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GT_Ofice is back with "Ecstasy," an evocative dance anthem that captures the euphoric rush of intense infatuation. The pulsing track, a collaboration with Matthew Topper and Robbie Rosen, is out now via his own CAINE Records imprint. Rosen's vocals soar over GT and Topper's club-driven production, his delivery evoking the breathless intensity of passion's grip. The interplay between the track's impassioned vocals and fiery production mirrors the charged push-and-pull that unfolds between strangers on a packed dancefloor. It's akin to a chemical reaction sparking between two volatile ingredients, a potent mix that threatens to explode at any moment. Wrapped in a throbbing beat, Rosen's vocals paint a vivid picture of two partners irresistibly drawn together, their magnetic chemistry leading them into a whirlpool of desire. "Take me down below / Pull me underneath" isn't just a physical descent, but a plunge into the intoxicating depths of emotional connection. Listeners drown not in water, but in the deliriously heady highs of newfound love. Take a listen to "Ecstasy" below and find the new single on streaming platforms here. Follow GT_Ofice:Instagram: instagram.com/gt_ofice TikTok: tiktok.com/@gt_ofice Spotify: spoti.fi/2XkV6Se

DJ Coca Mount and Producer Vernon Jermain form the two halves of the powerhouse duo, Blak Likorish; a dynamic force within Electronic Music, Blak Likorish have arrived on the scene bursting with passion, commitment, and drive, ready to take the genre by storm as they put forward sonic originality and innovation. With their origins on the East Coast rave scene having acted as the catalyst to their union, DJ Coca Mount and Vernon Jermain found the pull towards Electronic Music too hard to ignore: seeking to become part of the community, inspired by the inclusivity of the genre, the duo came to form Blak Likorish. As they now bring together their individual inspirations and musical passions to create music that authentically symbolises their various influences, tastes, and perspectives, Blak Likorish emerges as a unique addition to the genre, breathing fresh energy across the landscape of Electronic Music today. The sonic identity that Blak Likorish roots within their music and live performances is varied yet cohesively blended, incorporating a range of styles, sounds, and concepts to portray their innovative creativity. From Electronic Music sub-styles to more unique creative stimuli, like drawing from the ideas of sci-fi, alien technology, the afterlife and humanity’s connection to the universe, Blak Likorish’s music aims to bring diverse emotions and feelings to listeners. With a production approach and process for DJ set creation that balances against bringing distinct sounds whilst playing with the energy of their tracks to manipulate different audience reactions, Blak Likorish appear as skilled experts when it comes to crafting engaging listening experiences. Continually exciting and motivating dancefloors, Blak Likorish showcases a signature style that incorporates the genres of Mid Tempo, Bass House, and Dubstep, producing music that is as mighty in sonic makeup as it is in impactful vibes. As their performances continue to leave an impression, bringing together anthemic sounds with captivating visuals to offer intriguing narratives for audience members to immerse themselves in, Blak Likorish keeps raising the bar, now aiming to grow their release repertoire to ensure listeners worldwide have the opportunity to discover their sonic originality. An essential factor to musical success, Blak Likorish emerge armed with passion and enthusiasm, prepared to develop their craft as they continue to find new inspirations and ways to elevate their sound even further. Although early in their musical journey, Blak Likorish has already garnered attention, taking to the decks and introducing listeners to their dynamic music. As their reputation continues to grow, genre enthusiasts should no doubt take note, continuing to keep Blak Likorish on their radar as the duo promises an even more thrilling next chapter in their already promising story. Follow Blak Likorish: Website | Instagram | Spotify

The label's first vinyl-only release will feature tracks from DJ Deep, Avision and Deetron Continue reading...

The UK-based Producer and DJ Semark unveils ‘Want Ur Love’: a brand-new House anthem poised to excite listeners, invigorating them with a driving soundscape punctuated by pounding beats and catchy melodies. As he sets about making a name for himself within Electronic Music, having already released several productions, including an official remix for Mollie Collins‘ label, Right Good Records, Semark appears a promising talent to keep watching on the scene today, continually motivated by a passionate love for his craft and his boundary-pushing creativity. During his musical journey so far, Semark has consistently showcased a determination to make his talents known: remaining ambitious as he seeks to take his unique sound to audiences far and wide. Having held several residencies at venues around the UK, as well as performing at the renowned Ministry of Sound in London, Semark is carving an exciting way within the genre today, maintaining his momentum as he now works to build out a catalogue of original productions. With a signature sound that sits between the nexus of House and Dance, bringing in nuances of 90s Dance, Semark’s style appears as a distinct symbol of his various influences and musical background, aiming to bring emotion and energy to ensure his music continues to connect and resonate with listeners. As ‘Want Ur Love’ puts forward a captivating sound, introducing a compelling vocal line, Semark’s signature approach takes the spotlight, bringing emotion through uplifting melodic lines and intoxicating hooks whilst keeping the energy high with driving rhythms, thumping beats, and a powerful bassline. The chordal piano and bouncy synths add to the playful vibes of ‘Want Ur Love’ creating a sonic colour that continues to intensify as the track moves forward, building further with the incorporation of more details like pulsing lines and layered riffs. Bringing a party-starter energy that will surely motivate the dancefloors of his live performances, Semark’s latest track serves to showcase the potential of his talents, creativity, and style, delivering an infectious sound that seems poised to capture attention. ‘Want Ur Love’ is out now and is available to stream and download across platforms here. So, stay tuned and follow Semark across social media, as his upcoming releases, projects, and performances are no doubt not to be missed. Follow Semark: Spotify | Instagram 

Manu P teams up with Jas.On for his latest release, ‘Clan 909’: a vibrant Tech House production, this new collaborative track is poised to raise the heat across dancefloors, introducing fresh beats and groovy sounds. Coming via the label Reissues, the production comes as a powerful collaborative effort from the two Producers, highlighting their combined creative strength when it comes to crafting engaging listens, blending their signature styles into a soundscape punctuated by mighty rhythms, a driving underlying bassline, and vibrant vocal chops. As Manu P continues to make a name for himself within Electronic Music, demanding attention through his various creative pursuits, the talented Producer and DJ maintains a commitment to his craft, driven by his passion for the genre itself. A resident DJ for the Italian event brand The Cage and CEO of the label Finish Team Records, Manu P brings a unique perspective to each of his endeavours, whether unleashing high energy through his DJ sets or offering his support to rising Producers through his position at Finish Team Records, Manu P appears as a skilled and experienced talent. Jas.On himself has also been leading an exciting journey within Electronic Music: having founded Switch, an event planning company focused on curating memorable nights of Tech House, parties, and themed events, Jas.On has honed his experience DJing across stages, now coming to this production with a distinct skillset and sonic style. With its pounding beats, shuffled rhythms, and hypnotising processed vocal layers, ‘Clan 909’, brings the party from the very start, introducing funky energy that powers the track’s driving sound forward. As the soundscape grows with the dynamic low-end and colourful hits, the vocal-led breakdowns add to the infectious vibes, intensifying the groovy character of ‘Clan 909’ further: then glowing pads enter the mix, weaving amongst the energetic elements as the track continues to progress, guiding the listener through moments of animated sound. Having united their individual sounds together into a bold-sounding production, Manu P and Jas.On offer listeners an intoxicating listen, delivering a sonic experience that is a must for any of their fans or Tech House lovers. ‘Clan 909’ is out now via Reissues and is available to stream and download across platforms here. As they each continue paving their ways within Electronic Music, make sure to keep watching them by following both Manu P and Jas.On via social media. Follow Manu P: Soundcloud | Instagram | Beatport Follow Jas.On: Instagram Follow Reissues: Beatport  

There seems to be no "off" button on the breakneck rise of Sara Landry, who on Friday became the latest DJ to join the annals of BBC Radio 1's legendary Essential Mix series. The influential mixshow has long-functioned as a rite of passage for surging DJs the likes of Landry, whose rapid ascent to dance music superstardom has been fascinating to watch. The self-proclaimed "High Priestess of Hard Techno," who was named to the EDM.com Class of 2024, recently headlined the pioneering Dutch techno festival Verknipt and drew one of the largest crowds at EDC Las Vegas. Landry's two-hour Essential Mix is a blistering blitz into the darkest corners of her sound, which pushes the tempo to the bleeding edge. With pummeling psytrance basslines and industrial techno kicks, the energy rarely relents. Listeners will hear music by Airod, Brutalismus 3000, ZORZA and other hungry techno artists currently redefining the genre. Landry also spotlights tracks released on her own label, HEKATE Records, like Raven and Frankie Watch's "Phone Sex" and her recent collaboration with Alt8, "Heaven." Listen to Landry's BBC Radio 1 Essential Mix below. Follow Sara Landry:X: x.com/saralandrydj Instagram: instagram.com/saralandrydj TikTok: tiktok.com/@saralandrydj Facebook: facebook.com/saralandrydj Spotify: spoti.fi/3RKgqwu

The hard trance and techno master who is Genix has excited fans of both genres once more by releasing his second album, YOU.ME.NOW. This album follows up on the success of his debut album, 199X, which came out in 2021. Genix first kicked off the YOU.ME.NOW campaign at the beginning of this year and since then, he has seen his superb tracks feature on Danny Howard and Arielle Free’s B2B set on BBC Radio 1, KISS FM, and Sirius XM. Also, back in March, the UK producer also released the ‘Dance Like Nobody’s Watching / On & On’ EP to give the fans another glimpse of what to expect on this album. Furthermore, the sports world also got a taste of the awesome music from the album when its tracks also featured on the much-beloved ‘Match of the Day’ Premier League highlights show, the talkSPORT radio programme, and various sport and fitness brands. Click ‘Play’ on the Spotify link to stream YOU.ME.NOW, the newest album from Genix that will guarantee loads of heart-pumping emotion that will also influence the listener to get their moves on in an instant. YOU.ME.NOW from Genix blends nostalgia with innovative sounds of modern dance music When listening to the album, one can feel the invigorating, nostalgic vibes that flows perfectly with the innovate sounds of today’s dance music. YOU.ME.NOW from Genix provides stellar tracks such as ‘Lights.Sound.Camera.Action’, ‘Leave The Light On’, ‘There Is No Fall In Love’, and ‘Bloom’ that will bring back great memories for older fans who had wonderful years of dancing underneath the vibrant strobe lights until the sun came up. As of this writing, the veteran with nearly 20 years of experience producing memorable trance and techno bangers will go on tour. Starting with a stop in Dallas on June 20th, his tour will expand to various hotspots including Chicago, Montréal, Miami, San Francisco, Edinburgh, Mexico City, and it will end with a spectacular performance at Red Rocks where he will be a co-headliner alongside Above & Beyond. Finally, fans can also start pre-ordering the 2xLP vinyl, as well as the vinyl bundle alongside the debut album, 199X. The post Genix Reveals His Newest Album ‘YOU.ME.NOW’ appeared first on EDMTunes.

One of our favorite dance superstars is now engaged. Alesso took to Instagram to announce his engagement to long time girlfriend Erin Michelle Cummins. Real name Alessandro Lindblad, the Swedish DJ got down on one knee in the beautiful Lake Como in Italy. The diamond is glorious and HUGE. His debut album back in 2015 is now more fitting than ever. Titled Forever, it is symbolic to the promise he made Erin in Italy. Erin Cummins has a successful modeling career and has built her own brand as a social media personality. She has more than 300,000 Instagram followers and many more fans. Alesso has a jam-packed summer ahead of him playing at his Las Vegas residency at Tao Beachclub, Tomorrowland, Weekend Festival, Veld Music Festival, Dresbury, and so much more. Congratulations to Alesso and Erin on the engagement! The post Alesso Gets Engaged To Long-Time Girlfriend Erin Cummins appeared first on EDMTunes.

When Fred again.. announced his first-ever stadium show, everyone knew he would deliver a blissful barrage of summer moments to share with friends. But few could have expected such a massive success, even by the British superstar's lofty standards. Friday's event at the Los Angeles Memorial Coliseum was proof of just how much his fans have grown to love him too. Despite the fanfare of his debut stadium gig—and an almost sold out one at that—it was packed with intimate moments. Fred again.. performing at the Los Angeles Memorial Coliseum on June 14th, 2024.Eric Dew Under the Memorial Coliseum's lights and plumes of mythic smoke, Fred appeared and reappeared in different locations throughout the arena. Throughout the evening's countless "one-time at Fred again.." moments, more than 100,000 people were whisked away by his pensive sound. He even suddenly materialized in the stands to serenade attendees up-close in the cheap seats, like when he and Obongjayar performed their fan-favorite collaboration "adore u." Fred again.. and Obongjayar performing “adore u” from the middle of the stands at his LA Coliseum show! 🔥 pic.twitter.com/wsKECGBSul — AllTime EDM (@AllTimeEDM) June 15, 2024 Some, however, got a little too excited. Near the end of the evening, a torrent of fans found their way onto an elevated catwalk that lined the inside circumference of the stadium. Floorboards cracked under the weight of so many while Fred geared up for a firework-laden climax. Seeing the danger present, the venue's safety crew sprung into action and brought the show to a sudden stop. A buzzkill for sure, but it may have saved more than a few lives as the catwalk, which clearly was not designed to hold so many, was visibly collapsing away from its scaffolding when the smoke cleared. Fortunately, no injuries were reported. View the original article to see embedded media. It was a rare moment that revealed the caliber of the safety crew kept at the ready by the Los Angeles Memorial Coliseum. It also showcased the admriation and respect Fred again.. has for his ride-or-die fans. And even though it seemed like a bit of a downer at the time the music had to be halted, it's likely a memory that those fans will be telling their friends about for a long, long time. Follow Fred again..:X: x.com/fredagainagain1 TikTok: tiktok.com/@fredagainagain Instagram: instagram.com/fredagainagainagainagainagain Facebook: facebook.com/fredagainagain Spotify: spoti.fi/3w2WKZD

The "unique design", referencing a notorious scene in the 2023 black comedy, is being labelled as both "genius" and "disgusting" by fans Continue reading...

Colchester-based DJ Pressplay has printed signs warning club-goers of his new fees, which include a £1,000 charge to play The Killers' 'Mr Brightside' Continue reading...

The rapper will be creating the music based on the film’s soundtrack alongside the original ‘Beat Street’ producer Arthur Baker Continue reading...

Today marks the 11th anniversary of the release of Avicii‘s iconic song ‘Wake Me Up’ . When the Swedish-born DJ and Producer, already renowned for his timeless classic ‘Levels’, first played this song, it became evident that ‘Wake Me Up’ would transcend boundaries and unite people worldwide. “‘Wake Me Up’ seamlessly blends uplifting beats with heart-rending lyrics that evoke strong emotions. For many, such as millennials, this song was a coming-of-age one, marking the next step in life: adulthood. The song was released during a time where many individuals like myself were embarking on new journeys, be it entering university or the workforce. But, what became apparent is that this wholesome song by Aviici became impossible to escape following its release on June 18th, 2013. It dominated clubs, radio stations and festivals. On August 21, 2024, ‘Wake Me Up’ surpassed 2 billion streams on Spotify. It also became loved globally, topping charts in more than 20 countries and became recognized as the highest-performing dance single in history with over 10 million certified copies sold. If this isn’t an indication of the song’s extensive and enduring popularity across various platforms, then what is? Produced by Avicii for his debut album “True,” released on June 17, 2013, ‘Wake Me Up’ was co-written by Avicii, Mike Einziger of Incubus, and American soul singer Aloe Blacc, who also provided the vocals. The song’s unique fusion of EDM with folk and soul elements set it apart, showcasing Avicii‘s innovative approach to music production. Colleagues and collaborators often remarked on Avicii‘s clear vision and determination. When he set his mind to a project, it was a moment of certainty, much like the creation of ‘Wake Me Up’ . “So wake me up when it’s all over, when I’m wiser and I’m older” resonates deeply, as it captures not just the essence of hope and youthful passion but also perfectly describes the movement of time. Most of us are older and wiser now, so listening to Avicii’s track is bound to invoke feelings of nostalgia and deja vu. For me, it makes me reminisce about my youthful days of going out on a Friday night with friends, and just letting ourselves be swayed by the love for music and dance. This line in itself is one that reflects the universal desire to grow and learn through life’s experiences. This track not only solidified Avicii‘s status as a musical genius but also became a timeless anthem for generations to come. So honor Avicii‘s legacy by turning up ‘Wake Me Up’ and reliving the magic of those unforgettable days!

We’ll bring you daily updates as the forecast changes Continue reading...

Tiësto, Dimitri Vegas & Like Mike, and Gabry Ponte teamed up to take on a bold project–putting an electronic spin on Eminem’s iconic hit “Mockingbird” from 2005. While remaking an Eminem track is never something to take lightly, the artists leveraged their collective 30+ years in production to craft a version that pays homage to the original and carves out its unique identity. The massive remix has been a highly anticipated release since Tiësto dropped it in his main stage set at Miami’s Ultra Music Festival back in March. Opening with a chirpy xylophone solo, “Mockingbird” ups the ante with heart-pounding four-on-the-floor bass combined with hardstyle-influenced synths that make for an absolute dance floor heater. The distinct and nostalgic sound has seen a resurgence recently, with “Mockingbird” serving as a perfect follow-up to Tiësto, Dimitri Vegas & Like Mike, Dido, and W&W’s “Thank You (Not So Bad)” from back in December. The post Tiësto, Dimitri Vegas & Like Mike and Gabry Ponte join forces on a rework of Eminem’s ‘Mockingbird’ appeared first on Dancing Astronaut.

French DJ Arnaud Le Texier slammed the festival on social media last week Continue reading...

The South West’s most iconic club series IN:MOTION has announced the lineup for its much-hyped 2024 edition. Held in Bristol’s greatest venues including Motion, DOCUMENT and The Marble Factory across autumn and winter 2024, IN:MOTION has built a reputation as Britain’s most heralded club series. Following a 3-year hiatus, Bristol’s flagship event series made its long-awaited return in Autumn 2023. Now it’s back for more, with a lineup boasting UK legends and rising stars such as Goldie, Paul Woolford, Ewan Mcvicar and many more. Voted as DJ Mag’s 11th-best club in the world and the UK’s best large club, Motion is one of the world’s most exciting and ever-evolving venues. For the opening on September 14th, running from 3 pm until 5 am, artists include Diffrent, Douvelle19, GIA, Luke Dean, LP Rhythm, Nautica, Swimming Paul, Eats Everything, Daria Kolosova, Etapp Kyle, Fleur Shore and Max Dean. Other artists on this season’s billing include Todd Terry, Marshall Jefferson, Graeme Park and Greg Wilson for Hacienda on 4th October, and IPC Presents on 11th October with Interplanetary Criminal, Soul Mass Transit System, Skeptic, Amy Dabbs, Miley Serious, and GIA. Then there’s the huge celebration of 30 years of the major drum and bass record label Metalheadz on 19th October, with Goldie B2B Special Request AKA Paul Woolford, DJ Storm, Doc Scott B2B Ant TC1, Benny L, DRS: In Session feat Dogger, Binary State, and Fossil Archive. October and early November host Ewan McVicar B2B DJ Seinfeld, Eclair Fifi, GIA, Chicane, Kryder and more, before 22nd November, sees Richie Hawtin gracing In:Motion with support still to be announced. Later in the series, Motion will host SBTRKT, Fraser Ray, with more to come. In:Motion is a world-renowned event series created by the team behind Motion Nightclub in 2009. The original series ran for around 3 months from the last weekend of September until New Year’s Day. The tenth and final chapter of In:Motion took place from 28th September 2019 – 1st January 2020. The series has previously brought some of the biggest artists and brands in electronic music and top-class production to Bristol. Over the 10 years of the original In:Motion series it has welcomed many legendary names including Bicep, The Chemical Brothers, Chase and Status, Four Tet, Above & Beyond, Annie Mac, Deadmau5 and Patrick Topping to name a few. Plus, some of the biggest party brands in the world such as Elrow, Defected, Drumcode, Glitterbox, Love International, Junction 2, Bugged Out, Crack Magazine and many more. In the last year, the return of In:Motion saw massive names such as TSHA, Mall Grab, Groove Armada, Eats Everything, VTSS, Hot Since 82, Joy Orbison, Skin On Skin, Jayda G & Ben Helmsley across multiple venues around Bristol – Motion, Document, Marble Factory and The Island. The post IN:MOTION Bristol announces incredible lineup for 2024 series appeared first on Decoded Magazine.

Photo Credit: Kamil Szczucki It is no secret that Perth loves D&B, and after watching artists from across the globe gush about its parties on social media, it’s clear to see that D&B too, loves Perth. Don’t get it twisted though: This was no happy accident. Like every scene, there are key players responsible for this wizardry. There have been many producers, promoters, artists and DJs who have helped the Perth D&B scene flourish into the beautiful raving city that it is today. Ellictt is by all means one of them. Energetic and bold with both her DJ sets and production style, Ellictt is the epitome of relentless dancefloor energy. From mixing up a selection of treats alongside the likes of Pendulum, Andy C and Dimension, to crafting bangers in the studio, she is a force to be reckoned with and credited widely for her work within the Australian D&B scene. Following on from her debut release last year, Ellictt’s second release ‘Ghost’ has just dropped on Riot Records Uprising: Vol 1, an album showcasing some of the scene’s most exciting new talents. We jumped on Zoom with Ellictt to find out more. Ellictt! You had your debut release ‘Love Me’ out on Georgie Riot’s label Riot Records last year. How did you meet Georgie and become affiliated with Riot? I actually had no affiliation with Georgie prior to the release. I was producing on and off for a few years, released a few bootlegs and whatnot on Soundcloud but that was the first original track that I thought wasn’t that bad. I was trying to finish it around International Women’s Day last year, alongside this, I was also preparing a tracklist for a mix I was doing on radio for IWD, which is where I came across Georgie’s release on UKF. I started digging deeper and saw that she had so much music out that I thought was sick, consistent releases in a similar style to what I like. Once I’d finished the track I thought I’d shoot my shot and send it to her for Riot Records. I remember her email back being like ‘This is cool. I’m keen to sign it!’. I was then lucky enough to meet Georgie in person when I supported her at a show she did in Perth last year that was run by my friend sammythesinner. Releasing through Riot Records was great, especially as I’d never released onto Spotify before. Georgie was really helpful. We went back and forth on a few changes to the track, she gave some constructive feedback, I finished it, and then she helped me with the whole releasing aspect too. All of the other artists on the label have been so nice too. I’m so far away here in Perth that I can’t connect with a lot of people in person so it’s nice to have a community online. We’re sort of in our own little bubble out here, so it’s hard to make connections outside of Australia. How does being in that Perth/Australian bubble affect your connection and involvement to the wider scene? It’s funny because you can meet everyone and progress really quickly here. If you’re good, you’ll get booked and if you’re really good, you’ll get booked for great slots. People know who you are, you’ll have that respect. For me, I’ve been doing it long enough that people consider me as a veteran of the Perth scene, but then you do just hit a ceiling. Unless you produce and you produce well, it is hard to break out of Perth. I’ve witnessed that a lot. A few people do it, but it’s hard. If it wasn’t for social media, I don’t think I’d have many connections outside of Perth. Social media has been good for me because I can show a lot of people what I’m about, but I can also see what’s going on in other parts of the world. I would never have known about Georgie and Riot Records if I didn’t have social media. So yes, there is that disconnect but it makes it even more special when you do feel connected to a community so far away. You’re not physically there, but you are contributing. Are there any Perth-based drum & bass artists that you’re really loving at the minute? My friend sammythesinner is definitely someone I want to shout out because not only is she a drum & bass DJ and producer, but she’s a promoter as well. She’s really established herself over the past few years. She’s gone from running small events to big events to festivals. Sometimes I don’t know how she does it! When I realised ‘Love Me’ she promoted the regional tour that I did too. She’s been super supportive of me. There are a couple of other really strong female acts in Perth too, Ren Zukii and WYN, both have had releases uploaded to UKF so I’d say from a female perspective, they’d be key players. Then there are all the guys too. It’s still male-dominated but the guys are great, I have a lot of male friends here in the scene. Taking it back to your Soundcloud days, how did you first get into D&B and production in particular? I started DJing about 10 years ago now. I first started getting into drum & bass when I was a teenager, around 2010, there was a lot of great music coming out on channels like UKF at the time. It was a big time for bass music. During High School, my friends would play drum & bass and dubstep at parties so naturally, when I turned 18, the first two events I went to were drum & bass events. I think the first one was Logistics in a small bar in Perth. It was the time when artists like Wilkinson were playing much smaller capacity venues, like 500 people in one room. I started DJing a few years later when I was at University. There was a DJ club there called the Electronic Music Appreciation Society. I made heaps of friends and learnt heaps of skills! Perth is small enough for you to network and make friends pretty quickly. I entered a few of the DJ comps, met a few of the promoters and started getting booked for gigs from then. That was a long time ago now. In terms of production, I did a music production course about 8 years ago now. I dabbled a bit after that but I didn’t really get anywhere with an original release. There were a few tracks that I did bootlegs of but I wasn’t getting anywhere with anything original until the last 2-3 years where I’ve been in the right space in terms of a studio and had the right people around me, people who are also honing their production skills. I’m more confident now. I can start and finish a track and know that at least someone will like it. It’s all about the journey, or so they say! All of our favourite artists started somewhere. Exactly, and I spend so much time listening to drum & bass artists that have been producing for 20 years so it’s disheartening when you’re trying really hard and you’re just not getting there when you’re always comparing yourself to people who have been in the scene for decades. As a DJ, I’m super critical of the music that I play. I always try to pick quality music, so when you have high standards like that, learning to produce can be frustrating because you want it to sound as good as the music you play out. That’s so true. That is quite a unique difficulty for people who start out as DJs first. It really is. Every week I’ll listen to new releases and you get to a point where you know what’s good, you know what’s subpar. Each to their own, of course, but it’s hard when that’s your benchmark as a producer. It’s like ‘Why won’t it sound the same!’. A lot of that frustration is down to the mixdown, which I am getting better at over time. Your perception of things is always different to how other people see you though. I always think, the fact that I can even finish a song and it actually sounds like a song is ridiculous. If I could tell myself 8 years ago that I would have a track on Spotify, I don’t think I’d believe it. You’re about to feature on a various artists album on Riot Records, talk to me about your track! My song is called ‘Ghost’. It’s a bit of a funny one as it was supposed to be a Ghostbusters parody bootleg. It originally had a Ghostbusters sample that said ‘I ain’t afraid of no ghost’, and the track grew around that. I started throwing in all these spooky-sounding samples. I sent it to Georgie and she liked it and wanted to release it on the various artists album. Which I was really happy about. I didn’t know who else would be on the release or how much of a big project it would be but I was keen to get more music out there, especially with Riot Records again. The track is of a similar style to ‘Love Me’ so there’s some consistency there too. When I first sent the track to her, it had the original Ghostbusters sample in there. I wasn’t sure if I could release it because of the sample. I asked loads of people and they said it was a grey area, so I found a different sample and replaced it. It turned out for the better in the end! It’s sort of a spooky dance floor tune. I’m super excited about it. The album is to promote up-and-coming talent that Georgie is really rating at the minute. Who else can you big up from the album? There’s heaps of incredible artists releasing on the VA. Feed The Fire is great, one day I hope to do a collab with him if we get the time. Then there is BRIGSY, who is originally from New Zealand but he’s been working in Western Australia. BORN GLOBAL, they’re really good too. Aside from your DJ and production skills, what other things do you think helped you stand out and get yourself noticed in a saturated market? Networking at University definitely helped me. I used to volunteer a lot, running events, working the door at festivals, and hosting DJ lessons. I also entered a lot of competitions. Back then, in-person mix competitions were really great if you wanted to meet new people. One competition, in particular, did a lot for me as it got me my first gig supporting an international headliner. After that, I started getting better set times. If you’re starting from scratch, it is competitive, but that doesn’t mean you can’t compete. Buy yourself some gear, rent out some studios twice a week and start building up a collection of music. Find out what makes you different. Then, it’s seizing an opportunity when it arises: playing in a bar, playing at a friend’s event. Everyone has to start somewhere. Take baby steps, but if you want to do it, you can. All in good time.

Back in 2010 before he had become arguably the biggest electronic music artist in the world, Martin Garrix was working on a song titled ‘Swedish House Mafia Break’ that wouldn’t be finished or released. This may seem like an irrelevant project amidst his incredible discography, but the melody from this project would go onto to be part of one of the most iconic songs ever made, ‘Animals.’ Martin Garrix had a rapid rise to the top following being signed by Spinnin Records in 2012 after they heard his remix of Enrique Iglesias’ ‘Tonight (I’m Loving You).’ Upon meeting him, Spinnin Records thought they were having a joke played on them as they met with a 14-year-old Martin Garrix who was much younger than they expected. Despite his young age he would release several massively successful songs with them such as ‘ITSA’, ‘BFAM’, and ‘Torrent’ which would start to put his name on the name on the map, even getting praise from one of the greats of electronic music, Tiesto. But it was in 2013 with the release of ‘Animals’ that his career would really take off. It would launch to number 1 in the Official UK Top 40 Singles chart on debut making him the second youngest artist to ever get a number 1 single in the UK at the age of only 17 years old. This big room house banger would go on to garner over 400 million streams on Spotify and is widely considered one of the best electronic music tracks ever made. The success of ‘Animals’ would take the Dutch DJ from playing at small clubs in 2013, to playing at some of the biggest festivals in the world in 2014 including Creamfields, Lollapalooza, Ultra and Tomorrowland. The thundering kick and unique lead sound are undeniable perfection from a thriving time for EDM. This track made Martin Garrix the household name that he is today and deservedly so as he has kept on releasing music that dominates the EDM scene and he has shown no sign of slowing down. For many people ‘Animals’ was their gateway into electronic music, and it will continue to be as 11 years on from its release it is still just as exhilarating and adrenaline pumping to listen to as it was on its release.

After a period of anticipation, the globally adored South African-Swiss DJ and producer, Nora En Pure, has made a triumphant return to the release front with greatly anticipated tour ID Pretoria. This record is a testament to her profound connection to her homeland, capturing the essence of euphoria and positive energy that fans have been patiently waiting for. With playful work, driving basslines, and rhythmic percussion, Pretoria is a versatile masterpiece that is equally fitting for road trips and festival stages. Nora En Pure’s ability to blend emotion with dynamic soundscapes shines through in this timeless addition to her discography. As Nora En Pure continues to work her way around the planet, her recent tour dates have showcased her incredible talent to audiences worldwide. From hosting Purified showcases in Berlin and London to captivating crowds at Hafen 49 in Mannheim, Germany, Nora En Pure’s musical journey knows no bounds. Her ability to connect with fans through her music is truly something special, and her recent travels have only reinforced her status as a musical sensation. With Pretoria, Nora En Pure has once again proven her ability to craft a musical masterpiece that resonates with fans on a deep level. The track bursts with energy and emotion, taking listeners on a journey through uplifting melodies and infectious beats. From the moment the first notes hit your ears, you can’t help but be swept away by the euphoria that Nora En Pure effortlessly weaves into her music. The playful synth work, combined with the driving basslines and rhythmic percussion, creates a dynamic sound that is both captivating and unforgettable. What sets Pretoria apart from other tracks in Nora En Pure’s discography is its undeniable sense of connection to her homeland. As a South African-Swiss artist, Nora En Pure has always drawn inspiration from her roots, infusing her music with the essence of her heritage. In Pretoria, this connection is palpable, with each note carrying the spirit of her homeland. It’s this authenticity and depth of emotion that sets Nora En Pure apart from her peers, making her music not just a listening experience, but a journey of the soul. Whether you’re listening to Pretoria on a road trip with friends or dancing under the stars at a festival, one thing is clear – Nora En Pure’s music has a universal appeal that transcends borders and genres. Her ability to create music that speaks to the heart and soul of listeners is a rare gift, and with Pretoria, she has once again proven why she is a force to be reckoned with in the electronic music scene. To see Nora En Pure’s full list of tour dates, head over to BandsInTown. The post Nora en Pure Reveals ‘Pretoria’ appeared first on EDMTunes.

Melbourne-based producer Selfless has released a captivating new single that seamlessly fuses atmospheric melodies with crushing basslines. “Bleeding Moon” kicks off with a wide, grooving bassline that immediately draws the listener in with its infectious rhythm. Hypnotic harmonies build tension as the track progresses, hinting at the drama about to unfold. The long main theme presents a fresh take on cinematic sound design, with lush synth pads swelling into view. Soft melodic lines cascade overtop, adding an emotive quality that tugs at the heartstrings. But just as you’re lulled into a dream-like state, the sinister plucked top melody rips through, signaling an abrupt descent into darkness. The drop hits with snarling force, bass distortion cranked to punishing levels as gnashing growls ricochet from every angle. It’s an adrenaline-pumping barrage of sound that leaves you feeling disoriented yet utterly compelled to keep listening. Selfless masterfully blends light and shadow, beauty and brutality into an intoxicating clash of styles. The Australian producer has become known for crafting rich, immersive sonic worlds that blend nostalgic melodies with otherworldly atmosphere and bowel-loosening bass weight. From hypnotic ambient textures to pumping industrial rhythms, twisted robotic growls to wubbing wobble-fests, each Selfless production tells a unique story through the language of sound. “Bleeding Moon” is a thrilling new chapter that cements their status as one of bass music’s most evocative storytellers. The post Blending Cinematic Lines and Hard-Hitting Bass is Selfless ‘Bleeding Moon’ appeared first on The Groove Cartel.

Late Night Therapy has recently unveiled his most ambitious and unique track yet, “Altitude.” It promises to take listeners on an emotional rollercoaster. In a recent interview, the artist shared insights into the creative process behind this remarkable piece of music. “Altitude” is a departure from the traditional structure of a DJ set, where transitions between songs create a sense of excitement and reset. Instead, Late Night Therapy has crafted a single track that encapsulates three distinct chapters, each with its own texture, vibe, and emotion, culminating in an overall emotional journey. The first chapter of “Altitude” is characterized by a dark, aggressive, and masculine tone, reflecting the emotional battle to rise above negative events that cross our paths. A vocal mantra, “Higher,” captures this struggle, serving as a rallying cry to overcome adversity. As the track transitions into its second phase, a dramatic shift occurs. The music, texture, and emotion undergo a transformation, ushering in a euphoric and uplifting atmosphere. Late Night Therapy describes this section as the “epiphany,” a return to faith in the positive aspects of reality when we align ourselves with the frequency we wish to attract. The artist achieved this by transitioning from darker electronic and synthesized sounds to a more emotional, open, and organic soundscape, with a piano serving as the main driver for this uplifting journey. The final phase of “Altitude” is a celebration, a “party” that represents a return to the dream state. With a pulsating dance beat, this section invites listeners to revel in the positive emotion cultivated when we come together as a community, having overcome the challenges of the first chapter. The post Late Night Therapy breaks down his latest tune ‘Altitude’ appeared first on The Groove Cartel.

The American house music producer Bexxie is back on Insomniac’s sister label IN / ROTATION with her second song, “Gotta Be Real,” which came out June 11th. In “Gotta Be Real,” she pays tribute to her roots by sampling the famous track “Injected With A Poison” by Praga Khan. She describes this record as a key piece of music from her early days as a dancefloor reveler. There are old-school rave stabs, diva-style vocal hooks, disco-calling vox samples, and a well-done breakbeat breakdown in the song. The song comes after her last hit, “Got Me,” which got support from Fedde Le Grand, dEVOLVE, and Tomo Hirata. Bexxie talked about how she felt about making the song and releasing it. She said: I’m excited to be releasing with IN / ROTATION again! “Gotta Be Real” was made because I wanted to make a song that mixed modern house music with sounds from my rave days in the 1990s. It always gets people moving when I play this song in my sets!!!! American artist Bexxie is making waves in house music with her love of rave culture from the 1990s and classic grooves. She is based on the East Coast. 1001TrackLists called her the “Future of Dance.” She has played directly support for Above & Beyond, Chromeo, Dombresky, and Andrew Bayer, and she joined Seven Lions on his “Journey III” Tour for 23 stops. Bexxie’s song “Gotta Be Real” takes you back to the good old days of rave by mixing classic tech house and disco themes with modern music. This song makes her stand out as an artist to watch. You can get Bexxie’s new song “Gotta Be Real” on all digital music stores through IN/ROTATION Records. The post Bexxie Returns to Insomniac’s IN / ROTATION with “Gotta Be Real” appeared first on The Groove Cartel.

In doing so, she becomes just the ninth artist to release a full body of work on Marcel Fengler's IMF label Continue reading...

The record will be available both digitally and on vinyl from June 28 Continue reading...