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The leading dance music publication, DJ Mag, is shifting from its monthly magazine format to four premium quarterly editions a year starting January 2025. This transition aims to create a more premium and collectible experience for readers. Each quarterly issue will feature three cover stars, ensuring a wide range of artists are celebrated, while adding a collectible element for readers. While subscribers will receive one of the three covers at random, all cover features will be included in each edition. The quarterly magazines will also see an increased page count and higher paper quality, making the magazine more visually appealing and valuable for collectors. DJ Mag’s editor, Carl Loben, expressed his excitement about this new phase of the magazine: “Along with the rest of the team, I’m excited to be bringing DJ Mag into its next phase of evolution. Electronic dance music is a perpetually exciting movement, forever changing, and is now bigger globally than ever. As the flagship publication, this new quarterly edition will allow us to increase focus on the in-depth, discerning, internationally relevant long-form features DJ Mag has specialised in for many years. I can’t wait to get cracking!” -DJ Mag editor, Carl Loben Since its launch in 1991 to cover the emerging UK rave scene, DJ Mag has become a prominent voice in dance music. Originally a fortnightly magazine, then monthly, the latest transition to a quarterly format marks another significant milestone in the magazine’s evolution. The quarterly edition will be available on newsstands at £7.99 per issue, or via a 12-month subscription priced at £27.99, a saving of over £1 per issue. Current subscribers to the monthly edition will receive a two-year complimentary subscription to the quarterly version. The final monthly edition of DJ Mag will be the next one, the November Top 100 DJs issue. The first quarterly magazine will be released in January 2025. You can order copies or purchase a subscription at djmagshop.com. The post DJ Mag Switching From Monthly Editions to Quarterly appeared first on EDMTunes.

Brimming with carefree, uplifting energy, Anabel Englund has released a new single, "Get Busy." The song, out now via Ultra Records, laces Englund's light and airy vocals through an undeniably catchy melody. Embracing a playful and sensual tone, it unapologetically explores the theme of passion with lyrics about "getting busy" on the ground—just about everywhere else. The track also strikes a personal chord for Englund, who revealed that she spent the last six months in a self-reflective "cocoon" after ending several personal and professional relationships. "It was terrifying to say goodbye to people I have had in my life for many years who I still love so much and yet also know it’s time for me to start a new chapter," she said. "When I think about my new beginning a few topics come to mind. Strength in my own company and in knowing who I am, a wonderful juicy sexual awakening, a love for connection and music and stories." Listen to "Get Busy" below and find the new single on streaming platforms here. Follow Anabel Englund:Facebook: facebook.com/anabelenglundofficial X: x.com/AnabelEnglund_ Instagram: instagram.com/anabelenglund Spotify: sptfy.com/Ol3C

Don Jamal is a multinational character, and his music reflects that. His family is from Jordan, but he spent much of his life in Saudi Arabia. Still, he’s been surrounded by British culture his entire life, having attended a British international school for most of his primary education, and living in the UK where he participated in football camps during his summer breaks. He spent his youth watching every UKF video he could find, but it wasn’t until he moved to Santa Barbara, California, that he started producing music. That was in 2019. Fast forward five years, and he’s played surprise b2b sets with Zeds Dead and Skrillex, performed at some of the most respected festivals across North America (including Infrasound and Lightning in a Bottle), collaborated with Justin Jay, and released tracks on Deep Dark and Dangerous, Deadbeats, and Bassrush. His approach to production is firmly rooted in UK influence, but it extends far beyond any specific genre. From breakbeats to techno to dubstep, he likes it all. In this exclusive interview with UKF, Don Jamal talks about his love for UK music and culture, the aspects of tour life that fans don’t usually see, working with Zeds Dead’s Deadbeats record label, and more. You’ve spent much of 2024 performing all across North America, supporting artists like Zeds Dead and Barclay Crenshaw. As an artist who’s just getting started in the touring world, what’s one thing that surprised you about tour life? Everyone thinks life on the road is a dream. And I mean, in a lot of ways it is. But people don’t realise how much travelling and time it takes behind the scenes; the sleepless nights, the set preps, sound checks, all that stuff. At the end of the day I love it and it’s worth every minute, but I definitely didn’t realise how hard it is to get good sleep when you’re on the road. You’ve also played some of the most beloved festivals in North America, including Lightning in a Bottle and Infrasound. What’s your favourite festival set you’ve played this year? Lightning in a Bottle definitely. I’ve never had a set go by so fast. It’s almost like I don’t even remember playing, because I was having so much fun up there, everything was a blur. Everyone was dancing, and I had my best friends on stage celebrating with me. It was amazing, for real. Do you remember the first time you heard that someone played one of your songs on a big stage? I remember the exact moment – it was Ternion Sound, opening for Zeds Dead at Mission Ballroom on July 4, 2022. That track was the first track I made that I was truly proud of, so I sent it to Andrew from Ternion Sound. He texted me the night of the show and said he might play my track, so I was just standing in the crowd, dancing and hoping they’d drop the tune. When I heard the intro come in, I looked at my friend and we just started freaking out. It was such a sick moment. I was going crazy. Would you say Ternion Sound is a big inspiration for the Don Jamal project? Absolutely. They just play the music they love, regardless of what genre it is. They don’t get stuck in the 140 dubstep sound, which is a genre I love too, but there’s so much more I want to play. I wanna drop UKG, breaks, all sorts of stuff. They’re the same way, and it’s inspiring to watch someone like them do it right. Justin Jay is another artist who seems to embrace a genreless approach to music production. You’ve released a handful of tracks with him at this point, including remix of Levity’s viral track “Flip It” and “Is this a dream?” from Justin’s newest album. How long have you and Justin been making music together? That’s actually a funny story – I’ve known about Justin Jay for a while, because he was DJing in Santa Barbara back when I was living in California before the pandemic, but we never officially met before I moved to Colorado. One day I was hanging out at my friend’s place in Boulder and he walked in with his girlfriend, who’s close with a few of my good friends. I introduced myself and said “Dude, have you ever heard of Justin Jay? You look just like him.” And of course, he’s like… “Yeah, I am Justin Jay.” We started laughing and chopping it up, and we realised we both love the same music. I was DJing that night, and I started dropping some UKG tracks. He came up to me so excited that someone else was playing UKG, and we’ve been homies ever since. I love working with him because his approach to producing is so carefree. There’s no pressure. He doesn’t care what you make. He just wants to have fun and create. Whatever happens, happens – that’s why we make bangers together, because it’s so natural. I was scared to produce with him at first, because I didn’t have a studio and I was kind of embarrassed about my set-up. But he just brought his monitors, put them down on my kitchen table, put on some Apple earphones and started making a beat. He taught me you don’t need anything fancy to make good music. You also played a back-to-back set with Justin on New Year’s Eve in Denver last year with Skrillex and Zeds Dead, right? I was supposed to headline a small afterparty after Skrillex’s Red Rocks show, and I got a text from Justin asking if Skrillex could come. Of course I said yes, and I was like honestly, Skrillex can just take my set. If Skrillex is there he should be playing, not me. But when he showed up, we all just kind of started DJing together. Justin Jay joined, and Zeds Dead showed up. Super Future was there too, it was insane. Speaking of Zeds Dead – earlier this year, you were featured on the ‘We Are Deadbeats Vol. 6’ compilation. What was it like working with the Deadbeats team alongside such an insane roster of artists on the compilation? Most of that process was standard procedure in terms of getting the track to them and working out a release date. But the promo that we did for We Are Deadbeats Vol. 5 was on a whole other level. There was a whole radio-style announcement, and all the artists teased the project together on social media. I had so much fun; promoting it didn’t feel like a chore. It felt inspiring, honestly. You’re making music that feels very inspired by UK artists, and I’m curious to know what your relationship is like with UK bass music. I know you grew up in Saudi Arabia, and from what I understand there’s not much of a bass music scene there… So how did you discover bass music originally? Everything around me was British growing up. Even when I was living in Saudi Arabia, I went to a British international school every day and watched Premier League football all the time. I also went to the UK for soccer summer camps when I was younger. Of course, I was watching UKF YouTube videos all the time too. I used to search “big bass drops” on YouTube and UKF would always come up. I watched every video I could find. So you’ve clearly been a fan of dubstep long before you started producing your own music in 2019. Do you remember the moment when you decided to pursue music as a full-time career? I don’t necessarily know the moment, but I know why. Since I was five years old, I dreamed of being a professional soccer player. Although that never worked out, I knew I loved the feeling of playing in front of a big crowd. When I realised I could get that same feeling from DJing, that’s when it clicked. I’ve heard Shaquille O’Neal say he kind of feels that way as well, which is also why he started DJing. But for a while, I just didn’t think I was good enough to turn it into a career. But when I became more confident, that’s when I started to take it seriously. You’ve lived in tons of different places across the world, but chasing your dream eventually brought you to Colorado. How does Denver’s music scene compare to other cities? It’s so different — Denver is like Disneyland for dubstep. Take Santa Barbara for example. I was living there before I moved to Denver, and there wasn’t much of a bass music scene at all. The scene was very house-focused, but there were a couple people that were pushing bass music. I was a part of that with Ooga and a few other homies. That’s where I learned to produce actually. But when I came to Denver, life was like a whole different world. If you like dubstep, Denver is the best place to be for sure. You recently released the ‘Duelist’ EP on Wubaholics, which is one of my favourite dubstep labels at the moment. Can you talk about the inspiration for the three tracks on this new EP? I love Wubaholics because they’ll put out whatever’s fire. Sure, they’re known for the wonky stuff, but the inspiration for the ‘Duelist’ EP is centred around mixing old-school dubstep with a new-school style, and turning that sound into absolute club bangers. I wanted to create tracks that will have the crowd going wild every time a DJ drops them. This EP doesn’t really tell a story in the three tracks, but it definitely gets the crowd going.

Four Tet has announced a high-profile arena performance at the Kia Forum, bringing his deeply influential sound to Inglewood for an open-to-close set. The masterful electronic music producer is set to take the helm at the Inglewood-based arena on February 22nd, 2025. Fans attending the extended set will hear him play his many world-class originals and collaborations, like the Ellie Goulding-assisted "In My Dreams" and the global house hit "Baby again.." with Fred again.. and Skrillex. You might even hear some of his chaotic selections on the periphery of his own catalog, like HOL!'s "Country Riddim." The concert is branded as "Woogie" and follows his show at San Francisco's Cow Palace in October 2023. Taking to Instagram to announce the upcoming LA edition, he promised fans an experience just as special. The arena headline is co-produced by The Do LaB and Goldenvoice, the lattermost of whom in 2023 invited Four Tet to close out Coachella alongside Fred again.. and Skrillex. Pre-sale tickets go on sale Thursday, October 10th at 10am here. Check out Four Tet's announcement below. Follow Four Tet:X: x.com/fourtet Instagram: instagram.com/fourtetkieran Facebook: facebook.com/fourtetkieran Spotify: spoti.fi/37kV2Id

There’s only one day left until Tomorrowland Brasil 2024 kicks off! As always, the global Tomorrowland community won’t miss a beat of the legendary festival, built around the mythical “Adscendo” theme. The Brazilian edition of the gathering will be livestreamed, so if you’re not at Itu, you can still catch the magic of the festival. Music lovers around the world can experience the magic of Tomorrowland Brasil 2024 through tomorrowland.com, the Tomorrowland App, and One World Radio. This global broadcast will emanate live from the picturesque Parque Maeda festival grounds in Itu, São Paulo, pulling out all the stops to connect everyone at home to this magnificent new chapter in Tomorrowland’s history. From October 11th to 13th, livestreams from the iconic Adscendo Mainstage will bring unforgettable sets by the world’s finest electronic artists directly to your screens. This stellar lineup includes Adriatique, AFROJACK, Alok, B Jones, Don Diablo, Hardwell, NERVO, Öwnboss, Sunnery James & Ryan Marciano, Yves V, and many more. To further enhance the mobile experience, Tomorrowland will be utilizing a dedicated vertical setup at the Mainstage. Upholding tradition, One World Radio, Tomorrowland’s official station, will be pumping out live sets from various festival stages (Mainstage, Freedom, and CORE). This provides listeners with a unique, front-row experience of Tomorrowland Brasil 2024, even if they can’t be there in person. And long after the parties are over, One World Radio will continue to broadcast the best sets, allowing you to relive the magic and extend the festival fun. Don’t miss a single beat! Follow the magic of Tomorrowland Brasil 2024 live via tomorrowland.com, the Tomorrowland App, and One World Radio. Tune in on the aforementioned channels, or catch the broadcasts via DAB+ in Belgium, the Netherlands, Switzerland, the UK, and Malta, and via FM in Romania (92.1 FM) and Spain (Mallorca and Ibiza). The post Tomorrowland Brasil Will Be Livestreamed – Here’s What You Need To Know appeared first on EDMTunes.

Patrick Harboun and his son are no strangers to pushing LEGO's creative boundaries. After winning the grand prize of a worldwide competition in 2020 with their meticulously designed Daft Punk LEGO recreation, they now have their sights set on getting it officially released. And they need the support of the robots' fans and LEGO enthusiasts alike to make it happen. Patrick Harboun The father-son duo's original entry was built during the height of the pandemic lockdown, a time when many turned to creative outlets for solace. Sharing their mutual love for Daft Punk's timeless music, they crafted a stunning replica of the duo's iconic pyramid stage from their "Alive 2007" tour. Despite winning first place, the stunning set never saw commercial production. However, the Harbouns are going for greatness one more time after becoming re-inspired by Daft Punk's cameo in Pharrell's upcoming LEGO animation film Piece By Piece, Patrick tells EDM.com. Patrick Harboun Their new design is live on the LEGO Ideas platform, where projects can garner fan votes for a chance to become official sets. If successful by voter demand, it will celebrate Daft Punk's enduring legacy in both music and pop culture. The father-son team is hoping that Daft Punk devotees and LEGO lovers will come together to cast their votes and turn this dream into a reality. You can show your support by voting for the project here.

In just a few years, Kasablanca have proven they have a lot to say—and they’re not done yet. The duo's debut album, Higher Resolution, to be released in two parts, is an intimate and deeply layered expression of their journey, both personal and musical. After a few years of explosive success, the duo is still maintaining their place as one of electronic music’s most compelling acts of the moment. The album is an exploration of resilience, personal battles, rebirth and the drive to keep moving forward. Its titular track is a rhythmic tone-setter with vocoder-laced lyrics cutting through the atmosphere, as if echoing from a distant future. Much of the album's first chapter similarly delivers a sense of euphoria that feels almost cinematic in scale, like "Remission," their triumphant collaboration with Lane 8. Released just days before Micky of Kasablanca was declared cancer-free, the song feels prophetic, as if it were always meant to accompany the moment when hope turned into reality. "Terminal Feeling" delves into the more introspective side of their story. Paired with ethereal, almost ghostly vocals, its haunting techno rhythms give the track an air of tension—an audible reflection of the fear and uncertainty that comes with battling illness. Yet, even in its darker moments, there’s a glimmer of defiance as the duo turns personal adversity into cathartic release. The result is a hypnotic dancefloor anthem brimming with raw, unfiltered energy. Elsewhere, tracks like "Dawn" see Kasablanca offering new stylistic production choices with frenetic percussion while crooning vocals soar through the mix, steeped in reverb. The blend of breakbeat rhythms and futuristic soundscapes captures a feeling of nostalgia and forward motion all at once, marking another standout moment on the album. A debut album release is always a milestone in an artist's career, but Higher Resolution (Side A) is a decisive reflection of their growth and evolution as artists and as people thus far. You can listen to the album below and catch Kasablanca on tour now. Follow Kasablanca:Instagram: instagram.com/kasablanca X: x.com/WeAreKasablanca Facebook: facebook.com/WeAreKasablanca Spotify: spoti.fi/3G1Q30e

It comes following claims from attendees that five trans women were forcibly removed from a bathroom by a third party security team at the operator's Skegness resort over the weekend Continue reading...

Who knew DJ Snake had a dark side? Last month, Excision gathered some of the biggest names in dubstep and bass music for the dazzling 2024 edition of Lost Lands. While its lineups have evolved each year, last month's festival featured the most musically diverse lineup in its history, offering fans many more options outside the bass umbrella. Before the French superstar took the stage, he teased a new alias set to perform amongst the dinosaurs, The OUTLAW. The posts were cryptic, but he said that Excision had told him to go as hard as he wanted with no rules. The result was a stunning performance filled with ruthless dubstep, dark techno and even some surprising tearout that left attendees buzzing all weekend. For those who couldn't witness The OUTLAW's debut in person, Snake has shared the full hourlong performance on his SoundCloud. Fans can hear every bit of the set from the intro to the finale as Snake proved why an EDM headliner can fit right in at the world's biggest bass festival. Listen to The OUTLAW's full Lost Lands 2024 performance below. The set is also available as a free download here. View the original article to see embedded media. FOLLOW DJ SNAKE:Facebook: facebook.com/djsnake.fr TikTok: tiktok.com/@djsnake X: x.com/djsnake Instagram: instagram.com/djsnake Spotify: spoti.fi/2Ydtfoq

Alexandra Richards, daughter of rock legend Keith Richards and supermodel Patti Hansen, has made her long-awaited debut with the single “Feel You,” a captivating slice of deep melodic house that effortlessly merges Afro-house vibes with contemporary dance sensibilities. Growing up in an artistic household undoubtedly shaped Alexandra’s creative vision. With a father who helped define rock ‘n’ roll and a mother who graced the covers of fashion magazines, it’s no surprise that she found herself drawn to the worlds of music and fashion from an early age. After learning the ropes of DJing from friends around New York City, she quickly established herself within the city’s club scene, curating sounds for high-profile events across the globe. This experience shines through in “Feel You,” as she skillfully crafts a sound inspired by global clubs that feels both fresh and familiar. From the very first notes, “Feel You” envelops listeners in a warm, swoony atmosphere. The production is polished yet organic, letting the track to breathe while holding strong to a persistent groove. Collaborating with the celebrated dance music duo JAIKO, known for their distinctive blend of male and female vocals, Alexandra creates a dynamic interplay between the two and her production. The voices intertwine beautifully, exploring the deep feelings that come with close connections—where personal space blurs into intimacy, and the struggle to stay grounded becomes too much to bear. The post Alexandra Richards releases debut her single ‘Feel You’ appeared first on Dancing Astronaut.

Following sell out solo shows & headline sets at Glastonbury, Shambala, London Remixed & Boomtown, they take over Brum’s favourite nightlife hub for an unforgettable night of nostalgia. Symphonica, the hybrid Orchestral/DJ project founded by composer Miles Hancock and DMC World DJ champion Mr Switch, are set to deliver an immersive and nostalgic performance when the event touches down at XOYO Birmingham on Friday, 11th October. Combining a whole orchestra with a world-champion DJ, Symphonica will tear through the history of Drum & Bass to recreate the iconic genre in a unique format. Already festival favourites at Glastonbury and Boomtown, Symphonica has been breaking new ground by blending classical and electronic music since 2015. Now, they’re taking it to the next level as they merge the dancefloor’s energy with the concert hall’s elegance, offering an experience that’s part history lesson, part adrenaline rush – delivered with passion and precision. This isn’t a typical performance – it’s a collision of musical worlds. Symphonica doesn’t just perform Drum & Bass – they reshape it, breathing new life into timeless anthems while creating fresh, original compositions that leave guests speechless. Under the creative direction of visionary composer and conductor Miles Hancock, who also plays a pivotal role as founder of the internationally-touring 20-piece Jazz Colossus, alongside four-time DMC World Champion Mr Switch filling the DJ role, Symphonica brings the evolution of Drum & Bass and Jungle to life. From its underground beginnings to its cutting-edge present, witness iconic tracks reimagined through the power of strings, brass, and live orchestration combined with backing beats, basslines and scratching skills. Since its debut in September 2023, XOYO Birmingham has rapidly established itself as a premier nightlife destination. This new venue has swiftly captured the essence of Birmingham’s vibrant club scene, offering top-tier electronic dance music experiences. Drawing inspiration from its renowned London sibling, XOYO Birmingham has successfully crafted its own distinct identity within the city’s bustling after-dark landscape. Its live event programme, XOYO: Live, has already played host to Australian Pop Punk faves Stand Atlantic and Nigerian Afro-fusion artist BNXN, with the upcoming Symphonica show leading the way for popular British Rock band Boston Manor, and several other highly notable artists, including Alfie Templeman, Kofi Stone, Ray Keith, Newton Faulkner and more over the rest of 2024. The club’s impressive layout features five diverse areas capable of hosting up to 3,000 revellers. This expansive setup allows XOYO Birmingham to provide a genuinely exceptional clubbing atmosphere. Its deep connection to the local community sets it apart, with the venue’s ethos centred on creating experiences that resonate with Birmingham’s music enthusiasts and party-goers. Ends. Event Info XOYO:LIVE – The History Of Drum & Bass Friday 11 October 2024 XOYO Birmingham, Lower Trinity Street, Digbeth, B9 4AG 7pm – 11pm Tickets from £27.50 + bf available from https://link.kiffix.com/symphonica-orchestra XOYO Birmingham https://xoyobirmingham.co.uk https://www.instagram.com/xoyobirmingham https://twitter.com/xoyobirmingham The post Critically Acclaimed Super-orchestra ‘Symphonica’ Explore the History of Drum & Bass at XOYO Birmingham This October appeared first on Electric Mode.

Is this the spiritual successor to ‘Shiver’? John Summit is not holding back. One of the most influential acts of EDM over the last 20 months, turned to social media to tease a special song he’s working on. He turned to Twitter to comment, “currently writing what i think will be next years anthem“, alongside a short video which teases said song. Watch below. i’ll never let u gooo.. https://t.co/m8CHnQdisJ pic.twitter.com/WlK1UYHuHX — John Summit (@johnsummit) October 7, 2024 The song, currently under the placeholder name ‘Ritual‘ as can be seen from the video, features an engulfing atmosphere with a somewhat Reese-ey bassline, and a warm female vocal, which seems to go just right down Summit’s alley. If we’ve been able to notice a pattern in his productions lately is just how much his recent craft is meant for a vocal topline as opposed to, say, his earlier Repopulate Mars stuff. And this one surely delivers. The track seems to be in that style of very melodic and singalong-worthy Tech House he’s been pioneering for a while. After the rousing success of tracks like ‘Where You Are’ and ‘Shiver’, it’s only fair for the Forbes 30 Under 30 to write yet another chapter of his story with a formula that has assured fruition. We’re yet to see where this new demo goes, and when — potentially, and when — he’ll premiere it, but for now, we can just wait… impatiently. The post John Summit Just Teased A New Track In The Works appeared first on EDMTunes.

Renowned Melodic Techno acts Colyn and Innellea are set to embark on a highly anticipated back-to-back tour. This development is set to mark a new chapter in their ongoing collaborative journey. Following unforgettable performances in locations like Tulum and Burning Man, as well as their acclaimed joint effort on ‘Downfall‘ from Innellea’s 2024 LP, The Belonging, the duo has officially set the stage to deliver their musical synergy to fans worldwide. The series of exclusive shows kicks off at Amsterdam Dance Event with an intimate pop-up show at ABOUTLIFESTYLE/Salon d’Homme. It would transform the men’s boutique into a swanky impromptu nightclub. The highly-anticipated performance is guest list only with free entry. With spots limited, fans are encouraged to secure their spot as soon as possible. The Colyn Wave: One of Amsterdam’s own, Colyn has been riding an unprecedented wave of sonic momentum this year. This is courtesy of both his mesmerizing sets and knockout releases. Fresh off jaw-dropping shows at Burning Man and in Ibiza, Colyn continues to captivate global audiences with his introspective and rhythmic sound. Colyn’s latest rework of Vintage Culture’s ‘Chemicals‘ landed alongside Innellea’s take on ‘Promised Land‘ on the Brazilian producer’s new remix album. This together set a new agenda for Melodic Techno worldwide. Colyn is also cultivating buzz with his upcoming collaboration alongside Argentine superstar Nicki Nicole. Although unreleased, the track is not only making the rounds online, but coincides with his duo of shows in Argentina alongside Adriatique. It also celebrated the stop at the Brooklyn Mirage in NYC just last month. The Innellea Approach: With Colyn now joining musical forces with Germany’s Innellea, the two Melodic Techno titans are poised to turn the scene inside out. Innellea’s approach to music is one of reinvention. It crafts melancholic yet cinematic soundscapes that serve as both a mirror and a window. It reflects internal states while opening doors to new perspectives. His full-length album from earlier this year, The Belonging, put him at the forefront of the genre. It also showcased an act that is arguably at its best when playing with others. This is further emphasized by his next collaborative release with Colyn, the much anticipated and musically liberating ‘Set Me Free‘. Now elevating their shared musical vision with a series of exclusive shows, Colyn and Innellea’s upcoming tour promises to raise the bar for Melodic Techno at large. Fans can expect dates and locations to be announced in the coming months. The ADE kickoff at ABOUTLIFESTYLE/Salon d’Homme sets the stage with a fusion of intimacy, exclusivity, and electricity. Fans are encouraged to secure their spots promptly for this guest-list-only event, as it’s poised to be one of the most talked-about performances of this year’s Amsterdam Dance Event. Interested patrons can register here. The post Colyn & Innellea Unite For Exclusive Back-to-Back Tour At ADE appeared first on EDMTunes.

Just because summer is over doesn’t mean it has left us completely. Hï Ibiza‘s team blessed us with one last surprise while we brace for colder weather. Ibiza’s hottest nightclub Hï Ibiza, and officially the #1 nightclub for Electronic music in the world just launched a legendary roster of recorded sets. Available on Apple Music, now we can all relive the fantastic sets that graced the dancefloor at Hï Ibiza this summer. Hï Ibiza’s Apple Music Series A club where some of the most relevant artists play, prevails with some of the best sets of the summer. Artists included in the series span DJs such as Airrica, Adam Sellouk, Korolova and Danny Tenaglia. Moreover, the series includes multiple tasty B2Bs like DJ Boring B2B Sally C, or Eats Everything B2B Dan Shake. Standout sets include Tchami, Layton Giordani, Vintage Culture, and Agents of Time. Did we mention they are available on spatial audio? Each set is a delight that embodies the vibes of the summer. Whether it’s Techno, House, or Trance, Hï Ibiza selected their top sets to immortalize. Summer Residencies 2024 Hï Ibiza had incredible residencies this year. From David Guetta’s Future Rave, to Eric Prydz debuting his new audiovisual show [Cell], each night of the week saw incredible acts. Other names included James Hype, MEDUZA, Tale Of Us, Paco Osuna, FISHER, and Damien Lazarus. After winning the #1 club in the world spot three times in a row, they will close out the season with none other than Keinemusik. Rampa, &ME, and Adam Port will have the honors of closing out Hï Ibiza on October 12th. Tickets sold out. Thankfully, we have so many sets available on Apple Music. 😉 The post Legendary Hï Ibiza Releases Summer 2024 Apple Music Series appeared first on EDMTunes.

The Lebanon-based music organisations are raising money toward necessities for those displaced Continue reading...

As the year draws to a close, music fans are eagerly anticipating the announcement of the Coachella 2025 lineup. While industry insiders are speculating about potential headliners, the exact lineup remains a mystery. That said, rumors have arisen that Fred again.. will be not only a lock, but a headliner of the festival. According to the outlet HITS Daily Double, the young sensation would be among the first on Coachella’s flyer next year. However, the rest of the top-tier acts are still up in the air. There are speculations that a country music star with pop appeal, such as Jelly Roll, Morgan Wallen, or Post Malone, might be included in the lineup. Another question mark is who will fill the sub-headliner special guest spot that was occupied by No Doubt last year and Calvin Harris the year before. While Fred again.. is a strong contender, it’s possible he could even be a headliner this year. Two notable artists who will not be headlining Coachella in 2025 are Rihanna and Kendrick Lamar. Both artists have declined the opportunity, citing other commitments — Lamar gearing up for the Super Bowl, and Rihanna not needing the slot at the festival due to how big of an artist and entrepreneur she has become. [H/T] Stereogum The post Fred again.. Will Reportedly Headline Coachella 2025 appeared first on EDMTunes.

The DJ Awards, often referred to as the “Oscars of dance music,” made a triumphant return to Ibiza on October 2nd with a spectacular event at Chinois. The night was a vibrant celebration of music, recognizing the industry’s leading talent. Hosted by BBC Radio 1 tastemaker Jaguar and Katie Knight, the star-studded affair brought together music lovers, industry insiders, and the public to honor the best in the business. After a four-year hiatus, the DJ Awards were back in full force, delivering an unforgettable evening that marked a new chapter for the prestigious event. Winners were announced in key categories and special Industry Awards were presented to legends like Black Coffee, Fisher, Armin van Buuren, and David Guetta. The night was a true testament to the vibrancy and creativity of the electronic music world. As the Ibiza summer season drew to a close, the DJ Awards provided a fitting finale, showcasing the talent and dedication of the DJs who have shaped the dance music landscape. From heartfelt acceptance speeches to energetic performances, the event was a celebration of music’s power to unite people and create lasting memories. DJ Awards Winners AFRO Black Coffee House Sam Divine Breakthrough presented by Riot Noise Miss Monique International DJ Of The Year Awards Fisher Tech House presented by The Hub Ibiza Studios Vintage Culture Trance Armin Van Buuren Techno Sven Vath Drum and Bass Chase and Status Organic House presented by Soul Water WhoMadeWho Progressive House presented by Christoffe Champagne Camelphat Live Act Roisin Murphy Industry Awards Ibiza Icon presented by Ibiza Global Radio Luciano Ibiza Track Of The Summer Adam Port, Stryv – Move Feat. Malachiii Global Festival Defected Croatia Eye On… USA Gospel Club NYC Best Ibiza Party presented by Hibiki David Guetta – F**K Me Im Famous / Futurerave What’s Hot Global Keinemusik Lifetime Achievement Award Javier Anadon Play It Back Michael Bibi’s ‘One Life’ Campaign The post DJ Award Winners Announced in Ibiza appeared first on EDMTunes.

Already making waves in the underground electronic music scene, Layton Giordani’s remix of Tiga and Audion‘s classic track ‘Let’s Go Dancing‘ has caught the attention of industry heavyweights like Adam Beyer, John Summit, and Green Velvet. This reimagined version stays true to its title, offering a deep, driving, and electrifying experience for listeners. With its pulsating beats and hypnotic rhythms, this remix is set to ignite dance floors and create sonic fireworks wherever it’s played. Let’s delve deeper into the magic behind Layton Giordani’s rendition of ‘Let’s Go Dancing’ and explore why it has become a staple in the sets of top DJs around the world. The Evolution of ‘Let’s Go Dancing’ Originally released in 2013 by Tiga and Audion, ‘Let’s Go Dancing’ quickly became a dancefloor anthem with its infectious melody and catchy vocal hook. The track’s unique blend of techno and house elements captured the hearts of electronic music enthusiasts worldwide, earning it a permanent place in DJ sets and playlists. Fast forward to the present day, and Layton Giordani has breathed new life into this timeless classic with his reimagined version. By infusing his signature style and sound into the track, Giordani has managed to retain the essence of the original while adding his own unique touch. The result is a remix that pays homage to the past while propelling the track into the future. As the driving force behind the resurgence of ‘Let’s Go Dancing,’ Layton Giordani has proven himself to be a master of his craft. His ability to reimagine a beloved classic and make it relevant in today’s electronic music landscape is a testament to his talent and creativity. The post Layton Giordani x Tiga x Audion – Let’s Go Dancing appeared first on EDMTunes.

Sofi Tukker is a New York-based musical duo known for their infectious rhythms, vibrant aesthetics, and unforgettable performances. Comprising Sophie Hawley-Weld and Tucker Halpern, they burst onto the scene with “Drinkee,” which earned a Grammy nomination in 2017. Since then, the duo has become synonymous with dance hits like “Best Friend” and “Purple Hat.” Their eclectic mix of house, pop, and Brazilian-influenced beats has made them a fixture in the dance music world. On October 5th, Sofi Tukker brought their high-energy show to Washington, D.C., performing to a sold-out crowd at The Anthem. As soon as the lights dimmed, it was clear that the night would be one to remember. Venue The Anthem, located in the thriving Wharf district of Washington, D.C., is a premier venue for live music. Since its opening in 2017, The Anthem has hosted a variety of acts ranging from rock legends to EDM icons. The venue boasts a versatile capacity of 2,500 to 6,000 attendees, thanks to its movable stage and backdrop. With stunning views of the waterfront and an array of bars and restaurants nearby, it’s the perfect spot to enjoy a night out before heading to a show. Inside, The Anthem’s balconies are designed to bring fans closer to the stage, enhancing the overall concert experience. The 57,000-square-foot venue felt intimate despite its size, making it an ideal place to witness Sofi Tukker’s electrifying set. Food & Drinks The Anthem offers a diverse selection of food and beverages that cater to all tastes. The drink menu includes various beers starting at $10 and wines at $14. On the food side, the options ranged from international cuisines such as Margherita Pizza Empanadas and Argentine Beef Empanadas to local favorites like Chicken Masala Wraps and Vegan Falafel Wraps, priced between $13 and $15. There were also shareable plates like Pretzel Bites ($11) and classic Popcorn ($5), though the prices are on par with typical D.C. stadium pricing. Stage The stage setup for Sofi Tukker’s show was nothing short of spectacular. With a towering central arc flanked by pillars and multiple platforms, it set the tone for a visually dynamic performance. An expansive LED screen served as the backdrop, coming to life with every beat and burst of light. The stage was illuminated by colorful lasers and visual effects, creating an immersive atmosphere that complemented the music perfectly. Music & Production Sofi Tukker opened the show in their signature playful style, holding up bread to the delight of the crowd as they launched into their hit track “Bread.” Throughout the night, the duo’s chemistry was on full display, and their excitement about performing at The Anthem was palpable—they shared that this show was a dream come true after previously opening for Odesza at the same venue in 2017. The setlist was a blend of fan favorites and newer tracks, including “Throw Some Ass,” “Hey Homie,” “Drinkee,” and “Original Sin.” Each song was elevated by dazzling choreography, a troupe of energetic dancers, and a stunning array of lasers and lights that filled the venue. Every beat seemed to pulse through the crowd, keeping the energy at a high level from start to finish. Final Impressions Sofi Tukker’s performance at The Anthem was a vivid reminder of why they have become a beloved name in electronic music. Their ability to connect with the audience and turn a concert into a communal experience is second to none. It’s no surprise the show was sold out, with fans eager to see them perform live again after years of anticipation. For anyone who hasn’t yet experienced Sofi Tukker live, this concert was a testament to their showmanship and the pure joy they bring to the stage. It’s safe to say that their performance at The Anthem will be remembered as one of the highlights of Washington, D.C.’s fall concert season.

Last week, Ultra caught the whole world’s attention with their massive phase one lineup drop. Notable acts include Anyma b2b Solomun, Deadmau5 b2b Pendulum, Dom Dolla b2b John Summit, Martin Garrix, Hardwell, and more. And now to keep the hype and anticipation building, Ultra has released their first episode of a 25 part series where they share about the journey into the heart of Ultra’s legacy. Episode 1 dives into the opening of Ultra’s gates which is a big moment for both organizers and fans. Months of planning go into this moment every year, and the energy is flowing through the air which is captured perfectly in the short video. Follow the UMF TV YouTube channel so that you can stay up to date when they drop their new episode every week. Ultra’s 25th edition is taking place on March 28-30 2025 at Bayfront Park. Tickets are still available here. The post Ultra Releases Episode 1 of 25th Anniversary Countdown Series on YouTube appeared first on EDMTunes.

Mixmag and Burn Energy will be heading to Italy in November to explore the high-energy delights of Venice's techno scene Continue reading...

Eleven years ago, on October 28, 2013, Avicii released ‘Hey Brother’, the third single from his groundbreaking debut album ‘True’. Blending folk, bluegrass, and electronic dance music, ‘Hey Brother’ became an instant classic, captivating listeners around the world. Co-written by Avicii, Ash Pournouri, Salem Al Fakir, Vincent Pontare, and Veronica Maggio, the track soared to the top of the charts in numerous countries, including Austria, Belgium, Brazil, France, Germany, Sweden, and the UK. What set ‘Hey Brother’ apart was its unique combination of genres, pairing an emotional, country-inspired melody with Avicii‘s signature electronic beats. The song’s powerful vocals, delivered by bluegrass singer Dan Tyminski, and its heartfelt lyrics touched millions of fans globally, further solidifying Avicii‘s reputation as a musical innovator. In May 2024, ‘Hey Brother’ crossed a remarkable milestone, surpassing 1 billion streams—an incredible testament to the track’s enduring popularity and its lasting impact on the world of music. As we celebrate the 11th anniversary of ‘Hey Brother’, we’re reminded of the extraordinary talent of Tim Bergling, known to the world as Avicii. His meteoric rise to global fame, his ability to seamlessly blend genres, and his unmatched creativity left an indelible mark on the electronic music scene. Though we tragically lost Avicii in 2018, his legacy continues to inspire fans and artists alike. His music, including ‘Hey Brother’ and his posthumous album ‘TIM’, remains a powerful reminder of his genius and the profound emotional connection he built with listeners around the world.

‘ITALO DISCO – Never Stop Dancing!’ will celebrate the Italian pioneers of the genre to its global success Continue reading...

The famed French electronic producer will headline fabric's Room 2 at a launch party for the mix in December Continue reading...

As the music industry continues to evolve, the road to success for independent artists seems to be getting even steeper. A new report published by Right Chord Music and Musosoup, "The Musician's Census 2024," highlights a series of hurdles that make navigating the path of an independent musician more difficult than ever. The Musician's Census is one of the most in-depth surveys of grassroots musicians. The global study gathered responses from 300 independent artists across 64 countries, and the trends that emerge paint a stark picture of an industry where getting paid, being heard and building a fanbase are becoming monumental tasks for musicians trying to stay financially afloat. One of the most alarming revelations of the data centers on payment. Nearly two-thirds of respondents admitted they aren't fully aware if they are receiving the full extent of what they are owed, nor are they certain they aren't. It’s a baffling reality that leaves musicians questioning how they can sustain their careers when financial transparency is often elusive. Another overwhelming challenge, the report suggests, is the sheer difficulty of gaining exposure. A staggering 54% of musicians said getting their music heard is their biggest hurdle. Market over-saturation was cited as a one major factor, with the constant flood of new releases making it nearly impossible to stand out along with the proliferation of AI-generated music. Ultimately, 68% of respondents agreed that the path of an independent musician is "tougher than ever," underscoring the mounting obstacles in the bedrock of today’s music industry. You can read and download the full report here.