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Introducing Funkin Matt’s latest techno masterpiece, Open Your Eyes. Out now on Oliver Heldens‘imprint, Heldeep Records, the tune is a true summer heater. Funkin Matt is not new to Heldeep fans and followers. In fact, Open Your Eyes is his 10th single on the label. The tune kicks off with a solid percussive rhythm to slow down and open up on the first breakdown. The chill synth works and clean lines prepare the listener for the melodic techno drop of the second part. The tune is clean and fresh with sounds that will flow through your soul. Funkin Matt, a renowned producer and DJ hailing from Oslo, Norway, has been a prominent figure in the electronic music scene since 2007. He is known for his ability to seamlessly blend techy electro bangers with future house bliss. Matt has consistently delivered quality music with room for experimentation and genre-twisting. With releases on labels like Tiesto’s “Musical Freedom,” Diplo’s “Mad Decent,” and A-Trak’s “Fool’s Gold,” his tracks have become mainstays in the sets of top DJs worldwide. The post Funkin Matt lands on Heldeep with ‘Open Your Eyes’ appeared first on The Groove Cartel.

The incident took place at the Milton Keynes event on Sunday night Continue reading...

Sammythesinner is a force to be reckoned with, and although totally unique in her journey, her love for music and rave culture started with a tale as old as time. At just 15 years old, she discovered the rave scene, frequently losing herself in the sounds of heavy bass in the backwoods of Bunbury, Australia. An important discovery period for her, and the first taste of the scene she would soon grow to adore. Flash-forward just a few years, Sammy now stands tall as a renowned promoter, producer and DJ, playing alongside the likes of Netsky, Dimension, What So Not, Mala and Troy Boi. She is – time and time again – a key player mentioned by other Australian artists. Not only for her bass-driven, relentless sets with buckets of energy but for her care and devotion to supporting and nurturing the Perth D&B scene. As a promoter, she strives to provide opportunities for others through her events Euphoria Festival, Dipped in Candy, Utopia, and Dystopia. With her latest EP dropping on Riot Records, it was time to bring her in for questioning. Sammythesinner – how did this artist name come about? Ha! I knew I’d eventually be asked this question. I’ll give you the mild version, I used to be pretty wild back in the day and my friends started calling me sammythesinner. It became more of an alter ego then it kind of just stuck with me. A lot of people online assume I’m a satanist but the truth is I’m scared of the dark so there’s no way I’d praise Lucifer. I just love being able to unleash this bad girl alter ego when I’m on stage. You’re a frequent name mentioned when it comes to both Perth but also the wider D&B scene in Australia. Talk to us about your many ventures! That’s awesome to hear! I’m currently juggling a few event brands (Euphoria Festival, Dipped in Candy, Utopia, and Dystopia) as well as my sammythesinner project. I’ve been running events for 3 years full time in between touring. I’ve done some pretty crazy things over the past year. I ran my first festival last year – Euphoria in the Fields – whilst running two weekly events, club shows and a few beach raves. This year I decided to pump the breaks on the amount of shows I was running so I could focus on music. I moved. Lots of crazy stuff, I make it work!
 There’s no rest for the wicked. What’s it like balancing life as an artist, and a promoter? Does one end up taking the lead? It’s chaotic to say the least. It can be a hard one to juggle at times. Trying to do music and organise events is very time consuming and straining on my mental health. When I first started my events company 3 years ago I quit my job and invested all of my time into my business. This meant I had little time to produce but at the start of this year I decided to run larger capacity shows less frequently so I could spend more time in the studio. Your new EP is about to drop on Riot Records – what’s the vibe? Was there any specific aim with this project? This EP is a hybrid of dancefloor and 4×4 DnB. I wanted to create a fusion of all the styles and genres I love playing in my sets. These sub-genres have been dominating my sets so naturally it started itching its way into my productions and now it’s a fundamental element to a lot of my music. This EP was by far my best work to date and I was over the moon when Georgie was keen to sign it to Riot Records. I couldn’t have found a better home for it. We’re taking it back a little bit now Sammy; why did you start a career in music? What’s the driving force behind your work? I have been obsessed with discovering new music since I was in school. I bought my first set of controllers when I was 14 so I could teach myself how to mix. I had no idea what I was doing back then but, I threw myself in the deep end and played at house parties. When I turned 18 I moved up to Perth to do a DJ course at Lab Six. I then decided I wanted to delve deeper into music so I studied a Diploma of Sound Production at SAE Institute. I would say the driving force was the fact that I had this unhealthy obsession with music and I couldn’t picture myself in any other career. Love that. How has your sound adapted since ‘Sweep’ and ‘Purgatory’? My sound has evolved massively since ‘Sweep’ and ‘Purgatory’. I came from a trap / future bass background so naturally those elements trickled into those productions. My sound has become a lot heavier, deeper and darker. Last but not least: How has the scene changed in Australia/Perth over the years and what do you think needs to be done to help further develop it? The Australian music scene as a whole is struggling, festivals are getting cancelled due to the lack of ticket sales, talent pool is limited, cost of living is high so people aren’t going out as much and tend to invest in the bigger-scale shows. Although the D&B scene here is strong. Especially in Perth, our community is forever expanding. There is a lot of saturation in the market, however, I have been quite fortunate as my brands are unique in their offerings. I think if there was more fairness in the scene in terms of getting talent, that would lead to more successful events.

The dynamic music scene welcomes a new hit today as The Botanist releases the house banger ‘Change It’ on Club Level Records. Known for his infectious energy and powerful messages, The Botanist does not disappoint with this latest track. An Anthem with a Message ‘Change It’ is more than just a house anthem; it’s a call to action. With lyrics that resonate deeply, the song delivers a profound message encouraging listeners to take control and transform their lives. The simple truths embedded in the lyrics act as a wake-up call, offering positivity and motivation to those who need it most. The powerful words aim to uplift anyone feeling down, reminding them that change is possible. The Perfect Groove Musically, ‘Change It’ is a masterclass in house production. The high-energy bassline drives the track, creating a groove that’s impossible to resist. The arrangement is spot-on, with perfectly timed drums and effects that enhance the listening experience. Each beat and sound is meticulously crafted, making the track a joy to listen to. The second drop, in particular, stands out, delivering a burst of energy that keeps the momentum going strong. When asked about ‘Change It’, The Botanist had the following to say: “In the increasingly complex and evolving world we live in, change can be a very scary thing. I think for many there is a constant internal dilemma between dissatisfaction with the status quo and fear of the uncertainty of what could be. But if there is any guarantee of the human experience, it is that growth is impossible without change. I made Change It early in 2024 before I played at Wonderfront Festival in San Diego because I wanted to have a track that created a real moment for the crowd in the middle of my set. Since then it has been a staple in all my sets and it’s been a real joy getting to see the crowd reactions as they hear and connect to the message of the song. While the message has its depth, I wanted to keep the track fun and groovy – deep enough for a club environment yet light enough for a summer day party. This track marks a new era in the development of The Botanist sound, marked by funky bass lines, swinging percussive grooves, and lively synth work.” Rising Star from the Westside Firstly, The Botanist is quickly becoming a household name, especially on the westside of Los Angeles, CA. His unique blend of talent and charisma is winning him fans locally and internationally. Major artists are taking notice, with many incorporating his tracks into their sets, further propelling his rise to fame. This growing support is a testament to his artistry and the universal appeal of his music. With ‘Change It’, The Botanist not only cements his place in the house music scene but also inspires listeners to believe in the power of change. Lastly, this track is sure to become a staple in clubs and playlists worldwide. In conclusion, the Botanist’s ‘Change It’ is out now on Club Level Records, and can be streamed below, enjoy! About The Botanist: Bay Area-raised and LA-based DJ/producer The Botanist emerged onto the scene in 2023, and has been turning heads on dancefloors across Los Angeles, San Diego, and New York with his high-energy sets, infectious sound, and vibrant social presence. After several years producing for emerging pop, alternative, and indie artists, The Botanist returned to his first love: house music. The multi-instrumentalist blends his organic roots with heavy hitting bass lines and intricate percussive grooves, crafting records designed to ignite the dance floor. His recent releases and deep bag of new IDs have already seen support from artists like Louis The Child, AYYBO, LF System, Folamour and more. A lifelong crate digger and music enthusiast, The Botanist takes pride in uniquely curating his DJ sets to guide audiences through a seamless journey of house, disco, techno, and more. With notable festival appearances at HAGS Fest and Wonderfront Festival in 2024, The Botanist is poised for an exciting year ahead including new releases, collaborations, and shows to further secure his spot as one of the most intriguing new faces in the scene. The post The Botanist Drops “Change It” on Club Level Records appeared first on EDMTunes.

“Outside Lands has always been my dream festival,” says Jackie Hollander, reflecting on her imminent debut at the San Francisco mega-fest. On Friday, August 9th, the Bay Area native will christen Outside Lands’ beloved SOMA Tent, effectively cutting the festival rope. During an undeniable milestone, Hollander will tend the same decks as fellow performers SIDEPIECE, TSHA, The Blessed Madonna, Seth Troxler, and the list goes on. Ahead of performing at the festival she grew up attending, Jackie Hollander sat down with Dancing Astronaut to discuss her summer tour, new music, her breakthrough release in “All My Friends Are Hot,” as well as what’s next for the burgeoning tastemaker. Once the pandemic dissolved and dance floors reopened, Jackie Hollander endured a steepening rise onto the scene. Currently, she boasts releases on top performing dance imprints, including Gorgon City‘s REALM Records, Nervous Records, W&O Street Tracks, Insomniac Records, and even a one-off placement, “Freak,” appearing on LP Giobbi‘s Femme House Vol. 2. Most recently, the producer turned in “The Life” on Insomniac’s IN / ROTATION sublabel. Says Hollander, “I actually finished [‘The Life’] in one session. If I don’t bang out a song, or at least the song’s template in one session, then usually I’ll move on to another idea. That’s what happened on ‘Pass You By’ with Ellis Moss; we literally finished the whole song in one session.” “My Life” marks Hollander’s fifth single of 2024. Next on the release schedule is “Pass You By,” a joint effort alongside Experts Only signee Ellis Moss. The crowd tested ID is officially due August 9th, the same day Hollander will open at Outside Lands. As the only US artist on Palm Artists’ exclusive UK roster, Hollander finds herself frequenting London to work on music. There, she and Moss exported the final cut of “Pass You By” after what had been a “magical session.” “I think [Ellis] is absolutely genius,” Hollander emphasized, adding, “It was a big goal of mine to collaborate. My team got in touch with him, and we finished [‘Pass You By’] in one day. It’s like my favorite song I’ve ever made. I’m going back [to London] in December to do a two-week [writing] camp, just me and him, making songs every day… It’ll be so fun.” Before “My Life” and the tour announcement, Hollander delivered what would become her highest streaming song to date. Landing on Mike Weiss’ historic dance music label, Nervous Records, “All My Friends Are Hot” caught fire. Hollander recalls, “‘All My Friends’ actually took a long time to finish. I had to hone in and really work hard on it. Before the release, I was getting so many DMs about it after playing it live. It would go off. It’s fun to test your songs, either before they’re signed or before they come out. ‘My Life’ also got insane reactions. Ultimately, it’s a bit of a guessing game. You never really know who’s going to connect once the song comes out. But that’s part of the game; let’s throw some shit out there and see what happens!” On July 3rd, Hollander took to Instagram to announce her first ever summer tour. Ten days later, she kicked off a slew of high-profile gigs at Echostage for Elrow‘s Washington D.C. showcase. Now donning a sizeable uptick in monthly listeners, Hollander continued to revel in her newly conspicuous catalog at Pioneer Square in Seattle, and then in San Francisco—her home base—where she performed at Gorgon City’s Midway Block Party. “In Seattle, a bunch of people ran up to the front when I got onstage. For the first time, I felt like people knew me. It was so cool to see who my fans are; they’re all people I would hang out with! The most amazing people with the best energy.” A product of the Oakland rave scene, Jackie Hollander knows the importance of connecting with the dance floor, “I think it’s so important because those are the moments I always remember. People deserve a connection that makes them go, ‘Oh, they’re actually a person and not just a robot!” After Outside Lands, Hollander plans to bring that same energy to appearances at The Brooklyn Mirage, The Concourse Project, Nocturnal Wonderland, and other impressionable live settings. Officially a touring DJ with notable bookings, Hollander credits Peggy Gou and Charlote de Witte as two massive sources of inspiration; whose brands align with artistic integrity above the “female DJ” archetype. “It’s not about them being female DJs. They’re artists. They’re leaders of the industry. That’s what I hope to grow into. They’re my role models. I love how, sonically, they’re so different, and yet they’re so well-respected as tasteful brands in their respective lanes.” Hollander’s career trajectory is a promising one. Looking down the line, she plans to launch her own record label in “three years'” time. While unsure of the unborn imprint’s name, Hollander maintains a clear conceptual grasp of what her brand should and will embody, “I don’t know what it’s going to be called, but I know what it will be about.” She adds, “I love combining light and dark. I want the imagery of that. I would want my events to be held at sunrise or sunset. Maybe you arrive while the sun’s going down, when it’s more chill. Then it gets dark, and you get all these harder artists, rather than the more chill up-and-coming artists that played in the beginning. I want to incorporate nature in that way. I want that to be my thing. We’re already developing visuals.” With new music around the corner and published show dates through EDC Orland on November 8th, Jackie Hollander is on the brink of a fruitful latter half of 2024. Browse Hollander’s summer tour dates here, be on the lookout for the August 9th release of “Pass You By,” and buy tickets to catch Jackie Hollander’s Outside Lands debut—12PM in the SOMA Tent—on Friday, August 9th. The post Meet the Underground Talent of Outside Lands: Jackie Hollander [Interview] appeared first on Dancing Astronaut.

Mport is translating comedy into dubstep gold with his new EP, sampling a wide variety of beloved films and shows ranging from Kill Tony to Spongebob Squarepants to family-favorite Pixar films like Finding Nemo. "This longer EP is based around sampling some of my favorite scenes and media," Mport explains. "Everything I used has made me belly-laugh to tears at some point, personally, so I wanted to add my production twist on them. Also, it makes for great live visuals." The voices of beloved cartoon characters Spongebob and Patrick can be heard in "Wumbology" early in the EP, their distinct rapport strategically broken apart and spliced together over a head-bobbing beat. Meanwhile, "Hot Rod (Cool Beans)" samples two scenes from the film Hot Rod, with Mport's personal addition of experimental bass and a horn section. Dodgeball and Beavis & Butthead join the hilarity in "The 5 D's" and "Whoa Fire," respectively. While other tracks remain heavy with wobbling bass, "Pixar Party" presents itself as an intriguing house track, its beat laid over the familiar squeaking bounce of the age-old Pixar lamp. Listeners can then hear samples of their favorite Pixar films, like Toy Story, Wall-E, Finding Nemo, Monsters Inc. and more. Scene Selections isn't the only time Mport has used comical media for musical purposes. Fans attending his April 2024 show at Denver's Bluebird Theatre saw him integrate into his tracks and visuals Adventure Time and the viral YouTube web series Potter Puppet Pals, among other titles. Listen to the new EP below and find it on streaming platforms here. Follow Mport:X: x.com/mportaudio Instagram: instagram.com/mportmusic TikTok: tiktok.com/@mportmusic Facebook: facebook.com/mportmusic Spotify: tinyurl.com/mruwywx

Ookay is back with "Hold My Love," a summery dance-pop track featuring Americana-country singer-songwriter Piper Byers. The new collaboration continues Ookay's series of releases with Steve Aoki's Dim Mak Records following his five-track EP, Future Untold, and his collaboration with Cheyenne Giles on "For Life" and "My Mind." "Hold My Love" is a summer stunner, boasting an infectious chorus and an upbeat melody to warm the senses. Bubbly synths pirouette over an exuberant beat infused with the carefree feeling of a long drive with the windows down. "It’s funny how life works sometimes," Ookay said in a press release. "You meet and connect with people for the first time, and magic is made. That was definitely the case with 'Hold My Love.' And at the peak of summer? Come on now! Jam this one out by the pool!" Listen to "Hold My Love" below and find the new single on streaming platforms here. Follow Ookay:Instagram: instagram.com/ookayx X: x.com/ookay TikTok: tiktok.com/@ookayofficial Facebook: facebook.com/pg/ookaymusic Spotify: spoti.fi/2YMDsY6 Follow Piper Byers:Instagram: instagram.com/piper_byers X: x.com/piperbyers TikTok: tiktok.com/@piper.byers Facebook: facebook.com/piperbyersmusic Spotify: tinyurl.com/ywjs9pjz

A name that says it all. Lunaz Chill will bring you on an atmospheric and relaxing journey with his new Far Away. Just switch off, let go, feel good, relax, forget the stress of everyday life. Many people have forgotten how to switch off and are always available. Everyone looks at their smartphone every few minutes, spends a lot of time on social networks, or is distracted by incoming notifications. That’s how it was for successful producer and songwriter LUNAZ (Criss Tonino) until he suffered a stroke at a young age in 2019. He had to relearn many things of daily life until he was finally able to pursue his greatest passion, producing music. Dive into the deep and mesmerizing sounds of Lunaz Chill‘s latest single, “Far Away.” This track offers a sophisticated blend of pulsing rhythms and ethereal melodies. The tune is something special thanks to the vibrant yet introspective beats found in the underground electronic scene. “Far Away” layers rich, atmospheric textures with a rhythmic complexity that invites you to lose yourself in its soundscapes. Designed for late-night reflections or early-morning awakenings, this single is an essential addition to any playlist looking to capture the essence of modern electronic sophistication. The post Lunaz Chill presents atmospheric single ‘Far Away’ appeared first on The Groove Cartel.

'Godspeed' is set for release on October 11 Continue reading...

Taking place in the city's Northern Quarter, three days of live music are set to be complimented by keynotes, networking sessions and more Continue reading...

Shambhala has long been Western Canada's—and arguably the entire country's—crown jewel for electronic dance music getaways. That reputation holds firm after welcoming 20,000 people to its 25th anniversary weekend from July 26-29. A poorly kept secret tucked between the river and trees, there's a reason "Welcome Home" is a common phrase among Shambha-lifers and newcomers alike. Friendly faces constantly greet you, whether you're starting or ending your day at 8am. What separates Shambhala from most camping festivals of its scale is the logistics. Once you’re in, you’re in. There's no queue between the campsite and the festival grounds—you’re free to go as you please. This creates a holistic experience wherein you feel like you’re living in the Salmo River Ranch ecosystem for the duration of your stay, which can last a week for some guests. Take Sunday, for example. Some early birds and I happily dragged our fatigued bodies to the Living Room stage for LSDREAM’s "Lightcode" set, an hourlong meditative sound bath that definitely didn’t unearth suppressed childhood trauma. It’s okay—I was better for it. Now spiritually cleansed, we made our way to the river, which runs along the side of the festival grounds, to cool off and unwind. A short walk to camp for dinner and a nap revitalized us for the long night ahead. There are countless high-quality food vendors to keep you fueled during the 18 to 20 hours of music daily, but whipping out a breakfast burrito from my fanny pack and chowing down at a 3am set is the freedom for which my frugal spirit is here. Shambhala is an independently owned music festival produced on land belonging to its owners. Unlike many festivals, the stages aren’t torn down each year. They are permanent installations that are improved annually. This creates familiarity and curiosity as you revisit Pagoda’s laser-bathed front porch, Village’s coliseum-like halls or Fractal Forest’s endless maze of lights. Fractal Forest received the biggest makeover in 2024. The jaw-dropping, all-encompassing forest stage was upgraded with more lights and a bigger, higher elevated platform. Fractal was unique for its 360° vantage point, whereby crowds could watch from all angles. It’s still technically a 360° presentation, but the updated design pushed the stage off-center. The location and higher elevation made it difficult to see from behind the artist; it’s a net positive that improves several aspects of Fractal Forest while taking away a component that affects a minority of fans. Elsewhere, Rabbit Hole, previously one of Shambs' many hidden areas, was renovated into a small, dedicated stage to add to the festival's seemingly endless options for enjoying music. Shambhala 2024’s biggest success story is its entry process. The lines to get into the camping grounds had been notoriously grueling—you can spend between four and 12 hours waiting with your car to enter the campsites. I was unprepared for my first excursion in 2022 and strongly considered not returning after dry-aging in the sun for what felt like an eternity. AMP stage at ShambhalaRed Rose Films Some suggest bringing canopies for the line or driving overnight to avoid the sun. While I appreciate the spirit of the 20,000 people who do anything to get to Shambhala, I don’t think making camping arrangements for a queue or driving sleep-deprived to escape the heat are appropriate solutions. I am ecstatic to report that Shambhala pulverized those concerns this year. I was bewildered—and honestly still am—to arrive on Thursday night and find a wait time of 10 minutes. Shambhala not only managed to improve their dreaded queues, but they also eradicated the problem entirely. Asking around, it seems a combination of factors radically improved the process. Organizers opened two points of entry, doubled its manpower and streamlined their security process to fix what I considered their one crucial weakness. We’ve made it pretty far without discussing an important component in the “music festival” dynamic: the music. I was admittedly underwhelmed when the lineup was announced. The poster had heavy-hitters, including Chromeo, Dillon Francis, Disclosure, DJ Pee .Wee (Anderson .Paak), Excision and Subtronics, but the lineup featured many names we’ve seen at Shambhala in recent years and didn’t quite measure up to comparable summer festivals. Longtime visitors might, however, insist that Shambhala is about much more than a lineup. The set times, excluding Sunday, weren’t incredibly competitive and that allowed me to experience Shambhala with a wonderful presentness. I moved from stage to stage unencumbered by who was playing where. If I struck a good vibe, I freely enjoyed it without concern for what came next. It also cleared time to explore all the whimsical hidden details tucked out of sight. It was incredibly freeing. Village stage at Shambhala.Red Rose Films Dimension, Excision and Subtronics shook the foundations of Village, Chromeo and Pee .Wee were the lives of the party at Fractal Forest, Zingara tore the roof off Pagoda and San Holo thrilled at AMP. One of Shambhala’s great traditions is its surprise sets. We were treated this year to a surprise sunrise b2b between Subtronics and Tape B. This was warmly received considering the two dubstep stars faced stiff competition earlier that evening. The festival doubled up on special reveals. Eyebrows were raised when CloZee and LSDREAM were scheduled for separate sets at Pagoda considering the success of their supergroup, LSZEE. Well, they heard the feedback and treated fans to an unannounced LSZEE set that ranks among the best I’ve ever seen. Other highlights included The Funk Hunters, AHEE and SkiiTour. All said and done, Shambhala returned to the Salmo River Ranch in B.C. for its silver anniversary with a weekend that lived up to the occasion. The festival continues to build on its strengths, patch its weaknesses and curate some of the best experiences and fan culture in the global EDM community. Cheers to another 25 years. Pagoda stage at ShambhalaRed Rose Films Follow Shambhala Music Festival:Facebook: facebook.com/shambhalamusicfestival Instagram: instagram.com/shambhala_mf X: x.com/shambhala_mf

LIV is keeping things sizzling this upcoming Labor Day weekend with a slew of high caliber talent of artists to perform such as Green Velvet, John Summit, and Dom Dolla. If you’re in Las Vegas, Fontainebleau is where it’s at to spend the biggest weekend of the summer. Attendees can watch their favorite artists perform at LIV Beach and LIV which are located at the luxury hotel. On Friday, the party starts early with house music legend Green Velvet who will be bringing his signature acid-infused sound to LIV Beach. At night Metro Boomin will transform the dancefloor of LIV with his hip hop beats. Saturday 8/31 will have John Summit perform at the day club, and this is one party to not miss. The superstar DJ is just coming hot off his sold out performance at Madison Square Garden and the release of his album, Comfort in Chaos. Don Toliver will perform at LIV at night. And to finish off the weekend, Dom Dolla is playing the day show on 9/1 Sunday, and Swae Lee at night. 8/30 Green Velvet @ LIV Beach Metro Boomin @ LIV Nightclub 8/31 John Summit @ LIV Beach Don Toliver @ LIV Nightclub 9/1 Dom Dolla @ LIV Beach Swae Lee @ LIV Nightclub For tickets and table reservations, visit the official LIV website here. Stay up to date with all things happening over at LIV on their socials: The post LIV Announces Las Vegas Labor Day Weekend Lineup Feat. John Summit, Dom Dolla, Green Velvet, and More appeared first on EDMTunes.

Denver-based producer MPORT has officially dropped his highly anticipated EP, Scene Selections. The project is a love letter to pop culture, expertly blending nostalgic samples with MPORT’s signature bass-heavy sound. From the SpongeBob-inspired ‘Wumbology’ to the “Hot Rod” inspired ‘Hot Rod (Cool Beans),’ the EP is a playful and infectious journey through some of the most beloved moments in film and television. Each track is a testament to MPORT’s ability to transform familiar sounds into dancefloor-ready anthems. The project has already garnered significant attention, with fans and critics alike praising MPORT’s unique approach to sampling and production. As he continues to rise through the ranks of the bass music scene, ‘Scene Selections’ solidifies MPORT’s position as a fresh and innovative artist to watch. “This longer EP is based around sampling some of my favorite scenes and media. Everything I used has made me belly laugh to tears at some point, personally, so I wanted to add my production twist on them. Also, it makes for great live visuals. As seen at my bluebird show recording I just uploaded to YouTube. From SpongeBob to Kill Tony to Hot Rod, the EP is a fun listen that will fill you with good vibes, nostalgia and make ya wanna dance all silly.” – MPORT With his signature blend of humor, nostalgia, and heavy-hitting basslines, MPORT has created an EP that is sure to leave a lasting impression. The post MPORT Drops Nostalgic Bass-Filled EP ‘Scene Selections’ appeared first on EDMTunes.

If you’re looking for a highly energetic and down-tempo summer anthem this is the record for you. Better This Way by Taylor Kade and Fixion cleverly mixes pop and radio harmonies with downtempo and mainstage-ready beats. It is emotional with a brutal rhythm and a beat that attacks your senses right away. The chorus perfectly merges with the two highly energetic drops creating a feeling of anticipation and chill. Packed with rhythms full of emotion and feeling combined with an ideal touch of melancholy, Better This Way feels everything but a sad song. It has lyrics with a message of heartbreak combined with an epic rhythm that invites us to face a love breakup with courage. Better This Way will accompany your afternoons and nights with its deep message and perfectly synchronized rhythm. Better This Way is out now via Insomniac‘s Lost In Dreams imprint, a transcendental space where visitors can experience a dream world come to life. They also host a two-day music festival in July in Los Angeles, at the LA State Historic Park. The 2024 edition was nothing but amazing. The post Taylor Kade and Fixion present summer anthem ‘Better This Way’ appeared first on The Groove Cartel.

One of the biggest artists on the scene has just announced that his new album will be released in less than two months. One of the biggest post-pandemic sensations, Fred Again.. is ready to turn the dance music scene around again. ‘Ten Days’, Fred Again..’s newest album will come out on the sixth of September. By now, there’s hardly anyone left who’s somewhat related to the dance music scene who does now know the name “Fred Again..”. The DJ and producer has made a massive mark both as a musician and a performer over the past couple of years. Fred’s project managed to hit a perfect target when it comes to today’s generation’s musical preferences. He’s brought together sounds from genres that dominate both the commercial and the underground scene, and gave them his very own spin. ‘Ten Days’ Fred Again..’s latest album features quite the artistic cast. Anderson .PAAK, Four Tet, and Skrillex are just some of the names on this list. Defined as a more personal, intimate album, this will be a new chapter in the London-based artist’s career. Through a post on Instagram, the man behind ‘Rumble’ and ‘Delilah’ commented on his upcoming album. Speaking on the album, Fred says: “My new record is called ten days. It’s ten songs about ten days. There’s been a lot of big mad crazy moments in the last year but basically all of these are about really very small quiet intimate moments.” We’re certainly excited about this one. So far, Fred Again..’s proven he’s not only a hype name. There’s a lot to his artistic depth and project. A new album is always a chance to tell a new story or to open a new chapter. And this one’s coming from one of our favorite storytellers. Pre-save ‘Ten Days’ by Fred Again.. here The post Fred Again.. Announces New Album Titled ‘Ten Days’ appeared first on EDMTunes.

As the DNA of dance music continues to evolve, Gryffin has found his pulse once again with his third album. PULSE is not only a testament to his journey back to the core of why he fell in love with the genre, but also his most creatively inspired work to date. The album is a palette of sounds and emotions, and in his own words, it marks a return to the essence of dance music that captivated him in the first place. Moreover, the album is a narrative of Gryffin's personal and artistic evolution. The variety of tones and messages encapsulated within the music reflects a deeply introspective songwriting process, one that touches on vulnerability, resilience and the ever-changing landscape of human emotion. Gryffin.Christian Wade/EDM.com The album opens with "Magic," a charming and euphoric track that sets the tone for the journey ahead. Previously released as a single, it features bouncy rhythms, playfully pitched-up vocals and a rave-ready cadence that instantly draws us into Gryffin’s renewed sonic identity. He continues to showcase his knack for emotive collaborations on tracks such as the soul-stirring "Where Are You Tonight," which resonates deeply as ZOHARA's vocals weave through a piano-driven chord progression. Their chemistry, previously demonstrated in "Out Of My Mind" and "Remember," reaches new heights, solidifying it as a standout moment on PULSE. Exploring new sonic territories, "Falling To Pieces" sees Gryffin delving into breaks and heavier percussive elements. A refreshing departure from his bread and butter, the track evidences his continued willingness to push his own stylistic boundaries. Similarly, "I Don't Wanna Know" (with Elderbrook) ventures into melodic techno with fluttering tremolo vocal melodies and a hypnotic, haunting vocal delivery that captivates the moment. As PULSE progresses, Gryffin's exploration of different genres continues to unfold. Each track unfurls his journey of coming into his own, both musically and emotionally. The theme of rediscovery and resilience culminates in the album's closer, "Last Of Us," where Rita Ora's powerful vocals remind us of the importance of finding our true rhythm amidst chaos. Listen to PULSE below and find the new album on streaming platforms here. Follow Gryffin:X: x.com/gryffinofficial Instagram: instagram.com/gryffinofficial Facebook: facebook.com/gryffinofficial Spotify: spoti.fi/3gl5Jg1

Already and heavyweight in the techno industry, VNTM needs no introduction. From the canal city of Amsterdam, the artist brings us back to the golden era of melodic techno with Discharge. Having a name for himself with releases such as Dark Knight in 2020 and being featured on Afterlife as well, VNTM in 2023 launched a new project: Open Source. The aim is to release, not only the original mix but also the complete stems of the track. But what are the stems? Stems are a type of audio file that breaks down a complete track into individual mixes. This allows creators to control each of the particular mixes for its production. usually, they separated in melody, drums, vocal, and baseline but VNTM with his Open Source project went above and beyond. Discharge‘s stems include the whole production, from the main lead to the atmospheric sounds. In total, you have the 29 different audio tracks that make up the song. These open source releases are all part of a bigger project that allow users to not only play the music, but download the stems remix, sample and do whatever you feel like doing to them. By buying the pack you get a waiver granting you the rights to tweak and modify the music by any means. VNTM’s Open Source Project includes 12 releases on every first Friday of the next 12 months. We are now at release number 9. Thomas van de Ven, aka VNTM, has recently played at Tomorrowland at the Afterlife stage, delivering an energy-packed performance. Discharge, including all the stems, is out now. The post VNTM releases ’Discharge’ including the full STEMS appeared first on The Groove Cartel.

Twelve years ago, on August 4, 2012, Alesso released the captivating single ‘Years’, featuring the vocals of Matthew Koma. Following the massive success of ‘Calling’ with Sebastian Ingrosso, Alesso returned to Refune Records with this progressive house gem. Premiered during Swedish House Mafia‘s takeover of Pete Tong‘s Radio 1 show, the instrumental version of ‘Years’ generated immense excitement among EDM fans. The highly anticipated vocal version soon followed, bringing Koma‘s uplifting lyrics to life with Alesso‘s shimmering piano melodies, driving drums, and anthemic synths. ‘Years’ quickly became a summer anthem, energizing festivals worldwide with its optimistic and soaring sound. Alesso‘s production prowess shines throughout the track, perfectly complementing Koma‘s emotive vocal delivery and creating a euphoric atmosphere that resonated with audiences everywhere. Hailing from Stockholm, Alesso has been a force in the electronic dance music scene from the beginning of his career. Over the years, he has cemented his status as one of the most in-demand DJs globally, headlining major festivals such as Tomorrowland, EDC, Ultra Music Festival, and Creamfields. Known for his ability to craft unforgettable melodies and powerful drops, Alesso has continued to evolve his sound, most recently returning to his progressive house roots with his ‘Progresso’ EPs. ‘Years’ remains a standout track in Alesso‘s discography, a testament to his talent and his ability to create music that transcends time and trends. Its lasting impact and continued popularity highlight the enduring appeal of Alesso‘s music and his significant contribution to the world of EDM.

Amsterdam Dance Event (ADE), the world’s largest festival and business gathering for electronic music, today reveals the first wave of confirmed artists for ADE 2024. Among the confirmed artists to perform are Benga, Brutalismus 3000, FJAAK, Four Tet, Honey Dijon, Indira Paganotto, Jeff Mills, KlangKuenstler, Major League DJz, Marlon Hoffstadt, Martin Garrix, Miss Monique, Peggy Gou, Rebekah, and The Martinez Brothers. Over 300 artists and DJs have now been confirmed throughout 100+ events, marking the first 10% milestone of the ADE program — including special concerts by Awakenings Upclose, over 20 events at A’DAM Toren, a packed DGTL roster with 7 events, Tomorrowland presents Our Story, alongside AMF, HE.SHE.THEY., Into the Woods, Verknipt, straf_werk, Loveland, Speedy J’s STOOR, Dave Clarke presents, and much much more. The five day gathering runs from October 16—20, 2024 and is the world’s most extensive festival and conference program for electronic music, representing all electronic subgenres and subcultures throughout 1,000+ events in 200+ locations spread across Amsterdam. Among the first 10% of artists and DJs are: 6EJOU, 999999999, ALCATRAZ, Anetha, Anz, Avalon Emerson, Azyr, Barry Can’t Swim, BELLA, Ben Klock, Benga, Benwal, Berkan V8, Bolis Pupul, Bonobo, Boys Noize, Brutalismus 3000, Caribou, Carista, Carlita, Chlär, Cincity, Cinthie, Colin Benders, Colyn, Daria Kolosova, Dave Clarke, Dax J, Dee Diggs, DJ Europarking, DJ Fuckoff, DJ Mell G, DJ Spit, DJ Tennis, DMX Krew, Doppelgang, Estella Boersma, Fafi Abdel Nour, FJAAK, Four Tet, Funk Assault, Gabrielle Kwarteng, Gerd Janson, GoldFish, Honey Dijon, I Hate Models, I. Jordan, Indira Paganotto, Jamie Jones, JEANS, Jeff Mills, Jennifer Loveless, Kikelomo, KiNK, KlangKuenstler, Kobosil, Lola Edo, Mahmut Orhan, Major League DJz, Malugi, Marcel Dettmann, Marco Carola, Marie K, Markus Schulz, Marlon Hoffstadt, Martin Garrix, Mary Lake, Mathame, MCR-T, Mila Black, Miss Monique, Mochakk, Motor City Drum Ensemble, Narciss, Nico Moreno, NIKS, Nils Frahm, Octave One, Ogazón, Olympe, Pangaea, Patrice Bäumel, Patrick Mason, Paula Tape, Paula Temple, Peggy Gou, Philou Louzolo, Rebekah, Rødhåd, Röyksopp, Roza Terenzi, Ruby Savage, Sally C, Salome, Sama’ Abdulhadi, San Holo, Sarkawt Hamad, Sasha, Sedef Adasi, Seth Troxler, Shanti Celeste, Shimza, Shlømo, Skream, Speedy J, SPFDJ, Spray, Suze Ijó, Tereza, The Blessed Madonna, The Martinez Brothers, Tiësto, Timmy Trumpet, Tita Lau, Todd Terry, Twiena, Vuur, Wade, Yazzus, Young Marco, and many more. The complete program will be announced in the coming months. Individual tickets are available through ADE’s program, and the ADE Pro Pass is available here. The Amsterdam Dance Event Foundation is a not-for-profit organisation dedicated to nurturing electronic music, its culture and its industry worldwide. The organisation devotes itself to stimulating development, innovation and talent, gathering the global industry and laying a foundation for future generations.

Do you want to pick up a musical instrument? It can be tricky to pick one to learn, as there are so many beautiful instruments out there that all have their own benefits. Some are more sought out by bands than others, some are harder than the average instrument, and some offer a great solo-playing experience. One musical instrument you should consider is the bass guitar. It’s an impactful, important part of music, offering a framework for the entire song, including a steady rhythm. It might not take center stage in the same way as a guitar, but learning it is undoubtedly an excellent decision – here are five reasons why. 1. It’s Relatively Easy to Get Started While playing the bass can never be called easy – especially if you want to play at an expert level – it can be said that it’s pretty easy to get started. Getting to grips with some root notes and honing your rhythm can be enough to play in time with others, adding the necessary bass to bring the music together. Plus, there are ways to make bass playing even easier, including bass tabs. These tabs offer a more simplified method of learning the bass compared to sheet music, as they offer visualized learning – basically, they show you exactly where to place your fingers at each moment. You’ll be playing beautifully in no time! 2. You Can Play in a Variety of Genres The bass guitar is not specific to one type of genre. If you learn the bass, you’ll be able to join a range of bands, including rock bands, jazz bands, funk bands, and many more! An added bonus here is that if your goal is to play in a band, you’ll have plenty of options once you become good enough to play live. 3. It Provides a Musical Education If you’re interested in music in any way, you’ll naturally want to learn more about it, and one way to do just that is by playing an instrument like the bass. You’ll learn so much about rhythm, harmony, and how to read music. Overall, it will give you a better understanding of how music and songs are crafted, including just how crucial each instrument is in the formation of the sounds. 4. You Don’t Take the Center Stage Most of the time, bass players do not take center stage – that’s usually left to the lead guitarist or singer in the band. For many, this is a huge positive. After all, not everyone wants to be the center of attention all the time! For those who are more on the shy side, it can make learning an instrument, joining a band, and performing live much more accessible. 5. You Won’t Disturb the Neighbors If you’re worried about disturbing the neighbors with your new interest in learning a musical instrument, you needn’t be too concerned with the bass. Compared to something like the drums or the electric guitar, the bass is much quieter. As a result, you can practice the bass any time of day without worry!

On Saturday, July 27th, Secret Garden Party‘s 2024 Roots Edition delivered an unprecedented show which perfectly encapsulated their creative contribution and legacy. After 25 years, the Secret Garden Party announced to festival-goers that this would be their final year in its current guise, marking their farewell and the end of an era not only for SGP but for the countless festival-goers who have attended over the years. In true SGP style, the spectacle conveyed a deeper message to fans, culminating in a state-of-the-art drone show, designed by Celestial in collaboration with SGP, a creative production of founder Fred Fellowes and Secret Design’s Nick Carter, titled ‘Creativity Unchained.’ This was followed by a ‘That’s Showbiz, Baby’ extravaganza, produced by SGP in collaboration with Acme FX and Immersive International. The spectacle underscored the impact of corporate takeovers and greed, which have made it difficult for independent events and artists to thrive in today’s scene. It delivered a powerful message to inspire, protect, and preserve creative expression from corruption and the stranglehold of major players in the music industry. The extravaganza peaked in spectacular fashion, with the symbolic ‘Burning of the Main Stage,’ an urgent call for immediate change, signifying that from the ashes, something new will grow in the garden. This year’s event was a true showcase of collaboration, with independent festivals and event promoters uniting in support. Shindig, NTIA, Cirque du Soul, and many others provided additional backing in the weeks leading up to SGP. Ren’s fans from Australia to the USA purchased and donated tickets to those who couldn’t afford to attend. This has become a global movement to save our music scene, demonstrating the love and unity of people rooting for a cause that matters deeply to them through positive connection and creative self expression. Following the recent international festival crisis, Secret Garden Party will undergo a transformation this year which is set to redefine the festival model, emphasising the need for collaboration and unity amongst independent organisers. In response to the increasing number of venue closures and festival cancellations, Secret Garden Party aims to foster a collective effort by inviting other events and promoters to the SGP site in the festival’s absence, to join in their vision with an aim to revitalise and strengthen the festival scene together. Fred Fellowes – Head Gardener & Founder highlights: “At this point, we’ve said everything that needs to be said. We’ve done what we said we would do. That’s the party we created, and that speaks for itself.” Reflecting on the successful event, the programming and performances were hailed as groundbreaking. Ren’s first show in five years was a resounding success, featuring a two-part, two-hour performance by the award-winning artist. The show included live strings, theatrical performances, and a unique collaboration with Chinchilla and Romain Axisa joining Ren on stage. The Secret Garden Party’s final soiree upheld their reputation as purveyors of all things curious, with an eclectic schedule that featured something for everyone looking to unwind and let loose. From the LED hula-hooping of the fire show and midnight playground to the life drawing class in the Bohemian Artist Studio and Mermaid school on the swimming lake, there were plenty of options for those looking to stimulate the senses. And while this year’s festival saw them commit to the Drop a Headliner campaign, a movement launched to support independent artists, there were plenty of exciting acts and standout performances, including impromptu sets from more familiar faces such as Plump DJs in the Oasis. As far as encores go, SGP’s was one that will live long in the memory as they continue to strive for a united, sustainable festival scene moving forward. For updates stay connected through Secret Garden Party.

RÜFÜS DU SOL continues to push boundaries with one new song after the other. If you hadn’t enough of them, after the highly acclaimed Music is Better and the remix package, released just some months ago, the trio is back with the follow-up. Lately is ethereal and mixes soft and romantic vibes with more mysterious harmonies. It is out now via Rose Avenue/Warner Records. It also features the official music video, out on YouTube. The follow-up to the group’s latest single “Music is Better,” “Lately” sees the band continue to roll out their first new music since their 2021 Grammy-nominated album, Surrender. “Lately” lends itself to RÜFÜS’ indie inclinations. The new song balances the club rhythms, intricate sound design, and heartfelt songwriting. It continues to soundtrack the highs and lows of their fans’ most pivotal life moments. “Lately”’s lyrics explore a deep sentiment of interpersonal devotion and self-discovery. It is an approachable lore for anyone who has fallen in or out of love – a common string throughout the euphoric RÜFÜS universe. Tyrone Lindqvist from the band talks about the tune with a sense of admiration: It feels like I’m learning how to love again. “Lately” captures the warm yet artful dynamics that have set the trio apart as innovators for over a decade. As described above, “Lately” arrives with an official music video. It is filmed in black and white and directed by Alex George, which illustrates the band’s artistry and sophisticated vision. “Lately” is another window into the band’s new creative groove. This is a new era for RÜFÜS DU SOL, defined by enjoying the process and creating from the now while binding organic and electronic. To celebrate the new single, band members Jon George and James Hunt performed a unique ‘in the round’ DJ set at The Cause in London on August 1, joined by Jimi Jules, which sold out instantly. “Lately” arrives ahead of RÜFÜS DU SOL’s only live show this year, headlining Portola Festival in San Francisco on September 28. The post RÜFÜS DU SOL drop new song “Lately”, “Music is Better” followup appeared first on The Groove Cartel.

Released back last October, Teho‘s Lyra made waves with almost 400.000 streams on Spotify alone. Now, after 9 months, a new version is ready to be released. On the remix duties Lauren Mia with her mixes of deep and melodic harmonies. For the readers of our website, Lauren Mia is not a new name. She released her debut album not long ago on RE:BIRTH and in 2022 he released her first independent tune Ohm. You’ll be introduced to the track by a wide and hypnotic baseline. Rapidly the tune kicks in with a clean and well-defined synth work. Her remix boosts the track with meticulous attention to detail, superb textures, and an intense progression. The remix maintains the core essence of Teho’s original while infusing it with fresh dynamism and intricate layers. Each element is thoughtfully worked, creating a rich wall of sound that is both immersive and compelling. The result is a masterful remix leaving us in awe of its beauty and intensity. You can feel both the energy and mysterious and almost romantic harmonies. It’s a pure mix of emotions you won’t miss out. The remix is of course out on Teho’s own imprint Labo T. In 2024, the label released Theo’s album Shifting in which Lyra is the second song of the collection. The post Lauren Mia remixes Teho’s ‘Lyra’ appeared first on The Groove Cartel.

It's a long time coming for the polymath who has been at the heart of the Berlin-based label for almost 15 years Continue reading...

Between August 23 and 25, concerts and club acts will take over Kraftwerk, Tresor, Globus and OHM Continue reading...