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With the Brooklyn Mirage still yet to reopen after weeks of delays, its parent venue, Avant Gardner, has reportedly named Gary Richards, better known to most as the veteran DJ-producer Destructo, as its interim CEO. An internal memo that surfaced on the r/avesNYC subreddit today indicates that “effective immediately,” former Avant Gardner CEO Josh Wyatt is no longer with the company. The memo goes on to explain that Richards, who has served as the venue’s non-executive Chairman of the Board since August 2024, will lead the Avant Gardner team’s day-to-day operations while they look for a new permanent CEO. Wyatt was named Avant Gardner CEO in October 2024 after a challenging period for the 80,000-square-foot venue complex and promotions company, including its disastrous takeover of Electric Zoo in 2023. Upon his appointment, Wyatt promised that the company would be “transparent” and that a new-look Brooklyn Mirage would be “100 percent” open by May 1. Three weeks after failing a safety inspection on the day of its scheduled reopening with Sara Landry, the open-air venue remains shuttered and has canceled or postponed all shows through Memorial Day weekend. Richards, a foremost U.S. rave pioneer who founded Los Angeles’ HARD Events and helms FriendShip music festival within his All My Friends company, will be supported in his new role by “key members” of the Avant Gardner leadership team, according to the memo. Read the leaked memo below and check out the buzz on r/avesNYC here. Featured image courtesy: Destructo. The post Avant Gardner Reportedly Names Gary Richards Interim CEO, Replacing Josh Wyatt appeared first on EDM Maniac. View the full article

Spotify execs and board members are still selling company stock, with co-founder Martin Lorentzon having recently cashed in on nearly $660 million worth of SPOT in a single transaction. Photo Credit: Gizmodo Over $2 billion later, Spotify execs and directors still aren’t finished cashing in on company stock. Now, co-founder Martin Lorentzon has once again parted with SPOT shares, unlocking a more than $665 million windfall in the process. Lorentzon just recently confirmed his latest Spotify stock (NYSE: SPOT) divestitures in regulatory filings. As many know, said divestitures represent one piece of the selloff picture at the streaming company, shares in which hit a record $669 each on Monday. DMN Pro crunched the public-disclosure numbers last month and found that higher-ups as well as board members had moved a cumulative $1.8 billion in Spotify stock. Furthermore, bearing in mind SPOT’s 2022 plummet into the $70s, most of those transactions arrived during 2023, 2024, and to this point in 2025. Enter Martin Lorentzon’s initially mentioned selloff, which started with 11,275 optioned shares on the 16th. That comparatively small transaction brought Lorentzon (who sits on Spotify’s board) about $7.31 million, the relevant document shows. While nothing to scoff at, the sum pales in comparison to the staggering $658.61 million worth of founder’s shares Lorentzon reported selling via his Rosello Company on the 21st. All told, then, the 56-year-old sold $665.92 million in Spotify stock across both transactions. Along with a November 2024 sale (also executed via Rosello) totaling $384 million, that means Lorentzon’s shed well over $1 billion in SPOT during the past six or so months. These and other insider Spotify stock sales raise several questions. Most pressingly: Do the involved execs and board members know something we don’t? Of course, we’ll have to make due without a definitive answer for now. But the exec-selloff wheels have been in motion for some time, and the market doesn’t appear too concerned. When trading wrapped today, Spotify stock finished at $636.75 per share, down from the above-noted record high but still up 113% from late-May 2024. With all this said, Spotify stock’s ascent has largely coincided with an effort to steadily increase subs, rein in spending, and maximize profitability. Besides the priorities and a few fresh features, there may not be a world of difference between the current Spotify and that which had a materially lower market value. Especially given analysts’ insistence on tying bullish targets to continued paid-user gains, it’ll be interesting to see how Spotify’s subscription base fares during Q2 2025. View the full article

Avoure and Haxxy‘s sonic worlds collide on their new single “Like U,” blending their distinct sonic signatures into a seamless and emotive collaboration. The track pairs Avoure’s melodic storytelling with Haxxy’s intricate breakbeat rhythms, striking a perfect balance that highlights each artist’s strengths. More than just a powerful standalone release, “Like U” hints at even bigger projects on the horizon for both. Avoure described working on the track as “a unique experience,” noting it was his first time producing at 136 BPM. “It turned out to be an incredible way to step out of my comfort zone while still staying true to myself,” he said. For his part, Haxxy said the song draws inspiration from a powerful source, the ongoing war in his native country of Ukraine. The record “was born out of hope — but also from the heavy inner struggles that artists face during the war in Ukraine,” he explained. “This war inevitably touched me too. That’s why it felt so meaningful to turn this track into a collaboration with my fellow Ukrainian, Avoure. I sent him the first version of the track, and what he brought back felt like a natural extension of my ideas. It’s incredible how, even across oceans, we created such strong synergy.” Following the release of his Heartbleed EP, Haxxy had already been contemplating a full-length album — and “Like U” proved to be the catalyst. “I know for sure that I need to capture this period of my life and creativity into something bigger. So yes — more music is coming. I’m working on the album.” Listen to Avoure and Haxxy’s new single “Like U” – out now via Biome Recordings – below. Featured image: Avoure The post Avoure and Haxxy team up on all-Ukrainian collaboration, ‘Like U’ appeared first on Dancing Astronaut.

3 days, 10,000 attendees, 1 magical festival. Panorama is once again returning to the stunning south of Italy where it’ll be filling the Cave del Luca Amphitheatre with the effervescent sounds of glorious electronic music. From August 14th – 16th, 2025, Lecce will be playing host to Panorama Festivals electric display of music, art, and sustainability. Cave del Duca was formerly a quarry, but now it has a whole new life as the setting upon which DJs from around the world will bring joy to the masses. With names like Peggy Gou, Solomun, Mochakk, Black Coffee, and many more on the lineup, Panorama has an insane pool of musical talent. Beyond the music there’s plenty more to experience as the organisers of Panorama aim to blend music with local heritage, and art. The site itself is enough to take your breath away as well as keep you entertained, and it gets even more visually stunning as light and art installations will be scattered around the grounds. Panorama aims to spread this beauty around the world by saving it through their commitment to plastic-free, sustainable practices. Cave del Duca is a gorgeous place like so many others around the world that if not looked after won’t be so pretty anymore. The festivals director Vincent De Robertis says, “Panorama Festival isn’t just about music – it’s about framing unforgettable experiences in extraordinary places. We’re proud to call Puglia home and to welcome the world to witness its magic through the lens of sound, light, and community.” Despite only being on their 4th edition Panorama has already cemented itself as a go-to festival for anyone that wants to soak up music, culture, and amazing views. Living up to its name it’s a panoramic paradise that you have to add to your festival season. To get your tickets for Panorama Festival, click the button below: Panorama ticketsYou can follow Panorama Festival on their socials below:

In the latest chapter of ongoing turmoil surrounding New York’s famed Avant Gardner complex, a major leadership shakeup has been confirmed. Effective immediately, Josh Wyatt is no longer serving as CEO of Avant Gardner, the parent company behind Brooklyn Mirage, one of the most iconic venues in the electronic music world. The announcement was made via an internal memo shared on the r/avesNYC Reddit community, marking a significant shift as the venue grapples with operational delays, regulatory challenges, and a public relations storm. Taking the reins in the interim is Gary Richards, known to the electronic music community as Destructo — the legendary founder of HARD Events and current captain of Friendship and All My Friends festivals. Richards, who previously served as non-executive Chairman of the Board, will now oversee day-to-day operations for Avant Gardner. Richards will be supported by key members of Avant Gardner’s leadership team: Geraldine Clerfe, Director of People and Culture Alec Ifshin, Vice President of Finance Faisal Lateef, General Counsel Jermaine Santiago, Director of Operations Kenny Schachter, Director of Programming & Partnerships Stephen Wyker, Chief Technical Officer This leadership pivot arrives just days after Avant Gardner was forced to delay the 2025 opening of Brooklyn Mirage — its flagship open-air venue — pushing all Memorial Day weekend shows and previous ones. The postponement sparked widespread disappointment and concern across the electronic music community, as ticket holders and artists were left scrambling. While the venue cited ongoing work with the City of New York to meet regulatory requirements, rumors swirled online about deeper structural and legal issues, with many pointing fingers at mismanagement at the executive level. Public discourse surrounding Avant Gardner has grown increasingly tense in recent weeks, with Reddit threads and social media posts highlighting a lack of transparency, last-minute schedule changes, and dissatisfaction among staff and fans alike. The ousting of Wyatt and the appointment of Richards — a seasoned industry veteran with a reputation for curating visionary event experiences — may signal an effort to stabilize operations and restore confidence ahead of a crucial summer season. Still, the road ahead remains uncertain. The Brooklyn Mirage, which has grown into one of North America’s premier electronic music destinations, must now overcome regulatory hurdles and reputational damage while preparing for a condensed and high-stakes season. All eyes will be on how Richards and his new team steer the ship — and whether they can fulfill the promise of an “unforgettable experience” for fans, artists, and the broader nightlife community. The post Avant Gardner CEO Removed, Destructo Takes Over appeared first on EDMTunes.

Photo Credit: All-American Rejects TikTok The All-American Rejects are making headlines with a series of surprise pop-up concerts across the United States. Dubbed the ‘house party’ tour, the group is building anticipation for their upcoming comeback tour and their first full-length album in over a decade. The band kicked off their spontaneous tour on April 30 at the University of Southern California, following the release of their new single “Sandbox.” Since then, they’ve hit the road and criss-crossed the Midwest, bringing their energetic performances to unconventional venues suggested by fans on social media. So far, the band has played a backyard house party in Los Angeles, at a farm in Ames, Iowa, for a graduation party in Columbia, Missouri, a backyard in Chicago, a bowling alley in Minneapolis, and more. Crowd sizes for these events range between 120 in Chicago to a massive 5,000-person audience at the farm in Ames. Each show has been announced with minimal notice, while fans are encouraged to suggest new locations. Requests have been pouring in from across the country including fans hopeful of stops in Arkansas, Michigan, Tennessee, and Texas. The pop-up tour is a brilliant marketing move for a rock band that has been out of the public spotlight for several years. They’re generating a huge viral buzz on TikTok while simultaneously engaging a new generation of fans alongside followers. Lead singer Tyson Ritter says the pop-up tour was born from a desire to recapture the raw energy of the band’s beginnings while creating memorable moments outside of traditional venues. Videos of these pop-up appearances are racking up millions of views on TikTok, while their social media channels are flooded with fans suggesting their hometowns. As the group continues their pop-up spree across the United States, the built-up momentum for their comeback tour and upcoming album reaches a fever pitch. View the full article

Get ready, EDM and motorsport fanatics! GRIDLIFE Midwest is set to ignite Gingerman Raceway in South Haven, Michigan, from Friday, June 6 – Sunday, June 8, 2025. Celebrating its 12th anniversary, this unique festival, famously dubbed ‘The Music Festival At High Speed,’ masterfully blends the thrill of on-track motorsports—featuring everything from wheel-to-wheel racing with its new GLGT class to breathtaking drift showcases—with the vibrant energy of a premier electronic music festival. The 2025 edition boasts an exciting music lineup, and while every artist is sure to bring the heat, here are three you absolutely cannot afford to miss! NGHTMRE: The Bass Maestro Returns A true titan in the bass music scene, NGHTMRE is poised to unleash his signature concoction of trap, future bass, and hard-hitting dubstep upon the GRIDLIFE stage. Known for his meticulous production and genre-bending collaborations that span pop stars to rap legends, Tyler Marenyi, the genius behind NGHTMRE, has consistently pushed the boundaries of electronic music. From early anthems like “Street” to explosive tracks like “GUD VIBRATIONS” with SLANDER, NGHTMRE’s sets are a dynamic journey through diverse soundscapes. Expect a high-octane performance filled with bone-rattling drops, soaring melodies, and an atmosphere that will have you captivated from start to finish. Sullivan King: Unleash Your Inner Headbanger Prepare for a sonic onslaught like no other when Sullivan King takes command. The undisputed king of “metalstep,” Keaton Prescott, is renowned for his unparalleled fusion of aggressive heavy metal and earth-shattering dubstep, creating a live experience that is equal parts rave and rock inferno. Imagine screaming guitar solos seamlessly transitioning into seismic bass drops – that’s the Sullivan King guarantee. His performances are a raw, visceral display of energy, often featuring live vocals, blistering guitar work, and a stage presence that electrifies the crowd. With a legion of die-hard fans and anthems of organized chaos, Sullivan King is an unmissable spectacle of raw power. CHYL: The Queen of Speed House Buckle up for CHYL, the Chinese-Canadian producer who is rapidly accelerating to the forefront of the electronic scene with her signature “Speed House” sound. Based in Los Angeles, CHYL traded a career in finance for the relentless energy of dance music, and she hasn’t looked back. Known for pioneering the 150bpm speed house genre, her tracks are an electrifying mix of high-octane bass house, characterized by their fast pace, intricate sound design, and undeniably heavy beats. With viral hits like her “Mercy” remix, releases on major labels like Monstercat and Dim Mak, and a commanding stage presence at festivals like EDC Las Vegas and Tomorrowland, CHYL’s racing-inspired persona and infectious energy make her set a high-speed, can’t-miss thrill ride. The post Rev Your Engines and Ready Your Ears: 3 Must-See Music Acts at GRIDLIFE Midwest 2025 appeared first on EDMTunes.

Photo Credit: Kneecap A member of Irish hip-hop group Kneecap has been charged with a terror offense for actions allegedly performed at a London gig. Liam Óg Ó hAnnaidh, who performs under the name Mo Chara, has been charged by Metropolitan Police after a November 21 incident at the O2 Forum in London. He is scheduled to appear at Westminster Magistrates’ Court on June 18. Mo Chara has been charged with a terror offense after allegedly displaying a flag in support of Lebanese Shia Islam political and military organization Hezbollah during a performance back in November. Kneecap released a statement on social media, denying the alleged offense and vowing to vehemently defend themselves: “This is political policing. This is a carnival of distraction. We are not the story. Genocide is. As [the British government] profit[s] from genocide, they use an ‘anti-terror law’ against us for displaying a flag thrown on stage. A charge not serious enough to even warrant their ‘crown court,’ instead a court that doesn’t have a jury.” “What’s the objective? To restrict our ability to travel, to prevent us speaking to young people across the world. To silence voices of compassion, to prosecute artists who dare speak out,” they continue. “Instead of defending innocent people, or the principles of international law they claim to uphold, the powerful in Britain have abetted slaughter and famine in Gaza, just as they did in Ireland for centuries. Then, like now, they claim justification.” “We stand proudly with the people. You stand complicit with the war criminals. We are on the right side of history. You are not. We will fight you in your court. We will win,” their message concludes. Officers from the Metropolitan counter terrorism command were made aware on April 22 of an online video from the November 21 concert. An investigation was carried out, which led to the authorization of the criminal charge. Both Hamas and Hezbollah are banned in the UK, and it is a crime to express support for them. Kneecap claim they have never supported Hamas or Hezbollah, and would not incite violence against anyone. They further assert the video of their concert was taken out of context, that a fan threw the offending flag on stage and the band had nothing to do with it. Regardless, a number of the band’s shows have been cancelled since the allegations emerged. Their next scheduled performance is a headlining spot at Wide Awake Festival in Brockwell Park, South London, this Friday. View the full article

Brownies & Lemonade's DNBNL offshoot is hitting the road this summer, bringing drum & bass parties to a handful of Dave & Buster's locations across the country. A focused celebration of the genre, DNBNL has become one of the beloved electronic music event organizer's most recognizable series. They've taken over Dave & Buster's in the past, tapping into the nostalgia of arcades and providing fans with a setting that feels both unexpected and wildly fitting. The choice of venue reflects the team's ongoing push to activate rave culture in unique venues, like laundromats, abandoned zoos and even random elevators. Mike Banuelos Celebrating the four-year anniversary of DNBNL, the mini-tour begins June 18th in Brooklyn and continues the following night in Orlando before heading cross-country for a West Coast leg, which kicks off July 10th in Seattle prior to a finale in Irvine. Each stop will feature a different secret lineup. While the tour's talent remains under wraps, the energy is all but guaranteed, considering past DNBNL shows have featured performances by drum & bass heavyweights like Chase & Status, Sub Focus, Netsky, Koven and Dimension. Those interested in attending the upcoming DNBNL tour can RSVP here. Brownies & Lemonade Follow Brownies & Lemonade:X: x.com/teambandl Instagram: instagram.com/browniesandlemonade TikTok: tiktok.com/@browniesandlemonade Facebook: facebook.com/browniesandlemonade

Brownies & Lemonade is bringing drum & bass to a Dave & Buster’s near you. The beloved West Coast party brand has unveiled a mini tour for summer 2025, celebrating four years of its high-octane genre offshoot, DNBNL, with four shows touching down in Dave & Buster’s locations across the United States. After Brownies & Lemonade brought drum & bass events to the restaurant-arcade chain’s Hollywood and Denver locations last year, the buzzed-about collab is back on June 18 for a show in Brooklyn, followed by Orlando on June 19 and Seattle on July 10, before the run wraps up in Irvine, California on a TBA date. Though lineups will remain secret for each stop, organizers promise special guest appearances and performances from Brownies & Lemonade’s “fav DNB artists,” set to soundtrack a night of high-speed fun with arcade games, a full bar, and exclusive merchandise. Building on the success of their cutting-edge bass events, which have been running in Los Angeles and beyond since 2012, Brownies & Lemonade launched DNBNL in 2021. Dedicated to one of dance music’s most rapidly reemerging genres, the series has quickly become one of the most prominent showcases for D&B in North America and has featured legendary acts like Chase & Status, Sub Focus, Netsky, and many more. Dave & Buster’s isn’t the only unconventional location where Brownies & Lemonade has thrown events. In touch with its renegade party roots, the outfit will also host its third sold-out “Rattleship” event aboard the USS Hornet Aircraft Carrier in Alameda, California, this July. Pre-sale registration for Brownies & Lemonade presents DNBNL x Dave & Buster’s 4 Year Anniversary Tour is now open here. Pre-sale ticket access will begin Wednesday, May 28, at 10AM local time. General on-sale will follow on Thursday, May 29 at 10AM local time. For more information, visit Brownies & Lemonade’s official Instagram page. Featured image courtesy: Brownies & Lemonade. Credit: Kyle Akira Franci. The post Brownies & Lemonade Is Bringing D&B To Dave & Buster’s On Summer Tour appeared first on EDM Maniac. View the full article

Jony Ive, who’s sold a company called io to OpenAI at a reportedly $6.5 billion valuation. Photo Credit: Marcus Dawes Welcome to the hardware world, OpenAI: The artificial intelligence giant has acquired a startup, reportedly valued at $6.5 billion, founded by Apple vet Jony Ive. But is the play indicative of an AI bubble? Ive and OpenAI head Sam Altman announced the agreement in a brief release as well as a 10-minute video. Described by some as one of the iPhone’s main designers, Ive (and his LoveFrom “creative collective”) “quietly began collaborating” with OpenAI and Altman two years back, the parties indicated. As the involved entities tell the story, these talks set the stage for Ive to launch a hardware-focused venture called io last year. (Not directly mentioned is the 23% io interest OpenAI promptly scooped up, with today’s deal covering the remaining stake, per the Wall Street Journal.) “It became clear that our ambitions to develop, engineer and manufacture a new family of products demanded an entirely new company,” Altman and Ive explained of io’s conception. Now, Ive and his approximately 55-person io staff will come aboard OpenAI, with the mentioned LoveFrom taking a stake in the ChatGPT developer but remaining independent, per the Journal. The same outlet and OpenAI itself didn’t shed too much light on what’s in the cards for io post-purchase; the Journal, citing anonymous sources, only noted that Ive will have a hand in “all” OpenAI’s ventures, from ChatGPT to the app and more. But that probably doesn’t need saying given the astonishing $6.5 billion io valuation floating around. Also implied are the decidedly high expectations associated with OpenAI’s forthcoming hardware, which could include headphones and cameras. While far from impartial, the above-noted video saw Altman disclose that he’d already tested one of the upcoming physical products. Part of a “family” of hardware, this device represents “the coolest piece of technology that the world will have ever seen,” he touted. In any event, the purchase announcement underscores the ample capital floating around the AI sector – and raises questions about the initially mentioned possibility of a bubble. For better or worse, the rapidly evolving technology appears here to stay. As is often the case, however, two things can simultaneously be true; AI’s quick-improving features and long-term relevance don’t mean there isn’t a bubble in the space. Though time will tell how the well-financed episode plays out, OpenAI’s gargantuan valuation, Perplexity’s $14 billion value, the $5 billion at which legal-focused Harvey AI may raise capital, and a whole lot else are certainly worth keeping in mind. View the full article

Zeds Dead have publicly accused luxury fashion house Versace of appropriating their merchandise designs without permission or attribution. In a post on X, the influential dubstep duo on Thursday shared side-by-side images comparing a design from their 2018 tour with recent Versace apparel. "Versace ripped off our merch designs," Zeds Dead wrote, drawing attention to multiple Versace pieces, including t-shirts and sweatpants. The similarities are striking, as both designs appear to feature nearly identical typography and fonts with indistinguishable color schemes. Moreover, the central imagery of Zeds Dead's original merchandise features a coiled snake while a Versace tee seems to substitute a roaring tiger. Efforts by EDM.com to reach Versace for comment were unsuccessful prior to this article's publication. pic.twitter.com/sJgKjrIYDA — Zeds Dead (@zedsdead) May 22, 2025 Follow Zeds Dead:X: x.com/zedsdead TikTok: tiktok.com/@zedsdead Instagram: instagram.com/zedsdead Facebook: facebook.com/zedsdead Spotify: tinyurl.com/4tjppc6p

Photo Credit: All About Us Festival Mario and Jadakiss headline the All About Us Festival this Juneteenth, now in its third year, in Jersey City’s Liberty State Park. R&B superstar Mario is hitting the stage this Juneteenth at the All About Us Festival alongside hip-hop legend Jadakiss and house music icon Robin S. Their performances will bring timeless hits and undeniable energy to a day curated for love, music, and multi-generational joy. Now in its third year, the All About Us Festival at historic Liberty State Park in Jersey City is a feel-good celebration of Black culture, family, and community—with something for everyone. The festival pairs nostalgia-laced performances with fresh, curated experiences across music, art, food, and fun. “From the moment you walk in, it’s going to feel like joy,” said Shannon Mitchell, founder of the All About Us Festival. “We created this space to remind us of what freedom looks like—being together, being seen, and celebrating who we are. Black history is American history, and this day is for all of us.” Baltimore native Mario will be performing some of his biggest hits, including “Let Me Love You,” “Just a Friend,” and more. Yonkers-based Jadakiss is expected to perform popular hits like “Why” and “Knock Yourself Out.” House favorites like “Show Me Love” and “You Are My Friend” are expected to crop up during DJ sets from Robin S and Kenny Bobien. In addition to Mario and Jadakiss’ headline performances, and DJ sets from Robin S and Kenny Bobien, guests can expect additional musical acts from all genres. There will be food trucks, kid-friendly fun, art activations, and curated shopping from Black-owned brands. “Whether you’re showing up with your crew or dancing with your little ones, All About Us is where freedom meets joy, and where memories are made,” reads the festival’s tagline. Attendees can get tickets now, mark June 19 on their calendar, and ready their picnic blanket for an unforgettable love letter to Black joy and pride. View the full article

With this year’s edition of EDC Las Vegas in the rearview, Insomniac has continued its tradition of donating hundreds of thousands of dollars in plants and trees to local residents. After the promoter’s flagship festival at the Las Vegas Motor Speedway came to a close on May 19, Insomniac partnered with Clark County Commissioner Marilyn Kirkpatrick on Tuesday to give away roughly $200,000 worth of flora used to decorate the event site to county residents, News3 Las Vegas reports. Back for a fifth consecutive year, these tree donations underscore the city’s efforts to fight urban heat island impacts in Las Vegas, for which Kirkpatrick has previously emphasized the importance of tree planting. Heat island impacts, such as dense concentrations of pavement, buildings, and other surfaces that retain heat, can make urban areas up to seven degrees warmer than areas with foliage, according to Kirkpatrick—a significant increase in Las Vegas, where average summer temperatures can reach 104 degrees Fahrenheit. In addition to plants and trees, Insomniac also donates a percentage of ticket sales from each EDC Las Vegas to various area nonprofits and charitable funds, totaling more than $2 million in gifts since 2011. Those who missed the first day of plant giveaways earlier this week can stop by the Las Vegas Motor Speedway today, Thursday, May 22, until 4PM PT, to pick up remaining plants, while supplies last. Each person is limited to three items and must be able to transport the plants themselves. Featured image courtesy: Las Vegas Locally via Facebook. The post Insomniac Donates EDC Las Vegas Plants To County Residents, Annual Giveaway Continues Today appeared first on EDM Maniac. View the full article

With this year’s edition of EDC Las Vegas in the rearview, Insomniac has continued its tradition of donating hundreds of thousands of dollars in plants and trees to local residents. After the promoter’s flagship festival at the Las Vegas Motor Speedway came to a close on May 19, Insomniac partnered with Clark County Commissioner Marilyn Kirkpatrick on Tuesday to give away roughly $200,000 worth of flora used to decorate the event site to county residents, News3 Las Vegas reports. Back for a fifth consecutive year, these tree donations underscore the city’s efforts to fight urban heat island impacts in Las Vegas, for which Kirkpatrick has previously emphasized the importance of tree planting. Heat island impacts, such as dense concentrations of pavement, buildings, and other surfaces that retain heat, can make urban areas up to seven degrees warmer than areas with foliage, according to Kirkpatrick—a significant increase in Las Vegas, where average summer temperatures can reach 104 degrees Fahrenheit. In addition to plants and trees, Insomniac also donates a percentage of ticket sales from each EDC Las Vegas to various area nonprofits and charitable funds, totaling more than $2 million in gifts since 2011. Those who missed the first day of plant giveaways earlier this week can stop by the Las Vegas Motor Speedway today, Thursday, May 22, until 4PM PT, to pick up remaining plants, while supplies last. Each person is limited to three items and must be able to transport the plants themselves. Featured image courtesy: Las Vegas Locally via Facebook. The post Insomniac Donates EDC Las Vegas Plants To County Residents, Annual Giveaway Continues Today appeared first on EDM Maniac. View the full article

Photo Credit: Darren Halstead The U.S. House of Representatives has narrowly passed the sweeping ‘One Big, Beautiful Bill’ which includes a controversial 10-year moratorium on state-level regulation for AI. This measure, if enacted, would prevent states from passing or enforcing any laws governing AI models, systems, or automated decision-making processes for a decade. The provision has drawn fierce opposition from a bipartisan coalition of 40 state attorneys general and more than 140 organizations representing civil society, technologists, and creative workers who would be impacted by such a moratorium. State attorneys general argue that the moratorium would be “sweeping and wholly destructive of reasonable state efforts to prevent known harms associated with AI.” In their open letter to Congress, they point out that the absence of federal protections means states are often a first line of defense against technological harms—including those impacting personal identity, privacy, and creative rights. “This bill does not propose any regulatory scheme to replace or supplement the laws enacted or currently under consideration by the states, leaving Americans entirely unprotected from the potential harms of AI,” the letter reads. “Moreover, this bill purports to wipe away any state-level frameworks already in place. Imposing a broad moratorium on all state action while Congress fails to act in this area is irresponsible and deprives consumers of reasonable protections.” The proposed federal freeze would not only block new state laws but also nullify hundreds of existing and pending measures designed to address measures like deepfakes, unauthorized use of likeness, and AI-enabled impersonation—all of which directly threaten those working in creative industries. State-level laws have been crucial in criminalizing the creation of explicit AI-generated images without consent and requiring transparency when consumers interact with AI rather than an actual human. Without the ability to enact or enforce such protections, states would be powerless to stop companies from deploying AI tools that can copy, manipulate, or exploit creative works and identities. More than 100 organizations have also sounded the alarm on the provision, stating that any company that “intentionally creates an algorithm that inflicts foreseeable harm, the company responsible would evade accountability.” Despite the outcry, the moratorium remains in the House-passed bill and now moves to the Senate—where its fate is uncertain. If enacted as-is, the bill would strip states of their ability to respond quickly to new threats, leaving creatives with fewer tools to protect their work and livelihoods from the rapidly evolving risks posed by AI. View the full article

In today’s dance music scene, few artists possess the staying power and consistent innovation of Thomas Gold. With over 400 million streams on Spotify, the German maestro has not just carved a niche but built a formidable legacy, solidifying his reputation as a master remixer, a sonic architect, and a true driving force within the industry. Throughout his extensive career, he’s performed at the biggest stages in the world such as Ultra Music Festival, Coachella, EDC, Mysteryland, Tomorrowland, and beyond, spanning the USA, Europe, and Asia. Gold’s signature sound, a potent blend of progressive house with infectious melodies and driving rhythms, has found a home on some of the most influential imprints in dance music. His discography boasts releases on a veritable who’s who of top-tier labels, including Actuation, Armada, Axtone, Confession, Dharma, Hexagon, Hysteria, Protocol, Revealed Recordings, Spinnin’, Size, and Toolroom. Beyond his individual success, Gold has also fostered new talent through his own imprint, Fanfare Records, which has delivered over 70 releases to date, showcasing his ear for emerging sounds and his dedication to nurturing the next generation of electronic music producers. Now, 2025 marks an exciting new chapter in the Thomas Gold story. The powerhouse producer has officially signed a long-term deal with the renowned label Dim Mak. This significant partnership promises a fresh wave of innovative music, with his most recent release with Faustix titled ‘Pump It‘. Even before this landmark signing, Gold kicked off 2025 with a flurry of impressive releases, showcasing his versatility and unwavering dedication to his craft. Tracks like ‘Champs Elysées‘ on Hexagon, the soulful vibes of ‘Heaven Is In The Music‘ on Confession, and ‘Theme from Godfather‘ on Actuation already set the tone for a massive year. EDMTunes had the time to catch up with Gold where we talk about all the exciting things he’s been working on. Congratulations on getting signed for a two year deal with Dim Mak how does it feel to be working with them? The story behind it is that I’ve been in touch with Dim Mak and director Lorne for a long time. We first met 15 years ago in New Zealand and have stayed connected ever since. Back then, I had sent some music to Dim Mak, but it wasn’t the right fit at the time. However, last year, after spending a lot of time in the studio working on new music, I ended up with a few tracks that felt like a good match for Dim Mak’s sound. So I decided to send them over — and they got back to me right away, saying they wanted to sign me. That’s how it all came together.” You took a 2 year break from producing music in 2022, and now kicking it into high gear in the studio. What were you doing during this time period? I took a step back from music for a while to focus on my other venture — running a business consulting company. I really dove into it, brought on a bunch of new clients, and eventually brought in a few partners as well. Things went really well, and I was fully immersed in growing the business. But at some point, I realized how much I missed making music. That’s when I made the decision to return to the studio. I wanted to create again, to be present, to reconnect with my fans. But I also knew it wouldn’t be as simple as dropping one track and expecting everything to fall into place. I had to rebuild my foundation — reestablish relationships with labels, and most importantly, reconnect with my audience. The first step was producing a ton of music — which I did throughout 2024, together with my studio partner. By February I already locked in 10 deals with different labels, so I’m now releasing music on a regular basis. After that, I turned my focus to social media to figure out how to reconnect with my fans. I’m currently working on a series that gives a glimpse into my daily life — as a DJ, a father, and a businessman. It follows me from early morning until I go to bed, so people can get a real sense of who I am beyond the stage. I’m genuinely excited to see how it resonates. This is me — this is Thomas Gold. You were at MMW a few weeks ago and played two different shows. How did the crowd react to your new music that you played? The standout for me was the Revealed show – it was packed, full of energy, and had an incredible vibe throughout. The crowd was absolutely wild and that’s when I realized just how many fans I had there. I premiered some new ideas during my set that I hadn’t played before and they landed really well right from the start. Later,I shifted into some old school progressive house, playing a few of my all-time favorits. It was amazing to see how the crowd responded to that too. After seeing the crowd’s reaction, it became clear to me — it’s time to return to Progressive House, but with a fresh twist. I’ll keep some of the key elements and signature sounds, but I’m planning to modernize the vibe and make it my own. This will define my new sound, and I’m aiming to start releasing tracks in the second half of the year. Over the years at MMW, you have played at all different types of venues and Ultra. What have been some of your standout moments over the years here? One unforgettable moment was playing for Swedish House Mafia when they hosted their beach tent — it held 10,000 people and the energy was insane. That same year, I also played on their stage at Ultra. They really took me under their wing, and I’m still incredibly grateful for that. It was a huge boost for me and helped elevate my profile in a big way. Speaking about new music, you released ‘Pump it’ with Faustix. How was working with him on the track? He’s such a cool guy. We first connected online and started bouncing around ideas, which eventually led to this track. It’s actually our second collaboration — we also played some shows together early last year. For this one, we experimented with a wild vocal twist that slows down, speeds up, and takes the energy in a new direction. Then we built a super cool drop, each working on our parts. Collaborating with him was a great experience — he’s incredibly talented and super quick with ideas. Where do you get your musical inspiration from? I’m constantly listening to all kinds of music and I’m always open to drawing inspiration from anywhere. When I work on Progressive House, I love exploring other genres to find ideas I can blend into the sound — it’s all about bringing something fresh to the table. I’m not trying to stick to a formula; I’m reinventing the wheel and staying wide open to whatever sparks creativity. I just soak it all in and see what I can turn it into. Earlier this year, you played a few shows with Esther Anaya as Anaya & Gold and even performed at the halftime show for the Lakers at Sofi Stadium. Can you share more about this project and what makes it unique? Yeah, this is also a brand-new project of mine that we launched in the summer of last year. It’s a collaboration between Esther Anaya and me. She’s an incredibly talented violinist, performer, singer — and also a DJ. We met in Miami and started talking about her unique concept of performing club music with a live violin. She was actually a huge fan of my music — especially my track ‘Sing2Me,’ which she had been performing live on the violin in her shows. I thought that was amazing and said, ‘Let’s create something together. So we started reworking a few tracks and built an entire concept around it. The result is a unique live show where I DJ and play drums while Esther plays violin on top. Everything is performed live, and the set is made up almost entirely of our own tracks, reworks, and edits. That’s how it all started — That’s how it all started — and we’ve been playing a few great shows throughout the US so far. How do you take care of your mental health? That’s a good question. Twelve years ago, when I became a father, I decided that I wanted to stay healthy—both mentally and physically. This was especially important with all the stress and travel that comes with being a DJ. So, I made the commitment to work out regularly and eat healthier than before. The best part is that once you establish a routine, motivation becomes a non-issue. Now, I genuinely love working out because it boosts my energy and brings me happiness. What’s one thing that your fans probably don’t know about? A lot of people might not know about my business, since I only started sharing about it a couple of years ago. It’s never been a secret — just something personal that grew alongside my music career. I built it from the ground up, and it’s become a part of my life that I’m truly proud of. It doesn’t take away from the music — in fact, it’s added a whole new dimension to who I am. That’s why I’m excited to open up more about it in my ‘Day in the Life’ series and give fans a deeper look into the other side of my journey. Do you have anything else that you want to share your fans? I started posting more regularly on my socials back in February, and it’s been amazing to see how much love and interaction has come in. I honestly didn’t realize how many fans were still out there, following and supporting me. The engagement keeps growing, and that’s such a powerful feeling. I’m truly grateful to be reconnecting with my audience — it reminds me why I started doing this in the first place. Follow Thomas on his socials below: The post [Interview] Thomas Gold Talks Signing with Dim Mak, Experimenting with Progressive House, “Day in the Life” Series, and More appeared first on EDMTunes.

The future of music has arrived, and it’s got a beat like no other. ELVIS, a leader in neuroprosthetic innovation, has just released ‘Song v.1.0’, a dance track crafted from the decoded brain signals of a baboon. Released on May 16 across all major streaming platforms, this historic release is set to electrify the music scene and redefine the relationship between mind and machine. The track, born from a bold fusion of neuroscience and sound design, was created using neural data recorded from baboons. Researchers translated raw motor cortex activity into MIDI signals, which were then shaped into a pulsing, beat-driven composition by top electronic music producers. The result? A futuristic dance anthem powered by pure brainwaves, the first-ever track composed by a cyborg baboon. ‘Song v.1.0’ captures the rhythm of a new era, one where brains compose beats and healing meets inspiration. It’s a wild, mind-made track that’s already making waves among early listeners and scientists alike. Get ready to hear the mind at work, stream below. https://open.spotify.com/track/0VluqG7WR1ecvLtYud7mVe

Streaming giant Spotify has reported a notable increase in its Premium subscriptions on iOS devices following recent changes to Apple’s App Store policies. This development comes after a U.S. federal court ruling in the Epic Games vs. Apple case, which mandated Apple to now allow alternative payment options within apps. Previously, Spotify and all apps hosted on the iOS native App Store were restricted from external payment options. Furthermore, Apple imposed a 30% commission on in-app purchases. With the new policy, Spotify can now guide users to its own website for subscription payments, bypassing Apple’s fees. This change has led to a significant uptick in new Premium subscribers on iOS. In addition to subscription growth, Spotify has updated its iOS app to allow U.S. users to view and purchase audiobooks directly, a feature previously also hindered by Apple’s payment restrictions. The policy shift is part of a broader trend towards increased flexibility in app monetization, with other platforms like Amazon’s Kindle and Patreon also enabling external payment options. While Apple plans to appeal the ruling, the current changes mark a significant step toward more equitable practices in the digital marketplace. As the industry adapts to these changes, Spotify’s growth on iOS may prompt further discussions on app store policies and their impact on competition and innovation. The post Spotify Sees Surge in Premium Subscriptions Following iOS App Store Policy Shift appeared first on EDMTunes.

In spring of last year, two of the world’s most-prominent independent curators of live events and venue experiences, TCE Presents and Broadwick Live, announced their first major joint project, the Brooklyn Storehouse. This 105,000 sq ft venue has quickly become an important part of New York City’s music and culture scene. It has welcomed hundreds of thousands of guests, along with many artists, DJs, and major music brands at its location in Brooklyn Navy Yard. This partnership aims to create unforgettable experiences that combine history and creativity. Brooklyn Storehouse hosts series of events to celebrate Teksupport’s tenth anniversary To celebrate a significant milestone—the tenth anniversary of Teksupport—the Brooklyn Storehouse team will host a series of events throughout spring and summer 2025. These events will feature top names from the electronic music scene, marking a new chapter in New York City’s nightlife. For anyone who wants to attend upcoming events at the Brooklyn Storehouse, they can get their tickets on the venue’s official website. The events start on May 24, when Teksupport will host a night of house music, featuring Dennis Cruz, Seth Troxler, Miguelle & Tons, and The Fellas. Notable artists heaidng to the venue On June 6, the popular German DJ Purple Disco Machine will perform for the first time, supported by The Magician and Kiinjo. On June 7, international star GORDO will host a 12-hour set at the Navy Yard. Another highlight on June 14 will come from UK DJ Eli Brown, who will bring his energetic sound along with Anfisa Letyago and Crossbow. On June 28, Teksupport will partner with Stranger Than to present the Mayan Warrior experience, which explores tradition and art. In July, Teksupport will host Chris Lake for two nights on July 11 and 12, celebrating the release of his debut album, Chemistry. The following week, Chris Stussy will have his largest headlining show on July 18. Finally, the series will end with two back-to-back shows by Mau P on September 12 and 13, featuring his “Baddest Behaviour” concept. The post Brooklyn Storehouse Celebrates One-Year Anniversary appeared first on EDMTunes.

Charlotte de Witte’s unrelenting single “No Division” featuring XSALT drops digitally on May 29th while she plays six NYC shows in four days – with different DJ sets across venues from small and intimate to big and uncompromising. The vinyl version (including the Original Mix and Instrumental Mix as a B-side) gets an early release and will be on sale at the shows. “No Division” is the second single from Charlotte’s eponymous long-awaited debut album (out November 7th on her own imprint KNTXT).” This track is another chapter of my upcoming album, and like the others, it reflects a part of who I am. “No Division” is both a call and a celebration. It’s a reminder of what’s possible when we lose ourselves in the music and come together on the same frequency. It reminds us that we are one. Launching this single while I’m in New York feels symbolic. There’s something about the city, its chaos, its diversity, its constant movement, that perfectly mirrors the spirit of “No Division”. It’s a place where differences collide and coexist CHARLOTTE DE WITTE “No Division”: Brimming with an overwhelming, penetrating techno power, this track demands our full attention, with spacey hoover sounds, piercingly hooky main theme, a classic organ sound and hissy robotic spoken vocal lyrics like ‘…cut the wire / break the system / fight the fire / no division…’ It is a manifesto you can dance to. Charlotte de Witte has an agenda as well as making a killer track; ‘“No Division” comes from a place of unity and the understanding that when we come together through music, the barriers between us start to dissolve. It’s about erasing the invisible lines that separate us, whether cultural, emotional, or personal.” XSALT was previously sampled by de Witte on her tracks “Overdrive”, “High Street”, “Roar” and “How You Move”. Here, he provides exclusive vocals for her for the first time. Charlotte de Witte feat. XSALT – “No Division” drops May 29th on KNTXT. Pre-order it here. Charlotte de Witte on tour: Wed 5.21 – Brooklyn, NY @ Public Records (sold out) Thu 5.22 – Brooklyn, NY @ Superior Ingredients (sold out) Fri 5.23 – New York @ SECRET LOCATION tba Fri 5.23 – Brooklyn, NY @ 99 Scott (sold out) Sat 5.24 – Brooklyn, NY @ The Ruins at Knockdown Center (sold out) Sat 5.24 – Brooklyn, NY @ The Great Hall at Avant Gardner (low tickets) Sun 5.25 – Detroit, MI @ Movement Festival (headline) Fri 6.6 – Stockholm, SE @ Department Festival Sun 6.8 – Amsterdam, NL @ 909 Festival 06.29 Brunch Electronik, Barcelona (ES) Sat 7.5 – Munich, GER @ Greenfields Sun 7.6 – Turin, IT @ Kappa Futur Festival Fri 7.11 – Lodz, PL @ Audioriver Festival Sat 7.12 – Paris, FR @ Peacock Society Sun 7.13 – Hilvarenbeek, NL @ Awakenings Sat 7.19 – Boom, BE @ Tomorrowland Sun 7.20 – Dour, BE @ Dour Festival Sat 7.26 – London, UK @ Junction 2 Thu 8.7 – Viana Do Castelo, PT @ Neopop Fri 8.8 – Valencia, EP @ Medusa Festival Sat 8.9 – Saalburg, DE @ SonneMondSterne Sun 8.10 – Cannes, FR @ Plages Électroniques Fri 8.22 – Le Tourquet-Paris-Plage, FR @ Tourquet Music Beach Festival Sat 8.30 – Copenhagen, DN @ Karrusel Festival The post Charlotte de Witte unleashes 2nd single ‘No Division’ feat. XSALT (Original Mix) on May 29th appeared first on EDMTunes.

The stakes were high as EDC Vegas went head-to-head with Ultra, the music festival that previously held the title for the most expensive VIP package. Ultra’s champagne-fueled fantasy was a cool $425,000, but EDC wasn’t about to be outdone. They upped the ante, offering a bottle service package that reached a staggering $575,000. While the price tag might incite a double-take, for those who crave the finer things and have the means to indulge, “The Notorious” bottle service experience was the ultimate festival splurge. It was an audacious display of financial power and an unforgettable experience that blurred the lines between music festival culture and high-end luxury. A Luxurious Feast for the Senses A snapshot of what “The Notorious” offered was shared on social media by Las Vegas Locally, and it read like a dream list for the discerning palate. Included in the package were 125 bottles of Dom Pérignon Brut, 125 bottles of Dom Pérignon Rosé, and 10 bottles of Clase Azul Ultra Tequila. It was a 260-bottle spectacle of opulence, a parade of some of the finest spirits in the world. But the extravagance didn’t stop at the beverages. The package was a full sensory experience, a symphony of sights, sounds, and tastes designed to enchant and captivate. It was about more than just the drinks. It was about the electric atmosphere, the pulsating music, the high-energy crowd, and the unforgettable memories that such an extravagant experience brings. The experience was a testament to EDC’s commitment to pushing the boundaries of what a music festival can be. It wasn’t just about the music or the performances. It was about creating a world where anything is possible, where the ordinary becomes extraordinary, and where the line between reality and fantasy becomes beautifully blurred. Setting the Bar for Festival Luxury While “The Notorious” package was the show’s star, the rest of the festival’s menu options were equally impressive. Even a six-pack of Bud Light was priced at an audacious $150, adding a touch of luxury to a festival staple. And for those who wished to splurge even further, a single 6L Methuselah of Armand de Brignac Rosé could be had for a cool $63,000. These menu options were a testament to EDC’s commitment to redefining festival luxury. It wasn’t just about offering the most expensive options. It was about creating an experience that was uniquely EDC, an experience where the line between music festival and high-end party becomes beautifully blurred. As the dust settles, it’s clear that EDC has set a new standard for festival luxury. They’ve pushed the boundaries of what’s possible, creating a world of opulence and extravagance that’s uniquely theirs. And while the price tag may be high, for those who crave the finer things in life and have the means to indulge, it’s a price worth paying. After all, at EDC, you’re not just buying a bottle service package. You’re buying an experience, a memory, and a taste of the extraordinary. The post EDC Offered a $575k Bottle Service Package appeared first on EDMTunes.

Spotify has unveiled its annual Songs of Summer list, predicting the 30 songs that will soundtrack summer in 2025. Despite arriving a whole month before summer begins on 21 June, Spotify is confident that its selection – made by analysing streaming data – will soundtrack your memories in the sun this year. READ MORE: Zeds Dead sampled a century of sound to create their new sci-fi bass odyssey The list is curated by Spotify’s editorial team, who are confident after the accuracy of their predictions last year that they’ll be bang on the money again in 2025. The list is populated by big names including Bad Bunny, Charli XCX, Drake and Lady Gaga, as well as Afro-fusion like Show Me Love by WizTheMc, bees & honey, and Tyla, and “lovestruck pop” with Ordinary from Alex Warren and Blue Strips by Jessie Murph. It’s also worth noting, of course, that no data could possibly predict whether a new, unknown artist might emerge on the scene in a month’s time, which could shake everything up. While the playlist knocks out lots of well-streamed artists, Spotify has taken at least one risk with singer-songwriter Hannah Cohen. With over 800,000 monthly listeners, Cohen is one of the lesser-known artists on the list, comparatively. Cohen’s latest record, Earthstar Mountain, is sure to go down well with listeners. The record boasts effortlessly dulcet tones, spanning from glistening acoustic musing to wistful, dreamy indie-funk. Spotify has picked out the aptly named Summer Sweat for its summer playlist. “Spotify’s editorial team blends cultural expertise, editorial instinct, and streaming data to curate our annual Songs of Summer list,” Spotify explains. “[This playlist] cements Spotify as the ultimate destination for summer listening and proves we know music best.” “When it comes to afro-fusion, we’re seeing songs like Show Me Love by WizTheMc, bees & honey & Tyla – which fuses electronic, Afrobeats and R&B – and YA BABA by DYSTINCT and French Montana – which blends Moroccan Arabic with French – boil over across Africa, Europe and the United States,” the company goes on. “We’re also seeing dance BPMs continue to rise,” Spotify says. To celebrate high-speed garage and house, Spotify lists Ely Oaks’ Running Around and Say My Name – Remix by Morgan Seatree and Florence + The Machine. Some chill tunes also feature, like The Marías’ No One Noticed and NIKI’s You’ll Be in My Heart. These picks are intended for “watching a perfect sunset on a hot summer day with friends”, the company notes. Spotify yearly Songs of Summer forecast has been fairly accurate in the past few years. Last summer’s list ranked HOT TO GO! by Chappell Roan, Espresso by Sabrina Carpenter and Not Like Us by Kendrick Lamar – with Lamar’s song going on to win multiple Grammys. Here’s the entire list, in alphabetical order: Ordinary – Alex Warren NUEVAYoL – Bad Bunny Super – Bb trickz Mystical Magical – Benson Boone All The Way – BigXthaPlug and Bailey Zimmerman party 4 u – Charli xcx My Darling – Chella With You – Davido and Omah Lay NOKIA – Drake YA BABA – DYSTINCT and French Montana Running Around – Ely Oaks Summer Sweat – Hannah Cohen like JENNIE – JENNIE Blue Strips – Jessie Murph Gnarly – KATSEYE How Bad Do U Want Me – Lady Gaga MUTT – Leon Thomas Dark Thoughts – Lil Tecca What Was That – Lorde Shake It To The Max (FLY) – Remix – MOLIY, Silent Addy, Skillibeng, and Shenseea Say My Name – Remix – Morgan Seatree and Florence + The Machine What I Want – Morgan Wallen and Tate McRae You’ll Be in My Heart – Spotify Singles – NIKI Love Me Not – Ravyn Lenae Sally, When The Wine Runs Out – ROLE MODEL back to friends – sombr No One Noticed – The Marías Brunette – Tucker Wetmore La Plena – W Sound 05 – W Sound, Beéle, and Ovy On The Drums Show Me Love (with Tyla) – WizTheMc, bees & honey and Tyla The post Will Spotify be correct with its annual Songs of Summer predictions? appeared first on MusicTech. View the full article

Chili’s parent Brinker International has finalized agreements in principle to settle infringement complaints from the Beastie Boys and Universal Music. Photo Credit: Saiflee100 Copyright conflicts resolved: Chili’s parent Brinker International has officially moved to settle a pair of infringement actions centering on social media promo videos. Counsel for Brinker and each of the plaintiffs just recently informed the court (or more specifically courts) of the settlements in principle. Both actions, one filed by the Beastie Boys, the second levied by Universal Music, kicked off last year. And as noted, the similar complaints revolve around the defendant’s alleged infringement of protected music in adverts. As many know, this type of litigation – which has hit energy drink companies, NBA teams, AHL teams, Marriott (though the company quickly settled), and a number of others yet – is increasingly common today. But now, it looks as though there will be two fewer suits to track here. Beginning with the surviving Beastie Boys members’ comparatively concise claim, alleging the unauthorized use of “Sabotage,” a May 7th mediation session is said to have delivered a settlement agreement in principle. As things stand, the appropriate parties say they’re finalizing the resolution’s particulars and intend to formally move for dismissal by July 7th. Shifting to Universal Music’s comparatively sweeping action – alleging the infringement of a variety of recordings and compositions – a separate May 7th mediation also brought about a settlement in principle. Like in the Beastie Boys v. Brinker’s battle, the major and the Chili’s operator plan to put the finishing touches on the resolution by July 7th. It probably doesn’t need saying given that the settlements aren’t yet wrapped, but the exact terms at hand are unclear. However, it’ll certainly be worth keeping an eye on the once-off legal expenses identified in Brinker (NYSE: EAT) earnings reports moving forward. Closer to the present, recent months have brought several additional infringement showdowns involving social platforms, where, in general, song libraries are pre-cleared for personal but not commercial use. Unsurprisingly, in light of the above-described litigation volume in this area, it’d take quite a while to provide updates on each case. Just in passing, Crumbl is expected to answer Warner Music’s infringement suit by June’s end; WMG’s even newer action against Designer Shoe Warehouse is still in its early stages. Bringing the final major into the fold, then, Sony Music is alleging largescale infringement on the part of the University of Southern California, which now has until June 6th “to file a motion to dismiss for lack of personal jurisdiction and for improper venue,” the docket shows. View the full article

Once simply disused warehouses, Drumsheds has become one of the most iconic music venues in London with an astonishing 15,000-person capacity. In their continuing aim to always be evolving Drumsheds has listened to feedback from fans and is undergoing some major improvements that were suggested. At prestigious venues such as Drumsheds you expect to hear immaculate sound quality which is the big focus for improvement in the X Room. Significant configuration adjustments have been made to the PA system along with new acoustic treatment and more sub woofers. With these upgrades not only will you hear the music, you’ll feel it. The Y Room will also be receiving some changes which are in the process of being decided on so keep an eye out for announcements. But the changes go further than just the sound with convenience being another big consideration. The search lanes have been increased, the queueing area has been enlarged, and the ticketing station has been moved to allow smoother entry to the venue. Once inside the venue it will be easier getting around as more info points have been added so people will know where to go and when to catch their favourite artists. Also, there’s more space inside as the backstage bar area which was once only open to VIPs is now open to all meaning more bars, seating, and better views for all. Drumsheds is always seeking to improve and the willingness to listen to the fans is the best way to do that. Through taking in feedback, they’ve been able to progress forward in making the venue the best it can be to give everyone the best experience possible. To see the full list of improvements, head to Drumsheds’ Instagram below: drumsheds instagram