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What happens when a passionate creator decides to resurrect dubstep's most transformative album through the retro charm of a GameBoy? Vypermon answers that question with stunning creativity. Based in the UK, the creator's artistry blends electronic music with tangible collectible art. His latest project, a custom GameBoy game dedicated to Skrillex's groundbreaking debut album Recess, is an homage that's equal parts playable, collectible and deeply sentimental. The game, which can be played online or purchased as a physical GameBoy cartridge, reimagines Skrillex's timeless album for the retro sound chip of Nintendo's classic handheld console. c/o Vypermon c/o Vypermon Fans of the seminal Recess, which released over a decade ago, will instantly recognize "Try It Out," "Ease My Mind" and the album's titular track. Each song, however, has been painstakingly rewritten by Vypermon to work within the obsolete GameBoy hardware's audio limitations. When Recess first dropped back in 2014, the release came with Alien Ride, a simple mobile game where players unlocked songs by advancing through levels. Vypermon’s GameBoy creation riffs on this idea but trades touchscreen simplicity for classic button-mashing charm. He even went as far as recreating that game's mysterious "secret folder," which tantalized fans at the time. This attention to detail extends to Vypermon's accompanying collectibles, including a custom trading card made from recycled materials. Featuring a holographic finish, the card comes complete with a scannable Spotify code linking directly to Recess. c/o Vypermon Vypermon's project, however, is as much a game as it is an emotional cartography of sound and remembrance. The game, he says, carries a heartfelt tribute to a friend he lost while developing it. "We both loved Skrillex, and it felt right to dedicate this project to him," Vypermon tells EDM.com. To that end, it's a love letter to an album, a tribute to a friend and a celebration of what happens when electronic music meets tactile artistry. As fans dust off their GameBoy consoles to dive into this unique passion project, Vypermon reminds us that Skrillex's beats may have evolved, but the joy of pressing start never goes out of style. You can purchase Vypermon's Skrillex-inspired GameBoy cartridge on Etsy and play the game online here.

Pulse Events returns with its third annual Spring Festival: Lunar New Year Celebration. Its the biggest event yet at the famed Brooklyn venue Avant Gardner‘s Great Hall. Expanded to three days, Spring Festival will take place the weekend of the New Year, from Thursday, January 30, to Saturday, February 1, honoring the Year of the Snake. Fittingly, global icon DJ Snake will cap off the event on night three, while the melodic dubstep icon ILLENIUM will ignite it on night one, and DJ DIESEL also known as Shaquille O’Neal will star on night two. Pre-sale ticket sign up is available now here! Spring Festival 2025 features a bevy of revered support acts including dubstep producer Space Laces on night two and beloved progressive house selector Audien on night three. Representing the Asian community will be future bass producer yetep and Los Angeles-based DJ Henry Fong, who is back for another Pulse Events show. Joining them is also Taiwanese-American producer JVNA. Other support acts include Zack Martino, DRUU, Irene, minijoy, Cyberpunk, KIMØSABI and Pika Jenn. The show is in observance of the beginning of spring on the Lunar calendar on January 29, 2025, and will infuse traditional lion dance performances into the lineup and offer guests an authentic night market experience. In the Chinese zodiac, the snake is associated with wisdom, transformation and charm. Attendees will be immersed in Asian customs around fortune and good luck and learn the meaning of the New Year, furthering Pulse Events’ mission to bridge the east and the west through a collective love of dance music. MONDAY (11/18) 12PM EST – ANNOUNCEMENT/PRE-SALE SIGN UP WEDNESDAY (11/20) 10AM EST – PRESALE ON-SALE THURSDAY (11/21) 12PM EST – GENERAL ON-SALE ABOUT PULSE EVENTS Based in New York City, Los Angeles and Las Vegas, Pulse Events is an expert on the Asian-American market and concerts and live performances across North America and the world. Pulse Events’ mission is to bridge the east and west through music and has hosted artists including Marshmello, SLANDER, Martin Garrix, Afrojack, Alan Walker, Subtronics, Gryffin, KSHMR, Vini Vici, and Like Mike. The company produces S2O New York, the K-pop Krazy Super Concert and the upcoming EDC Korea. The post Spring Festival Returns with ILLENIUM, DJ DIESEL and DJ Snake appeared first on EDMTunes.

Following this year’s stellar three-tracker EP ‘Telepathic’ after Massano’s track on last year’s Drumcode A-Sides Vol. 12, Adam Beyer welcomes him back to his imprint. Massano’s rise continues with thunderous festival performances at Tomorrowland, Kappa Futur Festival, Ultra, & ElRow, sold out headline shows at Mute, Brooklyn Mirage, and Hi Ibiza … alongside releases on Afterlife and his own label Simulate which reflects his technology-dominated futuristic vision. With chart topping success and the prestigious honour of having a BBC R1 Essential Mix, Massano’s aggressively powerful techno and rattling, insistent percussion interspersed with strong melodic riffs is clearly in ever-increasing demand. ‘The Lights’: with typical insouciance, Massano audaciously and successfully melds contrasting scenes/cultures/times – a bubbling, arpy bass and breakdowns of melodic, ‘hammered synth’ notes bring a North African/Middle Eastern vibe, until an interlude of building tension, with demanding drums, siren call, hard stabby chords and a huge drop, introduces a spacey, dystopian, futuristic techno sound. Fast, furious, takes no prisoners, dancefloor-compulsive. About Massano Massano By Resident Advisor After the release of his breakout hit, ‘The Feeling’, Massano’s demand increased by the day, and new music was released, including his debut Afterlife EP ‘In My System’. The EP received huge live support and performed incredibly well on Beatport, going #1 on the Releases Chart, ‘Drown’ going Top 10 on the overall Top 100 chart, and each of the 4-track offering hitting the Top 5 of the Melodic House & Techno chart. Massano’s music has proven to have widespread appeal by gaining continuous support from A-list DJs across all genres of electronic music including the likes of Tale of Us, Calvin Harris, Adam Beyer, Adriatique, Artbat, David Guetta, Camelphat, Fisher, HI-LO, Vintage Culture, Pete Tong, and many more. Strong radio support has also been there from the start, with Massano’s releases getting played frequently by the likes of BBC Radio 1, Capital FM, Kiss FM, and Sirius XM. He’s also proven his DJ skills match his wizkid production abilities by being booked at some of the biggest events, festivals, and venues the world has to offer, including The FIFA World Cup, Wembley Arena, Tomorrowland, Sziget, Ultra, Kappa Futur Festival, The Warehouse Project, Time Warp, Electric Zoo, Creamfields, HI / Ushuaia / Pacha Ibiza, Brooklyn Mirage, Printworks and more! 2023 started with Massano ranking as the #3 best-selling Melodic Techno artist over the last 12 months! With several stand out releases to his name on Tale of Us’ uber credible and tastemaker label, Afterlife, Adam Beyer’s iconic Drumcode Records, widely renowned remixes for Depeche Mode and Royksopp, and a critically acclaimed BBC Radio 1 Essential Mix, Massano took the next step in his career by launching his own label, Simulate. Simulate serves as a platform for some of Massano’s own releases but also a place where he can nurture the next generation of artists. Embracing the idea that life is a simulation, Massano envisions a future where technology reigns supreme, shaping our world into the unimaginable. With Simulate Massano combines music, technology, and philosophical exploration into a mesmerizing sonic experience that challenges our perception of reality and takes you on a transcendent journey, where the possibilities of a technologically advanced world two centuries from now come to life through audio and visual art. As an artist-driven label, Massano curates a roster of forward-thinking musicians who dare to push the boundaries of electronic music, inviting listeners to ponder the intricacies of our simulated universe. After playing over 120 shows and releasing 12 songs in 2023, 2024 will be Massano’s biggest year to date! From bigger shows and productions to new music, remixes, merch, fan clubs and more Massano’s world domination is on a steady, yet rapid, ascension upwards and the best is still yet to come! The post Massano – ‘The Lights’ appeared first on EDMTunes.

Two of the UK's premier nightclubs, London's Drumsheds and Manchester's Warehouse Project, are introducing onsite drug testing, BBC Newsbeat reports. The clubs have partnered with the harm reduction charity The Loop, who will analyze confiscated or surrendered substances to identify dangerous and contaminated compounds. "Back of house" drug testing will occur discreetly—away from public view—and if risks are detected, the organization will issue warnings to clubbers. According to The Loop, the term is used to distinguish their service from "front of house" publicly accessible drug testing, known internationally as "drug checking." The Drumsheds venue in London.Luke Dyson The initiative, supported by the UK government, builds on The Loop's decade-long presence at summer music festivals. The charity's CEO, Katy Porter, emphasized that the service doesn't condone drug use but aims to save lives by providing accurate, real-time information about substance trends. This innovative step underscores a pragmatic approach to public safety in nightlife. Nightclubs remain high-risk environments for drug misuse, especially due to the combination of MDMA and stimulant use, heat and dehydration. These conditions can exacerbate the dangers of drug use, leading to overdose or other medical emergencies. For more on the urgent need for harm reduction in the global electronic music community, read our in-depth feature.

Powerhouse producer Space 92 takes a high-octane approach to Moudaber’s emotionally-charged melodic masterwork, amplifying the track’s already powerful beats with his signature distorted sounds, escalating builds, and a frenetic energy for a driving peak-time dancefloor livener. The track features a thick acid synth that tickles the brain in just right places. It’s a perfect rendition of the original track. Listen here. 2024 has been a mammoth year for Moudaber as the British/Nigerian techno icon celebrates a decade of her InTheMood empire which now includes a successful record label, award-winning weekly radio show, monthly Apple Music series, and her internationally acclaimed party brand. Continuing the anniversary festivities, Moudaber has two major InTheMood events lined up before the year is out. For the first time ever the Queen of Techno will be taking over Electric Brixton, promising a night of pure techno magic, including not to be missed 4-hour B2B set with the legendary Chris Liebing on 6th December. Nicole will then cross the pond for a very special All Night Long show at Avalon Hollywood on 21st December. The post Space 92 remixes Nicole Moudaber’s ‘Reasons To Love You’ appeared first on EDMTunes.

“…the first major electronic work of the new Millennium. It’s that good.” – Stephen Fortner, Keyboard Magazine Head-turning, game-changing long players had become par for BT’s course by 2006. If it didn’t stun, it didn’t see the sun, and his early noughties works (‘Movement In Still Life’ and ‘Emotional Technology’) had already travelled far from his origin sound. There’s nothing more relative than relativity though and three years after ‘Emotional Technology’, ‘This Binary Universe’ did for BT what ‘going electric’ did for Bob Dylan. It’s an album that inverted everything anyone thought they knew about the artist: ‘counter-club-culture’ didn’t even come close! Again, through the power of technology, this December BT revisits his most heterogenous LP with a pristine remastering; a 4K upscale of its paired film and a first-ever outing on vinyl. Still way ahead of its time today, ‘This Binary Universe’ is ready to challenge young minds and win new hearts once again. ‘This Binary Universe’ seemed mission-led to capsize every album covenant going. It had no commercially-minded lead single (‘Flaming June’, ‘Godspeed’ or otherwise) … or for that matter any singles whatsoever! It consisted of a lean seven tracks, however only two ran for less than ten minutes. For the album’s creation, BT went into creative overdrive and locking down a defining ‘sound’ for ‘Binary’ is as blissfully confounding today as it was in ‘06. Several themes do breathe for longer than a single track though. BT’s soon-to-be-signature Stutter Edit effect made its first appearance, while orchestral aspects also play noteworthy roles. Having embraced the latter while writing the motion picture soundtrack for the Charlize Theron-starring Monster, he composed ‘Binary’s symphonic parts during downtime working on the Stealth soundtrack. This, most notably, included the 110-piece orchestra used on ‘The Antikythera Mechanism’ – the closest point between the natural and technological spaces the album depicts. ‘This Binary Universe’ is also marked by stylish mid-track changes in tone, tempo and feel. ‘Dynamic Symmetry’ glitches magnificently from wind chime electronica to breezy jazz, before acquiring a midpoint drum & bass signature. ‘Good Morning Kaia’ meanwhile commences in ambient piano before oh-so-slowly edging in its guitar and rock threads. Artistic distinction was decisive in the early part of the new millennium and for his part BT was keen to dust the technological trail behind him. For the album’s insanely detailed 74 minutes he customized synths and children’s toys, while building and using his own plug-ins from scratch (most famously Stutter Edit and Break Tweaker) to achieve the required intricacies. He got mathematical with his harmonies on the golden ratio’d ‘1.618’; worked in the programming language Csound for ‘All That Makes Us Human Continues’ and made considerable use of circuit bending (the mis-wiring synths to obtain unique sound sequences) on a number of others. And had all that ingenuity not been quite enough, BT foresaw ‘This Binary Universe’ as his first multimedia project, engineering the music for playback on the DTS’s 5.1 surround sound system. This he realized through seven vignettes that comprised ‘This Binary Universe’s film, which saw a limited theatrical release in 2006. Four were developed by CG artist Scott Pagano, while Mondi, Dose Productions and Transeau himself also created one apiece. They spanned cinematographic range, from live action and computer generated, through to traditional animation. For ‘Good Morning Kaia’, BT’s used footage of his (then-just-born) daughter with the track’s ‘lyrics’ appearing only as subtitles, drifting in time to his piano notes. For its 2024 re-release, each piece has been re-rendered to 4K, vividly upscaling every cell and frame. Exploring the relationship between the carbon-based and digital worlds, with meditations on everything from parenting to programming, the remastered version of BT’s ‘This Binary Universe’ arrives Dec 6. Music will never be quite the same again (… again): https://blackhole.lnk.to/tburemastered Tracklist: 01. All That Makes Us Human Continues 02. Dynamic Symmetry 03. The Internal Locus 04. 1.618 05. See You On The Other Side 06. The Antikythera Mechanism 07. Good Morning Kaia btmusic.com instagram.com/bt facebook.com/bt twitter.com/bt soundcloud.com/bt blackholerecordings.com instagram.com/blackholerecordings soundcloud.com/blackholerecordings facebook.com/blackholerecordings twitter.com/BlackHoleRec The post BT – This Binary Universe appeared first on EDMTunes.

On Halloween itself, Grabbitz had released his highly anticipated sequel track, ‘Hero Pt. II’, via his own label, Blue Butterfly Records. The very innovative DJ, producer, singer-songwriter, and instrumentalist has over the years, produced some of dance music’s most powerful bangers such as ‘Die For You’, ‘Ticking Away’, and ‘Someone Else’. Grabbitz released ‘Hero Pt. II’ as the sequel to last year’s mesmerizing ‘Hero’ and that track provides a perfect synergetic combination of strong vocals and glitchy, powerful rhythms (also check out the immersive music video of this track). With ‘Hero Pt. II’, the track follows up with the protagonist’s journey into various challenges that come into his way and how he can achieve them. In addition, perseverance and adversity are also main themes of the track as the protagonist/hero explains the paths he will take via uplifting vocals and outstanding beats that serenaded throughout this track. Click ‘Play’ on the Spotify link below to stream ‘Hero Pt. II’ from Grabbitz, a track that the artist will definitely include in his upcoming album, which plans to arrive on early 2025. Last but not least, the upcoming release of this must-hear album will also come at the same time as his upcoming national tour with Sullivan King. The post Grabbitz Uplifts Listeners With Sequel Track ‘Hero Pt. II’ appeared first on EDMTunes.

The culmination of an incredible six months of touring the new “Aria” live show, Marsh shares his Aria EP. Originally born as an audio-visual live concept designed to showcase Marsh’s growing catalog and the many talented vocalists he has worked with, ‘Aria’ began as two UK shows—the first at London’s premium new venue, HERE at Outernet, followed by a night at New Century in Manchester. More recently, the EP has been supported by a run of eight North American shows, including dates at New York’s Webster Hall and Los Angeles’ Fonda Theatre and a set at Montreal’s Piknic Électronik festival. The ‘Aria’ live show reached its final stop at iconic Colorado venue Red Rocks Amphitheatre for Anjunadeep Open Air—a particularly snowy and enchanting performance for all those lucky enough to be there. Moreover, The full EP features two new Marsh tracks; ‘Mercy,’ a hard-hitting club record known for getting the crowd moving on ‘Aria’ tour dates, and ‘Hope,’ a softer track with uplifting vocal samples. The year of 2024 has been a busy one for Marsh, as he continues to release music at an incredible pace. The ‘Aria EP’ is out November 15 on Anjunadeep. You can listen to it below and on all available streaming platforms. Stay tuned for more news! The post Marsh unveils New EP Titled ‘Aria’ appeared first on EDMTunes.

With his constant evolution and ability to push musical boundaries, TH;EN has solidified his place in the global dance music scene. The German-born producer has earned support from the likes of Solomun, Pete Tong, and Adriatique, and with recent releases on Diynamic, Odd One Out, ATLANT, and Purified. His music continues to grow in both energy and emotion, especially with his new track ‘Rakata’. It is a powerhouse that blends classic techno beats with a fresh Latin-inspired vibe. The track hits hard and doesn’t let up, proving once again that TH;EN is on a path to success. Rakata Breakdown: A Journey of Sound and Power ‘Rakata’ opens with a thumping techno beat and Spanish lyrics, setting the stage for what’s to come. As the synths build, anticipation rises, leading to a massive drop that fills the room with energy. The vocals add an emotional touch while a new synth sound keeps the momentum going. Just when you think you’ve heard it all, the track strips back to basics before building back up, adding intensity with every layer. The grand finale explodes with power, leaving listeners immersed in its energy—proof that ‘Rakata’ is another advancement in TH;EN’s production. Photo Credits: TH;EN via Facebook TH;EN’s Ongoing Evolution What makes ‘Rakata’ so special is that it’s a perfect example of TH;EN’s growth as an artist. The track fuses genres and sounds in a way that’s uniquely his, and it’s clear he’s only just scratching the surface of what he’s capable of. Every new release shows a deeper connection to the music and the fans, and this one is no different. From his first releases to his current success, TH;EN is proving that the sky’s the limit. With each track, he continues to evolve, and ‘Rakata’ is a testament to his dedication to the craft. This is just the beginning – we can’t wait to see where he goes next. Listen to ‘Rakata’ along side ‘All Yours’ below. The post TH;EN Drops New Track ‘Rakata’ appeared first on EDMTunes.

Seven Lions and Kompany have joined forces for their highly anticipated debut collab, ‘Foul Tarnished.’ All in all, This track blends bass house and half-time dubstep, delivering massive drops and a heavy wave of energy and sound design. Out now on Ophelia Records, it’s bound to make millions jump and head bang into tomorrow. A Powerful Collaboration Seven Lions, known for his melodic dubstep sound, has shaped the scene with releases on top labels and his own Ophelia Records. Since founding the label in 2018, it’s become a leader in melodic bass. Kompany via Ophelia Records Ophelia Records Seven Lions via Ophelia Records Kompany, known for his heavy dubstep style, has made his mark with collaborations alongside Excision, SLANDER, and others. His Seven Lions collab brings together both artists’ strengths, delivering a high-energy experience. ‘Foul Tarnished’ Track Breakdown To sum up, ‘Foul Tarnished’ opens with a driving bassline, shifting between bass house beats and half-time dubstep drops. The track fuses Seven Lions’ melody style with Kompany’s intensity, keeping the energy high and emotional throughout. Meanwhile, a dark voice helps the listener traverse through the heavy drops and sound design. The track is ultimately designed to make its way into headliner bass sets festival to festival. It will be no surprise to go hear this rollercoaster track throughout the end of 2024 and the entirety of 2025. Ophelia Records Leads the Way Started by Seven Lions himself, Ophelia Records has become a dominant force in electronic music, pushing boundaries with genre-defying releases. With ‘Foul Tarnished,’ the label continues to innovate, solidifying its place at the forefront of dance music and especially bass. You can listen to the latest release below. The post Seven Lions Goes Heavy with Kompany to Drop ‘Foul Tarnished’ appeared first on EDMTunes.

Opening up like never before, Nostalgix has returned to Steve Aoki's Dim Mak Records with "Show Me Love." The emotional dance record offers a heartfelt exploration of despair and resilience. In a world where social media all-too-often showcases polished perfection, Nostalgix delivers an unfiltered ode to her struggles with heartbreak, isolation and loneliness during a challenging year. "Last year I was going through hell," she said in a press release. "I faced my biggest heartbreak and endured so much loss. I felt torn and completely alone." Nostalgix.Brooke Ashley Barone Initially, attempts to create "fun" and "hype" tracks left her feeling disconnected. Frustrated, she scrapped her earlier work, turned on her microphone and poured her emotions into music. The result was "Show Me Love," which explores the feelings of being lost and unsure of how to move forward, yet holding onto hope for brighter days. "It felt like the song was just waiting to come out of me," Nostalgix added. The release is accompanied by a striking music video that mirrors the song’s raw energy. As day transitions to night, vivid strobes and red lights appear, echoing the song's emotional depth. Watch the "Show Me Love" video below and stream the new single on streaming platforms here. Follow Nostalgix:X: x.com/nostalgixmusic Instagram: instagram.com/nostalgixmusic Facebook: facebook.com/nostalgixmusic Spotify: spoti.fi/3l98zsw

If you were looking for a desert escape from the winter season, look no further than the warmth of Mojave Grey's debut album, Monument. Comprising Zander Bleck and Michael Pozzi, the rising music duo brand their sound "desert dance music," blending their deep-rooted rock & roll influences with pulsating electronic beats to deliver an 11-track masterstroke. The album kicks off with an introduction of sorts, the self-titled track "Mojave Grey," where Bleck welcomes us with buttery, effortless vocals while Pozzi showcases his instrumental dexterity. Building upon that ethereal ambience are tracks like "House Of The Sun" and "Heartbeat," which wordlessly describe the meaning of desert dance music: spiritual and traditional, served on a silver platter of contemporary beats. At times light and atmospheric, Monument often takes skillful, premeditated turns for the dark and brooding. Tracks like "Faith" and "Lone Star" plunge us into dark digital soundscapes as we cling to the light of Bleck's hopeful lyricism. The ebb and flow between the album's light and dark ambience is drawn from the "rugged landscapes of Joshua Tree," according to a release shared with EDM.com. “Monument is our desert dance debut to the world," stated the duo. "This album is our conscious offering and statement that we are here to stay. The album is meant to be enjoyed as a listening journey all the way through alone or with friends. On a long drive along the highway or at a party. Lose yourself and transport to a place wherever your own personal monument may be.” Listen to Monument below and find the new album on streaming platforms here. FOLLOW MOJAVE GREY:Instagram: instagram.com/mojavegrey TikTok: tiktok.com/@mojavegrey X: x.com/mojavegrey Facebook: facebook.com/mojavegrey Spotify: tinyurl.com/bmm3m75d

Though Deathpact's members remain anonymous, their mastery of dark, blistering bass serves as the face of their collective. It's fully visible in the new single "GATEKEEPER," which prepares us for a tour that comes with the promise of the same intensity and precision. "GATEKEEPER" delivers dramatic, thought-provoking dialogue on the wings of sinister church bells, crashing thunder and organ melodies, and of course, skillfully manipulated bass. As the dialogue begins, it spotlights the upcoming tour: "And when you stare into the dark, I hope you see the light." In the midst of its delightfully erratic drop, "GATEKEEPER" seems to pay homage to past hits, namely with a short Strohbass moment reminiscent of Deathpact's popular collaboration with Rezz, "Chemical Bond." The single follows Deathpact's debut album FROM DARKNESS, released back in May, while also cryptically foreshadowing FROM LIGHT, which is set to arrive in 2025, per a press release shared with EDM.com. Listen to the chilling single below and find it on streaming platforms here. Follow Deathpact:X: x.com/deathpact TikTok: tiktok.com/@deathpact Instagram: instagram.com/deathpact Facebook: facebook.com/deathpact Spotify: spoti.fi/30C9Q1Z

With his latest EP, Freeze Sucka, FREAK ON crafts urban legends you can dance to. The producer has dropped a pair of hip-hop-charged house tracks that pulse with the thrill of a city alive after dark. The titular track commands sustained attention with an intoxicating bassline and rolling rhythms that pulse like the heartbeat of a city that never sleeps. Vintage hip-hop influences are stitched seamlessly into the fabric of its house grooves, creating a sound that radiates raw energy. It's the kind of track that dares you to stay still, but resistance is futile. "Get Quick" then ups the ante by dialing up the funk with plucky basslines and lush, twangy strings, calling to mind the swirling lights of a disco ball. Filtered strings bend and twist over a bouncing house rhythm, creating a dynamic, nostalgic atmosphere that feels both familiar and fresh. It’s a nod to the past with one foot planted firmly in the future, a testament to FREAK ON's ability to bridge stylistic worlds with finesse. Listen to Freeze Sucka below and find the new EP on streaming services here. Follow FREAK ON:Facebook: facebook.com/geturfreakonofficial Instagram: instagram.com/freakonmusic X: x.com/FREAKONmusic Spotify: bit.ly/3TjjHVg

It seems Excision is just as eager as we are for the return of Bass Canyon after the festival's team announced it's selling tickets earlier than ever. Annually held at Washington's idyllic Gorge Amphitheater, Bass Canyon reigns as the Pacific Northwest's largest bass music festival. It's one of three curated by Excision Presents alongside Lost Lands and Paradise Blue, the latter of which will not take place in 2025. To supplement Bass Canyon's growth, the festival is expanding its offerings to complimentary showers provided for all campers along with "elevated VIP areas and amenities," per a press release shared with EDM.com. Shuttle routes to the festival are also expanding into Portland, joining the two existing shuttles to and from Seattle. The fest is also making payment plans more accessible for its 2025 iteration, with a 10-part payment plan that only requires a $50 deposit for orders under $2,000. At the time of writing, Bass Canyon's 2025 lineup has not yet been announced. Tickets and information can be found here. FOLLOW BASS CANYON:Instagram: instagram.com/basscanyon X: x.com/basscanyon Facebook: facebook.com/basscanyon

Excision’s legendary Bass Canyon festival has officially announced its return to The Gorge Amphitheatre for its milestone 7th edition, taking place August 15-17, 2025. This year, in an unprecedented move, Excision is giving fans the gift of time. The early announcement allows fans to meticulously plan and budget for their annual descent upon one of North America’s most stunning festival destinations. Early Bird Access and Enhancements Galore Bass Canyon 2025 went on sale onn Thursday, November 14th at 12 PM PT, marking it the earliest on-sale date in festival history. But the good news doesn’t stop there. Bass Canyon is dedicated to making the experience even more epic for its devoted community. Here’s what you can expect: Financing Made Easy: The most accessible payment structure yet! A brand new 10-part payment plan allows for stress-free budgeting. Orders under $2,000 only require a $50 deposit. Smoother Travel: Transportation options are expanding! A new Portland shuttle route joins the existing Seattle pickups, making the journey to The Gorge a breeze. Elevated Amenities: Upgrades span both General Admission and VIP experiences. Enjoy complimentary showers for all campers, and for VIPs, prepare to be pampered with enhanced areas and amenities. Returning to its breathtaking home at The Gorge Amphitheatre, Bass Canyon continues its reign as the Pacific Northwest’s undisputed bass music champion. Imagine thunderous soundscapes and immersive productions echoing through the natural amphitheater, with the majestic Columbia River Gorge as your backdrop. Pure bass magic awaits. Ticket options and camping packages are already available for purchase. Lineup announcements and further details will be unveiled in the coming months. To secure your spot at this legendary event and stay updated, visit the official website. The post Bass Canyon Announces 2025 Dates for 7th Edition appeared first on EDMTunes.

Members club, Soho House, has announced plans to open Soho Farmhouse Ibiza in spring 2025. This will be the group’s first Farmhouse-style venue in Spain, situated on a working olive grove. Soho House is a private members’ club that primarily caters to individuals in creative industries. Founded in 1995 by restaurateur Nick Jones, the first location opened above Café Boheme in London’s Soho district. The club was envisioned as a welcoming space for creative thinkers, contrasting sharply with the formal atmosphere of traditional private clubs. Today, Soho House has expanded globally. The new property will become Soho House’s third Spanish location, joining its Barcelona venues. The opening comes as part of the brand’s ongoing global expansion, which includes projects in cities like Tokyo and Milan. Features and Amenities Soho Farmhouse Ibiza will cater to members seeking a mix of rural charm and modern amenities. Planned features include: Accommodations: Private bedrooms designed for members. Outdoor Spaces: A pool, yoga deck, and wellness facilities including a gym and treatment rooms. Dining: An organic kitchen garden restaurant and bar emphasizing local ingredients. The design aims to replicate the countryside atmosphere of the original Soho Farmhouse in Oxfordshire, UK, while adapting it to the Mediterranean environment. The venue’s location on an olive grove ties into Ibiza’s finca tradition. Fincas, historic rural estates often surrounded by farmland, are a hallmark of the island’s agro-tourism scene. Many of these estates now host visitors, offering farm-to-table dining and eco-friendly experiences. Soho Farmhouse Ibiza appears to follow this model, blending luxury accommodations with an emphasis on sustainability. This development signals Soho House’s continued growth in Spain, where it operates two other locations. It also reflects a wider trend in Ibiza tourism, which has seen increased interest in wellness-focused retreats and agro-tourism. Ibiza’s reputation as a destination for both nightlife and tranquility makes it a strategic choice. With construction underway, Soho Farmhouse Ibiza is expected to attract members from across the globe when it opens next year. The opening may appeal to those looking for a quieter side of the island while still enjoying its vibrant culture. Photos courtesy of Ibiza Travel and Soho House The post Soho House Members Club to Open in Ibiza in 2025 appeared first on EDMTunes.

Toolroom Records presents another club banger courtesy of CHANEY, one of their most beloved musicians. Returning with a track destined to set dance floors ablaze, the UK-based producer features the venerable Candi Staton. This partnership is absolute magic, given CHANEY’s ability to create joyful, high-energy songs and Candi’s legendary vocals. Over the past year, CHANEY has been on an unrelenting journey, acquiring stripes among the most interesting names in electronic music. His summer song “Sunshine” became a mainstay on UK radio and playlists; his releases on Insomniac and D4Dance helped to confirm his position on the world scene. From lighting the Ministry of Sound for Toolroom concerts to rocking New York’s subterranean, he has been everywhere. Not only are his live presentations captivating to his audience but tracks like “Love Again” and “Blank Space” have jaw-dropping 15 million and 10 million streams, respectively, showing that CHANEY is not just a DJ’s preferred producer but also one who understands audience connection. With his most recent Toolroom album, CHANEY now elevates the standard once more. Designed for the raw, electric intensity of venues like Ibiza’s DC-10, this tune has everything we love about his sound: tall buildup, earth-shaking drops, and a bassline that goes under your skin. And then there is Candi Staton. Her remarkable voice captivates the audience to “LOSE MY NUMBERRR!”, thereby fusing old-school soul with contemporary dancing sensations in a way that feels timeless and fresh all at once. This release is a statement not merely a banger. CHANEY is among the most brilliant talents in the United Kingdom, and working with a legend like Candi Staton is just another way to confirm his legacy. Time and time again he has shown this. Whether you’re blasting it through your headphones or sweating it out in a packed club, this track is a must-have for everyone who likes dance music that hits you squarely in the heart—and the feet. Love it; stream it, spin it. Here to brighten your night are CHANEY and Candi Staton. The post CHANEY and Candi Staton on Toolroom with ‘Lose My Number’ appeared first on The Groove Cartel.

The shop is set to reopen this Wednesday with a launch party at The Red Church Continue reading...

Social media users have debated whether the new queueing system is more or less fair after tickets sold out rapidly on Sunday morning Continue reading...

The harm reduction initiative is set up by UK drug testing charity The Loop Continue reading...

The Uplifting New Project Serves As A Friend In Times of Loneliness New Single “Can’t Let You Go” with Bantu Out Now via Insomniac Records Buy/Stream: BLOND:ISH, Bantu – Can’t Let You Go Stream Here BLOND:ISH unveils plans for her compassionate new body of work, Never Walk Alone, her second studio album forthcoming via Insomniac Records on February 14, 2025. Alongside the announcement comes the new single “Can’t Let You Go,” featuring Zimbabwe singer and producer Bantu. In a world full of isolation and an ever-growing need to focus on mental health, Never Walk Alone (and its title track released this summer) is meant to serve as a friend in times of anxiety and loneliness. The previous single, “Different Way,” reminded us that even though we all endlessly compare ourselves to others, everyone’s journey is unique. With “Can’t Let You Go,” BLOND:ISH explores the bittersweet tug-of-war between hello and goodbye with a loved one. “Meeting Bantu was a super sweet random encounter. We went deep pretty quickly. I spoke to him about the intentions infused into this album. I wanted it to open up people into discovering they are their own best friend — and he immediately wanted to add his distinct flavor.” — BLOND:ISH BLOND:ISH has woven a thread of positive messaging through her most recent singles, along with masterfully blending a tonic of genres that aim to beam her compassionate transmissionsfar and wide. While the late summer mood-lifter “Never Walk Alone” called on pop, indie, and soul, “Different Way” combinessurf rock, synth pop, and house music. On “Can’t Let You Go,” BLOND:ISH, alongside Bantu, polishes her natural love for Afro-house, a genre that has been a staple in her DJ sets. The goal is that these songs push the planet closer to “Happy Happy World” (an inclusive place of sustainable unity, respect, and nourishment). NEVER WALK ALONE VINYL BLOND:ISH is inviting fans to become a part of her new album’s story by submitting a photo with a bestie or loved one. These personal snaps will be woven into a unique mosaic that’s featured exclusively on the limited edition vinyl package. Fans will have the chance to submit their photos on her Instagram Broadcast channel for full info. ABOUT BLOND:ISH BLOND:ISH’s unwavering commitment to contributing positivity to the music industry has come to define her as an artist. Whether it’s organizing group hugs before her sets or taking initiative against single-use plastics, BLOND:ISH wants to leave the world a better place than she found it. As a record label head, environmental activist, Web3 entrepreneur, and new mom, BLOND:ISH breaks down traditional barriers between artist and fan, uniting her community through pillars of purpose. Igniting a movement coined “Sustainable Raving,” BLOND:ISH founded Bye Bye Plastic, an initiative that aims to eliminate single-use plastics from clubs and festivals by encouraging artists to use eco-riders that demand alternatives and by providing resources to promoters who want to change. Around her recent label party, Abracadabra, in Los Angeles, she organized a beach cleanup covered by Billboard Dance. Check out the recap here. ABOUT INSOMNIAC RECORDS Founded by dance music luminaries and world-renowned events promoter Insomniac, Insomniac Records operates under the umbrella of Insomniac Music Group. Originally launched in 2016, the powerhouse imprint has blossomed into a one-stop destination in which fans from all walks of life can discover and enjoy choice selections from a roster that includes some of the best DJs/producers from the global stage. On top of the 500+ releases since its inception, Insomniac Records has also curated its premier EDC compilation series, featuring numerous EDC Las Vegas and EDC Mexico master soundtracks. Signing a roster of notable talent, including Mau P, BLOND:ISH, Noizu, Matroda, Biscits, Francis Mercier, LP Giobbi, Vintage Culture, John Summit, HoneyLuv, J.Worra, and beyond, Insomniac Records continues to foster unique talent it firmly believes in. The unparalleled track record of success has pushed Insomniac Records to the forefront of established dance music platforms. BLOND:ISH Upcoming Tour Dates November 30 – Hipódromo de las Américas – Mexico City, Mexico December 6 – Factory Town – Miami, Florida December 14 – Abracadabra Dubai – Dubai, UAE December 28 – Pachanga – Cali, Colombia December 29 – Nao Beach Club – St. Barts December 31 – Reveillon Carneiros 2025 – Prai dos Cameiros, Brazil January 7 – Abracadabra Cartagena – Cartagena, Colombia January 12 – Adriatique presents X – Tulum, Mexico March 21 – Lollapalooza Argentina – Buenos Aires, Argentina March 22 – Lollapalooza Chile – Santiago, Chile March 28 – Estereo Picnic – Bogota, Colombia March 30 – Lollapalooza Brasil – Sao Paulo, Brazil Connect with BLOND:ISH Website | Instagram | Facebook | Twitter | TikTok | Spotify | Apple Music | YouTube Connect with Insomniac Records Website | Instagram | Facebook | Twitter | TikTok | Spotify | SoundCloud The post BLOND:ISH Announces New Album Never Walk Alone appeared first on Electric Mode.

The Loop has started a new year-round programme to deliver its pioneering onsite drug testing at Drumsheds and The Warehouse Project, with testing in the autumn 2024 clubbing season to monitor trends in the drug market for safety. For the first time The Loop has received HO licences to test at venues, building on its work at festivals over this summer. Much of The Loop’s service delivery, since 2013, has been working within and alongside the festival industry, and developing the service model and approach for drug testing services in different environments. The Loop’s drug testing services (‘back of house – BOH’) are non-public facing and operate by testing substances confiscated or through amnesty onsite, and working alongside key stakeholders. The Loop received the first ever Home Office licences issued for drug testing for UK festivals in spring 2024, and for UK venues in autumn 2024. The Loop is now conducting onsite drug testing at two of the largest club venues in the UK, Drumsheds in London and The Warehouse Project, Depot Mayfield in Manchester, to inform our understanding of the UK’s changing drug market and the implications of that for both customers and emergency services operating in those venues. The Loop will have the UK’s first HO licensed mobile laboratories to be located onsite within both venues during operating hours, to rapidly and accurately test substances of concern and disseminate test results with the primary aim of reducing drug-related harm. Changes in the drug market have made the rapid-real time testing offered by the Loop more important than ever with drug-related deaths at the highest on record and set to increase further. The UK also faces increasing challenges with the emergence and proliferation of synthetic cathinones, cannabinoids and opioids. | Katy Porter, CEO of The Loop said: “With our drug testing being completed at festivals, a seasonal industry, we have been concerned that this does not go far enough in maintaining regular drug intelligence across the UK, and importantly throughout the year. The introduction of our year-round onsite testing into a venue in both London and Manchester will provide intelligence for real time risk management and harm reduction information that can be quickly shared with the public, other venues and wider stakeholders to reduce the potential of significant harms.” Professor Fiona Measham, Chair in Criminology at the University of Liverpool and founder and Chair of The Loop said: “The Loop’s drug testing programme is going from strength to strength. We started out conducting the very first back of house testing onsite at the WHP in October 2013 and 11 years later The Loop is introducing year-round onsite venue testing, including with our long term partners at the WHP and now also at Drumsheds, with full HO licences. The size of these venues and the regularity of testing all year round means that The Loop’s understanding of drug markets will only increase.” “Implementing onsite drug testing at both Drumsheds, London, and The Warehouse Project,Manchester, will commence a nationwide network of drug testing, funded directly by the venues. Swiftly communicating to venue customers, wider nightlife communities, and partners, including public health, early warning systems, law enforcement, and importantly, the generation of real-time alerts when there are significant concerns. Sam Spencer, Head of Operations, representing Drumsheds and 9.8, says: “As part of our ongoing commitment to public safety and harm reduction, we are proud to collaborate with The Loop in bringing their innovative drug testing service to Drumsheds. We believe in taking proactive steps to ensure the safety and wellbeing of all audiences and the introduction of testing is a significant move in that direction. The information gathered helps us continue to respond in real-time to potential risks, and following the ONS report of increased drug-related harms, this initiative represents a crucial shift in how the industry responds. It’s about more than just mitigating risks – it’s about equipping people with the knowledge and support they need to stay safe across London, Manchester, and nationwide, while fostering a responsible, informed culture within the live events space”. The Loop’s mobile lab, operating under a Home Office licence, will contribute to the national surveillance of illicit drug markets, which allows more targeted interventions when responding to drug use, disseminated through social media to reach a wide audience, and in working with local and central government departments, OHID and the Home Office, in consideration of concerns and response. Michael Kill, CEO of the Night Time Industries Association: “The NTIA wholeheartedly supports The Loop’s pioneering initiative to expand onsite drug testing. This programme represents a ground-breaking step forward in our shared commitment to enhancing public safety within the nightlife sector. The rapid changes within the UK’s drug market, including the rise of synthetic substances, have underscored the urgent need for informed, real-time responses. The NTIA is proud to champion this forward-thinking approach, which equips our nightlife venues with tools that protect audiences and encourage a safer, more responsible nightlife culture. The partnership between The Loop, venues, and local authorities marks a crucial evolution in public safety and harm reduction within the UK’s nightlife sector, and we look forward to supporting its positive impact on communities nationwide.” The planning for testing will remain dynamic, and in consideration of additional information and intelligence from all involved partners (police, public health), increased risk and further changes in the drugs market, and to ultimately inform plans for related harm reduction activity and approaches. The post Year round drug testing onsite at events across the UK introduced appeared first on Decoded Magazine.

Since its inception in 2010, A Love from Outer Space (ALFOS) has been a steady presence in the underground music scene, fostering a close-knit community with its regular, transformative dancefloor experiences. Founded by the late Andrew Weatherall and Sean Johnston, both highly regarded DJs and producers, ALFOS was born out of a shared love for slower-paced music and quickly became a lasting and adventurous clubbing experience. Initially conceived as a response to the fast-paced mainstream scene, ALFOS took a different approach, maintaining a tempo of no more than 122 bpm. The club night started in the intimate surroundings of The Waiting Room in North London, where its distinctive musical ethos found an immediate following. Over time, it evolved into a British clubbing institution, expanding to larger venues and eventually reaching an international audience. ALFOS became known for its eclectic and hypnotic sound, blending everything from kosmische and house to dub and post-punk. The night developed a loyal following, with residencies at London’s Phonox and Glasgow’s Berkeley Suite, and it has taken its sound to various settings, from the Croatian coastline to the Golden Lion Pub in Todmorden. Following Andrew Weatherall’s passing in 2020, Sean Johnston has carried on the ALFOS legacy. During the pandemic, he launched the A Love from Outer Space Emergency Broadcast System, a series of livestreamed DJ sets that kept the community connected during a challenging time. These broadcasts were crucial in maintaining the ALFOS spirit when live events were paused, attracting a global audience and reinforcing the collective bond of the community. This upcoming compilation reflects the music that has shaped ALFOS over the past 15 years while also hinting at its future. Compiled and mixed by Johnston, the 19-track album pays tribute to the club night’s rich history and its commitment to pushing musical boundaries forward. Johnston explains, “The thing about ALFOS is that while we’ve always had one eye on the past, much of the music we play is forward-looking. This compilation seeks to captures that balance.” The album features a variety of exclusive tracks, including the sought-after Neville Watson remix of The Blow Monkeys and Brioski’s “Call 626,” alongside a wide range of sounds that both honour the past and embrace the future. As ALFOS prepares to celebrate its 15th anniversary, its influence remains strong, offering a space for music lovers to come together, slow down, and explore new sounds. Tracklist: 1. The Blow Monkeys – Save Me (Neville Watson Remix) 2. Jonny Sender – Zhivago Zhivago 3. Cisco Cisco – If You Want Me (Jay Shepheard Remix) 4. Laars – None 5. Duncan Gray – Gone & Forgotten (feat Dominic Silvani) 6. Secret Circuit – JungleBones (Tiago Mix) 7. Bongo Entp. – Drømmen (SIRS Remix) 8. Feon – Round Earther 9. Darlyn Vlys – Wuzu (Tyu Tribe Remix) 10. Niv Ast – Jungle Marvin 11. Kimo – Whirl 12. Bal5000 – Bleu Infini 13. Discoscuro – Discoscuro 14. Popular Tyre – Feel Like a Lazer Beam 15. Class B Band – Repli-can 16. Phil Kieran – Find Love (Andrew Weatherall Remix) 17. Jazxing, Das Komplex – Neu Nostalgia (Das Komplex Remix) 18. Das Komplex – 89 19. Brioski – Calling 626 VA – “A Love from Outer Space” will be released 14th February 2025. The post Andrew Weatherall and Sean Johnston’s enduring musical journey celebrated with a forthcoming compilation appeared first on Decoded Magazine.

To celebrate the relaunch of one of house music’s most significant labels, King Street Sounds, Armada Music and Beatport Films present House Music Royalty: The Story of King Street Sounds. The film explores the label’s rich history and lasting influence, from humble beginnings in a New York living room all the way to global recognition. Founded by Hisa Ishioka in 1993, King Street Sounds emerged as a transformative force in the global house music scene, rooted in the vibrant underground cultures of NYC and Hisa’s home country of Japan. This documentary, filmed across New York, London, Manchester and Ibiza and soundtracked by some of the label’s most iconic and influential records from artists such as Kerri Chandler, Dennis Ferrer and Mood II Swing, chronicles the label’s evolution from its foundations in NYC’s underground house music scene, its successes during the pivotal 1990s-2000s through to its future under the guidance of Armada Music. Featuring rare footage from the final party at the Paradise Garage – the legendary nightclub that gave rise to the soulful house music movement— artist studio sessions, and interviews with leading figures including Barbara Tucker, David Morales, Ultra Naté, Blaze, DJ Spinna, Danny Krivit, Joe Claussell along with contemporary perspectives from Kasango and House Gospel Choir’s Natalie Maddix. Check out the full soundtrack here: https://www.beatport.com/chart/house-… Brand-new King Street vinyl pressing – featuring Blaze, Mood II Swing and Ananda Project https://kingstreetsounds.lnk.to/Doc The post New Documentary on New York House Label: King Street Sounds appeared first on Decoded Magazine.