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We sat down with B Jones backstage after her set on the Mainstage at Tomorrowland during Weekend Two. During this interview we chat about what it was like to receive so much support before and during her set, the road to Tomorrowland Brazil, and lastly a special message to her fans. So yesterday you played the mainstage at Tomorrowland, not only the mainstage, but you had hundreds I don’t know how many hundreds of Spanish fans flags and a meet up before your set. What did it feel like to play for that crowd? The support of my country, it’s the biggest gift I can have in the whole world. I worked really hard on the set at Tomorrowland and for the last thirty years in my career and I feel that my country supports me and you could feel that during my set. We were there and it was it was crazy, it was amazing. Such good energy. What do you think makes Tomorrowland a special festival? What sets it apart from all the other festivals you’ve been to or played at in the world? Tomorrowland is not a normal festival, you can feel the energy when you’re inside the festival it’s everything is complete perfectly, the stage, the artists, the mainstage is crazy, but it’s also the people that come here every year, it’s the Tomorrowland family. You feel amazing. Next up you have Tomorrowland Brazil. Can you tell us a little bit about that and what are you preparing for your set? Are you expecting so many Spanish people to come as well? Because that is kind of far. It is really far, but really Brazilian people have the same passion. I feel completely at home in Brazil. There might not be that many Spanish people there but there will be people from Brazil, Argentina, a lot of people, and a great crowd. I didn’t start yet to prepare my set because I will start Monday when I arrive in Brazil. How much time goes into preparing for these sets? It’s not like I will go to the studio but you know, for me Tomorrowland is like one dream. All of Tomorrowland is a dream, Tomorrowland Brazil, Tomorrowland Winter, I love listening to the music, checking my set times, I dedicate some days to decide my outfit. When I arrive on the Monday, I’ll start to think about how my experience at Tomorrowland will be, what I can give differently because I love to be different every time. I want to always improve, always do better. I will listen to Brazilian music as well. Last year, I saw your set at Crystal Garden weekend one, but this year I got to see you on the Main Stage for weekend two. Where you prefer to play? Do you prefer the smaller stages or the big Mainstage? The Mainstage, I love it. The view from the DJ booth where you see all the people, its amazing. But any stage at Tomorrowland, I would love to play at. Final question. You have so many fans, do you have a message want to shout out to the fans all over the world? Thank you so much for supporting me and for understanding my vision of my Mainstage set. I always try to do something with big personality. Thank you for supporting me and I hope you join me at any club or any festival in the world and we can enjoy it together.

It marks the third single to be released from his forthcoming album, ‘In Waves’ Continue reading...

Amsterdam Dance Event (ADE) and G-STAR introduce the new 2024 edition of the rave-friendly bag. This multi-purpose accessory, with a built-in messenger bag, is as versatile as the ADE Pro Pass, as it is suited for the ADE Pro Conference by day and the hundreds of ADE events by night. https://electric-mode.co.uk/wp-content/uploads/2024/08/03_CARISTAxADE_30FPS_FINAL_001.mp4 G-STAR is known for its contemporary designs and innovative outlook on fashion. The denim brand returns as the creator and supplier of the official ADE Pro 2024 Backpack, with a design that shows the company’s sustainable and creative values at the core. Wear the backpack on the go from one panel to another session, or take the built-in messenger bag off when you get ready to dive into Amsterdam’s best events. G-STAR has been a partner of ADE since 2019, and organised some much-discussed events. From a rave under the Rijksmuseum to an exhibition with legendary Berghain bouncer Sven Marquardt. Next to that, G-STAR’s HQ, RAWFACTORY, is once again the exclusive home of Audio Obscura during ADE. CARISTA This year, G-STAR teams up with DJ and label head CARISTA as the face of the new ADE backpack. The Dutch artist runs her own label, United Identities, while playing multiple shows every week. CARISTA’s stardom reaches far beyond Amsterdam, but her schedule always allows a free spot for ADE in October, staying true to her roots. CARISTA will bring her best and most frequently sought-after tracks to the RAWFACTORY this year on Thursday, 17 October. Join the club The ADE x G-STAR backpack is an ADE Pro Pass exclusive and included with the five-day ADE ticket. Along with the 2-in-1 bag, the Pro Pass grants access to the entire ADE Conference and all its tracks, plus the upgraded business hubs, the matchmaking hub, networking events, exclusive live performances, and Festival events. Join the club of the lucky few by securing the ADE Pro Pass and wear the ADE x G-STAR backpack to Amsterdam Dance Event to join the club of music professionals. The fashion brand has more in store for those who can’t secure a Pro Pass, which will later be revealed. About ADE The Amsterdam Dance Event (ADE), an initiative of BumaStemra, has grown into the world’s largest and most influential club-based festival and conference for electronic music. The event continues to grow and develop each year, with last year’s edition featuring over 3,000 artists and 600 speakers in more than 200 venues. The five-day event attracts visitors from over 150 countries and features every conceivable aspect of electronic music culture, with dedicated conference programming, an extensive arts & culture program, live music and DJ/artist performances, all spread across the city of Amsterdam. About G-STAR G-STAR is dedicated to the cloth, the craft and the culture of denim since 1989. It has a unique position as a progressive denim brand, creating the future of denim. G-STAR is driven by creativity, constantly turning ideas into denim, while consistently following their own distinctive path. The premium denim brand operates worldwide with a focus on the United States, Europe, Japan and South Africa. The brand has been working for decades with true originals such as Pharrell Williams, Marc Newson, Stephen Jones, Burna Boy, Maarten Baas, Cara Delevingne, Snoop Dogg, Anton Corbijn, Walter Van Beirendonck and Rem Koolhaas. Amsterdam Dance Event 16-20 October 2024 www.amsterdam-dance-event.nl The post Amsterdam Dance Event Reveals The New ADE x G-STAR 2024 Backpack appeared first on Electic Mode.

Tomorrowland 2024 is over. We can easily say that it has been one if not the best edition yet. We have covered the whole weekend 2 on Instagram so, you may have a look at our behind the scene. More contents are scheduled to come out here and on our social media but, in the meantime let’s analyze what happened in these two weeks. First of all, Tomorrowland has released the majority of the sets (yes, we know, some of them are still missing) on YouTube and Apple Music. If you have missed a performance during the weekend or want to rewatch, you now know where to go. A lot of new artists and old friends played this year Tomorrowland. We can’t surely not mention the return of the Swedish House Mafia, 12 years after their last show. Afterlife has brought its famous party at the Freedom stage during both weekends. Anyma debuted on the main stage as well. Keinemusik also debuted at Tomorrowland 2024. They packed the Crystal Garden during weekend 1 and delivered one of my favorite sets during weekend 2, on the main stage. They played the sunset slow and the weather didn’t disappoint with the sun going down and the orange color lighting up the festival ground. So, what? What are the 10 most played songs of Tomorrowland 2024? On weekend 1 KAAZE’s single ‘Papi’ featuring Alina Pozi reached the highest spot on the chart. Surely not a surprise the three following songs with Argy & Omnya ‘Aria’, Sebastian Ingrosso & Steve Angello ‘Reload’ and Swedish House Mafia ft. John Martin ‘Don’t You Worry Child’. KAAZE ft. Alina Pozi – Papi Argy & Omnya – Aria Sebastian Ingrosso & Steve Angello – Reload Swedish House Mafia ft. John Martin – Don’t You Worry Child Marlon Hoffstadt aka DJ Daddy Trance – It’s That Time Gotye ft. Kimbra – Somebody That I Used To Know (SIDEPIECE edit) Adam Port, Keinemusik, Stryv, Malachiii – Move Chase & Status & Bou ft. Trigga & IRAH & Flowdan & Takura – Baddadan Dimitri Vegas & Like Mike & Tiësto & W&W ft. Dido – Thank You (Not So Bad) DJ Tomcraft – Loneliness On weekend 2, things were mixed with Adam Port, Keinemusik, Stryv, Malachiii ‘Move’ claiming the first position. A lot of remixes, besides the original mix, have bene played including the Anyma & Cassian Remix and the Victor Garde Remix. Sebastian Ingrosso & Steve Angello ‘Reload’ and Swedish House Mafia ft. John Martin ‘Don’t You Worry Child’ both climbed a spot positioning as the second and third most played songs. The new entry on weekend 2 is RÜFÜS DU SOL ‘Innerbloom’ in the PACS Remix. Adam Port, Keinemusik, Stryv, Malachiii – Move (Original + Anyma & Cassian Remix + Victor Garde Remix) Sebastian Ingrosso & Steve Angello – Reload Swedish House Mafia ft. John Martin – Don’t You Worry Child Marlon Hoffstadt aka DJ Daddy Trance – It’s That Time Chase & Status & Bou ft. Trigga & IRAH & Flowdan & Takura – Baddadan RÜFÜS DU SOL – Innerbloom (PACS Remix) Argy & Omnya – Aria John Summit, Hayla – Where You Are KAAZE Ft Alina Pozi – Papi Alok, Innerverse, Frey – Allein Allein The post The 10 most played songs of Tomorrowland 2024 appeared first on The Groove Cartel.

Tributes are flooding in for the “godfather of breakbeat," who helped to popularise jungle and drum 'n' bass in the '90s Continue reading...

Denver-based bass music powerhouse Midnight Tyrannosaurus is set to unleash his groundbreaking concept EP, “Life of a Street Rat,” on July 17. This 14-track opus is more than just a collection of hard-hitting dubstep; it’s a fully realized universe brought to life through music, animation, and storytelling. “Life of a Street Rat” serves as the first chapter in a larger narrative, promising fans a multi-dimensional experience. With over a decade in the scene, Midnight Tyrannosaurus has established himself as a pioneering figure in modern bass music. Known for his earth-shaking drops, eerie atmospheres, and primal energy, he’s now pushing the boundaries of the genre by integrating complete storylines and visual accompaniments into his work. But the innovation doesn’t stop there. Mid-tour, fans can look forward to a 20-minute animated episode that will dive deeper into the “Life of a Street Rat” storyline. Complete with character sketches and professional voice actors, this visual component aims to bridge the gap between cartoons and dubstep in a way never seen before. As Midnight Tyrannosaurus explains, “The whole idea behind these last few releases is trying to bridge the gap between cartoons and dubstep. To tell a cohesive, digestible story that takes the listener on an audio journey utilizing dubstep as an anchor. Like an audiobook on crack. Then, when combined with animated visuals, it becomes a mini-movie with a musical focus.” To support this ambitious project, Midnight Tyrannosaurus will embark on a 30-date North American tour starting August 29. The tour promises to be a live cinematic and audio experience, further expanding on the EP’s universe. As “Life of a Street Rat” drops and the tour approaches, fans can prepare to be transported into a gritty yet enthralling realm where dubstep and storytelling collide in an unprecedented audio-visual experience. The post Midnight Tyrannosaurus drops monstrous 14-track dubstep EP – ‘Life of a Street Rat’ appeared first on Dancing Astronaut.

Austin-based electronic duo BeenWell have emerged as a refreshing force in the EDM scene with their latest single “real real love.” The track, a seamless blend of Deep House, House, and Lofi House, showcases the duo’s ability to craft atmospheric soundscapes that are both hypnotic and accessible. Ben Payton and William Duvall, the masterminds behind BeenWell, have been collaborating since their serendipitous meeting in a barbershop back in 2020. Their journey from experimental beat-makers to boundary-pushing EDM artists is evident in the polished production of “real real love.” What sets the single apart is its unique creation process. Leaving the traditional studio environment, BeenWell opted for an outdoor recording session at Austin’s Camp East garden. This unconventional approach infuses the track with an organic freshness that’s palpable in every beat. The result is a chill dance track that effortlessly marries hypnotic rhythms with catchy vocals, creating a sonic experience that’s both grounding and elevating. Perhaps most impressive is the efficiency with which BeenWell brought “real real love” to life. The entire process of creation, mixing, and mastering was completed in a matter of hours, a testament to the duo’s synergy and creative flow. This rapid turnaround, however, doesn’t compromise the quality of the final product. “real real love” is a track that not only showcases their technical prowess but also their willingness to experiment with genres in the process. The post BeenWell bring organic touches to deep house on ‘real real love’ appeared first on Dancing Astronaut.

Able Grey is a multifaceted DJ/producer and the driving force behind Chicago’s EX MEDIAS music collective and label. His unique approach to music creation and performance blends various genres, resulting in a sound that captivates diverse audiences. Armed with an electronic drum pad and MIDI controller, Grey crafts a dynamic live experience that seamlessly integrates edits, mashups, original compositions, and remixes. Grey’s latest project, ‘The Eternal Cycle EP,’ showcases his evolution as an artist. Teased through singles like “Beauty Fades” and “Fatal Love,” this EP is a genre-defying journey that explores life’s cyclical nature and the vastness of the universe. Born from an unexpected collaboration, the EP blends melodic bass and dubstep with raw, emotive energy, creating a deeply personal yet universally relatable experience. “I’m constantly trying to push myself to be more and do more than I think is possible,” Grey explains. This EP embodies his philosophy, telling a story of growth and exploration beyond comfort zones. It’s a reflection on the eternal cycle we all participate in – one that transcends individual lives and continues long after we’re gone. The post Able Grey concludes sonic self-discovery on ‘The Eternal Cycle’ EP appeared first on Dancing Astronaut.

Amsterdam Dance Event (ADE) is coming back this October for the 2024 edition. With that, they also announced the ADE 2024 backpack. If you have ever gone to ADE, you know that’s not only rave and partying. During the day, conferences, pop-ups, meetings, and more are held all around the city. This means you need to move from point to point in an efficient and easy way. Most of the time, we have to bring with us a laptop, headphones, and maybe some light gear to attend a masterclass. If you’re like me, chances are you have a camera with a couple of lenses, action-cams, and similar. All this stuff needs space and must be carried around in the most comfortable and efficient way possible. This is where G-STAR comes to help, in collaboration with ADE. Amsterdam Dance Event (ADE) and G-STAR introduce the new 2024 edition of the rave-friendly bag. This is a multi-purpose accessory with a built-in messenger bag. Its versatility is comparable to the ADE Pro Pass, as it is suited for the ADE Pro Conference daily and the hundreds of ADE events by night. But, let’s have a look at the company behind it. Who’s G-STAR? The ADE 2024 backpack by Mikah de Wolf G-STAR is known for its contemporary designs and innovative outlook on fashion. This shows the company’s sustainable and creative values at the core. G-STAR has been a partner of ADE since 2019 and organized some much-discussed events. We can’t forget the rave under the Rijksmuseum or the exhibition with legendary Berghain bouncer Sven Marquardt. Next to that, G-STAR’s HQ, RAWFACTORY, is once again the exclusive home of Audio Obscura during ADE. This year, G-STAR teams up with DJ and label head CARISTA as the face of the new ADE backpack. She will bring her best and most frequently sought-after tracks to the RAWFACTORY this year on Thursday, 17 October. How to get the ADE 2024 backpack? The ADE x G-STAR backpack is an ADE Pro Pass exclusive. It is included with the five-day ADE ticket. Along with the 2-in-1 bag, the Pro Pass grants access to the entire ADE Conference and all its tracks. It also features upgraded business hubs, the matchmaking hub, networking events, exclusive live performances, and Festival events. The post Carry Everything You Need with the ADE x G-STAR 2024 Backpack appeared first on The Groove Cartel.

Judges ruled that the musician, along with three co-accused, should not face retrial for murder Continue reading...

“Our Goodbye” by radio artist TATE SEDAR and emerging singer-songwriter Liv Kennedy takes the classic breakup song and flips it on its head, delivering a fresh, upbeat, and summer-ready anthem. The track stands as a testament to their enduring friendship, combining Kennedy’s signature lyricism with SEDAR’s distinctive post-EDM production—a blend of analog and digital sounds that defies the conventions of both love songs and the modern electronic-pop landscape. The duo’s collaboration traces back to their college days at Syracuse University, where they shared mutual friends but only discovered their musical chemistry after graduation. SEDAR only recognized Kennedy’s unique vocal talent when she began singing again during their senior year. The two reconnected in Los Angeles, where Kennedy returned after honing her songwriting skills in Nashville, and built the track around real-life romantic experiences that unfolded while they were apart. Despite the track’s origins in their post-college friendship, it reflects the broader dynamics of relationships and breakups. Kennedy’s introspective topline captures the essence of a breakup’s most challenging aspect: saying goodbye. Her evocative lyrics paint a picture of longing and the relatable complexities of modern dating. Meanwhile, SEDAR channels the cathartic realization of moving on from a failed romance with energetic, major-key drops. Inspired by the likes of Ke$ha, Taio Cruz, and Katy Perry, alongside the “golden age” of EDM (2010-2016), SEDAR pushes the boundaries of electronic and pop music by seamlessly integrating acoustic and digital elements. The track underwent a significant transformation from its initial somber, minor-key composition. SEDAR spent three years refining the instrumental to align with the song’s narrative rather than forcing the lyrics to fit a preconceived sound. This period of growth allowed SEDAR to solidify his post-EDM signature, showcased through the song’s hybrid soundscapes and thematic depth. As SEDAR reflects, “I feel like it was a track I was always supposed to make; it was meant to be.” The post TATE SEDAR & Liv Kennedy collab on dance pop single ‘Our Goodbye’ appeared first on Dancing Astronaut.

In May 2024, Spotify unveiled a rule change where free, ad-supported account users can only look up track lyrics for three times per month. It can be a very frustrating experience for music fans and may present a difficult task when it comes to choosing which songs wisely in regard to viewing lyrics. A couple months later, Spotify has reversed that route and the brand is now making lyrics free again for those accounts. Spotify now offers a preview of the lyrics and when tapping into the preview, it displays a banner ad with the option to dismiss. Afterwards, the account users can then see the lyrics scroll in real-time. Additionally, according to an article from Digital Music News, every lyric request from Spotify now appears with an advertising banner before displaying the real-time lyrics. For the Spotify ad-supported (free) account users, having the lyrics be free not only saves money but also allows more fans to experience the true emotions and feelings that come out from the tracks that they enjoy listening to. Additionally, the reversion also benefit music streaming giant since showing the ads still bring in revenue for them. The reversion comes a month after Spotify hiked premium subscription plans for the second time in a year when it increased from $10.99 to $11.99 per month. The post Spotify Makes Lyrics Free Again For Ad-Supported Accounts appeared first on EDMTunes.

On Friday, June 26th, Grammy-nominated artist Porter Robinson released his highly anticipated third studio album SMILE! via the MOM+POP label. The electro-house-turned-hyperpop artist released this album as a new piece of music that marks a new step in his vibrant career. With Porter Robinson unveiling SMILE! for his devoted fans, they will get to hear lots of references to modern artistry, internet culture, and also celebrity lifestyle. The magnificent producer also showcases his own dealings with fame currently through the tracks that he produced. Whether if one is nodding their heads in approval while listening to ‘Kitsune Maison Freestyle‘ or rocking out to ‘Russian Roulette’, each track has a unique flavor that proves why Porter Robinson remains one of dance music’s most innovative individuals, even with the new direction he is taking with his musical style. Click ‘Play’ below to stream SMILE! :D, another beautiful creation of Porter Robinson that shows that he is still making beautiful tracks for all to enjoy nonstop, no matter what genre he belongs in. Porter Robinson brings out the smiles in SMILE! The wonderful album also touches on a lot of crucial subjects in his life that have affected him and made him to become the artist and the person that he is, outside the stage and the recording studio. Whether if it is self-worth, social acceptance, or following expected norms, Porter Robinson shows through the music in SMILE! that no matter the difficulties he has faced, he has accomplished the goals that he has set. With the release of SMILE! :D, it looks like Porter Robinson is still on the right path to achieving more goals, especially with his colorful blend of hyperpop, alternative, pop punk, and indie-electronic. The 10-track album is also the perfect musical collection to have and enjoy while anticipating his upcoming album world tour. Porter Robinson will start his SMILE! World Tour, with his first stop being on August 29th in Boston and his last stop being in Dublin on March 10, 2025. Click on this link to view and purchase tickets for any of his tour stops in North America, Asia, and Europe. Additionally, there will be upcoming tour dates for Australia and South America to be announced soon too. Image Courtesy: Infamous PR / Porter RobinsonThe post Porter Robinson Unveils Highly-Anticipated ‘SMILE! :D’ appeared first on EDMTunes.

At Tomorrowland Hardwell took everyone on a journey back in time with his incredible throwback set featuring some of his classic tunes but one song caught everyone’s attention. To everyone’s surprise he played ‘Music Box’, his unreleased collaboration with Martin Garrix. This song is one of many great songs that Martin Garrix made that would unfortunately never get an official release so let’s have a look back at 5 of his best tracks that never got released. Rewind Repeat It (ft. Ed Sheeran) – Martin Garrix It’s shocking to think that a collaboration between these two powerhouses in music didn’t get to be released and has since been lost to time. The collab came along following Ed Sheeran hearing ‘Animals’ after it hit the charts in the UK. In the 2015 documentary ‘What We Started’, he would describe Garrix’s music as “weird” but in a good way and said was impressed by the Dutch DJs talents. This led to the idea for a collab which would come to life with the two getting together in the studio to create ‘Rewind Repeat It.’ The track would get its debut in 2015 at Ultra Music Festival sparking buzz and anticipation from the fans waiting for its release. Despite the star power behind the track and the adoration towards it from the fans, the track would never be released due to label issues following Garrix leaving Spinnin Records. Blue Flames – Martin Garrix, David Guetta Another monumental collaboration between two titans of the industry, ‘Blue Flames’ had the potential to be a massive hit with the talent behind it. The track was debuted by both Garrix and Guetta in 2015 at Ultra Music Festival with its sound being compared to that of Swedish House Mafia’s ‘Greyhound’, but unfortunately ‘Blue Flames’ would flame out and never see the light of day again. The reasoning behind its disappearance is unknown though people have come up with their own theories. Maybe the track just wasn’t strong enough, maybe it was too similar to ‘Greyhound’, or maybe Garrix and Guetta just fell out of love with the project. Thankfully they would collaborate again in the studio making some amazing tracks with “So Far Away” and “Like I Do.” Lockdown – Martin Garrix It would seem 2015 was an ill-fated year for a lot of Martin Garrix IDs as ‘Lockdown’ was another song that was debuted that year but would go no further. First being played at Sunburn Festival, ‘Lockdown’ captured the crowd with yet another one of Martin Garrix’s infectious melodies and some beautiful sound design. Although this is one of the Dutch DJs more forgotten about unreleased tracks due to it only playing out live once, it’s a song that had a lot of potential and it’s a shame that it was another track claimed by Garrix’s split with Spinnin Records. Although it didn’t get to hit streaming services, it did act as a foundation for his gradually building talents within progressive house which he is now a master in. Music Box – Martin Garrix, Hardwell This Big Room banger was unfortunately lost to Garrix’s split from Spinnin Records as well, but it gave everyone a taste of what Hardwell and Martin Garrix were capable of together. ‘Music Box’ would first appear at Tomorrowland in 2014 and would certainly make a bang with its thunderous kick and addictive melody captivating the crowd. It was an amazing meshing of styles between the two legendary DJs that promised so much but sadly wouldn’t be released. Despite this Hardwell and Garrix have remained good friends since and have both said that there’s always a possibility that they’ll get together in the studio again. Someone You Loved – Lewis Capaldi (Martin Garrix Remix) There’s no doubt that since Martin Garrix first played this track back in 2019 that it has become a fan favourite and is one of the highlights of his live sets with the energy going through the roof the moment it starts. It’s a masterful piece of progressive house that transforms the original song from a very sad and solemn tone to a truly ecstatic and joyful song that gets everyone jumping. Despite this, 5 years on from its debut it still hasn’t got an official release and it’s likely that it wont due to having to get the rights from Lewis Capaldi and his record company. As sad as it is for this song not to be available to blast through your speakers all the time, it is at least a track that Garrix still plays live so it’s not yet been forgotten.

Barkin is continuing his biggest year yet with his 4th release of 2024. Teaming up with UK Vocalist Gabi’el, ‘Hypnotic’ is a versatile Tech House track that will surely get crowds moving. Out on 2Dutch today! What begins as a tension-filled intro quickly sees energy rise into a groovy and powerful drop. Gabi’el dominates drop one with her hypnotizing vocals. She expertly pulls the listener in as Barkin sets the scene behind her driving the track forward. Bodies will be moving to ‘Hypnotic’ as Barkin delicately hints at what is to come. An ethereal break filled with Arps, drums, and more of Gabi’el’s luscious vocals sets the stage for the furious second drop. “How high can you turn it?” is the last thing before we are thrown into the thunderous drop filled with synth galore. A call-and-response drop keeps it interesting for the listener as the track evolves to its big finish. Barkin previously techno-infused “Damn I’m Feeling” and “Come With Me” earlier this year. Make sure to check out ‘Hypnotic’ below! The post Barkin Teams Up With Gabi’el For New Track ‘Hypnotic’ appeared first on EDMTunes.

Live Nation is being sued by the U.S. Department of Justice over antitrust allegations, with the DOJ claiming that the company’s merger with Ticketmaster created a monopoly that stifles competition. Now, Live Nation is pushing to move the lawsuit from New York to Washington DC. The company argues that the DC federal court should hear the case because this court handled matters related to the 2010 consent decree, which allowed the Live Nation and Ticketmaster merger. Represented by Latham & Watkins and Cravath Swaine & Moore, Live Nation and Ticketmaster insist that the DOJ’s allegations are tied to the consent decree’s effectiveness. The company denies claims of creating an illegal monopoly, calling the lawsuit baseless. They’re also trying to get parts of the case dismissed entirely. They argue that the DOJ and 16 states agreed to specific terms allowing the merger and shouldn’t be allowed to challenge it in a different venue now. The Trial Is Set For March 2, 2026 Live Nation wants access to all discovery files for key corporate officers, including antitrust expert Dan Wall and Kimberly Tobias, Live Nation’s SVP of Litigation. The DOJ, however, has concerns about confidentiality. Despite this, Live Nation insists its in-house legal team should have full access to all case details. The DOJ counters that Live Nation’s proposed restrictions are too lenient. Judge Arun Subramanian has proposed a two-tiered access system for documents to address these concerns. Judge Subramanian’s ruling aims to balance access while protecting confidential information about competitors. The deadline for both parties to finalize the specifics was set for July 25. If they can’t agree, the court will resolve the disputes based on their arguments. This lawsuit adds to ongoing scrutiny of Live Nation’s market dominance, especially after the Taylor Swift ticket sales controversy. Such high-profile incidents have brought more attention to Live Nation’s practices. Live Nation’s request to move the case is a strategic decision, believing the DC court is better suited to handle these issues. The outcome of this legal maneuver could significantly impact the case and it remains to be seen how the court will respond to this request. The post Live Nation Pushes For Venue Change In DOJ Lawsuit appeared first on EDMTunes.

Lightning In A Bottle has quickly become one of the best festivals in the U.S. What started as a boutique festival has grown to have more than 20,000 people attend. Many compare it to Shambhala with its laidback forest vibes and fantastic music selection. Unfortunately, this year’s edition which occurred back in May exposed its attendees to a life-threatening fungus. The California Department of Public Health (CDPH) said it is investigating a cluster of Valley Fever cases identified among attendees of the music festival Lightning in a Bottle in Buena Vista Lake. Five have been diagnosed with Valley Fever. Three of the infected have been hospitalized. The department stated: “Overall, cases of Valley fever in California have increased substantially over the last two years, so CDPH is asking attendees of this festival to complete a voluntary survey, even if they don’t have any symptoms.” It is caused by the fungus Coccidioides, which releases spores into the air when soil is disturbed and then are inhaled by people. There is no person-to-person transmission. One user took to Reddit to describe his symptoms. He was hospitalized with a severe lung infection and experienced fevers, aches, and a cough. It also caused a cavity (a hole) to form inside his right lung. Most people with the mild form of Valley Fever will not realize they have the illness because of its symptoms — fatigue, cough, fever, aching muscles, and breathlessness. It mimics a respiratory virus infection. If it infects the membranes and fluid around the brain it can cause life-threatening meningitis. There is no proven treatment for Valley Fever and patients are usually prescribed rest and given therapies to manage symptoms. It remains unclear if Lightning In A Bottle will relocate if the problem becomes worse in the future. The post Lightning In A Bottle Hit With Fever Outbreak And Deadly Fungus appeared first on EDMTunes.

The Manchester-based promoter has joined forces with Azyr, Rebekah and The Loop to ensure the well-being of festival-goers Continue reading...

The concrete heart of New York City is about to beat to a very different rhythm, thanks to We Belong Here. The Miami-based electronic music event organizer recently announced an ambitious New York City festival, a rare event taking place at the iconic Wollman skating rink in Central Park. Scheduled for October 4-6, it's the first time We Belong Here is bringing its renowned boutique festival experience and signature 360° stage to the City That Never Sleeps. Trading blades for bass, the frozen oasis of the Wollman Rink will essentially transform into an open-air house music haven. For three days, the rink will shed its winter skin and cook to the sounds of its superstar headliners, Kaskade, FISHER and Monolink, all of whom are making their Central Park debut. "I cannot overstate how excited I am to play We Belong Here in Central Park," Kaskade said in a statement. "New York City has always set the bar for the most iconic locations possible. The idea of me playing in Central Park in the shadow of the city I love so much is definitely a high, and I'm looking forward to that beautiful park and energy that only lives in NYC." View the original article to see embedded media. "Our intention is to create truly one-of-a-kind experiences by bringing world-class artists to beautiful and historic locations," added Justin Dauman, Co-Founder of We Belong Here. "To see FISHER, Monolink and Kaskade perform in Central Park is something we dreamed of as dance music fans. Now, with an amazing team, we are able to bring it to life for the people of New York and the greater community of music lovers to enjoy together." EDM.com has joined forces with We Belong Here for a special ticket giveaway ahead of the rare festival in Central Park. Read on to discover how to enter. EDM.com & We Belong Here 2024 Central Park Festival at Wollman Rink NYC2x full-weekend Gold PassesTo enter the giveaway, follow @webelonghere.world and @edm on Instagram, and tag at least three friends in separate comments on the post below (1 entry per comment, unlimited entries allowed)⁠. Share the post in an Instagram Story and tag @edm for a bonus entry. Entrants must be over the age of 21. The contest ends at 11:59pm ET on Friday, August 30th, 2024.⁠ The winner will be announced in a comment and alerted via our Instagram in the days following. View the original article to see embedded media. Passes will be available to pre-sale registrants starting Friday, August 2nd at 12pm ET. Tickets will then release to the general public on Tuesday, August 6th at the same time. Follow We Belong Here:Instagram: instagram.com/webelonghere.world TikTok: tiktok.com/@webelonghere.world YouTube: youtube.com/webelonghere-world Facebook: bit.ly/3ZZRunZ

After five people were diagnosed with Valley fever following the 2024 Lightning in a Bottle festival, the California Department of Public Health (CDPH) has encouraged attendees to seek medical attention if they too are experiencing symptoms. Valley fever is a fungal infection typically caused by inhaling spores that are kicked up to the surface from the soil. The infection can cause respiratory symptoms like fever, cough, fatigue, shortness of breath, and more. Three of the five attendees diagnosed following Lightning in a Bottle, which took place May 22-27, were hospitalized, KTLA reported. In a statement, the festival's organizers said the CDPH had warned them of a potential "large increase in 2024 cases [of Valley fever] due to wet weather" and they're working with the state department to develop preemptive measures against it. "We prioritize the health and safety of all our patrons and are in communication with the California Department of Public Health and Kern County Public Health Department to learn more about Valley fever," the statement reads, "and any preventative measures we can take to reduce Valley fever risk for future festival events, and to make information available to this year’s attendees." It's also worth noting that Valley fever is not contagious, per the CDPH, so attendees do not have to worry about spreading the infection should they experience symptoms. The organization has launched an online survey to gather more information.

The 15,000-capacity event is set to run across Halloween weekend Continue reading...

ULTRA Europe has announced its return to Park Mladeži for the 11th edition, set to take place from July 11 to 13, 2025 ULTRA EUROPE RECAP ULTRA Europe 2025 tickets on sale now ULTRA Europe, Europe’s Premier Destination Music Festival, celebrated its milestone tenth edition in July, welcoming more than 145,000 visitors from over 140 countries. This means ULTRA Europe continues to hold the title of the largest international music event in Croatia, and is one of the most successful festivals in this part of Europe. This figure includes the cumulative number of visitors over the three days of the main event at Split’s Park Mladeži, as well as all visitors to the Destination ULTRA concept, which spans three locations and four parties. Additionally, this number includes all attendees of the large ULTRA camp in Omiš, and those who enjoyed one of the numerous boat parties. Out of the 140 countries represented, Croatian Ultranauts made up the largest portion of the crowd for the first time in the festival’s history, followed by visitors from Spain, the USA, Australia, the UK, France, Germany, Poland, Norway, Sweden, and Italy. Guests from all European Union countries attended the event, and the largest growth in visitors was noted from Asia. Additionally, visitors to this milestone edition also came from distant, exotic countries such as Tanzania, Costa Rica, Ivory Coast, Namibia, Kenya, and Panama. More than 200 DJs from around the world performed at ULTRA Europe 2024 for the 10th anniversary. ULTRA Europe’s Main Stage featured stadium-smashing performances from headliners like Hardwell, Armin van Buuren, Axwell Martin Garrix, W&W, Timmy Trumpet, DJ Snake, Afrojack, Alison Wonderland, and more. Boasting a intricate stage design, ULTRA Europe’s RESISTANCE stage hosted world-renowned acts such as Adam Beyer, Eric Prydz, Camelphat, Boris Brejcha, Deborah de Luca, and more to showcase elite house and techno performances. The stages were also graced by the ULTRA Angels dance team, with participants from Croatia, Serbia, the Netherlands, Argentina, and the USA. The festival was covered by over 250 accredited domestic and international journalists, and official social media channels recorded more than 8 million unique impressions that reaffirm ULTRA Europe’s status. The festival also boasts the largest number of VIP suites compared to other events of this type around the world. Each festival evening hosted over 5,000 loyal VIP guests who arrived in Split on more than 60 private jets. The ULTRA Europe maritime fleet was comprised 7 cruise ships and over 200 sailboats. Every day, by 10 a.m., the City Cleanliness Department fully prepared Park Mladeži Stadium for the new spectacle, while security measures remained at the highest possible level. To ensure the festival’s organization was of the highest standard, over 3,000 people were involved and the setup, execution, and dismantling of the festival at Park Mladeži took exactly one month from June 24 to July 24 after equipment arrived in 150 trucks. ULTRA Europe makes use of all of Croatia’s tourism offerings by allowing attendees to journey across island destinations Brač, Hvar, and Vis. Destination ULTRA Europe is a unique love affair between Croatian islands and electronic dance music, whose special magic has touched the hearts of thousands of visitors from all over the world. This concept offers an ideal combination of extraordinary experiences for the senses, across three unique locations with four party stations. The first stop this year was Brač, where music enthusiasts were greeted with an unforgettable dance night at the Regatta party at 585 Club in Bol, featuring headliners Lucas & Steve. REGATTA RECAP REEL Next up was a double header at Hvar’s picturesque Carpe Diem Beach Club, commencing with the electro-fueled ULTRA Beach Hvar day party that hosted energetic headlining performances from Jonas Blue, Sam Feldt, and Tchami. Shortly after, RESISTANCE Hvar kicked off the evening, featuring underground grooves by MASSANO and KASIA. The final night concluded with the RESISTANCE Vis Destination ULTRA Closing Party at one of the most exclusive locations in the Mediterranean, Fort George, which was soundtracked by KOROLOVA. Like a personalized tour guide, ULTRA indirectly invites its visitors to explore other places such as Dubrovnik, Krka Waterfalls, and Plitvice Lakes, with guests staying in Croatia for an average of about seven nights. Through the synergy of music, entertainment, and tourism, ULTRA Europe has permanently placed Split and the Split-Dalmatia region on the map of the world’s most desirable destinations. Next year’s edition of ULTRA Europe, will take place from July 11th to 13th, 2025, as the festival enters a new decade of cultivating electronic music magic in Croatia. The first tickets have been released for sale on the festival’s official website, and are available in limited quantities. The price for a three-day festival ticket is €159, while VIP tickets are priced at €359. All those who were unable to attend ULTRA and enjoy the performances of the world’s best DJs can listen to this year’s performers on the official YouTube channel. Additionally, by the end of the year, the official aftermovie about the milestone tenth edition of Croatia’s largest electronic music festival will also be available on the channel. More information about ULTRA Europe can be found on the official website page, Facebook, Twitter and Instagram pages. The post ULTRA Europe Celebrates 10th Anniversary With More Than 145,000 Attendees From 140 Countries appeared first on Electic Mode.

After his well-reviewed first single “Jealous” in 2023, Mochakk comes back to CircoLoco Records. This time he presents a lively 6-track dual EP called “Locomotiva Ibiza 2099.” The first part of the collection, called “Locomotiva Ibiza 2099 I,” came out on July 26th. It has a title track that is surprisingly slow and features VTSS. The Polish artist, who is known for her hard techno sound, gives us a nice change of pace with twinkling synths and a speed just above 125 bpm on her first collaboration with Mochakk. Mochakk’s single track on the EP, “The Line,” comes next. It has a slow house beat with blazing snares and an irresistible synth line. This is one of Mochakk’s first releases with his own vocals, which could be the start of a new creative phase. The dominant vocal hook flows into the beat so smoothly that it guides the listener’s movements. “Locomotiva Ibiza 2099 (Dub Mix)” is the last track on the EP. It’s a stripped-down but powerful version of the original. The second chapter of Locomotive Ibiza 2099 will be released this September The second EP, “Locomotiva Ibiza 2099 II,” with three strong tracks, is set to come out on September 6th. The first song is called “No Boys Allowed,” and it features Canadian rapper Tommy Genesis. She has worked with JPEGMAFIA and Charli XCX before. Her soft voice blends hypnotically with Mochakk’s production, going well with the low-slung bassline, chugging kick drums, and drifting synth melody. The next song is “Estribeira,” which features Artisian, a fellow Brazilian singer and good friend. This simple track is built more directly for the dancefloor. It includes voice and siren samples, heavy kick drums, and a punchy baseline. It’s a simple DJ tool that has been used a lot in Mochakk’s sets and is now being shown to everyone. “No Boys Allowed (Street Mix)” is the last track on the EP. It has a darker vibe than the previous track, which is more upbeat. Tommy Genesis’ words are added to this slower mix. The “Street Mix” has a bit more bass and features very sharp snare drums and hi-hats, which are a tribute to Mochakk’s deep love of bass. The post Mochakk + CircoLoco Records = Locomotiva Ibiza 2099 appeared first on The Groove Cartel.

The club owner and DJ was sentenced last week after pleading guilty to conspiring to supply Class A drugs Continue reading...

Tantok’s 39th release, “Paradox,” a collaboration with Ukrainian producer Lucky Choice. The dry beats start off somewhat muffled, and a layer of groove is added to the experience. The track progressively ascends, and just after a minute, its atmosphere fully reveals itself, transitioning into the second half with an epic vocal that kicks off a club-ready, immersive vibe that follows. “Paradox” is a testament to the seamless collaboration driven by their mutual admiration for Miss Monique and her ability to enchant listeners with smooth melodic techno. Lucky Choice initiated the instrumental, which underwent a collaborative process of back-and-forth refinements with Tantok, culminating in a polished mix/master by Head Studios. It’s the second official collaboration between Lucky Choice & Tantok. Lucky Choice lives in Ukraine, and Tantok lives in Denver. The two producers met through their mutual label, Digital Empire Records in 2020, and connected as producers and friends through the power of the internet. Tantok’s live performances are as compelling as his recorded tracks. His recent appearance alongside Mat Zo at The Church in Denver showcased his skill in captivating live audiences, further solidifying his reputation in the electronic music scene. Notable past performances include his show with Golden Features at Club Vinyl, and international gigs at the Amsterdam Dance Event and the International Music Summit in Ibiza. Tantok’s discography is diverse, with notable tracks like “Berlin” on Jendex Records, and Help Me Feel” on Blanco Y Nero Music. His ability to infuse his music with his background as a bassist and his appreciation for Latin culture sets him apart in the electronic music landscape. His upcoming Spanish track, “Quiero Bailar,” promises to add another dimension to his portfolio, blending Latin tech house with mariachi trumpet elements. With “Paradox” already making waves, Tantok’s next release, “Quiero Bailar,” is set to drop on August 16th under Enormous Tunes’ sub-label No Definition. This track, featuring seductive vocals by Alejandra Guerra, promises to be a Latin tech house sensation, further showcasing Tantok’s versatility and innovative spirit below that helmet. Released under the Barcelona-based label Clippers Sounds, “Paradox” is available on all digital platforms and for DJs on Beatport. For more information about Tantok and his music, visit tantok.com and follow him on Instagram at @tantokhouse. “Paradox” is available for download here. The post Listen to Paradox: Tantok’s Collab With Lucky Choice appeared first on Electic Mode.