Ravebot

Set to take place on Clifton Downs on August 25, the event will introduce "pioneering measures" to ensure it is "as low-carbon as possible" Continue reading...

The short film explores Madame Gandhi's first time at the electronic tech fair with insight into her creative process Continue reading...

The Madrid-based artist, who championed trans and non-binary talent, passed away following a battle with cancer Continue reading...

The multi-platinum and GRAMMY-nominated DJ and production duo CAMELPHAT released their new song “Endlessly.” Out now on When Stars Align. It features the unmistakable vocals of dance music legend Nadia Ali. The single comes out as they start their Summer 2024 tour and their new 20-date residency at Ibiza’s famous Pacha. Since her first performance as the lead singer of ii0, Nadia Ali’s long and successful career in electronic dance music has made her one of the most recognized voices in the genre. With hits like “Rapture,” Nadia Ali has become famous all over the world. She has worked with famous artists like Armin van Buuren, Avicii, and Alesso, and has been nominated for GRAMMY and Juno Awards. Nadia Ali is known for her haunting voice and poetic lyrics. For her return to dance music, she teams up with CAMELPHAT on their new song “Endlessly.” With its moving melodies and enchanting piano chords, “Endlessly” is a stunning vocal anthem that captures the spirit of summer. The track is made even more magical by Nadia Ali’s ethereal singing. It seamlessly blends happiness and longing. “Endlessly” is sure to charm people worldwide with its smooth production and catchy melody. It will strengthen CAMELPHAT and Nadia Ali’s reputation as electronic music stars. After working with acts like Echonomist and Frankey & Sandrino recently, Nadia Ali is back at the top of the dance music world thanks to the release of “Endlessly” with CAMELPHAT. The post CAMELPHAT & Nadia Ali team up for “Endlessly” appeared first on The Groove Cartel.

Adam Fogarty, also known as MathMan, has been at the forefront of pushing UK Rave sounds in Dublin for years. A versatile producer known for his work in breakbeat, UK garage, and jungle, MathMan recently released his album SK83 (The Prequel) on vinyl via his own imprint Weapon Of Choice. The album itself is stacked with a wide variety of genres and features including Ayah Marar and Blak Diamon. SK83 (The Prequel) is not just an album of club singles, but a concept piece that takes a nostalgic journey through the sounds of Dublin in the year 1998 – delivered with contemporary finesse. With his sights set on nurturing the Irish bass music scene and releasing more compelling music, MathMan is a unique producer due to his Dublin upbringing and his continued commitment to producing art. We had the pleasure of sitting down with him to discuss the intricacies of his new album, the challenges of releasing music independently, and the state of bass music in Ireland. Before we delve into it. What does SK83 (The Prequel) mean? And how do I say it? Is it Skate Three? I never thought of pronouncing it like that. It’s Pronounced S.K.83. How it’s spelt out. In terms of what it means, as much as I’d love to tell you, I won’t give it away exactly. It’s very personal, but I like the fact that it can be kept as a mystery. Will we ever find out what it means in the future? Possibly. I’m not against it. If people really want to know I can let them know, but for now there’s no need. The meaning does unfold throughout the wider meaning of the entire album. This is only the prequel so it’s meaning hasn’t been revealed yet. People can attach their own meaning to it over time. Sounds good. So, in a time of algorithms, singles coming out every week from artists and almost 100 thousand tracks uploaded to Spotify a day, why did you decide to go for an album? For two reasons. I’m from a generation where albums mattered. I care about a body of work from an artist. Taking a journey through an album; or four or five albums from an artist, allows you to paint a wider and larger picture of where you’re at, rather than you can with a bunch of singles. Music these days is incredibly transient and it’s a terrible thing. Without sounding too egotistical, I like that people can sit with a body of work and let it sink in. The second reason is that, what’s expected of artists these days isn’t right. Because of this Tik Tok generation and the transient nature of music, we’re not valuing the depth that artists go to. Music and art are not singularly a commodity; they are meant to move cultural movements forward. I don’t like popular playlists that change every week. If my music fails because of it, then I don’t care. I’d rather deliver my art on my own terms rather than to platforms that aren’t going to support me anyway. Ironically, this album was meant to be released on two different labels, but both deals fell through because they wanted me to split it up. The first label wanted to split it up into two Eps and the second wanted to split it up into singles, which commercially makes a lot of sense, but I just didn’t want the overall project to be delivered that way. That sounds like a tough decision to make. I think it’s probably something that a lot of artists deal with. What it comes down to is what you are prepared to accept and what works for you. Just for me, it wasn’t right. Did the idea of releasing it over a long period of time put you off as you would have to be constantly promoting and pushing out more content? The main thing was that the album wouldn’t have translated as well as singles. I don’t enjoy the social media side of things, but not enough that it would deter me from making art. The social media promotion is just a biproduct of where we’re at in music. I know I have to engage with it to a certain degree, and I don’t enjoy it, but that will never stop me from putting out music. What was it like releasing independently for a physical and digital release? I suppose it’s similar to any independent release. There’s a long run-in to bring it to life. It was stressful. Unfortunately, the pressing plant I initially went with, Dublin Vinyl, who I’d worked with previously went into liquidation three months before the release date. So that knocked out timelines, events, pop-ups, launch parties, and the digital release. All of it got messed up. I’m a one-man team – both as the artist and head of the label, so all the spinning plates came crashing down. With the help of a couple of people behind the scenes, we were able to get it back on track, but we missed every single deadline, and it ended up costing so much more money. It went arseways, but we got there in the end. I absolutely love the artwork. Who did it and what’s the story behind it? An Irish photographer named Jacobi Hoff. I’ve admired his work for some time. This particular piece is set in suburban Dublin during a particular era. Working with Jacobi really brought the SK83 universe to life with the visuals. I put together some short narrative-based videos to help promote the album. It’s really important that all the artists who help you get your work out there are acknowledged and compensated. Let’s get into the music. Is it a concept album? It certainly is. It is a concept album that tells a story from beginning to end. It’s intentionally nostalgic in it’s sound. The sonic palette harkens back to that era, but is delivered in a contemporary style. It’s meant to evoke the late jungle era. I was trying to capture Dublin in 1998 where the story takes place. Although it’s rooted in club music, the underlying theme of this album a love story, which is a universal theme – and frankly, we’ve all been there. What’s your favourite track? I have two. First is ‘Young Hearts’ and then ‘Friends Are First’. Both of those songs are the emotional manifestation of what I was trying to capture. The mood and the feeling of what it felt like to be in those moments. ‘Young Hearts’ is a story about being young and in love – exciting and scary. ‘Friends Are First’ is on the back end of the album, where the love story really starts to reveal itself. With those two tracks, I feel like I got the emotions to where I wanted them to be. The way you talk about your music is very much like how a songwriter talks about music rather than a producer. I think for these projects certainly. For these albums or bodies of work, they are designed and written as songs. They’re interconnected and tell a story about falling in and out of love. When I’m making club tunes, I side-step the artist side of things. What was that process like? How long have you been working on this album? I began around 2020, just over COVID. I was able to connect with some brilliant artists over that time. I feel like this is a story that has lived with me for years. It took about 12-18 months at most to finish. You did a collaboration with Ayah Marar called Home, how did that come to be? I’ve been a huge fan of hers in every capacity. As a singer-songwriter, DJ, live MC, everything. She has a really good voice in the bass music scene, at all levels and across genres. She represents all that’s good with it. I always thought it would be cool to work with her and during COVID, I had this song that I thought she would be incredible on. Initially I reached out to her just on a conversational basis then when I had this song I just asked if she’d have a listen and she loved it. We took it from there. What’s Home about? ‘Home’ is about the idea of home and what that means to people. It’s not just a place, but a feeling. Home can be a group of people or a community. We discussed this idea, and I couldn’t be happier with it. Ayah’s got the huge vocal but also the authenticity in the lyrics and the songwriting side, which is really important. Tell us about Weapon of Choice. Weapon of Choice has been around since 2016. It lived in various guises. The first release was a collaboration with Hypnotic Brass Ensemble. It was all hip-hop then. Up until this point, the label was just a home for my artist output. It’s meant to be a conduit for bass music in its entirety, whether it’s jungle, drum & bass, breakbeat, grime. All of that lives in a family tree that’s rooted in many things. I think it’s important that there’s a label that supports that so it’s not just house and techno. There was a label that would put on nights in Dublin called Bassbin who were a big inspiration. They did incredible work pushing drum & bass in Ireland. There has to be an evolution that supports bass music coming out of Ireland. Will Weapon of Choice be putting out other artists? I think as the label grows, that would be the ambition. I have people sending me music every week, but it’s just that I don’t have the time or resources. I want to be someone who nurtures the bass music scene in Ireland. In time. UKG and Breakbeat are having their moment in Ireland. Let’s talk a bit about that. Playing bass music in Ireland for as long as I have, you’re always playing for half the room. Bass music, whether it was breaks, garage, or drum & bass, has always been niche. However, where we’re at right now, I think that the Irish club-goer is so enthusiastic about everything these days. The palette for electronic music is so much wider. We have so many artists and producers making music that were once fringe genres. The whole thing is growing and becoming more and more healthy. The Irish music fan is definitely more open-minded now. What’s next for MathMan? I’m trying to push this album. SK83 (The Prequel) is basically the beginning. In total, this project will be a 3 album series. The second album is written, ready, mixed, and mastered. Part II should come by year end. I’m really happy and excited to get that out there. SK83 is out now on MathMan’s label Weapon of Choice. Be sure to check it out and enjoy the sonic journey that has been carefully crafted.

In "Love Me Right," Damaged Goods once again displays a penchant for irresistible grooves in his most radio-friendly offering yet. A masterful creation that finds its groove within the laid-back echelons of deep house, "Love Me Right" is a shimmering reverie. His latest track captivates from the outset with alluring, pitched-down vocals that whisper like a clandestine secret in the night. The song's vocals, reminiscent of a smoky lounge, draw you into a world where time slows down, and each note drifts like a wisp through the air. Out now via Tchami's Confession, "Love Me Right" epitomizes charm, effortlessly melding catchy rhythms with a laid-back vibe. It's the perfect soundtrack for those moments when you need to unwind and let the day's stress melt away. With crisp, clean production, the track offers a brief reprieve from the chaos of the outside world. The single marks Damaged Goods' return to Confession for the first time since 2022's "Save Me." Listen to "Love Me Right" below and find the new single on streaming platforms here. FOLLOW DAMAGED GOODS:Facebook: facebook.com/iamdamagedgoods Instagram: instagram.com/iamdamagedgoods Spotify: tinyurl.com/3wb72mtx

This one is bound to get you moving. Have a look at this! All the way from Turin, Italy, this may become the perfect soundtrack to kick off the week. Dance icon Tiësto played an hour-and-a-half set over there, for the annual festival that has turned into one of the boot-shaped country’s most awaited gatherings, Kappa FuturFestival. On the hours that succeeded the upload of the set — which can be replayed in its entirety and in up to 4K resolution — people all over the internet expressed their awe and openly shared how much they liked the journey Tiësto drew this time. In particular, because he’s seen having a longer slot to express himself, and going down a memory lane kind of route. Some Of The Gems Played Among the long tracklist, we spotted some true gems, such as Tijs’ very own ‘Lethal Industry‘, Departmento’s Progressive Trance revamp of ‘Rhythm Is A Dancer‘, Rui Da Silva’s timeless ‘Touch Me‘, Wippenberg’s ‘Pong‘, and even Hardwell’s hit ‘Spaceman‘ and a defining track of the pre-2010s era of Dance music, ‘Strobe‘ by deadmau5. Without a doubt, this is one set you cannot miss, and even if you used to be a diehard fan of Tiësto and fell out of love when he changed genres, this one has some gifts for you. Give it a try. It makes us wonder what this man can achieve when in the right mindset, which, in this case, was borderline marvellous. Watch the set below! Alternatively, head over here to watch it over on YouTube. Stay tuned to our page for the latest news and views from our beloved Dance music industry. The post [WATCH] Tiësto Walks You Down Memory Lane At Kappa FuturFestival appeared first on EDMTunes.

As we commemorate the 13th anniversary of Avicii‘s infamous song ‘Fade into Darkness’, it seems fitting to reflect on the lasting influence this song has had on both music lovers and the industry as a whole. With its upbeat tune and hauntingly beautiful lyrics, this 2011 release remains a testament to Avicii‘s unique ability to combine enticing melodies and profound emotions. From the opening lines, ‘Looking up there’s always sky, Rest your head, I’ll take you high’, Avicii sets a tone of comfort and reassurance. These lyrics serve as a beacon of hope, a promise that even in the darkest times, there is always a glimmer of light to guide us. The repeated refrain, ‘We won’t fade into darkness’, reinforces this message of resilience and perseverance​. The song’s metaphorical use of darkness alludes to the prevalent issues and challenges that we face in life. Avicii‘s words serve as a reminder that although it sometimes seems like things are cool and gray, there is warmth and connection to be found in our relationships and in the moments of support we offer each other. ‘Nothing to fear but fear itself, We’ll be okay just keep the faith’, he encourages, urging listeners to face their fears with courage and trust. ‘Fade into Darkness’, a song that centered on Avicii’s journey, was released in July 2011 and included Andreas Moe‘s soulful vocals. The song showcases Avicii’s ability to incorporate a variety of musical influences into his work and is based on a sample from Penguin Cafe Orchestra‘s ‘Perpetuum Mobile’. This song demonstrates both his musical brilliance and his capacity to resonate with audiences all over the world.​ ‘Fade into Darkness’ gains poignancy from Avicii‘s untimely passing in 2018, turning it into a permanent tribute to his spirit and the solace he offered via his music. The song’s themes of resilience and optimism speak to us much more now, serving as a constant reminder of the light he brought into the world and the comfort his music still provides. It’s a heartbreaking experience to listen to ‘Fade into Darkness’ now since it captures the essence of Avicii‘s message of tenacity and artistic talent.

The organizers of Escapade have wrapped up yet another dazzling music festival in Ottawa. Scheduled from June 21-23, the massive fest once again captured the hearts of Canada’s loyal dance music crowd throughout its first two days and nights. Unfortunately, unsafe site conditions due to heavy rain forced organizers to cancel Escapade’s third and final day, prioritizing the safety of attendees, artists and staff. A special "No Redemption" set from Tchami and Malaa was one of the first day’s highlights, alongside DJ Diesel’s traveling festival brand, "Shaq's Bass All-Stars," which hosted a special stage takeover. The first day’s lineup also included sets from emerging superstars such as ISOxo, Knock2, Mau P and EDM.com Class of 2024 trailblazers Levity as well as performances by dance music icons Zedd and Steve Angello. Knock2 performing at Escapade Music Festival 2024.Dylan Hanna Headlined by FISHER, ILLENIUM and Steve Aoki, Escapade’s second day was equally as impressive. Exciting dubstep and bass music acts like Ganja White Night, OddKidOut and Tape B took the decks alongside a wide array of stars including Chase & Status, ACRAZE, Maddix, Vini Vici, Lucas & Steve and more. Following the unfortunate cancellation of Escapade’s final day, organizers swiftly issued an official announcement to provide clarity and information regarding refunds. "We definitely understand the disappointment and emotions and share in your frustration," the statement reads, "however, the unpredictable nature of the weather left us with no choice but to prioritize safety above all else." As a result of the cancellation, billed artists who didn’t end up performing included Armin van Buuren, The Chainsmokers, Claptone, GG Magree, James Hype, Kayzo, MORTEN, SLANDER and Subtronics, among others. It remains to be seen what organizers have in store to make up for the lost day in 2025, but considering their pedigree, fans of the fest can expect a huge rebound. You can keep a pulse via Escapade's website. FOLLOW ESCAPADE MUSIC FESTIVAL: X: x.com/escapadeMF Instagram: instagram.com/escapademf Facebook: facebook.com/escapademusicfestival

Straddling two worlds, John Summit's debut album, Comfort in Chaos, aptly harmonizes the comfort of the studio with the chaos of the spotlight. In an intimate interview with Zane Lowe on Apple Music 1, Summit opened up about the new album while reflecting on the duality of his life as a musician. "The whole theme of this is duality," Summit explained. "I've lived two lifestyles—being at home in the studio my myself as comfortable as possible. And then being on stage, which is the chaos." Financial security was another key topic Summit addressed, reflecting on his humble beginnings and unlikely journey from CPA to world-touring DJ. "The only thing I ever want in life is financial independence because I come from normal middle class background and I worked the accounting job," he explained. "And the reason why I took that job is just for financial security, so that's everyone. Because then when I went and did this fulltime, I was very broke living in my parents' basement. That's how I produced literally 300 records during 2020." The conversation also touched on the addiction to success and finding a balance. Summit emphasized the importance of having a clear vision and not getting lost in the pursuit of more. "You can get addicted to success," Summit said. "And I know a lot of people, and I don't want to name names, but they just keep adding business after business or do a venture and they just keep expanding and kind of losing a vision... I could just do everything and I have offers to do everything, but I did have to sit back and figure out where I actually want to go in life, what I want to be able to look back on. Because I do want to slow down one day. I do want to have family and stuff. I want to be a normal person and there's a lot of DJs that... sacrifice that." Listen to the rest of Lowe's wide-ranging interview with Summit on Apple Music 1. Follow John Summit:X: x.com/johnsummit Instagram: instagram.com/johnsummit TikTok: tiktok.com/@johnsummit Facebook: facebook.com/itsjohnsummit Spotify: spoti.fi/3oVz7hG

Andrew Canlon and Dmitry Libman unveil their new collaborative single, ‘Gemini Man.’ An exciting reunion for the long-time collaborators, the Electronic Pop track is set to capture the attention of Electronic Music fans, offering a soundscape that cohesively combines Andrew Canlon’s expertise in creating compelling melodies with Dmitry Libman’s distinct production techniques. With his musical journey marked by a rich tapestry of experiences, from his early days developing a foundation in Classical Music to now seeking to make a name for himself within Electronic Music, Andrew Canlon has landed on the scene with creative determination. Having been carving his way with an innovative approach, in which he brings storytelling into the Electronic Music space, incorporating his vocals into his productions and performances, Andrew Canlon is no doubt poised to become known for his originality and musical individuality: continuing to put forward an ever-evolving signature sound, Andrew Canlon keeps pushing the boundaries of his craft with each release. As he joins forces once again with Dmitry Libman, Andrew Canlon ensures listeners continue to be drawn to his production output. With Dmitry Libman himself coming to the track with his own set of skills and abilities, having been working within the creative sphere taking on a myriad of roles like Producer, Songwriter, and Composer, ‘Gemini Man’ appears as a track that not only highlights both Producers’ individual strengths but also underscores their synergy as collaborators. Featuring inspiring piano figures, shuffled rhythms, underlying melodic lines, and a solid low-end, evolving into a full-bodied soundscape, ‘Gemini Man’ continues to build in energy, driving forward to introduce soaring synths, atmospheric pads, and dynamic beats. With the arrangement showcasing a complementary blend of Andrew Canlon and Dmitry Libman’s approaches, ‘Gemini Man’ puts forward a powerful message that appears intricately woven throughout the signature vocals of Andrew Canlon. As the track delves into the concept of duality, exploring the complexities and contrasts within us all, ‘Gemini Man’ highlights Andrew Canlon‘s knack for addressing topical themes through music, offering listeners a production that is both meaningful in depth and uplifting in sound. Distinctly exemplifying the creative power between Andrew Canlon and Dmitry Libman when they come together in collaborative unity, be sure to dive into the immersive sound and nuanced musical landscape of ‘Gemini Man’ to discover its impactful energy and message. ‘Gemini Man’ is out now and available to stream below. As they continue to cement themselves on the scene, stay tuned to Andrew Canlon and Dmitry Libman by following them across social media. Follow Andrew Canlon: Instagram | Spotify Follow Dmitry Libman: Instagram | Website

Alfiya Glow, the LA-based Violinist, Producer, and DJ, unleashes Melodic House energy with ‘Infinite Voyage’. A captivating single, this latest production comes as the third release from her upcoming EP, ‘Leaving Origin’, set for release on the 8th of August, bringing an enchanting tapestry of sound that blends emotional depth with rhythmic complexity. Known for her innovative approach and emotive compositions, Alfiya Glow continues to push the boundaries of Electronic Music: coming from a background in Classical Music, having reached numerous career achievements as a Classical Violinist, including performing at top venues like the Lincoln Centre and Carnegie Hall, Alfiya Glow now transcends across genres to establish her unique sound and approach within the realm of Electronic Music. As she blends intricate violin melodies with modern electronic beats, Alfiya Glow continues to build a discography detailed with distinct productions that resonate with audiences globally. With her transition into Electronic Music marked by performances at festivals like Electric Forest, along with sets for well-known brands like Google, and Ferrari, Alfiya Glow maintains her momentum as she brings this new production for listeners to enjoy, offering a taste of what’s to come in her forthcoming EP. ‘Infinite Voyage’ offers a soundscape detailed with virtuosic violin solos, a tribal-inspired beat, and layers of atmospheric sound, all interwoven with ethereal vocal lines to create an enthralling sonic journey for listeners to get lost in. A track that balances soaring melodies with rhythmic vibrancy, ‘Infinite Voyage’ cohesively blends Alfiya Glow’s eclectic musical experiences, putting forward a unique production to highlight her talents, creativity, and sonic individuality. As Alfiya Glow continues to solidify her place on the Electronic Music scene, her commitment towards her craft and her confidence towards exploring fresh sonic territories keep her name high on the list of unique innovators to be watching closely within Electronic Music today. With her upcoming EP, ‘Leaving Origin,’ poised to bring more compelling soundscapes, listeners can expect Alfiya Glow to keep her creative bar high and look forward to exploring her signature sound further as she gets ready to deliver more powerful productions. ‘Infinite Voyage’ is out now and is available to stream and download across platforms here. So, be sure to keep up to date with Alfiya Glow’s latest news by following her across social media. Follow Alfiya Glow: Spotify | Website | Beatport

The news of BLONDISH‘s baby son, Bodhi, born to the renowned DJ and producer, has the electronic music community ecstatic. She uploaded a heartwarming picture of herself carrying Bodhi on Instagram, her face beaming with love and joy. In case you’re not aware, BLONDISH, whose real name is Vivie-ann Bakos, has made a name for herself in the music industry by combining techno, disco, and afro house beats in a unique fashion. Her most recent song, ‘Call My Name’, exhibits her talent to combine funky bass lines with upbeat percussion and is mostly inspired by the colorful dance scene of the 1990s. Her status as a disco house genre powerhouse has been further cemented by this song. Beyond her career as a DJ, BLONDISH is a leader in the fields of IT, wellness, music, and environmental advocacy. Beyond the dance floor, her goal is to guide her audience to a “Happy Happy World” with her music and campaigns such as the Bye Bye Plastic Foundation, which strives to eliminate single-use plastics at live events. It is apparent from whatever she does that she is dedicated to giving her fans inclusive and enjoyable experiences. Through her passion and purpose, BLONDISH continues to unify her community and break down barriers, from her high-energy performances at big festivals like Outside Lands and Electric Forest to her eco-friendly campaigns. To further emphasize the significance, the word “Bodhi” is derived from Sanskrit and means “awakening” or “enlightenment.” In keeping with this, BLONDISH revealed that they have already initiated the lovely custom of “dance a day,” in which they select a song each day and dance with Bodhi. This daily routine represents an awakening via dance and song, illustrating the joy and deep connection that music brings into their lives. With the arrival of baby Bodhi, it’s clear that BLONDISH’s journey is entering a beautiful new chapter. Congratulations to BLONDISH on this wonderful addition to her family!

The latest single from electronic duo Shery and Consta is a timely summer anthem. “Time” blends House and Deep House to create a light, breezy atmosphere. Out now on Dancecode Electronics. The track explores our complex relationship with time. It highlights how we depend on it, yet can’t control it. Chill vibes mix with uplifting energy. The result is a refreshing sound that’s perfect for lazy summer days. Electric elements, synthesizers, and drums form the backbone. Vocals add depth, creating a euphoric ambiance. The production is polished, with each element given room to breathe. This allows listeners to sink into the layers of sound. Lyrically, “Time” offers food for thought. It prompts reflection on how we navigate our temporally-bound existence. The track’s pacing mirrors its theme. It ebbs and flows, much like our perception of time itself. While not groundbreaking, “Time” is a solid addition to the summer playlist. It showcases Shery and Consta’s knack for crafting mood-enhancing electronic music. Fans of Deep House will find much to appreciate here. The duo has created a track that’s both thoughtful and danceable. In a world that often feels rushed, “Time” offers a moment to pause and reflect. It’s a musical reminder to make the most of the present. The post Shery and Consta’s Euphoric House Exploration of ‘Time’ appeared first on The Groove Cartel.

2023 was a major year for RMA as he would release his debut album ‘Agha’ in December. Now, keen to keep building on his momentum, RMA follows it up with a brand new EP titled ‘Samburu’. This EP dives further into the sound that RMA has been crafting over the past couple of years. Signed to the revered Cafe De Anatolia record label, the EP opens up with the title track ‘Samburu’. This single sets the tone for what is to come in this EP and that’s afro house at it’s finest. The melodic vocal heater ‘Somba’ then follows and is another cut loaded with vibes, which paves the way for ‘Kikuyu’, a more laid back affair. The EP is then closed out in fine fashion with ‘Chewa’, a melodic deep house single that will have you hitting replay on the EP in no time. Having previously released music on revered labels including Spinnin’ Records, Axtone Records and Sirup Music, RMA now returns with a truly evocative body of work that effortlessly connects and resonates with listeners on a deep and personal level. Stream this EP below.

With ‘Let You Go’, Paradigm and Anna Grey release an emotional song that impresses with soulful vocals, but also modern and cap/va/ng instrumentals. Anna Grey sings about the difficult experience of letting go and the associated feelings of love and loss. Her expressive vocal performance gives the song an authentic touch that gets under your skin and, in combination with Paradigm‘s production, radiates true late night drive vibes. ‘Let You Go’ takes its listeners on an emotional journey and fits perfectly into today’s world. The combination of catchy melody and profound lyrics makes the song a true experience. A must-have for anyone who appreciates modern music with heart and soul. Who is Paradigm? Three friends from Australia and Germany who collaborate with the A-list of the industry (from Afrojack to Katy Perry, from NOTD to Mike Candys) and share their love for music with everyone for example at live shows. Seb, Patrick and Leon have all been passionately producing music for a long time. Leon is also a DJ and will be live on stage. After their 2020 breakthrough with ‘Wake me up in Paris’ and subsequent gold record awards in Germany, Austria and Switzerland, they continue to release unique bangers. With now over a quarter of a billion streams, on Spotify alone, they are among the top 20 artists in Germany every year. With their combination of infectious, heavenly pop hooks and energetic, dystopian house productions, Paradigm break the patterns and sweep their listeners into a new dimension. Who is Paradigm? – Follow their journey and find out. Anna Grey is a 25-year-old singer and songwriter who was born in a small town near Hamburg. At the age of 19, Anna travelled alone for the first time for 6 months to Nashville, Tennessee, to develop her musical skills. In her songs, Anna speaks openly about her past with mental illnesses, among other things. In the last 2 years she has built a strong core community. Anna Grey moved to Berlin at the beginning of 2020. After some successful dance features (like ‘Thank you’ ft. Gestoert aber geil) she started releasing her own songs. In 2022, she performed on many major festival stages, including with Vize at the Sonne Moon and Stars Festival and opened Leony‘s Germany tour in 2023. This year, 2024, Anna Grey opened Kontra K’s Arena Tour. There she performed her 1st German single ‘Geheimnis’ for the first time.

Anyma, the famed DJ renowned for spectacular visuals is set to make a record breaking appearance as the first electronic music act at the infamous Las Vegas Sphere! This once-in-a-lifetime show, titled ‘The End of Genesys’ presented by Live Nation promises to be an unforgettable experience as it essentially wraps up a prolific chapter in the DJ’s life with the show being set to take place on the 31st of December, 2024. Who wouldn’t want to ring in the New Year in such a majestic location with a DJ whose visuals have been known to captivate audiences globally? Anyma is the stage name of Matteo Milleri, and the mastermind behind the ‘Genesys’ and ‘Genesys II’ albums, which perfectly blend music, art, and virtual reality. These albums are the proud exposition of Anyma‘s innovative vision, providing patrons with a multisensory experience. The standout feature of Genesys’ is its narrative, centered around Eva, a humanoid character who embodies Anyma’s music and philosophy. Eva, depicted as a digital being, seeks to transcend her artificial nature and connect with human emotions and spirituality. This compelling story is brought to life through Anyma‘s revolutionary live shows, where music, cutting-edge visuals, and immersive technology converge to create a transformative experience for the audience. Expect a whole new world with this show and venue as the Sphere boasts the world’s highest-resolution LED display along with advanced concert-grade audio system that provides an immersive experience powered by HOLOPILOT. This combined with Anyma and Afterlife’s signature production is sure to be sensory paradise and a truly wonderful way to step into the New Year. To be a part of this show, sign up now at the official website to get access to the Afterlife presale beginning Monday, July 22 9am PT. For general sale, that will go live on Tuesday, July 23 9am PT. If you want to treat yourself to a more luxurious experience, do check out Vibe who will be offering different packages ensuring you get a VIP experience. Packages include VIP premium tickets and a stay at the Venetian® Resort Las Vegas. If you’re willing to splurge, this package comes highly recommended as it’s the only hotel venue connected directly to the Sphere, making traveling less of a hassle.

Tomorrowland 2024 is just around the corner, and it’s time to start planning your wardrobe and how to dress for this spectacular music festival. With thousands of like-minded music enthusiasts coming together to celebrate, dance, and immerse themselves in the magical atmosphere, it’s essential to pack comfortable clothing that allows you to enjoy the experience fully. In this blog post, we’ll guide you through the dos and don’ts of dressing for Tomorrowland 2024, ensuring you stay stylish and comfortable throughout the festival. We also have a tool to plan your journey at the festival. How to Dress for Tomorrowland 2024: Unleashing Your Style and Staying Comfortable Embrace Lightweight and Breathable Fabrics: As the festival takes place during the summer months, prioritize lightweight and breathable fabrics to keep you cool and comfortable amidst the energetic crowd. Choose clothing made from materials like cotton, linen, or breathable blends that allow air circulation and prevent overheating. These fabrics not only offer comfort but also help wick away sweat, ensuring you stay fresh as you dance the day and night away. Footwear Fit for Dancing: Comfortable shoes are an absolute must for Tomorrowland. With hours of dancing and exploring ahead of you, opt for closed-toe shoes with ample cushioning and good arch support. Sneakers, athletic shoes, or sandals with sturdy soles are popular choices that will keep your feet happy throughout the festival. Remember, fashion is important, but don’t sacrifice comfort when it comes to footwear. Layer Up for Versatility: While the weather at Tomorrowland is generally warm, it’s always wise to be prepared for unexpected changes. Carry a light jacket, cardigan, or hoodie for cooler evenings or potential rain showers. Layering allows you to adjust your outfit to varying temperatures throughout the day and night, ensuring you stay comfortable at all times. It also provides an opportunity to showcase your style by mixing and matching different pieces for a fresh look each day. A girl holding a Tomorrowland’s flag on the mainstage Shield Yourself from the Sun: Protecting yourself from the sun’s rays is crucial during an outdoor festival. Bring a wide-brimmed hat or a stylish cap to shield your face and head from direct sunlight. Don’t forget to pack sunglasses with UV protection to safeguard your eyes and complete your festival look. Stay fashionable while prioritizing your well-being. Stylish and Versatile Ensembles: Plan your outfits with versatility in mind. Choose comfortable bottoms such as shorts, skirts, or flowy pants that allow freedom of movement while keeping you cool. Pair them with tank tops, t-shirts, or light blouses in vibrant colors or fun prints that reflect the festival’s energetic atmosphere. Dressing in layers and opting for mix-and-match pieces ensures you’re prepared for any occasion or spontaneous theme changes. Swimwear for a Refreshing Experience: If you stay at the Montagoe Area in DreamVille you may enjoy pools where you can cool off and enjoy a refreshing break from the dance floor. Pack your favorite swimsuit or swim trunks to take advantage of these water features. It’s a chance to relax, make a splash, and create unforgettable memories while staying true to the festival’s vibrant spirit. Accessorize for Style and Function: Complete your festival look with carefully chosen accessories that enhance your style and add a touch of personality. Bandanas, headbands, funky socks, and belts can all elevate your outfit while keeping you comfortable. However, remember to keep accessories minimal to ensure unrestricted movement and comfort during long hours of dancing. Don’t forget to check Tomorrowland’s own summer collection to rock some of the wonderful t-shirts or shorts they have in store. As you prepare for Tomorrowland 2024, remember that comfort should be the priority when selecting your festival wardrobe. Dressing in lightweight, breathable fabrics, comfortable footwear, and versatile ensembles will ensure you can dance, explore, and fully enjoy the festival’s electrifying atmosphere. Don’t forget to protect yourself from the sun, embrace layering, and pack swimwear for those refreshing moments. With careful planning and attention to comfort and style, you’ll be dressed for success at Tomorrowland 2023, ready to create incredible memories that will last a lifetime. The post Clothing for Success: How to Dress for Tomorrowland 2024 appeared first on The Groove Cartel.

Chris Ramos has created a dance music opus in his debut album, Evolution. Ramos’ early career was driven by a number of singles signed to then-emerging powerhouse label Monstercat, as well as a prestigious collaboration with the influential duo Tritonal, among other notable releases. Evolution marks his first release in eight years following a lengthy hiatus of healing and self-discovery. Spanning 13 tracks, Evolution is an expansive project, effortlessly traversing between various dance music genres, from progressive house and dance-pop to drum & bass and techno. Featuring a sizable list of featured artists and producers, the album showcases his collaborative spirit while spotlighting his unique experience as a dance music veteran. "Underwater" kicks off the project with its uplifting melodic techno production and anthemic vocals before tracks like the organic “Pushin” and the gritty “Mike Tyson” continue the sonic journey. An uplifting drum & bass anthem, “Bad For Ya” is an undisputed highlight while “Liars Say” wraps the album on a melancholic note with its downtempo production and mesmerizing synths. We caught up with Ramos to chat about the album as well as his extended break from releasing music and future plans. EDM.com: Evolution marks your first release in eight years. What led you to the decision to take this extended break? Chris Ramos: It has been a minute! There are multiple reasons connected to the long break, but the root cause was mental health and the need to better myself. Looking back, I grew up with anxiety and ADHD but didn’t fully understand it. As I got older, and things started picking up, the anxiety didn’t get any better… it only escalated. I put a lot of pressure on myself, and without the right mindset and control, it can unfortunately become a little toxic. I slowly went from loving the process and journey of an artist/DJ, from the exciting pre-show jitters, to losing a hold of my anxious thoughts. Once it started ruining the fun and dimming the passion, I knew I needed to make the tough call and take a break. Club residencies, records playing at festivals, being played on the radio… I had to put it all on pause. I also had still a lot to learn musically/technically, and just needed to grow as a person. EDM.com: What kept you busy throughout all these years? Chris Ramos: The long break turned into a blessing in disguise! From the life experiences and lessons learned, to the production and sound engineering skills that I’ve further developed… It has really been great. I also started a record label during the pandemic, which catapulted both passion and purpose, and opened my eyes to a whole other side of the music industry. Developing artists and releasing their music is a whole other ballgame. Helping and inspiring others has become one of my most favorite things, and the energy exchange between artists is like nothing else. Traveling to Europe, Los Angeles and Costa Rica brought in inspiration, new perspectives and some really cool vibes. And I also worked on music for some of the biggest brands and video games out there, which really pushed me out of my comfort zone and gave me new ways to approach my own music. EDM.com: Walk us through the creation of this album–how did the process of making it look like? Chris Ramos: Where do I start? Its funny because in my head I feel like I began making this album maybe a year ago, but in reality its been in development since 2020. I just didn’t know it yet. I’ve written songs about my life experience, and let them guide me into their final form. Everything has felt natural and smooth, pouring myself into every aspect. “Underwater” is essentially about me seeing myself drowning underwater, at rock bottom, and pulling myself out. “Bad For Ya” is about a traumatic breakup, with the writing inspired by her perspective… I wrote and sang it not too long after the experience, so there is quite a lot of raw emotion behind that recording. “Out Of My Head” hits the post-breakup experience pretty well, and even “Hypnotherapy” plays on giving so much of yourself that you lose sight of who you really are. I’m grateful for the amazing team that has collaborated with me on these records too! Dani Doucette really hit the money and emotion on her records, and her energy is always amazing to be around. MXJ brought their fun Afro vibes and really pushed my drum work to another level. S_Zero and I really merged our styles and showed what a seamless collaboration looks like, while Joe McCann pushed the experimental envelope, inspiring me to push things further with a “Spanglish” vocal. Together they have all inspired and pushed me to be better, and made the journey of this album even more enjoyable. EDM.com: You have a very hands-on approach to creating art, from singing and producing to mastering and creating visual art for your records. What does the process of learning to do things yourself mean to you? Chris Ramos: There’s two sides to every coin. In this case, I would say that learning to do so much myself has manifested for a couple of reasons: first, this is what happens when you love to learn new things, have ADHD, and strive to perfect whatever you’re doing. Secondly, a lot of it has come out of necessity. Making music, real high-quality music, doesn’t come cheap, nor does it always come quick. And unless you have a massive budget and team to back you, its not easy to truly thrive. Studio costs, engineers, singers/writers, musicians, producers, graphic designers, etc… I love being creative, and have the capacity to do all of these things, so why not work my rear end off and become good at it! And the singing part… I’ve always been shy about singing, but as a recording engineer, I’ve heard from so many singers that I need to start recording myself more and sing on more music. So I decided f*ck it, this is my time to be me, and do what feels right. I love to sing, jam out, and make music. Rather than hold back, its time to showcase my real self to the world. EDM.com: What are some of your favorite tracks from Evolution and how do they fit within the whole narrative of the record? Chris Ramos: Can I answer another question? Haha. This is tough, I love all 13 records here. My top record would have to be Underwater. Being that it is about pulling myself from the depths, and this album is about my personal evolution coming from the shadows, it really sets the tone for the whole record. "Out Of My Head" was a fun one to make. I envision Hans Zimmer collaborating with MEDUZA, with Eric Prydz adding some sizzle on top. I got to bring out my score experience in this one, and merging that world with electronic dance music was a fun challenge I set out for myself. "Hypnotherapy" was one of the quickest and most natural projects here. It’s definitely a little linked to my ADHD with the flips and changeups, but thats really what I love about that record. And Dani’s dreamy vocals of course. Such a bop all around. "Breakdown" and "Mike Tyson" are the more aggressive records, releasing built up aggression after an epic crescendo, and playing off of my martial arts background respectively. And all of the collabs were so much fun to make. They really inspired me to continue to push myself. EDM.com: Your debut single dates back to 2010. When did you start making music and what has that evolution looked like for you? Chris Ramos: Let’s start at the beginning. My parents saw that I loved playing piano as a baby, so they quickly put me into piano lessons at age 3. At 13 I was graciously gifted my first real keyboard, which had a built-in sequencer. Little did my family know that I’d soon start recording ideas, experimenting with loops, and begin making tracks [laughs]. I grew up with all types of music around me, but my mom would play dance, trance and Euro when working out and I loved the energy and emotion behind it. Tiesto, Robert Miles, Global Deejays, Ace Of Base, Basshunter…I was hooked. By age 16, I became really passionate about making this a career, and that same year I signed my first record deal with a small label out of Miami. My passion to be in this industry was solidified. From there, I went on to learn to DJ and started playing all-ages events throughout Toronto. At age 20 I had my first record on the radio, was playing clubs, and started to hold residencies at some of the best venues in the city. Music seems to have always come naturally to me, and it will forever flow through my veins. EDM.com: What have been some of your favorite career moments so far, and what can fans expect from you throughout the rest of 2024 and beyond? Chris Ramos: There have been so many fun moments, it’s truly an exciting career and industry to be a part of. Opening for Porter Robinson and Madeon have to be some of my favorite shows to ever play. The vibes were on point and the crowds amazing. Hearing my name for the first time on my favorite radio station was surreal. I was driving at the time, and almost crashed my mother’s car haha! Collaborating with Tritonal was an absolute dream. Being a fan of theirs, and hearing they wanted to collaborate on my record “This Is Love” was such an honor. They are such fun guys, and I could have never expected such an epic response. We charted on Billboard’s Hot Dance charts, broke Beatport’s top 100 overall, hit my first ever million streams, and we were played in every major dance music festival in the world. To make things even more surreal, Darude came to the fold and remixed the record! Such a legend. What an experience. Looking ahead, fans can expect a whole lot more from me. This album is not just about my personal evolution, but about me coming back from the shadows, with full force catapulting myself forward. Expect more music, epic content, and soon live shows. No more holding myself back. It’s time to bring all the feels to the world. FOLLOW CHRIS RAMOS:Facebook: facebook.com/chrisramoslive Instagram: instagram.com/chrisramoslive X: x.com/chrisramoslive Spotify: spoti.fi/3LEw75P

Back in September, we published a list of electronic music artists who simply must perform at the Vegas Sphere. One of them, Anyma, will soon become the first. The superstar Italian DJ, who also co-founded the barnstorming Afterlife label and touring brand, yesterday shared a cryptic teaser of a performance at the $2.3 billion venue. In it, he stares down a humanoid robot as he stands in a barren desert with a structure in the distance resembling the colossal Sphere. The rare concert has now been confirmed by Sphere Entertainment, the venue's proprietors. It will be the first electronic music show at the record-breaking Sphere, the world's largest spherical structure, which will host Anyma for a performance on December 31st. That means he's set to become the first EDM artist to perform in the Sphere's arena after residencies featuring a quartet of legendary rock bands: U2, Phish, Dead & Company and The Eagles. View the original article to see embedded media. The Sphere's inner sanctum projects mind-boggling graphics on the world's largest- and highest-resolution wraparound LED screen, which wraps over and behind the crowd. To that end, the venue presents a mouthwatering experience for fans of Anyma, whose live shows have become a touchstone for immersive visual production within the electronic dance music community. Anyma's esteemed Visual Director, Alessio De Vecchi, was named EDM.com's best visual artist of 2023 for his haunting, transhumanist approach to design. Those visuals will be the focal point of the show inside the Sphere, which has enough cutting-edge tech specs to make James Cameron's Avatar look like a flip-book animation. Its LED media plane spans 160,000 square feet—equivalent to four football fields—and uses puzzling scientific theorems to "direct sound like laser beams" across the audience bowl. The multi-sensory venue also has an immersive infrasound seating system rigged with haptics that transmit 4D wind effects and bass to your chair and feet. The NYE concert is billed as "The End of Genesys," a reference to Anyma's audiovisual brand and tour of the same name. His stunning debut album, which released in March, also shares the "Genesys" title. "The inclusion of special guests will highlight the concluding performance of 'Genesys,' according to Sphere Entertainment. Presale registration for tickets to the show is available now. The pre-sale will begin on Monday, July 22nd at 9am PT before the general on-sale the following day at the same time. Follow Anyma:Instagram: instagram.com/anyma_ofc X: x.com/anyma_eva TikTok: tiktok.com/@anyma Facebook: facebook.com/anyma.ofc Spotify: tinyurl.com/2p976k79

Editor's Note: Sphere Entertainment announced additional "The End of Genesys" concerts following the publication of this article, which at first solely featured the show on New Year's Eve. It has been updated accordingly. Back in September, we published a list of electronic music artists who simply must perform at the Vegas Sphere. One of them, Anyma, will soon become the first. The superstar Italian DJ, who also co-founded the barnstorming Afterlife label and touring brand, shared on Sunday a cryptic teaser of a New Year's Eve performance at the $2.3 billion venue. In it, he stares down a humanoid robot as he stands in a barren desert with a structure in the distance resembling the colossal Sphere. The rare concert has now been confirmed by Sphere Entertainment, the venue's proprietors, who added five more events in short order "due to overwhelming demand." The six-night residency from December 27th to January 1st marks the first electronic music shows at the record-breaking Sphere, the world's largest spherical structure. That means Anyma is set to become the first EDM artist to perform in the Sphere's arena after residencies featuring a quartet of legendary rock bands: U2, Phish, Dead & Company and The Eagles. View the original article to see embedded media. The Sphere's inner sanctum projects mind-boggling graphics on the world's largest- and highest-resolution wraparound LED screen, which extends over and behind the crowd. To that end, the venue presents a mouthwatering experience for fans of Anyma, whose live shows have become a touchstone for immersive visual production within the electronic dance music community. Anyma's esteemed Visual Director, Alessio De Vecchi, was named EDM.com's best visual artist of 2023 for his haunting, transhumanist approach to design. Those visuals will be the focal point of the concerts inside the Sphere, which has enough cutting-edge tech specs to make James Cameron's Avatar look like a flip-book animation. Its LED media plane spans 160,000 square feet—equivalent to four football fields—and uses puzzling scientific theorems to "direct sound like laser beams" across the audience bowl. The multi-sensory venue also has an immersive infrasound seating system rigged with haptics that transmit 4D wind effects and bass to your chair and feet. The concerts are collectively billed as "The End of Genesys," a reference to Anyma's eye-popping audiovisual brand and tour of the same name. His debut and sophomore albums also share the "Genesys" title. "The inclusion of special guests will highlight the concluding performance of 'Genesys,' according to Sphere Entertainment. Pre-sale registration for the residency has closed. The general on-sale is scheduled to begin at 9am PT on Tuesday, July 23rd.

After making a striking debut with his single ‘Cygnus – A’, Fernweh sets the bar even higher with his latest release, ‘Nebula Horizon’. Building on the momentum of his initial success, Fernweh continues to impress with his distinct sound in the trance music scene. ‘Nebula Horizon’ epitomizes Fernweh‘s musical style, featuring an emotionally charged melody that lies at the heart of the track. The single seamlessly blends uplifting and emotive vibes, inviting listeners to immerse themselves completely in the music. Fernweh’s journey is far from over. He has announced that his next single, ‘Quasar Sensity’, is set to be released this September, promising even more captivating music to come. Stream this single below.

Merging fashion with fandom, ILLENIUM is calling on his most imaginative supporters to craft a custom jersey. The chart-topping dance music superstar has launched a competition inviting fans to design a bespoke jersey, one of which ultimately will be produced and sold as official ILLENIUM apparel. "I'm always in awe of the incredible fan-created art and merchandise I see at my shows," ILLENIUM writes. "The Illenium jersey has become a symbol of our amazing fan base, and now I wanna see your take on it." ILLENIUM.Christian Wade/EDM.com This unique opportunity allows fans to directly contribute to ILLENIUM's beloved brand identity and potentially see their creative vision brought to life on a global scale. He joined forces with Oditi, a company that hosts design briefs so fans can co-create with their favorite brands, to host the rare competition. ILLENIUM will also debut the winning design onstage during a performance, according to Oditi. The deadline to submit designs is August 4th, 2024. Fans can find out more about the contest and enter here. View the original article to see embedded media. Follow ILLENIUM:X: x.com/illenium Instagram: instagram.com/illenium TikTok: tiktok.com/@illenium Facebook: facebook.com/illenium Spotify: spoti.fi/2XO5NxG

The wait is finally over for CAMELPHAT fans as the dynamic DJ and production duo drop their highly anticipated single, ‘Endlessly‘. ‘Endlessly‘ features the unmistakable vocals of dance music icon Nadia Ali. Produced earlier this year in Los Angeles, ‘Endlessly’ marks a significant moment in electronic dance music. The track debuted at the brand-new Spotlight nightclub, setting the stage for an exciting summer ahead. This Camelphat superfan is over the moon for this track’s release. Nadia Ali: The Voice of a Generation Nadia Ali’s contribution to ‘Endlessly’ is nothing short of spectacular. Known for her haunting tone and poetic lyrics, Ali has been a staple in the electronic music scene. She was also once the frontwoman of group iiO. Her legendary tracks, including ‘Rapture’ and ‘Pressure’, which was famously remixed by Alesso—have earned her GRAMMY and Juno Award nominations. Collaborating with CAMELPHAT, Ali brings a touch of nostalgia and a wave of euphoria to the track. This seamlessly blends with the duo’s smooth production and enchanting piano chords. A Global Anthem in the Making ‘Endlessly’ captures the essence of summer with its emotive melodies and Nadia Ali’s ethereal vocals. It creates a breathtaking anthem that is set to captivate audiences worldwide. As CAMELPHAT embarks on their 20-date residency at Ibiza’s iconic Pacha, the release of ‘Endlessly’ couldn’t come at a better time. This collaboration not only highlights the duo’s versatility but also cements Nadia Ali’s triumphant return to the forefront of dance music. With a history of successful collaborations, including recent works with Echonomist and Frankey & Sandrino, Nadia Ali continues to prove her prowess in the genre. ‘Endlessly’ is poised to become a staple in sets around the globe, resonating with both long-time fans and new listeners alike. Conclusion The release of ‘Endlessly’ is a monumental event for CAMELPHAT and Nadia Ali, bringing together two powerhouse names in dance music. As the track makes its way into the hearts and playlists of fans worldwide, it’s clear that this is just the beginning of an exciting journey for both the artists and their listeners. Dive into the magic of ‘Endlessly’ and experience the enchanting fusion of euphoria and nostalgia that only CAMELPHAT and Nadia Ali can deliver. ‘Endlessly’ is out now on When Stars Align, and can be streamed below, enjoy! CamelPhat & Nadia Ali – Endlessly | STREAM Follow CamelPhat: Facebook | Instagram | Spotify | Beatport Follow Nadia Ali: Facebook | Instagram | Spotify | Beatport Follow When Stars Align: Facebook | Instagram | TikTok | Beatport The post CAMELPHAT Teams Up with Dance Icon Nadia Ali for ‘Endlessly’ appeared first on EDMTunes.

Imagine walking into your local pub to grab a pint, but instead of encountering the grizzled bartender who consoles (and overserves) you after every breakup, you see Fred again.. tickling the keys. Just a few short weeks after performing Glastonbury, the chart-topping electronic music superstar played the role of busker over the weekend after showing up to a British pub to perform a secretive set alongside The Japanese House. The intimate performance went down on July 12th at The Rising Sun, a pub in the heart of Brixton's Pensford village. The nom de plume of celebrated indie artist Amber Bain, The Japanese House is renowned for her androgynous dream-pop sound. Her aching voice proved the perfect match for the tender keyboard work of Fred, with whom she performed remixed renditions of her tracks "Sunshine Baby" and "Chewing Cotton Wool," among other unreleased songs. "Amber's voice is so magical I couldn’t stop smiling," he later wrote in an Instagram Story. Check out footage of the rare performance below. View the original article to see embedded media.