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The New York-based festival returns to its mountainous home from September 12 to 15 Continue reading...

On September 20th over in the stunning landscape of Limassol, Cyprus, BEONIX festival will be kicking off three days of entrancing electronic music from some of the best DJ’s in the world. With the combination of Cyprus’ beautiful weather, amazing music from 50 different DJs, and the fantastic visuals from 3 unique stages it’s looking to all add up to be a must go festival. The headlining acts alone are enough to get anyone excited with the first headliner being the legendary Fatboy Slim who will be bringing some of his new funky beats and iconic hits to get the crowd going right from the off. Day 2 will see ARTBAT headlining which is sure to be an amazing set as they have been knocking it out of the park with banger after banger all year. Closing the final day will be Tale of Us who will bring their unique sound to provide a euphoric end to what is sure to be an amazing weekend. Something else to look forward to at BEONIX is their ‘9 Experiences’ concept which is extremely intriguing and exciting. The ‘9 Experiences’ concept is in reference to the idea that there are in fact 9 senses instead of the traditional 5 and the festival aims to engage all of those 9 senses. Through the power of music, the aim of the festival is to achieve unity between everyone there and create a truly immersive experience where you can forget the troubles of the outside world and live in the moment. There’s certainly plenty to look forward to and still tickets available to those who want to join the other 18000 people a day for the experience of a lifetime in a beautiful place with beautiful music.

Get ready to dance the night away under the winter sky as Pulse Events returns with their highly anticipated second annual Winter Solstice Festival. This year’s event will take place on November 16, 2024, at the iconic Great Hall at Avant Gardner. Headlining this year’s festival is a not-to-be-missed back-to-back set from the legendary Dillon Francis and Valentino Khan. Known for their genre-defying sounds and infectious energy, these two heavyweights will deliver a high-octane performance that will keep you dancing all night long. Joining them on the lineup is the highly anticipated debut of Canadian duo Adventure Club . Pioneers of the dubstep genre, Adventure Club will bring their signature sound to the festival. They will be supported by trap maestro 4B and hard trap pioneer SAYMYNAME, who will be joining forces for a b2b set. The Winter Solstice Festival is not just all about dance music and partying with your friends. It’s a celebration of Chinese culture and community. The event will pay homage to the Chinese Winter Solstice Festival, a time for loved ones to gather and celebrate harmony and balance. Expect to see cultural elements infused throughout the festival, creating a unique and immersive experience for all attendees. Early Bird Sign-Up: Starts TODAY, Wednesday, August 21st at 12:00 PM EST. Sign up for the pre-sale list to get exclusive access before tickets go public! (Link here) Pre-Sale with Code: Get your tickets early with the pre-sale code starting Monday, August 26th at 12:00 PM EST. Use code WINTER at checkout. (Link here) General Admission: Tickets open to the public on Tuesday, August 27th at 12:00 PM EST. Don’t miss out! (Link here) Based in New York City, Los Angeles and Las Vegas, Pulse Events is an expert on the Asian-American market and concerts and live performances across North America and the world. Pulse Events’ mission is to bridge the east and west through music and has hosted artists including SLANDER, Martin Garrix, Afrojack, Alan Walker, Subtronics, Gryffin, KSHMR, Vini Vici, and Like Mike, and produces the K-pop Krazy Super Concert. The post Winter Solstice Festival Returns for 2nd Edition Feat. Dillon Francis B2B Valentino Khan, Adventure Club, 4B B2B SAYMYNAME, and More appeared first on EDMTunes.

Alfiya Glow is here with her brand-new EP, ‘Leaving Origin,’ inviting listeners to join her on a voyage through her artistic journey as she offers three powerful tracks reflecting her personal and creative evolution. With the tracks having previously been released as singles, ‘Leaving Origin,’ ‘Echoes of Arrival’ and ‘Infinite Voyage’ now come together in an impactful collection, poised to excite listeners and introduce Alfiya Glow’s unique signature sound and diverse talents. With her beginnings rooted in the Classical Music sphere, Alfiya Glow combines her expertise as a Violinist with her passion for Electronic Music. As she seeks to distinguish herself, Alfiya Glow continues to put forward her innovative sonic identity, blending elements to deliver fresh and original music. Having honed an expansive skillset, coupled with a rich and varied musical knowledge, Alfiya Glow has achieved numerous career highlights during her journey so far, including performing at the renowned Electric Forest festival, taking to the stage alongside industry VIP Kygo, and working with top brands like Ferrari, Google, and Porsche; steadily gaining a reputation, Alfiya Glow keeps highlighting her musical strengths, bringing more stimulating music with this latest EP. Opening the EP, ‘Leaving Origin,’ sets the tone; showcasing Alfiya Glow’s genre-blending approach, the track weaves a dynamic tapestry of mesmerising violin melodies, atmospheric pads, and hypnotising spoken vocals. Coming as an Ambient soundscape, ‘Leaving Origin’ presents the themes of growth and self-discovery that run throughout the EP, making it the ideal introduction to the production. Then, with the journey unfolding, Alfiya Glow brings Melodic House energy with ‘Echoes of Arrival,’ bringing haunting vocals, intricate harmonic lines, pulsing details and layers of lively elements. A captivating listen, the track continues to drive forward, motivated in movement by Alfiya Glow’s signature violin lines and leading listeners towards the final track of the EP. Closing with the Melodic House production, ‘Infinite Voyage’, the track’s blend of violin solos with tribal-inspired beats presents Alfiya Glow’s confidence towards exploration, representing the possibilities, potential, and promise of both her ever-evolving sound and journey within Electronic Music. As each track offers refreshing vibes, whether giving way to atmospheric energy, inspiring sounds, or danceable grooves, the ‘Leaving Origin EP’ brings a diverse sonic experience, highlighting the versatility of Alfiya Glow’s abilities and talent. With each track of the EP symbolising a part of Alfiya Glow’s story, from her personal growth and spiritual findings to her physical sense of belonging, the collection comes as a significant project in Alfiya Glow’s discography. As she continues to make herself known as a dynamic talent within Electronic Music, seamlessly marrying her Classical virtuosity with her powerful electronic approach, Alfiya Glow continues to offer sonic complexity, along with modernity, through her music, and this new collection of work no doubt emphasises her individuality further and cements her as one to watch closely. Stay tuned to Alfiya Glow by following her across social media today. ‘Leaving Origin EP’ is out now and available to stream and download across platforms. Listen to ‘Leaving Origin EP’ now:    https://found.ee/G5nccF Alfiya Glow Online    Spotify | Website | Beatport  | Soundcloud | YouTube  The post Alfiya Glow Unveils Her New EP ‘Leaving Origin’ appeared first on EDMTunes.

Kallaghan reveals his latest Dance single, ‘Dance Again,’ featuring the Vocalist EMMI K. As he brings his signature sound to this brand-new production, weaving a dynamic sonic tapestry that highlights his musical background and approach, Kallaghan offers a high-energy anthem, aiming to bring enthralling vibes to dancefloors worldwide. Set for release via STNS, an imprint of Insomniac Music Group, this new track shows off Kallaghan’s creativity and skills, further cementing him as a unique force on the Electronic Music scene. Having established his presence as a skilled Producer whose career spans across genres, working alongside top names like Falling In Reverse and Melii, Kallaghan now seeks to make a name for himself within Electronic Music, already paving an exciting journey. With notable highlights that include performing at the renowned EDC Las Vegas and supporting VIP headline acts like Diplo and CID, Kallaghan continues to garner attention, aiming to blend his diverse background of working within the genres of Rock and Punk into an original and inventive signature style that will set him apart on the scene. With ‘Dance Again,’ Kallaghan came to the production inspired to create a song that delivers emotive meaning, instilling the message of hope both through the uplifting vocals and driving soundscape. Inviting EMMI K. to the production, a talented Artist whose previous credits include working alongside top names like Tamar Braxton, Diplo, Pitbull, and Yinon Yahel, her powerful vocal lines only elevate the emotional depth of the track further, adding to the energy of ‘Dance Again.’ When speaking about the release, Kallaghan mentions: ‘Dance Again is a message of peace and unity in a world so divided. I hope we can all dance (together) again.’ A unique blend of electronic innovation, alternative rock guitars, and moving vocals, ‘Dance Again’ opens with a potent melodic line, soon adding a thumping kick, shuffled rhythms and underlying synths to create a bold instrumental arrangement for EMMI K.’s vocals to balance against. As the track moves forward, the energetic low-end and beat keep the listening experience engaging as layers of lively details join the mix to introduce exciting energy. Featuring an anthemic vocal drop, building with processed lines and intensifying sonic elements, ‘Dance Again’ will surely have listeners captivated by its sound and energised by its driving beats. As he reminds fans of his multi-faceted abilities, technically experienced and innovatively original, Kallaghan will no doubt keep making waves within Electronic Music, demanding genre lovers take note as he continues to put forward compelling music.   Keep following Kallaghan’s journey by staying up-to-date with his latest updates, projects and performances via social media. ‘Dance Again’ is out now via STNS and is available to stream and download across platforms. Listen and Buy ‘Dance Again’ now: https://stns.ffm.to/DanceAgain Kallaghan Online    Website | Soundcloud | Instagram    EMMI K. Online    Spotify | Instagram    STNS Online    Website | Beatport The post Kallaghan Presents His Latest Release ‘Dance Again’ Featuring EMMI K. appeared first on EDMTunes.

At the turn of the century, dance music had a distinct sound that fused warehouse techno with sweeping trance riffs, creating an atmosphere that now conjures memories of glowsticks, green lasers, and parachute pants. Many artists today try to recapture that magic, but few succeed—until now. The UK’s 1991 has managed to blend the essence of the late ’90s and early 2000s with modern drum and bass in his nostalgic dancefloor anthem ‘Jungle’ featuring Alex Hosking. Released on the Chaos/Polydor imprint, ‘Jungle’ has been a festival favorite this summer, thanks to its high energy and seamless crossover appeal. Alex Hosking’s vocals are pitch-perfect for big rooms, with lyrics that stick in your head like white on rice. A breakout artist in recent years, 1991 continues his streak of hits following ‘Cyclone,’ ‘Worlds Apart,’ and ‘Horizon.’ Just last week, he hosted an intimate pop-up party on a packed boat in London to celebrate the new single, with Alex Hosking performing alongside. “‘Jungle’ has been a crucial part of my sets this year,” says 1991. “It started with an amazing vocal hook sent to me by my friend Alex Hosking, which I instantly knew would be perfect for an instrumental I was already working on. I was feeling inspired by the euphoria of trance from around the turn of the millennium and that formed the overall theme for the track.” There must be an unwritten rule that all drum and bass artists must reference the word “jungle” in one of their tracks in order to cement their place in the genre. Over the years, dozens of DNB producers have used “jungle” in their songs as a tribute to a cultural movement that represents a significant chapter in UK dance music history. Jungle music is the precursor to drum and bass and combines elements of reggae, dancehall, and hip-hop with breakbeat rhythms, fast tempos, and heavy basslines. While drum and bass and jungle are distinct genres today, they still share many elements. With his ‘Jungle,’ 1991 not only honors the roots of drum and bass but also pushes its evolution forward, proving that the spirit of the genre and the community that nurtured it is as vibrant as ever. Listen to ‘Jungle’ by 1991 and Alex Hosking below. Photos courtesy of 1991 Instagram and fabric London. The post 1991 Pays Tribute to Sounds of the Millennium with ‘Jungle’ appeared first on EDMTunes.

The track marks her return to her club-centric sound, with a nod to her classic 2017 track ‘Raingurl’ Continue reading...

Dubai’s nightlife scene is set for a major transformation with the launch of the forthcoming spectacular event series; Ushuaïa Dubai Harbour Experience. Following the announcement of Calvin Harris as the inaugural headliner on 26th October, excitement continues to build as it’s revealed that Adriatique will bring their groundbreaking X show to Ushuaïa’s all-new winter residency on 16th November, showcasing a diversity of artists Dubai’s clubbers can expect to witness at the landmark’s iconic harbour. Visionary artists Adrian Shala and Adrian Schweizer, a.k.a. Adriatique, have made a name for themselves with their cutting-edge sound and pioneering creativity. Over the past decade, the duo from Zurich have gained international acclaim and captivated worldwide audiences with their mesmerising live shows and releases on prestigious labels like Afterlife, Rose Avenue, and Diynamic, as well as their remixes for renowned acts such as Swedish House Mafia and Elderbrook. Adriatique’s X show is an incredible production that pushes the boundaries of conventional performances, offering a journey through digital and avant-garde artistry. Dubai will be treated to an unparalleled lighting and audiovisual setup that challenges the limits of reality, marking Adriatique’s most significant 2024 show in the region. This landmark event at the Ushuaïa Dubai Harbour Experience is not to be missed. Presale begins on Wednesday 28 August at 16:00 GST (14:00 CET) before the general sale begins on Thursday 29 August (16:00 GST / 14:00 CET). With presale tickets selling out for the first event in record time, sign up now for first access to tickets and VIP tables at ushuaiadubai.com. Stay tuned for more news! The post Adriatique To Present Their Signature X At Ushuaïa Dubai Harbour Experience appeared first on EDMTunes.

U.S. gymnastics champion Simone Biles recently shared an incident where a Paris nightclub attempted to charge her $26,000 for a bottle of champagne. This occurred after the closing ceremonies of the 2024 Paris Olympics, where Biles celebrated her success with her sister at a nightclub. In a TikTok video, Biles expressed her disbelief at the exorbitant price, stating, “Like, are you insane?“. She did not purchase the champagne and did not disclose the name of the club, although she had been seen at L’Arc nightclub in Paris during that time. Biles, who won three gold medals and one silver at the Olympics, discussed her experience while applying makeup in the video, highlighting her preference for a more ordinary life away from the spotlight. The incident has triggered a wave of reactions on social media, with many expressing shock at the price. While those familiar with the nightlife scene are used to the steep markups for VIP tables and bottle service, even they acknowledge that $26,000 is an exceptionally high price, even for the most affluent crowd during the Olympics. VIP Table Prices at Luxury Events At upscale nightclubs like LIV in Miami, table service packages start at a minimum of $1,000 and can go up to $10,000 for prime locations. The cost of champagne itself ranges from approximately $150 for a standard bottle of Veuve Clicquot to around $495 for Dom Perignon. More exclusive options, such as Cristal or larger formats, can cost even more, with some magnums priced at over $1,000. At EDC Las Vegas, VIP bottle service prices can vary greatly depending on the location and size of the table. The minimum spend for bottle service ranges from $5,000 for the cheapest table to as much as $150,000 for the best possible table and doesn’t include taxes, tips, and service fees. The most expensive bottle of champagne ever sold in a nightclub was a six-liter magnum of Dom Pérignon Champagne Brut Luminous Phantom, which was sold for 50,000 euros at the Momento nightclub and restaurant in Marbella, Spain. This limited edition bottle is considered one of the most prized jewels in the venue’s cellar, with very few units produced worldwide. Photos courtesy of Simone Biles Instagram and Associated Press The post Simone Biles Shocked By $26,000 Champagne Price At Paris Nightclub appeared first on EDMTunes.

*Featured Cover Photo Credit: Sebastian Ingrosso (Swedish House Mafia) / One World Radio Sebastian Ingrosso on Instagram Story teased the release of ‘Finally’, the upcoming track from Swedish House Music. The world-famous Dance music trio were in the studio, and they are releasing the track in collaboration with legendary R&B superstar, Alicia Keys. One can see the Instagram Story that Sebastian Ingrosso uploaded about the potential release of ‘Finally’ on this Reddit post, and in the Story, the Swedish Producer had a caption that said, “NEXT WEEK”. The Story from Sebastian Ingrosso, as well as the interesting caption, could state that ‘Finally’, no pun intended, may finally come out very soon. Back in April, during an interview with Tomorrowland‘s One World Radio, Sebastian Ingrosso disclosed about the future release of ‘Finally’ and said that Alicia Keys “loved the record and wants to put the record out“. Not just that, Swedish House Mafia even uploaded a photo of Alicia Keys on their social media platforms as well, signifying that the release was going to happen. The trio and the R&B legend’s upcoming collaborative track has even played out at various locales around the world for years. For example, shown below is a YouTube clip of ‘Finally’ playing out at Swedish House Mafia’s ‘Paradise Again World Tour’ stop in San Francisco back on Sept. 17, 2022. It is only a matter of time until fans get to enjoy the track in the comforts of their own home or wherever they may be. The post Sebastian Ingrosso Teases SHM & Alicia Keys ‘Finally’ Release On Instagram Story appeared first on EDMTunes.

Jack Emery had a successful debut on Purified Records when he released the stunning track, ‘Believe’. On August 9th, Jack Emery returned to the prominent Melodic Deep House and Techno label by dropping his latest EP, Fickle Heart. The EP can transport you to a new world of musical bliss, particularly when listening to the vibrant soundscapes the producer included to ensure that the listener will continue to feel at ease. The title track of the EP provides mellow yet upbeat instrumentals that team up perfectly with emotional vocals that feel very peaceful, which also allow for a comforting experience. The next track, ‘Will You‘, brings out piano tunes that complement the synths and unique natural sounds, inviting the listener to get their feet up and get going with the rest of their day. Both tracks have their own extended mixes to ensure continuous enjoyment of listening to the tracks and feeling more of the amazing vibes that the track brings out to the streamer’s earbuds. Click ‘Play’ on the Spotify link below to enjoy the Fickle Heart EP from Jack Emery, a piece of music that will bring out the artist as a top name in the Melodic House genre for years to come. Jack Emery Discusses The Beautiful Sounds Of The Fickle Heart EP “I am thrilled to share my debut EP on Purified Records and show a deeper side of my creative expression. Emotional vocals and the organic sounds of nature combine to give the listener a sense of melancholy and depth, and the tracks invite the audience to gaze up at a twilight sky in wonder.” The man behind Fickle Heart Hailing from San Diego, California, Jack Shelledy a.k.a. Jack Emery has seen his music played out all around the world at some of the biggest festivals including Ultra Europe, Amsterdam Dance Event, and DJ Mag Top 100 Awards. The producer has also received support from Sultan + Shepard and even featured on their Dialekt Radio show, as well as receiving heavy support on Sirius XM Chill. Jack Emery is trained in classical music and as a result, he combines his background in an orchestral setting with inspiration from Dance music heavyweights such as Nora En Pure, Lane 8, and RÜFÜS DU SOL to create his unique style of Melodic House. The post Jack Emery Reunites With Purified, Drops ‘Fickle Heart’ EP appeared first on EDMTunes.

It’s been a rather tricky year for Burning Man. It recently reported that it failed to sell out for the first time in over a decade as ticker holders took major losses to unload the unwanted passes. In an effort to boost numbers, organizers opened up last-minute ticket sales to the general public, which doesn’t require pre-registration. Ahead of the event in the Black Rock Desert, there have been a few rule changes regarding its future events, all in an effort to salvage attendance. Burning Man sent an email to all the leaders of the festival’s music camps and owners of the iconic ‘mutant vehicles‘ about a policy change on August 10th. In prior years, guidelines stated that the lineups for the various stages were announced just a week before the first day of performances. That’s because the music lineup is a perk for people going, not THE reason to go. The ethos of Burning Man is to attract people who share the ethos and the vibe of the event, not just people who want to see certain DJs. This year, however, the organizers have allowed the lineups to be revealed two weeks before the festival starts on August 25th. “We’re trying this out this year in the spirit of greater transparency and providing the community earlier information” Email sent by Burning Man organisers Announcing the lineups much earlier allows the possibility for fans to come to Burning Man for the artists. This detracts from the journey of self-expression and community the event has come to offer. Artists like Carl Cox and Rufus Du Sol are among those who will be performing at this year’s event and are equally names that would look at home on the mainstage of any major festival. It will be very interesting to see if this new policy will be popular with fans and how it might affect ticket sales and the makeup of attendees. It’s still unclear why tickets aren’t sold out as they usually are. Last year’s running was marred by extreme weather, which may be a cause for a decline in interest. Tickets are still available for this year’s Burning Man, which you can purchase here. The post Burning Man Tries Announcing Music Lineups Early appeared first on EDMTunes.

September 2024 sees the release of the six-disc/six-DJ ‘In Search Of Sunrise 20’. At the rate of one a week, Black Hole Recordings will be unveiling the DJs chosen for this task. The first is Solarstone – an artist for whom the first natural question might be ‘how is this only happening now ?!!!’ As sure a fit for ‘In Search Of Sunrise’ as anyone, and an artist/producer for whom the term ‘Balearic Trance’ might very well have been coined, we dig into Solarstone’s mix with Richard Mowatt below … What was the first ‘In Search Of Sunrise’ album you heard or bought, Rich? “That was Vol.3 – the one with Solarstone ‘Solarcoaster’ on it. I remember buying the CD! It’s funny how music can be autobiographical in that way.” It truly is! Now, looking back across their tracklists, what would you say is your all-time favourite track that’s been compiled onto an ‘In Search Of Sunrise’ album?“Without a doubt that would Andain ‘Summer Calling’ (Josh Gabriel Mix) – it precedes ‘Solarcoaster’ on Vol. 3. I love that track so much. I’ve toyed with the idea of remixing it, but I know that whatever I did could not touch the perfection of Josh’s version, so the exercise would be kind of pointless!” The music of ‘In Search Of Sunrise’ is perhaps renowned for having less of a ‘sound’ and more a ‘feel’. How would you encapsulate that feel in three words? “I think it is both a ‘feel’ an also a ‘sound’. So for me that’d be: ‘Balearic progressive trance’.” Fair enough! Is there a track on your mix that summarises that best? “It’s the whole thing. That’s the whole point of it, at least that’s how I feel. Setting a mood and letting it flow. Having said that, the Foxhill track captures the sunrise beautifully. Even the title ‘When the Morning Comes’ is perfect. I think Sam Foxhill is a really gifted producer.” ‘In Search Of Sunrise’ mixes are all about flow. How did you approach yours? “I knew how I wanted this to sound from day one. Keeping the Balearic vibe throughout, progressive sounds, a gentle & natural slow build. I told the artists what the tracks were for, and they produced tracks perfectly for it. Anyone who knows the early ISOS albums understands my intention with this mix. But the flow takes some crafting, you need to step back from the mechanics of the mix from time to time – listen to the whole thing in the car, for example. When I listened to the first bounce of the mix, there was one track that had been signed & edited specifically for this album but then really stood out as not fitting. It was too ‘uplifting’ and knocked the flow off-course. This is something that usually happens with a compilation, and it can be very frustrating for the artist who made the track! I was dreading telling them that I had to remove it. The Solarcoaster remix by Aquarius then materialised in a very serendipitous way on the day I realised that I needed one more track. Polish 18-year-old producer Aquarius (who has released several times on my labels) sent me a demo of his Solarcoaster remix out of the blue – and it fitted perfectly in the space left by the other track, even in terms of BPM and key. That sounds like a huge coincidence, but it has actually happened several times before! By the way, there was a happy ending with the cut track – I offered it to a DJ mixing one of the other discs, and they loved it and included it. I was very relieved!” Are there any exclusives, premieres, or purpose-built tracks on the Solarstone mix? “Yes – all of them! I love my compilations to consist of brand-new music. Primarily this album needed to be new music from interesting artists designed for an ISOS album. I don’t think a mix like this should be an exercise in self-promotion, but people do expect a few of my own tracks to be on there, either new tracks or remixes from my back catalogue. They have to fit naturally though, not be shoe-horned in. On this one they are the Solarcoaster remix, the William Byrne remix of ‘When I Dream’ (William made the remix about a year earlier and I was saving it for a special occasion) & ‘Release’ which closes my mix. It’s one from 2003 that I always felt would have worked perfectly on an ISOS compilation, so I dug out the original stems and made a slightly different version for this project. Sean Tyas & Enigma state kindly made an alternative version of their brilliant track ‘Lately’ for this album – the fabulous ‘Azure Mix’. The very first track written specifically for the album was the wonderful ‘Majesty’ by Singapore’s Effen, the feel of that track was always going to be the ‘peak’ of the mix – just before the ramp down towards the end.” Nice! Now was there one ISOS-oriented artist that you were particularly keen to have on your disc? “Absolutely – that would be Orkidea! He has mixed a previous edition of ISOS & his music often has a Balearic vibe. ‘Dance Of Life’ is vintage Orkidea, a really brilliant track.” You yourself are the owner of a compilation series that has reached ten outings. What’s the secret to longevity when creating a series? “I suppose it is having faith in a concept and being consistent – releasing at the same time each year. Annoyingly we missed a year with the Pure Trance series, due to the pandemic. This year, when Arny from Black Hole asked me to compile a disc for this special edition, I knew that because of the amount of work involved (& other ongoing projects) it would be impossible for me to also mix a new Pure Trance compilation, so I chose to do In Search of Sunrise. Pure Trance Vol. 11 will happen in 2025 instead.” A noble sacrifice! So, tackling the elephant in the room, musically, Solarstone would seem like the most natural of fits for ‘In Search Of Sunrise’. Is ‘Pure Trance’ what’s kept you away from ‘In Search Of Sunrise’ for so long !? “It is!! I’ve discussed it several times with Arny, but for the last few years it was because I couldn’t commit to doing an ISOS alongside a Pure Trance album as well. I’m really pleased that it has finally happened.” What’s the best Sunrise you’ve ever found !? “Paula, my wife and I were in Costa Rica recently and we saw some good ones there from a little cabin high up in the jungle. Not that we stayed up all night to see them – we were woken each morning by the sun streaming through the window. Generally, having two kids, I prefer not to be woken up in the morning, thanks very much.” The post Solarstone Unveiled As The First Of The Six DJs Mixing The Landmark 20th Edition Of ‘In Search Of Sunrise’ appeared first on EDMTunes.

American audio equipment and software manufacturer, Sonos has been embroiled in a consumer revolt since it released a new app May 7th. This new app had been hyped in the press and was going to make product setup easier and greatly improve the user experience. However, when the app was actually released, it was, and somewhat remains, a disaster. Since the new app was released, CEO Patrick Spence has issued a formal apology and announced in August that the company would be delaying the launch of two products “until our app experience meets the level of quality that we, our customers, and our partners expect from Sonos”. But one thing is for sure: if you want the old Sonos app back, it’s not coming. In a Reddit AMA response posted Tuesday, Sonos CEO Spence says that he was hopeful “until very recently” that the company could rerelease the app — But after extensive testing, rereleasing the old app would allegedly make things worse. “The trick of course is that Sonos is not just the mobile app, but software that runs on your speakers and in the cloud too. In the months since the new mobile app launched we’ve been updating the software that runs on our speakers and in the cloud to the point where today S2 is less reliable & less stable than what you remember“, he said. “After doing extensive testing we’ve reluctantly concluded that re-releasing S2 would make the problems worse, not better. I’m sure this is disappointing. It was disappointing to me.” — Patrick Spence via Reddit Although the old app is dead in the water, Spence assured folks that fixing the current app “remains my #1 priority“. The post Sonos Strikes Out Again: Old App Never Coming Back appeared first on EDMTunes.

The change of seasons from summer to autumn marks a thrilling time for the electronic dance music community ahead of the annual return of ADE. The iconic Amsterdam Dance Event draws artists, fans and industry professionals from across the globe as it takes over the city with hundreds of events. Now, organizers have unveiled a series of opening party series to usher in this year's summit, which is scheduled for October 16-20. The first will take place at one of Amsterdam's most iconic landmarks, the Van Gogh Museum, where a stripped-back performance by Dutch singer-songwriter Eefje de Visser will take place. The next event takes a bold approach, blending the new with the old through technology, art and classical music. Audiovisual creative Nick Verstand and Cello Octet Amsterdam have teamed up to design an innovative show, "COCON II," crafted specially for ADE wherein musicians engage with eight robotic arms to create light shapes. This unique event will take place at the Door Open Space warehouse. The next ADE opening party fuses jazz and techno for a genre-bending experience at Bimhuis. Greetje Bijma, a renowned free jazz singer, will collaborate with electronic artist Oceanic to perform a daring set. Then, London-based producer LUXE will play a live show meshing electronic and classical music, showcasing unique interplay between these disparate genres. Lastly, Amsterdam's Melkweg venue is set to host a tribute to one of the world's most influential hip-hop producers, the late J Dilla. The Metropole Orkest and composer Miguel Atwood-Ferguson will perform their interpretation of Dilla's works through a new lens to celebrate his 50-year legacy. In other ADE news, EDM.com will host another edition of our free networking event, "Insider Access" on October 17th. The conference dropped their sprawling first wave lineup last month, featuring Four Tet, Peggy Gou, Jamie Jones and many more. ADE Pro passes are available here.

2 months ago we covered Diplo’s amazing new home in Jamaica. He built a tropical oasis in the middle of the jungle. The home has inspired so many of his records and projects. Now, he is ready to share the inspiration of the home for everyone to enjoy. He originally made the home for his 18 children to get away. He attributes Jamaica for giving him so much inspiration for dancehall and beyond. He has rescued horses and planted sweet potatoes, strawberries, kale, and pineapples around the grounds. Diplo undertook the ambitious project by first buying 50 acres of land. He then assembled an inspired team of artists to help bring his vision to life over the next 10 years. The years of work have resulted in an indoor-outdoor concrete villa clinging to the lush hillside. Bridges, trellises, and breezeways connect the space, allowing the jungle to weave into the home as if one. He wants the home to be a retreat for all creatives from music to art. It will serve as a haven, epicenter, and sanctuary for creativity. Solar panels power the home as well. Pompey is open for bookings here. Diplo had this to say: “your gonna have the greatest sessions of your entire career because this place is just magical…breakaway from your normal life and go somewhere crazy” Introducing Pompey. A retreat for all creatives. We built this as the ultimate oasis to immerse yourself in a haven of creativity & inspiration. Explore the incredible property starting today. Now open for bookings. https://t.co/huFMIj73Wm pic.twitter.com/YTp6XGp9xR — diplo (@diplo) August 20, 2024 The post Diplo’s $100M Jamaica Mansion Becomes Retreat for Creative VIPs appeared first on EDMTunes.

A landmark bill preventing the use of artists' images, voices and likenesses without consent has been passed by the Illinois State Senate. HB 4875, signed into law by Illinois Governor J.B. Pritzker, formally enacts amendments to the state's Right of Publicity Act, which passed back in 1999 to require written consent for the use of an artist's likeness for commercial purposes. The revamped bill allows musicians, record labels and other rightsholders to sue parties using AI to generate and disseminate unauthorized digital replicas. The bill defines "digital replica" as a "newly-created, electronic representation of the identity of an actual individual created using a computer, algorithm, software, tool, artificial intelligence, or other technology that is fixed in a sound recording or audiovisual work in which that individual did not actually perform or appear." Senator Mary Edly-Allen advanced HB 4875, which had received bipartisan support since its introduction to the Illinois State Senate. "In the last few years, we have seen an explosion of AI tools and AI-generated content, often created and distributed without authorization," Edly-Allen said in a press release issued by her office. "While AI is a powerful tool with the potential to do much good, guardrails are necessary to protect artists and the general public." The scourge of AI-powered deepfake technology has emerged as the music industry's most explosive flashpoint, raising urgent questions and fears surrounding authenticity. Deepfakes pose significant, existential challenges for musicians, who are rightly concerned about the potential for their work, voices and identities to be exploited and repackaged in misleading ways. "As an indie artist, every song I make is a piece of my soul," added Dani Deahl, a DJ, dance music producer and Chicago Chapter Recording Academy trustee, who testified in the case. "House Bill 4875 is not just legislation—it's a shield protecting that soul from being mimicked and monetized by unauthorized AI. It guarantees that our identities remain uniquely our own. This law ensures that as technology advances, it does so with respect for our rights and our very essence as creators." The legislation is just the tip of the iceberg with regard to AI-related protections for artists, as the swift proliferation of unethical deepfake tech has led to swelling support beyond the state level. Led by Delaware Senator Chris Coons, a group of Congress members in July introduced the NO FAKES Act, which seeks to establish federal guardrails "to protect the image, voice, and visual likeness of individuals" from unfair use. The United States Senate Judiciary Committee's Subcommittee on Intellectual Property held a hearing on Tuesday, April 30th titled "The NO FAKES Act: Protecting Americans from Unauthorized Digital Replicas." "This bill would protect people from having their images, voices, or likenesses used to create digital replicas that say or do things they never agreed to or would never say," Coons said in his testimony at the time, per Tech Policy Press. "The bill accomplishes this broad goal in two ways: by holding individuals and companies liable if they produce an unauthorized digital replica of an individual's voice image or likeness and by holding platforms liable if they host or distribute an unauthorized digital replica if the platform knows the person depicted did not authorize it." HB 4875 was officially signed into Illinois law August 9th, 2024 and will be enacted January 1st, 2025.

The auction will be held on October 1 with all proceeds donated to The Tim Bergling Foundation, a charity founded in the name of the late producer Continue reading...

The two-day event, from Goldenvoice and Splash House, is taking place in Palm Springs this November Continue reading...

The venue explained that its rental agreement has been terminated Continue reading...

It's been a long, quiet year for fans of GRiZ, but those attending Burning Man will see that his creative flame has far from extinguished. Beloved for his funk-infused dubstep and high-energy live shows, GRiZ in June 2023 announced an indefinite hiatus from music, citing a desire to travel and spend more time with loved ones. "Life is really good, and often I make myself too busy to see just where I am and how far the project has come," he said at the time. "I'm following my gut instincts so for now, I’m not going to put a hard time limit length on the break... I'm excited to take time to travel, find fresh inspiration, write music and to be in a new headspace." But the hush has been suddenly, dramatically shattered with the news that GRiZ will be gracing the hallowed grounds of Burning Man's beloved Camp Questionmark this year. It's a big moment for the Rainbow Brain producer, who has remained steadfastly out of the public eye since announcing his hiatus. The lineup revealed this week via Camp Questionmark's Instagram page in a post that has since been deleted, but not before the sleuths at GRiZ's official subreddit captured a screenshot. According to the flier, which you can view below, GRiZ is scheduled to appear on Friday, August 30th as part of a slate that also features Diplo and Louis The Child. Other notable artists to perform throughout the week include What So Not, Maddy O'Neal, Equanimous and FLY. Camp Questionmark's official website now features a countdown that's scheduled to end on the afternoon of Sunday, August 25th. View the original article to see embedded media. Follow GRiZ:X: x.com/griz Instagram: instagram.com/griz TikTok: tiktok.com/@mynameisgriz Facebook: facebook.com/mynameisgriz Spotify: spoti.fi/3hEXfjz

The 250-page book will contain interviews, essays, features and photographs of Aphex Twin over the years Continue reading...

With record-high ticket prices, many music fans opted out of the live experience this year Continue reading...

Behind every superstar is a story of humble beginnings, and for some of the biggest names in EDM, their journey to stardom started with regular jobs like everyone else. From grocery stores to classrooms, these six EDM DJs hustled in everyday professions before making it big on the global stage. Here’s a look at their surprising backgrounds and the paths they took to become some of the most influential figures in electronic music. 1) Calvin Harris: Grocery Store Worker Before topping charts with hits like ‘Summer’ and ‘Feel So Close’, Calvin Harris was stocking shelves and scanning groceries. The Scottish DJ, born Adam Richard Wiles, worked in a local grocery store during his early years, earning just enough to scrape by while he continued to work on his music. Harris would spend his nights honing his production skills and uploading tracks to MySpace, which eventually led to his breakthrough. Today, Calvin Harris is a global phenomenon, with multiple Grammy Awards and residencies in Las Vegas. But it wasn’t always glitz and glamor—he started out like many of us, bagging groceries for minimum wage. 2) Steve Aoki: Waiter Steve Aoki, known for his high-energy performances and crowd-surfing antics, wasn’t always at the center of the EDM universe. Before headlining festivals and running his own record label, Dim Mak, Aoki worked as a waiter in Los Angeles. Juggling his job with his passion for music, he put in hours at the restaurant to make ends meet. Aoki‘s experience as a waiter likely helped him develop the strong work ethic that propelled him to success. His persistence paid off, and he eventually went on to become one of the most prominent DJs in the world, known for collaborations with artists like BTS and Kid Cudi. 3) Diplo: School Teacher Long before Diplo was playing packed venues and producing tracks for artists like Beyoncé and Major Lazer, he was teaching history to middle school students. The Grammy-winning producer, whose real name is Thomas Wesley Pentz, worked as a school teacher in Philadelphia. While teaching, Diplo was also dabbling in DJing and producing music on the side. Eventually, his passion for music won out, and he left the classroom behind to focus on his career full-time. Despite the career change, Diplo has often spoken fondly of his time as a teacher, crediting the experience with helping him develop patience and creativity, both of which have served him well in his music career. 4) John Summit: Accountant John Summit, one of the rising stars in the house and techno scene, didn’t always have his sights set on DJing. Before his music took off, Summit worked as an accountant in Chicago. His nine-to-five job involved balancing books and crunching numbers, but his passion for music never waned. After spending his weekends performing at local clubs and producing tracks, Summit decided to take a leap of faith and focus on his music career full-time. That decision paid off, as he quickly rose through the ranks with chart-topping tracks like ‘Deep End’, earning him a spot among the industry’s elite. 5) Kaskade: Mormon Missionary Before becoming one of the most respected names in electronic music, Kaskade, born Ryan Raddon, lived a very different life. He spent two years as a Mormon missionary in Japan, spreading the teachings of his faith. Kaskade‘s experience abroad helped shape his worldview and build his discipline, traits that have been instrumental in his music career. Upon returning to the United States, he pursued his passion for DJing and producing, eventually becoming a staple in the EDM scene. Known for his melodic sound and deep emotional connection to his music, Kaskade has since won multiple awards and performed at some of the world’s biggest music festivals. 6) deadmau5: Factory Worker Joel Zimmerman, better known as deadmau5, wasn’t always performing in front of massive LED screens with his iconic mouse head. Before his rise to fame, deadmau5 worked as a factory worker in Niagara Falls, Ontario. The monotony of factory life gave him the motivation to dive deeper into his passion for music production. Zimmerman spent his free time experimenting with electronic music and developing the sound that would later define his career. His perseverance paid off when his unique production style and innovative sound design earned him recognition in the global electronic music scene. Today, deadmau5 is a household name in EDM, known for his experimental approach and boundary-pushing performances. The paths to success for these EDM superstars were far from glamorous at first. They worked regular jobs, just like millions of people around the world, using those experiences as stepping stones toward their dreams. Their stories serve as a reminder that perseverance, passion, and a little bit of hustle can go a long way—even from the grocery store, the classroom, or the factory floor to the biggest stages in the world.

For their 17th edition, OSHEAGA Festival has once again succeeded with another momentous event. In a city where summer is embraced like no other, Montréal opened its arms to over 147,000 attendees from August 2 – 4 for three days of wonder. Through the lens of OSHEAGA Festival, festival goers from across the world got to experience Montréal’s finest music and arts culture in one place. Among the 90 exceptional acts that graced the festival stages, Montréal’s local talent shined the brightest, exposing attendees to the vibrant and talented artist pool the city has to offer. Of the standout performers, Montréal-based Sinca was one to watch, delivering an uplifting, groovy afternoon set to warm the dancefloor up. The Peruvian/Canadian producer quickly made a name for herself in 2021 after catching the attention of label industry leaders, Anjunadeep. Her single “Mancora” debuted on Anjunadeep Explorations 19, officially launching her artist career into the spotlight. Since her entry into music production, Sinca has fine-tuned her signature sound, creating a sonic identity of her own. Her unique style weaves elements of progressive and melodic house into her work, fuelled by rolling basslines and feel-good grooves – imprinting her own auditory identity that channels joy to any dancefloor. Crowned earlier as one of Dancing Astronaut’s 2024 Artists to Watch, Sinca has blazed into the year with unstoppable force. From releasing music on Lee Burridge’s All Day I Dream label, to working alongside UK progressive-house veteran, John Digweed to offer a fresh remix on the near two-decade old “Santiago”, her accomplishments have decorated the first half of the year with finesse, with more to come. Sinca’s afternoon OSHEAGA set heated up the Coca Cola stage dance floor, where fans were drenched in sunshine, soundtracked with sixty inimitable minutes of pure summer jubilation. Throughout the hour, her ease commanding the stage was manifest through a dose of funky record picks from artists like Natema and Monblaire, peppering in her own original productions including mainstays “Printemps” and “Made Up”, and even dipping into her ID vault to treat her hometown crowd. For those looking to relive Sinca’s glorious sixty-minute set, it’s available to stream exclusively on Dancing Astronaut’s SoundCloud. Featured image: OSHEAGA Festival Dancing Astronaut · Sinca – OSHEAGA Festival 2024 Set [DA Premiere] The post Premiere: Sinca dons groovy 60-minute OSHEAGA Festival daytime set appeared first on Dancing Astronaut.