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Here’s yet another masterful and entrancing production from Mr Gregory. By now you might be familiar with the sound of Simon Gregory. A veteran of sorts, he’s been releasing music for a while now, and has managed to secure a spot on top-tier labels. A Mondo Records resident and one of the most solid figures pushing the Trance sound these days, he’s back once again at home for a beautiful tune. After tracks such as ‘F.O.S’, ‘Feel Music In The Air’, and an entire album’s worth of music released in junction with his partner in crime Nitrous Oxide as their Digital Drift alias, he unveils the next chapter of his sonic story today by lifting the veil on a new single, which goes by the name of ‘Like This’. ‘Like This’ Simon’s latest is a vibrant track. It’s not your average strong Progressive Trance pick, but rather, a much more profound, and deeper take on it. It’s got those lovely warm basslines, shiny percussion, and captivating atmospheres, and it takes you on a journey that screams 2009 all throughout. For some fans out there, this one sounds closer to a truly progressive Progressive Trance piece, making use of each element to portray a mature journey through the feels and the melodies. The icing on the cake is a beautiful vocal, which helps the listeners immerse themselves even more. Listen to Simon Gregory‘s ‘Like This’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the track on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Simon Gregory Explores Deeper Progressive Trance Sound With Belter, ‘Like This’ appeared first on EDMTunes.

Grammy-nominated, gold-certified DJ and producer Audien has unveiled his first single, ‘Living in Color,’ off his forthcoming album, HARMONY. The colorful track features the soulful vocals of singer-songwriter Jeoff Harris, creating an uplifting and anthemic collaboration. Known for his signature progressive house sound, Audien infuses ‘Living in Color’ with a touch of dance-pop, making it an instant radio hit. The song is a celebration of love and its transformative power, capturing the feeling of being completely enamored with someone. Harris’s emotive vocals perfectly complement Audien’s melodic production, resulting in a track that is both euphoric and heartfelt. Known for his chart-topping collaborations like ‘Something Better’ with Lady Antebellum and his GRAMMY-nominated remix of Bastille’s ‘Pompeii,’ Audien continues to push the boundaries of electronic music with ‘Living in Color.’ The track’s catchy hook and energetic production have already made it a fan favorite, with thousands experiencing the song live at Audien’s electrifying performances. Known for his production prowess and uplifting melodies, Grammy-nominated producer and songwriter Audien has established himself as an icon in the dance community. A staple in the progressive house genre, he garnered the support of industry veterans such as Tiësto, Above & Beyond, Zedd, Martin Garrix and Armin van Buuren through an extensive discography that includes collaborations with the likes of ARTY, MAX and Echosmith, and official remixes of songs by Coldplay, Halsey, Nile Rodgers, Bastille and Calvin Harris. The post Audien Releases First Single ‘Living in Color’ Off Upcoming HARMONY Album appeared first on EDMTunes.

Exciting news for techno fans as Wehbba makes his highly anticipated return to Drumcode with the release of his latest EP, ‘Awaken’. It has been eighteen months since his last EP on the label, and fans are eagerly awaiting what the Brazilian producer has in store for them this time around. Wehbba’s track record on Drumcode speaks for itself, with each release showcasing his unique blend of techno that always stands out amongst the crowd. Known for his spiritually inspired productions and unique sound, Wehbba brings a fresh perspective to the techno scene. With ‘Awaken’, he draws inspiration from the spiritual realm, creating a hyper euphoric anthem that is sure to captivate audiences. The EP features two tracks, each offering a different sonic experience that showcases Wehbba’s versatility as a producer. Wehbba’s History on Drumcode Wehbba’s relationship with Drumcode goes back several years, with the producer consistently delivering quality music that resonates with techno enthusiasts worldwide. His 2020 album ‘Straight Lines & Sharp Corners’ received critical acclaim, showcasing his ability to push boundaries and explore new sonic territories. The ‘Catarse’ EP from 2018 and last year’s ‘Premonition’ further solidified Wehbba’s reputation as a leading figure in the techno scene. With each release, he brings a fresh perspective and a unique sound that sets him apart from his peers. Wehbba’s music is a reflection of his deep connection to the spiritual world, with themes of enlightenment and self-discovery woven throughout his productions. Now, with the release of ‘Awaken’, Wehbba continues to push the boundaries of techno and deliver music that is both thought-provoking and dancefloor-ready. His latest EP is a testament to his growth as an artist and his ability to captivate audiences with his mesmerizing soundscapes. Exploring the ‘Awaken’ EP ‘Awaken’ is a two-tracker EP that showcases Wehbba’s diverse range as a producer. The title track, ‘Awaken’, is a hyper euphoric anthem that is inspired by light and packs a powerful bottom end punch. With its infectious energy and uplifting melodies, this track is sure to be a standout moment in any DJ set. On the flip side, ‘Revelation’ takes listeners on a journey through trippy techno landscapes, incorporating Eastern scales and drawing influence from ritualistic ceremonies of Middle Eastern and South Asian cultures. The track is a testament to Wehbba’s ability to blend different musical elements and create a unique sonic experience that is both captivating and hypnotic. Overall, ‘Awaken’ is a testament to Wehbba’s creative vision and his ability to push the boundaries of techno. With this EP, he continues to challenge the status quo and deliver music that is both innovative and engaging. Fans of Wehbba and Drumcode alike are sure to be thrilled with this latest release, as it showcases the best of what both the artist and the label have to offer. The post Wehbba Returns to Drumcode for the Anticipated ‘Awaken’ EP appeared first on EDMTunes.

Nashville may be known for country music, but Deep Tropics is helping solidify Music City as a major hub for EDM, too. This year's heavy-hitting, multi-genre electronic lineup includes RL Grime, Kaskade, Nora En Pure and many more. But the festival isn't just known for its top-tier artist bookings and jaw-dropping audiovisual production. Deep Tropics, which is considered "the greenest festival in North America" offers an array of wellness and sustainability events. Bridging the gap between cultural elements like music, fashion, food and wellness, this year's activities are all woven together through the thread of sustainability. Here are five things you can't miss at Deep Tropics 2024. Deep Culture Sustainability SummitIndustry professionals, government officials and engaged citizens will converge on August 15th, the day before Deep Tropics begins, to discuss and showcase regenerative solutions for Nashville. The first annual Deep Culture Sustainability Summit will take place from 3-7pm with the goal of inspiring the city to cultivate a healthier future for all through social innovation. For more information, head here. Tropical Paradise Runway Show with Soho House Fashion ClubInterested in sustainable design and fashion? The Soho House Fashion Club will present an eco-conscious fashion show in collaboration with local designers. Head to the Lotus Stage on Saturday from 2:40-2:55pm to explore the unique, eco-friendly designs that aim to redefine festival fashion. Lolu Ice Bath ActivationThose looking to escape the Nashville heat can cool down, tune in and recharge with free ice baths and breathwork sessions behind the Lotus Stage. Showers, changing rooms, and towels will be available. The activation will host daily sessions between 3:30 and 6pm. c/o Press Breathwork and Yoga with DJ Drez & Marti Nikko The main stage in Meru Amphitheater will transform into an oasis for breathwork and yoga on Saturday. An eclectic set by DJ Drez will set the perfect backdrop to an impactful wellness journey. An influential figure in the global yoga and dance communities, DJ Drez is known for balancing ecstatic dance parties and peaceful, meditative moments. Farm-to-Table LunchA special farm-to-table lunch will be available for those interested in regenerative agriculture and seasonal food. This event will take place at the Deep Culture Speakeasy on Saturday. During the lunch, which will be accompanied by a live jazz band, four courses will be served to highlight seasonal ingredients from local farms. All proceeds from the limited-capacity lunch will benefit the nonprofit Deep Culture, which curates transformative experiences tied to sustainability. To learn more and to support Deep Culture's community impact, click here. c/o Press Beyond those five events, Deep Tropics will also host a slew of additional pop-ups, installations and experiences centered around wellness and sustainability. "We really go all out to make sure there's plenty of places for people to rest and get educated," co-founder Joel Atchison recently shared in an exclusive EDM.com interview. "We see Deep Tropics as a bridge between party and purpose." Enjoy healthy beverages at the Alchemist Apothecary Pop-Up or check out the Eco Burlesque Show. Deep Tropics will also host a sunset drum circle as well as a "Psychedelic Comedy Show." Need to chill and relax for a bit? The "Healing Sanctuary" will be open to help you rejuvenate. The festival will take place at Nashville's Bicentennial Park from August 16-17. Tickets are available here. Follow Deep Tropics:Instagram: instagram.com/deep.tropics X: x.com/Deep_Tropics TikTok: tiktok.com/@deeptropics Facebook: facebook.com/DeepTropics Website: deeptropics.org

A Valencia court has ruled against the Space Ibiza founder in favour of the Matutes family, who may now seek to shut down the Space residency party at Eden Continue reading...

Following its lauded flagship celebration in Mannheim, today foremost electronic music institution Time Warp unveils its 30-year anniversary celebration in New York, in partnership with longstanding partner and events collective Teksupport. Taking place November 22-23, the event will see 21 artists perform over two nights across two floors of Brooklyn Navy Yard. In line with Time Warp’s customarily deft approach to sonic curation, the New York celebration will see both new and established members of the Time Warp family perform. Longstanding Time Warp affiliate Sven Väth — a part of the festival since its debut in 1995 — will join a host of familiar faces in Chilean minimal maestro Ricardo Villalobos, Nina Kraviz, Héctor Oaks, and Kobosil, artists interminably entwined in Time Warp’s revered history. Perennially acclaimed for its progressive programming, the event will see further performances from an array of visionaries across the house and techno spectrum. Marquee billings include scene veteran DJ Tennis who’ll perform back-to-back with Innervisions affiliate Jimi Jules, Anfisa Letyago who will play with Héctor Oaks, and Indira Paganotto. The lineup continues with a swathe of next generation talent that represent the new eclectic tides of global electronic, such as Afriqua, DJ Gigola, AQUTIE, Patrick Mason, Tony Y Not, and more. About Time Warp A pillar of the global techno community for 30 years, Time Warp’s cultural significance expands far beyond its roots in Mannheim. Its peerless fusion of cutting edge production, dynamic programming, and immersive audio/visuals set a global standard for world-class electronic event experiences. Time Warp has built itself around a legacy of family, a refrain repeated again and again both within the community of artists that have grown central to the event, and the tens of thousands of fans who make the pilgrimage to Mannheim every year. With events spanning three decades across the globe, revelers in New York this November can expect Time Warp’s seamless blend of inclusivity, exceptional production, and unrivaled curation upon its return. Tickets for Time Warp are on sale now HERE. The post Time Warp Unveils 30-Year Anniversary Lineup In New York appeared first on EDMTunes.

MUSICA has become one of the staple venues for nightlife in New York City in recent years. They host some of the biggest parties in the Big Apple featuring the great DJ talents from all over the world. As the summer begins to wind down, make sure to check out some of the most electric parties in New York at MUSICA. This August, MUSICA kicks off with an epic event with Walker & Royce this Saturday in the main room. The following day, Walker & Royce will take the stage at Superior Ingredients for day 2 of the festivities. On the 9th, Ben Bohmer is set to make his return to New York for a special live set at MUSICA. The venue is no stranger to hosting household names atop their decks and this stays true this month with long time legends, Danny Avila and Borgore making their return to New York for 2 nights of epic events. To close out the end of the month, Techno Brooklyn will be hosting a show at the venue on August 30th featuring renowned techno artists for a party that will last until sun up. Tickets are going very quickly for these shows taking place at one of the best nightclubs in New York. Some shows are already sold out but tables are always at option for those that like to party in style. Get your tickets HERE now and check out the full event schedule to see what party you’ll be hitting up next. The post MUSICA NYC Presents Stacked Lineup of Events for August appeared first on EDMTunes.

The restaurant and hi-fi listening bar will be open from August 15 Continue reading...

Come fall, Amnesia Ibiza will say goodbye to the 2024 season in what they hope will be their largest, most opulent bash yet. The legendary club has revealed a rare two-day festival in lieu of its annual closing party, scheduled for October 11-12 across its extravagant mainstage and terrace deck. Performances by Ben Hemsley, Hannah Laing, Claptone and more will electrify Friday night, while Saturday will see a slew of joint DJ sets such as Adam Beyer b2b Marco Faraone and Hot Since 82 b2b Rossi. At the end of it all, Jamie Jones and Joseph Capriati will unite for an extended b2b set, ushering in Sunday's sublime White Isle sunrise. The "Amnesia Closing Festival" celebration strives to level up the lavish clubbing experience the venue has meticulously crafted since its inception in the late 1970s. According to a press release shared with EDM.com, the festival embodies the club's new slogan, "Memories are overrated," encouraging attendees to leave the world's problems behind to be "truly free." Check out the lineup for each night below. Passes to the festival can be purchased here. Amnesia Amnesia Follow Amnesia Ibiza:X: x.com/amnesia_ibiza TikTok: tiktok.com/@amnesia_ibiza Instagram: instagram.com/amnesiaibiza Facebook: facebook.com/amnesiaibiza

Sara Landry, the self-proclaimed "High Priestess of Hard Techno," is proving her magical capabilities in a union of two seemingly disparate genres with her new track, "Pressure." The EDM.com Class of 2024 star today released the hip-hop-infused hard techno single, which features LEGZDINA, who spits unapologetic verses atop her frenetic rhythms. The entrancing track immediately proves itself a fun, carefree banger, fit for a sweat-drenched night at one of the surging DJ's unrelenting sets. Until now, Landry had teased the release of "Pressure" only through performances and social media. It's now out on her own label, HEKATE. "There was no holding back on this banger," Landry said on Instagram prior to the song's release. "Loved cooking up the hip-hop inspired verse on this one." "Pressure" arrives just ahead of Landry's DJ set tonight at the iconic Ibiza nightclub Amnesia, followed by a plethora of major festivals to bring the heat to the rest of summer and ring in the autumn season. Those include Creamfields North, ARC, Decibel Open Air, Portola and III Points, among many others. Listen to the track below, or stream on other platforms here. FOLLOW SARA LANDRY:X: x.com/saralandrydj Instagram: instagram.com/saralandrydj TikTok: tiktok.com/@saralandrydj Facebook: facebook.com/saralandrydj Spotify: spoti.fi/3RKgqwu

The cross-body bags are made from recycled material with space to store USBs, headphones, and more Continue reading...

Audien turns eardrums into kaleidoscopes with his new single, "Living In Color." Out now on Armin van Buuren's venerable Armada label, the producer's latest dance anthem crashes through a monochrome veil with a chromatic downpour of house beats and emotion. He's joined forces with LA-based singer-songwriter Jeoff Harris, whose lyrics surrender to a love so intense it paints the world in hues previously unseen. The line "Waited all my life" is a confession of a lifetime of yearning, distilled into a single, desperate plea. Harris then belts the track's prevailing lyrical grenade, a refrain that echoes like a mantra for the lovestruck and colorblind alike: "You got me living in color." From a production standpoint, "Living in Color" finds Audien channeling his roots to make spirited progressive house music you can feel in your bones. He paints brushstrokes with his uplifting synths, which detonate into incandescent drops full of pigments of his signature sound that dare us to hear—and see—beyond the dull drone of the everyday. Listen to "Living in Color" below and find the new single on streaming platforms here. Follow Audien:X: x.com/Audien Instagram: instagram.com/audien TikTok: tiktok.com/@audien Facebook: facebook.com/AudienMusic Spotify: spoti.fi/3tx9Xqk

Are you still with us? The Summer continues to hit us with incredible tracks and fantastic events. But, we are not done yet! Next up, we have a fantastic release from one of Trance‘s biggest names. Armada Music label head Armin van Buuren enchants us with his newest track ‘Es Vedrà’. Let’s jump into the remainder of the season, shall we? ‘Es Vedrà’ By title and sound, Armin van Buuren’s new single has got to be one of the most definitive summer-soundtracking cuts of the year. Ahead of his upcoming September residency at Ushuaïa, he releases ‘Es Vedrà’, named after his favorite spot on the beloved island and serving as a tribute to its magic. Light-hearted, spiritual, and uplifting, the song transports you to a tropical realm. The groovy basslines and atmospheric chanting results in a hot and sweaty dance banger. Hope you packed a hand fan, the temperature has risen. Already played by global tastemakers such as Pete Tong, Adam Beyer, Chris Lake, Dom Dolla, Galantis, Gorgon City, Joris Voorn and Meduza, the track is set to be this year’s Ibiza summer hit including uplifting melodies and powerful rolling drums. Armin continuously raises the bar with his performances and productions. From A State of Trance shows, to headlining major festivals around the world. The Dutch trailblazer has collaborated with incredible artists this year, including a track with ARTBAT, and b2b performances with Gryffin and HI-LO. Up next, van Buuren prepares for his September residency at Ushuaïa Ibiza. For five sundays in a row, the artist will bring a taste of Trance to the island. Moreover, special guests include Oliver Heldens, Ben Hemsley, Vini Vici, W&W, and more. Tickets are available. Waist? Snatched, Bikini? Tight, Track? ‘Es Vedrà’: The post Armin van Buuren’s ‘Es Vedrà’ is Pure Fire On The Dancefloor appeared first on EDMTunes.

Tokyo’s very own TORUKK’s latest single, “Shinobi,” is a masterful fusion of traditional Japanese melodies and modern trance music. With its incessant and infectious melodies, “Shinobi” aims to transcend genre boundaries, appealing not only to trance enthusiasts but also to fans of pop and EDM. The track showcases TORUKK’s innovative approach to music production, blending cultural elements with contemporary sounds to create a unique and captivating listening experience. TORUKK is a dynamic Trance DJ, producer, and event organizer who burst emphatically onto the scene in November 2018. Based in Tokyo, he is a staple at prominent Trance events such as “Category Trance” at OR Tokyo and “Trance Essentials” at WOMB Tokyo. TORUKK’s influence extends beyond Japan; he has performed internationally, gracing the stage at “The Wave” in Hong Kong in September 2023 and at London’s “Cyberdog” and “Cyberdog Rave Bar” in February 2024. As a producer, TORUKK’s talent was recognized by Interflow Records, a British trance label, with whom he signed in November 2020. His original track “Gaia” topped the Beatport rankings under the sub-label Aural Sonic 138. He continued his success with a remix of “Celebration (Tribute to Cyril Ryaz)” by label owner Matthias Bishop in May 2021. TORUKK’s versatility shone through with a remix of Aki Harunari’s “New Horizon,” released by RockRiver Records in April 2022. January 2023 saw the release of “Spaceship Party” from his own label, EVT Recordings, earning the title of ‘Massive Track Alarm’ on German Radio JennyFm. Further cementing his global presence, he signed with Redux Recordings in September 2023 and released the original track “Freyja” on November 3, 2023. As an organizer, TORUKK has been instrumental in nurturing the Trance scene in Tokyo. Since April 2021, he has hosted “Category Trance” events, prioritizing opportunities for emerging DJs eager to make their mark. TORUKK’s commitment to the local Trance community continues to drive his diverse and impactful career. Explain what musical genre fits you best Trance, Uplifting Trance Were you connected with music from a young age and did anyone inspire you? I learned piano when I was young. I also played in a band when I was a student. The artist who influenced me the most is Tetsuya Komuro. In terms of trance, I’ve also been influenced by Jorn Van Deynhoven, Ben Gold, Armin Van Buuren, Ferry Corsten, etc. What kickstarted your music career? When I was a student, I was influenced by Tetsuya Komuro and bought a synthesizer, which is what led me to start playing music. Tell us more about your sound and how it’s evolved over time When I was a student, I was in a band and covered songs by Tetsuya Komuro, and also joined a friend’s rock band and covered a variety of songs. Then work got busy and I took a break from music, and about five years ago I started DJing. As a DJ, I mainly play Trance music. Any words you want to share to encourage other artists or producers? I started DJing in my mid-30s, and since then I’ve performed at various clubs and released original music, so I don’t think age is an issue. How do you nurture your industry relationships? I’m hosting an event called ‘Category Trance’ in Tokyo, Japan, and Ed Lynam from Ireland performed there. After that, artists from various countries contacted me. Since then, artists from Hong Kong and the UK have also performed, and I’ve been able to build relationships with them. I’ve also performed at an event called ‘Trance Essentials’ held at WOMB, and have been building relationships with the Trance music community in Japan. Is there anyone you’d like to thank that’s been crucial to your journey? I would like to thank the Japanese DJ and producer Fumoffu and the organizer YOSHIMASA for inviting me to ‘Trance Essentials’ early in my DJ career. I would also like to thank the performers, venue staff, and customers who attend the event ‘Category Trance’ that I am currently hosting. Name 3 songs you love and what they mean to you Boy meets girl This is the song that got me interested in music when I was in junior high school. Genesis of next This is the song that got me into Trance music. Fake ID This is still my favorite Trance music since I started DJing. What’s your favourite piece of studio equipment or software? When I was a student, I used a Yamaha Motif and a Nord Lead synthesizer. Currently, I use Logic as my DAW, and a variety of other software synthesizers such as Spire, Nexus, and Omnisphere. Name your favourite club or festival and how it makes you feel My favourite music festival is the Fuji Rock Festival. The festival is held at the Naeba Ski Resort in Yuzawa, Niigata Prefecture, Japan. It’s rich in nature, there’s a great variety of music, a relaxed atmosphere for participants, and the level of the performers is very high. It’s an extraordinary experience, so I’ve been attending every year since 2007. Favourite clubbing memory and who or what did it involve? I remember DJ Fumoffu having a good time drinking at WOMB’s ‘Trance Essentials’. On her birthday, more than 20 bottles of champagne are served. What famous quote represents you best? “Create your own opportunities and use those opportunities to change yourself.” These are the words of Hiromasa Ezoe, founder of Recruit Co., Ltd. I love these words. If you could play at any venue, where would it be and why? I want to perform at Fuji Rock Festival because it’s my favourite festival. Music is….. (explain more) Music is freeing, sometimes encouraging and sometimes relaxing, and I’ve made friends through music. One song you really couldn’t live without and why? As I mentioned before, it’s ‘Genesis of next’. It’s the song that got me into Trance music. Namedrop your favourite 5 artists or DJs (past or present) Tetsuya Komuro TRF globe Jorn Van Deynhoven Ben Gold What was your first music memory and how did it fuel your fire? It’s ‘Boy meets girl’, which I mentioned earlier. I was fascinated by the beautiful melody and beautiful synthesizer sounds, as well as the unprecedented unit format of a DJ, dancer and vocalist. Tell us more about your plans for the future I may perform in the Netherlands in March next year. I released a new song, ‘Shinobi’ in July this year, and will continue to release new songs in the future. Any worldly advice you’d like to share? I think it’s important to keep going and not give up. And also to be humble and kind to people Stream Shinobi Now Follow TORUKK Follow Category Trance The post Japanese Trance Producer TORUKK Unleashes His Latest Powerful Anthem ‘Shinobi’ + Artist Interview appeared first on Electic Mode.

The club heater features re-recorded vocals from the pop trio’s Number One hit ‘Round Round’ Continue reading...

Propelling listeners into the stratosphere with pulsating techno beats, Burak Yeter and Le Twins have teamed up for a new track, "MOON." The Turkish producer and sisterly DJ duo have landed in the orbit of Dim Mak Records for the new collaboration, where ethereal vocals float atop a relentless bassline as heartfelt lyrics paint a vivid picture of an otherworldly romance. Le Twins' vocals evoke the awe-inspiring sensation of first contact with lunar soil, translating that historic moment into a metaphor for profound human connection. Meanwhile, a pumping rhythm mimics the gravitational pull of Earth. As the song progresses, its cosmic energy grows more infectious as layers of airy synths build to create a soundscape as vast and mysterious as the planet itself. Yeter and Le Twins also released a shimmering music video for their track, transforming a spaceship into an interstellar dancefloor. Watch the official music video for "MOON" below and find the new single on streaming platforms here. Follow Burak Yeter:Instagram: instagram.com/burakyeter X: x.com/burakyeter TikTok: tiktok.com/@burakyeter Facebook: facebook.com/burakyeter Spotify: tinyurl.com/mr2ab7z3 Follow Le Twins:Instagram: instagram.com/officialletwins X: x.com/letwinsofficial TikTok: tiktok.com/@letwinsdjs Facebook: facebook.com/officialletwins Spotify: tinyurl.com/yc67swtc

As one of the premier summertime festivals in Southern California, HARD Summer is expected to once again deliver two days of heavy-hitting beats and groovy melodies under the sun. Poised to take over Inglewood's Hollywood Park this weekend from August 3-4, Insomniac's summertime soiree will boast five stages spread across a massive footprint directly next to SoFi Stadium. Each stage will offer a wide array of electronic tastemakers from across the spectrum. For many of these acts, performing at HARD is one of many stops along their busy summer touring schedule. Known as the peak of festival season, these summertime events can find artists traveling across the world, and as such, require some crucial traveling items for maximum comfort. We explored this year's lineup and asked five artists to share what their most essential items are for this summer's touring season. From headphones to street food, these are some of the must-haves from your favorite DJs. ARMNHMR“It’s hard to say. The most essential thing I use for this festival season are my set of Nike dry-fit shorts. Summer means everything is hot and humid everywhere. Shorts are mandatory during festival season.” c/o Monstercat SIDEPIECEParty Favor: "Freshly washed black hand towels. It keeps you fresh and clean on stage and off. Man’s best friend." NITTI: “My Airpods because a well-charged AirPods case will help you sleep through all the screaming babies on tour.” Jimmy Fontaine LUPA“The most essential thing for a good summer tour is the post-festival street hot dogs. After a long day, there’s something comforting about their grease. Some friends to dance and party with is also pretty essential!” c/o Press Panteros666"My summer tour essentials are my 2000s cycling jerseys, they have to be coordinated as killer outfits with trousers because the colors need to match. I bring a few so I can adapt to the weather and the party vibes, going from extra colorful to more technical." c/o Press Hayes Bradley“Touring hours can get hectic and staying healthy is hard. I always bring running shoes to try and get some miles in the next day because I have a marathon in a few months. And it keeps you a little sane. But also beer. Can’t tour without those.” c/o press Follow HARD SUMMER:X: x.com/HARDFEST Facebook: facebook.com/HARDFest Instagram: instagram.com/HARDFEST

David Guetta & Afrojack – Raving David Guetta and Afrojack‘s dynamic and influential partnership began in the early 2010s, with releases ‘Louder than Words’, ‘Titanium’, ‘Hey Mama’, ‘Another Life’, and ‘Hero’. Now the pair return with another highly anticipated single. ‘Raving’ sports a hard-hitting, club-heavy bassline, and marks a triumphant return for the duo, showcasing a new sound that celebrates the club scene and reaffirms their significant impact on dance music. Armin van Buuren – Es Vedrà By title and sound, Armin van Buuren’s new single has got to be one of the most definitive summer-soundtracking cuts of the year. Ahead of his upcoming September residency at Ushuaïa, he releases ‘Es Vedrà’, named after his favorite spot on the beloved island and serving as a tribute to its magic. Already played by global tastemakers such as Pete Tong, Adam Beyer, Chris Lake, Dom Dolla, and Meduza, the track is set to be this year’s Ibiza summer hit including uplifting melodies and powerful rolling drums. ISOxo & Knock2 presents: ISOKNOCK – 4EVR ISOKNOCK, the boundary-pushing duo composed of ISOxo and Knock2, have just released their surprise debut album, ‘4EVR’, an unexpected drop that exemplifies the pair’s fervent drive to redefine the next decade of dance music. ‘4EVR’ is an eight-track masterclass on radical, runaway imagination. The album sees ISOKNOCK flip electronic convention on its head, filtering thrashing trap beats, experimental production, and vintage dance-pop through a punk rock lens – a genre-defying approach that leads to a bracingly-original body of work. Malóne & CJ Jeff ft. Ellivia – Missing (Back To You) Malóne has joined forces with Greek artist CJ Jeff and talented vocalist Ellivia, on their new single ‘Missing (Back To You)’. Dropped on Spinnin’ Deep, this Afro House anthem reinvents the classic 1994 hit ‘Missing’ from English duo Everything But The Girl. The single brings an infectious house groove with crisp percussion into the mix, all coming together for a perfect dance number. Dual Damage – Burning Down Trailblazing the rawstyle genre, dynamic Dutch duo Dual Damage have taken the hard dance music scene by storm over the past year, and they continue to do so with ‘Burning Down’. A track that has been rigorously tested in duos sets over the past months with the response has been nothing short of explosive. Fans have been begging for its release, flooding Dual Damage‘s DMs with demands to drop this banger and they are finally doing so. Honorable mentions: Audien ft. Jeoff Harris – Living In Color Chicane – Freefall GoldFish & Watermät – Moonwalk Season Gryffin – PULSE (Album) Klangkarussell & GIVVEN – Petrichor Lucas & Steve & Laura White – Are You Ready Madison Mars – Favorite Sound Mairee, Rave Republic, Karlie Chui & Carston – Song In My Head MARTEN HØRGER, CRÜPO & Swen Weber – Get Low (feat. Stush) MOGUAI, David Puentez & Salvatore Mancuso – Your Love NERVO, 22Bullets & Naeleck – Voices Olly James – Mirror Raaban x Julie Bergan – ICONIC Ran-D ft. Diandra Faye – When the Gods Call Sonny Wern & MOTi – Monsters Yves V, Madism & liquidfive – You Stream all these tracks and more in our New EDM Friday playlist – follow here.

Today, hard techno’s fiercest force Sara Landry unleashes the next high-powered hit off her highly-anticipated debut album, ‘Pressure‘, in collaboration with Latvia-born, London- based artist and celestial songwriter, LEGZDINA. Delivering a full-throttle demonstration of Landry’s artistic range and boundary breaking vision, the genre-defying track fuses together hard techno and hip-hop elements at breakneck speed, conjuring an infectious new sound uniquely in a category of its own. Feeling the Pressure? Harnessing the essence of each artist’s signature style, ‘Pressure’ offers an unexpected sonic synergy that is innovative and explosive. As a result, we get the deliberate blend of Landry’s driving beats and thunderous basslines. Furthermore, we see that LEGZDINA’s commanding vocal delivery emulates an indomitable sense of confidence, intrinsic to divinely feminine power. @veesanders 2023 Showcasing her own songwriting prowess for the first time, Landry and LEGZDINA’s collaborative lyrics infuse a viscerally addictive layer. This results into the already enthralling listening experience. Brazen, bold and unapologetic, ‘Pressure’ arrives as an anthemic testament to rebellious experimentation. In effect, it captures the “bad bitch” energy of the dynamites behind the track. “Pressure is a hard banger about knowing and being the most powerful, sexual version of yourself that attracts whatever you want. It’s about female dominance and knowing your way around the Club scene and it’s etiquette. This is advanced level club land. When Sara invited me to the session and told me the assignment, how could I not come through and lay down some funny, sexy and compelling silliness? When bad bitches unite it’s a powerful thing. We need to be direct about what we want, no regrets, no backing down, be your witchy self and watch how your life aligns. After all, lowkey they want the pressure, right?” LEGZDINA “I was in my second studio session of the day when LEGZDINA came into the studio to start this project and I liked her immediately – We hit it off right away. I got some drums in the mix, showed her the tempo, the groove and the track and we just started bouncing ideas off each other. We co-wrote all the lyrics together and she got in the booth, absolutely laid it down at 160 BPM – because she is amazing – and we finished ‘Pressure’ a few hours later. This is the first time all of my bars for a hip-hop track have gone anywhere – I have a ton of lyrics I’ve written and never used before – so it’s cool that they’re now seeing the light of day on ‘Pressure’. I am very excited for this release, it’s for the girlies and anyone trying to have their it-girl summer. If that’s you, we know you’re going to love it too.” Sara Landry Equal parts a tastemaker and a provocateur, Landry is also the founder of the disruptive imprint, HEKATE. The label has seen releases from techno titans such as Nico Moreno, Shlømo, Charlie Sparks and blk., as well as more emerging talent in the category and Landry’s own creative endeavors. Landry etched her name in history as the first artist of her genre to play the Tomorrowland Mainstage last weekend. Meanwhile, setting new precedents and pushing the category on a global scale. And thus, with her debut album just around the corner, we can thoroughly enjoy this violent and delicious journey. The post Hip-Hop Meets Hard Techno in Sara Landry’s ‘Pressure’ appeared first on EDMTunes.

Inspired by his early-mid 2000s roots, PULSE triumphs as an ode to electronic music’s golden era, capturing a kaleidoscopic medley of progressive house, melodic techno, drum & bass, deep tech, trance and the various sub-genres that exist between. Gryffin has proven again that he is one of today’s most versatile hit makers. His third studio album also hosts a colorful collection of collaborations with producers across the electronic spectrum which include Armin van Buuren, Elderbrook, Disco Lines, Whethan, Shift K3Y, and more. It also has vocal appearances by superstars Rita Ora, John Newman, MAX, Calle Lehmann, ZOHARA, and more. Listen here. While emulating the lyrically-led nature of his previous albums Gravity and Alive, PULSE strikes a different tone with upbeat rhythms and elevated synthwork. The album is crafted around the ebb and flow of the dance floor as an embodiment of where the music is meant to be heard. It embraces the collective energy and interpersonal spirit found throughout electronic music. Envisioned for audiences of both his pop leaning collabs and the more rave curious, PULSE is a shot of adrenaline that draws from Gryffin’s early experiences in the electronic underground. The post Gryffin’s Third Studio Album PULSE Has Arrived appeared first on EDMTunes.

Industry veterans David Guetta and AFROJACK‘s latest collaboration, ‘Raving’ is out now. The duo has been teasing fans with snippets of the track throughout the summer, building immense excitement and anticipation for the full release. Known for their chart-topping hits and influential partnership, Guetta and AFROJACK have been at the forefront of EDM for over a decade. Their collaborations, including iconic tracks like ‘Louder than Words,’ ‘Titanium,’ ‘Hey Mama,’ ‘Another Life,’ and ‘Hero,’ have redefined the genre and solidified their status as global superstars. Their ongoing partnership has seen them perform together at major festivals around the world, including Tomorrowland 2024 in July, where Guetta brought out AFROJACK – his only guest during the headline mainstage set – to premiere ‘Raving’. Guetta and AFROJACK have also shared the stage twice so far this summer at Ushuaïa in Ibiza, as part of Guetta’s legendary ‘F*** Me, I’m Famous!’ residency at the 7,000-capacity outdoor venue. ‘Raving’ is another explosive addition to their impressive discography, blending Guetta’s infectious melodies with AFROJACK’s signature high-energy beats. As the summer reaches its peak, this track is set to be the ultimate anthem for dancefloors around the world. The post David Guetta and AFROJACK Release New Summer Anthem ‘Raving’ appeared first on EDMTunes.

A Boiler Room event in Seoul was cancelled due to overcrowding and safety concerns. Last Saturday’s party was shut down three hours earlier than scheduled as headliner Peggy Gou was taking the stage. Fire services estimate that over 4000 tickets were sold for a venue with a capacity of only 2,000, The Korea Times reports. Other publications, such as Hindustan Times and Korea JoongAng Daily, have suggested the amount of people in the venue was closer to 6,000. There were no casualties, but at least five attendees experienced breathing difficulties. 다른 분 얼굴 나와 죄송하지만 수용 인원 몇 백 퍼센트 이상으로 티켓 판매한 보일러룸 서울 주최측 때문에 안에 계신분들 질식해서 경찰 119 출동하고 행사는 그대로 취소됨 여긴 그냥 아비규환임 사람들 아직도 나오는 중 pic.twitter.com/epnXmCOeIH — pourquoi? (@3gn1ledx) July 27, 2024 In a recent interview with Resident Advisor, Soichi Terada who was supposed to play the closing set claimed that he was unable to enter the venue. In a statement posted to their Instagram Stories, Boiler Room refuted claims of the event being oversold. “Contrary to what has been reported, we sold to the capacity that was instructed by our partner in Seoul,” the statement read. “At the time the event ended we were under capacity.” Boiler Room suggested that the actual reason for the closure was “crowd-flow issues,” and confirmed that all tickets will be refunded. “We’re reviewing our systems internally to make sure this doesn’t happen again.” The party was part of Boiler Room’s world tour. The brand will host events in cities such as London, Stockholm, Ghent, Washington, D.C. and Los Angeles in the coming weeks. The post Boiler Room Seoul Cancelled Following Safety Concerns appeared first on Electic Mode.

After starting Relentless Beats in 1996, Thomas Turner has become the leading events organizer in Arizona, organizing the biggest festivals such as Decadence, Super Unnatural, Pheonix Lights just to name a few, and produces 400-500 shows a year. With other 20 years+ in the industry, he decided to take his expertise in the space to start East Meets West in January 2023 alongside partners Max Rosoff and Kevin Mitchell. And since then, they have been bringing bespoke experiences to the New York City dance music scene, hosting Anjunabeats at Pier 17, Tchami at Angel Orensanz Foundation, and Gareth Emery at the Kings Theater to name a few. More recently, Thomas and his company presented Chris Lake’s Black Book Takeover as a doubleheader at the Brooklyn Army Terminal which is an unique open air venue with a picturesque waterfront view where both nights had a stunning 9000+ in attendance. EMW continues to shake up the market with novel experiences for both artists and fans alike, with their most recent announcement being Brownie & Lemonades taking place at Under the K Bridge. I had the opportunity to speak with Thomas during the weekend to hear his insights on running Relentless Beats, EMW, and the planning involved for the massive weekend with Chris Lake. photo credits:: @jpeg_eric You founded Relentless Beats in 1996 with a focus on dance music. What were the biggest challenges you faced in turning that passion project into a dominant force in the electronic music industry? Thomas: Early on, when I started doing dance music, it was very subculture. Back at that time, or early 2000’s, dance music was not mainstream yet and most college kids weren’t interested in dance music. So, it was very challenging to stick with the passion project of dance music, when it was a subculture up until 2006-2008, when the EDM boom really happened. And then for guys like me, who had been doing electronic music for 10 years, it was an opportunity to grow a company, hire employees, and expand because it had actually become a commodity that more people are interested in. To follow up on that, how did the Arizona market affect the growth in your company? Thomas: If you go back to the 90s, I was a DJ in Arizona, and I was playing with the likes of Richie Hawtin and Carl Cox at Pompeii in Tempe. As a DJ and contributor in that way, I learned a lot about the scene and industry. Then the club owner named Steve Kusher that I played for about five years moved on to start a company called Mindful for Magazine. He would move on, vacate the space and it gave an opportunity for me to become a promoter in my market unobstructed by politics. And I’ve been the main provider for electronic music ever since in Arizona, and over the past 10 years, spread our wings into various other markets, developed many music festivals and special events, and produce between 400-500 events a year now. You started EMW Presents in January 2023. What were some of the steps that you had to take in order to start launching and promoting events in New York City? Thomas: The team that I work with as partners on this project, are people that I’ve been peers with and friends with for a long time and there was a lot of conversations around some other entities that we might have partnered with or purchased here in New York. Those were exciting conversations and when it became clear that those things weren’t going to come to fruition, we still had a passion to start a company together. We saw an opportunity to work together and advertise each other in this business and so I had a chance to make a difference for those guys by creating a bridge for them. So I told them I was starting a company and bringing them on as partners which led to the start of East Meets West. EMW seems to have a focus on using unconventional venues for dance music events. What initially drew you to this approach? Thomas: This was an opportunity to do something from the start with all the experience that we have on the team from so many years of producing events. When I started my companies, we started those doing our absolute best, doing the best we knew how. But now we look through different lenses of experience, and we can do things the way we want. We’re looking for bespoke opportunities and venues to produce events that can identify us as a producer to watch, and a producer that can hopefully provide experiences that is at an elite level. That’s really the goal. So when you look at what we’re doing here, it’s a very expensive and unapproachable venue, typically. But we aim to change that and normalize something like this. A lot of the feedback that I’m getting in the market and artists is that they’re tremendously excited to do a show like this. Some of the phone calls we’ve had in the past couple days are the most important names in the game, and they want to play here, they want to do the show. So, the future looks really bright. How do you go about securing these more unconventional locations as venues? Thomas: We’ve worked with some of the city’s best lobbyists and if you’re new into the scene, you wouldn’t have the resources and you wouldn’t have the know how. Coming into this era of my career, it was part of the planning phase to hire lobbyists and to work with those people to help forge the right relationships with the right venues that might think that partnership with us is not conventional or doesn’t work. And through a lobbyist’s voice can say, you know what these guys are actually vetted and they would be good partner if you’re wanting to look at this and so that’s taken down some of the guard of some of the people that might have been harder to to get a relationship with sooner. Can you tell us a little more about all the planning and steps it put on this weekend’s event at the Brooklyn Army Terminal? Thomas: I’ve been promoting Chris Lake shows for about 20 years now, and I have a long extensive relationship with him, a very close relationship with his agency, his record label, his management, and produce a lot of great shows for Chris. So being in New York, and having this venue as something that I could pitch to him worked out. He wanted a new show and he wanted to have a bespoke experience for his fans. New York summer was a good time to interject something like this. Then having the venue willing to partner with me, and having the staff that I do to run events allowed me to say yes, in a time where it’s a little slower and hot in Phoenix and bring a lot of my staff out to execute an event perfectly. In a recent interview with Pollstar, it’s mentioned that you feel NYC could do with some more competition in the dance space, how do you believe EMW Presents can contribute to a positive evolution of the scene? Thomas: I believe that as a producer, you’ve got to go through your playbook and run all the shows that you have. But artists, managers, and agents are looking for something fresh, and something new to present their artist’s frame. And so I hope to be someone that can bring some different plays and some different looks. I’m not looking to dominate the market and be the only player. I think there’s a lot of great creatives in this market. I just want to be here and participate. I was looking for something a little bit more challenging at this point in my career, something that I could express my talents and all the experience that I have. In New York, at this transitionary time with everything in the market seemed like a good time to interject now that a lot of the main players that I respect and looked up to are not as active like they once were on the market. And so I stepped in during that time, so I could have the least friction with people being upset that I’m here because I’m here to make a positive difference. Within the event promotion space, what advice would you give to aspiring entrepreneurs in the music industry? Thomas: You can accomplish anything that you set your mind to if you put the work in. If you are good to the people that you asked to help you and you continually stay loyal to them and build as one unit, that unit can accomplish so much. Some of the promoters I even see in today’s day and age, lack the people skills within their own internal organizations to push their companies forward and I think that’s really where it start. If your team doesn’t have your back and your team is not there to deliver for you, you will have a really tough time delivering on your own. I’ve got Relentless Beats as my backbone and it’s carrying over to EMW. At Relentless Beats, we’re all family. We’re a community. People don’t just leave. This is a special thing that we’ve got and we aim to do the same thing at EMW. photo credits:: @jpeg_eric Are there specific types of genre events you’d like to explore beyond dance music? Thomas: I would like to apply all the knowledge that I have to the country music scene and create a festive party country music scene. I would like to build the classic rock scene because I grew up in that era and would love to be doing events with classic rock. Not as much of a market for that, but I thought about it my whole career., and so we will see. photo credits:: @jpeg_ericThe post EDMTunes Chats With Founder of Relentless Beats and EMW, Thomas Turner appeared first on EDMTunes.

The future of dubstep is actually hip-hop — and Kemal Berk Alkanat, better known as Tape B, is leading the charge. Known for flipping modern classics of hip-hop’s beloved “mixtape era” that defined the early 2010s (Mac Miller’s “Loud,” Wiz Khalifa’s “On My Level,” etc.), Tape B has become one of the hottest dubstep acts in North America. But how did a kid from Istanbul make his way to the top of the charts, and make a track with Juicy J? By combining two of his favorite things: nostalgic hip-hop music, and old-school dubstep. He has a clear vision for what he wants the Tape B project to be, and he chases that vision relentlessly. His fans love him for it; so much so that he recently sold out Denver’s Mission Ballroom in a matter of minutes. Not to mention a sold-out national tour in 2024, and millions of streams across Spotify and SoundCloud. But SoundCloud is where Tape B thrives. It’s where he releases the vast majority of his music, which consists of flips, remixes, hour-long mixes that he calls “CarTunes,” and his own mixtape series, “Driptapes” and “Vibe Check.” Because SoundCloud is where Tape B fell in love with music in the first place. It’s where many Millennials and Gen Z fell in love with music. And, in 2024, Tape B wants to remind us why. In this exclusive interview with UKF, the young star shares his origin story, his endearing connection to hip-hop’s mixtape era, his new track with Juicy J, and more. Your creative output is crazy. This year alone, you’ve already released two original tracks, two official remixes, Driptape Vol. 5 mixtape (with seven new flips) Vibe Check Vol. 2 (also with seven new flips), and the CarTunes Vol. 3 mix. How do you manage to release so much new music all the time? Is there a secret sauce to staying in the creative zone? There’s not really any secret sauce — I just love this shit. All I can think about is making music. Whenever I’m not making music, like even when I’m playing video games or whatever, I find myself wishing I was making music instead. I make music when I’m on tour too, and that’s cool, but nothing beats the feeling of sitting in my room, in front of my studio speakers, making new music. That’s my main hobby, and I love that so many people are ready to listen to my music whenever I drop something new. How much music do you make that never actually gets released? Dude… so much. I probably make between 5-10 songs a week, but i doubt anyone will ever hear 8 of those songs. I know I’m going to share a new song if it makes me giggle while I’m making it. Because, at the end of the day, music is about having fun. If I’m not giggling and having a great time, what’s the point? I’ll just trash it and move on to a new song. I think that’s another reason I release so much music, because if an idea doesn’t work, I’m good at moving on. That’s a great skill to have!” A big part of your catalog, and a part of what makes the Tape B project so special, is how you flip hip-hop tracks from the beloved ‘mixtape era’ that defined the early 2010s. Would you say the Tape B project is a byproduct of the mixtape era? Definitely, 100%. When I moved to Florida from Turkey when I was three years old, my parents only listened to Turkish music. Obviously, none of my new friends in America listened to that, and they kinda looked at me funny because the music was so different. But when I got a computer in 5th grade, I discovered YouTube and Vivo. That’s where I first fell in love with hip-hop, thanks to artists like Lil Wayne, Akon, T-Pain, and Young Jeezy. Hip-hop has been my favorite thing to listen to ever since. But when I started smoking weed in high school, that’s when I REALLY fell in love with it all. Those were the golden years of the mixtape era, when SoundCloud was at its absolute peak. You had Travis Scott’s Days Before Rodeo, Chance The Rapper’s Acid Rap, Flatbush Zombies’ Better Off Dead, and Black Hippy dropping hella tracks left and right. That era means so much to me. Honestly, whenever I think back to the happiest moments of my life, it’s really just smoking weed with my friends and listening to SoundCloud mixtapes while the hotbox fogged up our car. Literally, I couldn’t be happier than that. Do you have a favorite mixtape of all time? Days Before Rodeo by Travis Scott, for sure. I’ll never forget the first time I heard Travis Scott. Days Before Rodeo came across my SoundCloud one night when I was in highschool, and I clicked on it because the cover looked cool. But the music spoke to me — I stayed up all night listening to that mixtape over and over until the sun came up and I had to go to school. I was on such a high, I’ll never forget it. I was just thinking ‘There’s no way this exists.’ I was in awe the entire next day, too. I think that’s why people resonate with my remixes and hip-hop stuff. Because there are a million people out there that have a story just like that, discovering their favorite mixtape for the first time and being blown away. It’s fun to be reminded of those times, you know? So when did you discover EDM then? Was that also something you listened to growing up, or did you find that later? I would say I got into electronic music around 8th grade. I loved Glitch Mob and that kind of EDM. It was very ethereal and sort of lo-fi, but still UKF vibes. Honestly, I didn’t really realize it was ‘electronic music’ at the time. I just knew it sounded cool. But I actually discovered dubstep through anime music videos. I was super into anime, especially Dragon Ball Z and Naruto, and I would watch random YouTube videos of fight scenes from my favorite animes. At some point, they started incorporating dubstep in those videos. I went down a rabbit hole and eventually found all the UKF dubstep stuff, and the rest is history. Oh, and Amazing Lights gloving videos. I thought that stuff was so cool. All these years later, and you’ve managed to make a name for yourself by combining these two genres (EDM and dubstep) for some of the craziest tracks I’ve ever heard — including “Trippy Land,” your recent collaboration with Mersiv and Juicy J. How crazy is it you got to create a song with a legend like Juicy J? It’s so insane! Honestly, it still doesn’t feel real. When we sent the track over to Juicy J, we didn’t think they were going to reply… but a few hours after we sent it, his team hit us back like ‘Juicy J likes the tune, we’ll get you vocals.’ The next week, we got the verse. Within the month, the track was out. It all happened so fast. The whole time I was like ‘is this actually happening?’ The first time I heard Juicy J say ‘I’m rollin with the homies, Mersiv and Tape B,’ I thought I was dreaming. That dude is one of my idols. A top-five favorite rapper of all time for me. What does the name ‘Tape B’ mean, and how did you land on that name for the project? The name ‘Tape B’ actually goes way back for me. When I was in highschool, I drove a 2005 Volkswagen Passat, and the only way to use an aux cord was through a cassette tape. So, whenever I plugged in a cassette tape, the screen would light up and say ‘Tape B.’ I was hotboxing and freestyling with some friends one day and my homie was like ‘yo, you should be a rapper, and you should call yourself Tape B.’ I couldn’t really rap like that and it was kind of a joke, but I loved sharing music with my friends on SoundCloud, so I made my SoundCloud account Tape B. When I started producing music, it made sense to keep that name. Still, it took a while for me to really figure out what the Tape B project was. The first day I started producing music, I asked myself ‘Who is Tape B? What does Tape B sound like?’ and for years, I never knew what the answer was. Then, one day in 2020, I came back home from a set I played in Tampa that just wasn’t good. I was so frustrated with myself, and I just started going through a bunch of old tunes on UKF’s YouTube channel. All of a sudden, it clicked. I though ‘I love these songs so much, why don’t I just make shit like this?’ That night, I made three remixes to Eyes On Fire, For The Kill, and Gold Dust. That was the moment I finally knew the answer. I Finally knew exactly who Tape B was. I see the cassette tape in a lot of your branding — from your live visuals to your cover art. It’s funny, because in the intro to “Yo Tape B,” the narrator is talking about how people who were born after the cassette tape era still feel a connection to cassette tapes. So, I gotta ask: why the cassette tape? Do cassette tapes hold any special place in your heart? Not exactly — it’s more of the idea of what a cassette tape represents. Cassette tapes feel nostalgic. They represent a rewind in time, which is kind of what I’m aiming for with Tape B. A lot of the music I make and the songs I flip are nostalgic. Tape B is supposed to highlight an era of music that has kind of been forgotten about, but so many people have a connection to those tracks when they hear them. I love how you incorporate the cassette tape into your visuals, especially during your two-night run at the Ogden Theater last year. You’ll be doing another two-night run at Denver’s Mission Ballroom in November, which will be your biggest headline yet — plus, you sold out the first night in minutes! What should we expect from that show? It’s going to be crazy — when I did the Ogden Theater last year, I didn’t think I could get any bigger than that. When I stepped off that stage, I thought “Are we done? Is this it? Did I finish EDM?” Now, less than a year later, we’re doing two nights at Mission Ballroom, and it’s like… woah. I guess we’re not done yet. We’re going insane with production at Mission Ballroom. I want to throw the coolest show possible, and I’ll do whatever it takes to make that happen. I hope it’s the coolest show you’ve ever seen in there. Plus, the support is incredible — we’ve got Kill Safari and so many other sick legends and dope artists. I can’t wait. What else can fans look forward to this year? Dude… I’m sitting on way too much music right now. There’s a Ganja White Night collab in the works, and so many other collabs I don’t think I’m allowed to talk about yet. There are a few EPs I’m working on, but I don’t think I’m dropping an album any time soon. I know fans would love a Tape B album, but I think that’s something I need to put much more thought into. I want to work with a ton of musicians to craft my debut album, and it needs to be something really special. You can’t rush these things — that’s one of the most valuable lessons I’ve learned in life. Because every time I rush something, I fuck it up somehow. Or I realize that it wasn’t the right time, and I ask myself ‘Why did I do that? It would have been so much better if I waited and took my time.’ I feel like that’s something life has been trying to teach me for a while, and I’m trying to listen. I’m not in any rush. FOLLOW TAPE B: INSTAGRAM/TWITTER/SOUNDCLOUD

AlphaTheta announces the release of “The Evolution of Ibiza.” But what is it? “The Evolution of Ibiza: Can the White Isle retain its legendary magic?” is a new feature-length documentary exploring the evolution of the island’s club scene. Research conducted by AlphaTheta (Pioneer DJ parent company) found that more than 77%* of club-goers see Ibiza as a must-visit destination for clubbers. They also found out that over 63%* agree that nowhere else on Earth compares to the unique dance music culture found on the island. But how did Ibiza transform from a 60s hippy hangout to the world’s no. 1 party zone? And with prices higher than ever – for everything from flights, hotels, club tickets, and drinks, to living costs for the island’s workers – can Ibiza stay true to its roots and offer a sustainable scene that’s open to all? Or is the White Isle on course to become a luxury playground for only the richest party people? Covering different topics in “The Evolution of Ibiza,” there are producer/directors Dan Tait and Laurence Koe. They explored the impact of commercialization on this world-famous island. Insight comes from club promoters, locals, government officials, and DJs who’ve seen Ibiza evolve over several decades. You’ll see Carl Cox and Norman Cook, as well as artists such as Franky Wah and Chloe Caillet. With these new artists, there’s an interesting view of how they driving today’s scene without really having experienced what was before. 2022 and 2023 both saw extended summer seasons in Ibiza. Clubs, venues, and hotels sought to recoup the cost of Covid. Over 80%* of respondents to AlphaTheta’s survey said that if money was no object, they would consider visiting Ibiza for a holiday in the future. The question is: how long can it last? “The Evolution of Ibiza” seeks the answers. *Statistics are taken from an independent survey of 1,000 regular club-goers aged over 18, commissioned by AlphaTheta and conducted by Censuswide in June 2024. The post Watch in-depth documentary on the evolution of Ibiza’s club scene appeared first on The Groove Cartel.