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After starting Relentless Beats in 1996, Thomas Turner has become the leading events organizer in Arizona, organizing the biggest festivals such as Decadence, Super Unnatural, Pheonix Lights just to name a few, and produces 400-500 shows a year. With other 20 years+ in the industry, he decided to take his expertise in the space to start East Meets West in January 2023 alongside partners Max Rosoff and Kevin Mitchell. And since then, they have been bringing bespoke experiences to the New York City dance music scene, hosting Anjunabeats at Pier 17, Tchami at Angel Orensanz Foundation, and Gareth Emery at the Kings Theater to name a few. More recently, Thomas and his company presented Chris Lake’s Black Book Takeover as a doubleheader at the Brooklyn Army Terminal which is an unique open air venue with a picturesque waterfront view where both nights had a stunning 9000+ in attendance. EMW continues to shake up the market with novel experiences for both artists and fans alike, with their most recent announcement being Brownie & Lemonades taking place at Under the K Bridge. I had the opportunity to speak with Thomas during the weekend to hear his insights on running Relentless Beats, EMW, and the planning involved for the massive weekend with Chris Lake. photo credits:: @jpeg_eric You founded Relentless Beats in 1996 with a focus on dance music. What were the biggest challenges you faced in turning that passion project into a dominant force in the electronic music industry? Thomas: Early on, when I started doing dance music, it was very subculture. Back at that time, or early 2000’s, dance music was not mainstream yet and most college kids weren’t interested in dance music. So, it was very challenging to stick with the passion project of dance music, when it was a subculture up until 2006-2008, when the EDM boom really happened. And then for guys like me, who had been doing electronic music for 10 years, it was an opportunity to grow a company, hire employees, and expand because it had actually become a commodity that more people are interested in. To follow up on that, how did the Arizona market affect the growth in your company? Thomas: If you go back to the 90s, I was a DJ in Arizona, and I was playing with the likes of Richie Hawtin and Carl Cox at Pompeii in Tempe. As a DJ and contributor in that way, I learned a lot about the scene and industry. Then the club owner named Steve Kusher that I played for about five years moved on to start a company called Mindful for Magazine. He would move on, vacate the space and it gave an opportunity for me to become a promoter in my market unobstructed by politics. And I’ve been the main provider for electronic music ever since in Arizona, and over the past 10 years, spread our wings into various other markets, developed many music festivals and special events, and produce between 400-500 events a year now. You started EMW Presents in January 2023. What were some of the steps that you had to take in order to start launching and promoting events in New York City? Thomas: The team that I work with as partners on this project, are people that I’ve been peers with and friends with for a long time and there was a lot of conversations around some other entities that we might have partnered with or purchased here in New York. Those were exciting conversations and when it became clear that those things weren’t going to come to fruition, we still had a passion to start a company together. We saw an opportunity to work together and advertise each other in this business and so I had a chance to make a difference for those guys by creating a bridge for them. So I told them I was starting a company and bringing them on as partners which led to the start of East Meets West. EMW seems to have a focus on using unconventional venues for dance music events. What initially drew you to this approach? Thomas: This was an opportunity to do something from the start with all the experience that we have on the team from so many years of producing events. When I started my companies, we started those doing our absolute best, doing the best we knew how. But now we look through different lenses of experience, and we can do things the way we want. We’re looking for bespoke opportunities and venues to produce events that can identify us as a producer to watch, and a producer that can hopefully provide experiences that is at an elite level. That’s really the goal. So when you look at what we’re doing here, it’s a very expensive and unapproachable venue, typically. But we aim to change that and normalize something like this. A lot of the feedback that I’m getting in the market and artists is that they’re tremendously excited to do a show like this. Some of the phone calls we’ve had in the past couple days are the most important names in the game, and they want to play here, they want to do the show. So, the future looks really bright. How do you go about securing these more unconventional locations as venues? Thomas: We’ve worked with some of the city’s best lobbyists and if you’re new into the scene, you wouldn’t have the resources and you wouldn’t have the know how. Coming into this era of my career, it was part of the planning phase to hire lobbyists and to work with those people to help forge the right relationships with the right venues that might think that partnership with us is not conventional or doesn’t work. And through a lobbyist’s voice can say, you know what these guys are actually vetted and they would be good partner if you’re wanting to look at this and so that’s taken down some of the guard of some of the people that might have been harder to to get a relationship with sooner. Can you tell us a little more about all the planning and steps it put on this weekend’s event at the Brooklyn Army Terminal? Thomas: I’ve been promoting Chris Lake shows for about 20 years now, and I have a long extensive relationship with him, a very close relationship with his agency, his record label, his management, and produce a lot of great shows for Chris. So being in New York, and having this venue as something that I could pitch to him worked out. He wanted a new show and he wanted to have a bespoke experience for his fans. New York summer was a good time to interject something like this. Then having the venue willing to partner with me, and having the staff that I do to run events allowed me to say yes, in a time where it’s a little slower and hot in Phoenix and bring a lot of my staff out to execute an event perfectly. In a recent interview with Pollstar, it’s mentioned that you feel NYC could do with some more competition in the dance space, how do you believe EMW Presents can contribute to a positive evolution of the scene? Thomas: I believe that as a producer, you’ve got to go through your playbook and run all the shows that you have. But artists, managers, and agents are looking for something fresh, and something new to present their artist’s frame. And so I hope to be someone that can bring some different plays and some different looks. I’m not looking to dominate the market and be the only player. I think there’s a lot of great creatives in this market. I just want to be here and participate. I was looking for something a little bit more challenging at this point in my career, something that I could express my talents and all the experience that I have. In New York, at this transitionary time with everything in the market seemed like a good time to interject now that a lot of the main players that I respect and looked up to are not as active like they once were on the market. And so I stepped in during that time, so I could have the least friction with people being upset that I’m here because I’m here to make a positive difference. Within the event promotion space, what advice would you give to aspiring entrepreneurs in the music industry? Thomas: You can accomplish anything that you set your mind to if you put the work in. If you are good to the people that you asked to help you and you continually stay loyal to them and build as one unit, that unit can accomplish so much. Some of the promoters I even see in today’s day and age, lack the people skills within their own internal organizations to push their companies forward and I think that’s really where it start. If your team doesn’t have your back and your team is not there to deliver for you, you will have a really tough time delivering on your own. I’ve got Relentless Beats as my backbone and it’s carrying over to EMW. At Relentless Beats, we’re all family. We’re a community. People don’t just leave. This is a special thing that we’ve got and we aim to do the same thing at EMW. photo credits:: @jpeg_eric Are there specific types of genre events you’d like to explore beyond dance music? Thomas: I would like to apply all the knowledge that I have to the country music scene and create a festive party country music scene. I would like to build the classic rock scene because I grew up in that era and would love to be doing events with classic rock. Not as much of a market for that, but I thought about it my whole career., and so we will see. photo credits:: @jpeg_ericThe post EDMTunes Chats With Founder of Relentless Beats and EMW, Thomas Turner appeared first on EDMTunes.

The future of dubstep is actually hip-hop — and Kemal Berk Alkanat, better known as Tape B, is leading the charge. Known for flipping modern classics of hip-hop’s beloved “mixtape era” that defined the early 2010s (Mac Miller’s “Loud,” Wiz Khalifa’s “On My Level,” etc.), Tape B has become one of the hottest dubstep acts in North America. But how did a kid from Istanbul make his way to the top of the charts, and make a track with Juicy J? By combining two of his favorite things: nostalgic hip-hop music, and old-school dubstep. He has a clear vision for what he wants the Tape B project to be, and he chases that vision relentlessly. His fans love him for it; so much so that he recently sold out Denver’s Mission Ballroom in a matter of minutes. Not to mention a sold-out national tour in 2024, and millions of streams across Spotify and SoundCloud. But SoundCloud is where Tape B thrives. It’s where he releases the vast majority of his music, which consists of flips, remixes, hour-long mixes that he calls “CarTunes,” and his own mixtape series, “Driptapes” and “Vibe Check.” Because SoundCloud is where Tape B fell in love with music in the first place. It’s where many Millennials and Gen Z fell in love with music. And, in 2024, Tape B wants to remind us why. In this exclusive interview with UKF, the young star shares his origin story, his endearing connection to hip-hop’s mixtape era, his new track with Juicy J, and more. Your creative output is crazy. This year alone, you’ve already released two original tracks, two official remixes, Driptape Vol. 5 mixtape (with seven new flips) Vibe Check Vol. 2 (also with seven new flips), and the CarTunes Vol. 3 mix. How do you manage to release so much new music all the time? Is there a secret sauce to staying in the creative zone? There’s not really any secret sauce — I just love this shit. All I can think about is making music. Whenever I’m not making music, like even when I’m playing video games or whatever, I find myself wishing I was making music instead. I make music when I’m on tour too, and that’s cool, but nothing beats the feeling of sitting in my room, in front of my studio speakers, making new music. That’s my main hobby, and I love that so many people are ready to listen to my music whenever I drop something new. How much music do you make that never actually gets released? Dude… so much. I probably make between 5-10 songs a week, but i doubt anyone will ever hear 8 of those songs. I know I’m going to share a new song if it makes me giggle while I’m making it. Because, at the end of the day, music is about having fun. If I’m not giggling and having a great time, what’s the point? I’ll just trash it and move on to a new song. I think that’s another reason I release so much music, because if an idea doesn’t work, I’m good at moving on. That’s a great skill to have!” A big part of your catalog, and a part of what makes the Tape B project so special, is how you flip hip-hop tracks from the beloved ‘mixtape era’ that defined the early 2010s. Would you say the Tape B project is a byproduct of the mixtape era? Definitely, 100%. When I moved to Florida from Turkey when I was three years old, my parents only listened to Turkish music. Obviously, none of my new friends in America listened to that, and they kinda looked at me funny because the music was so different. But when I got a computer in 5th grade, I discovered YouTube and Vivo. That’s where I first fell in love with hip-hop, thanks to artists like Lil Wayne, Akon, T-Pain, and Young Jeezy. Hip-hop has been my favorite thing to listen to ever since. But when I started smoking weed in high school, that’s when I REALLY fell in love with it all. Those were the golden years of the mixtape era, when SoundCloud was at its absolute peak. You had Travis Scott’s Days Before Rodeo, Chance The Rapper’s Acid Rap, Flatbush Zombies’ Better Off Dead, and Black Hippy dropping hella tracks left and right. That era means so much to me. Honestly, whenever I think back to the happiest moments of my life, it’s really just smoking weed with my friends and listening to SoundCloud mixtapes while the hotbox fogged up our car. Literally, I couldn’t be happier than that. Do you have a favorite mixtape of all time? Days Before Rodeo by Travis Scott, for sure. I’ll never forget the first time I heard Travis Scott. Days Before Rodeo came across my SoundCloud one night when I was in highschool, and I clicked on it because the cover looked cool. But the music spoke to me — I stayed up all night listening to that mixtape over and over until the sun came up and I had to go to school. I was on such a high, I’ll never forget it. I was just thinking ‘There’s no way this exists.’ I was in awe the entire next day, too. I think that’s why people resonate with my remixes and hip-hop stuff. Because there are a million people out there that have a story just like that, discovering their favorite mixtape for the first time and being blown away. It’s fun to be reminded of those times, you know? So when did you discover EDM then? Was that also something you listened to growing up, or did you find that later? I would say I got into electronic music around 8th grade. I loved Glitch Mob and that kind of EDM. It was very ethereal and sort of lo-fi, but still UKF vibes. Honestly, I didn’t really realize it was ‘electronic music’ at the time. I just knew it sounded cool. But I actually discovered dubstep through anime music videos. I was super into anime, especially Dragon Ball Z and Naruto, and I would watch random YouTube videos of fight scenes from my favorite animes. At some point, they started incorporating dubstep in those videos. I went down a rabbit hole and eventually found all the UKF dubstep stuff, and the rest is history. Oh, and Amazing Lights gloving videos. I thought that stuff was so cool. All these years later, and you’ve managed to make a name for yourself by combining these two genres (EDM and dubstep) for some of the craziest tracks I’ve ever heard — including “Trippy Land,” your recent collaboration with Mersiv and Juicy J. How crazy is it you got to create a song with a legend like Juicy J? It’s so insane! Honestly, it still doesn’t feel real. When we sent the track over to Juicy J, we didn’t think they were going to reply… but a few hours after we sent it, his team hit us back like ‘Juicy J likes the tune, we’ll get you vocals.’ The next week, we got the verse. Within the month, the track was out. It all happened so fast. The whole time I was like ‘is this actually happening?’ The first time I heard Juicy J say ‘I’m rollin with the homies, Mersiv and Tape B,’ I thought I was dreaming. That dude is one of my idols. A top-five favorite rapper of all time for me. What does the name ‘Tape B’ mean, and how did you land on that name for the project? The name ‘Tape B’ actually goes way back for me. When I was in highschool, I drove a 2005 Volkswagen Passat, and the only way to use an aux cord was through a cassette tape. So, whenever I plugged in a cassette tape, the screen would light up and say ‘Tape B.’ I was hotboxing and freestyling with some friends one day and my homie was like ‘yo, you should be a rapper, and you should call yourself Tape B.’ I couldn’t really rap like that and it was kind of a joke, but I loved sharing music with my friends on SoundCloud, so I made my SoundCloud account Tape B. When I started producing music, it made sense to keep that name. Still, it took a while for me to really figure out what the Tape B project was. The first day I started producing music, I asked myself ‘Who is Tape B? What does Tape B sound like?’ and for years, I never knew what the answer was. Then, one day in 2020, I came back home from a set I played in Tampa that just wasn’t good. I was so frustrated with myself, and I just started going through a bunch of old tunes on UKF’s YouTube channel. All of a sudden, it clicked. I though ‘I love these songs so much, why don’t I just make shit like this?’ That night, I made three remixes to Eyes On Fire, For The Kill, and Gold Dust. That was the moment I finally knew the answer. I Finally knew exactly who Tape B was. I see the cassette tape in a lot of your branding — from your live visuals to your cover art. It’s funny, because in the intro to “Yo Tape B,” the narrator is talking about how people who were born after the cassette tape era still feel a connection to cassette tapes. So, I gotta ask: why the cassette tape? Do cassette tapes hold any special place in your heart? Not exactly — it’s more of the idea of what a cassette tape represents. Cassette tapes feel nostalgic. They represent a rewind in time, which is kind of what I’m aiming for with Tape B. A lot of the music I make and the songs I flip are nostalgic. Tape B is supposed to highlight an era of music that has kind of been forgotten about, but so many people have a connection to those tracks when they hear them. I love how you incorporate the cassette tape into your visuals, especially during your two-night run at the Ogden Theater last year. You’ll be doing another two-night run at Denver’s Mission Ballroom in November, which will be your biggest headline yet — plus, you sold out the first night in minutes! What should we expect from that show? It’s going to be crazy — when I did the Ogden Theater last year, I didn’t think I could get any bigger than that. When I stepped off that stage, I thought “Are we done? Is this it? Did I finish EDM?” Now, less than a year later, we’re doing two nights at Mission Ballroom, and it’s like… woah. I guess we’re not done yet. We’re going insane with production at Mission Ballroom. I want to throw the coolest show possible, and I’ll do whatever it takes to make that happen. I hope it’s the coolest show you’ve ever seen in there. Plus, the support is incredible — we’ve got Kill Safari and so many other sick legends and dope artists. I can’t wait. What else can fans look forward to this year? Dude… I’m sitting on way too much music right now. There’s a Ganja White Night collab in the works, and so many other collabs I don’t think I’m allowed to talk about yet. There are a few EPs I’m working on, but I don’t think I’m dropping an album any time soon. I know fans would love a Tape B album, but I think that’s something I need to put much more thought into. I want to work with a ton of musicians to craft my debut album, and it needs to be something really special. You can’t rush these things — that’s one of the most valuable lessons I’ve learned in life. Because every time I rush something, I fuck it up somehow. Or I realize that it wasn’t the right time, and I ask myself ‘Why did I do that? It would have been so much better if I waited and took my time.’ I feel like that’s something life has been trying to teach me for a while, and I’m trying to listen. I’m not in any rush. FOLLOW TAPE B: INSTAGRAM/TWITTER/SOUNDCLOUD

AlphaTheta announces the release of “The Evolution of Ibiza.” But what is it? “The Evolution of Ibiza: Can the White Isle retain its legendary magic?” is a new feature-length documentary exploring the evolution of the island’s club scene. Research conducted by AlphaTheta (Pioneer DJ parent company) found that more than 77%* of club-goers see Ibiza as a must-visit destination for clubbers. They also found out that over 63%* agree that nowhere else on Earth compares to the unique dance music culture found on the island. But how did Ibiza transform from a 60s hippy hangout to the world’s no. 1 party zone? And with prices higher than ever – for everything from flights, hotels, club tickets, and drinks, to living costs for the island’s workers – can Ibiza stay true to its roots and offer a sustainable scene that’s open to all? Or is the White Isle on course to become a luxury playground for only the richest party people? Covering different topics in “The Evolution of Ibiza,” there are producer/directors Dan Tait and Laurence Koe. They explored the impact of commercialization on this world-famous island. Insight comes from club promoters, locals, government officials, and DJs who’ve seen Ibiza evolve over several decades. You’ll see Carl Cox and Norman Cook, as well as artists such as Franky Wah and Chloe Caillet. With these new artists, there’s an interesting view of how they driving today’s scene without really having experienced what was before. 2022 and 2023 both saw extended summer seasons in Ibiza. Clubs, venues, and hotels sought to recoup the cost of Covid. Over 80%* of respondents to AlphaTheta’s survey said that if money was no object, they would consider visiting Ibiza for a holiday in the future. The question is: how long can it last? “The Evolution of Ibiza” seeks the answers. *Statistics are taken from an independent survey of 1,000 regular club-goers aged over 18, commissioned by AlphaTheta and conducted by Censuswide in June 2024. The post Watch in-depth documentary on the evolution of Ibiza’s club scene appeared first on The Groove Cartel.

Five people have been diagnosed with “valley fever”, more than two months after the festival concluded Continue reading...

Non-profit organisation and record label Bridges For Music will return to ADE with their annual 500 KM charity cycle this October, continuing to incite social change through the power of music. Finding continued kinship at Amsterdam’s yearly event celebrating the strength of dance music’s unique community, the ride has proven to be the most highly anticipated charity cycle in the music industry with past participants including Richie Hawtin, Parallelle, Maga, Joris Voorn, Chris Lienbing, Pan-Pot, Juliet Fox, Jamiee, and more. Last year’s cycle brought together over 50 riders from different 15 countries to raise over 70K towards Bridges For Music’s mission to provide for under-serviced youth in South Africa. Powered by AlphaTheta and in partnership with ADE, all funds raised by the ride will help expand the capacity of Bridges’ programs by contributing to the construction of a new facility for younger kids in need. In addition, it will support the after-school program, which provides an essential space for children ages 8-18 to access creative education in music, dance and mindfulness. This year’s cycle will introduce a fresh challenge with a slightly updated route from London to Amsterdam. The 4-stage ride departs Sunday 13th October from the Resident Advisor HQ in Shoreditch and arrives at ADE Wednesday 16th October and will take riders through the UK, Belgium and the Netherlands. Jamie Kemp, Director of Toolroom Records summarises the impact of the cycle, “Simply put this is a life changing experience! I keep saying, I am not sure there is any other way I want to arrive at ADE…If you are thinking about doing it, just do it! You will be supported every km/mile/inch of the way.” The ride will save approximately 175kg of CO2 emissions that would ordinarily be produced for each flight from London to Amsterdam. This means that for each of the 50 riders, at least 8,750 kilograms of CO2 emissions will be saved. In return for supporting the cause and travelling to ADE with less environmental impact, those participating in the ride will receive an ADE Pro Pass, three nights accommodation in with spa hotels along the route, tour guides and support, luggage transport, breakfast, lunch & dinner, energy snacks, and an official ADE jersey. Bikes can be returned to London in addition to a £1,500 entry fee paired with fundraising. Those who are unable to commit to the full duration of the cycle are welcome to join halfway or for one stage of the cycle tour. No prior cycling experience is required to complete the ride and those who don’t own their own bike can arrange for a rental. Sponsored entries are also available for companies who wish to enlist a team and your team logo will appear on the special ADE riders kit and coverage across the cycle as a team sponsor As always, the ride welcomes cyclists of various abilities and enthusiasm with participants organised into groups based on ability to cycle at around 30km/h avg, 26km/h avg, and 22 km/h avg with support vehicles, expert cycle guides, and more provided along the route. Demonstrating Bridges’ commitment to the highest level of safety and support, paramedics from the Tour De France were involved every step of the route last year with each group guided by professional cyclists with some on Team GB for the Olympics. Keleigh Batchelor, Marketing Manager, AlphaTheta EMEA shared, “It is our honour to sponsor the Bridges for Music cycle to ADE once again. Activities like this encourage participants to engage their physical and mental wellbeing – which can be very powerful and healing. Aligning these elements in dynamic group fosters a sense of community, raises awareness all while generating crucial funds for this incredibly transformative musical initiative. If you’ve ever been tempted, now is your chance, it will be the most fulfilling and exhilarating thing you will do this year!” To sign up, secure your spot and play a pivotal role in inciting meaningful social change, please visit www.adecycle.com. Book now as spaces are limited! Signup here Bridges For Music – ADE Cycle will run from the 13th – 16th Oct, 2024 For more information on Bridges For Music please visit: Website l Facebook I Twitter I Instagram The post Bridges For Music Returns For Its Annual Ade Cycle And Transformative Social Impact appeared first on Electic Mode.

Get ready for the ultimate new music experience today with the latest single ‘Lately’ by Grammy winners RÜFÜS DU SOL. Released on Rose Records, it follows their recent hit ‘Music Is Better,’ marking three long-awaited years since Surrender. Don’t miss out on this electrifying new release from the talented Australian trio along with an official music video. Potentially gearing up to their fifth studio album as they continue to surprise us this summer. ‘Lately’ When you hear ‘Lately’, what springs to mind? Can you recognize the distinctive RÜFÜS sound in this track? This song couldn’t have been released at a better time, with summer festivals in full swing. ‘Lately’ is a captivating summer anthem that highlights the indie trio’s intricate sound design, heartfelt songwriting, and a seamless blend of club rhythms. The ethereal vocals and euphoric melodies are bound to give you chills. Tyrone Lindqvist’s vocals with the line “It feels like I’m learning how to love again” make it an ode to summer love. The band’s latest singles offer a fresh glimpse into their creative process. In this era, they’re seamlessly blending their organic and electronic sounds and savoring the art of creation. With its fusion of indie elements and electronic allure, coupled with brilliant songwriting, ‘Lately’ is the ultimate sing-along anthem that I can’t wait to experience live, swaying with friends on the dance floor. ‘Lately’ follows a special one-off performance by the band in London last night. Did you attend the show? If so, did you hear any other new music? Watch the music video for ‘Lately’ below and share your thoughts on this new summer tune! RÜFÜS DU SOL’s only live show this year will be headlining the Portola Festival in San Francisco on September 28th. Portola tickets are sold out, but join the waitlist here if you are still looking for tickets. Stay updated with EDMTunes as the RÜFÜS boys are still working on new music. The post RÜFÜS DU SOL Release Exceptional New Single ‘Lately’ appeared first on EDMTunes.

It’s a hot summer for Toolroom Records. Mark Knight‘s music label has geared up to release two summer heaters in the last ten days. First on the bill is Weiss vs James Hype’s ‘Feel My Needs’. For the long-time fans, the tune could sound familiar. Originally released on Toolroom in 2018, the song went on to be a seminal Global hit and was awarded Gold status in the UK. It amassed more than 300 million cumulative streams, including put on rotation on daytime radio stations. It was also added to the prestigious A-list on BBC Radio One. Fast forward 6 years, James Hype has put his spin on this cult classic. This record is a peak-time monster and has become the ‘ID’ everyone is asking for on his social media and in his DJ sets! James has taken the essence of the original and added trademark tough drums and bundles of energy. These additions make the song very much akin to the vibe of his DJ sets. James Hype teamed up in the past with Mark Knight for a song on Toolroom as well. This one will be setting festivals alight all summer long! LFO with Tony Romera But, Toolroom doesn’t stop there with the summer hits. Just yesterday another long-time friend of Toolroom was back on the label. Tony Romera continues his tech house world takeover with the next installment of peak-time madness, ‘LFO’. He has become an integral part of the Toolroom Family over the past 18 months. The track is a pure energy bomb. That twisted synth work will be whipping up dance floors into a frenzy. But it’s not all as the sounds are coupled with his trademark tough drums and low-slung bass line. Make sure to grab the brand new Toolroom releases on Beatport and save the Toolroom Spotify playlist for the right soundtrack for your summer. The post Toolroom welcomes Weiss, James Hype and Tony Romera appeared first on The Groove Cartel.

After three long years without new music, RÜFÜS DU SOL have delivered two new singles in just three months ahead of a new album, which is expected to release in 2024. The beloved Aussie electronic band moments ago released "Lately," an uplifting dance track colliding themes of love, intuition and trust. Out now on their own Rose Avenue Records, the ecstatic summertime love song arrives after the June release of "Music Is Better." In true RÜFÜS DU SOL fashion, euphoric melodies lilt through the mix as dreamy vocals float atop goosebump-inducing soundscapes. Expertly balancing electronic and indie elements with the Aussie group's typically stunning songwriting, the new single is perfect for their signature, heartfelt live singalong moments, when happy tears fall en masse. Watch the official music video for "Lately" below and find the new single on streaming platforms here. Follow RÜFÜS DU SOL:X: x.com/rufusdusol Instagram: instagram.com/rufusdusol TikTok: tiktok.com/@rufusdusol Facebook: facebook.com/rufusdusol Spotify: spoti.fi/35b5FL4

Renowned Techno temptress Nicole Moudaber showcases her sonic mastery once again, this time teaming up with London duo House of Molly on mammoth new single ‘Slap Back’. Out now via Diplo’s Higher Ground, ‘Slap Back’ is a hard-hitting Tech House track that is nothing short of anthemic. ‘Slap Back’ ‘Slap Back’ combines Nicole’s signature dark and sultry driving beats, with House of Molly’s cheeky, hypnotic vocals. Moudaber pushes the boundaries of the techno genre with a sound the is both refreshing and timeless. A relentless, high-octane tech house banger that seduces the listener from the opening note, ‘Slap Back’ is the collaboration fans didn’t know they were waiting for. More on Nicole Moudaber Nicole Moudaber is a true icon in every sense of the word. She possesses an innate ability to craft boundary-defying sounds and deep understanding of the dancefloor. Furthermore, she owns fearless commitment to bringing music to her fans regardless of politics. This is combined with her magnetic personality. Moudaber’s inimitable career has solidified her status as one of the industry’s trailblazers, earning her legions of fans across the world. This year the techno titan celebrates a decade of her InTheMood empire – which encompasses her label. It also represents the award-wining weekly radio show and monthly Apple Music show and famed party concept. (Check out our interview with Nicole for her In The Mood 10 year celebration!). No stranger to releasing on some of the world’s most revered labels, Nicole’s latest offering will see her add yet another prestigious imprint to her catalogue. ‘Slap Back’ is then her debut release on Diplo’s Higher Ground. More of House of Molly Good friends Mel and Holly began this duo as a spontaneous idea in Ibiza. The idea evolved into the creative force that would become House of Molly. A celebration of blackness, queerness, hedonism and glamour this dynamic duo is redefining the music scene on their own terms. Their fun and irreverent approach to music caught Nicole’s attention. Moreover, it lead to a deeper connection through the trio’s shared Nigerian heritage. ‘Slap Back’ marks the pair’s debut release, and the first of many collaborations in the works for House of Molly and Nicole Moudaber. The track has already been generating a buzz amongst talent, tastemakers and fans alike. ‘Slap Back’ is sure to be a standout single for the summer. And alas, a staple on the festival circuit and in club playlists around the globe. The post Moudaber and House of Molly’s ‘Slap Back’ is Pure Energy appeared first on EDMTunes.

The global sensation, Palm Tree Music Festival, is set to bring its tropical vibes back to Southern California, transforming Dana Point into an epicenter of music and festivity. Mark your calendars for October 5-6, 2024, because this year’s festival, produced by Live Nation, promises to be a spectacular two-day event, doubling the excitement from last year’s sold-out debut. A Stellar Lineup to Heat Up Doheny State Beach Returning for its second year, Palm Tree Music Festival Dana Point is not just coming back—it’s coming back bigger. Headliners include the iconic Martin Garrix, the ever-popular OneRepublic, the electrifying Calvin Harris, and the dynamic duo The Chainsmokers. These global acts will take the stage at the picturesque Doheny State Beach, creating an unforgettable musical experience against a stunning coastal backdrop. The full lineup also features talented artists such as Ayokay, Balthvs, Cannons, Chelsea Cutler, Flamingoasis, Harry Hudson, Madame Gandhi, and Out In Front, ensuring a diverse and electrifying roster of performances. An Unparalleled Festival Experience Palm Tree Music Festival is more than just a concert; it’s a lifestyle event. With partners like Wynn Nightlife, Tequila Don Julio, Abercrombie & Fitch, and many more, attendees can expect interactive activations, exclusive festival merchandise, and signature cocktails to elevate their festival experience. Myles Shear, co-founder of Palm Tree Crew, emphasizes the unique synergy between the festival and Southern California’s vibrant lifestyle, promising an unforgettable two-day celebration. Premium Access and Luxurious Amenities For those seeking an elevated experience, the festival offers the Palm Club, featuring unparalleled stage views, private servers, dedicated entrances, and exclusive transportation options. Additionally, the VIP area provides shaded cabanas, hammocks, and lounge seating, along with VIP stage views and round-trip shuttles. Both 1-day and 2-day General Admission tickets are available, offering access to sponsor giveaways, pop-up events, free water stations, and a variety of food, drink, and merchandise options. Tickets for this extraordinary event, including 1-day and 2-day General Admission, VIP packages, and Palm Club Table Packages, are available via a Citi presale beginning today. General ticket sales start on Friday, August 2 at 10am PT. For those interested in flexible payment options, a layaway plan is available. Don’t Miss Out With a lineup featuring some of the biggest names in music and a festival experience that promises to be unmatched, Palm Tree Music Festival Dana Point is the must-attend event of the fall. Secure your tickets now and get ready to immerse yourself in the ultimate tropical festival experience. Tickets & Pre-Sale Firstly, 1-Day and 2-DayGeneral Admission, VIP packages, and Palm Club Table Packages will be available via a Citi presale. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, August 2 at 10 am PT HERE. Additionally, All tickets come with the option to use the festival’s layaway plan, where buyers can pay 50% at the time of purchase and the remaining 50% by August 20th. Furthermore, Prices include all fees before shipping. Citi is the official card of Palm Tree Music Festival Dana Point. Citi card members will have access to presale tickets beginning today at 10 am PT until Thursday, August 1 at 10 pm PT through the Citi Entertainment program. Lastly, for complete presale details visit www.citientertainment.com. See you there! The post Palm Tree Music Festival Returns to Dana Point This October appeared first on EDMTunes.

Calvin Harris and Ellie Goulding have once again joined forces to create the ultimate summer anthem with their new single ‘Free‘. Just like their previous collaboration ‘Miracle’, which topped the U.K. charts last year, ‘Free’ is a dance floor masterpiece arriving at the perfect moment to heat up the dog days of summer. As festival-goers and music lovers around the globe groove to its beat, ‘Free’ is set to be the anthem of the season. Free We recently had the pleasure of covering the song’s debut in Ibiza, where it was met with raving excitement. Goulding, in an interview with Rolling Stone last year, emphasized the importance of having fun during the music-making process. “The biggest thing for me is having fun, which sounds really simple, but the more fun I have and the more I laugh and feel comfortable, the better the songs are,” she shared. Their history of creating hits together speaks volumes. Tracks like ‘I Need Your Love’ and ‘Outside’ not only dominated the airwaves but also established Harris and Goulding as a powerhouse collaboration in the dance music scene. Their undeniable connection shines through in every project. “When you have that connection with someone, you miss it. It’s hard to just put that aside. And so we knew from the first song that we made together that we had something,” Goulding said. “I think Calvin is a genius.” With ‘Free’, Harris and Goulding have once again proven that their musical chemistry is unbeatable. As this track takes over playlists and dance floors worldwide, it’s clear that their reunion was well worth the wait. Calvin Harris, Ellie Goulding – Free | STREAM The post Calvin Harris and Ellie Goulding Reunite for Summer Anthem ‘Free’ appeared first on EDMTunes.

A Boiler Room event in Seoul, South Korea, headlined by Peggy Gou was abruptly halted over the weekend due to overcrowding concerns. The incident occurred at SFactory on Saturday, July 27th, prompting a response from emergency services. According to reports, overcrowding issues began to arise before Peggy Gou’s set. Attendees attempted to reach the third-floor venue, causing a bottleneck and safety concerns. The venue implemented a one-way system to manage the crowd, but the increasing heat and humidity exacerbated the situation, leading to breathing difficulties for some attendees. Boiler Room has since issued a statement acknowledging the crowd-flow issues and the subsequent early closure of the event. They emphasized that the event was operating within the permitted capacity. The incident serves as a stark reminder of the importance of crowd management and safety in large-scale events. As the electronic music scene continues to grow, it is essential for organizers and venues to prioritize the well-being of attendees. While no serious injuries were reported, the event highlights the challenges faced by organizers in balancing crowd enthusiasm with safety regulations. The post Peggy Gou’s Boiler Room Show in Korea Evacuated Due to Overcrowding appeared first on EDMTunes.

Few experiences rival the delight of savoring a luxurious meal—a fact that Grammy-winning DJ and electronic music producer Cedric Gervais knows all too well after launching Madame Ushi, an upscale Japanese restaurant in Aspen. Fusing culinary excellence with atmospheric music performances, Gervais' new hospitality venue also features a lounge where DJs perform intimate sets as guests enjoy their food. The hotspot is said to feature high-profile DJs in the months ahead and already counts Diplo as a recent performer. Meanwhile, master Chefs Jesus Alvaro and Jake Eaton, who have experience at some of the world's most renowned restaurants—including the iconic Nobu—showcase their skills within an impressive menu. Madame Ushi's Chrome Heart roll has already earned its status as a signature dish after becoming a celebrity sensation, favored by A-listers like Kevin Costner and Justin and Hailey Bieber. View the original article to see embedded media. With its fine Japanese dining and intimate DJ sets, Madame Ushi is redefining what hospitality looks like in Aspen and beyond. You can make reservations and find out more about the venue here. FOLLOW CEDRIC GERVAIS:Facebook: facebook.com/cedgerv X: x.com/cedricgervais Instagram: instagram.com/cedricgervais Spotify: spoti.fi/2JRAEFg

Jamie xx has reunited with The Avalanches to release a new single, "All You Children," The hypnotic club heater marks Jamie xx's fifth single of the year ahead of the release of his highly anticipated sophomore album, In Waves. Scheduled to release on September 20th, the 12-track project will arrive via Young and feature collaborations with Honey Dijon, Panda Bear, Robyn, Erykah Badu and his xx bandmates Romy and Oliver Sim, among others. “The Avalanches have always been an inspiration for me," Jamie xx said in a statement. "Their sample technique and how they piece together different sounds is incredible and collaborating on a track with them has showed me new ways of making music." In other Jamie xx news, the renowned producer recently transformed a London club into his own curated space for a 10-night residency in May. Each night featured special sets from a spate of his friends and collaborators. Listen to "All You Children" below and find the new single on streaming platforms here. Follow Jamie xx:Facebook: facebook.com/jamiexxofficial X: x.com/jamie___xx Instagram: instagram.com/jamie___xx Spotify: bit.ly/3RgH1BY Follow The Avalanches:Facebook: facebook.com/theavalanches X: x.com/theavalanches Instagram: instagram.com/theavalanches Spotify: tinyurl.com/9nspbe33

After months of incessant demands, Sub Focus has released the song that set Drumsheds on fire. Out now is his first solo release of the year, "Wildfire," which finds him reuniting with Jo Hill following the release of their fan-favorite anthem "Ready to Fly." The new single follows the May release of Sub Focus' soaring collaboration with John Summit and Julia Church, "Go Back." Since the track's memorable premiere at London's Drumsheds in late-2023, fans of the drum & bass superstar had been clamoring for the official release of "Wildfire." "I first played 'Wildfire' at Drumsheds at the end of last year and immediately knew from the crowd reaction we were onto something special," said Sub Focus. "It's been the most requested song in my set for months now so what better way to kick off a new series of releases of mine." Dramatic keys and echoing cries surround us at the outset of "Wildefire," which Sub Focus called the beginning of a "new series of releases" in a press release. Hill's powerful vocals again elevate the production to anthemic levels, pairing beautifully with a throbbing bassline. Even while listening at home, it's easy to see how "Wildfire" can inspire so much movement. Listen to "Wildfire" below and stream the long-awaited single here. FOLLOW SUB FOCUS:Facebook: facebook.com/subfocus TikTok: tiktok.com/@subfocus X: x.com/subfocus Instagram: instagram.com/subfocus Spotify: spoti.fi/3ot6JTg

Fred again.. has announced a new album called ‘ten days’. It is slated for release on September 6th, with vinyl to follow on October 25th. Pre-orders are now available. Speaking on the album, Fred says: my new record is called ten days. it’s ten songs about ten days. there’s been a lot of biggg mad crazy moments in the last year but basically all of these are about really very small quiet intimate moments. Fred again.. also jumped on Instagram explaining the album on his stories. He started saying the album was born last year. He explains how the first tune they produced, ‘adore u’ was released immediately: “it was like the first day, if it makes sense” he adds. In the next day, they produced ‘ten’ and ‘places to be’. In the following story, Fred explained how they sent some vinyl with the songs to some of the guys who ordered his song in the store, as a surprise. Fred then remembers the time when he put together a song with Joy Anonymous just before the Sydney show. Contributions to ‘ten days’ come from Obongjayar, Jozzy, Jim Legxacy, Sampha, SOAK, Anderson .PAAK, CHIKA, Duskus, Four Tet, Skrillex, Joy Anonymous, Emmy Lou Harris, The Japanese House, and Scott Hardkiss. The release of ‘ten days’ follows surprise recent appearances at Strummerville during Glastonbury Festival. There Fred played a special 30-minute ambient set and at The Rising Sun pub in Pensford, Somerset, where he performed to 75 fans alongside The Japanese House earlier this month. On Sunday, Fred also released a special Rooftop Sessions mix. It was recorded and filmed in front of close friends and family in London last summer. Fred again.. ‘ten days’ full tracklist is: Fred again.. – ‘ten days’ adore u ten fear less just stand there places to be glow i saw you where will i be peace u need backseat ‘ten days’ is out September 6th, with vinyl to follow on October 25th. The post Fred again.. announces and explains the new album ‘ten days’ appeared first on The Groove Cartel.

A beloved trio just made a triumphant return to the dancefloors worldwide. We’re so over the moon to share the news today: Dance music group Disciples is back. The hit-making trio, coauthors of globally renowned tracks such as ‘No Worries’ with David Guetta, and — one we’ve all sang — ‘How Deep Is Your Love’ alongside Calvin Harris, is releasing a new anthem that aims for the moon: ‘If I Stay’. The multi-platinum, South London band, comprised of Nathan Vincent Duvall, Gavin Koolmon, and Luke McDermott, has evolved from a promising trio to a globally recognized brand, rocking well over 1.5 billion streams overall. Their music has soundtracked countless summers, with their tracks becoming anthems at festivals worldwide. Beyond their own artistic endeavours, they’ve also established themselves as successful songwriters, contributing to hits for other artists. “We took a break from releasing for 3 years to live life and find new inspiration. We came back energised ready to try something new but keep the essence of who we are.” -Disciples ‘If I Stay’ Already certified as Hottest Record and Jam Hot by BBC Radio 1’s Danny Howard and Capital Dance’s Mistajam respectively, Disciples’ comeback tune ‘If I Stay‘ unveils an accomplished leap back onto both the airwaves and dancefloor in powerful euphoric style. The band ensures the song represents what their members have lived, and for that factor of storytelling they welcome vocalist Delilah to the scene. “Delilah was a perfect addition to our new energy“, they say. “She has experience, a beautiful voice and fits with our banter. ‘If I Stay’ is an emotionally-charged uplifting festival anthem. The song is about real-life experiences and the music was created with our new-found intensity”. In true renovated sound but making it clear to note their essence, the track is built from the ground up over machine-programmed closed hats, then slowly unveiling an evolving atmosphere, warm and cosy, while at the same time introducing the offbeat rhythms Disciples are known for. It’s a harder, yet still highly melodic piece of House bliss. We can’t get enough of it. Listen to Disciples and Delilah‘s ‘If I Stay’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the track on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Disciples Return After Three-Year Hiatus On ‘If I Stay’ With Delilah appeared first on EDMTunes.

Over 100,000 people have been invited to participate in a landmark class action lawsuit stemming from controversial strip-searches at various music festivals in New South Wales, Lawyers Weekly reports. The suit was jointly filed in the Supreme Court of New South Wales back in July 2022 by Redfern Legal Centre and Slater and Gordon Lawyers, whose representatives are challenging the legality of strip-searches conducted by NSW law enforcement officers at various festivals between 2016 and 2022. According to a press release issued at the time by Redfern Legal Centre, police carried out "unlawful acts including assault, battery and false imprisonment against festivalgoers while searching them for illicit substances," including minors. Some attendees, the firm said, alleged they were directed by officers "to lift or remove items of clothing, lift their breasts or genitals, or strip naked and squat and cough so officers could visually inspect body cavities." The lawsuit's lead plaintiff, Raya Meredith, claimed she was subjected to an "invasive" strip-search by the NSW Police Force at the 2018 Splendour in the Grass music festival. The ordeal lasted roughly 30 minutes, she told Redfern Legal Centre. "Our investigations show that invasive and unlawful police searches at NSW festivals have become routine, resulting in very few charges, but leaving thousands of young people and minors humiliated and severely traumatized," said Redfern's senior police accountability solicitor, Samantha Lee. Legal representatives from the NSW government had unsuccessfully filed motions to dismiss the suit, citing insufficient common issues among those who were strip-searched, according to Australasian Lawyer. "The police are supposed to be there to keep people safe. But I was left feeling I could no longer trust the police," said one attendee, Becca, per Slater and Gordon's website. "I felt I had no way of making a complaint about an experience which left me feeling violated." "I was asked to take off my jacket and shirt and was patted down," explained another, Ben. "The officer also ran his thumb around the inside waistband of my underpants—his thumb was between my underpants and my skin. I just did what I was told at the time but thinking about it now makes me feel really uncomfortable." The prosecuting firms have encouraged potential plaintiffs to register for the class action suit and gauge their eligibility via a group member guide. The trial is scheduled to begin on May 5th, 2025.

deadmau5 is hosting an online watch party of his legendary 2020 cube 3.0 show at the Navy Pier in Chicago. The watch party will take place via the producer’s new superfan platform, mau5trap.tv, on Thursday, August 1st at 6PM PT/9PM ET. mau5trap.tv, powered by Ampd.fm, features all things deadmau5, including live streams, events, merch, unreleased tracks and exclusive experiences. About deadmau5 Joel Zimmerman, more commonly known as deadmau5, is one of the world’s most respected electronic music producers of modern times. Enjoying international chart success with his 2x platinum-certified single ‘Ghosts ‘n’ Stuff,’ as well as ‘Professional Griefers,’ ‘Sofi Needs A Ladder‘ and ‘I Remember,’ he has also released seven critically acclaimed albums. The multiple JUNO Award-winning and GRAMMY-nominated artist’s ability to push the boundaries of his talent grows at an equal rate to his fan base, which counts 15 million and more over his combined social media channels. His latest music offerings include ‘Pomegranate‘ with The Neptunes, ‘Bridged By A Lightwave‘ with Kiesza, ‘Channel 43‘ with Wolfgang Gartner, with REZZ ‘Hypnocurrency‘ and ‘Infraliminal‘ (as REZZMAU5), ‘When The Summer Dies‘ with Lights, ‘Hyperlandia‘ featuring Foster The People, ‘this is fine.‘ with Portugal. The Man, ‘XYZ,’ ‘My Heart Has Teeth‘ featuring Skylar Grey and his latest EP, some ep. In 2022 deadmau5 teamed with longtime friend and collaborator Kaskade on new music project Kx5 releasing Top 40 smash and #1 dance music radio single ‘Escape‘ featuring Hayla leading into the release of their 2023 GRAMMY-nominated debut self-titled album Kx5. In the live realm, his 2019/20 U.S. cubev3 tour featuring production of his own design and implementation ranked in the Top 10 of Pollstar’s top tours globally. In 2022 he completed the ‘We Are Friends’ North American tour and as Kx5 headlined the Los Angeles Memorial Coliseum in December, breaking records as the largest single-day concert event headlined by an electronic music artist ever in North America with Billboard confirming Kx5 at the Coliseum as the biggest ticketed global headliner dance event of 2022. deadmau5’ latest accomplishment in the live music space includes sold out performances at legendary Los Angeles venue the Hollywood Bowl and New York City’s Brooklyn Mirage for his career celebration ‘retro5pective: 25 years of deadmau5.’ The post deadmau5 To Host Online Watch Party of 2020 Cube 3.0 Show At Navy Pier Chicago appeared first on EDMTunes.

It features collaborations with Skrillex, Four Tet, Joy Anonymous, Anderson .PAAK, Jim Legxacy, Obongjayar, and more Continue reading...

Fred again.. has revealed a new album, ten days, alongside a star-studded tracklist. Scheduled to release on September 6th, ten days features 10 tracks, all but one of which are collaborations. The album boasts high-profile features from Skrillex, Four Tet, Anderson .Paak, Joy Anonymous, Sampha, The Japanese House and legendary singer-songwriter Emmylou Harris, among others. Fred announced the new album on social media, painting a picture of a deeply personal opus where mammoth emotions nest in microscopic instants between both friends and strangers. "my new record is called ten days. it’s ten songs about ten days," Fred writes. "theres been a lot of biggg mad crazy moments in the last year but basically all of these are about really very small quiet intimate moments. some of them are like the most intensely joyful things i have felt, and some of them are the other side of things. and some days I don’t want to speak about loads cos I’m not the only person it was an important day for if that makes sense." The artwork of Fred again..'s new album, "ten days."Lil Resta/Theo Batterham/LOOSE Fred's last solo album, Actual Life 3, dropped nearly two years ago before winning the 2024 Grammy Award for Best Dance/Electronic Album. The British electronic music superstar also released 2023's Secret Life, an ambient LP released in collaboration with Brian Eno; and USB, an innovative compilation project he's called "an infinite album" to which he'll continuously add as long as he's making music. Ahead of the fall release of ten days, fans can also pre-order a bespoke vinyl package containing 12" 140g white vinyl in a gatefold sleeve, an A2 poster featuring 10 images representing each track on the album and individual track notes written by Fred. The vinyl is scheduled to ship on October 25th. You can pre-save ten days here and check out the tracklist below. View the original article to see embedded media. Fred again.. - ten days Tracklist1. adore u (with Obongjayar) 2. ten (with Jozzy and Jim Legxacy) 3. fear less (with Sampha) 4. just stand there (with SOAK) 5. places to be (with Anderson .Paak and CHIKA) 6. glow (with Duskus, Four Tet and Skrillex) 7. i saw you 8. where will i be (with Emmylou Harris) 9. peace u need (with Joy Anonymous) 10. backseat (with The Japanese House and Scott Hardkiss) Follow Fred again..:X: x.com/fredagainagain1 TikTok: tiktok.com/@fredagainagain Instagram: instagram.com/fredagainagainagainagainagain Facebook: facebook.com/fredagainagain Spotify: spoti.fi/3w2WKZD

DAIZY takes listeners on a neural joyride with her new single, "Take Me Back," a trap banger with a nostalgic twist. The promising DJ and producer has been steadily building her career since 2016, performing at a slew of major clubs and festivals in Korea. A big breakthrough happened three years later, when she DJed at the 2019 edition of EDC Korea. After releasing records on a slew of beloved bass music labels, like Wubaholics and Mersiv's MorFlo Records, DAIZY has now returned with "Take Me Back." Kicking off with spacey soundscapes in the intro, her production feels like floating in a sensory deprivation tank—only to be violently ejected by a maniacal trap drop. Careening between wistful reverie and bass-fueled pandemonium, DAIZY then pulls you into a dreamlike abyss, leaving you disoriented but craving more. Stitching disparate elements together with precision, she takes listeners through a wormhole of wonky synths and distorted bass. Meanwhile, the mantra-like repetition of "just take me back" serves as a hypnotic anchor, grounding us amidst the swirling chaos. Listen to "Take Me Back" below. Follow DAIZY:X: x.com/daizybydaizy Instagram: instagram.com/daizybydaizy Facebook: facebook.com/daizybydaizy Spotify: tinyurl.com/2rsm2p6z

Armed with nothing but attitude and a disregard for convention, ISOxo and Knock2 are as defiant as ever in their debut collaborative album, 4EVR. Collectively known as ISOKNOCK, the duo has birthed a mutant, a creature that spasms with the raw energy of punk-rock and the writhing aggression of trap and bass music. Equal parts beautiful and belligerent, the surprise album is an experience that leaves listeners feeling like they've been through some kind of metaphysical car wash—battered and soaked in sound, but somehow cleaner for the experience. Knock2 (L) and ISOxo (R).Zach Okami ISOKNOCK stomp in with masks and nail-spiked baseball bats as emergency alarms kick off the album's opener, "THRASH (PARTY STARTER)." It's not long before all hell breaks loose in a thunderous trap drop, where distorted synths contort and screech like banshees. Much like ISOKNOCK's middle-fingers-in-the-air live shows, the energy doesn't relent from there. They follow with "TROUBLE," a nasty breakbeat banger; "ENERGY," a four-on-the-floor floor-filler featuring Zimbabwean rapper-singer Bantu; and "SMACK TALK," the duo's fan-favorite collaboration with pioneering trap producer RL Grime. Elsewhere in 4EVR, the producers stun with "BLIND," an aching ballad engulfed by emotional anarchy. Swapping bass drops for heartache, they craft a haunting breakup track bemoaning a relationship shattered by broken promises. Here, tortured verses from Araya and Sur Black bleed into a chorus that howls with the anguish of a thousand deleted text messages. ISOxo and Knock2 then find clarity in the titular "4EVR," a visceral, trance-inspired track featuring anguished vocals by cade clair. Lost in a haze of strobes and serotonin, he croons about numbed nerves struggling to process the electric touch of a stranger-turned-soulmate: "Can you hold onto me, tell me everything's okay / I didn't know that I would find love all in a rave / Even if you touch me I can't feel it anyway." Out now via 88rising, 4EVR arrives in the midst of a meteoric rise for ISOxo and Knock2, who were named to the EDM.com Class of 2022 and 2023, respectively. Among other high-profile sets, the duo in April debuted at Coachella, where they performed at the festival's iconic Sahara Tent. Listen to 4EVR below and find the new album on streaming platforms here. Follow ISOxo:X: x.com/isoxo_ Instagram: instagram.com/isoxo_ TikTok: tiktok.com/@isoxo_ Facebook: facebook.com/ISOxo Spotify: spoti.fi/3dwtO3h Follow Knock2:X: x.com/knock2music Instagram: instagram.com/knock2music TikTok: tiktok.com/@knock2music Spotify: spoti.fi/3OHeylI

We sat down with B Jones backstage after her set on the Mainstage at Tomorrowland during Weekend Two. During this interview we chat about what it was like to receive so much support before and during her set, the road to Tomorrowland Brazil, and lastly a special message to her fans. So yesterday you played the mainstage at Tomorrowland, not only the mainstage, but you had hundreds I don’t know how many hundreds of Spanish fans flags and a meet up before your set. What did it feel like to play for that crowd? The support of my country, it’s the biggest gift I can have in the whole world. I worked really hard on the set at Tomorrowland and for the last thirty years in my career and I feel that my country supports me and you could feel that during my set. We were there and it was it was crazy, it was amazing. Such good energy. What do you think makes Tomorrowland a special festival? What sets it apart from all the other festivals you’ve been to or played at in the world? Tomorrowland is not a normal festival, you can feel the energy when you’re inside the festival it’s everything is complete perfectly, the stage, the artists, the mainstage is crazy, but it’s also the people that come here every year, it’s the Tomorrowland family. You feel amazing. Next up you have Tomorrowland Brazil. Can you tell us a little bit about that and what are you preparing for your set? Are you expecting so many Spanish people to come as well? Because that is kind of far. It is really far, but really Brazilian people have the same passion. I feel completely at home in Brazil. There might not be that many Spanish people there but there will be people from Brazil, Argentina, a lot of people, and a great crowd. I didn’t start yet to prepare my set because I will start Monday when I arrive in Brazil. How much time goes into preparing for these sets? It’s not like I will go to the studio but you know, for me Tomorrowland is like one dream. All of Tomorrowland is a dream, Tomorrowland Brazil, Tomorrowland Winter, I love listening to the music, checking my set times, I dedicate some days to decide my outfit. When I arrive on the Monday, I’ll start to think about how my experience at Tomorrowland will be, what I can give differently because I love to be different every time. I want to always improve, always do better. I will listen to Brazilian music as well. Last year, I saw your set at Crystal Garden weekend one, but this year I got to see you on the Main Stage for weekend two. Where you prefer to play? Do you prefer the smaller stages or the big Mainstage? The Mainstage, I love it. The view from the DJ booth where you see all the people, its amazing. But any stage at Tomorrowland, I would love to play at. Final question. You have so many fans, do you have a message want to shout out to the fans all over the world? Thank you so much for supporting me and for understanding my vision of my Mainstage set. I always try to do something with big personality. Thank you for supporting me and I hope you join me at any club or any festival in the world and we can enjoy it together.

It marks the third single to be released from his forthcoming album, ‘In Waves’ Continue reading...