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Ableton Live 12.1 is now in public beta. This free update for Ableton’s music performance and production software comes with significant additions and improvements to all editions of Live, including Live Lite, plus Push. Live 12.1 introduces auto-tagging, making it easier to find the right sound in your user library. New tags are automatically assigned to all samples in the library less than a minute long, as well as to VST3 and AU plugins. Auto Shift, Live’s new pitch correction and harmonization device, lets you manipulate and extract harmonies from vocals in real-time. Choose a scale for Auto Shift to follow, and play and make harmonies from any monophonic signal with the dedicated sidechain. Drum Sampler, Live’s new compact sample player, lets you tweak and enhance drum sounds on the fly. Limiter and Saturator have been redesigned, and the MIDI Editor now allows you to filter and select notes by time, pitch, or a number of other criteria. Two new MPE-specific MIDI Transformations – Glissando and LFO – let you create curves for the MPE parameters of selected notes. 12.1 also brings updates to Push. On Push 2 and 3, you can now map Macros, experiment with Macro Variations, organize Sets more easily, and take advantage of Live 12’s browser filters. Push 3 now lets you add groove instantly to all the MIDI clips in your Set with a single twist of an encoder, while Push 3 standalone adopts Live’s new sample auto-tagging feature. If you own a Live 12 license, you can join the beta program* to test Live 12.1. Once the beta testing period is over, Live 12.1 will be free for all owners of a Live 12 license. Ableton Live 12 is available for purchase from Ableton.com and, in some countries, through local retailers. Ableton Live 12 costs 79 EUR / 99 USD / 69 GBP for Intro, 279 EUR / 439 USD / 259 GBP for Standard and 599 EUR / 749 USD / 539 GBP for Suite. Owners of previous versions of Live can log in to their accounts to check upgrade pricing. Push is available now through Ableton.com. Push costs USD 999 / EUR 949 / GBP 879 and Push (standalone) costs USD 1999 / EUR 1899 / GBP 1669. Upgrade Kits are now available and cost USD 1049 / EUR 999 / GBP 879. The post Ableton Live 12.1 is now in public beta appeared first on Decoded Magazine.

With a lineup that reads like a who's who of the electronic music world, the organizers of the iconic Amsterdam Dance Event have unveiled the first wave of artists for the 2024 conference. ADE, a cornerstone of the global electronic dance music scene, has revealed over 300 artists set to entertain audiences this October. The announcement includes major names like Martin Garrix, Peggy Gou, Boys Noize, Four Tet and more, alongside a diverse array of talent from every flavor of the genre. Other major artists confirmed for appearances at ADE 2024 include Tiësto, Bonobo, Jamie Jones, Skream, Rebekah, Jeff Mills, Carlita, Marcel Dettmann, Marco Carola and EDM.com Class of 2023 star Indira Paganotto. Martin Garrix performing at his "IDEM" show a RAI during the annual Amsterdam Dance Event.c/o STMPD RCRDS ADE continues to serve as a seedbed of dance music culture and a crucial hub for industry professionals and enthusiasts alike. When all is said and done, the summit, renowned for its comprehensive slate of performances and panels, is set to feature over 1,000 events across Amsterdam, including high-profile experiences by Awakenings, Tomorrowland, AMF and so many more. With this first wave, ADE is once more setting the tone for what promises to be another unforgettable celebration of electronic music culture from October 16-20, 2024. The complete program will be revealed in the months ahead. You can purchase ADE Pro Passes here.

Amsterdam Dance Event (ADE), the world’s largest festival and business gathering for electronic music, today reveals the first wave of confirmed artists for ADE 2024. Among the confirmed artists to perform are Benga (GB), Brutalismus 3000 (DE), FJAAK (DE), Four Tet (GB), Honey Dijon (US), Indira Paganotto (ES), Jeff Mills (US), KlangKuenstler (DE), Major League DJz (ZA), Marlon Hoffstadt (DE), Martin Garrix (NL), Miss Monique (UA), Peggy Gou (KR), Rebekah (GB) and The Martinez Brothers (US). Over 300 artists and DJs have now been confirmed throughout 100+ events, marking the first 10% milestone of the ADE program — including special concerts by Awakenings Upclose, over 20 events at A’DAM Toren, a packed DGTL roster with 7 events, Tomorrowland presents Our Story, alongside AMF, HE.SHE.THEY., Into the Woods, Verknipt, straf_werk, Loveland, Speedy J’s STOOR, Dave Clarke presents, and much much more. The five-day gathering runs from October 16—20, 2024 and is the world’s most extensive festival and conference program for electronic music, representing all electronic subgenres and subcultures throughout 1,000+ events in 200+ locations spread across Amsterdam. Among the first 10% of artists and DJs are: 6EJOU (FR), 999999999 (IT), ALCATRAZ (DE), Anetha (FR), Anz (GB), Avalon Emerson (US), Azyr (GB), Barry Can’t Swim (GB), BELLA (NL), Ben Klock (DE), Benga (GB), Benwal (NL), Berkan V8 (NL), Bolis Pupul (BE), Bonobo (GB), Boys Noize (DE), Brutalismus 3000 (DE), Caribou (CA), Carista (NL), Carlita (TR), Chlär (CH), Cincity (NL), Cinthie (DE), Colin Benders (NL), Colyn (NL), Daria Kolosova (UA), Dave Clarke (GB), Dax J (GB), Dee Diggs (US), DJ Europarking (NL), DJ Fuckoff (DE), DJ Mell G (DE), DJ Spit (DE), DJ Tennis (IT), DMX Krew (GB), Doppelgang (NL), Estella Boersma (NL), Fafi Abdel Nour (NL), FJAAK (DE), Four Tet (GB), Funk Assault (DE), Gabrielle Kwarteng (US), Gerd Janson (DE), GoldFish (ZA), Honey Dijon (US), I Hate Models (FR), I. Jordan (GB), Indira Paganotto (ES), Jamie Jones (GB), JEANS (NL), Jeff Mills (US), Jennifer Loveless (AU), Kikelomo (GB), KiNK (BG), KlangKuenstler (DE), Kobosil (DE), Lola Edo (NL), Mahmut Orhan (TR), Major League DJz (ZA), Malugi (DE), Marcel Dettmann (DE), Marco Carola (IT), Marie K (NL), Markus Schulz (US), Marlon Hoffstadt (DE), Martin Garrix (NL), Mary Lake (NL), Mathame (IT ), MCR-T (DE), Mila Black (NL), Miss Monique (UA), Mochakk (BR), Motor City Drum Ensemble (DE), Narciss (DE), Nico Moreno (FR), NIKS (GB), Nils Frahm (DE), Octave One (US), Ogazón (LU), Olympe (IT), Pangaea (GB), Patrice Bäumel (DE), Patrick Mason (DE), Paula Tape (CL), Paula Temple (GB), Peggy Gou (KR), Philou Louzolo (NL), Rebekah (GB), Rødhåd (DE), Röyksopp (NO), Roza Terenzi (AU), Ruby Savage (NL), Sally C (IE), Salome (GE), Sama’ Abdulhadi (PS), San Holo (NL), Sarkawt Hamad (NL), Sasha (GB), Sedef Adasi (DE), Seth Troxler (US), Shanti Celeste (CL ), Shimza (ZA), Shlømo (FR), Skream (GB), Speedy J (NL), SPFDJ (SE), Spray (IE), Suze Ijó (NL), Tereza (DE), The Blessed Madonna (US), The Martinez Brothers (US), Tiësto (NL), Timmy Trumpet (AU), Tita Lau (GB), Todd Terry (US), Twiena (NL), Vuur (NL), Wade (ES), Yazzus (GB), Young Marco (NL) and many more. The complete program will be announced in the coming months. Individual tickets are available through ADE’s program, and the ADE Pro Pass is available here. The post Amsterdam Dance Event announce first wave with 300+ confirmed Artists for 2024 appeared first on Decoded Magazine.

Innate MC (Lewis Edwards) followed a path less travelled, in hindsight, the decision paved the way for a whole new chapter for the master of ceremony. He left familiarity behind to move abroad and make a name for himself in Amsterdam, The Netherlands, becoming the first and only UK MC in bass music to successfully do so. Roughly nine years on Innate MC very much managed to establish his brand, turning it into a household one by becoming the resident at renowned local events like Blackout, Korsakov and Curated By – his signing at MB Artists further underlining his impressive progress ever since. And with more than 15 years of experience on the mic – providing lyrical support to more than a hundred established names in the scene – there’s more than enough to cover in this exclusive interview for UKF. Hello Lewis, great to finally have this talk, let’s start at the beginning: what motivated you to become an MC? Hi, thanks for having me. I was introduced to jungle and early speed garage & UKG through my older sisters and cousins at a young age, and it was something that stuck with me. My friends and I would practice DJing and MCing and all pretty much stems from this. How did it evolve? At first, we were just messing around at a friend’s house, A.M.C, Kyrist, Slippy Skills and a few others. Then after a while skills progressed, and we started doing little local events in bars, function rooms and at an online radio too. This was around 2008 How did you find your sound? Back when I first started listening to event tape/CD packs, for example, Hysteria, Telepathy, Helter Skelter, the main MCs at that time were pretty much double-time and fast-paced. So at the time, when I was young, I thought it was kind of the only way. As I got older, things were a little different. Especially with the internet. Being able to find different types of music and different types of parties. sub-genres and all this kind of stuff. It really opened my eyes. Eventually, my friends and I started going to events like Renegade Hardware, Shogun, RAM… That’s mainly where I was introduced to other MCs that weren’t so constant and fast, but more about the whole hosting type of style; the bars in between. For me, there’s like a fine line between being a host and an MC. I tried to drift in between the two, and eventually, I felt like I’d found my way. You are the only English MC in the scene who moved to Holland. How did this come about? I came in touch with a lot of people internationally through things like hosting at Let It Roll, shows abroad and also being involved event-wise. I let some people know that I was thinking about moving to NL, and they were like: yeah, move here, we would definitely want to book you and have you as a resident MC. So yeah, I took my chances. You’re also signed with MB Artists these days Yes, after working with Neurofunkgrid/Enter the Grid, I was pretty much working alone, in the sense of taking on my own bookings and reaching out to promoters. After that, for a short time, my bookings were being dealt with via Korsakov. Once that came to an end, I was acting alone again. Then, around one and a half years ago, the guys who were running Compass Agency in the Netherlands did a business merger with MB Artists. They hit me up (big up to agent Alex (A-FLEX/ NCT) and asked if I would be interested in joining their roster after the merge. I was super excited because the agencies were both established with impressive rosters, so it was a huge privilege to be asked to join. Since being with MB, things have been going really well, and I’m looking forward to seeing what the future brings. Did it help to have that UK heritage as well, because you guys have a rich MC culture? To be honest, I’m not sure. Maybe it has added some authenticity to what I do, as the whole scene in general originated in the UK. But it’s a nice thought to think I’m bringing something over to another country and it being received well. How would you summarise the essence of your role as an MC? Personally, I like to make it about the DJ, the music, and the people as much as possible. I remember being at raves when I was young, and the MCs always did a good job of making everyone feel like they were part of something. Something big. There’s almost a tribal togetherness that goes on in the crowd when the vibe is right. That’s the vibe I try to create while using the lyrics here and there when I feel it’s the right moment to do so. What really motivates you to go up there and stand in front of crowds? Is it a certain feeling? Yeah, for sure! Seeing how much they’re enjoying it – being a part of that energy is something special. So what do you miss the most about England? Family and friends of course, but also being able to go into nature. That isn’t so easy here in The Netherlands. It’s nice and there are some beautiful places to go, but the countryside and forests aren’t really the same as at home. Inversion – you’re involved with that as well. Can you tell us something about that? We had our first edition in 2016, it was going really well for a few years and then the team were looking for a different venue, but then Corona hit… It’s been only in the past year or so that I got in touch with my friend here, who also worked on this. I suggested to him to just try and bring the party back, and we approached a few different venues. Then we ended up with a good response from Patronaat in Haarlem, which was nice, because they used to have Spektrum there a while ago. So we got a shot at bringing drum & bass back to Haarlem. Are any announcements worth mentioning for the upcoming months regarding Inversion? For now, I can’t say too much yet, but I can say the next event will be in October after the festival season. You mentioned earlier about actually spending some time in the studio again I have been trying to get back into this recently, but I have had so many other things going on in my personal life that studio stuff took a backseat for quite some time. Will eventually get a track done with a friend of mine Abstract from Breda, NL, who I got in touch with through TRIBE, while hosting some of their editions. And also with someone else, but I don’t want to say too much yet, because I’m still kind of waiting to hear back. All will be revealed in time. Just not rushing myself for the sake of having something out soon. Is there a certain night or event that stands out in your memory? Why so? Well, off the backend of doing Renegade Hardware while still in the UK and then Neurofunkgrid – getting involved with Blackout (drum & bass night at TivoliVredeburg, Utrecht) was a huge one. Working with the guys from Black Sun Empire, while being a fan of their music for years, is a milestone. Multiplex, who’s resident there, really helped me with that by showing me the ropes when I moved here and being really welcoming and a good friend in general. Do you feel like it’s a bit harder in the UK to become established, because there are so many MCs and there’s so much competition? Yeah, it’s a bit tougher to break into the scene, although it’s also easier to get your message out there these days with social media etc. We used to try and record the best material of our lives in my friend’s bedroom and then, you know, burn like 30 CDs and then take them to the club and hand them out as much as we could… and basically pray that one of those people was an artist from the night or the promoter! It’s easier to get your message across now, but there’s a lot of static on the line because everybody’s fighting for attention. So it’s also a matter of not only what you know, but who you know and properly networking. Yeah for sure, networking, being present and getting to know people within the scene is crucial I would say. Especially when starting out. It comes with experience and having that balance, but when being on the mic, are there moments when you get too excited and overdo it? I don’t know, it can easily become too (much) constant sometimes, you know, like, I also want to hear just the music. When someone constantly is emceeing, I want to see them step back a bit and let the DJ mix- see them interact with the crowd, big up people, and this kind of stuff. For me, as an MC you want to make everyone feel included. The ‘you are all in it together’ kind of thing. It’s not like I’m the big MC and these guys are below me or something like that, we’re all here for the same thing, the music. That’s my approach, anyway. Do you have certain goals in your mind for the future? More studio stuff for sure, to have some really nice releases out on some established labels would be amazing. I also really want to be in a position where I’m getting approached for a New Zealand, Australia tour, or something like that, with some DJ friends of mine that I’d really like to travel with. That’s something I’d want to work towards.

Ross Quinn has released his newest EP, “Mirage,” a smooth mix of feeling and rhythm. Quinn expertly blends heartfelt lyrics with catchy melodies, a style favored by artists like Rufus Du Sol and Elderbrook. His previous tracks, “Omen,” “Every Night,” “Always,” and “Life Without You” are great examples of this. The focus track “Better Alone” features well-written lyrics and soft breakbeats that capture the spirit of classic Ross Quinn: moody, expressive, and undeniably catchy. It’s meant to hit a chord with people and make them feel happy and content through its perfect mix. Ross has recently worked with Christoph, Tibasko, Agents of Time, and Mees Salome, all of whom have shown that they can combine emotional singing with club-oriented beats. In order to get ready for the next part of his job, Ross Quinn works hard to share his stories and experiences. He does this by leaving it all on the dancefloor. Mirage EP is out now via Helix Records. The post Ross Quinn drops 5-track EP, “Mirage” appeared first on The Groove Cartel.

Last weekend marked the 14th edition of one of the largest music festivals in all of Canada, Escapade Music Festival. The 3 day festival took place at Lansdowne Park on June 21-23, in the capital of Canada, Ottawa. Known for its thorough organization and stacked lineups, this year was no different with some major heavy hitters gracing the capital. Spread across three different stages, some of the industry’s biggest names performed that weekend such as Steve Angello, Zedd, Knock2, Mau P, ISOXO, Diesel, Seven Lions, Illenium, Steve Aoki, ACRAZE, and many more. When it comes to festivals, they are rain or shine up until severe weather comes into play which can have an adverse effect for the safety of attendees and festival staff. Unfortunately for those in attendance, day 3 had to be cancelled after opening the gates for a few hours due to unsafe site conditions from 24 hours of heavy rain and damage to the site. The organizers made the right call to protect everyone’s safety and made a quick decision to refund attendees that did purchase a Sunday ticket which was highly commendable. Stages and Layout Escapade featured a total of three stages which catered towards a variety of different genres. Aberdeen Stage which was an indoor stage had a mixture of house and techno acts. Bet99 Stage which was located in a massive stadium and had a floor as well as bleachers for attendees to enjoy their favorite DJs. This was where the bassheads and headbangers joined together where top acts such as Ganja White Knight, Tape B, Levity, ISOXO, and Diesel performed. And for the third stage, centered across a great stretch of grass was the Great Lawn Stage where acts such as Zedd, Steve Aoki, Two Friends, and more played. Each stage in their own right were large and had adequate production to be considered as main stages which was very impressive. Another thing to point out was that the festival was 100% sold out. Despite this fact, I never felt over crowded with the other attendees and still felt the massive main stage energy that we look for at festivals. Major props for the Escapade organizers on this as in today’s festival market, many end up overselling which lowers the fans enjoyments by chasing profits. Upon entering the festival, the entrance was well organized with one GA line and one VIP line. It was a quick and efficient entry with adequate security ensuring a steady flow of people entering at once. I often notice heavy lines at other festivals which often lowers the overall experience for many attendees so this was a key highlight of the organization. When exploring the festival grounds, I liked how there were food vendors conveniently scattered across the grounds. Food options were great too, and I treated myself to poutine being an American and not having access to that in the states. Water stations were also positioned in great spots and lines to refill water were never more than a few minutes even during peak hours. Day 1 started off strong with tasteful house dons KREAM and Mau P takin over the Great Lawn Stage. Ravers from Ottawa must love house music because the stage was packed with ravers brimming with excitement and energy as they grooved to house bangers. Immediately after, Knock2 took the stage and has been the talk of the scene lately for his meteoric rise. Known for his energetic and bass-heavy tracks, he seamlessly blends house, bass house, and trap influences to create party-starting anthems. He kept the crowd jumping with a string of his high profile tracks such as ‘dashstar*’, ‘SMACK TALK’, and ‘Rock Ur World’. Simultaneously at the stadium stage, Crankdat was goin b2b with Riot Ten, putting on one of the hardest sets of the weekend. With no shortage of pyro, the set was a demolition of bass, having the whole stadium arena crowd headbanging in unison. Diesel would play shortly after and another rising young gun ISOXO to close out the stage. He even brought out Knock2 during his closing set which fans of ISOKNOCK were definitely ecstatic about. Meanwhile at the Aberdeen stage, latin house trailblazer Hugel, AC Slater, and Tchami X Malaa were ripping it hard with their house tunes bouncing all over throughout the stage. I personally ended my night at the Great Lawn Stage singing along to Zedd’s crowd favorites such as ‘Clarity’ and ‘Beautiful Now’. To my surprise, he ended the night with an epic display of fireworks. Credit: BigLaurPhotographie On day 2, I wanted to arrive early to get the full swing of the festival before it got too crowded. I started off at the Bet99 stage with Draeden who is a Montreal-based producer that isn’t afraid to push boundaries, blending cinematic soundscapes with face-melting bass drops with a knack for metal/rock roots. He got the crowd riled up by bringing Micah Martin on stage to belt out a new track on the mic. At this point in the afternoon, the rain was drizzling which was honestly a good thing because of how humid it was at the venue. From there, rising star Tape B blasted the crowd with nostalgia with his unique blend of classic dubstep and genre-bending flips. Over at the Aberdeen Stage, Maddix put on a hard hitting techno set which had everyone riled up with the faster bpm drops. Trance fans were in delight right after as Ilan Bluestone performed a special uplifting trance set right after. Those attendance at the Great Lawn Stage were in for a treat with huge names such as ILLENIUM, Two Friends, and Steve Aoki playing in succession. Aoki played out his classic hits such as ‘Turbulence’, ‘Pursuit of Happiness’, and new music from his Paragon album. He would also close out the night throwing his famous cakes into the crowd which is always a fun sight to see as he hurls them across dozens of feet. Escapade Music Festival 2024 faced some challenges this year, with unexpected weather forcing the cancellation of Day 3. However, the festival showcased the resilience of the EDM community. Organizers, performers, and attendees all adapted and kept the positive vibes flowing. The event organizers and artists were able to scramble together some last minute afterparties to make up for the rain. The Chainsmokers played at a venue, and Subtronics went B2B with Tape B at a free pop up at a different one. And lastly, Slander showed up at the Kayzo afterparty to go B2B. Stay tuned to the official EMF socials for next year’s edition! Stay tuned for The post [Event Review] Escapade Music Festival 2024 appeared first on EDMTunes.

North America is about to close out summer with a healthy dose of drum & bass directly from one of the genre's most influential acts. Pendulum have announced their return to the United States and Canada for a rare DJ tour, revealing nine dates. Aside from a single stop in Vancouver, all of the group's performances will take place in the US. Late last year, the iconic electronic music band teamed up with Matthew Tuck of Bullet for My Valentine for a heavy metal-infused EP, Anima. Not long before that, they reimagined the sounds of Taylor Swift with a cover of "Anti-Hero" for triple j's "Like A Version" program. Pendulum will kick off their North American DJ tour on September 5th, 2024 at ReelWorks in Denver, Colorado. It follows a run of appearances at major international festivals, like Leeds Festival and Reading Festival in August. Tickets are not yet on sale but fans can register for the presale here and check out the dates below. Pendulum/X Follow Pendulum:X: x.com/pendulum Instagram: instagram.com/pendulum TikTok: tiktok.com/@pendulumofficial Facebook: facebook.com/pendulum Spotify: spoti.fi/3cxHXAH

Matroda has joined forces with Dances for a new house anthem,"Britney." Out now via Matroda's own Terminal Underground label, the song arrives highly anticipated after the house music star teased it at EDC Las Vegas. The track features an infectious four-on-the-floor beat driven by dark synths, chugging bass and the hypnotic vocals of Dances, whose lyrics narrate a wild tale of someone chasing the thrill of partying. And with a nod to Britney Spears and her infamous dance moves—particularly her twirl—it's bound to be a crowd-pleaser. Crafted for the club, "Britney" is poised to become a staple in the tech house scene, much like Matroda's many other releases. The Croatian DJ and producer remains red-hot with upcoming performances at HARD Summer, EDC Orlando and Ushuaïa Ibiza, among other high-profile appearances. Listen to "Britney" below and find the new single on streaming platforms here. FOLLOW MATRODA:X: x.com/matrodamusic TikTok: tiktok.com/@matrodamusic Instagram: instagram.com/matrodamusic Facebook: facebook.com/matrodamusic Spotify: spoti.fi/3bEpBt7 FOLLOW DANCES:X: x.com/dances Instagram: instagram.com/danceslife Facebook: facebook.com/danceswithwhitegirls Spotify: bit.ly/45MK5M6

YouTube is in the midst of a new round of high-stakes negotiations with the three major labels to secure licensing agreements for its AI-generated music initiatives. The conversations with Sony Music Entertainment, Warner Records and Universal Music Group are taking place in the wake of their lawsuits targeting generative AI startups Suno and Udio, both of whom stand accused of using copyrighted music without permission to train their text-to-audio models. The lawsuits, spearheaded by the Recording Industry Association of America (RIAA), underscore the music industry's fierce defense of intellectual property rights. Suno and Udio are alleged to have copied vast amounts of sound recordings, violating copyright laws and sparking significant industry backlash. As a result, YouTube aims to preempt similar issues by obtaining proper licenses. That's according to a report by the Financial Times, who claimed that YouTube is offering substantial lump-sum payments to the major labels to license their music, thereby ensuring that its AI tools, which can clone the styles of popular artists, are developed ethically and legally. The approach mirrors previous agreements between record labels and social media platforms like Meta and TikTok, focusing on one-time payments rather than ongoing royalties. YouTube in November launched Dream Track, a project that allowed a select group of creators to generate 30-second audio clips mimicking contemporary superstars like Charli XCX and John Legend. While YouTube does not plan to expand Dream Track, the company seems keen to explore new AI-driven music projects, provided it can secure the necessary permissions from artists and labels. A key aspect of YouTube's negotiations, per FT, involves obtaining artist-by-artist licensing, which may prove challenging given the ethical concerns surrounding AI-generated music. Earlier this year over 200 artists, including Billie Eilish, FINNEAS and Chase & Status, signed an open letter calling for stricter regulations to protect human creativity. Despite such challenges, YouTube's initiative could set a precedent for how the music industry adapts to AI. By offering lump-sum payments and potentially implementing an opt-in model, whereby individual artists can choose to have their music used in AI projects, YouTube is thinking outside the box to address many of the sensitivities related to AI-generated content.

With her latest single, Daya dials up the intensity and tells heartbreak: "don't call." Daya, the Grammy-winning artist behind global hits like The Chainsmokers' "Don't Let Me Down" and LLENIUM and Gryffin's "Feel Good," is back with a stunning new single, out now on Spinnin' Records. Produced by Sebastian Furrer of Cazzette, "Don't Call" showcases Daya's knack for weaving emotive storytelling with genre-bending precision. A striking departure from Daya’s previous work, "Don't Call" sees the celebrated songstress diving into the realms of drum & bass while maintaining her signature pop allure. The song's ethereal synths and spritely rhythms create a vast, expansive soundscape that contrasts beautifully with the intimate, confined energy that inspired its creation. Written in a small room in a Swedish building that once served as a prison, the song feels like a heartfelt escape, Daya's falsettos and aching vocals soaring over the production. She delivers lyrics that speak to the pain and liberation of letting go. The track's climactic moments are underscored by subtle yet impactful drum & bass elements, adding a dynamic intensity that elevates its emotional weight. "I was in Oslo the following week and couldn’t stop dancing alone in my hotel room to it," Daya recalls, reflecting on the song's creation. "Walking around playing it loud in my headphones looking at statues in the park on my birthday. It felt so apt for the freedom I felt in those moments of my life." Watch the official music video for "Don't Call" below and find the new single on streaming platforms here. Follow Daya:X: x.com/daya Instagram: instagram.com/daya TikTok: tiktok.com/@daya Facebook: facebook.com/theofficialdaya Spotify: tinyurl.com/3jy8kyte

It’s a privilege that people in the public eye share their lives and passions with us. It’s unfortunate when others take it too far. That’s precisely what is happening with Zedd as he has reportedly had to take legal action against a woman invading his privacy in many ways. According to documents obtained by TMZ, the Grammy-winning producer filed a restraining order with a Los Angeles court against a woman who allegedly showed up and harassed him at his home. The documents of the details explain that Rezwan Senobarian, who he has never met, came to his Encino home multiple times this week and behaved “erratically,” demanding to talk to him. She has also tried to impersonate Zedd by phone and email. Additionally, not only has the woman been targeting Zedd but also his personal assistant and staff. We hope everyone remains safe in this uncomfortable and troubling situation. ICYMI: Zedd has also just released his first single from his upcoming album, Telos, called “Out Of Time”. The post Zedd Requests Restraining Order Against Alleged Stalker appeared first on EDMTunes.

ISOKNOCK, the collaborative duo between modern electronic music pioneers ISOxo and Knock2, are redefining the parameters of their genre. After meeting at the San Diego County Fair as young teenagers (while performing at the same local stage), the San Diego-natives struck an immediate connection, forming a bond defined by a shared desire to shake-up the foundations of dance music. The two producers have nurtured their ISOxo and Knock2 projects while fortifying their collaborative identity through the ISOKNOCK moniker. As they’ve ascended as individuals – playing packed-out renegade shows, performing at major international music festivals, and collaborating with icons such as Skrillex and RL Grime – they’ve also run through multiple iterations of ISOKNOCK. Starting as a SoundCloud guest mix in 2019, the duo project has recently culminated with four consecutive sold out shows at the Shrine Auditorium last fall, their Sahara Tent-closing set at this year’s Coachella, as well as two sold out sets at Seattle’s WAMU Theater and Brooklyn’s Under The K Bridge in May. Today, ISOKNOCK maintain that unceasing momentum with their new single ‘SMACK TALK,’ the duo’s first official track together since 2019’s “RADIAL” and a collaboration with trap innovator RL Grime. It’s a fitting team-up for the milestone release, as RL Grime has been an ardent champion of the two artists for years, having released ‘“’RADIAL’”’ on his Sable Valley imprint, taken them on Sable Valley tours, featured ISOxo on his 2023 album, and gone b2b with Knock2 for a festival-highlight set at this year’s Ultra Music Festival. Listen to ‘SMACK TALK’ here. Kicking off with harrowing hymnal chants, ‘SMACK TALK‘ slowly builds with orchestral percussion elements and extra-terrestrial sound design. The track then transitions into a blazing, rage beat-inspired synth chord progression – a heart-pumping section complemented by a bed of distortion and futuristic, arpeggiated synth melodies. The song then begins another build, combining an infectious vocal sample with propulsive rhythms before dropping into hardstyle kickdrums that quickly give way to the song’s monstrous trap beat. The post ISOKNOCK Team Up With RL Grime For New Single ‘SMACK TALK’ appeared first on EDMTunes.

ULTRA Europe just revealed another 64 names to the already epic schedule for the 2024 edition being held from July 12 to 14 at Split’s Mladeži Park. In addition to already announced world-known stars like Adam Beyer, Armin Van Buuren, Afrojack, Alison Wonderland, Axwell Boris Brejcha, Eric Prydz, Hardwell, Martin Garrix, Timmy Trumpet, DJ Snake and Sebastian Ingrosso, the 10th jubilee edition of this world-renowned festival will also welcome Dutchman Joris Voorn, who knows how to read the energy of the audience and react to it with his famously melodic and emotional techno. Split will also host Miss Monique, prog house and trance innovator, LOVRA, a unique German known for her energetic house sound and dynamic sets, popular British DJ duo Pink Panda who bring infectious grooves and a vivid stage presence, the vocal veteran and German favorite Plastik Funk, plus Polish EDM star Adam De Great, Javi Guzman, Wahlstedt, and Block & Crown. This third phase also includes Asian stars from the world of house, minimal and hip hop will play including DJ TORA, Kotoha, Yamatomaya, AOY, and OAK and many more. In addition to the grandiose Main Stage and the unique RESISTANCE concept, ULTRA Europe will once again host a whole series of musicians on the unforgettable UMF and Oasis stages with a full breakdown of who is performing when announced soon. Tickets TIER 3 tickets are almost sold out and can be purchased on the official website starting at €189 for a three-day GA ticket. Only 100 VIP tickets are left and can be secured for €389, including three-day experience. A limited contingent of one-day tickets has been released for sale at a price of €99. ULTRA Europe is also offering the ultimate 7-day Destination ULTRA Ticket for €369, which will grant you access to all events during the Destination ULTRA Europe week. With less than two weeks remaining until the start of the festival, secure your tickets now for the most memorable celebration of music! The post ULTRA Europe Reveals Phase 3 Lineup For 2024 Edition appeared first on EDMTunes.

Swedish House Mafia are back in Italy. Last night, the trio landed in Lucca, a lovely town in Tuscany, for the Lucca Summer Festival. Besides playing their iconic classics and well-known hits, the Swedish House Mafia played their collaboration with Alicia Keys as well. The tune is allegedly called Finally. But, there’s a catch. The song played wasn’t the same as it premiered some time ago. You would say that it’s normal to edit and finalize songs when they’re still unreleased, and we agree with that. Swedish House Mafia and Alicia Keys collaboration was played for the first time in 2022. It has been played in San Francisco ahead of their Arena European tour at the end of 2022. The new version, played during the Lucca Summer Festival, has slightly changed. Alicia Keys confirmed the existence of the song sharing a video of it being played at Lucca Summer Festival. This is the first time she acknowledge the song. Fans’ response was mainly positive with people saying “This is still the best thing they’ve made since the reunion. emotional, euphoric, beautiful.” The crowd during the event was fantastic as well, creating the right vibes for the show. “The crowd was really hyped and the boys really felt that“. They even played some classics from fellow artists and the dancefloor reacted magnetically. Overall it was an incredible night where the cherry on top were the new versions of the Alicia Key ID and Finally ID. The post Swedish House Mafia played new version of Alicia Keys ID in Italy appeared first on The Groove Cartel.

The superstar DJ is once again in the thick of things. Diplo is under attack once again. Not even a week after being called out by Spanish police for hosting an illegal party in a protected area in Ibiza, he’s now facing more legal troubles, this time coming from California. A lawsuit was recently filed in that state by a woman by the name of Jane Doe, accusing him of distributing revenge porn. The information now public states Doe and Diplo began chatting in early-mid 2016, which, back then, led to them exchanging compromising images. Shortly after, they supposedly started a romantic relationship which lasted until October 2023. In the following months, the lawsuit states, Diplo would have shared some of these pictures and even some recorded encounters without her consent. Doe claims another woman she didn’t know approached her in November and said she had received intimate images and videos of her and Diplo. Apparently, the media dated back to October 2018. On November 7, Doe reported Pentz to the New York Police Department, and a warrant was issued for his arrest. Are you a producer and you want your song featured on EDMTunes? Follow this link right here. Diplo’s Lawyer Claims Defamation Diplo’s attorney, Bryan Freedman, assures the lawsuit is false, commenting that “Time and again, Wes has been targeted by a group of untrustworthy individuals and their unscrupulous lawyers, cobbling together falsehoods in search of a meritless payday”, acknowledging this is not the first time the artist has been met with legal issues of this calibre. “This suit seems to be just more of the same, which is why we have no reason to believe that this will end any differently than all the others”. In fact, Diplo has been accused of the very same substance — revenge porn — at least on two other occasions back in 2021 and 2020. Back then, the case was ruled in the artist’s favour and he walked away with $1.2M, after refuting sexual assault allegations. While Doe is using the earlier case as proof in the very way Diplo and Freedman are using it to disbelieve the lawsuit, we’re yet to see how the whole case unfolds. Stay tuned to our page for more information. As for the DJ, he doesn’t seem too bothered: The post Diplo Accused Of Distributing Revenge Porn, Lawyer Claims Defamation appeared first on EDMTunes.

From the stage to the soldering iron, Kevin Parker, the architect of Tame Impala's lush soundscapes, has launched a company to produce electronic music instruments. Fans visiting the band's Instagram account last week saw the addition of a new handle for Telepathic Instruments, which is described on its own page as "an electronic instruments company founded by Tame Impala and friends." A website was also created for the company, but it's quite cryptic. The same goes for Telepathic's social media. At the time of this writing, the brand's Instagram page comprises two posts: one containing an image of its logo along with audio of a distorted, bitcrushed synth patch and a silent one with a pixelated image of someone resembling Parker. The latter comes with a caption reading, "What is bro trying to tell us..." View the original article to see embedded media. View the original article to see embedded media. Speaking with Synth History last year, Parker discussed his favorite synthesizers, like the vintage Sequential Circuits Pro One, as well as his early audio tech inspirations. "A little Casio keyboard that I basically inherited," he said. "My dad had this little Casio, which I’ve had forever. I mean, that’s technically a synth but it wasn’t like 'a synth.' Once I started playing the Pro One, I was obsessed. The first few things that I wrote on that ended up being songs on Lonerism. That album, my second album, was basically the sound of me discovering synths. I didn't go crazy, but all the synths kind of define the sound of whatever song they're on." While the details are obscure at the moment, fans can register for updates on Telepathic Instruments via the company's website. Entering an email address triggers a message that reads: "We’ll be in touch soon. You’ll know it when you hear it." Follow Tame Impala:X: x.com/tameimpala Instagram: instagram.com/tameimpala Facebook: facebook.com/tameimpala Spotify: tinyurl.com/bdzhb7cb

In a few short days, the expansive pine forests outside Flagstaff will come alive with the renegade spirit as house, techno and love fill the mountain air at Desert Hearts Festival. A California original, the transformational camping festival will make its Arizona debut July 4-8 and will bring with it a unique layout featuring themed camps, art cars and installations, and live painters. Desert Hearts.Juliana Bernstein/Get Tiny At the center of these amenities will be the festival's one and only mainstage. As part of the crew's distinct "one-stage, one-vibe" format, it will be brimming with talent across the electronic music spectrum with non-stop programming throughout the weekend. This unmistakable ethos carries not only through the attendees of the rambunctious festival, but also its artists performing at the campground. We asked a few of these tastemakers to share their favorite Desert Hearts memories. From sunrise sets to lakeside revelations, read on to discover some special Desert Hearts moments. Mary Droppinz“Every second at Desert Hearts is my favorite memory. I love being in the vibe, there is no festival like it! Going even beyond the festival, it’s really been an amazing experience for me to continue to hang out with my brothers at different parties/festivals where they have a DH showcase; it’s epic to witness them create the exact same feel that you get when you’re actually at the festival like in the middle of friendship cruise on a boat for example. I've had the pleasure to connect with them along the road as we all tour at different events and it means a lot to have my family there for me and showing up for me in other spaces as well outside of the festival. Desert Hearts is a state of mind to me really and I rep the merch every day for a reason, no cap.” Mary Droppinz.c/o Press Rinzen“My favorite memory from Desert Hearts is the first time I got to perform there. It was 2019 and I played a sunrise set. There was a moment when I played a remix of Jamie xx "Gosh" and looked out to the dancefloor and could see all my close friends right at the front. To be performing at one of my favorite festivals, playing one of my favorite songs, surrounded by my friends -- it was one of the best feelings ever.” Rinzen.Michael Drummond Kevin Knapp"My favorite memory of Desert Hearts is playing after Mikey opening the night stage, after he'd just unleashed ridiculous vibes on the beach stage. I walked to the stage with Chocolate Sushi, Techno Tupac, and a few others and I just felt really centered and held by my brothers as we approached the stage. My partner had chosen to wear a shirt that night that said "I'm Fat Let's Party" which I thought was an absolute riot and everything our label Plump Records represents. I still to this day think it was one of the best sets I've ever played and the piece de resistance is at one point I turned around and Hutch had decided a shirt was no longer necessary, altogether. That was also the night I saw Lee dance more brilliantly than I'd ever seen. 100% flames." Kevin Knapp.c/o Press Tara Brooks"It's hard to believe I've been playing for Desert Hearts since 2012! With so many special and priceless memories, my set at Lake Perris in 2022 - which happened right after COVID - was out of this world. Everything was perfect and when I looked around, my heart dropped as I saw so many friends, family, and fans filled with joy and happiness since we were finally back together. I’d been heavily experimenting and exploring new and old genres, and the whole set felt like a beautiful and psychedelic journey, and everyone was on the same wavelength. The high and love I felt from the power of this community, with wide open minds and hearts blew me away and I’m forever grateful for that moment.” Tara Brooks.c/o Press Öona Dahl“Although I have done some of their one-offs and even DH live streams this will be the first time I will be at the festival since my debut with them in 2017. Still to this day I remember the sun hitting my face through the valley during my sunrise set (which you can hear on my SoundCloud). There was pure bliss in the air from everyone that morning and it will always hold a place in my heart.” Öona Dahl performing at Desert Hearts.c/o Press Desert Hearts Festival is set to take place July 4-8 at Playa Ponderosa outside of Flagstaff, Arizona. For tickets, camping and other information, navigate here. FOLLOW DESERT HEARTS:Facebook: facebook.com/WeAreDesertHearts X: x.com/deserthearts Instagram: instagram.com/deserthearts

25 years as one of dance music’s driving forces is certainly a reason to celebrate – and Defected Records isn’t here to disappoint. The UK-born house institution has swept into their milestone year with the debut of their Ibiza residency, calling Ushuaïa Ibiza home for the 2024 season. Every Tuesday from May 7 – October 1, 2024, club-goers and house worshipers will come calling to the island’s iconic open-air dance floor for an incredible celebration of house music’s finest. The day-to-night parties run from 3:00-11:00pm, promising a sublime daytime experience for all. Unsurprisingly, Defected has curated an unprecedented season lineup, uniting every each corner of house music into one spectacular season. This year’s season has kicked off with killer parties led by the likes of Gorgon City, Low Steppa, Sam Divine, and an extra special back-to-back with Dennis Ferrer and Eats Everything. Tickets for weekly Defected pool parties are available for purchase online. See the full 2024 season lineup below for more information. Featured image: Ushuaïa Ibiza The post Defected Records kicks off roaring 2024 debut residency at Ushuaïa Ibiza appeared first on Dancing Astronaut.

Amid a series of increasingly high-profile festival appearances, Dave Summer's latest single "Bright" is a call to action for those daring enough to forge their own path with unwavering conviction. A captivating blend of driving rhythms and celestial harmonies, the track creates an irresistible momentum. Summer's production is marked by a delicate dance between intimate vocals and expansive soundscapes that reverberate with cinematic grandeur, capturing the essence of seizing one's future. Summer's latest release stands as another shining example of his proven ability to connect through songwriting and imaginative sound design. With recent appearances at Breakaway Music Festival, Escapade and more, the ascendant DJ and producer is continuing to solidify his status as a promising breakout in the dance music scene. Check out "Bright" below and find the new single on streaming platforms here. Follow Dave Summer:Facebook: facebook.com/davesummermusic Instagram: instagram.com/davesummerofficial Spotify: tinyurl.com/3yf3ch7d

This year marks the 24th anniversary of Gigi D’Agostino‘s ‘L’Amour Toujours’, a track that continues to resonate deeply in the world of electronic music. From its release in 2000, the song not only soared across international charts but also captured hearts with its infectious melody and poignant lyrics. One of the standout moments in the life of this track has been its revival through a pulsing remix by Tiësto, who, along with Dzeko & Torres and featuring Delaney Jane, introduced a fresh dynamic to the beloved classic. This version revitalized the tune for a new audience, showcasing the timeless nature of its appeal. The phrase, “I still believe in your eyes,” emblematic of the original, resonates through each version, echoing a message of unwavering trust and affection. This line, and the song’s enduring melody, have been revisited by several DJs over the years, each adding their own flavor while respecting the spirit of the original. The song’s ability to morph with the times while maintaining its core emotional connection is a testament to its classic status. ‘L’Amour Toujours’ has transcended its initial release as a mere dance track to become a cultural phenomenon, inspiring a continuous stream of remixes that keep its essence alive in the club scene. Each beat and note invites listeners to fall in love with the melody anew, proving that some tunes never fade—they just evolve. As we celebrate nearly a quarter century of this dance anthem, it’s clear that ‘L’Amour Toujours’ will continue to inspire and energize music lovers. Here’s to the legacy of a track that keeps our spirits flying high, proving that in the dance of life, the rhythm of a true classic never really ends.

A daring leap into the shadows of his own creativity, Grabbitz's new In The Dark EP more boldly blends rock's raw intensity with the pulse of electronic music than ever before in his career. Grabbitz stands at a crossroads in his career, unafraid to venture into uncharted territories. Out now via his own label, Blue Butterfly Records, the project is a rebellion against the confines of genres. "In The Dark marks my first steps into a world of musical freedom," Grabbitz said. "There's nothing more rock 'n roll than making whatever the fuck you want." His boldness is palpable in "Too Far Gone," a track that shifts gears by veering into an alternative realm characterized by both haunting and exhilarating melodies. A similar rebellion against convention, the titular track "In The Dark" is a symphony of contrasts where electrifying basslines collide with the untamed spirit of rock. But it is in "Daydream" where Grabbitz bares his soul, stripping away his layers to reveal an intimate side. This acoustic gem is a poignant reminder of his emotional depth, adding profound depth to the effort with a moment of introspection. Listen to In The Dark below and find the new EP on streaming platforms here. Follow Grabbitz:X: x.com/grabbitz TikTok: tiktok.com/@grabbitzofficial Facebook: facebook.com/grabbitzmusic Instagram: instagram.com/grabbitz Spotify: spoti.fi/2YoLQh0

Palm Tree Crew, the visionary events company co-founded by Kygo and his manager Myles Shear, is aiming to disrupt Miami's hospitality scene with a trailblazing new venture that redefines the nexus of lifestyle and entertainment. Harmonizing the essence of music festival allure with the serenity of a beachfront escape, Palm Tree Crew is launching its first-ever waterfront hotel and restaurant, Palm Tree Club, in Miami’s North Bay Village. The ambitious project, a collaboration with Continuum Company, marks a significant foray for Palm Tree Crew, a proven global events organizer. Transforming the established Shuckers Waterfront Grill & Hotel, Palm Tree Club will infuse the location with a new sense of vibrant tropical charm and exquisite coastal dining, all set to the rhythm of handpicked musical events. "We are incredibly excited to launch our first restaurant and hotel in North Bay Village, Miami, a city that embodies the spirit of Palm Tree Crew," said Shear. "We’ve admired Shuckers for a long time as a staple of the Miami hospitality ecosystem, and we feel privileged to partner with Continuum Company to bring this property into its next chapter." Auds & Ends Shuckers boasts a stunning waterfront restaurant, 20-slip marina offering dine-and-dock services, 118 elegantly designed guest suites and a pool that seamlessly bridges the restaurant and hotel, capturing the joyful yet relaxed essence of Palm Tree Crew's vision. "When we started building Palm Tree Crew four years ago, our vision was to produce unique experiences around the world centered on music and the highest level of hospitality," added Michael Diaz, CEO of Palm Tree Crew. "It has been thrilling to curate a lifestyle platform for our customers through live events and festivals, and we’ve found our audience craving more, which is what inspired this expansion into hospitality." "It's a natural evolution of our brand, and we can’t wait to introduce hospitality projects that deliver these same experiences and curated entertainment year-round."

‘From The Inside’ marks the latest release by Texas-based duo Tritonal and singer Kuala, out now on Enhanced Recordings. Tritonal, led by Chad Cisneros and Dave Reed, showcase their dynamic energy on this new record, exploring a blend of Trance and House influences. The track features their signature, offbeat synths complemented by Kuala’s emotive vocals and poignant lyrics. A discerning ear can hear the echoes of Tritonal’s side project, Praana, through the mindful progressions and atmospheric harmonies. It seems that with ‘From The Inside,’ the guys are gearing up to release more tracks under the Tritonal moniker before embarking on a North American tour this winter. As they wrote on social media: “Listening to music together for hours on end is such a healthy relationship building tool and it manifested a sonic foundation and friendship from which Tritonal was to blossom. We would sit side by side in chairs for 8-10 hours a day and write track after track after track – each one offering a bit more perspective on how to write and produce a good song. That was 16 years ago now and unequivocally we can say that we’ve been able to write 1 or 2 decent records along the way. ha!“ Read the full statement by clicking here. ‘From The Inside’ expands Tritonal’s musical landscape with a fresh, dance-oriented sound, promising exciting developments ahead. Listen to ‘From The Inside’ by Tritonal & Kuala Tritonal · Tritonal & Kuala – From The Inside The post Tritonal & Kuala’s ‘From The Inside’ Showcases The Duo’s Dynamic Energy appeared first on EDMTunes.

Imagine the thrill of a backstage meetup with Kaskade all while supporting a great cause. The hit-making producer has partnered with Charitybuzz and the Stars & Stripes Children's Foundation to help make it a reality. Live now on Charitybuzz, a new auction allows fans to bid for backstage passes for four people, including a private meet-and-greet with Kaskade. The group will then enjoy his show from some of the best seats in the house. Stars & Stripes began in 1996 as a fundraiser for Big Brothers Big Sisters of Orange County. Over the years, the foundation has grown into a significant supporter of various children's charities, providing much-needed financial assistance that allows them to expand their programs and reach. The organization ensures that all costs of its events are covered by team registration fees, so every dollar donated directly supports the beneficiary charities. Don't miss your chance to support a worthy cause while enjoying an unparalleled VIP experience at a select Kaskade show, the eligible dates of which you can find below. The Charitybuzz auction ends the evening of July 9th. JUL 11, 2024 El Paso, TXJUL 12, 2024 San Antonio, TXJUL 13, 2024 Texas City, TXJUL 20, 2024 Las Vegas, NVJUL 26, 2024 St. Charles, MOJUL 27, 2024 Philadelphia, PAAUG 2, 2024 Atlanta, GAAUG 3, 2024 Toronto, ONAUG 9, 2024 Long Pond, PAAUG 10, 2024 Atlantic City, NJAUG 16, 2024 Nashville, TNAUG 17, 2024 Las Vegas, NVAUG 24, 2024 Las Vegas, NVAUG 31, 2024 Chicago, ILAUG 31, 2024 Las Vegas, NVSEP 7, 2024 Las Vegas, NVSEP 13, 2024 Las Vegas, NVSEP 28, 2024 Las Vegas, NVNOV 9, 2024 Tucson, AZFollow Kaskade:X: x.com/kaskade TikTok: tiktok.com/@kaskade Facebook: facebook.com/kaskade Instagram: instagram.com/kaskade Spotify: spoti.fi/3fHaUGk