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MORTEN is recovering after his immune system shut down following a performance, the DJ announced today. In a post shared to Instagram, the Danish electronic music star said his health "took a turn" when his body started shaking after a performance on August 18th. He needed to be airlifted by helicopter to the Mediterraneo Hospital in Athens, where he ultimately stayed for a period of five days. MORTEN, who says his "immune system was basically at zero," contracted Astrovirus, a common form of stomach flu, and an E. coli bacteria infection, which can cause diarrhea, pneumonia, sepsis, urinary tract diseases and other illnesses. The severity of his condition has led him to cancel scheduled performances for the first time in his career. MORTEN in the month of August had performed in Spain, Malta, France and Austria, among other countries. He's also been traveling to the island of Ibiza for DJ sets alongside David Guetta every Friday at the famed Hï club, where the duo holds a "Future Rave" residency. "Despite having a healthy diet and working out every day, touring so much and an accumulated lack of sleep will hit you at one point," he wrote. "I was diagnosed with Epec and Astrovirus and needed to take some time off to recover, which unfortunately also means I had to cancel shows for the first time in my career. I was really excited to come and play for you all this past week and am really gutted I couldn’t make it. This week of rest and good care by the nurses and doctors has allowed me to come back stronger and I can’t wait to see you all out there again." View the original article to see embedded media. At the time of this writing, MORTEN has not announced when he will return to touring. His fellow DJs and dance music contemporaries are currently reaching out in droves with messages of support. "Praying for you brother," Laidback Luke said. "For people who see this comment: I’m writing this as I’m laying in bed all day, recovering from my 2 shows from the weekend. My 1 day off has become holy to me." "Bro. Take it easy and get the rest your mind and body need," added Kaskade. Fans can stay up-to-date on MORTEN's tour via his official website. Follow MORTEN:Instagram: instagram.com/mortenofficial X: x.com/mortenofficial TikTok: tiktok.com/@mortenofficial Facebook: facebook.com/mortenofficial Spotify: spoti.fi/3jd5rt8

Thirteen years ago, on August 26, 2011, David Guetta released ‘Nothing But The Beat’, an album that would not only define his career but also reshape the landscape of electronic dance music (EDM) forever. This double album, featuring both vocal and instrumental tracks, was a bold and ambitious project that bridged the gap between mainstream pop and the pulsating energy of dance music, bringing EDM to the forefront of popular culture. ‘Nothing But The Beat’ was packed with chart-topping hits and collaborations with some of the biggest names in music, including Nicki Minaj, Usher, Sia, and Flo Rida. The album’s lead singles, ‘Where Them Girls At’, ‘Little Bad Girl’, and ‘Without You’, became instant global anthems, dominating airwaves and dance floors alike. However, it was the powerhouse collaboration ‘Titanium’, featuring Sia, that truly cemented the album’s legacy. The song, with its empowering lyrics and explosive production, became a massive success, reaching the top of charts worldwide and earning multi-platinum certifications. ‘Titanium’ not only showcased Guetta‘s ability to create hit records but also introduced Sia to a broader audience, launching her into superstardom. The album also featured standout tracks like ‘Turn Me On’ with Nicki Minaj and ‘Sweat’ with Snoop Dogg, further demonstrating Guetta‘s versatility and his knack for blending genres. ‘Nothing But The Beat’ was more than just an album; it was a movement that brought EDM into the mainstream, influencing a new generation of producers and artists. As we celebrate the 13th anniversary of ‘Nothing But The Beat’, its impact on the music industry remains undeniable. The album not only solidified David Guetta’s place as one of the most influential DJs and producers in the world but also played a crucial role in the global explosion of EDM that followed. Thirteen years on, ‘Nothing But The Beat’ continues to be a benchmark in electronic music, a collection of tracks that still resonate with fans and set dance floors on fire around the globe.

As Alok turns 33 today, we celebrate the Brazilian DJ and producer who has become a global sensation in the electronic music scene. Known for his infectious beats and innovative sound, Alok has captivated audiences worldwide, making him one of the most prominent figures in EDM. With a string of chart-topping hits and high-profile collaborations under his belt, Alok’s music continues to resonate across dance floors and streaming platforms alike. Join us as we honor his 33rd birthday by counting down the top 10 tracks that have defined Alok’s stellar career! 10. Headlights with Alan Walker & KIDDO – 160m Spotify streams 9. LET’S GET FKD UP with Mondello’G, CERES & Tribbs – 161m Spotify streams 8. All By Myself with Sigala & Ellie Goulding – 162m Spotify streams 7. Fuego with Bhaskar – 165m Spotify streams 6. On & On with Dynoro – 175m Spotify streams 5. Never Let Me Go with Zeeba & Bruno Martini – 239m Spotify streams 4. Don’t Say Goodbye with Tove Lo & Ilkay Sencan – 254m Spotify streams 3. Piece Of Your Heart (Remix) – 377m Spotify streams 2. Deep Down with Ella Eyre, Kenny Dope & Never Dull – 380m Spotify streams 1. Hear Me Now with Zeeba & Bruno Martini – 786m Spotify streams

Ely Oaks is releasing his brand-new track ‘Koka Kola’ – a song that is already having a viral moment on TikTok and is set to take dance floors by storm. With vibey beats, an energetic melody and catchy lyrics, ‘Koka Kola’ is the perfect addition to any club visit this season and makes you want to dance all night long. Ely Oaks has secured his place in the music scene with his unique blend of dance and pop. With an impressive 2.5 million monthly listeners on Spotify, he is one of the rising stars in the industry. ‘Koka Kola’ once again showcases his talent and knack for creating hits that get under your skin. Ely Oaks is an ambitious, up-and-coming dance producer from Austria with Italian roots. He now lives in Berlin and produces with various songwriters and producers from all over the world. Ely manages to push commercial dance music in new directions with unique productions, while maintaining catchy toplines to combine the best of both worlds. It’s easy to see that he hits the mark time and time again, especially on TikTok. With his daily uploads of new sounds, he always appeals to the tastes of his community, which now has more than 200k follower, and manages to keep up with the hype. Ely has already been able to convince quite a few people of his work, including songs such as ‘TSUNAMI’ with ALOK or ‘Ella Elle La’, which he re-released together with Neptunica. Whether Mainstage, Banger or Dance Brandneu, Ely‘s sounds can be found in the most diverse Spotify playlists. In his live sets, he seamlessly blends recognizable melodies with hidden gems and creates an electrifying atmosphere with commercial songs combined with tech house and techno drops.

Nostalgix and WHIPPED CREAM have joined forces for their debut collaboration, "I AM A GOD," out now via on Monstercat Uncaged. Both hailing from Vancouver, the dance music powerhouses make a bold statement in the techno-influenced track, merging their distinctive styles to producer something truly captivating. With a pounding bassline and hypnotic synths, the beat is both relentless and mesmerizing. Haunting, ethereal vocals float in the background, adding a beautifully eerie layer to Nostalgix and WHIPPED CREAM's dark soundscape. "I AM A GOD" sends a strong message of empowerment and resilience. As women in the electronic music community, both artists have faced challenges, they said. For WHIPPED CREAM, it's about embracing your highest self and feminine energy, and letting it flow freely and confidently. Nostalgix echoes that sentiment, explaining that the song is about pursuing your desires without fear, limitations or doubt—and only with unwavering confidence. "As two strong women in the dance music community, we've both had to overcome a lot of obstacles to get to where we are today," Nostalgix said. "We've both had to tap into our power time after time to become the strongest versions of ourselves. This record truly felt like a song that needed to be made." Listen to "I AM A GOD" below and find the new collaboration on streaming platforms here. Follow Nostalgix:X: x.com/nostalgixmusic Instagram: instagram.com/nostalgixmusic TikTok: tiktok.com/@nostalgixmusic Facebook: facebook.com/nostalgixmusic Spotify: spoti.fi/3l98zsw Follow WHIPPED CREAM:X: x.com/whippedcream Instagram: instagram.com/whippedcream TikTok: tiktok.com/@whippedcream Facebook: facebook.com/whippedcreammusic Spotify: tinyurl.com/2b97bkee

This is certainly better than the time Apple forced a U2 album on everyone's iPhones. The latest series from Twenty Thousand Hertz, a podcast that shares the stories behind some of the world's most iconic sounds, focuses on the sounds featured in Apple's products like the iPhone and Apple Watch. And in one particularly illuminating episode, the podcast revealed that two ringtones released in 2019 were secretly created by Flying Lotus. Released in 2019 as a part of iOS 13, Flying Lotus' ringtones "Daybreak" and "Chalet" have been available to all iPhone users. The influential producer recalled how he was surprised at the offer initially, but prepared considering he'd made custom ringtones for himself in the past. He described the sounds as nostalgic and "a bit ambient," but strong enough to galvanize you to check your phone without being harsh. Flying Lotus reveals he wrote two of iPhone’s ringtones: “Daybreak” and “Chalet” pic.twitter.com/McUO7FxZMn — Modern Notoriety (@ModernNotoriety) August 21, 2024 Apple leaked it so I can say it. I wrote some ringtones that have been in ur iPhone since ios13. ‘Daybreak’ +‘Chalet’ https://t.co/HHReqvxUgf — FLYLO (@flyinglotus) August 21, 2024 You can listen to the full episode of Twenty Thousand Hertz's "The Sound of Apple" series featuring Flying Lotus below. The portion with the Brainfeeder founder begins at the 4:45 mark. Follow Flying Lotus:X: x.com/flyinglotus TikTok: tiktok.com/@flyinglotus Instagram: instagram.com/flyinglotus Facebook: facebook.com/flyinglotus Spotify: spoti.fi/2MpLC2J

Swedish House Mafia has been teasing their highly anticipated collaboration with Alicia Keys, titled “Finally,” for months. Today the trio just confirmed a release date for this upcoming track on August 30th. The collaboration was first hinted at during a live stream in 2023, where the group played a snippet of the track. Fans immediately took to social media, expressing excitement and speculating about the song’s sound. Including Alicia Keys, a Grammy-winning singer-songwriter, added another layer of intrigue to the project. Based on the teasers and what we heard at SHM shows, we can expect a powerful and emotional track that showcases the touch of both Swedish House Mafia and Alicia Keys. The trio’s signature progressive house sound blendeded with Keys’ soulful vocals, creating a unique and memorable listening experience. The post Swedish House Mafia Confirms ‘Finally’ Release Date appeared first on EDMTunes.

After a typically busy build week in the Nevada desert, the citizens of Black Rock City are gearing up for another life-changing experience at Burning Man, which kicked off today. Although the event failed to sell out for the first time in a decade, the anticipation remains sky-high with regard to all of the amazing art, music, connections and experiences on the playa this year. The same goes for BRC's beloved sound camps, many of which revealed impressive lineups. Perhaps the most highly anticipated sound camp lineup comes from Galaxyer, which will debut for the first time at Burning Man 2024. The team behind the treasured Mayan Warrior art car, which tragically burned down in 2023, shared a heartfelt message to the Burning Man community in early August before releasing a jaw-dropping lineup featuring Carl Cox, Adan Ten, RÜFÜS DU SOL (DJ set) and more. Galaxyer will be located around 2:30 & J from 4-8pm, with mezcal drinks served at their downtempo bar. The Maxa art car also has big plans for Burning Man. This stunning art car, featuring a deer's head with antlers that shoot fire, will host a massive lineup this year. Catch Dennis Cruz b2b WhoMadeWho, Monolink (live), RÜFÜS DU SOL (DJ set) and many, many more. Maxa is due to link up with Galaxyer for a legendary collaboration on Monday, September 1st. The Playground is bringing the heat once again this year with a top-tier selection of music across two stages: the Dune Lounge and the Arrival Stage. Their stacked lineup includes Vintage Culture, Adam Ten b2b Mita Gami, Diplo, Carl Cox and, of course, some very special surprise guests. If you're looking for a proper Burning Man get-down, look no further than Opulent Temple, which has been bringing big sound to the playa for over a decade. Their 2024 lineup includes Infected Mushroom (live PA and DJ set), Mau P, Max Styler and many more. They're also hosting a second stage called Opulent Chill for a more ambient experience. Opulent Temple is located at 2:00 and Esplanade this year. One of the playa's most legendary art cars, Robot Heart, shared a teaser post featuring artist fill-in-the-blanks, accompanied by each of Burning Man's 10 Principles to stir excitement over their hotly anticipated 2024 lineup. Only time will tell which acts they've booked, but DJs including Anyma, Adam Ten, Vintage Culture and more have showed support in the post comments. Be sure to keep an eye on Camp Questionmark, BRC's iconic bass music camp. They recently posted and deleted a stacked lineup including Griz, who could be temporarily emerging from his hiatus for a rare performance on the playa alongside Diplo, Louis The Child, FLY and more. Some additional sound camps to pay attention to this year include Titanic's End, with sets by Girl Math (Nala b2b VNSSA), Tokimonsta b2b Diplo, ACRAZE and more, as well as Fluffy Cloud, featuring Kream, Diplo b2b Shizma, Vintage Culture and more. Plus, Horizon tapped Nala, VNSSA and Justin Martin, among others. While the music at Burning Man 2024 is sure to contribute to a magical week in the Nevada desert, the array of theme camp activations, workshops, discussions, art installations and the magnificent Man and Temple builds will also captivate. Find out more via the event's website.

We’re in the middle of the summer and what best thing to heat up things if not a new Sammy Porter tune? This time Teardrops features George Mensah and Hayley May. The song draws on the 1988 hit by Womack & Womack, reviving it into a modern-day classic. After a recent surprise live performance from Hayley at their Sammy & George’s LoveJuice Ibiza residency, every Saturday at Ibiza Rocks, the response online almost deemed it inevitable to see a full release, quickly finding its home on 3 Beat Records. Kicking off with the angelic and melodic dreamy vocal, the tune rapidly increases its energy with a packed nonstop beat. The catchy percussive main theme is completed with a whistle, creating depth to the tune. Sammy Porter, George Mensah, Hayley May ‘Teardrops’ is out now on 3BEAT. The post Sammy Porter drops ‘Teardrops’ with George Mensah and Hayley May appeared first on The Groove Cartel.

Tom & Collins and AMÉMÉ met at the end of last year to work on their tune for Insomniac Records, “Ando High,” which was a celebration of their shared cultural roots. It mixed the first artist’s Latin sounds with the second artist’s Afro-house sounds perfectly. The single is now getting a new start on life thanks to remixes by Bora Uzer, Jesús Fernández, and even the two big names themselves (VIP mix). I’ve always liked the song ‘Ando High,’ and I wanted to make a version of it in my Afro style. I chose to send it to Tom & Collins because they’ve always been nice to me and helped me a lot with everything. It was fun to work on this, and I’m glad it can be added to the original remix. – Jesús Fernández To end things on a high note, producer duo Tom & Collins from Mexico City and AMÉMÉ from Brooklyn get together again to give their hit song the VIP treatment. The new version has been improved and stripped down. The main melodic theme has been pushed to the background so that the percussion can shine. Swinging drum hits and a rich matrix of deep, afro-inspired elements support the hypnotic vocal hook. With the official release of “Ando High (Remixes),” Tom & Collins and AMÉMÉ take their unique collaboration to a whole new level. It’s packed full of reworks that will keep people dancing at festivals and in clubs. Tom & Collins, AMÉMÉ new ‘Ando High (Remixes) is available on all platforms via Insomniac Records. The post Tom & Collins and AMÉMÉ Release ‘Ando High (Remixes)’ appeared first on The Groove Cartel.

On August 25, 2017, Martin Garrix, the Dutch DJ and producer known for his chart-topping hits, unveiled his track “Pizza,” which quickly became a standout anthem in the electronic dance music scene. The song, released on Garrix’s own label STMPD RCRDS, is celebrated for its high energy and uplifting beats, characteristics that have become synonymous with the Martin’s signature progressive sound. “Pizza” was first premiered at Tomorrowland Belgium, one of the world’s largest and most prestigious music festivals, earlier in July 2017. This live debut set the stage for its subsequent release, generating a buzz that heightened fan anticipation. The track’s iconic, heartfelt rhythm and catchy melody captured the essence of a perfect festival anthem, making it an instant favorite among fans and DJs alike. The immense positive reception from fans upon its release was a perfect example of Garrix’s ability to create tracks that resonate on a global scale. With its vibrant and dynamic sound, “Pizza” has not only cemented its place in dance music history but also remains a highlight in Garrix’s impressive discography. Seven years later, the track continues to be celebrated for its high energy and joyous spirit, underscoring why it remains a memorable piece of electronic music.

Two years have passed since their first release on Toolroom and Jenn Getz & Alfie have been part of the family since then. Now they’re back with Broke. They debuted on the label with ‘Vibration‘ in 2023. The song saw heavyweight support from Groove Armada, Low Steppa, and Sam Divine, to playing various Toolroom events across the Globe, including Dubai and Miami. Radio One support has been super strong and with Solotoko, Abode, and Divine Sounds all releasing their music, their career is on an exciting rise! The pair now join forces with German superstar, Lovra. Another artist who has rocketed recently, with shows all over the World. She even hosted her own sold-out branded ‘House Cat’ event at Ministry of Sound in London and won a ‘Future of Dance’ award at the prestigious ‘1001 Tracklists’ ceremony! Broke is a great reflection of all 3 heads combined. They create a dance floor bomb that’s been going off in their sets in recent months! A bouncy, fun tech house groove with a catchy vocal hook and quirky synth stabs – A perfect Toolroom peak-time weapon! Kicking off with hypnotic beats and nonstop percussions, the record continues with the eerie vocal loop. The plucked main theme makes you dance non-stop, delivering euphoric feelings. Jenn Getz & Alfie, LOVRA new single ‘Broke’ is out now on Toolroom Records. The post Jenn Getz & Alfie, LOVRA team up for ‘Broke’ on Toolroom appeared first on The Groove Cartel.

What should never have happened again happened again. What was meant to be a joyous free festival for the community of Solingen, Germany, quickly turned into a scene of horror as a knife-wielding attacker went on a stabbing spree. Three dead and eight injured. German DJ and producer Topic found himself at the center of a music festival terror attack. This happened on the 650th anniversary celebration of his hometown Solingen on Friday night (23rd of August, 2024). Topic, who was performing at the event, recounted the surreal experience. The city security personnel asked him to continue playing while the events unfolded to prevent mass panic. They came to me and asked me to please continue playing to avoid causing a mass panic, as there were already people killed by a stabbing attacker – Topic Despite the incredibly difficult circumstances, Topic carried on with his set for another 10-15 minutes in the most professional way, before the music was finally stopped and attendees were informed of the incident. The attacker, who reportedly targeted victims’ necks indiscriminately, was still at large as the situation unfolded. Topic and others sought refuge in a nearby store while police helicopters circled overhead, searching for the suspect. I still can’t believe it… this was supposed to be a free festival for everyone. Really close friends of mine were there with their small kids. – Topic The festival, which was expected to draw around 75,000 people over three days, has been canceled. But, what happened to the attacker? As of Saturday evening, German police had arrested a man suspected of carrying out the stabbings. The suspect reportedly turned himself in, ending an intense manhunt that included raids on a local refugee center. Topic ends his statement with “My thoughts are with all the victims.” The post DJ Topic Plays On During Festival Attack in Solingen and Share Story appeared first on The Groove Cartel.

NAMÄN steps up for his first official label release, 'Romance' Continue reading...

The label and party has also lined up a birthday bash welcoming NVST, Bake and LSW to Bristol's Strange Brew Continue reading...

An Overview: What Makes Splash House Special Splash House, the beloved poolside music festival in Palm Springs, once again delivered two back-to-back weekends of sun-soaked fun, electrifying music, and endless good vibes. Hosted at three iconic venues—The Renaissance, Margaritaville, and The Saguaro—this festival merges the best of electronic, house, and disco music with the unique charm of Palm Springs. Whether you’re floating in the pool, dancing at the after-hours Air Museum parties, or roaming between venues, Splash House offers an intimate, yet thrilling experience that sets it apart from other festivals. Felicia Garcia for Splash House Weekend One: Gorgon City, Green Velvet, and Rowdy Revelry The first weekend of Splash House was nothing short of spectacular. With the Renaissance as my personal favorite venue, and The Saguaro coming in a close second, the vibe was just right. The festival layout is cozy enough to feel intimate, with three venues allowing you to roam freely without the overwhelming crowds you find at larger events—at least until the end of the day when things really start to heat up. Highlights from weekend one included the epic back-to-back set from Gorgon City and Green Velvet, which brought the house down with their unique blend of beats. Friday night’s pre-party, Fly with Us, featuring AC Slater and Chris Lorenzo, was nothing short of insane. The Air Museum, with its vintage airplanes and the desert night sky as a backdrop, remains one of the most unique and exhilarating places to party. Felicia Garcia for Splash House Brandon Denlsey for Splash House Brandon Denlsey for Splash House Julian Bajsel for Splash House While Margaritaville was a fantastic venue, some attendees experienced issues with the AC breaking down, leading to discomfort for those staying there. However, the SH organizers quickly responded by offering new accommodations and refunds, ensuring that everyone could still enjoy their weekend. It’s worth noting that the crowd during the first weekend was a bit rowdier than usual, likely due to the high-energy lineup that brought out a more excitable bunch. But that’s part of the fun—certain flavors of house music just have that effect, and the atmosphere was buzzing with excitement. Weekend Two: John Summit, Air Museum, and Renaissance Revelry Weekend two kicked off with an incredible opening party by John Summit. Nala, who opened for him, did an impeccable job setting the stage, but it was Summit’s insatiable beats that truly set the tone for an unforgettable weekend. Julian Bajsel for Splash House Day One The Renaissance proved to be my home base for most of the weekend, and with good reason. Day one started strong with a killer set from Manics, an LA-based duo known for their blend of indie dance, dark disco, and melodic techno. They brought the heat, and set the bar high for the rest of the weekend. Moon Boots and Girl Math—VNSSA b2b Nala—kept the vibes going, creating magic on the decks. Biscits, as expected, did not disappoint, delivering a high-energy set that kept the crowd moving. The night culminated with Chris Lorenzo, who managed to pack the Renaissance to capacity. The pool was the only place with room to move, and that’s where I spent most of his set, floating to the beats in a sea of fellow festival-goers. Julian Bajsel for Splash House Saturday night was all about exploring the Renaissance’s renegade parties. Every corner of the hotel seemed to have a DJ setup, with impromptu sets turning hotel rooms into mini-clubs. A standout was Busterkun, a rising DJ/producer from LA, who stole the show with his incredible renegade set. It was a night of great vibes, spontaneous friendships, and nonstop music. While I planned to see Disco Dom at the Air Museum, I ended up staying at the Renaissance, where the energy was just too good to leave. Brandon Denlsey for Splash House Day Two Though I stayed up way too late on Saturday, missing most of day two, I managed to catch LF System as the sun set, creating the perfect backdrop for their groovy, disco-laden take on house music. MEDUZA’s two-hour set was the highlight of the night, taking us on an unforgettable journey and ending with the fitting track ‘I Don’t Want to Go Home’. Everyone in the crowd felt the same way. Brandon Denlsey for Splash House While I didn’t make it to The Saguaro or Margaritaville, friends who did had nothing but praise for performances by SG Lewis, AC Slater, Patrick Topping, and Dr. Fresch. Riordan and Austin Millz also delivered standout sets, making the most of the unique energy at each venue. Final Thoughts: Why Splash House is a Must-Attend Festival Splash House is more than just a festival; it’s a community. With its intimate setup, diverse lineups, and unique venues, it creates an atmosphere where lasting friendships are made. It could even be said that every moment feels like a shared celebration. Whether you’re a first-timer or a veteran, there’s always something new to discover and someone new to meet. Brandon Denlsey for Splash House Brandon Densey for Splash House Gabriella Hughes for Splash House While it’s impossible to catch every act across the three venues, that’s part of the fun. Each venue offers its own distinct vibe, and no matter where you find yourself, you’re in for a good time. Acts like Wenzday, DJ Topgun, and Bijou were on my list to see but didn’t quite fit into my weekend—just more reasons to return next year. Gina Joy for Splash House Gina Joy for Splash House Julian Bajsel for Splash House Whether Splash House returns for two or three weekends next year, it’s an event you don’t want to miss. If you love Coachella, CRSSD, or just a good pool party, Splash House is the ultimate summer festival. See you next year! Lastly, for more information, be sure to check out the official Splash House website, here. Brandon Denlsey for Splash House Follow Splash House: Twitter | Facebook | Instagram | Tik-Tok The post Splash House 2024: A Tale of Two Epic Weekends appeared first on EDMTunes.

The 2010s marked Afrojack’s reign over the main stage. ‘Turn Up The Speakers’, a collaboration with Martin Garrix, stands as the third of Afrojack’s iconic releases this month. Released under the world-renowned Spinnin’ Records label, this Big Room House anthem remains as essential to Summer 2024 as it was in 2014. The synergy between Big Room House and the energy of summertime has always been undeniable. Add in the first-ever collab between Afrojack and Garrix, and you’ve got not just a summer anthem but a festival staple. Imagine yourself on a rollercoaster, inching towards the peak, your stomach tightening in anticipation. That’s precisely the sensation Afrojack and Garrix masterfully incite as they build to the drop. When the moment finally hits, it’s an adrenaline-pumping release that captures the essence of music festival euphoria. A decade in, ‘Turn Up The Speakers’ is destined for an eternity of dance floor dominance.

2016 was a milestone year for the ever-rising Martin Garrix, but 2017 saw the Dutch prodigy take his success even further. After closing out his Tomorrowland 2016 set with the massive hit ‘In The Name Of Love’, Garrix repeated the magic in 2017 by premiering his newest single, ‘Pizza’, at the festival’s finale. Released on August 25, 2017, ‘Pizza’ quickly became one of Garrix‘s most beloved tracks, showcasing his signature euphoric progressive house sound with its catchy, uplifting melody. ‘Pizza’ remains a fan favorite, often regarded as one of Garrix‘s best solo productions. The track’s title pays homage to Garrix’s favorite food, adding a playful touch to an otherwise soaring anthem that has left a lasting impact on the EDM scene. Martin Garrix has risen to global stardom in both pop and electronic music circles, and he’s far from done. As one of the freshest talents in dance music, Garrix has headlined the world’s biggest festivals, including Tomorrowland, Ultra Music Festival, and EDC. He has also founded his own label, STMPD RCRDS, mentored emerging artists, and claimed the #1 spot in DJ Mag‘s Top 100 DJs poll for three consecutive years. His passion, ambition, drive, and maturity continue to set him apart in the industry, making him a true force to be reckoned with.

We could be heroes, we could be heroes me and you first graced our ears in March 2014 when Alesso first played this track at Ultra Miami, a mere 4 months before its official release. ‘Heroes (We Could Be)’ by Alesso and Tove Love released on August 25, 2014 and quickly grew in popularity. The track was heard across the festival scene as it became a staple in many headlining sets and even a favorite in the playlists of fans, especially those who found the songs lyrics to be a signal of hope and inspiration. Featuring the hautingly beautiful vocals of Tove Lo, the song portrays a sense of emotional depth and meaning. This collaboration between Alesso and Tove Lo was a perfect match, combining Alesso’s signature progressive house beats with Tove Lo‘s raw and honest vocal delivery. ‘Heroes (We Could Be)’ has remained a festival favorite for nearly a decade due to its universal appeal and uplifting lyrics that resonate with listeners’ desire to rise above and make a difference. Its euphoric drop makes it a go-to track for DJs, and its presence in commercials, TV shows, and movies has solidified its place in pop culture. The song marked a pivotal moment in Alesso’s career, blending pop with electronic music, reaching a broader audience, and becoming a staple in his festival sets. The legacy of “Heroes (We Could Be)” continues to inspire and energize crowds, ensuring its enduring presence in the EDM world. So, if you’re feeling nostalgic today, hit play on ‘Heroes (We Could Be)’ by Alesso and Tove Lo and let the music take you back to those unforgettable festival moments. As you listen, remember that there’s a hero in all of us—ready to rise above, make a difference, and create something extraordinary.

Coming hot off of his China tour, Thomas Gold makes his debut on Don Diablo’s HEXAGON label with a steamy tech house heater ‘Chasing Rainbows.’ The German DJ/producer tapped fellow producers Lucas Butler and Some for the big release. A household name in the industry, Thomas Gold has carved a niche in the electronic music scene with his ability to seamlessly blend elements of progressive house and tech house. He shows just this as a veteran producer on ‘Chasing Rainbows’. The track is a belter of a tune, offering up a minimalistic low end style packed with brimming tech house chords and an upbeat drum snare that channels main stage tech house energy. The female vocals build upon the production, adding in a groovy seductive element to the tune that’s an ear pleaser whether you’re in the club or listening to it on the radio. The post Thomas Gold Makes His HEXAGON Debut with Steamy Tech House Heater ‘Chasing Rainbows’ appeared first on EDMTunes.

July saw the launch of the Leap 96 project by ALRT and Sam Silver as they unveiled ‘Back It Up’, a single which would exceed all expectations and lay down the foundation for what is to come for this duo. Now, just 1 month later they are proving that the first hit was not a fluke as they present us with ‘Again’ alongside Whiterosemoxie and Yona. The single marks the 2nd release from the self titled ‘Leap 96’ EP which is due out on October 18th via LA-based imprint TH3RD BRAIN Records. Driven by an energetic liquid drum and bass production, ‘Again’ showcases the intertwined talents of two outstanding singers, Yona and Whiterosemoxie. Their contrasting tones, both male and female, build a unique energy and tension from the start, capturing the dynamics and complexities that play out in a relationship. The lyrics are fraught with emotion, delivered alongside ethereal melodies that culminate in a sizzling DnB drop. ‘Again’ takes the listener along with Leap 96 on a modern sonic journey that truly transcends genres. [ Yona, the 18-year-old bilingual French-American singer-songwriter, brings a unique blend of pop with a hint of grunge, grime, guitars, and deep lyrics to the track. Her highly distinctive and intensely emotional voice brings a unique flair that perfectly complements the production. The American rapper Whiterosemoxie shares a deeply personal connection with the song, stating, “When we recorded ‘Again’, I had just recently gone through a breakup, and constantly saw it rubbed in my face on social media. At the top of the year, I had found new love and wrote this song to express my cautionary attitude towards my new relationship. We were at the point where we could decide to be more than friends or hit the brakes. Knowing we both want more out of life than what we have now, it is very hard to imagine a successful relationship that also allows for us to achieve what we want. When we do this thing we both know we shouldn’t do, will you blame it all on me?” Leap 96 is a collaborative project between Sam Silver and ALRT, drawing inspiration from the late 90s and early 2000s when Garage and Drum and Bass first began to appear on the rave scene. The music blends vocal-driven dance music for both uptempo and downtempo settings. The name Leap 96 was chosen to signify the middle year between Sam and ALRT’s birthdays, which was also a leap year. The project’s sonic direction reflects their backgrounds, with ALRT coming from a prosperous old-school rave scene and Sam from the new-age garage, rap, and ethereal house scene. Their combined influences create a unique sound that blends garage, rap, dnb, and vocals with an indie pop sensibility. Sam Silver and ALRT met at a studio in Hollywood, California, where ALRT co-founded with well-known artist/producer JOYRYDE. What started as a casual co-writing session turned into two months of co-production, yielding the four songs on the EP as well as many other works in progress. Don’t skip the single and make sure to stay tuned for the full ‘Leap 96’ EP coming on October 18th!

Six months after the latest installment (compilation Five), Deep Tales presents Compilation Six. This new 6-track collection of songs gives you an idea of what’s coming next for the label. This chapter is a diverse and mesmerizing journey through the realms of melodic techno. It features six uniquely crafted tracks. Kicking off with Jares and Ark Nomads who join forces in Cosmic Circuit, crafting a masterful blend of celestial melodies and driving rhythms. You can feel the wide baseline and that wobbling beat, perfectly crafted to hit you right in the stomach. A moment of anticipation preludes the second drop, thanks to the filtered plucked synth. David Buckas We Run Free, featuring the ethereal voice of Innesa Kuz, captures the essence of freedom with its uplifting beats and soaring melodies. It’s an anthem of liberation that invites listeners to break free and dance under open skies. You’ll find yourself surrounded by dreamy and relaxing harmonies and soft lines. A track that will make you reflect and relax. Rise of Apollon‘s Solar Blaze ignites the dance floor with its fiery synths and pulsating basslines, creating an unforgettable sonic explosion. This track radiates energy and intensity, making it a standout in any melodic techno set. The mysterious and dark, yet sensitive drop delivers mixed feelings. On one side, we have anticipation and mystery, on the other tensions and energy. Luekings Unholy, featuring the haunting vocals of Cathy Rocher, delves into darker territories with its hypnotic beats and atmospheric layers. It’s a captivating journey through the shadows of melodic techno, leaving a lasting impression. This one is more experimental and synth-driven, almost organic in some instances. Till Antonios Love Me is a heartfelt exploration of longing and connection, blending emotive chords with driving rhythms. This track resonates deeply, drawing listeners into its emotional core with every beat. It almost comes from the deeper universe void, but yet with a clean baseline that delivers a sense of polish and cleanness. Joe Mattei, Christian Kamitsis, and Amity collaborate on Every Return, intertwining intricate melodies with evocative harmonies to create a poignant listening experience. This track stands out for its ability to evoke deep emotions and immerse listeners in its rich, melodic tapestry. It’s deep, mysterious, hypnotic, and eerie. The whole six tracks packed is out now on Beatport exclusive. The post Deep Tales unveils Compilation Six appeared first on The Groove Cartel.

It’s dark. It’s hard. It’s powerful. The new Speaker remix from HollowFate & Mayxer is something you would hear in the most underground clubs in Berlin. And that’s exactly why we love it. This track is part of Denar Records’ remix competition. It’s snapping necks with its bone-rattling basslines and synth work so intricate it could make a watchmaker weep. We didn’t just want to remix the track – HollowFate shared in an exclusive chat – We wanted to grab it by the scruff of the neck and drag it kicking and screaming into the future of bass house. The result? A track that’s darker than a black hole but more euphoric than a supernova. It’s the kind of song that doesn’t just fill a dancefloor—it possesses it, body and soul. And the industry has taken notice. Don Diablo, the Dutch dance music maestro, gave the remix his seal of approval on his radio show. The tune is yet another powerful proof of the incredible skills HollowFate & Mayxer have. This remix is also part of a 3-track EP from Denar Records. More remixes from Menshee and Michael Phase are also available. But don’t be fooled by the appearance. Just turn up the volume and hit that play button with the HollowFate & Mayxer remix of ‘Speaker’. You won’t be disappointed. The post HollowFate & Mayxer Remix ‘Speaker’ for Emiilo and L’essence appeared first on The Groove Cartel.

It’s time to Colorize this summer with Phoebe Tsen, Palisade, and Ophanim‘s new single Fool. Imagine being on a desert island surrounded by tropical vegetation and crystal-clear water. That’s the feeling that Fool will deliver. The angelic vocal gives to the track another layer of depth, together with the dreamy harmonies and chill beats. Fool exemplifies the melodic house genre. The single is packed with atmospheric and dynamic sounds. The production features airy pads that create a sense of space and depth. They are enriched with bouncy synths that add energy and movement to the composition. This combination results in a resplendent audio experience. ‘Fool’s’ best feature is Phoebe Tsen’s singing. Her performance is both technically impressive and emotionally captivating. Tsen’s words stand out in the mix, which shows that her voice is not just an addition to the track but an important part of what it is. The way the vocals are performed and the music works together to make a mesmerizing and memorable record that is meant to stay with people for a long time. Phoebe Tsen, Palisade, and Ophanim’s new single Fool is out now on Colorize. The post Colorize your summer with Phoebe Tsen, Palisade, Ophanim ‘Fool’ appeared first on The Groove Cartel.

Long time The Groove Cartel friend Hugo Cantarra is back; this time he teams up with powerful electronic music duo Eli & Fur and Richard Judge. Eli & Fur, Hugo Cantarra, and Richard Judge’s new tune ‘Love Again’ is out now on [PIAS] Électronique. You may have heard in the news but ‘Love Again’ is not just another single. Its is part of the upcoming Eli & Fur highly-anticipated second album, ‘Dreamscapes’. ‘Love Again’ begins as a tale of endless opportunities, capturing the thrilling trepidation of the unknown. As soft, airy synths intertwine with delicate, uplifting beats the unwinding of the track effortlessly mimics the rhythmic elevation of a rising excited heartbeat. ì’Love Again’ is a collaboration with super talented producers and writers Hugo Cantarra and Richard Judge. This track is one that has been connecting on the dancefloor so beautifully and we have been dying to get it out into the world. For us the song encapsulates that feeling of being free and inspires, endless possibilities, dancing and letting go. Our favorite memories of this track are the reactions when we play it out, to see people singing the words to an unreleased track really fills us with joy. We are so happy to finally share this one with the world. – Eli & Fur Richard Judge is a British singer, songwriter & DJ from London. Once an indie-band frontman, Judge turned his attention to the dance world and has since collaborated with some of its biggest names including Kungs, Benny Benassi, Roger Sanchez, Tensnake, Henrik Schwarz, Laidback Luke, and Korolova, to name just a few. The journey of Love Again showcases the beauty of collaboration. What started off as a voice note on a bus in Berlin, has since been played in clubs all over the world and that’s still nothing short of amazing to me. A couple of years ago Hugo lived down the road from me and we’d hang out, always talking about doing something together – but I knew it needed to be for the right song. Fast forward a year or so and I had the idea for Love Again. I immediately knew it was the one to send him, but what I didn’t know was that he’d produce his version and send it to Eli & Fur who I loved! They added their touches to it and what you hear now is a record that has three combined identities, that’s what I love about collaborating. – Richard Judge Hugo Cantarra is a London-based French DJ/producer. He lives and breathes the culture of dance music. He has become a staple in the melodic house scene over the recent years accumulating 36 million streams, and 1.5 million Shazams. He also runs a charity record label where revenue is donated in full to UNICEF. Love Again started with a message from Richard who pitched me this vocal and he was like ‘brother this is for you, i’m sure you can produce that well!’. I made a version and was thinking that it’s right in the style of Eli & Fur. As they ve been a major inspiration for me, I’ve sent them, loved it and the rest is history! – Hugo Cantarra The post Eli & Fur present ‘Love Again’ with Hugo Cantarra, Richard Judge appeared first on The Groove Cartel.