuring Electronic music’s finest, including everyone’s favorite accountant, John Summit, the legendary Eric Prydz, Purple Disco Machine, Disco Lines, Gorgon City, Ben Böhmer, and many more. Established as Denver’s premier House and Techno-focused festival, Regenerate has blossomed into the Mile High City’s largest electronic music gathering. Boasting three distinct stages, the atmosphere of the lush park meshed perfectly with the backdrop of the Colorado State Capitol for a celebratory and electrifying experience. In addition to headlining acts, the festival showcased a diverse array of talent, including Agents of Time (my favorite set of the festival), Ayybo, Cassian, Eli & Fur, Kasablanca, Layton Giordani, Marsh, Miane, Nimino, Qrion, TDJ, Adam Stark, and Torren Foot. At City Hall stage, the headlining acts were backlit with the spectacle of Denver’s Greek Revival City and County Building, which was purposely built to preserve the view of the front range mountains. A gorgeous sunset was the free light show; on stage, the acts were accompanied by pyro, smoke machines, lasers, and the occasional fireworks display. The bass was loud and the attendees at the upscale gala being held at the Art Museum across the street were probably less than thrilled with the rave going on next door, but them’s the breaks when the city decides to allow multipurpose use in the same district. To Denver’s credit, the restoration of Civic Center Park has been priority since COVID essentially turned it into a wasteland, so seeing life breathed back into the grounds does give you hope for the future of downtown. The Greek Theatre is where I had the privilege of seeing Eric Prydz lay down IMHO one of the best sets of his career, full of deep cuts and IDs. Even when reduced to a secondary stage, the man takes you on a journey that makes you forget the time, place, and location and all that matters is that you’re dancing and it feels right. The crowd was respectful at this stage and the eerie environment of the crescent-shaped amphitheater at dusk-to-night transported you to another world. The third stage was the Secret Garden, where just one week earlier I spent most of my time at the Outside Festival (shoutout to the Purina Incredible Dog Experience). At Regenerate, the grassy knoll was the intimate setting for Denver’s impressive class of local DJs — AMBA, Bodega Cats, IIVX, Josh Fedz, Lorely Mur, Pandorah, Paradime, RC3, SISS, Sonrizas, Sparkle, and Wessyde — who keep the scene going even when the headliners fly over us on their way to Los Angeles. Because it’s Colorado, temperatures were hot in the sun, yet cool in the shade, with relief at night and an ever-present threat of unpredictable storms. There was a brief sprinkle of rain on Day 1 and the wind was intense for a period on Day 2, but overall the weather held up and you couldn’t ask for much more. As with all festivals, lines for the bar and food trucks were long but cleared out as the big names took to their individual stages. Alcoholic drinks were up to $17 but my $8 mocktail was more than enough to keep me hydrated through the day. Ending at 10 PM due to the public park’s curfew, the night was young for attendees as they headed off on Lime scooters and ride shares to continue the party. Regenerate Festival solidified its place as a cornerstone of Denver’s vibrant Electronic music scene, leaving attendees hopeful for its return next year. Stay up-to-date at regeneratedenver.com. Photos courtesy of Regenerate Festival and 128 Productions. The post [Event Review] Regenerate Festival Takes Over Denver For Two Perfect Summer Nights appeared first on EDMTunes.

For the latest release on UPPERGROUND label owners ARTBAT team up with KAS:ST and Losless to deliver a heavyweight club banger titled ‘Pull Out‘. The track will for sure scorch dancefloors across the world. Pull Out Game Strong ARTBAT have been delivering recent heavy-hitting collaborations with Another Life, Armin van Buuren, and John Martin whilst remixing the likes of Meduza, The Chemical Brothers, and Kölsch, which has kept them as one of the scene’s most in-demand Electronic music artists. Their UPPERGROUND label, launched in 2021, has quickly risen to prominence, showcasing visionary artists and putting on events around the world, including dates in Mexico, Poland, and Spain, most notably with their recent UPPERGROUND event in the brand new Real Madrid Santiago Bernabeu stadium. Joining them this time is French artist KAS:ST, who has developed unique atmospheric soundscapes, intricate melodies, and powerful beats, with highly regarded releases on labels like Afterlife, Cercle, Sapeins, and his own imprint Flyance. KAS:ST has collaborated with the likes of Kerri Chandler, Gordo, and Be No Rain whilst remixing world-renowned artists like Moby, Agoria, and Monolink, which has led to an increasingly busy tour schedule with upcoming dates in the US, UK, Ibiza, and all around Europe. Rounding out the collaboration is French-born artist Losless. The DJ knows how to push style boundaries within his own Techno spectrum. With releases on influential labels such as Siamese, Habitat, Bedrock, and UPPERGROUND, Losless produces music that is an ever-evolving blend of energy, leading from the front in bringing avant-garde sounds and influences from Rave culture to his music. Together, this trio of artists delivers the fierce and contemporary single ‘Pull Out’, fusing influences from Dubstep, Melodic House, Techno, and Breakbeat. With a rebellious, youthful spirit and infectious energy flowing through the track, ‘Pull Out’ stands tall, loud, and proud. In effect, inspiring a sense of freedom and liberation, and destined to become a dancefloor anthem. About ARTBAT Artur and Batish have become unparalleled electronic music forces, earning Mixmag Stars of the Year accolades and Beatport’s top-selling artists. Their chart-topping hits like the ‘Age of Love’ (Rave Remix), ‘Horizon,’ and ‘Best of Me’ featuring Sailor & I. Furthermore, they have remixes and collaborations with artists such as Monolink, Kölsch, Camelphat, Sono, David Guetta, and Idris Elba. As a result, they have solidified their position as industry powerhouses. As sought-after DJs, they have captivated crowds at prestigious festivals and clubs. They have enchanted Tomorrowland, Creamfields, Timewarp, Awakenings, Cercle, EDC, and Hï Ibiza. Meanwhile, their UPPERGROUND label, which launched in 2021, has quickly risen to prominence. It champions visionary artists in the Electronic, Melodic House and Techno, and putting on events around the world. ARTBAT’s music has also transcended other realms, featuring in fashion campaigns with brands like Emporio Armani and Grand Seiko. Moreover, it has reached platforms like TikTok and Roblox. ARTBAT’s meteoric rise from underground to global stardom has left an indelible mark. In a different context pulling out would be for losers. But hey, for this collaboration? We will ‘Pull Out’ hard. The post Sonic Constellation: ARTBAT, KAS:ST, and Losless Align For ‘Pull Out’ appeared first on EDMTunes.

Iconic Leeds Venue Fibre celebrates their sixth Fibre Records release. Welcoming DJ/Producers Lee Hardy and Con Martin known collectively as Hardy & Martin to the esteemed Fibre label, their latest release, So Sweet E.P delivers unparalleled dancefloor energy.Both recognised as House heavy hitters, the tracks So Sweet and One More Time instantly transcend you to another realm with uplifting pianos, feel-good vocals, and succinct driving beats, embodying their signature sound that has become synonymous with the iconic Fibre brand. Lee Hardy has been DJing for over 15 years & producing music over the last 5 years with multiple releases under his belt. A well-known DJ across the UK, he’s known for his definitive piano influenced, big vocal sound. Hardy has held a number of residencies across Liverpool, Manchester and Ibiza and is now expanding his profile and love for House music with this newly formed duo. With 10 years of experience behind the decks, Con Martin has actively played in Ibiza for Sin Sundays, and also hosted his own Houseone Events. Recently stepping into production, Martin’s output has circulated across clubland with DJ’s from UK to Marbella and Ibiza playing his tracks. Reflecting on the successful Fibre brand, the esteemed nightclub first opened its doors in early 2000’s and has continued its monumental impact upon Leeds’ nightlife ever since. As an innovative venue, it remains a safe space for all to enjoy a night out in the city. Partygoers have consistently been flocking to Fibre for the past 24 years and it shows no sign of slowing. Its enduring appeal alongside regularly featuring local talent, they bridge the gap between the more traditional LGBTQ+ bars in the area and straight venues (where not everyone is always actively made to feel welcome). Last year, after 23 years of legendary parties, the Fibre crew made the decision to launch their in-house record label Fibre Records with one clear mission – “To release dance floor filling tracks that embody the unique and captivating sound experienced week after week at Fibre”. A mission So Sweet E.P most certainly has achieved. ALready finding favour with the world’s leading DJ’s. So Sweet Is Available June 28th Stream / Download https://snd.click/mwb9 Follow: Lee Hardy: Instagram, Soundcloud Con Martin: Instagram Fibre: Website, Instagram The post Fibre Records Return With Hardy & Martin ‘So Sweet E.P’ appeared first on Electic Mode.

Nathan's loss is Zeds Dead's gain after their record label, Deadbeats, invited competitive eating legend Joey Chestnut to relish a new challenge. Chestnut won't compete in this year's Nathan's Famous International Hot Dog Eating Contest after its organizers, Major League Eating, banned him for working with a rival brand, Impossible Foods. Chestnut, who is prevalently considered the greatest professional eater in history, has won the famed Fourth of July competition every year since 2016. Chestnut holds an astounding 56 records, including scarfing down 76 Nathan's Famous Hot Dogs and Buns in just 10 minutes on July 4th, 2021. That record, however, won't soon be broken by "Jaws." "I love competing in that event, I love celebrating America with my fans all over this great country on the 4th and I have been training to defend my title," Chestnut said in a statement. "To set the record straight, I do not have a contract with MLE or Nathan's and they are looking to change the rules from past years as it relates to other partners I can work with. This is apparently the basis on which I’m being banned, and it doesn’t impact the July 4th contest. Sadly, this is the decision Nathan's and Major League Eating are making and it will deprive the great fans of the holiday’s usual joy and entertainment." View the original article to see embedded media. Deadbeats has now extended an invitation to join the label's hot dog-eating contest at the 2024 edition of their "Backyard Jamboree" festival experience, which is scheduled for July 4th in Denver. The beloved dubstep label annually organizes the competition as part of the event's festivities at Civic Center Park. "You are cordially invited to gobble any and as many glizzies you want at the Deadbeats Backyard Jamboree on July 4th in Denver where we host the biggest hot dog eating competition west of the Mississippi," the label wrote on X. The chances of Chestnut joining Deadbeats' contest are unfortunately dubious considering his high demand and lofty appearance fee. He was paid $200,000 to appear in the 2023 Nathan's contest and was offered a four-year, $1.2 million contract going forward, the New York Post reported. Your odds are much better. The team at EDM.com recently joined forces with Deadbeats and Zeds Dead to launch a special giveaway for a spot in their hot dog-eating competition, which you can enter here.