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A new Dance music festival is making its way to Morocco later this year. Great news for all Moroccans and close-by EDM fans! Launching this year, Sarab Festival promises an unmatched pairing of sorts, blending the best of Electronic music and the mesmerising landscapes of the Agafay Desert. Scheduled for September 27th and 28th, 2024, this open-air concept marks its inaugural edition with quite a shock. Sarab Festival stands out for its eclectic line-up, which features 42 DJs who span the spectrum of Electronic music. This year, the gathering will unite internationally acclaimed artists such as Paul Kalkbrenner, Lost Frequencies, James Hype, and Mahmut Orhan. Attendees can also look forward to sets from Martin Solveig, Korolova, and Mëstiza, ensuring a diverse and dynamic musical experience. In addition to these global stars, the festival is committed to showcasing emerging Moroccan talents, which goes to show Sarab’s dedication to both innovation and cultural heritage, making it a must-attend event for those not only in the area but also from all corners of the world. Party In The Desert Nestled in the lunar-like terrain of the Agafay Desert, just 30 kilometres southwest of the picturesque city of Marrakech, the festival offers a setting as breathtaking as its music. The desert provides the perfect backdrop for the festival’s three stages, which together cover everything from the deep pulses of House music to the hypnotic beats of Techno. Tickets are available now, with several options to cater to different preferences. The standard entry, including parking and shuttle service, is priced at €325, while the VIP entry, offering additional perks and exclusive access, is available for €950. For those seeking the ultimate festival experience, camping under the stars is an option too. In addition to the wonders of the desert, festivalgoers are encouraged to explore Marrakech. Special travel packages are available, turning the dream into a palpable reality. Those who resonate with the vibe will, therefore, be able to get a complete holiday through Sarab — tourism and all. Would you like to attend Sarab’s first edition? Secure your tickets right here. Be sure to check out their website to get to know more about the festival, its location, and its surroundings. And stay tuned to our page for the latest news and views from the EDM sphere. The post Sarab Festival To Debut With Paul Kalkbrenner, James Hype, Martin Solveig & More appeared first on EDMTunes.

The tour will kick off next month in Denver, with stops planned in Detroit, Salt Lake City, Atlanta and more Continue reading...

GRAMMY award-winning producer, Purple Disco Machine, returns with a new single titled ‘Beat Fantasy‘. You may have heard him drop it last weekend at Defected Croatia or at Tomorrowland. We see its release on Defected and it showcases the signature PDM aesthetic in all its glory. Yes, the hard-hitting one-man disco army continues to slay with his infectious sound elevated by choir-like harmonies. This latest release perfectly encapsulates his signature club sound, creating a playful and undeniably PDM-esque dancefloor anthem. The track carries the same catchy melody that repeats throughout the entire way as you listen. His jumpy bassline keeps your body grooving as you reach for your sunglasses and rock out all summer long. What’s more, the catchy vocal sample “let the beat control your body” echoes in your ears, builds anticipation, hypnotizing you into a disco frenzy, as the beat explodes into a euphoric synth-driven drop. Piontek is perfect for your summer playlist, as his deep funk reigns supreme in vibes. ‘Beat Fantasy’ is a little bit harder in tone than his previous tracks, but the attitude is very much the same. Funky, fresh, and frenetic. This single pairs nicely with ‘Bad Company‘. About Purple Disco Machine Tino Piontek is a global icon renowned for his distinctive sound and visual style. From humble beginnings as a pre-teen in a record shop, PDM now captivates audiences worldwide with a string of unforgettable hits. He has collaborated with music icons like Nile Rodgers, Shenseea, and Duke Dumont. Not to mention, his recent remix of Wolfram & Josh Ludlow’s ‘YoYo Disco’. He solidifies his status as a dance music powerhouse. His electrifying performances, blending electro, funk, and nu-disco, have graced the world’s most prestigious clubs, including Hï Ibiza and Ushuaïa Ibiza. The “unassuming, driven, grown-up nerd” is sure to blow up the world’s dancefloors with a high-stepping, groove-laden disco arsenal. Lastly, he releases this single ahead of his Paradise album, which is available on September 20th. You can pre-order the album here. Listen to ‘Beat Fantasy’ now. Purple Disco Machine – Beat Fantasy | Buy/Stream The post Purple Disco Machine – Beat Fantasy appeared first on EDMTunes.

Burning Man is just a few weeks away, and ticket sales aren’t looking great. Last year, they of course had their infamous fiasco where no one could leave the event due to poor weather. Some escaped including Diplo and Chris Rock by walking across the ruined playa. Festivalgoers had to stay in their campsites, save food, fuel, and water, and keep their electronics covered. Fortunately, after a few bad days and numerous rumors including an ebola outbreak, attendees were able to leave Black Rock City. This year, ticket sales have not been hot. Burning Man Project organizers are implementing an unprecedented move to sell tickets. Now even if you didn’t pre-register, you can still buy tickets on-demand through the OMG Ticket Sale. Typically tickets are not available this close to the event, which begins on Aug. 25. Tickets start at $575 before taxes and fees. Marian Goodell, CEO of Burning Man Project, had this to say in a press release: “We are pleased to have fulfilled demand for our earlier sales and be in a position to offer greater access to more people as the event nears. This ticket sale is an exciting opportunity to connect more people interested in Burning Man and the arts and culture.” We really hope the playa stays in great condition for burners this year. Unprecedented rain would be another heavy blow to the community. [H/T] SFGATE The post Burning Man Makes Unprecedented Move Following Poor Ticket Sales appeared first on EDMTunes.

The Swiss Progressive House maestro and Sirup Music label founder that is EDX has once again produced and unveiled a memorable track to feel good and at ease for all to listen to. Not long ago, EDX unveiled ‘Osculate’ and it is a track that ensures those awesome summertime emotions and vibes remain strong even as August is starting to gear up and autumn is starting to approach in the next month. The producer released the track on PinkStar Records, the same label that also released a couple of his latest tracks, ‘Setema’ and ‘Vividra’. Alongside another must-hear track of the summer, ‘Anamesis’ released via Sirup Music, these tracks continue to strengthen EDX’s position as a producer who remains a skillful, crafty expert who really knows how to make each of his tracks very unique in their own way. On ‘Osculate’, EDX brilliantly merges rhythmic drum patterns with keys, melodies, and beautiful vocals that definitely resonate throughout the whole environment. Another cool fact is that ‘Osculate’ debuted on the 700th episode of the weekly No Xcuses radio show on iHeart Radio that EDX is continuing to host with love and pride. Click ‘Play’ on the Spotify link below to stream the track and hear all of the vibrant sounds that the track will exude for hearing pleasure. The post EDX Brings Out Feel-Good Summertime Emotions With ‘Osculate’ appeared first on EDMTunes.

Inspired by the UK’s student basement club culture, the single marks the pair’s first release in a year Continue reading...

After a half-decade devoid of new music, Knife Party are sharpening their blades. Comprising Pendulum members Rob Swire and Gareth McGrillen, the iconic electronic music duo this week teased their first new original music in over five years. Knife Party's last record came back in July 2019, when they released the scintillating Lost Souls EP. Ready to cut deep into the hearts and minds of fans, it seems Swire and McGrillen are poised to remind us all why they earned their name. The duo took to X to reveal they're working on new bass music by sharing a meme featuring the viral Turkish sharpshooter Yusuf Dikeç, whose casual nonchalance with his pistol has captivated viewers of the Paris 2024 Summer Olympic Games. "Knife Party cooking..." the post reads. Despite the five-year break, Knife Party remains one of the world's most influential electronic music acts. From the cyber-paranoia of "Internet Friends" to the incendiary "Bonfire," the duo's innovative fusion of electro house and dubstep has redefined genre boundaries for over two decades and inspired a new generation of music producers in their wake. It's important to note that Swire and McGrillen have not formally announced the release of new Knife Party music at the time of this writing. Check out their post below. 😈😈😈 pic.twitter.com/2wI933wOvy — Knife Party (@knifepartyinc) August 5, 2024 Follow Knife Party:X: x.com/knifepartyinc Instagram: instagram.com/knifepartyinc TikTok: tiktok.com/@knifepartyinc Facebook: facebook.com/knifeparty Spotify: spoti.fi/3Z2MwWa

A man was left in “critical condition” following an attack at the festival last weekend Continue reading...

The duo took to socials to tease the idea, and people went wild. Knife Party. You’ve heard of them. They broke the internet over ten years ago with their massive hit track ‘Internet Friends‘, and they continued to grace the world with pyro-worthy, festival-sized anthems for the years following. This includes ‘LRAD’, ‘Antidote’ — the renowned Swedish House Mafia collaboration —, ‘Bonfire’, and many more. The duo, comprised of Rob Swire and Gareth McGrillen, two members of the Drum and Bass band Pendulum, has amassed a huge following over the years due to their electric and pointy sound, one that has become synonym with Electro House, Dubstep, UKF, and so many other concepts. And just like they broke the internet a decade ago, they might have the potential to do it yet again. New Music On The Horizon Earlier this week, Knife Party took to X/Twitter to share a single meme. Using a template that’s made headlines far and wide this Olimpic Games season, the boys posted the following picture, without any text caption: 😈😈😈 pic.twitter.com/2wI933wOvy — Knife Party (@knifepartyinc) August 5, 2024 Of course, the reactions started coming like a wave. Users from all over claiming this to be real, and to come fast, and to be an album… in the end, the greater picture is that Knife Party’s following is still alive, breathing, and so ready to hear what’s coming up on their alleyway. And we are too. After iconic performances such as their Ultra Miami 2016 closing act at the Mainstage, which involved a Pendulum reunion and encores with guitarist Tom Morello and deadmau5, and Swire’s recent appearance at the Tomorrowland Mainstage for a live performance of his new track with Armin van Buuren, we can’t predict what exactly the guys at Knife Party have for us, but we expect it to blow us out of the water — as per usual. Stay tuned to our site for the latest news and views regarding the Dance music world! The post Knife Party Hint At New Music For The First Time In Five Years appeared first on EDMTunes.

*Featured Cover Image Courtesy: Tomorrowland / Afterlife Tomorrowland is collaborating once again with the vibrant Afterlife platform later this year for ADE (Amsterdam Dance Event). In fact, Tomorrowland is going to present Afterlife Amsterdam at the world-famous Ziggo Dome on Wednesday, October 16th and Thursday, October 17th as part of this year’s major upcoming ADE festivities. The October 16th event will feature SCRIPT, Colyn, a B2B set between Chris Avantgarde and Massano, Tale Of Us‘ colorful and innovative closing set, and also Anyma Presents: ‘Genesys’. For October 17th, 19:26 will start off the event, and then Rebūke will follow up. Afterwards, Cassian and Kevin de Vries will conduct a B2B set, and Tale Of Us returns again for another stunning set. Finally, the October 17th event will conclude with MRAK Presents: ‘We Don’t Follow’. Afterlife’s planned event in Amsterdam comes after a successful collaboration that it had with Tomorrowland for its 20-year anniversary edition. During that edition, Afterlife hosted the Freedom stage on both weekends of the festival. Afterlife Amsterdam will definitely bring out an unforgettable experience of lights, sounds, and visual designs that aim to make the fans remember for the rest of their lives. Tickets Pre-sale for Afterlife Amsterdam will start on Monday, August 12th at 16:00 CEST (04:00 p.m.). Meanwhile, general sale for the event will start at 16:00 CEST (04:00 p.m.) on the very next day. Both events on October 16th-17th will start from 22:00 to 06:00 (10:00 p.m. to 06:00 a.m.). For more information regarding the event and tickets, especially to sign up for priority ticket access, click on this link. Image Courtesy: Tomorrowland / AfterlifeThe post Tomorrowland Bringing Afterlife to ADE 2024 appeared first on EDMTunes.

Infinite Voyage is the latest production by LA-based Violinist, Producer, and DJ Alfiya Glow. The tune glows as her surname. The tune is part of her upcoming EP ‘Leaving Origin’. This is the third release with the full EP coming out on the 8th of August. If you already hit play, you may have understood the vibes of the full production; a blend of deep emotional lines and rhythmic complexity. ‘Infinite Voyage’ is built on various layers. The first thing you can recognize is her virtuosic violin harmonies that fly on the tune. Paired with them, the tribal-inspired beat perfectly merges with layers of atmospheric sound and cinematic strains. Everything is packed together with ethereal vocal lines. The record balances soaring melodies with rhythmic vibrancy blending Alfiya Glow’s eclectic musical experiences. As we enter a new decade, the fusion of music and technology has reached a peak, epitomized by the rise of EDM and the resurgence of raw instrumentation. Alfiya Glow, an award-winning electric violinist, EDM producer, and DJ, embodies this blend of tradition and innovation. Starting her musical journey at five in Sochi, Russia, Alfiya’s talent quickly propelled her to international stages and prestigious institutions. Moving to the U.S. for further education, she collaborated with industry giants, expanding her repertoire into pop, hip-hop, and EDM. Her unique sound has captivated audiences at top festivals and high-profile events, making her a sought-after performer known for her radiant, passionate performances. The post Alfiya Glow ethereal ‘Infinite Voyage’ appeared first on The Groove Cartel.

As one part of the famous nightclubs ‘fabric25’ celebrations, Fabric have extended their relationship with Martin Audio by announcing a substantial upgrade to their flagship Room 1. The upgrade will involve an overhaul of the Martin Audio W8C system and the installation of more subwoofers. Tech Manager Matt Smith commented “unanimous that we should renovate in order to retain our signature Martin Audio sound and preserve what is quite a historic installation,” He continued to state – “The new system delivers a lot more power, and with the power availability of the new amps, we’re never going to get near peaking, It’s very clean, tight and punchy, but it’s not about volume for us, we want to keep it sounding good rather than loud.” This upgrade comes just in time for the club’s 25th birthday, which will be marked with a colossal 30-hour, non-stop party taking place across October 12 to October 14 with sets from Ricardo Villalobos, Sedef Adasï, FJAAK, Ben UFO as well as fabric residents Craig Richards, Josh Caffé and Anna Wall, with more to be announced. You can find more information here For further information on Martin Audio click here The post Fabric Upgrade Their Room 1 Sound System For The First Time In 25 years appeared first on Electic Mode.

The London club has also revealed the first names playing its 30-hour, 25th birthday party in October Continue reading...

Yo, Drake fans! Are you sitting down? Because the 6 God just broke the internet (again) with a surprise drop of new music that’s got us all buzzing! Drake, in his infinite wisdom, has blessed us with not just a song, not just an album, but a whopping 100 gigabytes of pure, unadulterated content. That’s right, you read that correctly – 100GB! It’s like Christmas came early, and Drake is Santa Claus in a designer tracksuit. What’s in the Drop? Let’s break down this treasure trove: Three New Bangers: “It’s Up” featuring Young Thug and 21 Savage “Blue Green Red” “Housekeeping Knows” with Latto Behind-the-Scenes Goldmine: We’re talking footage from the iconic “Hotline Bling” video shoot, studio sessions, and more. It’s like we’ve all been given an all-access pass to the OVO vault! Unreleased Gems: Who knows what other surprises are hiding in those folders? Demos? Scrapped collabs? The possibilities are endless! Fan Reactions The Twitterverse (or should I say, X-verse?) is losing its collective mind. One fan summed it up perfectly: “BROS JUST FEEDING US BANGERS FOR FREE. DRAKE’S THROWAWAYS COULD FEED A WHOLE NATION.” And honestly? They’re not wrong. Why This Matters In an era where artists are becoming increasingly guarded with their work, Drake’s move is revolutionary. It’s a massive flex that screams, “I’ve got hits for days, and I’m not afraid to share them.” It’s generosity on a scale we rarely see in the music industry. What’s Next? Now, it’s our turn to dive in. OVO Sound has posted a link to a website containing all this new material, so grab your hard drives and clear your schedules. We’ve got some digging to do! Drake might have had his ups and downs this year, but this drop? This is him reminding us all why he’s still at the top of the game. It’s not just music; it’s a cultural event. So, what are you waiting for? Go explore those 100 gigs and let us know what hidden gems you find. Drake season is in full swing, and we’re here for every second of it! The post Drake Drops a Bombshell: 100GB of Pure Fire Material 🔥 appeared first on The Groove Cartel.

Eden Ibiza, one of the hottest music venue labels on the Balearic island itself, has announced a new venue, ‘NOSPACE’. This new party hotspot NOSPACE launched on this past Friday and it comes after Eden Ibiza had to pull out its Space Ibiza residency because of a legal dispute about the ‘Space’ trademark rights. According to Mixmag‘s article about the annulment of the Space Ibiza trademark, the commercial court in Valencia came to a decision where it annulled Space Ibiza’s owner and founder Pepe Roselló‘s trademark in favor of the Matutes family, who also own Fiesta Hotels & Resorts SL. As a result, Eden Ibiza had to change its well-known 24-hour residency title and furthermore, it also came out with a new logo for NOSPACE, which marks a new era for this world-famous nightclub. Eden Ibiza affirms commitment to ensure NOSPACE remains a Friday night hotspot The Eden Ibiza owner stated his affirmation that NOSPACE remains an awesome place for clubbers to continue genuinely feel great vibes. He stated, “Due to the ongoing battle to keep our Friday night presence in San Antonio, we believe it’s crucial to launch NOSPACE to protect this vital part of the Ibiza clubbing scene. Fridays at Eden are more than just a night out; they’re a tradition that defines the Ibiza experience for many and a home to a global community of clubbers.” The first night of NOSPACE will commence on August 9th and the first season of this exciting venue will conclude on October 4th. To confirm, the venue will still be a Friday-only hotspot throughout the whole season. For anyone who wants to attend any events at this venue, click on this link to purchase tickets. Finally, check out Eden Ibiza’s website for more information and upcoming events that NOSPACE and the other venues such as Shine, Outset, and Peaches will host soon. The post Eden Ibiza Launches NOSPACE After Space Residency Pull Out appeared first on EDMTunes.

Cyclops has announced his debut headline tour – The Crybaby Tour. The fast rising Dubstep producer returns to familiar cities and new ones alike. As a headliner he will be bringing brand-new visual production, new music, and unreleased weapons. The charismatic producer has garnered a cult following, combining a love for heavy music, weird sounds, and an entertaining social media presence. This tour will feature a dynamic support lineup at various venues, including Blurrd Vzn, Gunpoint, Slang Dogs, and Soltan. Cyclops’ hit single from 2023, ‘Tear Jerker’, boasts over 1 million streams on Spotify alone. In addition, he has been supported by heavyweights such as Subtronics, Excision, and Doctor P. It was dubbed the ‘unofficial’ anthem of Lost Lands 2023. Orchestrating a symphony of terror and delight, Cyclops has collaborated with the likes of REZZ, Wooli, ATLiens, Dirt Monkey, and more. He has performed at shows and festivals across the US – including Lost Lands, Bass Canyon, and Bass Camp. 2024 has been a massive year for Cyclops, having already released three monstrous collaborations; ‘OPEN UR EYE‘ with REZZ ‘Floot Loops‘ with Wooli, and ‘Flat Earth‘ with DirtMonkey. All three tracks stretch the breadth of imagination regarding heavy bass. You can find tickets here! The post Heavy Dubstep Artist Cyclops Presents The Crybaby Tour appeared first on EDMTunes.

Lollapalooza announced its Main Stage is entirely battery powered including audio, lighting, video, and stage production. They are setting the precedent for festival sustainability. Live Nation’s sustainability initiative Green Nation, T-Mobile, and CES Power worked together to help Lollapalooza make history as the first major U.S. festival to power its main stage from a hybrid battery system. The hybrid-powered stage will deploy over 1.5 MWh of battery storage capacity, minimizing the run time of biodiesel generators and resulting in significant fuel and emissions savings. It also had local benefits with reduced noise and air pollution leading to a better experience for all. They plan to share the results and learning from Lollapalooza for the rest of the festival world to learn from. This year’s festival featured an activation from conservation organization Re:wild, which became an official global Lollapalooza partner earlier this year. The organization was founded by a group of renowned conservation scientists, together with Leonardo DiCaprio, to speak directly with music fans and educate them on ways to rewild their daily lives and communities. Lollapalooza has a stacked lineup this year including SZA, Blink-182, The Killers, Hozier, Skrillex, Tate McRae, Zedd, Fisher, Four Tet and so many more. The post Lollapalooza Mainstage Is 100% Battery Powered appeared first on EDMTunes.

Electronic trio Levity has announced their first ever headline tour. Comprised of Chicago’s John Hauldren, Los Angeles’s PJ Carberry, and Minnesota’s Josh Tarum, this innovative 360-degree set design promises to be an unforgettable experience. Since their debut in 2019, Levity has quickly made a name for themselves, amassing over 3 million streams across various platforms. They’ve also secured official remixes for major artists like Tinashe, Louis The Child, Quinn XCII, Chelsea Cutler, and Silent Child. Their live shows are celebrated for their high-energy performances, interactive crowd engagement, and a unique mix of electronic sub-genres. Levity doesn’t just DJ; they deliver a full-fledged performance that leaves a lasting impression. The upcoming tour will feature a groundbreaking 360-degree stage setup, providing an immersive experience for fans from all angles. The trio plans to showcase not only their popular tracks but also new, unreleased material, making each performance a unique event. This tour is set to be a big moment in Levity’s rising career. Fans should grab their tickets early and get ready for a game-changing concert experience that blends cutting-edge stage design with their unique sound. To purchase tickets, click HERE.

Twitch is celebrating the launch of its new DJ category by virtue of a worldwide, 24-hour streaming event, according to a blog post from the company. Scheduled for Thursday, August 8th, the virtual event will feature a headlining DJ set by Zedd. The superstar producer is set to broadcast live from Brooklyn, where he'll play brand-new music from Telos, his first album in nearly a decade. ZHU, Sofi Tukker, Sam Feldt, Aluna, Cheat Codes and EDM.com Class of 2024 star HoneyLuv will also perform, among others. It's a big moment for Twitch, with whom DJs have locked horns for years due to the pervasive risk of takedowns, bans and muted content. The platform had consistently found itself in hot water after issuing rampant DMCA takedown notices to legions of its users, who were unwittingly playing songs in their streams without the rights to do so by virtue of the service's business model. Twitch in June announced landmark licensing deals with UMG, Warner, Sony and "hundreds" of independent music rightsholders. The agreements precipitated the launch of the "Twitch DJ Program," which enables DJs to legally play copyrighted songs in their streams and collect royalties. They can now sign up for the program, which provides a catalog of music for them to legally use in their streams as well as a list of restricted artists. "Today's DJ category launch is a major moment for Twitch, the music industry, and our creators," Twitch CEO Dan Clancy said in a statement. "There is something special in the way DJs on Twitch introduce music to their listeners. It’s personal and it’s community-oriented, so we've built a stable, long-term home where they can invest in building their brand and community." Learn more about Twitch's new DJ category here and check out the full lineup for the August 8th stream below. Twitch

Utah Saints have been making music, DJ’ing and playing gigs around the globe since the birth of House Music. The world renowned duo have released 9 Top 40 UK hits, 4 of which hit the Top 10 and sold over 2 million records worldwide (equivalent to 800m+ streams). Precariously walking the tightrope between genres and the underground and mainstream, Utah Saints roots are firmly in electronic dance music. Having met in a club in Leeds at the beginning of the rave movement in the UK they’ve subsequently established themselves as pioneers of sampling in dance music. Alongside this success, they set up and promoted award winning and legendary club nights The Gallery and SugarBeatClub both live in Leeds, with residencies at Cabret Voltaire in Edinburgh. Utah Saints are still very much at the top of their game, DJ’ing regularly each month as well as curating festival stages such as Beatherder – putting on an eclectic range of artists and DJ’s and talent spotting early. When the pioneering musicians aren’t playing at clubs and festivals in various parts of the world, they can be found in the studio working on their own material as well as producing and remixing other artists from The Osmonds (Crazy Horses) to Bring Me The Horizon. As part of our 10th Birthday celebrations, we invited Utah Sants back once again, with an exclusive mix and chat. Decoded Magazine · Decoded Magazine Presents – Utah Saints Utah Saints, it’s an honour to have you back with us as we celebrate Decoded Magazine’s 10th birthday! Let’s start by taking a trip down memory lane. We’re sure you’ve been asked this many times and it is a track that defined a lot of the early 90’s. What was it like to experience incredible success in the ’90s with your hit track “Something Good”? Thank you for having us back, that is also an honour! So Something Good was our 2nd hit in the UK, after our first, What Can You Do For Me, which came out the year before. That took off for us really suddenly – we pressed 1000 copies on vinyl ourselves, and within 3 months we were signed and it had sold 165,000 copies in the UK. So when Something Good came out, we weren’t expecting it to be a hit, but we were a bit more prepared when it was. We started in 1991, and when Utah Saints started getting busy we were promoting 4 nights a week, booking a lot of DJs, playing at raves most weekends and making dance music on computers and samplers during the day. Everything was flat out and a bit of a blur, but really exciting and it really felt like something new was being built. “Something Good” famously sampled Kate Bush. Can you tell us about the process of clearing that sample? How did you manage to get the green light from such an iconic artist? We aren’t too sure – we weren’t involved directly with the process, but she did like it, and she’s never cleared anything else, so we are incredibly grateful and honoured. We hope it was because we didn’t take the essence of her track and make it the essence of ours, we tried to make something new and put her amazing line in a different musical context. She is such an iconic unique true artist, and to be honest at the time we were young and pretty intimidated to talk to an artist of her calibre, so we left it all to the business people. You had a hectic touring schedule during your early years (and subsequently over the last 3 decades). How did you handle the demands of constant touring, and do you have any memorable stories from the road? (no names needed). We’ve always seen this as our main job, and taken it seriously, so we kept focused on the music and doing the best gig we could at every show. When Utah Saints started, both of us had already done a lot of gigs – Jez Utah with two bands, and Tim as a DJ. Luckily this put us in a good place when it comes to touring. Yes, we have a lot of stories, but we’re still not comfortable talking about them – sorry! Every rave, gig and show is special to us, whether it’s playing to an empty room (as everyone wanted to go upstairs to see Vernon Kay) or opening for U2 in front of 70,000 people, we always try and do the best we can. Oh and to be honest, there is a lot of waiting around when you tour, too much thinking time sometimes :) How have you seen the music scene evolve over the past decade since we last spoke? Are there any significant changes that have particularly stood out to you, that is either good or bad? A decade?! Wow, time is flying… music is contracting a bit at the moment. It’s no one’s fault, but there is less industry support at the moment for up-and-coming music. That’s one of the reasons publications like Decoded are so important. Without going too deep, we all need to support new music, and value it – too often people working in the arts are seen as “not having a proper job” and that needs to change. That said, it’s a very exciting time in music – loads of new tech evolving, and shaping immersive events. Music will always be there, either as a driving force, or part of a bigger experience. Looking ahead, where do you see the future of the electronic music scene going in the next 10 years? What trends or developments do you think will shape its future? There will be a LOT of music, which is why there will be a need for Gatekeepers like Decoded and MADE Festival. We think there is a big need for authenticity – although YouTube is helpful in seeing and listening to music, nothing can emulate a real shared experience. That’s why it’s important to respond to music as you feel it, not how you think YouTube has told you to. Next time you go to a festival, try it – there is some intangible quality of an act or event with soul that we can connect to – no other experience has that. Tracks will probably get shorter – not many people have a long attention span, and social media will dictate track lengths to a certain extent. Events will get more immersive, and some will become experiences – the recent Sault gigs showed us all a possible direction for this. AI is the big discussion, but at the moment it is reactive – it can only work with what has happened before, and that doesn’t always connect with people. For example, look at how many acts tried to be like the Beatles when they arrived, but no one really got close – the Beatles were the real deal, and the copies were seen as that. Where AI will get really interesting/scary is when it starts being creative – we’re a while off that at the moment, so the future is bright, we all need to work out how to fit AI into that! We love hearing about exciting new acts to check out, What up-and-coming artists do you think we should have on our radar? Are there any new talents that have impressed you recently? Yes, a lot! Not going to list them as we know we’ll accidentally leave some out. English Teacher are from Leeds like us and brilliant, so that’s our hometown plug – beyond that, we are constantly impressed by a lot of the new music coming out – oh and Orbital are our mates and have some great new music. Technology, AI, hardware, DJ software, have leaped in bounds recently (Traktor 4 anyone?) How do you see the future of music technology? Are there any innovations or advancements that you’re particularly excited about? Yes, AI is definitely exciting. Looking forward to more randomisers for composition and sound design. Really like a lot of sample manipulators – taking small slices of sound and rearranging them to make new, never-heard before combinations. We keep moving with the tech (although we were Serato not Traktor – changeovers were hairy!), and there are new developments all the time, helping us make edits on the fly during a set – keeps us busy! Do you have any special news or upcoming releases that you can share with us? What can your fans expect from Utah Saints in the near future? We are hoping to announce some releases towards the end of this year – until then they are being kept secret. We intend to reach as many gigs and people as we can, we want to collaborate in interesting ways with interesting acts, and generally be as busy as we possibly can. Reflecting on your 3 decade long music career, what have been some of the key factors to your enduring success in the music industry? The music. The music we started with has developed, but the core is the same and still completely relevant. We also have to be involved with music, that’s just what we’ve always done. We both started performing and making music when were at school, and haven’t stopped. Defining the word “success”. To us that means still being here, and able to keep making and playing music. So there have been a lot of major ups and downs. For a while we went properly back to the underground, started our own nights again, and booking DJs we liked, that gave us the opportunity to regroup a bit, and figure out what to do next. The re-release of Something Good ‘08 was a massive boost for us as well, will always be grateful to Van She Tech for that. And lastly, we do try and treat everyone the same, and try not to be idiots. We both know what it’s like to be down, and would never want to knowingly add to someone else being down. We try and remember that pissing on someone else’s chips won’t make your chips taste better…. Finally, as we celebrate Decoded Magazine’s 10th birthday, do you have any special memories or thoughts about your experiences with the magazine over the years? Decoded – you are an essential and authentic part of the electronic music scene – we always visit your site when we are looking for info – you guys are true experts and know your history, which makes you great gatekeepers – we know that any of the acts or music tech we find through you will be quality – thank you for that , and please keep up the good work! Particularly liked the feature on the Emulator 2 from Ferris Bueller – none of us could afford that machine, but were fascinated by what it could do! More of that please, perhaps something on the Akai S612 that we started with. Thank you, Utah Saints, for taking the time to speak with us. We’re thrilled to share your insights and stories with our readers as part of this special anniversary celebration! Thank you Decoded – happy anniversary from Utah Saints! Tracklisting Yo Yo Get Funky (Andre Zimmer Extended Remix) – Dj Fast Eddie The Tape (Pig Snatchers & M-Staffs Anthem Remix) – Frank De Wulf At All Times (Original Mix) – Chambray Love Island (Crusy Remix) – Fatboy Slim No Reason (Chris Lake Extended Mix) – Chris Lake Don’t U (Originl Mix) – Sean Den Willow – Wallace The Hack – The Hack I’m Alive – Adelphi Music Factory Marlb (Original Mix) – Matrefakt Vamp – Outlander Superstylin Tool – Odd Mobb Staar Cowgirl – Underworld vs Tom Staar The post Exclusive Mix and Interview – Utah Saints appeared first on Decoded Magazine.

Unseen Festival has firmly established itself as a cornerstone in the electronic music world, earning a spot in DJ Mag‘s Top 100 Festivals, ranked at number 84 in 2024. This recognition highlights its global appeal and commitment to delivering top-tier musical experiences. Set to take place on August 9, 2024, at the UOB Live Hall in Bangkok’s Emsphere Mall, this year’s festival promises to be a spectacular event with innovative stage designs and cutting-edge production techniques. The festival’s history speaks volumes about its growth and influence. In 2022, Unseen Festival partnered with the renowned Don’t Let Daddy Know brand to enhance the event’s appeal and breadth. The 2023 Road to Unseen event occurred on June 4, 2023, featuring a diverse lineup including Vini Vici, and setting the stage for the main festival. The September 2023 Unseen Festival, held on September 29-30, 2023, featured an impressive lineup with artists like KSHMR, Nicky Romero, 22Bullets, Lost Kings, Lucas & Steve, and more, pushing the boundaries of the festival’s offerings and solidifying its reputation as a major event in the EDM scene. This year, the festival continues to innovate with its theme, ‘Elysian Revival’, focusing on the integration of technology and music to create immersive experiences. The lineup for August 9 includes celebrated artists such as Axwell, R3HAB, John Newman, Julienne By, William Black, ARIUS, and Kartypartyy, promising a day filled with unforgettable performances. Continuing the excitement, August 10 is dedicated as a live day, featuring performances from top-tier artists, ensuring an immersive and electrifying experience for all attendees. The lineup for this day includes Pink Sweat$, Jeremy Zucker, Fiji Blue, Phum Viphurit, James Alyn, and Numcha, bringing a diverse mix of R&B, pop, and Thai indie music to the festival. Unseen Festival is known for its high production values, and this year will be no exception. The move to UOB Live Hall, a venue known for its modern facilities, is expected to further enhance the intricate and visually striking stage setups. Advanced lighting and laser shows will create a visually spectacular experience, with ARIUS‘s intense laser dance shows being a particular highlight. The use of state-of-the-art sound systems ensures that the music and performances are not just heard but felt, providing an immersive audio experience. Feedback from previous years has consistently praised the seamless integration of audio-visual elements, elevating the overall experience and making each performance memorable. As Unseen Festival 2024 approaches, it stands as a testament to the vibrant energy and innovation that define the electronic music scene. It’s not just a place to see great music; it’s an experience that encapsulates the pulse of the global electronic music movement, right in the heart of Bangkok.

Global Transport by Monolake On September 6th the musician, audiovisual artist and co-creator of Ableton Live Robert Henke, AKA Monolake, releases a new album, titled simply ‘Studio’. A celebration of human-machine interaction, the creative process and the album format, Henke delivers a virtuoso, all-killer-no-filler masterclass in the true potential of an electronic longplayer. Punchy, purposeful and engaging, no moment is wasted, and every sound is perfectly placed. Across this multifaceted ride Henke reshapes deep abstract dance, sci fi techno, Kraftwerkian melody, sleek IDM and psych kosmische into a distinct, continuous composition. In Robert’s own words: “My studio is my shelter, I feel comfortable there, surrounded by those wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and find their final shape. ‘Studio’ is the result of spending time in that space. The album’s intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between. The result counts even more. I care deeply about the outcome of my work, I want it to be intentional, meaningful, consistent, and personal. Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece. I love albums, a beautiful format where each part has its place, one long journey from start to end, yet each piece has its own story, its own flavour and history. Some of the material I created years ago for installations, some is derived from previous audiovisual works, all completely ripped apart and rearranged multiple times, and other parts came into existence just a few months ago. During their creation my pieces often turn into something completely different, they repeatedly morph from one state to another until they become solid. What I consider a core element at the beginning might later be discarded completely, and a little detail in the background might become the essence. Many explorations ended in the trash bin before the results had the chance to become a part of ‘Studio’. Things did not fall into place, did not feel right. Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry; it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand my own work. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again. The closer I got to the final state of ‘Studio’ the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don’t care anymore about genres, about how to label things. It is music, my own personal music, and that’s it. Call it ‘electronica’ if you wish. The music on this album has been constructed in Ableton Live. Most of the sounds have been captured from my collection of beloved hardware synthesisers and effects, often further processed until something completely different emerged. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, the Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves a honorary mention here, so does the AMS RMX 16. When composing, I often start with a drum groove, a simple pattern triggering samples I collected earlier, or percussive synthetic sounds. Afterwards I arrange other elements around it. This is often more a process of finding than searching. I have an idea what I might want to add, but when clicking through my presets or adjusting parameters, I discover something else. I record layers of layers of new elements. This is the fun part. And from there the search for meaning and form starts: What happens when, where, why, how long, how often, with how much variation? During this very fragile process things often change a lot. This is where I oscillate between euphoria and crisis mode. The biggest challenge: throwing things away that did cost a lot of time to make but ultimately are just bad. In the final stage of creating this album, I worked on all tracks at the same time, listening to them in the context of the others. A lot of things changed again as a result. Suddenly previously completely fine endings and beginnings made no sense anymore and needed to be reworked. I always aim to create an album which is one long journey, and where the successions of pieces feel more like movements of a symphony. I removed elements, add new ones, and often only at this very late stage I started to understand which parts in each piece are central. At a very late state I again added a lot of little details to each track: The digital creatures in ‘Cute Little Aliens’ became more varied and agitated, and I had a lot of fun embedding the scenery in a wet pre-human environment, with thunder, the ocean, granulated raindrops, and other forces of nature. ‘Eclipse’ got its dark cymbals at the beginning and turned more into a wild drumming exercise and a track called ‘Spectral Run’ got revised again and again for weeks, until I finally gave up on it and replaced it by something that I wrote within a few days and in great desperation: ‘Signals’. But at the same time I gained enough distance to be able to reduce and simplify where needed: I cleaned up rhythmical patterns, let things develop over longer time periods again, or got rid of things that turned out to hide other things below that are far more worth noticing. Today is May 13 2024, a beautiful sunny day in Berlin, and I decide that the album is finished.” The post Robert Henke, AKA Monolake, releases new album, titled simply ‘Studio’ appeared first on Decoded Magazine.

As Decoded Magazine reaches a milestone, celebrating its 10th anniversary this September, the publication is preparing to unveil a refreshed editorial direction, enriched content, and an exciting lineup of artists and events. This significant anniversary marks a decade of bringing underground music, culture, and lifestyle content to our dedicated readers. Over the past ten years, Decoded Magazine has established itself as an underground source for in-depth features, exclusive interviews, and insightful reviews in the realms of electronic music and culture. The magazine has continuously evolved, adapting to the dynamic world of music and its ever-changing landscape. The upcoming editorial transformation promises to take Decoded Magazine to new heights. The team is working diligently behind the scenes to craft a vibrant, innovative direction that we hope will resonate with both longtime readers and new audiences. This fresh approach aims to encapsulate the evolving trends in music, art, and culture, providing readers with a richer, more exciting experience. Expect a wealth of new content that delves deeper into the stories behind the music. From detailed artist profiles and industry insights to trend analyses and cultural critiques, we will offer a diverse array of articles that engage and inform. Moreover, Decoded Magazine is excited to announce collaborations with a host of new artists, bringing fresh perspectives and voices to its pages. In addition to the revamped editorial content, Decoded Magazine will be hosting a series of exclusive events to celebrate its anniversary and new direction. These exclusive events promise aim to be unique, immersive experiences, featuring live performances, artist showcases, and interactive sessions. Subscribers will receive the first invitations to these highly anticipated gatherings. While the team at Decoded Magazine finalises these exciting changes, you can continue to read our content and we will be driving a go-slow approach to uploading over the next few weeks. Our current features, interviews, and reviews remain available. To be the first to hear about the new editorial direction, upcoming content, and exclusive event invitations, make sure to subscribe to Decoded Magazine (look below) and join the new chapter and continue to celebrate the music, culture, and community that unites us. Subscribe to Decoded Magazine today and be part of our journey into the next decade of innovation and creativity. The post Decoded Magazine celebrates 10 Years with a new Editorial direction appeared first on Decoded Magazine.

Electronic music maestro John Monkman is thrilled to announce the premiere of his latest live performance, ‘Pulse,’ a visionary collaboration with the acclaimed Paris-based creative group, Collectif Scale. In a world where digital screens dominate the concert experience, Monkman and Collectif Scale have broken new ground with their innovative kinetic light pieces, offering a unique, abstract experience that perfectly harmonizes with Monkman’s futuristic soundscapes. This extraordinary collaboration was filmed in a warehouse just outside of Paris on July 6th, 2024, and promises to be an immersive audiovisual feast for the senses. “Collectif Scale’s kinetic light art provides a more tangible and abstract experience that aligns powerfully with my music. Once our collaboration was confirmed, it gave me a clear goal and focus for how the music could be experienced,” said Monkman. “This project was an opportunity to explore music in its raw, unpolished state, bringing listeners closer to the source and moment of creation.” In preparation for this groundbreaking event, Monkman dedicated four intense weeks in May to deep writing sessions, aiming to map out multiple tracks each day. The emphasis was on rapid idea generation and forward momentum, resulting in a collection of songs that, while still evolving, represent an exciting new chapter in his musical journey. Monkman is renowned for his releases on some of the most prestigious labels in the electronic music scene, including Kompakt, ELLUM, Siamese, Crosstown Rebels and Anjunadeep. His innovative approach to production and sound design has earned him a reputation as one of the industry’s most forward-thinking artists. About Collectif Scale:Collectif Scale is celebrated for their innovative and interactive installations that blend kinetic architecture with dynamic light displays. Known for showcasing their work at prestigious events such as Hi in Ibiza for Fisher and the Constellations Festival in Metz, their installations have garnered global acclaim for their creativity and impact. Their modular and interactive pieces allow spectators to engage deeply with music, movement, and light, creating a truly immersive experience. Buy Rollervox – https://www.beatport.com/track/roller-vox/19082757 The post John Monkman presents ‘Pulse’ in Paris- A groundbreaking collaboration with Collectif Scale appeared first on Decoded Magazine.

cover photo credits: @jordanmarchand_cv Any time DJ Snake is in New York City, you know its going to get down and going to be an insane performance. There are few DJs that have the commanding stage presence that he brings and is worth all the hype. Last Friday, the French DJ returned to the Brooklyn Mirage for one night, selling it out as expected. As you may already know, DJ Snake has been talk of the year after he announced his mysterious “Final Show” taking place at Stade De France in France in 2025. The 80,000 venue sold out in a record breaking three minutes. Since the start of 2024, he’s also been going on some crazy side quests from performing at the Superbowl pre-game show to throwing a rave at a Mcdonald’s in Paris. Later this year, he will be playing his first ever bass set only at Lost Lands which will be a historical performance to witness. This is all in addition to him playing at the biggest music festivals and venues around the world. Anyone who has seen DJ Snake live knows he performs a mix of trap, latin house, and house, making his performances very diverse. The French man threw down from the start, performing his recent release with Crankdat, ‘Big Bang‘. This set the tone for the night, hurling banger after banger to the Brooklyn crowd. Once the crowd got hooked, he would play classics such as ‘Taki Taki’ and ‘Lean On’. Middle of the performance, he brought out his heavy hitters ‘Propaganda’ and ‘Turn Down For What’ which got the crowd into a headbanger frenzy. The pyrotechnics were also insane, lighting up the venue in flames dozens of feet high. One highlight of the night was when he dropped his remix for Adam Port’s ‘Move’ which has been one of the hottest songs of the summer. Snake eventually closed out the night with ‘Let Me Move You’ which had everyone in the venue singing along. To see where DJ Snake is playing next, check out his tour dates here. The post [Event Review] DJ Snake Tears Up The Brooklyn Mirage appeared first on EDMTunes.