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Decima by Stef Mendesidis Klockworks after a series of celebrated EPs by artists such as Etapp Kyle, Troy & Temudo, now presents ‘Decima’ LP by Stef Mendesidis, marking the producer’s return on the label for its upcoming chapter, showcasing his excellent production also to be experienced at Ben Klock’s DJ sets. As with his three previous releases on the imprint, for ‘Decima’, Stef Mendesidis has created a heady melange of groovy fast-paced techno perfectly aligned with the signature Klockworks sound. Mendesidis is using his one-take recording technique, staying loyal to the principle of live techno creation and the result is ten distinctive cuts of perfectly balanced minimalistic yet dynamic, no-nonsense, driving techno sure to be heard on dancefloors and festivals across the globe. The post Ben Klock’s Klockworks readies album by Stef Mendesidis, ‘Decima’ out July 26th appeared first on Decoded Magazine.

The duo’s Thursday night DJ slot at Stonebridge Bar will no longer go ahead Continue reading...

The first two singles from the forthcoming project, ‘4LUVN’ and ‘Bloodlust’ are out now Continue reading...

Google just announced their Pixel event two months earlier than usual, set to take place on August 13th at 10 am PST. The trailer spelled the date in Roman numerals, check it out below. Made by Google will showcase the best of Google AI and their mobile platform together. You’ll get exciting updates across Android software, Gemini, and the Pixel family plus its hardware. All you need to do is visit the link here and tune in to the live stream. No registration is required, just sign up for reminders to lock it into your calendar. And for anyone that misses the event, don’t worry, a recording will be available recapping it all. Typically, the event takes place in October and we do not know why they chose to hold this annual event earlier. Rumors speculate it could be to precede Apple’s annual iPhone event in September. Maybe the reveal will boost holiday sales and the war between Apple and Android continue in stores, malls, and online another year. Invitees received an email sent with the words “You’re invited to an in-person Made by Google event”. What’s more, the teaser showed the Roman numeral “nine” which means we should be getting updates on the Pixel 9 and Pixel 9 Pro. Setting the tone for their pre-announced phones, they head off any leaks attempting to spoil their surprise. Now, what else do we want to know more about? What about the successor to the Pixel Fold? Pixel Watch 3? Certainly, the tablet is due for an upgrade as well. Let’s not forget to keep an eye out on their earbuds. AI…meet IX at Made by Google Additionally, the era of AI is nigh and Google will surely dish out the latest in their AI innovations. They’ve already unified their AI efforts with Gemini, which means more on the cloud and AI processing perhaps. Gemini Nano helps speed through tasks and lets you get on with your day. The AI model is high-powered and offers summarizing capabilities through recording, quality writing, and more. Its growth is set to understand sights, sounds, and spoken language. Well, the anticipation builds for the next in design for the devices. We’ll stay tuned for the event and see what they unleash next. The post Google Announces Pixel Event Early, Set to Take Place in August appeared first on EDMTunes.

One of the most prolific and unforgettable experiences in dance music without a doubt belongs to ODESZA. The duo have made a name for themselves with their euphoric music along with their incredible live show presentation. This past weekend, ODESZA arrived in NYC to perform 3 B2B sold out shows at the iconic Madison Square Garden as part of their The Last Goodbye Finale Tour. The opening acts for the 3 New York shows was dependent on the night you attended but it included the likes of talented electronic producers such as Bob Moses and Ben Bohmer. It’s obvious that the artists selected for support were very strategically chosen to compliment ODESZA’s grand performance experience. Bob Moses presented a live show performance with instruments while Ben Bohmer played out all of his biggest hits. When it came time for the main event, ODESZA’s mesmerizing drumline marched out to the stage and the duo of ODESZA climbed the podium and emerged at their decks. The pyrotechnics and fireworks during the show for their shows are always next level. They brought out a handful of surprise guests to sing their biggest hits. To make this show extra special, ODESZA put together a handful of VIP Remixes that they played out including their hits ‘Say My Name’ and ‘Forgive Me’. This weekend they’ll be taking their show to Boulder, Colorado before heading over to the final stop on their tour at The Gorge in Washington. Whether these stops are in your city or not, if you haven’t seen them yet on this tour, make sure to make effort to head out to one of their final shows on this tour. The post ODESZA Returned to New York for 3 Sold-Out Shows at Madison Square Garden appeared first on EDMTunes.

The Recording Academy just announced some new rule changes for the 2025 Grammys, and they’re shaking things up for the Dance/Electronic music community. First up, the Best Pop Dance Recording category got a new name: Best Dance Pop Recording. This isn’t just a minor tweak but a move to clear up any confusion. The category was created to highlight dance pop music, but the original name was causing a lot of mix-ups. Media outlets kept mislabeling it, and people couldn’t tell if it was a pop award or a dance award. The new name should help it settle into its intended role, making sure it’s seen as a home for pop-leaning dance tracks and keeping the best dance/electronic recording category focused on more traditional electronic sounds. Best Remixed Recording Next, we have a big change for the Best Remixed Recording category. This award, which has always been a favorite among dance/electronic artists, is now officially part of the pop and dance/electronic field. Remixing is a huge part of the dance scene, so it makes sense to move it out of the production and engineering field. Past winners like Frankie Knuckles, David Guetta, and Skrillex are proof of how intertwined remixing is with dance music. Best Dance/Electronic Album Another tweak is the renaming of the Best Dance/Electronic Music Album to simply Best Dance/Electronic Album. The word “music” was just extra, so they dropped it. More importantly, the new definition requires that albums must be at least 50% dance/electronic to qualify. This change likely comes in response to Beyoncé’s Renaissance winning in 2023, despite not being entirely a dance/electronic album. This update aims to keep the category focused on albums that truly represent the genre. Finally, there’s a change that affects multiple categories but is particularly significant for dance music. Now, all credited featured artists with less than 50% playtime on an album will automatically get a winners’ certificate if the album wins. Before, only producers and engineers in similar roles received these certificates. Featured artists had to apply for one, and many didn’t even know they could. This new rule ensures they get recognized without any extra hassle. This change is a big deal for diversity in the dance/electronic categories. Aluna, an artist who co-proposed the change, celebrated the news, pointing out that featured artists deserve recognition for their contributions. Now, every featured artist on a Grammy-winning album will get a certificate, giving credit where it’s due. These updates are set to make a significant impact on how dance/electronic music is recognized at the 2025 Grammys, creating more clarity and fairness in the awards process. Photos courtesy of Recording Academy. The post Grammy Rule Tweaks Affect Dance Music Categories appeared first on EDMTunes.

Electronic music powerhouses Don Diablo and R3HAB have joined forces for the first time after a decade cross paths on their new summer hit “Disco Marathon,” featuring British duo NEEKA. This collaboration merges Don Diablo’s innovative production with R3HAB’s dynamic energy, resulting in a track that’s set to dominate the season. “Disco Marathon” is a technicolor explosion of sound, blending Don’s innovative production techniques with R3HAB’s dynamic style. The end result is a track that feels both familiar and refreshingly new, a perfect encapsulation of a summer of carefree hedonism. Uplifting piano melodies dance atop commanding beats, creating a sonic landscape that’s impossible to resist. NEEKA’s captivating vocals add another layer of depth to the track infusing “Disco Marathon” with an infectious energy that complements both producers’ instrumental backbone. The London-based duo, known for their writing credits with artists like Drake, Michael Jackson, and Avicii, prove to be the ideal collaborators for this crossover hit. The single arrives at a time when both producers are riding high on a wave of successful releases. R3HAB has been stacking collaborations with artists like Jason Derulo and Sam Feldt, while Don Diablo recently teamed up with Major Lazer and Felix Jaehn. With “Disco Marathon,” Don Diablo, R3HAB, and NEEKA have created a track that transcends the typical summer hit. It’s a testament to the power of collaboration and most importantly, an undeniable banger — a rare breed of dance track that manages to feel both nostalgic and forward-thinking; an homage to disco’s golden age firmly planted in mainstream EDM sensibilities. The post Don Diablo and R3HAB unite for first time on ‘Disco Marathon’ appeared first on Dancing Astronaut.

In an era where authenticity is often discussed but rarely achieved, BOMBAYS is the real deal. Few artists manage to carve out a space that’s truly their own but BOMBAYS, the alter ego of Nikhil Thakar, a first-generation Indian-American producer is doing just that. His latest track “ROYALE” is more than just a house banger—it’s a sonic manifesto of cultural identity and artistic courage. Born into the duality of first-generation immigrant life, Thakar faced the archetypal crossroads: follow the well-trodden path of business school and corporate success, or dive headfirst into the uncertain waters of artistic passion. In a move that would make even the most daring risk-takers pause, Thakar chose music, trading GMAT prep for production courses at the renowned Icon Collective in Los Angeles. “ROYALE” emerges as the crystallization of this bold journey. The track opens with a hypnotic vocal sample, lifted from a classic Bollywood film that once echoed through Thakar’s childhood home. This isn’t mere nostalgia; it’s a deliberate bridging of worlds, a musical handshake between the India of his parents and the electronic landscape he now inhabits. As the vocal gives way to a pulsating bassline, BOMBAYS’ production prowess takes center stage. The groove is relentless, a four-on-the-floor heartbeat that drives the track forward while subtle rhythmic flourishes nod to South Asian percussion traditions. It’s in these details that Thakar’s vision truly shines—each element carefully crafted to honor his heritage while pushing the boundaries of contemporary house music. But “ROYALE” is more than just a clever fusion of sounds. It’s a statement piece in an industry that BOMBAYS found lacking in representation, particularly for artists of South Asian descent. By infusing his music with unmistakable Bollywood influences, Thakar isn’t just making a track; he’s planting a flag. The post BOMBAYS breaks barriers on ‘ROYALE’ appeared first on Dancing Astronaut.

Berlin-based electronic duo TWO LANES have returned with their latest offering, the “Innervision” EP, a four-track journey that seamlessly blends their signature melancholic electronica with newfound vocal elements. Brothers Leo and Rafa continue to push the boundaries of their sound, creating a sonic landscape that’s both familiar and refreshingly innovative. Throughout “Innervision,” the duo demonstrate their ability to create electronic music that feels deeply human. The brothers’ contrasting musical backgrounds – Leo’s classical piano training and Rafa’s electronic production expertise – merge to create something greater than the sum of its parts. It’s this synthesis of organic and digital elements that gives TWO LANES their unique identity in the crowded electronic music landscape. Opening with “Abstraction,” the EP immediately immerses listeners in their ethereal world. The track’s minor chord progressions and understated house percussion create a foundation for a web of subtle electronic textures. It’s a masterclass in minimalism, where every carefully placed element contributes to a greater whole, evoking a sense of introspective melancholy that sets the tone for the entire EP. “Mind” marks a departure from the duo’s typically instrumental approach, introducing vocals that add a new dimension to their sound. The track builds with an anthemic quality, its crescendoing synths and driving rhythm creating a cathartic release. There’s a cinematic quality to “Mind” that conjures images of personal triumph, as if soundtracking the climax of an emotional journey. The EP’s third track, “Balance,” lives up to its name by striking a delicate equilibrium between introspection and forward motion. Piano melodies intertwine with arpeggiating synths and strings, creating a meditative atmosphere punctuated by restrained percussion. It’s a moment of calm within the storm, allowing listeners a chance to reflect amidst the EP’s emotional ebb and flow. Closing out the collection, “Synthesis” serves as both a culmination and an evolution of the EP’s themes. Building on the foundation laid by “Balance,” the track introduces a slightly more urgent energy while maintaining the core TWO LANES sound. Pulsing rhythms and layered synthesizers create a sense of resolution, bringing the EP’s narrative arc to a satisfying conclusion. The post TWO LANES get deep and introspective on ‘Innervision’ EP appeared first on Dancing Astronaut.

ODESZA's "The Last Goodbye" has finally turned into an actual prophecy. The release of ODESZA's fourth LP, The Last Goodbye, ended a five-year wait between albums and led to an astonishing tour, which many now hold in high regard as the most innovative of their career. The duo will now return to Washington for the tour's swan song at the scenic Gorge Amphitheatre, where they'll perform three hometown shows from July 4-6. And in a world where distance is no longer a barrier, ODESZA are inviting their fans to the experience by teaming up with Veeps for a momentous streaming event. Broadcasting live from the Gorge on Saturday, July 6th, the stream includes a pre-show with "exclusive behind-the-scenes content and special footage" offering fans a glimpse into the concert's development. Fans who purchase access to the broadcast will be able to purchase vinyl and merchandise from the tour. ODESZA's Harrison Mills and Clayton Knight performing on their "The Last Goodbye Finale" tour.Julian Bajsel ODESZA's final performance at the Gorge will be captured with "high-end cinema cameras" and feature over 20 performers as well as "intricate stage designs and breathtaking special effects," according to a press release. The show will be directed by Kerry Asmussen, the director of Lady Gaga's concert special, Gaga Chromatica Ball, which recently premiered on Max. Meanwhile, fans on the ground will get to experience "ECHOES," a first-of-its-kind art installation. Powered by Qualcomm's Snapdragon tech, the intricate project will debut at ODESZA's concert on July 4th. Tickets to the livestream are available for $19.99. Fans will have a 48-hour window to rewatch the event after purchase. Follow ODESZA:Instagram: instagram.com/odesza X: x.com/odesza TikTok: tiktok.com/@odesza Facebook: facebook.com/odesza Spotify: spoti.fi/3hCvE32

It has finally happened. Five years after the iconic Afterlife at Social Music City in 2019, Tale Of Us returns to their home, Milan. This time their infamous party, Afterlife, will be held at Ippodromo SNAI San Siro on the 21st of September 2024. It has been a long way home. After having developed the incredible Afterlife show from a regional and club party to a massive production drawing tens of thousands of fans all around the globe, with shows in South America, North America, Asia, and Europe, Tale Of Us will bring the latest iteration of the show back all where it all started, Milan. The duo have chosen a bigger venue compared to Social Music City. It is not as big as the Defence Arena with its 40.000 capacity but, still, the Ippodromo SNAI San Siro can welcome 15.000 people. Having traveled several continents, the massive Afterlife production made by massive LED walls, extravagant light effects, and surreal visuals will land again in Italy. We can say it needed to journey across the globe to reach its final form and return home. When and Where? What’s the lineup? The date is set for the 21st of September 2024. The lineup, as expected, is the most exciting part of the event. Be prepared for both the headliner’s own show with ANyma and his GENESYS as well as MRAK and his We Don’t Follow (he’s going to release a brand new EP this Friday as well). Nonetheless, expect Afterlife and Italian’s favorite Olympe and Mind Against as well as long-time AFterlife family member Massano. Of course, the duo will make the long-awaited appearance and return as Tale Of Us during an Afterlife event in Italy. Everything is already set for an enchanting and mesmerizing visual and musical experience complemented by unparalleled sound and lighting design. Tickets will be available shortly—Pre-register for the early bird. Take note that Ippodromo SNAI San Siro is an open-air venue. Afterlife Milan lineup Afterlife has recently kicked off its residency in Ibiza. For the first time, Afterlife will ban smartphones on the dancefloor at the Hi Ibiza residency. Recently Afterlife label has also released the long-awaited Ultra and Miami Music week ID by Script. Adam Sellouk also released his first EP on Afterlife. The post Afterlife to return to its home after 5 years: Milan 2024 appeared first on The Groove Cartel.

Recently, French President Emmanuel Macron announced the launch of a French “Music Week,” a new event aimed at giving international exposure to music. This was announced on Fete La Musique, which is France’s “Make Music Day” on June 21. Drawing inspiration from successful music events in cities like and Amsterdam, Macron envisions a trade show followed by a music festival, similar to Cannes Film Festival or Fashion Week. With a focus on electronic music artists and their contribution to French heritage, Macron’s initiative aims to showcase the diverse and vibrant music scene in France. As the world eagerly awaits more details about the French “Music Week,” it’s clear that Macron’s vision is to create a platform that not only celebrates music but also brings together industry professionals, artists, and music enthusiasts from around the globe. By drawing parallels to well-established music events in Miami and Amsterdam, Macron is setting the stage for France to become a hub for music innovation and creativity. Exploring Macron’s Vision Cercle Festival – National Aira and Space Museum of France, May 2024 Macron’s vision for the French “Music Week” is ambitious yet promising. By drawing inspiration from established music events like the Miami Winter Conference and the Amsterdam Dance Event, Macron aims to create a platform that not only showcases French musical talent but also fosters collaboration and innovation within the industry. The idea of a trade show followed by a music festival is a unique approach that sets the French “Music Week” apart from other music events around the world. Furthermore, Macron’s emphasis on electronic music artists and their contribution to French heritage highlights the cultural significance of music in France. By celebrating and promoting electronic music, Macron is not only showcasing the talent of French artists but also positioning France as a global leader in the electronic music scene. With the success of events like Ultra in Miami and the Amsterdam Dance Event, Macron’s vision for the French “Music Week” has the potential to elevate France’s music industry to new heights. Overall, Macron’s vision for the French “Music Week” is a testament to his commitment to promoting creativity, innovation, and cultural exchange through music. By creating a platform that brings together industry professionals, artists, and music enthusiasts, Macron is paving the way for France to become a beacon of musical excellence on the global stage. The Impact of the French “Music Week” As the French “Music Week” prepares to make its debut in Paris, the potential impact of this event on the music industry cannot be overstated. By providing a platform for artists to showcase their talent, connect with industry professionals, and engage with music enthusiasts, the French “Music Week” has the potential to elevate the profile of French music on the international stage. Furthermore, the trade show aspect of the event offers a unique opportunity for music industry professionals to network, collaborate, and explore new business opportunities. By bringing together key players in the music industry, the French “Music Week” has the potential to drive innovation, creativity, and collaboration within the industry, ultimately leading to the development of new musical trends and styles. Overall, the French “Music Week” has the potential to not only showcase the diverse and vibrant music scene in France but also to position the country as a global leader in the music industry. With Macron’s support and vision, the French “Music Week” has the opportunity to become a flagship event that celebrates the rich musical heritage of France and promotes cultural exchange and collaboration through music The post Emmanuel Macron Envisions France Music Week to Rival Miami & ADE appeared first on EDMTunes.

Can you believe it’s time to bid ODESZA’s Last Goodbye tour goodbye? Is this a forever farewell or just a temporary pause? I sincerely hope it’s the latter for the enigmatic duo. Their finale is going to be nothing short of spectacular, with ODESZA’s announcement of “ECHOES“. ODESZA Last Goodbye Tour MADISON SQUARE GARDEN NIGHT ONE – ODESZA Facebook ECHOES The tour’s grand finale will be held at the breathtaking Gorge Amphitheater. If you’ve never been, I urge you to stop everything and google it. It’s every artist’s dream to perform at this premier outdoor concert venue, renowned as one of the most scenic venues in the world. The Gorge finale is symbolic, marking a 360-degree return to ODESZA’s first meeting in 2009 at Western Washington College. ODESZA will collaborate with SETUP and Snapdragon to create ECHOES, their grandest production to date. The show will pay homage to ODESZA’s influential career and their dedicated fanbase, displaying state-of-the-art technology and visuals. Taking place from July 4-6, this will certainly be a momentous show to wrap up their Finale run. In the first episode of a four-pronged video series, they revealed a Snapdragon PC will facilitate the installation. This project is the result of their dedicated work over a two-month period. ODESZA’s Harrison Mills and Clayton Knight envision a world where the digital and the ethereal converge in the revered setting of the Gorge. We want [fans] to step into a new world. This installation we’re trying to build is going to be something very, very cool. Clayton Knight – One Half of the ODESZA Duo Tickets for the July 5th and 6th shows are already sold out. Make sure to secure yours for the July 4th show as only a few remain. VIP packages are still available – get them here. Each day will feature different artists, with Tinlicker on July 4th, Bob Moses on July 5th, and Ben Bohmer on July 6th. Each day promises a unique experience! Keep an eye on EDMTunes for all your exciting dance music updates. The post ODESZA Builds Dream Production For “The Last Goodbye” Finale appeared first on EDMTunes.

An "illegal" party organized by Diplo on the island of Ibiza has led to an investigation by Spanish police, IB3 reports. Diplo on Monday performed for fans on the shores of the stunning Cala D'Hort, a protected nature reserve in Sant Josep de sa Talaia. Following his performance on the small rocky island of Es Vedrà, videos of which were shared on social media, the City Council and Policía Local de Sant Josep announced an investigation into the event. Diplo and any other organizers could face a fine of up to €300,000, per IB3. View the original article to see embedded media. The Ibiza Leisure Association released a statement condemning the party in the Ibizan cove, a "very sensitive area of ​​the island" which is part of the European Environment Agency's protected areas network, Natura 2000. Diplo reportedly promoted the illicit party through his social media channels. The event has also drawn the ire of local environmental groups like Amics de la Terra, who took to social media to admonish the DJ. View the original article to see embedded media. "The space where this event was held is a Protected Area by the European Union through the Natura 2000 Network, in addition to a Natural Area of Special Interest, among other figures of environmental protection," reads a press release issued by the Sant Josep City Council. "A vulnerable area in which this type of illegal activities promote the risk of fires, noise problems, waste, etc and, of course, endanger the integrity of the people attending." It's unclear whether or not Diplo received authorization from local authorities to host the party and he has not been formally charged at the time of this writing.

deadmau5 has spoken out against controversial remarks made by Spotify CEO Daniel Ek. The influential DJ and producer recently took to Instagram to condemn recent comments by Ek, who myopically stated that the cost of creating content is "close to zero." Considering the financial and physical sacrifices required to create the material that keeps his company in business, artists swiftly panned Ek's post en masse. "Incorrect," deadmau5 wrote. "The cost of creating content was 25+ years of my life and much of those proceeds going to your company you complete fucking idiot." Today, with the cost of creating content being close to zero, people can share an incredible amount of content. This has sparked my curiosity about the concept of long shelf life versus short shelf life. While much of what we see and hear quickly becomes obsolete, there are… — Daniel Ek (@eldsjal) May 29, 2024 View the original article to see embedded media. Responding to a fellow artist's comment admonishing Spotify, deadmau5 mused on removing his library from the platform entirely. "I feel that, I'm about to pull my catalog from these fucking vultures, enoughs enough," he wrote. deadmau5 is one of countless electronic music artists who have expressed concerns about the business model of Spotify. It's worth noting that the streaming giant continues to rake in annual revenues in the billions, per Business of Apps, after Ek hiked the price of subscriptions again this month. Meanwhile, musicians are appealing to Congress to push for an increase in streaming royalties. The fight rages on after a recent study suggested that independent artists currently need to accrue 5 million streams to earn the equivalent of the U.S. minimum wage. That was before Spotify announced that musicians and songwriters would need to meet a minimum stream threshold before they're eligible to obtain royalties for their music featured on the platform. deadmau5's catalog is still available on Spotify at this time of this writing. Follow deadmau5:X: x.com/deadmau5 Instagram: instagram.com/deadmau5 TikTok: tiktok.com/@deadmau5 Facebook: facebook.com/deadmau5 Spotify: spoti.fi/3otTHVp

HoYoverse, the minds behind the popular titles Genshin Impact and Honkai: Star Rail, are bringing in an EDM heavyweight for the launch of their next game. Coming soon to console, PC and mobile is Zenless Zone Zero, a new action RPG from the creators of some of the most popular free-to-play games on the market. While the game has not yet been released, it's already become a hit in the industry as HoYoverse celebrates over 40 million pre-registrations, per Sports Illustrated. Now, with just over two weeks to go before launch, HoYoverse has announced their first-ever "global music collaboration" with Tiësto. The company took to social media to share a teaser unveiling the collaboration. Fans can hear a snippet of music by Tiësto and see "0702" displayed briefly. In a press release shared with EDM.com, developers confirmed that's a reference to July 2nd, 2024, the date when they'll reveal more details about their partnership with the Dutch dance music icon. Zenless Zone Zero is scheduled to launch on Thursday, July 4th on PlayStation 5, PC and mobile. You can learn more about the upcoming action RPG here. This is the entrance to the next level... Stay tuned#zzzero #tiestozenless #zenless pic.twitter.com/mgHCMBYMnZ — Zenless Zone Zero (@ZZZ_EN) June 20, 2024 Follow Tiësto:X: x.com/tiesto Instagram: instagram.com/tiesto Facebook: facebook.com/tiesto Spotify: spoti.fi/3dVvySo

Tycho has served fans a three-course meal after revealing a new single, album and tour. Coming soon is Infinite Health, the sixth album from the live electronic superstar. Developing a soundtrack inspired by "hope for the future and a requiem for the past," Tycho says his next album was created with a more electronic-forward production mindset, which saw him "focusing on breaks, drums and rhythmic elements" as a foundation. Tycho also released the first single from Infinite Health, "Phantom," which he called his favorite and the one he spent the most time creating alongside Chris Taylor of Grizzly Bear and longtime collaborator Zac Brown. "I wanted 'Phantom' to feel like a blend of lights in a nightclub with some unknown entity; a moving and shifting intelligence that served as a conduit to a deeper understanding of what's beneath the surface of existence," he explained in a press release. "It's also about coming to terms with mortality, with the phantom being the ever-present specter. I spent more hours on this song than any other on the record. I played a Juno emulation for that bassline, and I feel like that bassline, and style of bass playing, is something pretty new for me." Tycho is now set to hit the road for a North American headlining tour for the first time in five years. Inspired by the sounds of his upcoming album, the new tour will kick off on Friday, September 13th in Ogden, Utah. Members of Tycho's Open Source Community will be able to purchase tickets on June 26th. Check out the full list of stops below and find tickets here. Infinite Health is scheduled to release via Mom + Pop Music on August 30th, 2024. Fans can now pre-save the album. Tycho/X Follow Tycho:X: x.com/ISO50 Instagram: instagram.com/tychomusic TikTok: tiktok.com/@tycho_music Facebook: facebook.com/tychomusic Spotify: spoti.fi/3kLEv3Z

Showcasing his talents for shredding guitar, dominating a deck and singing—whether gently or with a scream—Sullivan King has released a new single, "The Beginning." However, in a turn of events for the dubstep superstar, he adds the hyperactive fun of drum & bass to the mix. Though ultimately heavy and intense, the new single starts off gently, tantalizing with the illusion of a melodic record before a single cymbal leads to a frenetic beat. King illustrates a scene of desolation and despair, which quickly turns into rage with the switch from soft vocals to his signature screaming style. All the while, of course, a drop is prowling nearer. This kicks off a chain of events, with rugged electric guitar entering the fray to join the lament. All of King's production elements then unite for a suspenseful build to a vigorous drop, euphoric at its outset before giving way to a blaring, blustering electronic pattern fit for an equally intense laser show. And somehow, amidst the mayhem, he manages to slip in TikTok's signature video-ending sound—possibly to pay homage to his love for a laugh via the popular app. "'The Beginning' is a song about remembering that things will get better even when the world feels cold and dark," King said in a press release. "It is filled with so much energy and life, while stylistically remaining true to what I love to write, record, and produce." Today's release of "The Beginning" follows King's early-2024 tour with iconic heavy metal band Avenged Sevenfold. Soon, fans of musical chaos will be able to hear the track live at the artist's upcoming performances at Lost Lands, North Coast and EDC China, among other festivals. Listen to "The Beginning" below and find the new single on streaming platforms here. Follow Sullivan King:X: x.com/sullivanking Instagram: instagram.com/sullivanking TikTok: tiktok.com/@sullivanking Facebook: facebook.com/SullivanKingMusic Spotify: tinyurl.com/5n6u9uxa

It's easy to feel lost in a sea of aspiring DJs these days—but unrecognized doesn't have to mean unheard. That's the core tenet of "Miller Mix," a new initiative launched by the iconic Miller brewing company in collaboration with Beatport, who are working to cultivate the global electronic dance music community under an ambitious contest and event series. "Industry connections," that elusive phrase, seems like an insurmountable wall for countless DJs. After all, it's 2024, a time when gifted artists toil in obscurity while major labels sign record deals with non-musician TikTok creators who have only used microphones to seek out men in finance. 77% of emerging creatives cite a "lack of industry connections" as a major barrier to entry into the music industry, according to a study from Youth Music. The stage lights are calling, but the path seems impossible. The plight of the independent artist is embedded in the DNA of Beatport, who recently launched a first-of-its-kind playlist to spotlight promising dance music producers without access to the big-budget backing of a major label. By providing a platform for these hidden talents alongside Miller, they're ensuring the future of EDM stays exciting, innovative and full of flavor—much like a perfectly chilled draft beer on a hot summer night. "Empowering music producers and DJs worldwide has always been at the core of Beatport," said Ed Hill, SVP of Beatport Media Services. "This collaboration with Miller will provide a nurturing space for talent to flourish, fostering connections and opportunities essential for success in today's ever-evolving industry." Lilly Palmer.Bilal Andirin Initiatives like "Miller Mix" are vital for rave culture, disrupting the insular cycle of the same familiar acts that annually appear on the lineups of commercialized EDM festivals. A platform for the unheard to become the headliners, it's a middle finger to the formulaic nature of the moth-eaten "DJ contest." For the winners of the inventive "Miller Mix" contest, it could prove a life-changing springboard for their careers. After DJs and producers submit their music, winners are selected by a panel comprising the tour's headlining artists as well as members of the teams behind Miller Genuine Draft and Beatport's curation arm. Votes from the community will also factor into the decision. The winners will secure a coveted DJ set at one of six international events, joining influential electronic music acts like Giolì & Assia, Argy and Lilly Palmer. They'll also receive a robust package, valued at €5,000, containing access to music production software and exclusive educational workshops in support of their career development. Aaron Hibell.Bilal Andirin The "Miller Mix" tour spans six territories: Turkey, Georgia, Kazakhstan, Hungary, Australia and South Africa. Following each local event, Miller will launch a bespoke cultural docuseries "telling the unique stories of local artists and city residents." YOZÉ, a blossoming techno producer out of Istanbul, recently came out on top of the Turkish leg of the competition, a triumph she called "an incredible milestone in [her] journey." She ultimately threw down a momentous hometown set at the Volkswagen Arena before Palmer, who in 2023 was named one of EDM.com's best music producers of the year. "Creating a unique techno track out of the interesting samples we were given was my goal and I’m super happy that it led me to win the competition," YOZÉ tells EDM.com. "This was a wonderful opportunity that has fueled my passion even more, and I hope it inspires other young artists like myself to pursue their dreams with determination and creativity. And never stop believing!" "We were thrilled to kick off the first event of the Miller series," Hill added. "Staying true to our core aim of supporting music producers and DJs, it was inspiring to see YOZÉ, the competition winner from Turkey, perform alongside the iconic artist Lily Palmer." YOZÉ.Bilal Andirin Reflecting on Istanbul's club culture, Asena Hayal, a DJ and member of the Turkish dance music collective Noh Radio, said the scene has transformed immensely through the years. "When I look at the club culture process in Istanbul from the past to now, I see that it has undergone constant transformation due to political and economic conditions," she explains. "In geographies like Turkey, where oppression prevails, clubs emerge as platforms of solidarity. I see Istanbul's underground club culture as a platform for people who have come together through music, who stand in solidarity with each other, who can express themselves collectively, and who can be themselves in safe spaces." "I am discussing this by excluding mainstream clubs. Particularly in the Beyoğlu area, spaces are opening up safe areas for groups marginalized and ostracized by society. Among these, we can mention the projects Noh Radio and Noh Extended, in which I am also involved. It is a space that shows sensitivity to this balance, not only for LGBT+ producers and DJs but also regarding their teams and beyond. I also find the relationship Noh Radio has established with the street important. It can be interpreted as a democratic space where individuals from different classes can come together and communicate. It's important to have the support of the Miller/Beatport docuseries to highlight the stories from these spaces." You can keep a pulse on "Miller Mix" here.

Are we tripping out or did Eric Prydz just debut a brand new mesmerizing show? That’s right, acclaimed Swedish DJ and Producer Eric Prydz just started his Hï Ibiza Residency for the Summer with a brand new show called [CELL]. Since Eric fans are like no others, one has already recorded the show. [CELL] Live Debut The ‘Opus’ producer consistently delivers a blend of astounding music and technology, offering a brand new experience each time. Prydz, also known for his aliases Pryda and Cirez D, has made his HOLO show a staple in the EDM community, inspiring multiple other artists to create their own audiovisual experiences. Hence, as a pioneer of this unique genre of events, Prydz repurposes and regenerates his shows to new heights each time. [CELL] is not the exception. Having found its home in Hï Ibiza for the Summer, the new Prydz production offers attendees a new layout. From the video, we can appreciate dozens of light panels and screens that layer visuals on top of each other. This adds lots of depth and dimension to the visuals. Thus, it provides the audience with a fantastic visual banquet to feast with their eyes. The residency began Monday June 24th and will run Mondays at Hï Ibiza through September 9th. Moreover, special guests include Adam Beyer, Anfisa Letyago, Anna, Kevin De Vries, and more! Mondays just got a lot more interesting in Ibiza this summer. Cell is the future of audiovisual entertainment. The post [Watch] Fan Records Eric Prydz [CELL] Debut at Hi Ibiza appeared first on EDMTunes.

American talent SCRIPT has made his highly anticipated debut on the esteemed Afterlife imprint with his ubiquitous hit, ‘On The Low‘. This release marks a significant milestone, as SCRIPT becomes the first American artist to release a stand-alone single on the renowned label. ‘On The Low‘ has quickly become one of the most talked-about tracks in the Afterlife family scene. Its journey from a simple Splice sample to a genre-defying vocal anthem is nothing short of remarkable. The track’s powerful, undulating bassline supports a catchy vocal hook, while mesmerizing layers of synths and melodies add emotional depth, captivating audiences worldwide. The impact of ‘On The Low‘ was felt most strongly during the Ultra Music Festival 2024 and Miami Music Week 2024. During this period it earned the prestigious title of the most-played unreleased ID. The buzz surrounding ‘On The Low’ isn’t just coming from the dancefloor. The track has garnered support from some of the most influential selectors in the industry, including: Tale Of Us ARTBAT John Summit Dom Dolla Cassian And many more. This widespread support from established artists has undoubtedly contributed to the track’s rapid rise to prominence. A Monumental Year for SCRIPT 2024 has been a landmark year for SCRIPT, and ‘On The Low‘ is just one part of his success story. Earlier this year, he released remixes of CamelPhat’s “In Your Eyes” and “Gravity” on Tomorrowland’s label. The future looks even brighter for SCRIPT, with his anticipated Afterlife debut in Ibiza scheduled for June 27th. This performance will undoubtedly be a crowning moment in what has already been an incredible year for the rising star. The post SCRIPT Debuts on Afterlife With ‘On The Low’ appeared first on The Groove Cartel.

Kygo, a talented Norwegian DJ and producer, first rose to fame with his remix of Ed Sheeran’s popular hit ‘I See Fire’ in 2013. This remix cemented his reputation as a creator of tropical house tunes that we’ve all come to love and recognize today. He’s been in the game for a decade now and has amassed millions of fans across continents, making him an artist that people relate to and love. Over the years, Kygo has played at renowned global festivals like Creamfields, Coachella, Tomorrowland, Ultra Miami and more. Aside from that, he’s also the creative mind behind the Palm Tree Music Festival alongside his manager Myles Shear with the festival having been inaugurated in the Hamptons, New York on August 29, 2021. With all his success, the DJ/producer/festival organizer isn’t taking a step back anytime soon. Instead, he’s set to release a self-titled album, one that fans have been eagerly anticipating. The album features popular tracks like ‘Whatever’ with Ava Max, ‘Without You’ with Hayla, and a heartbreak healer titled ‘Healing’ with the Jonas Brothers. This album, ‘ Kygo,’ delivers a total of 18 tracks, each stamped with his iconic sound but now infused with a fresh pop dance twist, ensuring you won’t just listen, but actually get up and dance. Each song weaves a narrative that resonates deeply, inviting listeners into Kygo’s evolving musical journey. This release is not just a collection of new music—it’s an invitation to experience the transformative power of his melodies, crafted to light up the night and inspire the world, one beat at a time. Keep an ear out, as this album sure looks promising and has been proclaimed as a highly anticipated release in the music scene. Get the full album here!

Tomorrowland has long been known across the dance music community as a festival that unites people and gives back to its patrons. Over the years, the festival has included different competitions as a means to show its fans that they care. From DJ competitions which give upcoming and aspiring talent the chance to play for a renowned festival to golden tickets hidden in the Spirit of Life book for 2024’s edition, the fun and opportunities are endless. This year however, Tomorrowland has decided to take it a step further and get the hearts of formula 1 fans racing. In a recent announcement, the festival announced a new competition “The World United in Belgium” which gives a lucky winner an experience of a lifetime. Not only will you get to experience Tomorrowland in all its glory with a full-madness pass from July 25-28, 2024, but you’ll also revel in the fun at the Belgium Grand Prix at Spa Francorchamps on the 28th. If you’re worried about missing the closing of Tomorrowland, fret not as you’ll get to go back to the holy grounds to see the festivals end in style. The competition also grants you a stay at one of the many Tomorrowland themed hotels. From the moment you step foot into the lobby, you’ll feel the magic of Tomorrowland enveloping you like a warm hug. To enter the competition, simply answer 10 questions about Tomorrowland’s 20 year anniversary, submit your answers via your account and voila, you’ve taken your position on the circuit! To find out more info, check out the website. So what are you waiting for? On your marks, get set and let the race to be United in Belgium begin!

Following on from the successful release of ‘Barcelona’ alongside fellow Norwegian Ina Wroldsen, worldwide superstar and electronic music artist Alan Walker announces a behemoth of a European tour, set to kick off in March 2025. Fresh off the completion of his first ever South East Asia Walkerworld tour, which stopped in Singapore, Jakarta, Macau, and Kuala Lumpur, Walker shows no signs of slowing down as he announces a huge, continent spanning European tour for 2025. The South East Asia/China leg of the tour has already seen over 60,000 people see the amazing show and the Indian leg of the tour, which is set to stop in 10 cities across the country, making it the largest tour in the country by an international artist. Now, finally, Alan is set to bring his immersive Walkerworld themepark concept to European continent. Fittingly, the tour will kick off in the city of Barcelona where Alan will be playing for the first time, catch him playing all of your favourites as well as exclusive new releases at the famous Razzmatazz club on March 6th 2025. From then on, Alan will make his way around Europe, stopping at the biggest cities on the continent to present an extraordinary arena experience that lasts from the moment the ticket is purchased until you leave the venue! 2025 is a notable year for Alan, given it’s the 10-year anniversary of his seminal hit ‘Faded’, so expect a celebration of the journey since then. The tour will span 11 countries in 14 nights and includes some of the most iconic venues in the world, such as the legendary Alexandra Palace in London and the Olympia in Paris, which have collectively housed acts such as The Rolling Stones, Madonna, Led Zeppelin and many more. Other stops on the tour consist of AFAS Live in Amsterdam, Zenith in Munich, and Atlas Arena in Lodz, not to mention shows in Milan, Budapest, Vienna, Prague, Berlin, Frankfurt, Dusseldorf, and Zurich along the way too. You can also expect some very special guests along the way, keep your eyes peeled for the announcement of the supporting acts. This release comes at an extremely busy time for Walker, fresh off a pair of hot new releases in ‘Unsure’ with Disney star Kylie Cantrall and more recently ‘Barcelona’ with Ina Wroldsen. Aside from music however, Alan is busier than ever, with the inception and announcement of the Walkerworld Creator Games. The WCG is a fan-friendly and industry-leading initiative which invites his biggest supporters in to the immersive Walkerworld inside Fortnite, where they can then present relative creations/content for Alan to interact with. There are even four cash prizes of $10,000 on offer from Alan, awarded to what he feels are the best creations from his fans! To add to this, to celebrate each stop of the European tour, Alan will scout a local support guest artist among online creators in each city. By using #WCG24, you could have the chance to perform on stage in front of thousands of spectators! Keep your eyes peeled for pre-sale of Alan Walker’s 2025 European Walkerworld tour, coming Wednesday 26th June 2024 exclusively via Spotify. With general sale expected to commence Friday 28th June via Alan Walker’s website.

The undeniable world of drum and bass has gradually become more accessible to a more global audience, till now where its momentous ripple has caused mayhem in the world of music. Of course, it is many of the household, more established, names behind this movement. However, there also exists a crop of young DJs and producers who are responsible for providing the scene with additional variety and depth. James Claydon-Smith is undoubtedly a force to be reckoned with in the genre, at the age of just 20. Known to drum & bass fans as Jamezy, his melodic and forward-thinking sound has become synonymous with his productions. At the mere age of 17 he released his breakthrough record with DnB Allstars. Three years later, it’s safe to say that he’s fast establishing himself as a mainstay within the scene – working immensely hard to consistently churn out the releases. Having two acclaimed EPs out in ‘Mind Control’ and ‘Mixed Emotions’ so early in his career, through heavyweight platform DnB Allstars, paved the way for a number of big hits for the remainder of his teenage years. Jamezy got into producing very young, at the age of 14, where drill and rap beats were the foundation of his learning. Having been inspired by his brother’s taste for drum and bass music, he built an instant passion for the genre – fast evolving his curiosity into an obsessive hobby throughout lockdown. Having played in most cities within the UK and some around Europe, he now looks towards a bright future within the community. Playing at superclubs like Printworks and The Warehouse Project, as well as Wembley Arena, the Swindon-born artist has already performed at some of the most prestigious venues in the UK. Achieving so much in such a short space of time, before even reaching the age of 21, is no mean feat. Not to mention achieving a million streams on Spotify with popular tracks ‘Mi Familia’ and ‘Mind Control’. On June 28 we can look forward to the release of ‘Killamanjaro’ which is due to be one of the big drum & bass tracks of the summer. We can anticipate one of Jamezy’s most forward-thinking numbers yet. Its bouncy and fast-paced rhythm compliments the easily distinguished vocals of Scrufizzer. No stranger to the underground scene, the British rapper is known for his punchy grime vocals and bashment-type flow. The witty lyricism, combined with Jamezy’s bassy topline is sure to be a recipe for success in the sunshine. Presave Killamanjaro With the might of DnB Allstars behind him, the sky’s the limit for this young producer from Swindon. A hard-working talent who has dedicated all his teenage and adult life to music, we can expect loads more to come after the undoubted success of ‘Killamanjaro’. We wanted to find out more about one of the rising stars in drum & bass. How did the artist we all know as Jamezy break into the scene with such purpose so young? What has your musical upbringing been like up until this point? I started playing guitar when I was 8 until I was about 16. I got FL when I was 14 – making all sorts of beats. Mainly drill and rap beats up until the age of 16. I was also doing GCSE music, but I dropped it in the end. I played the guitar growing up, which I loved doing. It was classical stuff, I went up to grade 5. The problem was, because I was doing it as a school subject it took the fun away from it. It definitely felt like a chore. 2019 was when I started making drum and bass. When I started mixing I realised early on that I wanted to play my own tunes when I DJ. As I was already in the process of producing it made sense to try and produce drum and bass tracks. Entering lockdown coincided with this so I basically just sat in my room making drum and bass all day long. I watched a lot of sets on YouTube like the Kings of the Rollers Studio 338 set for example. Who were you listening to growing up? Did this inspire your production today? Originally I used to listen to a lot of UK rap. People like AJ Tracey, Not3s, J Hus and Skepta. I liked a lot of afrobeats. These were the types of beats I was making when I was younger. That’s probably why my first releases were so melodic. I was taking inspiration from the period when I was just making rap beats. I’ve always tried to incorporate the melodic elements of my musical upbringing into the drum and bass production. I think it’s cool to make tunes that go off in the rave, but it’s also really great to have music you can appreciate in a different way in your bedroom. How did you get into drum and bass? My brother was really into it and he introduced me to it. He was a raver. He always used to play me tunes. Although it wasn’t a drum and bass song, Chase & Status’ ‘Blk & Blu’ tune on the ‘Brand New Machine’ album opened the door to the genre for me. Once you got into your drum and bass, how did you find that initial learning process in production? Back then, it was really hard. In 2020 there weren’t as many tutorials online as there are now. I was on Reddit a lot trying to work out how to do stuff. It took me a while to learn how to execute it. I was on Discord a lot, watching how other producers did stuff and seeing what tips were shared. Because no one could leave the house due to Covid, I’d be sitting there learning how to do this all day. There was also a Facebook group I followed that gave me loads of new advice. Applying what I knew how to do beforehand to D&B was difficult at first for sure. When did your tunes start getting recognition? I did one Soundcloud free download called ‘On My Mind’, it was my first original track that got me quite a few followers. There was also ‘Mind Control’ which ended up getting picked up by DnB Allstars. That definitely set my career off. I never thought that it was even possible to get a career out of making tunes. I didn’t think it would go anywhere. I remember Dom Whiting played ‘Mind Control’ on one of his bike ride sessions when he first started doing it. Now that’s got over a million streams. That’s unreal! What type of artists were you taking inspiration from back then? Back then starting out in the scene it was definitely Alcemist and Bou. I used to send my tunes to both of them when they did livestream feedback sessions. Their sound was the sort of thing I was feeling at the time. They really changed up the sound, moving on from the heavy foghorn and roller period. When I saw Alcemist first do stuff with DnB Allstars it made me want to release with them too. Let’s talk about DnB Allstars. Obviously a really big thing for you in your career. I loved the brand before I was even involved with them. I loved how they presented things. Their artwork was always great. I was always impressed with the artists they got on board. Back in 2021 they were big, but not the powerhouse they are now. Back then, not everyone was rocking with them. I guess some of the bigger artists were sceptical because of their Instagram brand tag. That’s why their first batch of releases were up-and-comers like me, Goddard, Vibe Chemistry, EJ Kitto, and artists like that. I was glad to achieve my goal and put out music with them that same year. After signing with them and getting the releases out, the artist development side of it from them has been great for me. It feels like I’ve grown with them to be fair. I’ll always be thankful for them as I wouldn’t be where I am now if it wasn’t for them. It’s crazy to see how far they’ve come. How did your debut EP release with DnB Allstars come about then? They used to run a thing called dubplate club, which was a monthly subscription where you’d receive a bunch of tracks. I submitted tunes to that, as well as their label they started up. They hit me up saying they really liked some of my tunes, so we kept going back and forth. I would send Josh, who runs Allstars, a load of music. I’d sent him ‘Authenticity’, ‘Mind Control’, and ‘Speechless’ and before I knew it I had an EP with the label. They were liquidy, melodic, tunes. Not a lot of artists were doing it at the time, so it was a bit fresh and people were feeling it. It must’ve been a great feeling when you got the green light for an EP release on this brand you loved throughout your drum and bass journey… Yes! It was a crazy feeling. I was still in college doing my apprenticeship. I was 17 and very excited. We were still coming off the back of the Covid regulations so there were still restrictions, but nonetheless, it was a very exciting time for me. There must be ambitions to work with other producers in the future now you’ve got a back catalogue of work… For sure. I want to work with other producers because for a while now I’ve mainly been doing my own thing. But when you collaborate with other producers you learn so much from them. Two brains are always better than one. Let’s see what works I guess. Even working with more vocalists. I’ve worked with Ruth Royall, Azza & Grima, J Mulla, and Eksman. I definitely want to work with more grime MCs to get more grime and drill influence into my production. You had a big release out recently with SPINNIN’ RECORDS called ‘The Weekend’ with some big collabs in there! Yes, that one came out in May this year. It was a great experience to work with the label. They’re a massive label. Working with Mollie Collins and Ruth Royall was big for me personally as I’m still very much coming up within the scene. Talk to me about playing at Wembley! Hedex has been smashing it for quite a while now with very successful tours and shows. He announced Wembley in October 2023 which was sold out in less than 24 hours. At this point there was no lineup announced. In January, he hit me up and requested I play alongside Latte and T-Lex who are good mates of mine. I had to keep it quiet for ages. I was able to bring my Dad which was special. It was a really special day that I’ll never forget and I’m thankful to Hedex for the opportunity. I respect him so much, his work rate is nuts. He’s put the work in and reaping the rewards. Let’s talk about your upcoming release ‘Killamanjaro’. How did that come about? Basically my manager Hari had met Scrufizzer at a ‘Night Bass’ album launch and got the link that way. We sent him a tune last August and he got back to us with the whole vocal. It was so sick. Then I’d made the ‘Killamanjaro’ beat, and it was just an instrumental for a while. After a while, I sent him the beat asking what he thought of it. No joke, within 45 minutes he sent me the whole track back. Everything was complete. The way he works is nuts. We went back and forth for a while to perfect it, but it was crazy how quickly he works. At first, I didn’t think this tune would be one of my personal best, but as soon as Scrufizzer laid down the hook I knew it would be a banger. The whole campaign is based on the sound system culture. This one’s not under a label and it’ll be fully independent. We made this tune back in October so I really wanted it out this summer. I’m glad we’ve achieved that. What are the differences you’ve found between the ones you’ve released under a label and self-releasing? It just means we have to find a distributor for it ourselves. All the artwork is also sorted by us. A massive part I’ve found is all the promotion, making the assets, and the pre-save links are all pushed by us. The good thing about all of this is you can fully decide on all the aspects of the release, that side of it has been a lot of fun. We’ve got a lot of short-form content recorded and ready to go for the promo. It’s nice to have the creative license. Talking of promo, how have you found the importance of social media in today’s music scene? Socials are a double-edged sword for me. It’s obviously massively beneficial for artists due to the instant nature of it. On the other hand, a lot of people’s judgment can be clouded based on followers, views, likes etc. Social media is always going to be there now, so I think you’ve got to try and use it to your advantage. I think I’ve been getting better at it over the last 12 months. Ultimately, to push my music which is the main goal for me. But no matter what, the music always comes first for me. The tracks are always a priority. So are you able to give me any insight on any releases post Killamanjaro? Not too much, but I can say I’ve got one in July on NUFORM Records – who are a great label. A more melodic sort of number to what I’ve done recently. I’ve got more coming up later in the year which I can’t say too much about, but definitely more feel-good tunes coming up. I can confirm there’s definitely more stuff pencilled in for the rest of the year. We are already working on stuff for early next year too. I’m sure you have some great things in the pipeline! I think the scene would love to get to know you a little bit better. Why don’t you start off by telling us 2 or 3 collaborations you’d love to happen? I’d probably have to say Scrufizzer again, I’d love to jump on some more stuff with him. I’d have to throw Bou in there for obvious reasons. And then I’d say Emily Makis too. She’s been killing it. I’m interested to know what sort of producers/DJs you’re rating at the moment who are on the come-up like yourself in the scene. 4K is a good friend of mine outside of music and he’s so talented. Formula too, he makes bangers. We’ve played a lot of shows together. There’s a DJ called OKO as well. She’s been doing bits recently and started to make her own music as well. There’s another guy called DRZ who’s making a lot of dancefloor stuff which sounds sick. I know you’ve played at so many amazing venues, but excluding Wembley what have your top three to perform at been? Printworks for both Allstars events I played. The vibes were unreal on the last one I did their Tobacco Docks event too- which was also nuts. They barely did d&b raves there but the one I did was very memorable. And I’d have to throw in their Warehouse Project too. The raves inside the venue are unmatched.