Ravebot

The revelation comes alongside new single 'Reason Why' featuring Kim Petras and BC Kingdom Continue reading...

Over the past couple of months, there has been a vast amount of debate going around the social sphere of banning phones at shows and placing other restrictions. It’s been briefly talked about by artists like John Summit, who recently expressed support for the idea on social media, highlighting the importance of fans being fully immersed in the live experience. James Hype has also weighed in on the debate, implementing a no-phone policy for his residency at Hï Ibiza. Now adding to this growing issue is Afterlife, who have announced a strict no-phone policy at their shows for the remainder of their residency at Hï Ibiza. The policy will be effective starting Thursday, 27th June, and will be enforced throughout the club and for the entire summer residency season. So whether you’re catching Chris Avantgarde close the club room with a darker and harder set or catching Tale of Us in the Theatre, you’ll have only the music, the visuals, the vibes, and other patrons ready to take you fully into the experience. Afterlife has gained popularity over the years for their stunning visuals that keep patrons enticed and in awe. The recent implementation of a no-phone policy aims to rekindle the special feeling of raving. It offers fans the chance to connect deeply with the immersive imagery and show created by Afterlife, free from the distractions of cell phone usage. This means you can fully bask in the graphics without being surrounded by bright phone screens. While it might be a controversial move since many people attend an Afterlife show to capture the stunning visuals, the intention behind the no-phone policy is to enhance the live experience. By encouraging attendees to immerse themselves in the moment, this shift aims to foster a deeper connection with the music, the ambiance, and the collective energy of the crowd, creating a more memorable and engaging atmosphere. What do you think about the no-phone policy at live events? Will it enhance your experience or take away from it? Share your thoughts—do you think this move will redefine the rave culture?

If the electronic dance music community knows anything, it's that there's strength in unity. And Insomniac Events, the organizer of EDC Orlando, seems to have embraced that credo ahead of the festival's 2024 edition. Insomniac has revealed a stunning lineup ahead of the festival's 13th edition, which is scheduled to take over Tinker Field from November 8-10, 2024. This year's bill features the most b2b performances in the history of the EDC brand, according to a press release shared with EDM.com. Fans are in for rare collaborative sets from Kaskade b2b Alison Wonderland, Carl Cox b2b Vintage Culture, Dillon Francis b2b Disco Lines, Matroda b2b Wax Motif, Oliver Heldens b2b Benny Benassi and Deorro b2b Timmy Trumpet, among others. Elsewhere on the lineup are electronic music superstars ILLENIUM, John Summit, Tiësto, Netsky, Zeds Dead, Amelie Lens, Alesso, TroyBoi, FISHER and EDM.com Class of 2024 stars Hamdi, Hedex and HoneyLuv. Fans can also take in a special sunset performance by Swedish dance music icon Eric Prydz. They'll all perform across four stages: kineticFIELD, circuitGROUNDS, neonGARDEN and stereoBLOOM. The luminous Rynobus Art Car will also post up at Tinker Field and host days dedicated to drum & bass and Florida breaks. Over 300,000 attendees are expected at EDC Orlando, one of the world's largest EDM festivals, in 2024, per Insomniac. Check out the full lineup below and purchase passes here. The 2024 EDC Orlando lineup features Eric Prydz, ILLENIUM, Tiësto, Netsky, Zeds Dead, Amelie Lens, Alesso, Kaskade b2b Alison Wonderland and many more.Insomniac Events Follow EDC Orlando:X: x.com/EDC_Orlando Instagram: instagram.com/edc_orlando TikTok: tiktok.com/@electric_daisy_carnival Facebook: facebook.com/ElectricDaisyCarnivalOrlando

Bicep have today unveiled “CHROMA 004 ROLA”, the latest single to be taken from their ongoing CHROMA project — which comprises a record label, a series of curated events, a brand new and constantly evolving Bicep AV/DJ show, and a unique visual identity created in collaboration with David Rudnick and his Terrain studio, “ROLA” is another statement track from the duo: stripped-back and raw, with a distinct UK flavour, it was written, quite literally, with the dancefloor in mind as the opening track for their epic CHROMA takeover of London’s mammoth 15,000 capacity Drumsheds venue at the end of 2023. The single also received a first play from Zane Lowe on Apple Music’s New Music Daily Radio on release today. “We wanted something dark and heavy to play as our first tune, as a stark departure from the Live show,” explained Bicep. “It’s exactly what we’re wanting to achieve with CHROMA, a track written for the dancefloor with a specific idea in mind. It’s a chance for us to stretch our legs outside a traditional album cycle and focus purely on music for us djing. It feels really refreshing for us to write music and play it out that same week. It’s been really fun for us to let people hear a bit of a tougher sound from us.” Despite its genesis in the middle of a stormy December in London, “ROLA” is a track that has just as much impact on a warm summer night, or — as evidenced by their recent standout Coachella performances — a peak-time festival stage, and comes as the pair gear up for a double-slot at this year’s Glastonbury, where they will bring both their ‘Bicep presents CHROMA’ AV/DJ show, which headlines the IICON stage on the Thursday night, and a world exclusive performance under alias DOVE on the Levels stage. Bicep has also been announced as headliners at this year’s Wilderness Festival, will be closing out Creamfields Runway stage, are playing at MIRA — Barcelona’s Digital Arts Festival — in November, and will also play North American shows at Portola, CRSSD and Making Time. It’s the latest in a run of new music set for release on CHROMA throughout 2024, with the duo also hosting a number of ‘Bicep Present CHROMA’ takeovers, at London’s Finsbury Park and Brighton Beach next month, with lineups carefully curated by Bicep themselves. July 19th – Brighton Beach – w/ Palms Trax b2b Job Jobse, Ross From Friends, Kelly Lee Owens, Peach, Hammer b2b Ysanne August 2nd – Finsbury Park, London – w/ Joy Orbison, Baby T, Mia Koden, Skee Mask, SUCHI, Surusinghe Though billed as an AV/DJ performance, the ‘Bicep present CHROMA’ shows are actually more of a hybrid between DJ and live. The pair have several pedals and a drum machine they can use on stage, and there is a connection between the decks and the visuals team which allows the latter to see what is being played in real time adapting their visuals accordingly. This in turn gives Bicep the freedom to experiment with each performance, keeping the visuals and music working in tandem, no matter the direction they decide to take things. “ROLA” marks the fourth release in the CHROMA label series, and follows DOVE’s “Bi83”, a collaboration with Benjamin Damage (under their alias B.D.B) titled “L.A.V.A”, and inaugural Bicep CHROMA single “HELIUM”. Support for CHROMA has come from The Observer, Guardian, Resident Advisor, Billboard, MTV, FADER, Wonderland, NME, Mixmag, DJ Mag, Stereogum, Notion, Paste, The Line Of Best Fit, PopMatters, Brooklyn Vegan and many more. With Bicep also appears on the cover of Disco Pogo’s April Issue. Stream / Download here The post Bicep have unveiled “CHROMA 004 ROLA” appeared first on Decoded Magazine.

The new, stripped-back single lands as part of the duo’s ongoing CHROMA project Continue reading...

19-year-old Jay Slater was reported missing by friends just hours after attending the three-day event last weekend Continue reading...

As the curtain falls on their magnum opus tour, peering into the looking glass of ODESZA has never been more enticing. Ever the aesthetes, they're now preparing to shatter it by inviting their fans into a utopia of their own creation. ODESZA's Harrison Mills and Clayton Knight have announced "ECHOES," a first-of-its-kind art installation coming to their concerts at the Gorge Amphitheatre from July 4-6. The momentous shows will wrap up the "Finale" run of the duo's most recent tour, "The Last Goodbye," which many hold in high regard as the best live show of their career. They revealed "ECHOES" by virtue of the first episode of a four-pronged video series developed by UPROXX Studios. The ambitious installation is facilitated by the processing might of a Snapdragon-powered PC from Qualcomm, with whom Mills and Knight are collaborating to bring it to life alongside SETUP. "Building the 'Finale' set, we're doing things we haven't done before," Mills said. ODESZA's Harrison Mills and Clayton Knight performing on their "The Last Goodbye Finale" tour at Madison Square Garden on June 20th, 2024.Julian Bajsel The installation is the result of a whirlwind two-month design sprint. Mills and Knight are manifesting a universe where the digital and the sublime converge within the hallowed grounds of the Gorge, which sits roughly three hours south of Western Washington University, where they first met back in 2009. Fans will agree ODESZA's music is best experienced in the cradle of nature's grandeur. And there exists no venue more fitting for "ECHOES" than the idyllic Gorge, which is prevalently recognized among the nation's most scenic concert venues. "We want [fans] to step into a new world," Knight added. "This installation we're trying to build is going to be something very, very cool." Watch the first episode of UPROXX Studios’ new series below. Follow ODESZA:Instagram: instagram.com/odesza X: x.com/odesza TikTok: tiktok.com/@odesza Facebook: facebook.com/odesza Spotify: spoti.fi/3hCvE32

Hï Ibiza is set to revolutionize the clubbing experience this summer with the return of Afterlife‘s residency. In an unprecedented move, the iconic Thursday night event will implement a no-smartphone policy on the dance floor. The idea is to encourage attendees to fully immerse themselves in the music and atmosphere. A New Era of Clubbing Starting June 27, 2024, Afterlife will kick off a series of nine spectacular shows at Hï Ibiza. While guests will still be allowed to carry their phones, recording videos and taking photos on the dance floor will be prohibited. This bold decision aims to create a more authentic and connected experience for all attendees. Tale Of Us, the masterminds behind Afterlife, have curated an exceptional lineup that promises to push the boundaries of electronic music. The event will span three distinct spaces within Hï Ibiza: the Theatre, Club Room, and Wild Corner. Immersive Spaces and World-Class Artists Each week, these three areas will be transformed into captivating environments, featuring: Mesmerizing visual installations Custom lighting designs State-of-the-art sound systems The result? An unparalleled, multisensory journey that transcends the typical clubbing experience. Opening Night Lineup (June 27, 2024) The Theatre Tale Of Us Argy Adam Sellouk Club Room Chris Avantgarde Script Layla Benitez Wild Corner Afshin Momadi Embracing the Present Moment By implementing this phone-free policy, Afterlife aims to reconnect clubbers with the essence of dance music culture. Without the distraction of screens, attendees can fully engage with the music, the crowd, and the overall ambiance of the night. This initiative reflects a growing trend in the music industry to create more authentic, lived experiences. It’s an invitation to be present, to feel the music, and to create memories that exist beyond digital captures. Don’t miss this groundbreaking residency. Tickets are available now for what promises to be one of the most talked-about events of the Ibiza 2024 season. The post Afterlife Bans Phones for 2024 Hï Ibiza Residency appeared first on The Groove Cartel.

Just over a year ago, New Zealand-born producer Opiuo released "Bash Plate," a wonky bass collaboration with fellow Kiwi ASHEZ. But their time in the studio together was only just beginning. During Opiuo's magnum opus performance at Red Rocks with the Opulent Orchestra last May, the electronic music luminary may have tested out a few new IDs on the crowd. Upon release of the Opiuo & The Opulent Orchestra live album in November, "Bash Plate" and "Candy"—a then-new release with ASHEZ—were included as original bonus tracks. Fast-forward to this May, when the dynamic duo dropped the titular track of their EP. Equal parts ominous and alluring, "Underground" is reminiscent of the feeling you may have experienced back when you were younger—attending that dark and dingy warehouse rave that you snuck off to as a teen, but made you feel so alive. View the original article to see embedded media. EDM.com caught up with Opiuo and ASHEZ ahead of the release to discuss their relationship and the collaborative process throughout the creation of the Underground EP. Also ahead of the EP's release, "Bobby Dazzler" was delivered two weeks prior, pouring gasoline on the flames of anticipation for eager fans. The two talk about how this track was another unknown ID first rinsed at the Red Rocks spectacular. "It was really cool because we had a couple of songs [at that point]," Opiuo says. "I had a middle section of the set without the orchestra, and these songs were very fresh and we were kind of testing them out still." "I was in the crowd," ASHEZ adds about experiencing Opiuo playing out their collaborations live for the first time in front of thousands. "It was pretty awesome." View the original article to see embedded media. Up next, a departure from their usual sound, "Ricochet" launches listeners into an exploratory space and time warp. "The idea of it was to have multiple rhythmic patterns that were all different timings, and you couldn't really find the groove until the beat finally comes in," ASHEZ explains. "And then once the beat comes in, it all makes sense." Closing out the EP, "My Love" leaves listeners with entrancing feelings of devotion through inventive sonic expression with full synergy. "It was a good mix of us," Opiuo says. They both agreed that this one "felt more like a full collaboration... 100% both of us." "For this one, we just started writing and didn't have a direction," ASHEZ shares matter-of-factly. "It just slowly evolved into this." "We only made more of it when we were together," Opiuo adds when reflecting on their journey. "We never [worked on] it over the internet." Doing so, allowed for more emotion and heart to pour in. "It was so free-flowing." Fans can catch Opiuo and ASHEZ performing together in Denver for "a very special show" in August, according to the former. He said the show will provide "a more intimate warehouse style party debuting something brand new that [he's] never done before." Listen to Underground below and find the new EP on streaming platforms here. FOLLOW OPIUO:Facebook: facebook.com/opiuo X: x.com/OPIUO Instagram: instagram.com/opiuo Spotify: spoti.fi/3nbCwJa FOLLOW ASHEZ:Facebook: facebook.com/ASHEZMUSIC X: x.com/ashezmusic Instagram: instagram.com/ashezmusic Spotify: bit.ly/4c7IlPQ

Mixed In Key, has announced the release of Captain Lite and Human Lite, lite versions of its Captain Plugins Epic and Human Plugins. These new versions are exclusively available to all Pro Tools customers with active subscriptions and perpetual upgrade plans as part of the Pro Tools 2024.3 software update. These versions are designed to integrate seamlessly with the Pro Tools 2024.3 software update, which supports MIDI FX, providing Pro Tools users with powerful new tools for music composition and humanization. Captain Lite offers a hands-on introduction to Captain Plugins Epic, specifically focusing on Captain Chords. It allows producers and songwriters to create chord progressions and sketch out song ideas quickly. Featuring intuitive magic buttons representing chords in the chosen scale and default chord progressions, Captain Lite simplifies the music creation process, providing a great starting point for any song. Human Lite introduces producers to the innovative humanization technology of Human Plugins. It provides straightforward tools to add “humanization” effects to tracks, making music sound as if played by live performers. Users can experiment with various levels of humanization to bring a more authentic and organic feel to their productions. “We are excited to partner with Mixed In Key to include these innovative plugins with Pro Tools,” says Rob D’Amico, Sr. Director of Product Management at Avid. “From quickly exploring chord progressions to giving your tracks a live feel, these plugins offer customers new ways to get inspired and create music.” Captain Lite and Human Lite are exclusive to the Pro Tools 2024.3 software update, leveraging the new MIDI FX support to offer an enriched user experience. Both plugins aim to streamline the music production process and inspire creativity by providing intuitive and powerful tools for composition and humanization. For more information about Captain Plugins and Human Plugins, visit: https://mixedinkey.com/captain-plugins/ https://mixedinkey.com/human/ The post Mixed In Key releases Captain Chords Lite and Human Lite for Pro Tools appeared first on Decoded Magazine.

Twenty-four years ago today, the French House group Modjo released their iconic hit single ‘Lady (Hear Me Tonight)’. Comprised of guitarist Roman Tranchart and singer Yann Destagnol, this track quickly captivated audiences with its upbeat whimsical melody and fast beats clocking in at 128 bpm. ‘Lady (Hear Me Tonight)’ served as the lead single from their self-titled album, which ended up being the group’s only album, released under the MCA record label. The single made an impressive debut, reaching #1 on the UK Charts and topping the charts in seven other European countries. In the US, it peaked at #8. Today, ‘Lady (Hear Me Tonight)’ remains the duo’s most streamed track on Spotify, accumulating over 476 million streams to date.

Mentorship applications are now open for year two of the Freeform Forum programme, launched by the energy drink brand, Relentless. The initiative, designed to empower young, rebellious creators to break through industry barriers, will offer 12 young creatives between the ages of 18-25 the chance to learn how to push their creative boundaries and forge their career paths without limits, directly from leading music industry mentors. This year’s programme, in collaboration with global creative studio network Pirate Studios, welcomes a new lineup of pioneering mentors. Each brings invaluable experience in disrupting the creative norm and carving their own path within the music industry. Spearheading the initiative is MOBO-nominated rapper, AntsLive, visionary dance music DJ and community studio founder Sherelle, all-round visual creative Ayshe Zaefoglu (AZ), and Burna Boy’s favourite film director Troy Roscoe. The Freeform Forum mentors will be matched with three aspiring creatives within their field, guiding them through the completion of a creative project over the three-month programme (July-October). Each mentor will draw on their experiences of navigating the industry as creative outsiders, offering one-to-one guidance on how to creatively stand out and avoid being forced into restrictive industry norms. The mentorship programme, which aims to help level the playing field for emerging creatives by empowering them to play by their own rules, will also offer mentees access to in-person meet-ups and networking sessions, skill development workshops and tailored creative and technical advice, to help participants turn their creative into fully fledged live projects. As part of the programme, applicants can sign up to take part in one of four creative categories: “Music Artist” – with AntsLive: For the stage performers, songwriters, or budding artists eager to learn topics such as stage presence, crafting an EP, and mastering your flow. “Music Production” – with Sherelle: For the beatmakers, mixers, and those looking to master both fields; Sherelle will be passing on her broad expertise, tailored towards projects such as creating an EP, or launching a mix-series. “Creative” – with AZ: For all those interested in visual storytelling; think photography, illustration and creative direction. Using budget-friendly digital tools and editing advice, mentees will be able to learn practical skills on how to build a stand-out brand & portfolio. “Filmmaking” – with Troy Roscoe: For any aspiring directors in music. Those wanting to take their music videos to the next level can learn the ins and outs of producing compelling visuals, from editing skills to honing that creative vision for a particular artist. The programme will conclude with one mentee receiving a £10,000 fund to help support their creative future and realise their visions. The winner will be appointed through a careful selection process, with one defining criteria; the project which pushes the most creative boundaries, bringing to life the very ethos of Freeform Forum. When asked about the programme, AntsLive commented, “Freeform Forum is for people who want to rip up the rule book and create something totally unique and different. I’m looking forward to taking my mentees through what this means to me as an artist, and how this can help them on their creative journey in the music industry.” This year, the Freeform Forum goes beyond mentorship with the new addition of a live-and-direct Discord chat forum. Open to the public, the forum encourages discussions, peer learning, and networking, helping to create a supportive community of like-minded individuals for creative exchange and inspiration. Elsewhere on the site, the ‘Skills Hub’, offers money-can’t-buy insights and practical tips from mentors and partners (including Pirate Studios) to navigate industry challenges, as well as tips specific to each creative category, such as creating a budget studio set at home, and where to get experience performing live. The Freeform Forum is part of a wider Relentless ‘Freeform’ banner, set up to support subcultural scenes and champion creative freedom. This year, the platform will bring to life personal projects by AntsLive and Sherelle and play a supporting role at Notting Hill Carnival and within the UK grassroots music scene. For information about the Freeform Forum and to submit your application before the 26th of June, please visit www.relentless.freeform.com The post AntsLive, Sherelle and more launch Relentless Mentorship Programme appeared first on Decoded Magazine.

Taking listeners on the most scintillating of musical journeys, MR.BLACK has just unveiled his latest single, in the form of ‘Pattaya.’ Incorporating his signature sound throughout, the Israeli DJ/Producer leaves no doubt to the imagination, with his unique approach towards music production becoming evident once more. Oozing with energy from start to finish, ‘Pattaya’ arrives at the most fitting of times, with the man of the moment more than set on further enhancing his presence within our community. Boasting the most immersive of discographies, MR.BLACK is the epitome of an act that has not only mastered his craft to the utmost of perfection, but at the same time, ensures that each and every detail is accounted for in order to stand out from all the rest. From his electrifying productions, to live performances that will leave you begging for more, this artist to watch is well and truly cementing himself amongst the elite, and in turn, it comes to no surprise that his music has amassed millions of streams, whilst also garnering support from some of the biggest names in the dance industry. Out now under Revealed Recordings, ‘Pattaya’ is more than set on leaving a lasting impact, with this production further illustrating MR.BLACK’s genius mind. A certified hit in our books, be sure to check it out in all its glory below, whilst streaming is also available through all major platforms here. We will be keeping a close eye on MR.BLACK and all his future endeavours, starting of course with his take over of Tropicana Mykonos at the end of this month, where nothing less than the most immersive of vibes will occur during the We Rave You residency.

Techno titan Charlotte de Witte has once again taken New York City by storm with a weekend-long takeover that fuses music, fashion, and art. Surprise Street Performance Shuts Down Orchard Street In a repeat of last year’s viral moment, Charlotte de Witte kicked off her NYC takeover with a guerrilla-style pop-up DJ set on Orchard Street. On Thursday evening, hundreds of New Yorkers flocked to the Lower East Side as de Witte performed an hour-long set from a booth positioned in the middle of the street. The impromptu block party, hosted in collaboration with streetwear store EXTRA BUTTER, showcased the raw energy of both techno music and New York City itself. For fans who missed the live action, the performance was captured in partnership with Beatport and Ray-Ban and is available for streaming online. New Music and Massive KNTXT Show De Witte’s NYC blitz coincides with the release of her latest single, “How You Move,” from the highly-anticipated ‘Roar‘ EP. The new track, which dropped on vinyl on June 20th, exemplifies de Witte’s boundary-pushing style and captures the essence of modern techno. The highlight of the weekend has been the massive KNTXT show at Brooklyn Storehouse on Saturday, June 22. Fashion and Art Collaborations The techno phenomenon’s takeover extends beyond music, incorporating exciting collaborations in fashion and art: EXTRA BUTTER X KNTXT Capsule Collection: De Witte unveiled a limited-edition collection featuring a NYC Bomber Jacket and new KNTXT apparel. The exclusive bomber jacket, retailing at $270, is available in extremely limited quantities at the EXTRA BUTTER Lower East Side store. THE SKATEROOM Art Collaboration: In a philanthropic twist, de Witte announced a partnership with THE SKATEROOM, an art collective known for collaborations with renowned artists. The collection includes three skateboard concepts – two solo decks and one triptych deck – which will be available for a limited five-day sale following the NYC events. For techno enthusiasts and culture aficionados alike, last weekend offers a unique opportunity to experience the multifaceted world of Charlotte de Witte. The post Charlotte de Witte Shuts Down a Street to Play in NYC appeared first on The Groove Cartel.

A fundraiser has been launched to establish the foundation, helping emerging artists get a head start in the industry Continue reading...

The three and half hour event is aimed at those who work in sectors where people take MDMA, including universities, health services and nightlife venues Continue reading...

In a recent post on his social media accounts, electronic music producer Deadmau5 delivered a scathing response to Spotify CEO Daniel Ek‘s controversial comments about the cost of creating content. The incident has reignited debates about artist compensation and the value of creative work in the digital streaming era. The Spark: Ek’s Tweet Daniel Ek, the CEO of Spotify, sparked the controversy with a tweet that read: “Today, with the cost of creating content being close to zero, people can share an incredible amount of content. This has sparked my curiosity about the concept of long shelf life versus short shelf life.” Ek continued his thread, musing about the longevity of content: “While much of what we see and hear quickly becomes obsolete, there are timeless ideas or even pieces of music that can remain relevant for decades or even centuries. For example, we’re witnessing a resurgence of Stoicism, with many of Marcus Aurelius’s insights still resonating thousands of years later.” The Backlash: Deadmau5’s Fiery Response Deadmau5, known for his outspoken nature and advocacy for artists’ rights, didn’t mince words in his reply to Ek’s statement. The Grammy-nominated producer fired back on Instagram: “Incorrect. The cost of creating content was 25+ years of my life and much of those proceeds going to your company you complete fucking idiot.” This terse and pointed response encapsulates the frustration many artists feel toward streaming platforms and their perception of the creative process. Unpacking the Controversy Deadmau5’s reaction highlights several key issues: The True Cost of Content Creation: While digital tools have made music production more accessible, the statement “the cost of creating content being close to zero” grossly oversimplifies the reality. It overlooks the years of training, practice, and experience that go into becoming a professional musician. Time as an Investment: Deadmau5 emphasizes the time investment required to hone one’s craft. The “25+ years” he mentions represent a lifetime dedicated to music, which cannot be quantified solely in monetary terms. Artist Compensation: The reference to “proceeds going to your company” touches on the ongoing debate about fair compensation for artists on streaming platforms. Many musicians argue that the current royalty rates do not adequately reflect the value of their work. The Value of Expertise: By reducing content creation to a near-zero cost activity, Ek’s statement could be seen as devaluing the expertise and artistry involved in producing high-quality music. Industry Implications This exchange underscores the tension that exists in the music industry today. As streaming continues to dominate music consumption, the debate over fair compensation and the value of creative work is likely to intensify. Artists, industry professionals, and fans alike will be watching closely to see how this conversation evolves and whether it leads to any meaningful changes in how streaming platforms approach artist relationships and compensation models. One thing is clear: the path to harmonizing the interests of artists, platforms, and listeners in the digital age remains a complex and contentious issue, one that will require open dialogue and innovative solutions to resolve. The post Deadmau5 Calls Spotify CEO a “complete fucking idiot” appeared first on The Groove Cartel.

Layla Benitez and Eynka have worked together to make “No Place To Go,” out via Interstellar Recordings. This is Benitez’s first release with Insomniac Music Group. Layla Benitez is a well-known face on Insomniac’s stages and the regular DJ at the famous Space Miami. She brings her deep knowledge of rhythms that make people happy to this collaboration. Her work with Eynka, two well-known melodic heavyweights in the UK, offers a mix of styles that is both new and old. “No Place To Go” shows how well the artists can mix different types of music. The chorus of the song makes you want to sing along. It sounds like the indie dance music of the late 2000s, with bands like Empire of the Sun coming to mind. This nostalgic part perfectly matches Eynka’s signature sound. It is loud, razor-sharp melodies that have become their name in the UK scene. Benitez‘s natural understanding of how dance floors work and Eynka’s skill as a producer have come together to make a track that can be played on the radio or in clubs. The catchy singing over the pulsing beats make you want to move. The intricate melodic elements give the song depth and complexity that makes it worth listening to more than once. The post Layla Benitez and Eynka Join Forces for “No Place To Go” appeared first on The Groove Cartel.

The record is comprised of 14 tracks encompassing the "hard, fast and fun" spectrum Continue reading...

It marks his return to Australia's Happy Wax Records, which housed his "life changing" track 'King Of Rock' Continue reading...

The track has garnered support from Chris Stussy, Skream, Prospa and more Continue reading...

This summer, Marshmello is joining the festivities of rugby's fiercest showdown. The Shockwave producer is gearing up to headline the 2024 Major League Rugby Championship, injecting his signature high-energy setlist in the heart of San Diego's Snapdragon Stadium. Taking place in early August, this year's championship game will feature the top teams from the MLR's East and West conferences, capping off an intense season with an unforgettable performance. The rare set marks Mello's first time performing at the 35,000-capacity Snapdragon Stadium. Internationally renowned musical artist, @marshmello, will perform live at @Snapdragon Stadium for the 2024 @USMLR Championship on August 4. Tickets are ON SALE now! 🎟️: https://t.co/PxC7FT8Jnc pic.twitter.com/ZxJ2PpQB5D — Snapdragon Stadium (@SnapdragonStdm) June 21, 2024 Meanwhile, riding high on the success of his MELLODEATH mixtape—an incendiary release alongside SVDDEN DEATH—Marshmello's latest venture has continued to turn heads. The collaborative project drew thousands into the streets of Chicago for a pop-up performance in addition to a pop-up that filled the Mall of America on short notice. His momentum in the studio and on the live front is enhancing anticipation, especially after the recent release of a surprising riddim EP. The 2024 Major League Rugby Championship is scheduled for August 4th beginning at 1pm PT. Tickets are on sale now. Follow Marshmello:Instagram: instagram.com/marshmellomusic X: x.com/marshmellomusic TikTok: tiktok.com/@marshmello Facebook: facebook.com/marshmellomusic Spotify: spoti.fi/3eeTJuD

Once simply another coveted ID, "Lights Go Out" from What So Not, Benson and Lucy Lucy is now the immortalization of the artists' decade-long friendship. "This tune was birthed from FM synthesis and true friendship," What So Not explained. "Benson letting me sleep on his couch all those years ago so I could afford my first ever gigs in Melbourne, and Lucy living down the street from my parents, doing some of her first solo recordings with me in my bedroom studio. It’s been a long time coming for everyone hounding my DMs about it and now it's finally here for the world!" View the original article to see embedded media. Recorded between Sydney and Melbourne, the track made its grand debut at What So Not's recent sold-out show at Red Rocks Amphitheatre. The premiere at such an iconic venue illuminated the track's potential, instantly resonating with fans and sparking requests for its official release. "Lights Go Out" opens with bell-like synth melodies resonating with crystalline clarity above a foundation of thumping 808s. The formidable percussion work provides a solid backbone, grounding the track's ethereal soundscapes and vocals with a contrasting edge. As What So Not prepares to launch his "Dance Dance Revival" tour across Australia, "Lights Go Out" serves as both a rallying cry and a testament to the resilience of the local Australian dance music scene. The tour aims to revitalize the industry and offer emerging artists a platform to showcase their talents, a mission close to What So Not's heart and a timely initiative given the impact of recent festival cancellations on the Australian dance music community. Listen to "Lights Go Out" below and find the new single on streaming platforms here. Follow What So Not:Instagram: instagram.com/whatsonot X: x.com/whatsonot TikTok: tiktok.com/@whatsonot Facebook: facebook.com/whatsonot Spotify: spoti.fi/376MZPv Follow Benson:Instagram: instagram.com/Benson.Aus X: x.com/BensonAus TikTok: tiktok.com/@bensonaus Facebook: facebook.com/BensonAus Spotify: tinyurl.com/mpujw8un Follow Lucy Lucy:Instagram: instagram.com/itmelucylucy X: x.com/itmelucylucy Facebook: facebook.com/itmelucylucy Spotify: tinyurl.com/3b4fumwe

The stage is set for an unforgettable evening at Pacha Ibiza on June 22, as SG Lewis and Benji B are primed to bring their distinct brands of electronic disco, funk and fine-tuned selections to the island’s hottest club. The evening marks SG Lewis’ highly anticipated return to club-focused sounds, following the launch of his Forever Days label earlier this year. SG Lewis has carved out a niche in dance music like few others, channelling the feelgood bliss of heyday disco into his modern and polished dancefloor productions. While his 2023 LP AudioLust & HigherLove set the tone for contemporary radio-friendly disco, 2024 marks a refreshed appreciation for the dancefloor, demonstrated by his brand new EP with singer Tove Lo. Pairing with SG Lewis like a fine wine is London’s very own Benji B, who is known for his deep repertoire that spans genres and decades alike. His weekly radio show on BBC Radio One and personal vinyl collection totaling in the tens of thousands have helped pave the path for Benji to become one of the U.K.’s most influential and in-demand DJs today. Pacha Ibiza is set for a monumental season with world-renowned resident artists including CamelPhat, Bedouin, Robin Shulz, Solomun and Marco Carola appearing throughout the season. Dedicated to showcasing the world’s most sought-after artists, Pacha Ibiza will also host a series of limited events with artists such as Anitta, Jason Derulo, Tyga, Peggy Gou, Hugel, Roger Sanchez, ANOTR, Diplo, Köslch and Ida Engberg, Ben Böhmer, Barry Can’t Swim, Sven Väth, The Blessed Madonna, The Martinez Brothers, Pete Tong, Loco Dice, Purple Disco Machine, Dixon and Jimi Jules, Adriatique, Blond:ish, WhoMadeWho and many more. Pacha Ibiza’s legendary Flower Power party is reimagined for a new era in 2024 while preserving its core essence. Visitors are taken on an evocative journey through four distinct chapters, capturing the island’s free spirit: Holi Ibiza, Army of Flower, Circodelia and Future of Freedom. Evolving from its roots, today’s Flower Power celebrations blend nostalgia with contemporary happy house sounds, offering an immersive experience that transcends generations. Led by resident DJ Bora Uzer and a grand total of 74 guests including Grace Jones, Boy George and Róisín Murphy, Flower Power takes centre stage every Saturday night, throughout the 21 week season. The post SG LEWIS AND BENJI B JOIN FLOWER POWER AT PACHA IBIZA appeared first on Electic Mode.

For this outing, the live-hybrid duo channel their respective, musically-broad influences into a peaktime dancefloor hitter Continue reading...