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Pop icon Bebe Rexha took to X earlier this week to express her deep frustrations with the music industry. The 34-year-old singer-songwriter, who has penned hits for the likes of Eminem, Selena Gomez, Tate McRae, and Tinashe, shared a series of passionate posts detailing the obstacles she’s faced. Her claims paint a picture of an industry that has repeatedly undermined and sabotaged her efforts. A Bold Call-Out Bebe Rexha’s posts were, frankly, explosive. She shows herself fed up, and claims to be keeping some obscure things to herself, which could impact the business as a whole. “I could bring down a BIG chunk of this industry. I AM frustrated. I Have been UNDERMINED”, she wrote. Despite her extensive contributions and success, Rexha feels she’s been punished for speaking out. “I’ve been so quiet for the longest time… And when I have spoken up I’ve been silenced and PUNISHED by this industry.” -Bebe Rexha The ‘Hey Mama’ Controversy The singer’s grievances aren’t new. One fan mentioned the notorious 2015 ‘Hey Mama’ incident, where Rexha was initially excluded as a vocalist on the David Guetta track, despite her contributions. At the time, Bebe Rexha expressed her disappointment, explaining the complexities behind the decision to limit featured names. This exclusion was a bitter pill to swallow, given her journey in the industry. On Tuesday, she reflected on this, noting that it was just a small part of a much larger problem. Are you a producer and you want your song featured on EDMTunes? Follow this link right here. Struggles With ‘I’m the Drama’ Rexha’s latest single, ‘I’m the Drama’, released on June 28, has faced promotion challenges, she says. She claimed to have no budget for marketing the track, a surprising revelation considering her stature in the music world. “Marketing? I have no budget for that“, she stated bluntly. Despite releasing her third studio album, Bebe, in 2023, Rexha’s frustration and sadness were palpable. The Silver Lining: Fans Amidst her grievances, Rexha expressed gratitude to her fans. They have been her beacon of hope, providing the strength to persist. Meeting fans during her walks in London has reignited her passion, even in the face of industry adversity. With a career featuring hits like ‘Meant To Be’, ‘Me, Myself & I’, and ‘I’m Good (Blue)’, Rexha’s journey has been both triumphant and tumultuous. As she continues to voice her struggles, her fans remain a testament to her enduring impact and resilience. In an industry often cloaked in glamour, Rexha’s raw honesty sheds light on the less visible battles artists endure. Her message is clear: the music industry must change, or she will reveal the full extent of her truths. I could bring down a BIG chunk of this industry. I AM frustrated. I Have been UNDERMINED. I’ve been so quiet for the longest time. I haven’t seen the signs even though people constantly are bringing them up and they have been SO OBVIOUS. And when I have spoken up I’ve been… — Bebe Rexha (@BebeRexha) July 2, 2024 For more tweets, be sure to check out her X page, here. [H/T] – Billboard The post Bebe Rexha On The Music Industry: “I’ve Been Silenced And Punished” appeared first on EDMTunes.

World-renowned electronic artists Oliver Heldens and Bassjackers rework Future’s signature track, ‘Mask Off‘, in their new release, ‘MASK OFF‘. This track fuses Heldens’ groovy sound with Bassjackers’ festival energy, looped with Future’s iconic vocals. This high-energy, infectious single seamlessly blends Heldens’ Deep House vibes with Bassjackers’ Big Room sound, creating a dynamic and engaging vibe that will set dance floors and festivals off worldwide. Oliver Heldens, known for his chart-topping hits and electrifying live performances, has once again demonstrated his ability to push boundaries and create music that resonates with a global audience. Similarly, Bassjackers have solidified their position as Dance music heavyweights, and their partnership with Heldens on ‘MASK OFF’ further cements their status as trailblazers in the Electronic music industry. Fans of both artists can expect ‘MASK OFF’ to deliver an adrenaline-pumping experience with its driving beats, catchy melodies, and infectious hooks. With ‘MASK OFF’, these two powerhouses have again proven that they are forces to be reckoned with in Dance music. To learn more about Oliver Heldens or Bassjackers, visit their social channels and listen to their new track below. Photo via Facebook: Oliver Heldens The post Bassjackers And Oliver Heldens Drop Infectious New Single ‘MASK OFF’ appeared first on EDMTunes.

Nico Moreno is a French DJ and producer from Caen, recognized as one of the major players in the contemporary industrial techno rave scene. He began producing music at a young age, creating intense music, characterized by fast, hard-hitting kicks. Nico Moreno quickly made himself known thanks to songs which all met with resounding success, leaving his mark on the techno scene. Titles such as ‘Purple Widow’, ‘Insolent Rave’, ‘Techno Crari’, ‘Your Bad Company‘, ‘This is for my haters’, among many others, have all enjoyed as dazzling success as each one. others, helping to consolidate its reputation as an essential producer. We had the pleasure of chatting with Nico Moreno shortly before his set at Onyx Bangkok. Hi Nico, thanks for joining me today on behalf of EDM House Network. How are you feeling about being here in Bangkok, Thailand? Yes, things are going wonderfully. It is truly special to be here in Asia, and I feel incredibly honored by the warm reception I’ve received in Thailand. Bangkok is a magnificent city, filled with exceptionally kind and welcoming people. Your recent album, ‘You Can’t Stop The Movement,’ has been a major hit. What inspired its creation? The inspiration for ‘You Can’t Stop The Movement’ came primarily from my experiences on the road and the incredible energy I receive from my audience. Traveling to different places and immersing myself in various cultures allowed me to create unique sounds and rhythms for the album. The connection with my fans and the vibrant atmospheres I encounter at each performance are what truly drive my creativity. This album is a reflection of those shared moments and the unstoppable force of the music community. You’ve worked with various artists, including Laren on ‘You Make Me Horny.’ How do these collaborations influence your creative process? These types of collaborations are always a positive challenge. Each artist has their own creative process and ideas about how a track should sound. Blending the styles and concepts of multiple artists consistently results in a fresh, unique experience. I find this incredibly exciting because it allows us to create a new sound together, making the final track even more distinctive and special. Working with other artists in this way pushes the boundaries of my creativity and leads to truly unique musical expressions. You started with minimal equipment. How has your production setup evolved over the years? This hasn’t really changed at all. Just like before, I sit down at my computer and let my creative process flow freely. I allow all the melodies and ideas that come to mind to take shape in the program I use to make my tracks. Of course, I now have better quality equipment compared to the past, but aside from that, my creative process remains the same. Hard techno is constantly evolving. Where do you see the genre heading in the next few years? I can’t accurately predict where hard techno will be in a few years. As we’ve all noticed, hard techno has become quite popular in recent years, and I feel incredibly blessed to be part of this growth. Music is always evolving, and it’s possible that in a few years, people may be interested in a different genre. The hard techno of today is already different from what it was a few years ago. However, I do believe that hard techno will grow to the point where it will be featured on major global MainStages. How do you manage to balance a hectic tour schedule with your personal life? Touring can be intense at times, but the energy and love I receive from the fans far outweigh any fatigue I might feel. I also strive for a balanced life. When I return from a tour, I love spending time with my friends. This provides me with much-needed relaxation and helps me recharge for the next weekend. I also spend a lot of time at the gym, which gives me the peace to reflect on the weekend and prepare for another amazing one. What can fans expect from your upcoming set for Retox Sessions at Onyx, Bangkok? The fans can expect a true Nico Moreno set. I have come to Bangkok well-prepared to deliver a monstrous performance. You can look forward to a lot of Nico Moreno tracks, along with a diverse amount of bangers from incredibly talented producers. My set will showcase various elements of hard techno. I can’t wait to share my energy with the visitors of Onyx. Is there anything else you’d like to share with your fans ahead of the spectacle? I’m incredibly hyped for this party in Onyx. I can’t wait to experience the rave vibes on the dance floor in front of me. The energy and enthusiasm of the crowds here are unmatched, and I’m excited to see how Onyx will bring its flavour to the party. It’s going to be an unforgettable night, filled with amazing music.. I’m counting down the days until I can dance with everyone and feel the rhythm of Bangkok’s rave scene come alive.

An anonymous plaintiff claims that the musician has been sharing “intimate and/or nude” photos and videos of her without permission Continue reading...

The legendary DJ/producer has teamed up with UK artist Mark Vessey for a new photography project Continue reading...

Emily Eavis thanked festivalgoers for their efforts in clearing up Worthy Farm this year Continue reading...

Yo! My name is Primate, and I’m gonna give you a quick rundown of my favourite studio gear and number one most used studio equipment! For starters, I’ll add that I’m not a big user of hardware equipment apart from a little midi keyboard and some automation knobs (I just love taking basic sounds and adding loads of effects to design them to my liking!) Primate’s Latest Release on ‘Abundance’ Out Now on Souped Up This leads to today’s pick: The Pro-Q 3 by FabFilter. It might sound weird that I’m picking a basic plugin like an equaliser as my favourite studio software, but trust me, I discovered this beauty about 2-3 years ago and it’s improved my sound and workflow massively. FabFilter Pro-Q 3 I’ve been producing for give or take 13 years now, of which I’ve almost always used the stock Fruity Parametric EQ2 by Image-Line, but having made the change to the Pro-Q3, I never looked back, to the point that my songs nowadays don’t even have any stock equalisers on them at all. Don’t get me wrong, a basic equaliser can still do the job, but I’ll give you a little list of why I think the Pro-Q3 is so good. – It’s super visual. Besides from visually pleasing to look at, the visual aspect of the Pro-Q3 taught me how to read and perceive frequencies. It’s also possible to use it as a compare tool, where it visually highlights clashing frequencies of different instruments. – It’s got key recognition. In the Q3, there is an option you can enable that allows you to see the exact key and pitch of each frequency you’re working with. This is so good for colouring sounds or adding detail to basses and drum elements, while still keeping a consistent and harmonic mix. – You can get creative. Don’t quote me on the exact number, but the Pro-Q3 allows you to boost frequencies as much as +36dB. Combine this with other effects, especially in the lower and mid frequencies, and you can get some really wicked bass sounds and screeches. Trust me, you can’t overdo it. – It’s the perfect cleaner. Last but not least, this EQ has so many specific and cool features. Two of my favourite ones that help me clean in every single mix are the mid/side compatibility, as well as the dynamic mode. With the m/s settings, you can clean frequencies specifically in the mono or stereo field, which is so good for cleaning up the low end on things like reeses or cleaning up the washy high end on vocals. Secondly, the dynamic mode allows you to have frequencies react to volume, similar to a compressor, but without 100 detailed knobs. This allows you to get boosts or dips only at times when it’s needed. Is use this on my drumgroups all the time, either to remove sharp percussive edges or to attenuate the drum transients! The Pro-Q3 is such a powerhouse and in my opinion, it’s a must-have in every producer’s arsenal, whether you’re a bedroom producer or a professional touring the globe. As a final remark, I would like to add that I think the price you pay for this amazing tool is kinda up there but definitely worth it. Sitting at €170 for lifetime access to such a game-changing tool is just too good to not get! FabFilter also offers bundles which include some of their other plugins, which are all just as useful. But that’s for another conversation ;D I hope this was helpful to you lot, and I wish you all a beautiful day! See you all soon at the raves Love, Primate Follow Primate

Deep down, we always knew T was of the kind to pull such a card trick with his brilliant composition skills. Before Tony McGuinness was Tony McGuinness of Above & Beyond, he was another artist, another music industry professional, another man entirely. But that was a long, long time ago — nearly 30 years ago, for that matter. And you’d better believe the Tony who preceded ‘Blue Monday‘, ‘Sun & Moon‘, ‘Alone Tonight‘, a cute ’04 BBC Radio 1 Essential Mix, and even a Marketing Director for Warner Music Group, was already too far down the rabbit hole of music to even consider leaving that sensitive side of him behind. In fact, our beloved Tony has been actively making music since the late ’80s, as a guitarist for the iconic British Indie-Rock band, Sad Lovers And Giants. And you’re going to tell me there wasn’t any solo project of him lying around? Well, there was, but it was living leap year after leap year in the dungeons of the unreleased stuff. And there it was, private and personal. Salt Back in the mid-90s, Tony met a special someone, who goes by the name Shelley. The two had a rather short-lived story in terms of time, but, according to McGuinness himself, it was a very intense, very fulfilling journey. By chance — as all good things seem to occur — a weekend in a luxury hotel put him in the same place as her, an American, member of a band’s entourage. “I walked in and there was this skinny, grumpy-looking girl smoking a fag”, he recalls, “wearing a thin cotton dress, cardigan, black tights, Dr Martens. I said: “Do you want a game of snooker?” She was like: “Yeah, alright.” So we started playing snooker – and started a relationship over the three days that I was there. I really fell for her. When she smiled, she looked incredibly beautiful. When she didn’t, she looked like she might kill you! She had one of those faces and I was utterly smitten”. Instead of returning to America, Shelley’s flight took her to London, alongside Tony. Keeping it short-attention-span friendly — to my heart’s most utter discontent, for I love backstories —, the result of this gunpowder-like romance was Salt, a nine-track LP born in a six-month period, back in those times when not even Google was around. Shelley was Tony’s muse, and these creations simply poured from him. Once she inevitably left England to return to the U.S., this piece sat there, rather unfinished, in an old sampler. The 2000s came, with it came Above & Beyond, and life would never be the same again for T. A busy lifestyle turned the potential album into a lost memory of some sort. Until a few years ago, when he decided to unearth a piece of his very history and, potentially, his very first chapter as a heartfelt composer. And the complete album will see the light of day in just about a week. ‘Biker Babe’ / ‘Babydoll White’ Two of the nine singles have been lifted ahead of the release, ‘Biker Babe‘ and ‘Babydoll White‘. The latter, mind you, you might remember from those Lockdown times of Tony Stan-Lee-ing over to Anjunadeep for a few Fingerprint tunes, some Deep sets, and some curated compilations under his belt. And regarding the former, I’ll leave you with its creator: “[One morning, Shelley recited] the immortal words, which I will never forget: “Go and get your guitar and sing to me”. And as a creative person, for whom the spark of creativity is always elusive, to have that excuse to play, and to have that willingness to hear – well, I think that’s what a muse is, isn’t it? So I went and got my guitar. She had a Triumph motorcycle T shirt on. And I just went twang on my guitar and sang: “biker babe, biker babe…”. And that’s how that song came”. A highly personal chapter of his career, Tony is finally unveiling Salt next Friday, July 12th. In the meantime, head below to listen to the first two singles, by hitting the ‘Play‘ button on the Spotify player we’ve attached. Also, be sure to pre-save the album right here, and even, if you’re in that mood today, click here to watch the official video for ‘Biker Babe’. Congrats, T. The post Tony McGuinness Announces Release Of Long-Lost Personal Album ‘Salt’ appeared first on EDMTunes.

BBC Radio 1 is thrilled to announce Vintage Culture as the newest member of the Radio 1 Residency line-up. Starting Thursday 4 July, Radio 1’s Residency will continue on the network and Radio 1 Dance with a fresh roster of world-renowned artists highlighted by the Brazilian DJ. Radio 1’s Residency offers listeners an immersive experience into the worlds of the biggest names in pioneering, high-energy Dance and Electronic music. Vintage Culture will take over Radio 1 every Thursday for four weeks from 11 pm to 1 am, spotlighting the freshest, most influential, and emerging sounds from the international club scene. The influential producer and DJ shared his excitement about the announcement: “Joining BBC Radio 1 as a Resident DJ is an incredible honor and a dream come true. It’s a privilege to share my music and connect with listeners in the UK and around the world on this legendary radio station. I’m excited to bring my sound and vision to the BBC and be part of the Radio 1 family.” Celebrating the release of his debut album, Promised Land, Vintage Culture is a Brazilian DJ and producer known for his emotionally charged house sound and global hits ‘It Is What It Is’ and ‘Nightjar.’ Gaining international acclaim, Vintage Culture has collaborated with artists like John Summit and Moby and produced remixes for Rufus Du Sol, Maverick Sabre, Cassian, and Bob Moses. He has held residencies at iconic venues such as Hi Ibiza and Wynn Group in Las Vegas and headlined main stages at Tomorrowland, EDC, and Ultra Music Festival. Listeners outside the UK may listen to Vintage Culture’s radio show Live, every Thursday in July from 11 pm-1 am GMT+1, online or by downloading the BBCSounds Mobile App. Stay tuned for more news! The post Vintage Culture to Join BBC Radio 1’s Residency appeared first on EDMTunes.

Kevin Parker, known for crafting Tame Impala’s lush soundscapes, has ventured into the realm of Electronic music instrument production. Recently, fans browsing the band’s Instagram account noticed a new addition: Telepathic Instruments, described as “an electronic instruments company founded by Tame Impala and friends.“ The company has also launched a website, though it remains enigmatic in nature: “Are You Listening?” Telepathic’s social media presence mirrors this cryptic allure. Currently, its Instagram page features just two posts: one showcasing the company’s logo alongside audio of a distorted, bitcrushed synth patch, and another presenting a pixelated image resembling Parker with the caption, “What is bro trying to tell us…“. If I had to take a guess, I think they are creating at least a synthesizer with another company. It will probably feature some out there psychedelic sounds that resemble the band’s sound. I am sure it will be a producer’s dream to test it out. In other Tame Impala news, Parker announced in May this year that he sold his complete song catalog to Sony Music Publishing. The post Tame Impala Founding Electronic Music Instruments Firm appeared first on EDMTunes.

Fans of Illenium were disappointed to hear the news that he had to postpone his scheduled performances in Toronto. The artist took to social media to announce the cancellation of his shows at Rebel on June 30th and July 1st, explaining that he is dealing with health issues following a recent surgery. “Hey all, unfortunately I’m going to have to cancel my shows in Toronto tonight and tomorrow,” Illenium wrote. “I went in for surgery last week and I’m now experiencing some complications that I need to address immediately. I need to go to the hospital as soon as I get home. I hate missing shows and I’m so sorry that I can’t make it. I really just need to address these health concerns as soon as possible. Please see promoter statement for updates on these shows. I’ll recover. I love you guys.” In response to the last-minute change, INK Events and Rebel Toronto released a statement confirming the cancellation and offering a solution for ticket holders. They announced that Gordo would step in to perform on June 30th, ensuring that the Canada Day Eve celebration would still go on. The promoters have rescheduled Illenium’s performances to September 1st and 2nd, 2024, with previously purchased tickets remaining valid for the new dates. We’re wishing Nick a safe and speedy recovery! The post Illenium Postpones Toronto Shows Due to Health Complications appeared first on EDMTunes.

Above & Beyond's Tony McGuinness was not always an international headliner. Before he struck gold in the trance realm with bandmates Jono Grant and Paavo Siljamäki, McGuinness was a rock-and-roll artist inspired by legendary acts like Steely Dan and The Beach Boys. Those inspirations led to the creation of a solo rock album, Salt. Despite working on nine tracks for six months, after he finished recording the album, he'd lock it away in his archives for close to 30 years. Now, after two decades of success with Above & Beyond and their label Anjunabeats, McGuinness is finally ready to unveil Salt. McGuinness this week released the album's lead single, "Biker Bibe." T he combination of his bittersweet, romantic lyricism and sun-dappled guitar riffs will remind you of those summertime drives where your parents picked what was on the radio, long before the days of Spotify. "Biker Babe" was inspired by a short-lived romance with an American girl in the 90s, according to McGuinness. He said the story he wrote saw him placing himself and his muse into the world of David Lynch's television show Twin Peaks. "Which is where the mention of The Roadhouse comes from and ran with that all the way through to the ending," he explained in a press release. "I knew she was gonna have to go back to America because she had no visa, and she had a flat in America that she didn't want to lose." McGuinness also shared another new single, "Babydoll White," which may sound familiar to fans of Fingerprint, his deep house side project. He remixed his unreleased rock single for Anjunadeep back in 2020 and now, with help from Bob Bradley, fans can experience the sounds of the 90s in its original format. Fans can pre-save Salt here. View the original article to see embedded media. FOLLOW TONY MCGUINNESS:X: x.com/tonymcguinness Instagram: instagram.com/tonymcguinness Spotify: bit.ly/3XNVKsa

Before the LA Galaxy take on their rivals, the Los Angeles Football Club, on the Fourth of July, Afrojack has been tasked with bringing the energy to the stadium. Due to the magnitude of the rivalry game, the teams will square off at the massive Rose Bowl Stadium, giving the Dutch dance music icon an even larger playground to perform new hits, like his recent reunion with Pitbull and Ne-Yo. In addition to the pregame performance, Afrojack will return to the spotlight at halftime to prepare the crowd for the final half of the matchup. LA Galaxy's Chief Brand and Creative Officer, Will Misselbrook, stated their commitment to incorporating live music into the team's game experiences. "This show continues to enhance our approach to creating an immersive fan experience with legendary musical acts," he said in a press release. "There is no better place for top-tier soccer and innovative electronic music to take center stage than at the iconic Rose Bowl Stadium." LA Galaxy fans know this is not the first time dance music has invaded their club. Just this year, attendees were treated to the sounds of Alesso during the organization's home opener. Not long after that, TOKiMONSTA provided the soundtrack for the Galaxy's Women's History Month game from the club's all-new DJ booth. Afrojack will take the stage at the Rose Bowl Stadium on July 4th, 2024. Tickets are still available for purchase here. FOLLOW AFROJACK:X: x.com/afrojack Instagram: instagram.com/afrojack TikTok: tiktok.com/@afrojack Facebook: facebook.com/djafrojack Spotify: spoti.fi/2B06Di0

All it takes is a bag of kibble and your pet will be better at writing music than all the ghost producers out there. Have you ever wanted your pet to make even more noise when they're hungry? Neither have we, but what if it was a more pleasant sound than a whine or bark? That's the promise of the Pet Piano, a tiny instrument that exploits the power of insatiable hunger to train your pets to strike keys. When the device is powered on, your pet can put their little paws on its keys to play notes, which triggers it to dispense kibble or treats in an attached bowl. This will incentivize your furry friends to fill the sounds of your home with random noise beautiful piano melodies as they learn the basics of creating music so you can eventually buy them Ableton. You're probably wondering what would stop greedy pets from pressing the keys all day long to constantly receive food. The creators found a solution via the Pet Piano mobile app, in which users can change the volume of the piano, adjust the portion size, view when your pet has "played," change the sounds of the instrument and lock its use to a specific time of day. The Pet Piano is set to be released in October and pre-orders are now live here. Its creators shared a YouTube video," I Taught My Cat to Play Mozart," which tells the story behind the gadget and features an adorable demo. Check out the clip below.

What do you get when you mix the genre-defying production of Zeds Dead and the dark, brooding sounds of Moody Good? You get "Mad Ting," the ominous, otherworldly new track out now on Deadbeats. Upon pressing play, we're met with a suspenseful, eerie arrangement paired with a sharp beat. Killa P then enters, spitting ceaselessly smooth lyricism as the bassline comes in full-force. The dubstep track maintains an ominous grace throughout, powerful in all of its wobbly ebbs, flows and dramatic pauses. "Mad Ting" arrives amidst a busy tour schedule for Zeds Dead, who are gearing up for two nights of DeadRocks X followed by the fourth annual Deadbeats Backyard Jamboree on Independence Day, with a Mission Ballroom show to follow. Moody Good is recognized for his sinister and gritty sound as well as being a former member of the bass music duo 16bit. Today's release of "Mad Ting" follows the April drop of "Bite Your Lip Pt. 2," which also released via Zeds Dead's beloved Deadbeats label. Check out "Mad Ting" below and find the new single on streaming platforms here. FOLLOW ZEDS DEAD:X: x.com/zedsdead Instagram: instagram.com/zedsdead Facebook: facebook.com/danceswithwhitegirls Spotify: tinyurl.com/4tjppc6p FOLLOW MOODY GOOD:X: x.com/MOODYGOOD Instagram: instagram.com/moodygood Facebook: facebook.com/moodygoodofficial Spotify: tinyurl.com/44dnbyfy FOLLOW KILLA P:Instagram: instagram.com/killap_official1 Spotify: tinyurl.com/yc6mtmaw

HoYoverse, the minds behind the popular titles Genshin Impact and Honkai: Star Rail, are bringing in an EDM heavyweight for the launch of their next game. Coming soon to console, PC and mobile is Zenless Zone Zero, a new action RPG from the creators of some of the most popular free-to-play games on the market. While the game has not yet been released, it's already become a hit in the industry as HoYoverse celebrates over 40 million pre-registrations, per Sports Illustrated. Now, HoYoverse has announced their first-ever "global music collaboration" with Tiësto. The company recently revealed the rare collab before releasing "ZENLESS," a new single produced by the Dutch dance music icon alongside Lucas & Steve, Silent Child and Sān-Z. "It's our second collaboration with Tiësto, and we are always super inspired to work with him," Lucas & Steve said in a press release. "It was always a dream to make an anthem for a game, so when HoYoverse asked Tiësto and us to make this song for them, it was a dream coming true." Zenless Zone Zero is scheduled to launch on Thursday, July 4th on PlayStation 5, PC and mobile. You can learn more about the upcoming action RPG here and listen to "ZENLESS" below. Follow Tiësto:X: x.com/tiesto Instagram: instagram.com/tiesto Facebook: facebook.com/tiesto Spotify: spoti.fi/3dVvySo

We are excited to present a guestmix curated by Nonduality, an innovative DJ and Producer with a rich background in sound design and Electronic music. Starting his journey in 2009 with Dubstep under the alias Tenr, Nonduality has since embraced the House and Techno scenes of Berlin, drawing inspiration from a diverse range of genres and artists, his work reflects a deep commitment to both the craft of music production and the practice of mindfulness, which has been instrumental in his personal and professional growth. And in this exclusive mix, he showcases his unique style and his ability to blend deep grooves, intricate rhythms, and atmospheric sounds, taking listeners on a captivating musical journey. So, get ready to enjoy the sounds curated by Nonduality for EDMHouseNetwork. Tracklist: 1) Wilfy D – Like This 2) Saison – Want You 3) Kikko Esse, Emanuele Del Carmine, Pako Baldassarre – In the Club 4) Negrocan – Cada Vez (Grant Nelson Extended Vocal Mix) 5) Juicy Zone – Latino (Lupin’s Jazzy Mix) 6) Nicolas Duque – 2You 7) Fireground – Love Letter 8) 79.5 – B.D.F.Q. (Jubilee Remix) 9) Tifra – Coral Fractals 10) Spray – Ceathair 11) Thurlow Joyce – Lemon Citrus 12) Space Dimension Controller – Life Window (Extended Version) 13) Edmondson – Vanarama Ba ⇺ nonduality ⇻ · Nonduality EDMHN Guestmix Follow Nonduality: Spotify | Instagram | Website

Los Angeles-based Singer-Songwriter/Producer JiLLi drops her latest Indie Electronic track, ‘Pure Bread’. Known for her emotive voice and lyrical ingenuity, JiLLi adds a fresh and compelling production to her growing discography with this new release, showcasing her innovative approach that continues to garner her attention from genre enthusiasts across the globe. JiLLi‘s journey from New York to Los Angeles has seen her evolve into a versatile Artist with influences spanning Rock, Pop, and Electronic genres. Her early start in music, playing guitar and singing in bands, laid the foundation for her varied musical talents, expanding her musical horizons with her education at the renowned music production school Icon Collective. Now, whilst continuing to inspire as a Staff Vocalist Instructor at Icon Collective, JiLLi seeks to make her own mark within Electronic Music, offering diverse vocals with the release of her sample packs, ‘Passion Vocals’ and ‘Rainbow of Emotions’, alongside notable performances with Artists like Muerte and at festivals like Countdown with Klaxx for their unreleased track ‘Dream’. Poised to cement a reputation on the scene, JiLLi now puts forward another unique soundscape, aiming to impress listeners and solidify her name high on the list of talents to be watched closely within Electronic Music today. As ‘Pure Bread’ seamlessly blends JiLLi’s signature vocal style with dynamic electronic beats, creating a sound fresh and original, the track invites listeners to discover its unique energy, compelling in its engaging quality. With the potent bassline acting as the driving force behind the arrangement, supported by shimmering synth hits and vocal layers, ‘Pure Bread’ evolves into a distinct sonic journey punctuated by laidback rhythms, lyrical depth, and filtered details, resulting in an experience that is absorbing in vibes, immersive in the dynamic sound delivered. With the versatility of JiLLi’s talents on display, encapsulating her journey and growth as an Artist, ‘Pure Bread’ comes as the ideal production to discover JiLLi’s creativity and experience the unique blend of emotion and energy she consistently brings within her music. ‘Pure Bread’ is out now and is available to stream and download across platforms. So, showing no signs of slowing down, stay tuned to JiLLi’s news and upcoming projects by following her across social media. Follow JiLLi: Instagram | Spotify

The lively Dutch pair W&W returned to Bangkok for their much-awaited Together Festival performance, and the city was abuzz with excitement. Fresh from a thrilling show at Ultra Korea, Willem and Ward sat down with us to talk about their recent tours, creative processes, and upcoming projects. Their passion for melody and innovation shines through as they discuss their musical journey and offer insights into both their W&W and NWYR personas, captivating audiences worldwide. Join us as we uncover what makes W&W a global sensation. Welcome, Willem and Ward! Delighted to have you back here in Bangkok. How have you been, and what’s been keeping both of you busy? We’ve been very good. Yesterday, we played Ultra in Korea, which was a crazy show. We’ve also been very busy in the studio, making a lot of new music for both W&W and NWYR. You guys have been on a roll with new tracks and performances. Can you share some highlights from your recent tours and releases? Releases, obviously ‘Thank You’ is doing really well, even better than we expected. The crowd is still going crazy. We hear it everywhere. It’s definitely a highlight; the crowd loves it. Some people knew it initially, but now it’s like everybody is singing along to it. In the beginning, we played it in some countries where nobody knew it, and now it’s everywhere. What is your creative process like for W&W? How do you keep your sound fresh and exciting? We usually look at trends and new production techniques, see what’s going on, and identify what resonates with us that we can implement. We always stay up to date. There are two different aspects to it: staying fresh with what’s happening in the music world and also on the production side. You always need to be up to date with whatever’s coming out, like new plugins and new sample packs. There’s so much development on the technological side that it’s a lot of homework to keep up to date. We also love the old songs, try to do new versions and test it out in shows. We love remixing stuff and also stuff that people don’t expect. We always see what the songs other guys are playing, and we’re like okay we’re not going to do those. We’re going to do something different. We also have to look into our own youth, what we listen to when we were kids and so far, its good. You guys have a massive following worldwide. How do you ensure your music resonates with such a diverse audience? It’s just kind of luck with that. It wasn’t planned or something. I think it’s because we make very melodic, catchy music. It’s all about the melody, so it doesn’t even matter what language people speak. Most of the time, we do have vocals in the song, but the song doesn’t revolve around the vocal. Even if you don’t speak English, there might be an English part in the song, but it’s not the key element. It’s mostly the melodies; everyone understands the melody. I dont speak Italian, but the melody of the vocals (Pedro remix) is so good, the vibe is so good that’s why it catches. Are there any exciting projects or collaborations coming up for W&W that you can tease us about? Actually, a lot of collaborations. We have ones coming with Steve Aoki and Dimitri Vegas & Like Mike. We have one coming up with Armin van Buuren and a few other ones we can’t talk about yet, unfortunately. I was counting, and there are like 25 projects basically close to being finished, so like 90-99% done. Now about NWYR, NWYR has made a strong comeback recently. How do you feel about the response you’ve received from fans globally? I think it’s been pretty good because we’ve actually changed the sound up. It’s faster and more inspired by 2000’s trends. We took out a lot of the EDM Big Room elements and put in more of the old school trance elements. So far, we’re a bit nervous since we haven’t played a NWYR set in so long. That’s why tonight at Together Festival, we’re going to try and combine the old and the new. The reactions to the set we did at A State of Trance in Rotterdam were really good. As you both look into the future, what are your main goals and aspirations for both W&W and NWYR, and how do you see both projects growing? The most important thing for us is that we can keep doing what we love for as long as possible. That’s the goal. It’s also not like we go into the studio and say, “Okay, we’re going to make a W&W song or a NWYR song.” We just make music, and depending on how it turns out, we categorize it as NWYR or W&W. Sometimes it’s tough; we ask everyone if a track is NWYR or W&W, and nobody actually knows. For instance, with “Ready to Rave,” we thought it was NWYR, but Armin said, “No, it’s W&W.” We were like, “Yeah, okay.” Sometimes other people know better than ourselves.

The renowned SXM Festival is thrilled to announce its first-ever summer residency in Ibiza. This series of three exclusive events will bring the unique SXM Festival magic to the iconic White Island, promising unparalleled electronic music community spirit. The residency will take place at Akasha/Las Dalias, a venue chosen for its exceptional sound quality, exquisite design, and boutique size, perfectly embodying the off-the-beaten-path charm that SXM Festival is celebrated for. Attendees can look forward to intimate events filled with surprise performances and the signature decorations that have made SXM Festival a standout in the global festival scene. Resident DJs for this residency are next level and include the talented Kadosh who is known internationally for his distinctive blend of melodic house and techno. He is joined by Julian Prince, the founder, artistic director, and curator of SXM Festival whose love of the culture fueled the desire to create this experience. Julian’s music reflects the festival’s visionary narrative and evident passion for what this music and movement always stood for—love and happiness. Next is a true dance music legend Sander Kleinenberg who has held major residencies in Ibiza over the last two decades and now making a triumphant comeback with SXM Festival. The first event in the series will also feature special performances by SXM Festival favourite Nicolas Masseyeff who is known for his deep, rhythmic intensity and his immense library of releases including his recent collaboration with Parallel on Crosstown Rebels. Oxia, Fellow trailblazer Oxia also lines up and is one of the artist pillars of SXM Festival who promises to deliver the same goods that have made him such a legend in the scene. The following events of this trilogy will feature the festival’s favourites and are acts to be featured in the next edition of the SXM Festival, unfolding March 12-16, 2025. SXM Festival is committed to creating unique and magical nights for all who venture to join. Each event will be a testament to the elements that have made SXM Festival renowned; immersive decorations, top-tier sound quality, and an atmosphere of surprise and high-end cabaret circus-like performers. “Bringing the Caribbean vibes to Ibiza is a dream come true,” says Julian Prince. “We’re excited to merge the best of both worlds, creating a series of events that will be remembered for their innovation, intimacy, and incredible music. This is the beginning of something very special” Sander Kleinenberg shares his excitement, stating, “My long-standing love affair with Ibiza is ready for a rejuvenation. In conjunction with SXM, I will join the residency at Akasha for three nights, making me a part of the Ibiza I fell in love with many moons ago. Akasha represents the authentic spirit Ibiza is famous for.” Tickets via here The post SXM Festival announces debut Ibiza Summer event residency appeared first on Decoded Magazine.

Shelley Johannson · Shelley Johannson presents One-Eighty 106 We head to Canada with Shelley Johannson and the latest episode of her One-Eighty series At the forefront of the techno scene, DJ producer Shelley Johannson has entertained the masses with her unique skills behind the decks and in the studio for over a decade. Introduced to electronic music at a young age and inspired by the likes of Daft Punk, Ferry Corsten, Mike Push, The Advent, Takkyu Ishino and Joey Beltram, she has been determined to stretch the boundaries of techno and build a world of her own making. So much so, that she started her record label Turn Recordings and hosts a monthly show ‘One-Eighty’, breaking the latest talent for the past five years. Performances all over North and South America such as the world-renowned BPM Festival and Detroit’s Movement are a serious nod to how highly regarded she is in the industry. Two appearances on Digweed’s ‘Transitions’ show and performing alongside him at Bedrock showcase events indicate that she is now an integral part of the dance music’s pantheon of premier artists. Emotionally driven, impactful and melodic, her music makes huge sweeping gestures which take listeners and dancefloors on that fabled journey into darkness and light. With raw beats, thudding bass with elegant synths, her music bears witness to a producer at the top of their game who will not be defined by others’ expectations. When it comes to the world of techno-dreaming, Shelley Johannson is the DJ and producer who can lead us to new heights and brilliant experiences. Join her on her ride as she takes you on a trip to the future and a vision of sound exploration. The post Mix of the Week – Shelley Johannson appeared first on Decoded Magazine.

Here’s to a monumental change to a monumental festival. Steeped in history, Glastonbury Festival is a British giant of contemporary performing arts. Held annually at Worthy Farm, it offers a massive spread of music genres — Rock, Pop, Dance, Country, and even Jazz — but is also the home to many other art expressions such as theatre, comedy, circus acts, and even poetry. The 2024 edition, held just a few days ago, featured headliners such as Dua Lipa, LCD Soundsystem, PJ Harvey, and Coldplay: The Dragonfly Sculpture A recent behind-the-scenes video showcases Arcadia’s brand new Dragonfly, a metal giant taking the place of Glastonbury’s legendary Spider sculpture. In the two-minute video, Jacob and Bertie, the masterminds behind Arcadia, share their excitement about transforming a former Royal Navy helicopter — a potential instrument of war — into, in their words, a “symbol of unity and hope“. The boys give a bit of an insight into the technology woven into the Dragonfly. This includes custom video panels, laser beams, and projection mapping tech to transfer images onto the Dragonfly’s body, all complemented by a top-notch sound system. The creators emphasise the Dragonfly’s ability to dynamically change its appearance and truly come alive during performances. Watch the full video below! And stay tuned to our page for the latest news and views from our site. The post [WATCH] Glastonbury Festival Swaps Spider Stage For Brand New Dragonfly appeared first on EDMTunes.

More than 300 artists have been confirmed, including Four Tet, Honey Dijon, and Benga Continue reading...

Adopting a quality-over-quantity approach, Pierro consistently delivers exceptional music, and his latest single ‘Illusion’ is no exception. Pierro, a Swedish-based producer, has been releasing music for over 5 years now, first making his debut in 2019 with the release of ‘Revelations’. Since then he has not looked back, releasing a number of incredible single and slowly but surely building a catalog not to be missed. Over the past five years, Pierro has steadily built an impressive discography, amassing a loyal fanbase and garnering over 400,000 streams on Spotify alone. ‘Illusion’ showcases Pierro‘s signature style, blending deep melodic techno with elements of progressive house. The track is a testament to his refined craft, featuring a subtly dark and eerie low end, expertly paired with melodic topline synths and rhythmic drum samples that infuse the track with groove and energy. Listeners will immediately be drawn in by the captivating soundscape, finding themselves hitting the replay button after the track’s 3 minutes and 29 seconds runtime. With ‘Illusion’, Pierro adds another standout single to his growing catalog, further solidifying his place in the electronic music scene. Stream this single below.

Miller and Beatport just recently announced the start of Miller Mix. But, what is it? Miller Mix: everything you need to know Miller Mix is a global project to find, support, and celebrate the next big thing in electronic music. The goal is to bring “Miller time,” the beat of connectivity when music, friends, and Miller come together for a more refreshing, original time, to life through the local electronic music scene in six countries: Turkey, Georgia, Kazakhstan, Hungary, Australia, and South Africa. Miller Mix’s competitors come from the fact that there isn’t much help in the electronic music scene for up-and-coming artists who want to start their careers. Youth Music says that “lack of industry connections” is a big reason why 77% of new artists want to get into the music business. A strong feeling of community is also fostered by the electronic music scene. 75% of attendees felt deeply connected to the scene, according to one report. Building true connections thanks to the music Miller Mix wants to build community and encourage connection. This will be done through six events in six countries. They’ll be all live events as Miller Mix emphasizes the importance of social ties for mental health. Miller Mix has started a competition for electronic music producers. They aim to help them get their careers off the ground and play with big names at 6 big events, such as Lilly Palmer (Turkey), Argy (Kazakhstan), Gioli & Assia (Hungary), and more that will be revealed soon. Miller will start an inspiring documentary series at the end of each local event. Local and up and coming artists are the key The series will tell the unique stories of local artists and city residents. It will look at the amazing culture of the cities that were the background for the event. In every country, the campaign is open, and up-and-coming producers are welcome to send in their songs. The winners will be chosen by a panel made up of the main acts at Miller Mix events, members of the Beatport curation team, and members of the Miller Genuine Draft team. Votes from the community will also be counted. The winners will play as the main act at the Miller Mix event in their own countries. Beatport will also put together a package of perks worth over €5,000 for each winner to help them advance in their careers. People can apply to be a Miller Mix creator right now. The post Miller and Beatport team up to bring local artists to the spotlight appeared first on The Groove Cartel.