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It's easy to feel lost in a sea of aspiring DJs these days—but unrecognized doesn't have to mean unheard. That's the core tenet of "Miller Mix," a new initiative launched by the iconic Miller brewing company in collaboration with Beatport, who are working to cultivate the global electronic dance music community under an ambitious contest and event series. "Industry connections," that elusive phrase, seems like an insurmountable wall for countless DJs. After all, it's 2024, a time when gifted artists toil in obscurity while major labels sign record deals with non-musician TikTok creators who have only used microphones to seek out men in finance. 77% of emerging creatives cite a "lack of industry connections" as a major barrier to entry into the music industry, according to a study from Youth Music. The stage lights are calling, but the path seems impossible. The plight of the independent artist is embedded in the DNA of Beatport, who recently launched a first-of-its-kind playlist to spotlight promising dance music producers without access to the big-budget backing of a major label. By providing a platform for these hidden talents alongside Miller, they're ensuring the future of EDM stays exciting, innovative and full of flavor—much like a perfectly chilled draft beer on a hot summer night. "Empowering music producers and DJs worldwide has always been at the core of Beatport," said Ed Hill, SVP of Beatport Media Services. "This collaboration with Miller will provide a nurturing space for talent to flourish, fostering connections and opportunities essential for success in today's ever-evolving industry." Lilly Palmer.Bilal Andirin Initiatives like "Miller Mix" are vital for rave culture, disrupting the insular cycle of the same familiar acts that annually appear on the lineups of commercialized EDM festivals. A platform for the unheard to become the headliners, it's a middle finger to the formulaic nature of the moth-eaten "DJ contest." For the winners of the inventive "Miller Mix" contest, it could prove a life-changing springboard for their careers. After DJs and producers submit their music, winners are selected by a panel comprising the tour's headlining artists as well as members of the teams behind Miller Genuine Draft and Beatport's curation arm. Votes from the community will also factor into the decision. The winners will secure a coveted DJ set at one of six international events, joining influential electronic music acts like Giolì & Assia, Argy and Lilly Palmer. They'll also receive a robust package, valued at €5,000, containing access to music production software and exclusive educational workshops in support of their career development. Aaron Hibell.Bilal Andirin The "Miller Mix" tour spans six territories: Turkey, Georgia, Kazakhstan, Hungary, Australia and South Africa. Following each local event, Miller will launch a bespoke cultural docuseries "telling the unique stories of local artists and city residents." YOZÉ, a blossoming techno producer out of Istanbul, recently came out on top of the Turkish leg of the competition, a triumph she called "an incredible milestone in [her] journey." She ultimately threw down a momentous hometown set at the Volkswagen Arena before Palmer, who in 2023 was named one of EDM.com's best music producers of the year. "Creating a unique techno track out of the interesting samples we were given was my goal and I’m super happy that it led me to win the competition," YOZÉ tells EDM.com. "This was a wonderful opportunity that has fueled my passion even more, and I hope it inspires other young artists like myself to pursue their dreams with determination and creativity. And never stop believing!" "We were thrilled to kick off the first event of the Miller series," Hill added. "Staying true to our core aim of supporting music producers and DJs, it was inspiring to see YOZÉ, the competition winner from Turkey, perform alongside the iconic artist Lily Palmer." YOZÉ.Bilal Andirin Reflecting on Istanbul's club culture, Asena Hayal, a DJ and member of the Turkish dance music collective Noh Radio, said the scene has transformed immensely through the years. "When I look at the club culture process in Istanbul from the past to now, I see that it has undergone constant transformation due to political and economic conditions," she explains. "In geographies like Turkey, where oppression prevails, clubs emerge as platforms of solidarity. I see Istanbul's underground club culture as a platform for people who have come together through music, who stand in solidarity with each other, who can express themselves collectively, and who can be themselves in safe spaces." "I am discussing this by excluding mainstream clubs. Particularly in the Beyoğlu area, spaces are opening up safe areas for groups marginalized and ostracized by society. Among these, we can mention the projects Noh Radio and Noh Extended, in which I am also involved. It is a space that shows sensitivity to this balance, not only for LGBT+ producers and DJs but also regarding their teams and beyond. I also find the relationship Noh Radio has established with the street important. It can be interpreted as a democratic space where individuals from different classes can come together and communicate. It's important to have the support of the Miller/Beatport docuseries to highlight the stories from these spaces." You can keep a pulse on "Miller Mix" here.

Are we tripping out or did Eric Prydz just debut a brand new mesmerizing show? That’s right, acclaimed Swedish DJ and Producer Eric Prydz just started his Hï Ibiza Residency for the Summer with a brand new show called [CELL]. Since Eric fans are like no others, one has already recorded the show. [CELL] Live Debut The ‘Opus’ producer consistently delivers a blend of astounding music and technology, offering a brand new experience each time. Prydz, also known for his aliases Pryda and Cirez D, has made his HOLO show a staple in the EDM community, inspiring multiple other artists to create their own audiovisual experiences. Hence, as a pioneer of this unique genre of events, Prydz repurposes and regenerates his shows to new heights each time. [CELL] is not the exception. Having found its home in Hï Ibiza for the Summer, the new Prydz production offers attendees a new layout. From the video, we can appreciate dozens of light panels and screens that layer visuals on top of each other. This adds lots of depth and dimension to the visuals. Thus, it provides the audience with a fantastic visual banquet to feast with their eyes. The residency began Monday June 24th and will run Mondays at Hï Ibiza through September 9th. Moreover, special guests include Adam Beyer, Anfisa Letyago, Anna, Kevin De Vries, and more! Mondays just got a lot more interesting in Ibiza this summer. Cell is the future of audiovisual entertainment. The post [Watch] Fan Records Eric Prydz [CELL] Debut at Hi Ibiza appeared first on EDMTunes.

American talent SCRIPT has made his highly anticipated debut on the esteemed Afterlife imprint with his ubiquitous hit, ‘On The Low‘. This release marks a significant milestone, as SCRIPT becomes the first American artist to release a stand-alone single on the renowned label. ‘On The Low‘ has quickly become one of the most talked-about tracks in the Afterlife family scene. Its journey from a simple Splice sample to a genre-defying vocal anthem is nothing short of remarkable. The track’s powerful, undulating bassline supports a catchy vocal hook, while mesmerizing layers of synths and melodies add emotional depth, captivating audiences worldwide. The impact of ‘On The Low‘ was felt most strongly during the Ultra Music Festival 2024 and Miami Music Week 2024. During this period it earned the prestigious title of the most-played unreleased ID. The buzz surrounding ‘On The Low’ isn’t just coming from the dancefloor. The track has garnered support from some of the most influential selectors in the industry, including: Tale Of Us ARTBAT John Summit Dom Dolla Cassian And many more. This widespread support from established artists has undoubtedly contributed to the track’s rapid rise to prominence. A Monumental Year for SCRIPT 2024 has been a landmark year for SCRIPT, and ‘On The Low‘ is just one part of his success story. Earlier this year, he released remixes of CamelPhat’s “In Your Eyes” and “Gravity” on Tomorrowland’s label. The future looks even brighter for SCRIPT, with his anticipated Afterlife debut in Ibiza scheduled for June 27th. This performance will undoubtedly be a crowning moment in what has already been an incredible year for the rising star. The post SCRIPT Debuts on Afterlife With ‘On The Low’ appeared first on The Groove Cartel.

Kygo, a talented Norwegian DJ and producer, first rose to fame with his remix of Ed Sheeran’s popular hit ‘I See Fire’ in 2013. This remix cemented his reputation as a creator of tropical house tunes that we’ve all come to love and recognize today. He’s been in the game for a decade now and has amassed millions of fans across continents, making him an artist that people relate to and love. Over the years, Kygo has played at renowned global festivals like Creamfields, Coachella, Tomorrowland, Ultra Miami and more. Aside from that, he’s also the creative mind behind the Palm Tree Music Festival alongside his manager Myles Shear with the festival having been inaugurated in the Hamptons, New York on August 29, 2021. With all his success, the DJ/producer/festival organizer isn’t taking a step back anytime soon. Instead, he’s set to release a self-titled album, one that fans have been eagerly anticipating. The album features popular tracks like ‘Whatever’ with Ava Max, ‘Without You’ with Hayla, and a heartbreak healer titled ‘Healing’ with the Jonas Brothers. This album, ‘ Kygo,’ delivers a total of 18 tracks, each stamped with his iconic sound but now infused with a fresh pop dance twist, ensuring you won’t just listen, but actually get up and dance. Each song weaves a narrative that resonates deeply, inviting listeners into Kygo’s evolving musical journey. This release is not just a collection of new music—it’s an invitation to experience the transformative power of his melodies, crafted to light up the night and inspire the world, one beat at a time. Keep an ear out, as this album sure looks promising and has been proclaimed as a highly anticipated release in the music scene. Get the full album here!

Tomorrowland has long been known across the dance music community as a festival that unites people and gives back to its patrons. Over the years, the festival has included different competitions as a means to show its fans that they care. From DJ competitions which give upcoming and aspiring talent the chance to play for a renowned festival to golden tickets hidden in the Spirit of Life book for 2024’s edition, the fun and opportunities are endless. This year however, Tomorrowland has decided to take it a step further and get the hearts of formula 1 fans racing. In a recent announcement, the festival announced a new competition “The World United in Belgium” which gives a lucky winner an experience of a lifetime. Not only will you get to experience Tomorrowland in all its glory with a full-madness pass from July 25-28, 2024, but you’ll also revel in the fun at the Belgium Grand Prix at Spa Francorchamps on the 28th. If you’re worried about missing the closing of Tomorrowland, fret not as you’ll get to go back to the holy grounds to see the festivals end in style. The competition also grants you a stay at one of the many Tomorrowland themed hotels. From the moment you step foot into the lobby, you’ll feel the magic of Tomorrowland enveloping you like a warm hug. To enter the competition, simply answer 10 questions about Tomorrowland’s 20 year anniversary, submit your answers via your account and voila, you’ve taken your position on the circuit! To find out more info, check out the website. So what are you waiting for? On your marks, get set and let the race to be United in Belgium begin!

Following on from the successful release of ‘Barcelona’ alongside fellow Norwegian Ina Wroldsen, worldwide superstar and electronic music artist Alan Walker announces a behemoth of a European tour, set to kick off in March 2025. Fresh off the completion of his first ever South East Asia Walkerworld tour, which stopped in Singapore, Jakarta, Macau, and Kuala Lumpur, Walker shows no signs of slowing down as he announces a huge, continent spanning European tour for 2025. The South East Asia/China leg of the tour has already seen over 60,000 people see the amazing show and the Indian leg of the tour, which is set to stop in 10 cities across the country, making it the largest tour in the country by an international artist. Now, finally, Alan is set to bring his immersive Walkerworld themepark concept to European continent. Fittingly, the tour will kick off in the city of Barcelona where Alan will be playing for the first time, catch him playing all of your favourites as well as exclusive new releases at the famous Razzmatazz club on March 6th 2025. From then on, Alan will make his way around Europe, stopping at the biggest cities on the continent to present an extraordinary arena experience that lasts from the moment the ticket is purchased until you leave the venue! 2025 is a notable year for Alan, given it’s the 10-year anniversary of his seminal hit ‘Faded’, so expect a celebration of the journey since then. The tour will span 11 countries in 14 nights and includes some of the most iconic venues in the world, such as the legendary Alexandra Palace in London and the Olympia in Paris, which have collectively housed acts such as The Rolling Stones, Madonna, Led Zeppelin and many more. Other stops on the tour consist of AFAS Live in Amsterdam, Zenith in Munich, and Atlas Arena in Lodz, not to mention shows in Milan, Budapest, Vienna, Prague, Berlin, Frankfurt, Dusseldorf, and Zurich along the way too. You can also expect some very special guests along the way, keep your eyes peeled for the announcement of the supporting acts. This release comes at an extremely busy time for Walker, fresh off a pair of hot new releases in ‘Unsure’ with Disney star Kylie Cantrall and more recently ‘Barcelona’ with Ina Wroldsen. Aside from music however, Alan is busier than ever, with the inception and announcement of the Walkerworld Creator Games. The WCG is a fan-friendly and industry-leading initiative which invites his biggest supporters in to the immersive Walkerworld inside Fortnite, where they can then present relative creations/content for Alan to interact with. There are even four cash prizes of $10,000 on offer from Alan, awarded to what he feels are the best creations from his fans! To add to this, to celebrate each stop of the European tour, Alan will scout a local support guest artist among online creators in each city. By using #WCG24, you could have the chance to perform on stage in front of thousands of spectators! Keep your eyes peeled for pre-sale of Alan Walker’s 2025 European Walkerworld tour, coming Wednesday 26th June 2024 exclusively via Spotify. With general sale expected to commence Friday 28th June via Alan Walker’s website.

The undeniable world of drum and bass has gradually become more accessible to a more global audience, till now where its momentous ripple has caused mayhem in the world of music. Of course, it is many of the household, more established, names behind this movement. However, there also exists a crop of young DJs and producers who are responsible for providing the scene with additional variety and depth. James Claydon-Smith is undoubtedly a force to be reckoned with in the genre, at the age of just 20. Known to drum & bass fans as Jamezy, his melodic and forward-thinking sound has become synonymous with his productions. At the mere age of 17 he released his breakthrough record with DnB Allstars. Three years later, it’s safe to say that he’s fast establishing himself as a mainstay within the scene – working immensely hard to consistently churn out the releases. Having two acclaimed EPs out in ‘Mind Control’ and ‘Mixed Emotions’ so early in his career, through heavyweight platform DnB Allstars, paved the way for a number of big hits for the remainder of his teenage years. Jamezy got into producing very young, at the age of 14, where drill and rap beats were the foundation of his learning. Having been inspired by his brother’s taste for drum and bass music, he built an instant passion for the genre – fast evolving his curiosity into an obsessive hobby throughout lockdown. Having played in most cities within the UK and some around Europe, he now looks towards a bright future within the community. Playing at superclubs like Printworks and The Warehouse Project, as well as Wembley Arena, the Swindon-born artist has already performed at some of the most prestigious venues in the UK. Achieving so much in such a short space of time, before even reaching the age of 21, is no mean feat. Not to mention achieving a million streams on Spotify with popular tracks ‘Mi Familia’ and ‘Mind Control’. On June 28 we can look forward to the release of ‘Killamanjaro’ which is due to be one of the big drum & bass tracks of the summer. We can anticipate one of Jamezy’s most forward-thinking numbers yet. Its bouncy and fast-paced rhythm compliments the easily distinguished vocals of Scrufizzer. No stranger to the underground scene, the British rapper is known for his punchy grime vocals and bashment-type flow. The witty lyricism, combined with Jamezy’s bassy topline is sure to be a recipe for success in the sunshine. Presave Killamanjaro With the might of DnB Allstars behind him, the sky’s the limit for this young producer from Swindon. A hard-working talent who has dedicated all his teenage and adult life to music, we can expect loads more to come after the undoubted success of ‘Killamanjaro’. We wanted to find out more about one of the rising stars in drum & bass. How did the artist we all know as Jamezy break into the scene with such purpose so young? What has your musical upbringing been like up until this point? I started playing guitar when I was 8 until I was about 16. I got FL when I was 14 – making all sorts of beats. Mainly drill and rap beats up until the age of 16. I was also doing GCSE music, but I dropped it in the end. I played the guitar growing up, which I loved doing. It was classical stuff, I went up to grade 5. The problem was, because I was doing it as a school subject it took the fun away from it. It definitely felt like a chore. 2019 was when I started making drum and bass. When I started mixing I realised early on that I wanted to play my own tunes when I DJ. As I was already in the process of producing it made sense to try and produce drum and bass tracks. Entering lockdown coincided with this so I basically just sat in my room making drum and bass all day long. I watched a lot of sets on YouTube like the Kings of the Rollers Studio 338 set for example. Who were you listening to growing up? Did this inspire your production today? Originally I used to listen to a lot of UK rap. People like AJ Tracey, Not3s, J Hus and Skepta. I liked a lot of afrobeats. These were the types of beats I was making when I was younger. That’s probably why my first releases were so melodic. I was taking inspiration from the period when I was just making rap beats. I’ve always tried to incorporate the melodic elements of my musical upbringing into the drum and bass production. I think it’s cool to make tunes that go off in the rave, but it’s also really great to have music you can appreciate in a different way in your bedroom. How did you get into drum and bass? My brother was really into it and he introduced me to it. He was a raver. He always used to play me tunes. Although it wasn’t a drum and bass song, Chase & Status’ ‘Blk & Blu’ tune on the ‘Brand New Machine’ album opened the door to the genre for me. Once you got into your drum and bass, how did you find that initial learning process in production? Back then, it was really hard. In 2020 there weren’t as many tutorials online as there are now. I was on Reddit a lot trying to work out how to do stuff. It took me a while to learn how to execute it. I was on Discord a lot, watching how other producers did stuff and seeing what tips were shared. Because no one could leave the house due to Covid, I’d be sitting there learning how to do this all day. There was also a Facebook group I followed that gave me loads of new advice. Applying what I knew how to do beforehand to D&B was difficult at first for sure. When did your tunes start getting recognition? I did one Soundcloud free download called ‘On My Mind’, it was my first original track that got me quite a few followers. There was also ‘Mind Control’ which ended up getting picked up by DnB Allstars. That definitely set my career off. I never thought that it was even possible to get a career out of making tunes. I didn’t think it would go anywhere. I remember Dom Whiting played ‘Mind Control’ on one of his bike ride sessions when he first started doing it. Now that’s got over a million streams. That’s unreal! What type of artists were you taking inspiration from back then? Back then starting out in the scene it was definitely Alcemist and Bou. I used to send my tunes to both of them when they did livestream feedback sessions. Their sound was the sort of thing I was feeling at the time. They really changed up the sound, moving on from the heavy foghorn and roller period. When I saw Alcemist first do stuff with DnB Allstars it made me want to release with them too. Let’s talk about DnB Allstars. Obviously a really big thing for you in your career. I loved the brand before I was even involved with them. I loved how they presented things. Their artwork was always great. I was always impressed with the artists they got on board. Back in 2021 they were big, but not the powerhouse they are now. Back then, not everyone was rocking with them. I guess some of the bigger artists were sceptical because of their Instagram brand tag. That’s why their first batch of releases were up-and-comers like me, Goddard, Vibe Chemistry, EJ Kitto, and artists like that. I was glad to achieve my goal and put out music with them that same year. After signing with them and getting the releases out, the artist development side of it from them has been great for me. It feels like I’ve grown with them to be fair. I’ll always be thankful for them as I wouldn’t be where I am now if it wasn’t for them. It’s crazy to see how far they’ve come. How did your debut EP release with DnB Allstars come about then? They used to run a thing called dubplate club, which was a monthly subscription where you’d receive a bunch of tracks. I submitted tunes to that, as well as their label they started up. They hit me up saying they really liked some of my tunes, so we kept going back and forth. I would send Josh, who runs Allstars, a load of music. I’d sent him ‘Authenticity’, ‘Mind Control’, and ‘Speechless’ and before I knew it I had an EP with the label. They were liquidy, melodic, tunes. Not a lot of artists were doing it at the time, so it was a bit fresh and people were feeling it. It must’ve been a great feeling when you got the green light for an EP release on this brand you loved throughout your drum and bass journey… Yes! It was a crazy feeling. I was still in college doing my apprenticeship. I was 17 and very excited. We were still coming off the back of the Covid regulations so there were still restrictions, but nonetheless, it was a very exciting time for me. There must be ambitions to work with other producers in the future now you’ve got a back catalogue of work… For sure. I want to work with other producers because for a while now I’ve mainly been doing my own thing. But when you collaborate with other producers you learn so much from them. Two brains are always better than one. Let’s see what works I guess. Even working with more vocalists. I’ve worked with Ruth Royall, Azza & Grima, J Mulla, and Eksman. I definitely want to work with more grime MCs to get more grime and drill influence into my production. You had a big release out recently with SPINNIN’ RECORDS called ‘The Weekend’ with some big collabs in there! Yes, that one came out in May this year. It was a great experience to work with the label. They’re a massive label. Working with Mollie Collins and Ruth Royall was big for me personally as I’m still very much coming up within the scene. Talk to me about playing at Wembley! Hedex has been smashing it for quite a while now with very successful tours and shows. He announced Wembley in October 2023 which was sold out in less than 24 hours. At this point there was no lineup announced. In January, he hit me up and requested I play alongside Latte and T-Lex who are good mates of mine. I had to keep it quiet for ages. I was able to bring my Dad which was special. It was a really special day that I’ll never forget and I’m thankful to Hedex for the opportunity. I respect him so much, his work rate is nuts. He’s put the work in and reaping the rewards. Let’s talk about your upcoming release ‘Killamanjaro’. How did that come about? Basically my manager Hari had met Scrufizzer at a ‘Night Bass’ album launch and got the link that way. We sent him a tune last August and he got back to us with the whole vocal. It was so sick. Then I’d made the ‘Killamanjaro’ beat, and it was just an instrumental for a while. After a while, I sent him the beat asking what he thought of it. No joke, within 45 minutes he sent me the whole track back. Everything was complete. The way he works is nuts. We went back and forth for a while to perfect it, but it was crazy how quickly he works. At first, I didn’t think this tune would be one of my personal best, but as soon as Scrufizzer laid down the hook I knew it would be a banger. The whole campaign is based on the sound system culture. This one’s not under a label and it’ll be fully independent. We made this tune back in October so I really wanted it out this summer. I’m glad we’ve achieved that. What are the differences you’ve found between the ones you’ve released under a label and self-releasing? It just means we have to find a distributor for it ourselves. All the artwork is also sorted by us. A massive part I’ve found is all the promotion, making the assets, and the pre-save links are all pushed by us. The good thing about all of this is you can fully decide on all the aspects of the release, that side of it has been a lot of fun. We’ve got a lot of short-form content recorded and ready to go for the promo. It’s nice to have the creative license. Talking of promo, how have you found the importance of social media in today’s music scene? Socials are a double-edged sword for me. It’s obviously massively beneficial for artists due to the instant nature of it. On the other hand, a lot of people’s judgment can be clouded based on followers, views, likes etc. Social media is always going to be there now, so I think you’ve got to try and use it to your advantage. I think I’ve been getting better at it over the last 12 months. Ultimately, to push my music which is the main goal for me. But no matter what, the music always comes first for me. The tracks are always a priority. So are you able to give me any insight on any releases post Killamanjaro? Not too much, but I can say I’ve got one in July on NUFORM Records – who are a great label. A more melodic sort of number to what I’ve done recently. I’ve got more coming up later in the year which I can’t say too much about, but definitely more feel-good tunes coming up. I can confirm there’s definitely more stuff pencilled in for the rest of the year. We are already working on stuff for early next year too. I’m sure you have some great things in the pipeline! I think the scene would love to get to know you a little bit better. Why don’t you start off by telling us 2 or 3 collaborations you’d love to happen? I’d probably have to say Scrufizzer again, I’d love to jump on some more stuff with him. I’d have to throw Bou in there for obvious reasons. And then I’d say Emily Makis too. She’s been killing it. I’m interested to know what sort of producers/DJs you’re rating at the moment who are on the come-up like yourself in the scene. 4K is a good friend of mine outside of music and he’s so talented. Formula too, he makes bangers. We’ve played a lot of shows together. There’s a DJ called OKO as well. She’s been doing bits recently and started to make her own music as well. There’s another guy called DRZ who’s making a lot of dancefloor stuff which sounds sick. I know you’ve played at so many amazing venues, but excluding Wembley what have your top three to perform at been? Printworks for both Allstars events I played. The vibes were unreal on the last one I did their Tobacco Docks event too- which was also nuts. They barely did d&b raves there but the one I did was very memorable. And I’d have to throw in their Warehouse Project too. The raves inside the venue are unmatched.

Producer/DJ IND:RA releases his latest remix: a Melodic House & Techno rework of Motorcycle’s hit track ‘As The Rush Comes.’ As he brings another remix to his catalogue of releases, IND:RA shows his creative motivation to remain high, keeping his creativity driving forward as he breathes new life into the Motorcycle track. With the remix showcasing IND:RA’s ability to merge classic melodies with contemporary electronic elements, this latest production offers a fresh yet familiar sound, curating a dynamic energy to captivate audiences across the globe. Having spent twenty years gaining experience on the Electronic Music scene, IND:RA has honed a style that blends House, Techno, and other sub-genres. Born in India and now based in London, IND:RA’s versatility and technical skill have earned him performances at prestigious venues such as the Ministry of Sound and The Egg, garnering him the credit of being the only Indian Artist to secure a residency at London’s Hakkasan. Continuing to ensure his impact on the scene extends beyond his performances and productions, IND:RA founded his label, Desert Disco Records: playing a role in promoting and nurturing talent within the industry, the label, much like IND:RA himself, appears dedicated to exploring and celebrating the diverse facets of House and Techno, maintaining ambition when it comes to solidifying a unique and distinct place within the genre. Sustaining his commitment towards his craft and displaying his talents once again, IND:RA’s remix of ‘As The Rush Comes’ serves as a powerful reminder of his ability to reinterpret classic tracks while maintaining their core essence. By infusing the original with his signature euphoric details and driving beats, IND:RA offers a fresh take that honours the quality of the song while introducing it to a new generation of listeners. A soundscape detailed with pounding rhythms, pulsing synths, atmospheric lines, and a powerful low-end, balancing the innovative arrangement with the familiar vocals, IND:RA’s rework introduces compelling energy, designing a hypnotising sonic journey to ensure listeners remain excited by the evolving production and its enthralling sound. A Producer and DJ who continues to push the limits of his creativity, raising it to new heights with each release, IND:RA upholds his status as an original innovator on the scene. ‘As the Rush Comes (IND:RA Bootleg)’ is out now and available to stream. So, stay tuned, and be sure to keep up to date with IND:RA by following him across social media.

DJ Dris unleashes another original production with the release of his newest Afro House single, ‘Sun Will Shine Again’ featuring Vocalist Zack Goffe. With each release, DJ Dris raises the bar of his creativity, elevating his sound as he incorporates more innovative ways to ensure his music impacts listeners. Now, with this new single, set for release via Born Digital Music, DJ Dris once again puts forward a captivating production, curating a thoughtful and driving instrumental backdrop for Zack Goffe’s vocals to shine against. Throughout his musical journey, DJ Dris has taken opportunities to express his sonic individualism and present his unique musical perspective; having acted as a radio show host, podcast presenter, along with rapper, DJ Dris has appeared with a bold creative approach, now taking the time to build his own catalogue of works as he offers original music for listeners worldwide to discover. With a signature sound that sits between Afro House, Afro Beats, and House, all the while blending in elements from genres like Drill and Tribal House, DJ Dris’ passion for music creation remains evident throughout his work, giving way to powerful productions and energetic live shows. With this latest release offering yet another immersive listening experience from the talented DJ and Producer, ‘Sun Will Shine Again’ emerges as a powerful example of the sonic vibrancy and affinity to rhythm and melody that remains rooted within DJ Dris’ signature sound. As punchy beats build the rhythmic soundscape of the track, Zack Goffe soon joins to add wordless vocal lines that drive the track forward, with pulsing synths and full-bodied pads entering to add further harmonic colour to ‘Sun Will Shine Again’. With the potent rhythms and the bold vocal lines taking centre stage throughout the production, the listening journey of ‘Sun Will Shine Again’ delivers laid-back vibes, creating relaxed energy that makes the track the ideal addition to genre lovers’ playlists worldwide. Continuously showing no signs of slowing down and remaining consistent with his release schedule, DJ Dris no doubt maintains his status as a talent to keep an eye on within the realm of Electronic Music today. ‘Sun Will Shine Again’ is out now via Born Digital Music and is available to stream and download across platforms here. So, be sure to stay up to date with him by following him across social media, as DJ Dris is guaranteed to bring more compelling music to listeners again soon. Follow DJ Dris: Website | Spotify | Instagram Follow Zack Goffe: Instagram      Follow Born Digital Music: Instagram

Meetch brings another vibrant production with his newest Tech House release, ‘Prophecy’ featuring Rapper Bizzair. Having worked together for Meetch’s 2023 track, ‘I Became a DJ’, the duo come together once again to offer listeners a dynamic sonic experience, presenting them with a carefully constructed soundscape energised by rhythmic elements, driving details, and intense sound. Set for release via No Definition, ‘Prophecy’ no doubt shows Meetch to be upholding his penchant for sonic exploration as he continues to develop his sound and skillset, honing a signature style that is refreshing in quality and distinct in character. With his creative focus continuing to lead the growth of his discography, recently resulting in releases like ‘Upside Down’ and ‘Move Ya Body’, Meetch maintains his commitment towards his craft, enthusiastic about his desire to make a name for himself within the genre. Having been lighting up stages with his unique approach towards live performance, adding a visual element with his robot helmet, as well as offering listeners worldwide the chance to discover his captivating style with weekly episodes of his radio show ‘Digital Dance Radio’, Meetch’s reputation within Electronic Music is surely growing. With career highlights that include taking to the decks alongside top VIP names like Skrillex and Deorro and just recently inviting heavyweights such as Alle Farben and Yves V onto ‘Digital Dance Radio’, Meetch is no doubt paving an exciting path within the genre, demanding attention as he navigates his way. ‘Prophecy’ starts off with a groovy beat and catchy melodic riff, soon evolving in sound as Bizzair joins to add his signature vocals, creating infectious lines that balance against the full-bodied arrangement. As a potent low-end brings dark vibes to the track, exciting risers and intensifying elements quickly raise the energy of ‘Prophecy’, guiding the listening experience as unique hits, playful details, and a dynamic bassline enter the mix. A track that keeps the sonic journey engaging and surprising throughout, introducing enthralling layers of sound and exciting moments, ‘Prophecy’ appears as a bold production, sure to have listeners hitting repeat. As Meetch remains motivated and passionately driven by his love for creating high-energy productions, the talented Producer and DJ maintains his prominent position on the list of those to follow within Electronic Music today. Listen to ‘Prophecy’ below and purchase it here. So, on a trajectory full of potential and promise, be sure to keep up to date with Meetch across social media as he is sure to keep delivering powerful productions and live shows. Follow Meetch: Spotify | Soundcloud | Instagram Follow Bizzair: Instagram | Spotify Follow No Definition: Beatport | Instagram

The Italian duo Close To Us delivers layers of groovy sound with their newest single, ‘Loco Por Ti’; a unique blend of Tech House and Bachata, the track brings dancefloor vibes from the very first hit, placing the infectious style of the duo at its centre. As they continue to build momentum, Close To Us remains unstoppably determined when it comes to their creativity, pushing their sound to fresh ground as they keep honing their craft, style, and talents. Now, with the release of ‘Loco Por Ti’ via the label Shaman Records, the duo further cements themselves on a promising path, offering listeners an energetic sonic experience with this brand-new production. With their musical journey only just getting started, Close To Us has embarked on their creative pursuits with a motivated attitude, approaching their craft with an ambition to make a name for themselves within the realm of Electronic Music. Having released tracks like ‘Wiiru’ and ‘Bambalam’, as well as a Tech House remix of the Skrillex, Fred again.. and Flowdan track, ‘Rumble’, Close To Us have begun building their discography, creating music that can ignite dancefloors with its funky rhythms and vibrant sound. As they establish their signature style, taking to the decks to create immersive live experiences, the duo continues to form connections with listeners, placing themselves on a trajectory full of promise as they showcase originality throughout their work. As ‘Loco Por Ti’ highlights Close To Us’ lively sound, incorporating a range of upbeat elements, like thumping beats, a punchy bassline and exciting risers, the track offers fresh sonic colour with its vibrant guitar line and original Spanish vocal layers. With the intricate melodic hooks and rhythms bringing a Latin-inspired flavour to the track, the listening journey throughout ‘Loco Por Ti’ comes as a unique experience, refreshing in character yet catchy in energy; with danceable grooves and captivating sonic details, this new release from Close To Us is no doubt poised to capture attention. ‘Loco Por Ti’ is out now via Shaman Records and is available to stream and download across platforms here. So, with the detailed soundscape of ‘Loco Por Ti’ serving as a powerful indicator of the talents and potential of Close To Us, make sure to discover its bold sound for yourself and be sure to keep watching Close To Us by following the duo across social media. Follow Close To Us: Spotify | Instagram | Beatport     Follow Shaman Records: Instagram | Beatport   

Swedish afro house duo Vidojean x Oliver Loenn present their latest release, ‘Embawe,’ out now on Tomorrowland Music. This marks their triumphant return to the label following their debut on the ‘RISE VA‘ (Vol. 1) compilation earlier this year. As part of Tomorrowland’s Future Four, Vidojean x Oliver Loenn have been turning heads with their unique blend of afro and sexy house beats. Their music has garnered support from industry heavyweights like Keinemusik, Chris Lake, Meduza, and Sunnery James & Ryan Marciano, solidifying their position as one of the most exciting up-and-coming acts in electronic music. The song ‘Embawe’ For ‘Embawe,’ Vidojean and Oliver Loenn have teamed up with talented artist José Lucas. The result is a floor-filling track that promises to leave listeners spellbound. Featuring captivating Swahili vocals, ‘Embawe‘ showcases the duo’s signature sound while incorporating elements that transport the audience to the heart of Africa. The artists shared their excitement about the release: We’re thrilled to have collaborated with José Lucas on our new single. This track boasts afro rhythms and vibrant melodies that perfectly blend our styles. We believe it will resonate deeply with our fans, and we can’t wait for everyone to enjoy it this summer! – Vidojean x Oliver Loenn José Lucas added: This track features mesmerizing production and Swahili vocals that mean ‘my heart belongs to Embawe’. It paints a vivid picture of a picturesque African village, reminding you to always remember your roots, no matter where you are in the world. The Rise of Vidojean x Oliver Loenn Since joining forces in 2010, Vidojean and Oliver Loenn have been crafting energetic and captivating dance music that blends deep house, afro house, and various other electronic styles. If you are an avid reader of our blog or you have followed us for some time now, you may remember that we featured the duo back in 2018 with their tune Homerun. Their unique sound, characterized by pulsating beats and melodic intrusions, has caught the attention of major players in the industry, including Adriatique, Sebastian Ingrosso, Diplo, and Afrojack. Tomorrowland Music: Nurturing Talent ‘Embawe‘ is released through Tomorrowland Music. It is a dedicated music division of the renowned Tomorrowland brand. Working in partnership with Virgin Distribution and Virgin Records, Tomorrowland Music aims to support artists in all aspects of their recording and release activities. ‘Embawe‘ is available now on all major streaming platforms. The post Vidojean x Oliver Loenn on Tomorrowland Music with ‘Embawe’ appeared first on The Groove Cartel.

Get ready to experience the infectious beats of reymid4s’s latest single, “What?” Dropping on May 20th, 2024, this electrifying release features two tracks that will have you dancing from start to finish. “Beis” and “Style” are the dynamic tracks that make up reymid4s’s latest single, “What?” Produced entirely by the artist himself, these songs showcase his lifelong love affair with electronic music. Drawing on influences from Tech House, Bass House, and Dubstep, “Beis” and “Style” are designed to entertain audiences and make them feel powerful. From the pulsating rhythms of “Style” to the bass-heavy beats of “Beis,” these tracks are guaranteed to get you moving and grooving on the dance floor. Introduce yourself and your project I am reymid4s, a songwriter, producer, and composer from Mexico. I have listened to electronic music since I was a kid, and in the last years I took the decision to take seriously a music career. Explain what musical genre fits you best I have listened to electronic music since I was a kid, I mean, a lot of electronic music, different genres and rhythms. My passion now is to try different sounds, melodies, and rhythms to create something original. For example ‘what?’ is in my opinion electronic music with bass house and tech house influences. Were you connected with music from a young age and did anyone inspire you? Yes, listened to it since I was a kid. I like Dimitri Vegas and Like Mike, but also I enjoy listening to artists like Excision. What kickstarted your music career? My passion for music gave me the curiosity to learn how the superstars of electronic music produced their songs. I started to learn from youtube how to use music software, how to create a melodies, chords, genres. It has been a very long journey, to be honest. Tell us more about your sound and how it’s evolved over time I like to create original things. If I do not like a sound because it sounds like other artists., I try to find a way to make it my own recipe, my essence. Any words you want to share to encourage other artists or producers? We are all the artists, so we need to be united to make this industry a very attractive one for the people that want to learn or be part of this journey. We need to be united. How do you nurture your industry relationships? I believe that it’s good to have a good relationship with everybody, I would not like to be someone that people could hate. So, for example, with my music distributor I try to stay open. I am aware that we have different cultures, and I will always be grateful and patient with them because they have taught me things in music industry that I did not know before. Is there anyone you’d like to thank that’s been crucial to your journey? There are some people: 1.- My uncle Toño that taught me the fundamentals of how to DJ. 2.- My distributor that gave me the opportunity to be on all music platforms online. 3.- The people that listen to my music and that support me on this journey. Name 3 songs you love and what they mean to you “SABROSA”:My first electronic song that appears on all music platforms in the world. I didn’t have any past experiences of showing my music on all platforms, but it’s nice memory to look back. Also, it’s my first song with tech house influences. “Ghosts and Stuffs”: One of the first electronic music songs I heard when I was a child. I fell in love with deadmau5’s music. This marks my start in electronic music and when I started to search more music by him on YouTube. “Bourne”: I started to listen to Will Sparks thanks to YouTube. I remember hearing this song and I liked the Melbourne Bounce genre because it was created in Australia. Thanks to the internet, I had the opportunity to listen to music from the other side of earth. What’s your favourite piece of studio equipment or software? My guitar. Name your favourite club or festival and how it makes you feel. I’ve loved Tomorrowland since I was a kid, it’s amazing to see all the people there enjoying music and dancing. Name an outlandish rider request? Dame un ray, porfa we. Favourite clubbing memory and who or what did it involve? Going to nightclubs in CDMX with friends where electronic music is playing. What famous quote represents you best? Imagine, create it. I invented it (haha). If you could play at any venue, where would it be and why? Someday I would like to play at venues all around the world, but I know that I need to go step by step and be patience with the process. Music is….. (explain more) A way to connect with people and emotions. One song you really couldn’t live without and why? Hard question, there are many, but i will say, “I could be the one” – Avicii and Nicky Romero. Namedrop your favourite 5 artists or DJs (past or present) Hard decision again, i like a lot of DJs Alesso Avicii Steve Angello Axwell deadmau5 What was your first music memory and how did it fuel your fire? My grandfather loves country music, so I remember him listening to Creedence Clearwater Revival. He also likes to listen to Andrea Bocelli, he is a very diverse man in music genres. Tell us more about your plans for the future I would like to release an album with different genres. I am working on it, but I have had problems with writing the songs. I need to be focused on that and I will release it one day, that is for sure. Any worldly advice you’d like to share? Enjoy the process, focus on what is your objective and be disciplined to achieve it. Follow reymid4s What? Is Out Now The post reymid4s Unleashes Electrifying Single “What?” – With Two Tracks Guaranteed to Get You Moving + Artist Interview appeared first on Electic Mode.

After making a stylish entrance into the Dance scene with tracks like ‘Ame ga furu‘ and ‘INSIDE INSIDE‘, Mi chi ko returns with her debut EP ‘Frenesí‘. Delve into a collection of enigmatic and sensual Dance tracks, refining 90’s club sounds like Acid Techno with more modern and sophisticated touches and sensual vocals. Each of Mi chi ko’s tracks are crafted with pulsating rhythms and enveloping electronic textures designed to get listeners hooked from the first listen. If you’re looking to embrace a fresh take on Dance music and its distinct eras, look no further than ‘Frenesí‘ this Spring. Introduce yourself and your project Mi Chi Ko is a project born in Japan, inspired by the vibrant underground electronic scenes of Kobe and Osaka. I returned to my hometown, Monterrey, Mexico, to explore various genres within the electronic realm. My sets are known for their energy and eclecticism, offering a unique sonic experience. This versatility has led me to perform at a wide variety of events, from art exhibitions and brand activations, to fashion shows and performances at some of the most important clubs in my country. I am the co-founder of Penumbra, a label and record company dedicated to promoting emerging talent, and the founder of Loop de Loop, a fresh and fun music collective that has received a great response in Monterrey. In 2024, I released Frenesi, featuring two remixes by Fausto and Kickzologo, along with an original track with SolarX. Besides my DJ life, I am also deeply involved in academia. I am a university professor and have been teaching History and International Relations theory for quite some time. Explain what musical genre fits you best I consider myself quite eclectic and don’t stick to a single genre. Within a single set, I enjoy moving through various styles. Currently, my favorite genres within electronic music are Balearic, House, Deep House and Deep Tech, Were you connected with music from a young age and did anyone inspire you? Yes, I’ve been connected to music from a very young age. I remember listening to my dad’s rock albums in the car, especially Queen and Red Hot Chili Peppers. Music always captivated me; my mom often recalls how I would start dancing whenever I heard a tune, completely oblivious to any crowd around me. What kickstarted your music career? I’ve been singing for as long as I can remember, and I started taking singing and guitar lessons at a very young age. However, it wasn’t until I moved to Japan for a year in 2016 that I truly immersed myself in electronic music and DJing. Tell us more about your sound and how it’s evolved over time I initially started with minimal and minimal deep tech, combined with Japanese synth pop like Yellow Magic Orchestra, influenced directly by my experiences in Japan. However, upon returning to my home country, Mexico, I developed a growing interest in other genres. As a history professor, I enjoy the process of delving into the origin of sounds, venues and legends. Any words you want to share to encourage other artists or producers? Never confine yourself to a single, fixed idea of who you are or what your art should be; you will evolve, and that is the natural course of life. How do you nurture your industry relationships? I see the industry as a dynamic playground full of opportunities for collaboration and building meaningful connections. While I acknowledge the presence of competition among collectives and DJs, I focus on personal growth and progress. I strive to support emerging DJs and nurture professional relationships with colleagues and promoters, fostering a community where we can all thrive together. Is there anyone you’d like to thank that’s been crucial to your journey? I want to extend my heartfelt thanks to so many incredible people. To my friends from Electric Community, Sixthsense, ESDESTO, and LoopdeLoop, who believed in me and started organizing parties. To SolarX, a talented DJ and producer, with whom I co-founded my label, Penumbra. To Andrik Palacios, with whom I co-produced my first songs. To Jesus (Tuti), for his unwavering support, and to Dan Velasco, who has supported me through the agency .44 (punto44). Thanks to DJ Temo, Topaz, Meteoro, and everyone who comes out to dance and listen to my music every night. And, of course, my family—though being a DJ isn’t their cup of tea, they still support me, and remember, I’m also a professor! Name 3 songs you love and what they mean to you + Youtube links Subjoi Flashing lights I can listen to this song on repeat, I discovered it on a summer night driving free of any preoccupations, it takes me to a selfless state. Tanzanite by Wallace Wallace is a great source of inspiration for me, he is always innovating while maintaining his essence, he just gets to sounds I wasn’t aware of. This track is pretty recent but I was completely blown away after listening to it. I want to thank my friend, the great DJ Andres (aka Chivo). Tokyo ASMR by Emanuel Satie Since my name is Michiko I had this idea of incorporating some oriental sounds into my sets. I came across this song while walking in a park and I felt as if it had been made for me to play it, with a really sensual voice and great melody. What’s your favorite piece of studio equipment or software? I have been using Ableton for a while with an Akai APC25, you don’t really need the most expensive gear to make good tunes and my Shure 58 to sing to record my voice. Name your favourite club or festival and how it makes you feel My favorite club is Topaz Deluxe in Monterrey, my hometown. It truly feels like home to me. I first discovered electronic music there and dreamed of the day I would get to play there. My debut night at Topaz Deluxe was one of the happiest moments of my life. Name an outlandish rider request? I am not much of an alcoholic drinker so in my rider you would find non-alcoholic beverages such as kombuchas, matte, ginger beers. Additionally, my hometown can get pretty hot in the summer, so a fan for sure. Favourite clubbing memory and who or what did it involve? I had an unforgettable experience at The Hive in Zurich. I danced non-stop until 10:00 a.m. with Simon, Ling Ling, Ines, and Dario, some of whom I met that night. It was an incredible team. The best part was not knowing the DJs beforehand; the music and the vibe were simply amazing. What famous quote represents you best? No man ever steps in the same river twice, for it’s not the same river and he’s not the same man. – Heraclitus. I feel I am in constant change as well as everything that surrounds me and I accept it. If you could play at any venue, where would it be and why? There are countless iconic and enigmatic clubs I dream of playing at, but overall, my ideal venue would be a festival set on a beach or in a stunning natural landscape. While I enjoy the energy of indoor venues, playing outdoors allows me to feel deeply connected with my surroundings. Music is….. (explain more) Music is the vibrational expression of emotions. There is nothing else in this world that allows me to convey my feelings as powerfully or makes me feel as deeply as music does. One song you really couldn’t live without and why? ‘West end Girls’ by Pet Shop Boys, I just love this song. It was after a Pet Shop Boys concert that I decided I wanted to produce my own music. Namedrop your favourite 5 artists or DJs (past or present) Paula Tape Wallace Zombies in Miami Jex Opolis Chaos in the CBD What was your first music memory and how did it fuel your fire? Listening to ‘Bohemian Rhapsody’ in the car with my dad, I was both fascinated and perplexed by its many shifts. I wondered, “What is this? Why does it have so many changes?” One moment it was Galileo Galilei Figaro!..and then it was rock again. This song showed me from a very young age that we can bend the rules. Tell us more about your plans for the future I am currently focused on producing my own music and creating unforgettable experiences with my parties through Loop de Loop. At the end of June, my label Penumbra, which I co-founded with SolarX, will release a new EP titled, ‘My Soul is Free’ by Kickzologo. Additionally, I am working on a side project to produce dreamy electro cumbia, a genre that is very popular in my hometown. My goal is to travel the world sharing my sounds and music selection. With a major and a master’s degree in international relations, I am excited to blend my passion for music with my academic background. Any worldly advice you’d like to share? Take action now and stop making excuses for not pursuing your goals and dreams. Be bold, embrace your true essence, and don’t be afraid to show who you are. Remember, everyone has their own unique rhythm, so avoid comparisons and focus on your journey. Frenesí Is Out Now Follow Mi chi ko Instagram Facebook The post Mi chi ko Reimagines The 90s Club Sound With Her Latest EP, ‘Frenesí’ + Artist Interview appeared first on Electic Mode.

Continuing a fine form of releases since their 2023, producer pair Noise Dogma are back with a bang bringing us their second single of 2024 ‘Chaos Reigns’ – an uptempo, pulsating club anthem boasting a thumping drum rhythm, haunting synths and a dense sonic soundscape to get lost in. Providing the perfect techno trance escape, ‘Chaos Reigns,’ perfectly encapsulates the group’s desire to ‘rethink techno, defying conventional standards.’ ‘Our inspiration often emerges from the desire to explore, venture and hopefully pioneer new sonic landscapes. It has come to life in a different way than anything we’ve done up until now, it’s electrical and magical.‘ With an extensive creative process for Noise Dogma, the duo exclusively formulated this remarkable track enriched by the guidance of their mastering engineer Robin van Grenetchen and was recorded at their home studio. Alongside the powerhouse that is ‘Chaos Reigns,‘ Noise Dogma are also releasing another song alongside, titled ‘Devil’s Anthem,’ – a distorted, heavy and driving track that wouldn’t look out of place at some of Europe’s most elusive clubs. Matching the energy of ‘Chaos Reigns,’ ‘ Devil’s Anthem,’ truly cements the enigmatic direction that this release has taken the duo. This maxi-single marks an exciting new chapter for Noise Dogma and should certainly make its way to your playlist. Introduce yourself and your project Hello, we are Noise Dogma, a techno duo composed by Overdog and Drey. We recently unveiled our latest project, Chaos Reigns. Our sound is a carefully crafted blend of techno rhythms intertwined with the raw intensity of metal and punk, featuring layers of guitars and visceral screams we record ourselves. Our mission is to transcend traditional genre boundaries, offering listeners a unique and immersive experience. Explain what musical genre fits you best Pinning down our genre is a bit challenging, I’d say something between dark techno and techno metal. Were you connected with music from a young age and did anyone inspire you? We have been friends since childhood, and our bond with music has been a constant thread throughout our lives. Initially, we started DJing and making music together just for fun, experimenting with different sounds and styles. Over time, this hobby evolved into a serious passion project. What kickstarted your music career? Djing was the catalyst that truly kickstarted our music career. It allowed us to explore different genres, understand the intricacies of electronic music, and develop our unique style Tell us more about your sound and how it’s evolved over time Although Chaos Reigns is only our fifth release, we’ve noticed significant growth and refinement in our sound with each new track. Initially, we were focused on blending techno with metal and punk elements in a way that felt raw and experimental. As we’ve progressed, our production skills have improved, and we’ve become more adept at creating a cohesive and polished sound. Any words you want to share to encourage other artists or producers? Just do it, make something different. Dive in, experiment. How do you nurture your industry relationships? As avid diggers, we spend a lot of time exploring underground sounds and lesser-known artists. This not only enriches our own musical palette but also helps us connect with like-minded individuals in the industry. By playing and promoting these hidden gems in our sets, we gradually build connections based on a shared love for the unconventional. Is there anyone you’d like to thank that’s been crucial to your journey? We’d like to thank each other ahaha. Our partnership and mutual dedication have been fundamental Name 3 songs you love and what they mean to you + Youtube links This is techno metal: I think in some way its guiding us to be better DJs and musicians. Get Loose: Great production. We love to play this song. The Art of Partying: Raw music. Pure energy. What’s your favourite piece of studio equipment or software? We produce and record with Ableton. Also, playing with the CDJS-3000 is always nice. Name your favourite club or festival and how it makes you feel Fav club would be either Tresor Berlin, Smolna in Warsaw. The raw energy and underground vibe are incomparable. Also Industrial Madrid is a great club, it’s our home basically, we love to play there. Name an outlandish rider request? Maybe a whole bottle of jager? Favourite clubbing memory and who or what did it involve? The first time we played together as Noise Dogma in Madrid. What famous quote represents you best? The only true wisdom is in knowing you know nothing – Socrates. If you could play at any venue, where would it be and why? Fabric London, Tresor, and Fabrik Madrid. Unreal energy in those venues. Music is….. (explain more) Music is a way of living. One song you really couldn’t live without and why? Duality by Slipknot, it’s an Anthem already. Namedrop your favourite 5 artists or DJs (past or present) Paolo Ferrara, Lorenzo Raganzani, Tham, New Frames, The prodigy. What was your first music memory and how did it fuel your fire? Going to a concert when I was young. Tell us more about your plans for the future More music, bigger shows and an is EP coming soon. Any worldly advice you’d like to share? Just come to our shows 😉 Chaos Reigns Is Out Now Support Noise Dogma on Social Media Instagram | Facebook Listen to more of Noise Dogma Spotify | Apple Music The post Electronic Duo Noise Dogma Unleash Their New Techno Single ‘Chaos Reigns’ + Artist Interview appeared first on Electic Mode.

The countdown has begun! In just seven days, the picturesque Salzburgring will transform into an electrifying paradise for music enthusiasts from around the globe. From July 4-6, 2024, the Electric Love Festival will once again prove why it’s hailed as one of Europe’s premier electronic music events. As anticipation builds to fever pitch, let’s dive into what makes this year’s edition an absolute must-attend for any true EDM lover. Photo by: Nicolai Semrau A Lineup to Remember Electric Love Festival has outdone itself this year, boasting a star-studded roster of over 200 artists across six pulsating stages. Prepare to be blown away by some of the biggest names in the electronic music scene: Armin van Buuren: The trance legend himself, ready to take you on a euphoric journey. Timmy Trumpet: Expect high-energy live trumpet performances and infectious melodies. Scooter: The iconic German group bringing their classic rave anthems. The Chainsmokers: Chart-topping duo set to deliver their signature blend of pop and EDM. Oliver Heldens: Deep house maestro guaranteed to keep you grooving all night long But that’s just the tip of the iceberg! The festival will also feature captivating sets from: Ski Aggu Chase & Status John Newman Reinier Zonneveld DJ Snake Boris Brejcha And many, many more! With this diverse lineup, Electric Love caters to all electronic music tastes. Whether you’re into EDM, Hard Dance, Hip-Hop, Techno, or Bass Music, there’s something for everyone at this musical wonderland. (c) Philipp Kratzer Photo by: Phillip Kratzer The Opening Ceremony: A Show Like No Other You won’t want to miss Thursday night, because you’re in for an opening show that rivals any festival opening in Europe. Electric Love’s Opening Ceremony is a 17-minute spectacle that will leave you breathless. Here’s what makes it so special: – Over 100 musicians, artists, technicians, and professionals involved – Months of preparation since September 2023 – A dream team of seven local Salzburg artists, led by Dan Lee and RageMode – A unique blend of live performances featuring: – Orchestra – Chapel – Student choir – Dancers – Solo artists This meticulously crafted show promises to be an emotional rollercoaster, setting the perfect tone for the incredible days ahead. It’s not just an opening; it’s an unforgettable experience that will stay with you long after the festival ends. Photo by: Katarina Cvetko Beyond the Beats: A Festival Experience Like No Other Electric Love isn’t just about the music – it’s a complete sensory celebration set against the stunning backdrop of the Salzburg lake district. Here’s what awaits you beyond the dance floor: Activity Arena: Challenge your friends and make new ones in this fun-filled zone. 24h Supermarket: Never worry about running out of supplies with this convenient on-site store. Napoleon Grill Area: Satisfy your hunger with delicious grilled treats. ORGANICS Beach: Take a break from the mayhem and relax in this chill-out paradise. ÖBB Roller Disco: Strap on some skates and show off your moves! Biergarten: Enjoy a cold one in true Austrian style. Photo by: Elias Pargan New for 2024: The BlueBoXX Stage Electric Love keeps evolving, and this year they’re introducing an exciting new addition to the festival landscape – the BlueBoXX stage. This innovative concept adds another layer of color to the ELF cosmos: – Wednesday: Bass Music takeover by Dan Lee – Thursday: EDM vibes courtesy of Toby Romeo – Friday: House heaven with Sonntagstanz – Saturday: Glitz, glamor, and disco beats from Slashy Disco Each day, a different artist hosts the BlueBoXX, ensuring a fresh and dynamic experience throughout the festival. Photo by: Jana Sophie Camping in Style For those looking to fully immerse themselves in the Electric Love experience, camping is the way to go. The festival offers a range of options to suit every preference and budget. Plus, campers get exclusive access to: Activity Arena: Keep the party going with fun games and activities. 24h Supermarket: Stock up on essentials any time of day or night. Napoleon Grill Area: Perfect for a pre-party BBQ with your festival crew. Too Good To Go Partnership: Combat food waste by planning your meals wisely and purchasing surplus food items through the Too Good To Go App on Saturday. Photo by: Jana Sophie VIP Treatment: CUPRA Platinum VIP Lodge For those seeking the ultimate festival experience, the CUPRA Platinum VIP Lodge offers unparalleled comfort and amenities. Enjoy the best views, exclusive bars, and ultra-fast internet connectivity to enhance your Electric Love journey. Photo by: Patrick Ziebermayr Practical Information: Securing Your Spot With the festival just around the corner, tickets are selling fast. Here’s what you need to know: – Only a limited number of tickets remain available – Secure your spot immediately at tickets.electriclove.at – Various ticket options available, from day passes to full festival experiences Tips for Festival-Goers 1. Plan your schedule: With so many artists across multiple stages, create a game plan to catch your must-see acts. 2. Stay hydrated: Dancing for hours can be dehydrating, so make sure to drink plenty of water. 3. Explore the grounds: Take time to discover all the unique areas and experiences the festival has to offer. 4. Connect with fellow music lovers: Electric Love is all about community, so don’t be shy to make new friends! 5. Capture the memories: While living in the moment is important, don’t forget to snap some photos or videos to relive the experience later. Photo by: Fabiselmaier Final Thoughts: Why Electric Love Festival 2024 Is Unmissable Electric Love Festival is more than just an event – it’s a lifestyle, an adventure, and a chance to create memories that will last a lifetime. Whether you’re a seasoned festivalgoer or a first-timer, Electric Love 2024 promises to be an extraordinary experience that will leave you counting down the days until next year’s edition. Don’t miss out on being part of one of Europe’s most iconic festivals. Secure your tickets now and prepare for three days of unparalleled music, friendship, and pure electronic bliss. See you at the Salzburgring! For tickets and more information, visit Electric Love Festival’s official website. The countdown to the ultimate electronic music celebration has begun – are you ready?

AIAIAI, a Danish audio business, is showing its support for the music community by starting a sponsorship program. People, groups, and organizations can apply to get help in the form of money or products. This program builds on AIAIAI’s many years of putting producers at the center of their work. It will give them ongoing access to tools and chances. With this program, AIAIAI makes it even easier for people to make songs. The goal is to get rid of the things that get in the way of getting to resources. AIAIAI sponsorship program in short The AIAIAI sponsorship program is for people who want help on their road to making music or for projects whose goal is to inspire or teach people about music. The online portal can be used by artists, people who make music, people who put on events, educational organizations, and other projects that have to do with music. After that, applications are carefully looked over by AIAIAI staff, and those that fit with the project’s goals and requirements are approved. AIAIAI Since the beginning, AIAIAI has focused on giving producers more power to improve the community’s health. As part of this, free headphones and studio monitors are being given to thousands of DJs, producers, writers, singers, music schools, and grassroots groups. The goal is to make professional audio equipment easier for everyone to get and get in the way of creativity. AIAIAI has also backed projects like global contests for DJs and people who make music. Winners get to hear feedback from experts in their field, play popular DJ slots, and get ahead on their creative path. From Fred Again… to Dev Hynes, the producers’ choice for headphones and speakers is continuing its commitment to music communities. The company is creating an opportunity for individuals seeking support for their music creation journey, or projects with a mission to facilitate music inspiration or education. The post AIAIAI Launch Sponsorship Programme For Music Creators appeared first on The Groove Cartel.

Bass maestro MUST DIE! carves his debut on the skull-rattling Kannibalen Records with ‘Frequency Knife,’ a sonic banger poised to leave you audibly gasping. From the first, gritty drop, ‘Frequency Knife’ is an unrelenting barrage of pure energy. MUST DIE!, known for his genre-hopping prowess, showcases his sonic mastery here. Classic bass elements intertwine with contemporary flourishes, resulting in a unique hybrid that morphs and evolves throughout the track. By the time the song reaches its climactic conclusion, it’s turned into a sharp and deadly dancefloor heater. Forget everything you thought you knew about bass music. MUST DIE!’s ‘Frequency Knife’ on Kannibalen Records is a game-changer. It’s a wild ride that gets better with every listen and will destroy any dance floor. Buckle up – it’s gonna be brutal. The post MUST DIE! Unveils Bass Ratting Debut ‘Frequency Knife’ On Kannibalen Records appeared first on EDMTunes.

On Friday, June 14th, tech-house duo Tube & Berger and fellow German producer Nick Schwenderling teamed up with American musician, SYML, in releasing the remix of the latter’s ‘Where’s My Love’ on ZEHN Records. SYML is the new project of Brian Fennell, who hails from Seattle, and he has developed an outstanding reputation as an all-around instrumentalist (especially on the guitar), producer, and vocalist who has gained over one billion streams. The ‘Where’s My Love’ remix is very magnetic in which it attracts fans toward it by combining the unique vocals of SYML with the tech-house production skills of Tube & Berger and the innovate musical style of Nick Schwenderling. The rolling baseline, alongside the emotional instrumentals and great array of percussive melodies, make the remix a musical piece that everyone can continue listening on repeat. This remix will also allow the fans to feel emotional passion while at the same time, contain an addictive energy to dance in an instant heartbeat. Finally, click ‘Play’ on the Spotify link below to stream the exciting remix of ‘Where’s My Love,’ a track that will make one fall in love after hearing SYML’s enthralling, melodic vocals that mesh well with enthusiastic musical stylings of the producers. The post Tube & Berger, Nick Schwenderling Drop ‘Where’s My Love’ Remix appeared first on EDMTunes.

UK bass house artist Taiki Nulight is becoming one of the genre’s fastest-rising producers with creative style of music that combines stunning vocals with extra helpings of bass and percussion. On June 14th, Taiki Nulight released his latest track, ‘The Box’, in which it provides ethereal bliss that eases in perfectly alongside smooth bass stabs and transformative percussive patterns. The artist released his latest track via Zeds Dead‘s fiery label, Deadbeats, and it is a track that shows why bass house is one of dance/electronic music’s fastest-growing subgenres in terms of popularity. This track also proves why Nulight has had the likes of Pete Tong, Annie Mac, and Mistajam at BBC Radio 1 admiring his innovative style of music, particularly his perfect blending of bass, house, and garage. Finally, click ‘Play’ on the Spotify link below to stream ‘The Box’ from Taiki Nulight, the fire track from the bass house maestro who continues to impress each month and year with his musical ingenuity. Also check out the tour dates below of where the artist will perform next. Upcoming tour dates of Taiki Nulight June 28 | Electric Circus, Adelaide June 29 | Embrace Festival, Perth June 30 | Top Floor, Mandurah July 5 | Salt Lake City, UT | Fear Factory July 19 | Brooklyn, NY | Elsewhere The post Taiki Nulight Provides Ethereal Bliss via ‘The Box’ appeared first on EDMTunes.

Our favourite Deep & Progressive producer is back with a wave of news today! Good, great, incredible news for all of you fans of Marsh! The longtime Anjunadeep contributor — who, by the way, hosted his own day stage in Gjipe, Albania this summer at Anjunadeep Explorations with artists such as Wassu and Guy J — is back on news delivery this week, as he managed to sneak an entire single into the internet, which came out today. ‘Floodlights’ Best experienced on a warm, summery open-air dancefloor, Tom’s track today is a true nod to his earlier sound. Deep and groovy, yet not nearly as high-energy as recent tracks such as ‘Fulfillment’ alongside Ferry Corsten, ‘Floodlights‘, his latest, takes us back to the Lockdown Marsh — I might have premiered terminology here. The song is a floaty ball of bliss, blending warm basslines with ethereal pads, slowly evolving textures, and rocking Tom’s signature hypnotic Trance pluck. To top it off, the vocals used further add to the delicate nature of the whole arrangement. It’s a soft track, clever and shy, but a true, elegant nod to the past, both looking back on Tom’s discography and the whole of Dance music. “‘Floodlights’ evokes images of light piercing through dark, foggy forests“, Marsh says. “I first debuted the track in my Kew Gardens mix, and it quickly became the most replayed moment of the set! The idea started with an ambient, fuzzy chord progression. Then I began jamming with the iconic DX7 Solid Bass patch (courtesy of Myon) and quickly found the bass riff. Next came the vocals. I fell in love with the angelic, choral vibes, which added a special hook to the record! It all came together quickly and has been a joy to feature in my recent sets”. A Steamy Set Coming Soon Tom has made it a part of his identity to record DJ sets in beautiful places. But after an Estes Park immersed-in-nature set, Herstmonceux Castle in Sussex, Castello Zamittello in Malta (my personal favourite), Kew Gardens in London, and even a cliffside gig in England and more, you would think he was running out of locations and concepts. Enter a steam train. Once a point of discussion on Armin van Buuren’s A State Of Trance back last year when Marsh stopped for a guestmix, sketching and planning became a reality, and we will see the release of a fully filmed DJ set from the historic Ffestiniog and Welsh Highland Railways’ (FfWHR) Snowdonia Star on Thursday, June 27th. The train holds a special place in Marsh’s heart, as his parents, Andrew and Jacqui, volunteered and worked for Ffestiniog. The set, filmed by Marsh’s friend and long-standing collaborator Sam, is exceptionally cinematic and showcases breathtaking views of the Welsh countryside. In fact, we’ve left a little extract of said set a few paragraphs above, which happens to be the moment Tom drops his ‘Floodlights’ single during the ride. Listen to Marsh‘s ‘Floodlights‘ below for your Spotify play you know and love. Click this link to stream the single on your platform of choice. And be sure to come back on Thursday as we share Tom’s gorgeous set! We can’t wait. The post Marsh Releases Single ‘Floodlights’ Ahead Of Steam Train Set appeared first on EDMTunes.

Tomorrowland has once again claimed the top spot in DJ Mag’s Top 100 Festivals poll for 2024. This marks the fourth time the Belgian electronic dance music (EDM) festival has been crowned champion, and the third consecutive year it has held this prestigious title. A Record-Breaking Year The 2024 poll saw unprecedented participation, with voting open from May 1st to June 12th. This surge in engagement underscores the global passion for music festivals and the special place Tomorrowland holds in the hearts of EDM fans worldwide. Tomorrowland’s Winning Formula What sets Tomorrowland apart? Let’s break it down: Scale and Duration: Spanning two weekends each July, Tomorrowland offers an extended celebration of music and unity. Star-Studded Lineup: The festival consistently attracts the biggest names in electronic music. In 2023, over 750 artists performed across 16 stages for more than 400,000 attendees. Innovative Production: Tomorrowland is renowned for its groundbreaking stage designs and immersive world-building concepts. Continuous Evolution: Each year brings new elements, from fresh talent to novel stage hosts and special performances. Diverse Musical Offerings: The festival aims to represent all styles and sub-styles within electronic music. Debby Wilmsen, Tomorrowland’s press relations lead, shared insights into the festival’s success Tomorrowland is a passion, a passion of over 200 people working every day to create the magic. Tomorrowland 2023 mainstage Looking Ahead: Tomorrowland 2024 The upcoming edition promises to be another spectacular event: Theme: “LIFE” (a prequel to 2016’s “Spirit of Life”) New Main Stage design Over 800 artists scheduled to perform Headliners include Armin van Buuren, Amelie Lens, David Guetta, Swedish House Mafia, and Dimitri Vegas & Like Mike The Global Festival Landscape Tomorrowland’s continued success is particularly noteworthy given the challenges facing the festival industry. The Association of Independent Festivals (AIF) reports that over 20 festivals have been canceled, postponed, or permanently dissolved ahead of the 2024 season. Voting Breakdown The 2024 poll saw votes pouring in from around the globe: North America led in total votes, followed by Europe, Asia, South America, Oceania, and Africa. By country, the USA topped the list, followed by the UK, India, Thailand, and Brazil. Other Notable Results While Tomorrowland took the crown, other festivals also shined: EDC Las Vegas, Untold Festival, and Creamfields all placed in the top five. Kappa FuturFestival entered the top 10 for the first time. Terminal V was the highest climber, up 33 places to No. 44. Untold Dubai debuted as the highest new entry at No. 45. Continental Leaders Europe: Tomorrowland (No. 1) North America: EDC Las Vegas (No. 2) Asia: Sunburn Festival (No. 11) South America: Creamfields Chile (No. 73) Oceania: Beyond The Valley (No. 92) Africa: Oasis (No. 99) With Tomorrowland commitment to innovation, diverse musical offerings, and unparalleled production value, the festival shows no signs of relinquishing its crown anytime soon. Full rankings via DJ Mag. The post Tomorrowland is The World’s No. 1 Festival and It Deserves it appeared first on The Groove Cartel.

The God of Trance, the one who has played a set at the top of the Burj Khalifa in Dubai and has graced major festival stages all over the world is once again poised to captivate festival goers and lovers of trance and electronic dance music alike. This legend is none other than the man himself Armin van Buuren who is set to make what’s helmed to be a historical appearance at the famous and breathtaking Red Rocks Amphitheatre in Morisson, Colorado on November 14th! Insomniac has definitely reeled in a big catch by locking in Armin for this show. One can only dream and eagerly anticipate witnessing the icon perform on stage, framed by the majestic sandstone pillars. I’m almost certain the spectacular acoustics of this place will only enhance songs like ‘In and Out of Love‘, ‘Blah Blah Blah’, ‘This is What It Feels Like’, ‘Something Real’ and more, ensuring that attendees feel the magic and aura of Armin van Buuren! This is definitely going to be a show not to be missed so if you’re eager to see the God of Trance create magic at Red Rocks, then sign up for the presale! Don’t forget to set your alarms for Thursday 6/27 at 10AM MT cause that’s when you’ll get access to the first presale!

Out Tech House superstar went from the busy clubs to a cozy studio, shoes off and everything. Recently, Tech House icon John Summit joined the Therapuss with Jake Shane roster for a round of deep, friendly, and at times tipsy conversation. The programme is a talk show that injects humour into the world of therapy, offering a fresh approach to tackling troubles. Instead of the usual therapist guiding guests, Jake Shane himself becomes the patient, laying out his anxieties and life struggles. The twist? The therapists are actually Jake’s followers! Fans submit their own problems through the show’s website, stepping into the “therapist” role and offering their unique perspectives and advice on Jake’s issues, as well as those submitted by other listeners. This creates a dynamic where relatable situations and anxieties are explored in a lighthearted way. The show doesn’t shy away from real-life challenges, but tackles them with a comedic touch, making it both entertaining and thought-provoking. Session 27: Drunk with John Summit Although the conversation spans over 50 minutes and various topics are approached, here’s a bit of an insight into what you can find on John Summit’s Therapuss episode, when having a listen yourself: They talk about John’s upcoming album, Comfort in Chaos, which took him a long time to finish. John says he is relieved to have it done and feels it’s the best work he has ever done. John talks about how he premiered most of the tracks at Coachella and the positive reaction from the audience. Summit talks about a deadmau5 concert he attended in 2011 which changed his life, inspiring him to become a DJ. He describes his journey into getting where he is now: learning how to DJ and making music while in college, and the struggles he faced initially, even recalling an occasion when his music cleared an entire dancefloor, and how he eventually found his niche in Deep House music with vocals, morphing over to his signature style of today. Watch the episode in full by clicking the link below: The post John Summit Opens Up On Jake Shane’s Therapuss Podcast appeared first on EDMTunes.

It's out with the old and in with the new for Life Is Beautiful, which is shedding its billing as a music festival in favor of a "block party" format in Las Vegas. The revamped event, A Big Beautiful Block Party, is scheduled for September 27-28 and will "transform Downtown Las Vegas into a massive dance party," according to its organizers. They say their new approach will lead to a more intimate experience by eliminating overlapping sets and programming performances from 5pm to 2am each day. The fest will take place in a smaller venue near downtown's famed Fremont Street Experience, a five-minute walk from The Arts District. It's a big moment forLife Is Beautiful, which had operated as a three-day festival since its inception back in 2013. The brand was acquired by Rolling Stone nearly a decade later. "As a landmark institution and touchstone of the music industry for over 50 years, the Rolling Stone team will help to deepen our connection to fans of music everywhere, while also championing the cultural initiatives that make Life is Beautiful so much more than a music festival," Life Is Beautiful CEO David Oehm said at the time. Considering the EDM-focused lineup and smaller venue, those initiatives seem to be the upshot of a paradigm shift in today's rave culture, wherein consumers often prioritize intimate, community-driven parties over the regurgitated frills of a major festival. The inaugural edition of A Big Beautiful Block Party will feature performances by Justice, Peggy Gou, LCD Soundsystem, Jamie xx, Jungle, James Blake, Thundercat, Toro y Moi, LP Giobbi and more. Tickets for A Big Beautiful Block Party go on sale Thursday, June 27th at 10am PT. General Admission passes start at $199 and VIP passes start at $399. c/o Dick Clark Productions Follow Life Is Beautiful:X: x.com/lifeisbeautiful Instagram: instagram.com/lifeisbeautiful TikTok: tiktok.com/@lifeisbeautifulfestival Facebook: facebook.com/LifeIsBeautifulFest YouTube: youtube.com/user/LifeIsBeauitful