Ravebot

Spotify has long been at the forefront of blending music with social media, and it seems like they’re gearing up to take that integration to the next level. Rumors are swirling about a new Spotify feature that would allow users to continuously share their music directly through Instagram’s Notes. This potential game-changer, first spotted by app reverse engineer Alessandro Paluzzi, has the internet buzzing with anticipation. Continuous Sharing: The Next Evolution of Music and Social Media? Instagram introduced its Notes feature back in 2022 as a way for users to share 30-second clips with their followers. While song clips have been part of the equation in regions with music licensing, this new feature suggests that Spotify is exploring a deeper integration. The proposed “continuous share” feature would let users broadcast what they’re listening to in real-time on Instagram, with the option to stop sharing whenever they choose. This concept isn’t entirely new, as Spotify already has a similar integration with Facebook. However, given the shifting demographics—with younger users gravitating more towards platforms like Instagram and TikTok—it’s no surprise that Spotify is focusing on Instagram for its next social feature rollout. Testing in Progress: Will This Feature See the Light of Day? As with many app developments, it’s important to note that this feature is still in the testing phase. Meta and Spotify are known for experimenting with new concepts, but not all make it to a public release. The “Share from Spotify” prompt that Paluzzi uncovered reads: “Continuously share what you’re listening to. You can stop sharing at any time,” hinting at a seamless experience for users who want to share their musical journey with followers. The Bigger Picture: Spotify’s Social Ambitions This potential feature aligns with Spotify’s broader strategy of enhancing its community features, which is crucial as they look to compete with platforms like YouTube and TikTok. Beyond just music streaming, Spotify has been adding new layers to its app, such as the ability to comment on podcasts and create detailed user profiles. These moves suggest that Spotify isn’t just content with being a music streaming service—it wants to be a social hub for music lovers. While neither Spotify nor Meta has confirmed this feature, the buzz around it indicates that something big could be on the horizon. Whether or not the continuous sharing feature becomes a reality, it’s clear that Spotify is committed to pushing the boundaries of how we interact with music and social media. [H/T] Digital Music News The post Spotify and Instagram Team Up: New Continuous Sharing Feature in the Works? appeared first on EDMTunes.

As thousands of music lovers from every corner of the globe are descending upon the grounds of Haarlemmermeer, the wait for one of the most anticipated festivals of the year, Mysteryland, is finally over. Today, on the 30th of August, the iconic festival known for its mind-blowing music, breathtaking installations and exceptional vibes, kicks off its three-day program and is set to deliver an unforgettable experience that will leave a buzz long after the last beat drops. Mysteryland, ‘’the colorful collaboration of artists’’, that took place in 1993 for the very first time and was originally a one-day event, has since then grown into a multi-day festival held annually in Haarlemmermeer, and is now the longest running electronic music festival in The Netherlands. Showcasing legendary performances from top DJs and electronic music artists, Mysteryland is celebrated for its musical diversity, offering a rich array of genres from techno and hardcore to house, R&B, and hip-hop. This broad spectrum of sounds has made the festival renowned for its eclectic mix and inclusive atmosphere. Nested in the lush landscape of the Floriade terrain near Amsterdam, with over 100,000 yearly festivalgoers from over 100 nationalities, Mysteryland is about much more than music alone. Offering immersive art installations, cultural activities and commitment to sustainability and community-building, Mysteryland has become more of a cultural institution that once a year, provides the ones who are lucky enough to attend with a holistic, mind-blowing, sensory experience. After last year’s successful 30th anniversary celebrations, Mysteryland is back in 2024 with yet another promising weekend program with over 300 artists, 22 stages, a broad variety of different activities and yet to be revealed surprises. Only looking at the line-up alone with Charlotte de Witte, Artbat, Kölsch, R3HAB, Fedde la Grand b2b Mark Knight, Meduza, Yellow Claw, Vini Vici, Cynthia Spiering, and many more, there is no doubt that we’ll be in for a wild and unforgettable ride. And guess what – this year EDMHouseNetwork has gotten the honor of partaking in this amazing experience which will be a journey that we of course want to take our followers and readers on too! We will be at Mysteryland from beginning to end, camping together with most hardcore festivalgoers and are going to do our best to make sure that you get to experience some of the best parts of Mysteryland through us. On that note, stay tuned as we embark on another adventure in the destination of the best possible vibes.

The award ceremony returns to Ibiza this year after a four year hiatus Continue reading...

Reimagined and better. Remixes are one of the biggest parts in music, being the official way to release an artist’s vision of a track originally created by someone else. Throughout time, we have been blessed with some amazing reworks that to this date are still huge and receive appreciation. Follow along the list as we are about to go down memory lane looking at 5 remixes that became bigger than the original track. Nadia Ali, Starkillers & Alex Kenji – Pressure (Alesso Remix)Back in 2011, Alesso gave us one of the most iconic EDM tracks ever made. Still in his setlist these days, the song is a masterpiece. Everything is perfect about it, the vocals, the leads, the build up, the tension it creates, and finally, the drop. With such a legendary sound, Alesso won the award for the ‘Best Progressive Track‘ at the 2012 International Dance Music Awards. 2. Mike Posner – I Took A Pill In Ibiza (Seeb Remix) This is that song you first heard on the radio and immediately fell in love with. From a folk-pop track to a golden era, tropical house classic, Seeb have topped charts in countries such as the UK, USA, Belgium and The Netherlands. The remix is true to the sounds of 2015/2016 when tropical house was at its peak with other songs such as ‘Stole The Show‘ and ‘Perfect Strangers.’ 3. Lana Del Rey – Summertime Sadness (Cedric Gervais Remix) ‘Summertime Sadness’, but make it a festival anthem. The legendary Cedric Gervais produced one of the most loved progressive house songs to this day. Turning a slow bpm record into an EDM classic, the song has debuted at number 72 on the Billboard Hot 100 and became Lana Del Rey’s highest-charting solo. Cedric’s remix also reached number 4 in the UK singles chart and went platinum in Germany. 4. Benny Benassi feat. Gary Go – Cinema (Skrillex Remix) From tech house to electro house and dubstep, Skrillex has done it all, but nothing compares to his remix of ‘Cinema‘ by Benny Benassi. The dubstep icon stole the show with this release that received a 2012 Grammy Award for Best Remixed Recording and stayed on Billboard’s Dance list for more than two years after its release. The ‘Cinema‘ remix is now Skrillex’s 14th most streamed song on Spotify with 159 million streams. 5. Steve Aoki feat. Wynter Gordon – Ladi Dadi (Tommy Trash Remix) Another Golden Era gem, this time coming from one of the progressive house pioneers, Tommy Trash. Having tracks such as ‘Reload’ and ‘Sunrise (Won’t Get Lost)’ in his discography, Tommy is truly a legend of the genre. In 2012, he released his version of ‘Ladi Dadi’ by Steve Aoki and Wynter Gordon. The remix went on to be played at the biggest festivals and clubs in the world by artists like the Swedish House Mafia, Tiesto and Kaskade. While this list only features five of the biggest remixes ever produced, there are still a ton of them out there that could make this article go on forever. It is great how listeners can think a track couldn’t get any better and then be blown away by a remix. Remixes have always been a way of keeping older and iconic songs fresh and adapted to the newer sounds of the industry.

The Canadian producer has also shared a fourth single from the album, ‘Come Find Me’, in the lead up to its release Continue reading...

Kasablanca delivers the fourth single of their upcoming debut album, ‘Higher Resolution’ (Side A), this time with their viral official cover of The Prodigy’s iconic track from 1996, ‘Breathe.’ Quickly becoming a chart-topping single in the late ’90s, ‘Breathe’ was the second single from The Prodigy’s third album ‘The Fat of the Land.’ The song saw widespread critical acclaim around the world, hitting number 1 on UK music charts, going on to be 2x certified platinum, and earning a spot as one of dance music’s most recognizable tracks. First heard in 2023 during Kasablanca’s set at the Group Therapy Weekender at The Gorge Amphitheater, the duo took the audience by surprise with this thumping live-oriented take on ‘Breathe.’ Footage of the cover quickly spread online, garnering millions of views. Whilst the song was never intended to see an official release, with the blessing of The Prodigy themselves, Kasablanca’s cover of ‘Breathe’ is now available. Kasablanca’s ‘Breathe’ gives an official tribute to the original hit while blending modern tastes of acid house and techno into a true mainstage anthem. It follows their three previous album singles, ‘Remission’ with Lane 8, ‘Terminal Feeling’, and ‘Daydream’ with anamē, with the first half of their recently announced debut album ‘Higher Resolution’ dropping on October 4th. The band will tour North America this fall in conjunction with the album’s release Stream / Download here The post Kasablanca covers The Prodigy’s ‘Breathe’ appeared first on Decoded Magazine.

Liverpool will host a historic electronic music festival celebrating 60 years of The Moog — the first-ever commercial synthesiser. The Moog At 60 is a four-day musical extravaganza for lovers of all things electronic and synth, which takes place at Liverpool Hope University’s Capstone Theatre between 21-24 November 2024. This landmark celebration will pay homage to the revolutionary instrument and its inventor Robert Moog, which changed popular music forever in 1964. The Moog, a name synonymous with electronic music, was the first-ever commercial synthesiser. Through its revolutionary concept of analogue modular synthesis, the instrument heralded a succession of technological developments in music throughout the 60s and 70s. It was a key feature in the most innovative electronic and experimental music, progressive rock and jazz fusion of the time. Paving the way for a succession of technological developments in music, The Moog created a new sound which was soon embraced by legendary acts such as Kraftwerk, George Harrison, and the Rolling Stones. Following a period in electronic music production in the 80s and 90s dominated by digital synthesis, more recently analogue modular synthesisers have returned to the centre stage in electronic music, with artists enthralled by the instruments’ timbral richness and their tactile sensitivity and playability. Opening the festival in Liverpool on Thursday 21 November will be a headline show featuring Will Gregory Moog Ensemble; a collective led by Goldfrapp’s Will Gregory and whose members include Portishead’s Adrian Utley and composers Graham Fitkin and Ben Foster. Expect sounds from their latest album Heat Ray, an album inspired by the work of Greek mathematician Archimedes. On Friday 22 November, the Capstone hosts a Lydia Kavina and The Twelve Hour Foundation double bill. Theremin player Lydia Kavina has graced stages with renowned orchestras such as the London Symphony, Radio France Orchestra and the National Philharmonic Orchestra of Russia, whilst The Twelve Hour Foundation, whose music is released on the Castles in Space label, has had airplay from the likes of Stuart Maconie, Gideon Coe, Pete Wiggs and Project Moonbase. On Saturday 23 November, the festival welcomes another double bill in Dave Bessell and Polypores. A classically trained musician with a doctorate in classical orchestration, Dave Bessell has also enjoyed an extensive career in popular music contributing to albums by Killing Joke and Suede. Polypores’ music has been released by respected electronic music labels such as Castles In Space, Polytechnic Youth, Woodford Halse, DiN and Frequency Domain. The celebration culminates on Sunday 24 November with A Tribute to Kraftwerk: 50 Years of Autobahn and Far Beyond. For the 50th anniversary of the iconic group’s international breakthrough album Autobahn, music technology expert Mark Jenkins presents a striking live solo performance of the band’s hits. For lovers of these innovators and pioneers of electronic music, this very special anniversary gig is simply a must. The Capstone Theatre’s Neil Campbell said: “During the past few years, The Capstone Theatre has become a hotbed of electronic music and we have hosted many packed out nights. This, our first-ever festival of electronic music, will be particularly special — featuring some incredible acts in celebration of the groundbreaking instrument that changes music forever. We’re thoroughly excited.” Tickets for The Moog at 60: A Celebration are on sale at TicketQuarter. Event tickets start at £16.50, with festival bundle tickets available from £55. The post Festival of electronic music comes to Liverpool to celebrate 60 years of the synthesiser appeared first on Decoded Magazine.

The Fugees rapper performed tracks including ‘Ex-Factor’ and ‘Ready or Not’ at her former high school in New Jersey Continue reading...

It was time. Swedish House Mafia have returned with their second single this year. ‘Finally’ (yes, it’s the title track) is the long-awaited collaboration with Alicia Keys. Premiered for the first time back in 2022 during their Paradise Again tour, the record has been teased all year in 2024 and peaked just last Sunday with Alicia Keys joining the trio on stage at Ushuaia Ibiza during their residency. Yeah, the song could sound familiar. In fact, it is a reimagined version of Kings of Tomorrow’s timeless classic ‘Finally’. The remake first came together around two years ago and has since gathered worldwide interest as the Swedish House Mafia have played it in their live sets. This release follows their single ‘Lioness’ feat: Nikki & The Dove via Republic Records. ‘Lioness’ was originally released in June and has been highly requested by fans since the record’s live premiere in 2023. Have a listen to the full version of Finally below and check the moment when Alicia Keys joined Swedish House Mafia in Ibiza. The post Swedish House Mafia and Alicia Keys is ‘Finally’ Out appeared first on The Groove Cartel.

Audio-Technica unveils an exciting addition to its esteemed portfolio: the AT-SP3X powered bookshelf speakers, created to elevate the music listening experience from wireless sources. Indeed, they pair seamlessly with the brand’s renowned turntable range, including its recently launched AT-LP70xBT model. Drawing upon decades of hi-fi excellence to pack a room-filling sonic punch, the AT-SP3X deliver rich, full-range audio that belies their compact build. Featuring 3-inch woofers and 1.1-inch tweeters expertly tuned by a built-in DSP, these sleek speakers have been meticulously crafted to produce a powerful, well-balanced sound for music, movies, and more. Equipped with dual RCA jacks for seamless connectivity with wired and analogue sources, the AT-SP3X are also optimised for wireless streaming with Bluetooth built-in. Effortlessly versatile, a multipoint pairing function allows you to stay connected to two Bluetooth devices at once, so you can easily switch between the playlist on your laptop and the podcast on your smartphone. Simple to set up and use in any space, the AT-SP3X requires no external receiver or amplifier to transmit a full-bodied audio performance that breathes life into cherished songs and new musical discoveries alike. Powered by the included AC adapter (which comes with three international plug adapters) and joined by a 6.6-foot cable, the speakers feature a power button with an LED indicator and volume control dial for easy operation. Echoing that simple user experience is the AT-SP3X’s minimalist aesthetic, with a stylish matte black finish that suits any style of décor and allows the speakers to blend into the home without dominating the space. Features 3-inch woofers and 1.1-inch tweeters specially tuned to deliver impressive, full-range audio from a compact form Dual RCA jacks for wired connections and Bluetooth technology for wireless streaming Optimised for use with turntables, PCs, smartphones, and other devices Simplified powered speaker setup without the need for an external receiver/amplifier Multipoint pairing function allows you to stay connected to two Bluetooth devices at once Minimalistic design and sleek build to suit any room Power button with LED indicator and volume control dial for easy operation AC adapter with three international plug adapters and a 6.6-foot (2.0 m) speaker cable The Audio-Technica AT-SP3X will be available from 27th August 2024, RRP £169/€199. Find out more at www.audio-technica.com. The post Audio-Technica releases new bookshelf speakers appeared first on Decoded Magazine.

Station head Dare explained that funds towards operation costs are “drying up” Continue reading...

Following a four year break, the iconic DJ AWARDS is back for its 23rd Anniversary on October 2nd at Club Chinois in Ibiza. Ahead of that much anticipated event, the independently assembled nominees can now be revealed. The DJ AWARDS were founded in 1998 by José Pascual and Lenny Krarup, and since then have been recognised as ‘an Oscars for electronic dance music’. Now under new ownership and with substantial investment, the awards are a vital way to celebrate and support global DJ culture and recognise high achievement across the whole sector with high-profile ceremonies that platform the best of the best in several different categories. The theme for this first edition of the DJ AWARDS in its new era is Unity, which has always been a core principle of dance music. This theme reflects the need, which is greater than ever now, to bring people together, to celebrate our differences, to create new bonds both personally, musically and emotionally between people from all backgrounds and all different areas of the music industry. Says Andy Grant, new owner of DJ AWARDS, “Music has power – the power to unite us, to cheer us up, to give us the chills, to instantly remind us of a long lost memory, to create a vibe, to set a mood, or to even motivate change. That is why we have chosen the theme of Unity for the DJ Awards 2024 reboot with the launch of our Best Dancefloor Memory user generated competition which will see everyone everywhere share their top memories via Instagram, tagging @thedjawards and our panel of judges will select someone from any corner of the globe to come to Ibiza and collect a genuine DJ Award that they can keep on the mantelpiece forever” VOTE HERE (NOW OPEN / CLOSES 5PM UK, FRIDAY 13th SEPT) As such, a diverse, inclusive and independent industry panel has been assembled in order to draw up these nominations to ensure they are as fair and representative as possible. The categories to be voted on are long time genre-cornerstones of electronic music including House, Tech House, Drum & Bass and Techno, while the undeniably influential return of Progressive House and Trance will also be represented, as will newer breakthrough genres Organic House and Afro, both of which have become standout creative niches with vast followings all over the world and several pioneering new artists leading the charge. The more main room sounds of International DJ will also be featured, while the world’s finest Live Acts will also be represented next to a Breakthrough category that looks to recognise the most exciting new names to have made their mark since the last awards four years ago. Alongside these categories will be a comprehensive selection of Industry Awards with winners voted for by industry professionals from the Association For Electronic Music (AFEM). They are split into two sections, firstly Global featuring Global Festival, What’s Hot Global – Outstanding Global Tour Award, Eye on…’USA’, Play It Back which is for the best charity contribution or outstanding achievement within or outside the electronic music scene, and Most Memorable Dance Floor Moment. The second section has a focus on the White Isle with Ibiza Track of the Summer, Ibiza Icon and Ibiza Party of the Summer. The countdown is now on to what will be a historic night that recognises the most outstanding talents, musical innovations, and key contributions made in the electronic music community over the last few years. The full list of nominees can be found below. Have your say and vote for your favourite artist from the listed categories at http://www.djawards.com Nominees & Categories: Winners announced at the ceremony on 2nd October,2024 (23.30-00.30) International DJ Of The Year 2024: Recognising those crowd-pleasers and chart-toppers that dominate the dance floors, bringing infectious energy and universal appeal. This category includes, commercial/mainstage superstar DJs Calvin Harris David Guetta Dimitri Vegas & Like Mike Fisher Martin Garrix Peggy Gou Swedish House Mafia House: Gorgon City Honey Dijon Kerri Chandler Sam Divine Seth Troxler Syreeta TSHA Trance: Armin van Buuren Astrix Dash Berlin Infected Mushroom Paul Van Dyk Tiësto Vini Vici Techno: Amelie Lens Charlotte de Witte Indira Paganotto Paco Osuna Nico Moreno Sara Landry Sven Väth Progressive House: ARTBAT CamelPhat Cristoph Eli & Fur Eric Prydz Franky Wah Hernán Cattáneo Tale of Us Organic House: Bedouin BLOND:ISH Jan Blomqvist Monolink Patrice Bäumel Robag Wruhme WhoMadeWho Tech House: Jamie Jones Joseph Capriati Marco Carola The Martinez Brothers Michael Bibi Mochakk PAWSA Solomun Vintage Culture Afro: Black Coffee Francis Mercier Kelvin Momo KILIMANJARO Kitty Amor Major League DJz Pablo Fierro Themba Live Act: Barry Can’t Swim Ben Böhmer Bicep Fred Again.. Mathew Jonson Róisín Murphy RÜFÜS DU SOL Drum & Bass: Bou Chase & Status Hedex Nia Archives Sub Focus Wilkinson The RIOT Noise Breakthrough Artist: Archie Hamilton Ben Sterling Desiree Fleur Shore James Hype Miss Monique Sammy Virji Wade Industry Awards: Ibiza Icon A tribute to the legendary figures who have shaped Ibiza’s music scene, leaving an indelible mark on the island’s rich club culture & in our hearts. Ibiza Track of the Summer Recognising the anthem that took over the island of Ibiza, capturing the essence of the summer of 2024. Becoming the soundtrack backdrop to unforgettable memories. Ibiza Party of the Summer The ultimate party that defined the Ibiza 2024 summer season, where the energy, music, and crowd came together for an unforgettable time. Global Festival Celebrating the international festival that raised the roof on music, production, crowd energy & embraced the spirit of electronic dance music. What’s Hot Global Putting the spotlight on the global trendsetters and rising stars who are redefining the sound and the scene of electronic music across the planet. Eye On… ‘USA’ An annual focus on an evolving scene. Putting the focus on a particular country. This award highlights the artists, events & tracks that are making electronic waves around the globe. AFEM Play It Back Recognising those that give back. Not only within the dance community but also by stepping outside the scene to make a meaningful impact, contributing to a better society. Most Memorable Dance Floor Moment An invitation to our beloved clubbers to share their most magical moments on the dance floor. Celebrating those goosebump giving, jaw dropping, life-worth-living unforgettable moments when the sound, vibe, people and all the feels cascade together in perfect UNITY. The post DJ AWARDS 2024 reveal nominees & Industry awards for much-anticipated return appeared first on Decoded Magazine.

AllTrack, a performing rights organisation (PRO) built in the digital era to serve the independent music sector, has been accepted as a rights management entity by CISAC (the International Confederation of Societies of Authors and Composers) and integrated with CISAC’s exclusive data exchange tools. Following an extensive application and review process by CISAC, AllTrack has joined ASCAP, BMI and SESAC as fellow US PROs affiliated with the organisation. Its recent integration with CISAC’s Common Information System tools has made it seamless for collection societies around the world to connect directly with AllTrack. AllTrack attributes much of its significant growth since being founded in 2017 to its ongoing commitment to fairness, good governance, and transparency. Its affiliation with CISAC only further underscores these core values. Founded in 1926, CISAC is a non-governmental, not-for-profit organisation headquartered in France. With over 227 member societies in more than 116 countries, and representing more than 5 million creators across all artistic fields, CISAC works to protect the rights of creators, safeguards the key values of collective management, and strengthens and develops the international network of collecting rights societies through the exchange of data between countries. “AllTrack is proud to be accepted as a rights management entity by CISAC, an organization that has set the gold standard for collection societies representing creators across the globe,” says AllTrack Founder and CEO Hayden Bower. “At AllTrack, we believe we have a pivotal role to play in ensuring that independent music creators and publishers are compensated fairly when their music is used and are committed to working with our fellow CISAC-affiliated colleagues to continue to advance this mission.” Founded in 2017, AllTrack is the only full-service global performing rights organisation (PRO) established specifically to serve the independent music sector. AllTrack collects performance royalties on behalf of its creator and publisher members by licensing their music to millions of businesses around the world. AllTrack’s members are compensated as their songs are played by streaming services, on TV, cable, and radio, by local businesses, and as their songs are performed live. An AllTrack blanket license is a simple and affordable solution for businesses to obtain the permission they require to play all of the music represented by AllTrack, both ethically and in compliance with copyright law. Through the ongoing development and use of cutting-edge technology that eliminates inefficiencies, AllTrack is committed to providing a near-effortless copyright compliance and administration solution for businesses and copyright holders alike, resulting in a fair and hyper-efficient marketplace for all. AllTrack is headquartered in Los Angeles, with additional offices in Nashville and New York. Please visit alltrack.com to learn more. The post AllTrack becomes the 4th US PRO to be accepted by CISAC appeared first on Decoded Magazine.

Shapeshifting Parisian producer Krikor Kouchian summons lavish string and synth arrangements on his score for new documentary ‘Martin Scorsese, L’Italo-Américain’, directed by Yal Sadat and Camille Juza, and now available on a limited edition private pressing. Comes with a sew-on Cape Fear “Time The Avenger” patch, plus a download of the album dropped to your account. ‘Music For Marty’ is the latest in Krikor’s string of scores for moving image, following ‘Saudi’ (2017), ‘Building Arnold Schwarzenegger’ (2019), and, for our own Editions label, ’Six & Demi Onze (Bande Originale du Film)’ (2020). In major/minor key with the documentary’s themes of a quest for identity – specifically Scorcese’s experience of growing up in a migrant family in Little Italy, and all the associated strands of masculinity, redemption, the violence of the mob – that would colour the pop cultural imagination via his storytelling, the music conveys a profound sense of beauty, bitterness, and deep romanticism. No doubt ‘Music For Marty’ is Krikor’s most impressive and expansive work to date, speaking to his nuanced emotional register and subtle ability to sneak in traces of more screwed electronic signatures, invisibly lining the seams. He swerves any of the familiar rock or soul motifs in Scorcese’s flicks to inherently focus on how European classical music would be adapted to Hollywood features, implying links to Italian library music and its later use of grandiose synth symphonies. Severed from the documentary, the 22 themes range from voluminous ambient dub on the opener ‘Little Marty’ to the windswept pomp of ‘Gospel of Greed’ via the brooding might and shearing tension of ‘Every Muscle Must Be Tight’, whose title sounds like one of Scorcese’s directing cues. It’s the likes of his transition from crest-swell strings to romantic flutes on ‘Like an Angel Out of This Filthy Mess’ or the Danny Elfman-scale symphony ‘The Italian American’ that evoke Scorsese’s mood perfectly, avoiding the overly emotional pomp and hollow refinement of the OST new skool. Available here The post Krikor: Music for the Martin Scorsese Documentary / Limited Vinyl appeared first on Decoded Magazine.

Some more exciting news coming out from EC2A, who have today announced their legendary full Fabric takeover, taking place on the 8th November, in what will be a huge moment for the label as they enter their 5 year anniversary. Dr. Dubplate first played at Fabric a couple of years ago in Room 3, and has, alongside his label, grown exponentially since. Curating the entire line-up alongside DJ Cosworth whose Hardline imprint is taking over Room 2, EC2A head honcho, Dr. Dubplate, wanted to build a line-up that represented their community and values that they have placed at the forefront of everything they do. Meanwhile, the roster includes some of the most exciting names currently in Electronic music in DJ ADHD, Fliss Mayo, INVT, and Soul Mass Transit System. Ticket link: https://ra.co/events/1991066 The post EC2A + Hardline announce fabric takeover appeared first on Decoded Magazine.

Have you ever fancied an adventure into the wilds? Passenger’s boutique festival Adventures in Aviemore offers the opportunity to explore the spectacular Scottish Highlands and curates some of the finest underground electronic music selectors around. This summer, the breathtaking town of Aviemore will transform into a vibrant hub of music and outdoor exploration as Passenger Events brings its unique festival experience to the Scottish Highlands from the 7th to the 8th of September. Set against the stunning backdrop of the world-famous River Spey, the festival seeks to celebrate electronic music—it’s an invitation to connect with nature, embrace diversity, and find adventure in the great outdoors. The Global Reach of Scotland’s Electronic Music Scene Under the careful curation of organiser Daniel Sharkey; a man with a long and fascinating involvement in the Scottish electronic music industry. This year’s festival boasts a line-up of artists that demonstrates the global reach of Scottish electronic music, showcasing both internationally acclaimed producers and talented local artists. Vince Watson, the Scottish DJ and producer known for his deep, soulful techno, will be gracing the decks with his signature style. With over 25 years in the industry and releases on prestigious labels like Cocoon, Planet E, and Tresor, Watson is guaranteed to deliver a set that will resonate with seasoned techno enthusiasts and newcomers alike. Joining him is another famous Scottish export Funk D’ Void. Now located in Barcelona and freshly returned from a tour of Japan, Funk D’ Void is renowned for his emotive hybrid of house and techno. With a career spanning nearly three decades, his performance at Aviemore is expected to be the type of masterclass that has made him a staple in clubs and festivals around the world. Fellow Glaswegian, Edit Select, known for his hypnotic and atmospheric techno, is another must-see act at the festival. His deep, immersive soundscapes have earned him a dedicated following and numerous accolades. And let’s not forget Terry Francis, Fabric resident and tech-house innovator from the Wiggle days, who has been a driving force in the UK’s underground scene for over two decades. Renowned for his seamless mixing and impeccable track selection, Francis will bring a taste of London’s iconic club culture with his sophisticated but raw house sound. Other notable acts include the likes of Sub-Club legend Domonic Cappello, Rawax head honcho, and vinyl aficionado Robert Drewek, not to mention purveyor of wonky cosmic disco goodness Ray Mang. Add a host of other DJs and local artists and it is clear to see that great effort has gone into creating a rich soundtrack to form the backbeat for the weekend’s adventures. Eclectic Sets Across Different Stages The festival will be centered around three main venues, each offering a distinct vibe and atmosphere. The Old Bridge Inn, the festival’s main venue partner, will feature both an outdoor open-air stage and an intimate indoor stage. With bars, pop-up food trucks, and a top-tier restaurant on-site, this venue promises to be the perfect spot to enjoy the festival’s rich mix of music while indulging in local flavors. Want to carry on partying? The party doesn’t stop when the main stages close. At The Vault Club, festival-goers can continue the celebrations until 3 AM with micro-clubbing afterparties. This venue offers a chance to experience some of the finest artists up close, making for an intimate experience that brings back the spirit of the underground. For those looking for a comfortable stay, the Macdonald Hotel Aviemore serves as the official accommodation partner. This 4-star hotel resort will provide the essential rest needed to recharge for the festival’s non-stop entertainment, ensuring you’re ready to dance from dusk till dawn. More Than Just Music: A Celebration of Culture, Adventure and Community The ethos of the festival according to promoter Daniel Sharkey is to create a festival that’s inclusive and diverse, bringing people from all backgrounds together to enjoy music and nature. The open-air stage will host a wide range of musical genres, from funk and soul to dub, reggae, house, and disco, reflecting the festival’s commitment to inclusivity in both its lineup and its audience. During the day, the event is family-friendly, with designated areas where kids and even dogs are welcome, ensuring that everyone can enjoy the festival experience. Beyond the music, the festival offers a rich cultural experience that celebrates Scotland’s natural and artistic heritage. Attendees can explore the local landscape, savour the flavours of Scottish cuisine from pop-up food trucks, and engage with the sense of community that defines Aviemore. The festival’s mission is not just to entertain, but to inspire a deeper appreciation for the outdoors and encourage responsible outdoor recreation. So, if you are looking for an experience that goes beyond music, offering a chance to connect with nature, embrace diversity, and ignite your sense of adventure, this might just be it. Whether you’re a seasoned festival-goer or new to the scene, the weekend promises to be a transformative experience where music and nature come together in perfect harmony. Mark your calendars and get ready to dance the night away in the Scottish Highlands! Ticket-link:- https://buytickets.at/passengerevents/1243568 Event: Adventures in Aviemore Date: 7th and 8th September The post Scotland’s Aviemore is set for a new Electronic Music Festival this September appeared first on Decoded Magazine.

One of Tthe UK’s most versatile and prolific electronic music producer is back with the second volume of his critically acclaimed Digital Underground mixtape – ‘D:U:2’, out now, following a string of successful live shows, his first in 11 years. Early mixtape singles ‘Truth’, ‘Riding Hi’, ‘Sorry’ and ‘i wna doit inth bckst’ have been supported by Tom Ravenscroft on BBC 6 Music and featured throughout the artist’s UK D:U:Live shows in June. And yes, this is technically a new Scuba album, except he’s not calling it that. RA’s Henry Ivry said it best in his review of the maiden Digital Underground mixtape last year, observing that typical albums from the UK producer tended to be ‘state of the union-type releases’, whereas Digital Underground was ‘pure unadulterated joy’. Indeed, this project is all about regaining a sense of fun in the studio, following a challenging yet rewarding film score project during the pandemic that had him burnt out and craving a return to the simple pleasures of music production without any strict parameters or guidelines. He sat down and began creating and what has followed has been some of the most exultant, high-octane productions of his career with Shawn Reynaldo commenting, ‘Paul Rose’s new D​:​U​:​2 mixtape might be the most objectively fun thing he’s ever released, at times employing elements one might expect to hear in a PC Music or Two Shell record.’ A thread runs through all Digital Underground cuts – a mining of the past, but always with an eye to the future – old skool hardcore, breakbeat, jungle and techno. The kind of raw, dopamine-fuelled soundtrack that scored ‘90s warehouse raves from London to Manchester, but with that unique Scuba edge that ensures it’s never derivative and fits today’s dancefloors. Focus Track‘U Never See’: high energy, upbeat, with a jazzy feel. A helter-skelter of breakbeat percussive layers introduces staccato piano chord patterns as a pitch-shifted acid-vibe vocal duets with another in an other-worldly call and response. The release features a further three mixtape exclusives: ‘Forever’ is drum-happy, crazily catchy, with twangy bass riff, scattery vocal fragments and multiple drops, while ‘Storms Of Love’ brings old skool hissy beats and reverb-rich bass, alternating with bursts of high, soulful vocal riffs, for an insistently brain-invading rave package; while ‘Pill Press’ asserts itself with techno beat, demanding percussion, piano chord motifs over ominously swooshing synths and chimes, entrancingly danceable. ‘This is the second part of a series started last year which explores the classic era of hardcore, which is one of my absolute favourite periods of dance music history’ Scuba says. ‘It’s been a lot of fun to put together and the second mixtape gets into some of the themes that we didn’t delve too deeply into on the first one, so it’s a great way to continue.’ Scuba ‘D:U:2’ is out now on Hotflush Recordings. Get it here. Watch Scuba perform D:U:LIVE on Hörhere. Tracklist: 1. Scuba – Saturday 2. Scuba – U Never See 3. Scuba – i wna doit nth bckst 4. Scuba – Sorry 5. Scuba – Forever 6. Scuba – Riding Hi 7. Scuba – Storms of Love 8. Scuba – Pill Press 9. Scuba – Deception 10. Scuba – Give Up Everything 11. Scuba – Pocket Rocket 12. Scuba – Truth The post Scuba unveils full Digital Underground mixtape ‘D:U:2′ appeared first on Decoded Magazine.

fabric presents Rødhåd by Rødhåd fabric Records has announced the latest edition in its iconic mix series, “fabric presents Rødhåd”, a journey through the dark, hypnotic depths of techno. Renowned for his innovative and atmospheric sound, Rødhåd drives an experience that resonates deeply with techno enthusiasts. Hailing from Berlin, his sound is a reflection of the city’s storied underground scene—dark, brooding, and endlessly compelling. Known for his marathon sets and ability to captivate audiences with his carefully curated selections, Rødhåd has earned a reputation as one of the most respected DJs and producers in the world. With releases on his own Dystopian label and performances at the most revered clubs and festivals globally, Rødhåd continues to push the boundaries of techno, infusing it with emotion and storytelling that transcends the dance floor. His contribution to the “fabric presents” series is a testament to his artistry and a must-listen for any fan of the genre. The compilation begins its rollout with two powerful singles that set the tone for what’s to come. The first single, “Nightlife Experiences” featuring the visionary Theo Nasa, is set for release on August 28th. This track is an exploration of nocturnal energy, perfectly capturing the essence of late-night dance floors. Following this, on September 11th, Rødhåd will release “Inception Report,” a track that delves into the cerebral side of techno, with layers of sound that intertwine to create an immersive auditory experience. Featuring twenty-eight unheard tracks from established and upcoming artists in the techno sphere, the full compilation will be available on September 27th. The mix will showcase Rødhåd’s unparalleled ability to blend raw sounds with evocative melodies, crafting a sonic landscape that is both intense and mesmerizing. To coincide with the release, Rødhåd will be embarking on a global tour, bringing his unique sound to some of the most iconic clubs and festivals around the world. Pre-order here Tracklist: 1. Rødhåd – Inception Report 2. Clotur – Apexis 3. Beste Hira – Time 4. Casual Treatment – Falling Backwards 5. Mathys Lenne – The Moon Speaks 6. Rill – Molar 7. Arkan – The Ones who Suffers 8. Rødhåd – Nightlife Experiences Feat. Theo Nasa 9. Delano Legito – Kyoshi 10. DVS1 – Droid 11. Inox Traxx – DSF 12. SAMA – Can You Find Meaning Within 13. Ignez – First Light 14. Nastia Reigel – Chaotic 15. UFO095 – Suspense 16. A.Morgan – I Don’t 17. Alarico – Hubris 18. Peryl – Eternal Delay 19. Highlimiter – Lost In Fractals 20. Tescamboy – Recover 21. Rene Wise – Children Of The Night 22. Klint – Drunk with Fuel 23. Marcal – Fear Is Your Enemy (Space Mix) 24. Augusto Taito – Mi Tierra 25. Phil Berg – Photons 26. Holden Federico – Close 27. .Vril – Pump Out Kids 28. Out Of Place Artefacts – Science Faction The post fabric presents Rødhåd appeared first on Decoded Magazine.

The legendary Spanish label, known for featuring big names like Armin van Buuren, Yves V, Timmy Trumpet, and Gigi D’Agostino, now adds Sightseer to its roster with this collaboration with Mevil. DJ and producer Sightseer, who’s racked up over two million streams on Spotify, has just dropped his new single “No More,” teaming up with Mevil and solidifying his place in the global electronic music scene. Clocking in at just over three minutes, “No More” kicks off with a bang, starting with a classic and captivating vocal that quickly transitions into a high-energy beat. The track’s vibe is built on a fat bass and synths that give it a proper digital feel, perfect for peak time. Sightseer’s career really took off in the US, where he got deep into DJing and developed a standout stage presence. It wasn’t long before he dove into music production as well, and now he’s got a solid track record with over 37 tracks under his belt. “No More” came about through a collaboration between Sightseer and Mevil. Mevil brought the initial idea to the table, which caught Sightseer’s interest. He decided to give it a fresh spin, adding stronger, more danceable elements and creating suspenseful automation before the drops. Sightseer used Ableton and various plugins like Serum and Endless Smile to craft the track, keeping his signature sound while experimenting with new textures. Sightseer has graced the stage at some iconic festivals and clubs, including Imagine in Punta Cana and Urban Beach Club in Lisbon. His new single, “No More,” released by Blanco y Negro, marks another key moment in his career. It showcases Sightseer’s versatility and growth as he continues to explore new sounds and musical experiences. Blanco y Negro has been instrumental in getting “No More” out there, providing the support and visibility needed for the track to reach an even bigger audience. This partnership helps boost Sightseer’s international presence and paves the way for future collaborations. “Music production has transformed my artistic journey. Now I can take my sound to so many different places, and that’s an incredible achievement,” Sightseer shared. The man behind Mevil is Matheus Nobre. With a background in House music, the Brazilian artist is making waves in the national scene with his original lyrics and impressive productions. He’s released tracks on labels like Heartfeldt (Spinnin’ Records), Smash The House, Dim Mak, Sony, Warner, and One Seven, and is emerging as a rising star in Brazil’s electronic music scene. With “No More” out now, Sightseer is already gearing up for his next project. His upcoming track, “Up & Down,” will be released on October 18. Sightseer is set to continue making his mark in the electronic music world with more collaborations and performances at festivals and clubs around the globe. Blanco y Negro Music, founded in 1978, is one of Spain’s top dance music labels. On January 17, 1983, it officially became a label under Félix Buget’s leadership and is widely recognised as a pioneer of EDM in Spain. No More Is Out Now On Blanco y Negro https://orcd.co/1lymmz6 Follow Sightseer Instagram Spotify The post Sightseer Returns In Blanco y Negro With ‘No More’ By Sightseer A Collab With Mevil appeared first on Electic Mode.

We’re kicking off today with a great release, from a great label. Fridays mean new music, we all know that by now. And what better way to kick off this weekend than with a fresh new call-and-response EP coming from Australia. Today, Perth-based imprint Amon Vision offers a new chapter in their sonic story, and we’re here for it. Their latest is called Dark Matter, and it’s comprised of the original homonymously-named single by Michael Alan — his debut single —, and a killer Trancier spin of his track, coming from the hands of none other than Will Rees. Michael Alan A local hero, Michael Alan is a DJ, Vocalist and Producer from Perth, with a rather strong bond with Electronic music. One of his highlights is his YouTube channel, where he consistently uploads hourlong sets compiling the best of Trance, Progressive, and Melodic House, among other genres. He’s produced a couple of remixes in the past, but now the time has come for him to land an original and lay his producing foundation. Will Rees Will Rees, a renowned Welsh artist, flies his sound across the oceans for today’s release. Renowned for his ability to seamlessly blend Trance and Techno elements, Rees has released music on the biggest labels, and he’s travelled the world spinning his largest hits and IDs, which span close to 15 years. ‘Dark Matter’ As previously mentioned, in the EP you’ll find ‘Dark Matter’ in two flavours: Alan’s Original Mix, and Rees’ Remix. Original Mix With a distinct blend of sounds, Michael Alan’s ‘Dark Matter’ features groovy plucks, catchy percussion, and heartfelt male vocals, to make this one a very special release. The song contains House chords, Progressive beats, and Trance atmospheres to make you fly away, as well as gated leads and sustained vocal beds that finish texturing the track on all fronts. Will Rees Remix You’ll notice a change of pace right away. Bar 33 hits us with Will’s distinctive Tech Trance kicks, which lay the foundation for the vocal. Powerful and festival-ready, this take on ‘Dark Matter’ includes electric leads, dreamy pads, and fairy-like plucks, and it builds towards turning the original into a pure Trance record with reflective breaks, and potent drops. Albeit, very respectfully so, retaining the core elements from the original. Listen to Michael Alan‘s debut single ‘Dark Matter’, alongside the Will Rees remix, by hitting the ‘Play‘ button on the Spotify player below. Also, click to support the release on your platform of choice (Original | Remix). Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Michael Alan Releases Debut Single ‘Dark Matter’ On Amon Vision appeared first on EDMTunes.

If angels sound like this, we better quit sinning so much at festivals. For the past few months, fans on Discord and beyond have been clamoring for the release of a high-profile collaboration between Dimension, Sub Focus and NGHTMRE that had been emerged as a fan-favorite in each artist's live sets. The trio has now decided it's time for the rest of the world to hear the record, "Angel," which officially hit streaming platforms moments ago. As you would expect from artists of this caliber, "Angel" is clean, precise and masterfully produced, its soft vocals from Mougleta cutting through like sunshine breaking through a cloudy day. While many popular entries into the drum & bass genre add grimy elements to give their track an edge, Dimension, Sub Focus and NGHTMRE stand out with sharp basslines and fine-tuned percussion that leave listeners feeling uplifted. Both NGHTMRE and Dimension will get a chance to drop "Angel" on the road this fall, when the duo go b2b at Subtronics' Cyclops Dome 2 show in Tacoma and Shaq's Bass All-Stars Festival in Dallas-Fort Worth. Meanwhile, Sub Focus is set to perform alongside Dimension for a can't-miss WORSHIP showcase at the 2024 Amsterdam Dance Event. Listen to "Angel" below and find the new single on streaming platforms here. FOLLOW DIMENSION:Facebook: facebook.com/dimension X: x.com/dimension_uk TikTok: tiktok.com/@dimension Instagram: instagram.com/dimension Spotify: spoti.fi/3sbzWE9 FOLLOW SUB FOCUS:Facebook: facebook.com/subfocus TikTok: tiktok.com/@subfocus X: x.com/subfocus Instagram: instagram.com/subfocus Spotify: spoti.fi/3ot6JTg FOLLOW NGHTMRE:Facebook: facebook.com/nghtmre X: x.com/NGHTMRE TikTok: tiktok.com/@nghtmre Instagram: instagram.com/nghtmre Spotify: spoti.fi/3fkyQ1C

When you find out the original came out 10 years ago, you're going to feel very, very old. Out now is "Gas Pedal," a reimagined version of Sage the Gemini's 2014 hit of the same name from the unlikely trio of John Summit, Subtronics and Tape B. Since they debuted the collaboration together at Summit's "Experts Only" showcase during this year's Miami Music Week, it's become a staple on the festival circuit. Fans of Summit will find themselves at home in the first half of the track, where Sage the Gemini's earworm lyrics slink through a familiar house rhythm. From there, Subtronics and Tape B's influence runs wild with deep subs and nasty growls that will leave fans screaming into their pashminas when they hear it live. While Tape B and Subtronics joining forces is not very surprising, casual fans may find it odd to see Summit. However, despite reaching headliner status in the house music world, he's an outspoken proponent of dubstep and bass music, DJing along Subtronics at events like EDC Las Vegas and Lost Lands. He's also worked with drum & bass legend Sub Focus, with whom he release "Go Back." Listen to "Gas Pedal" below and find the new track on streaming platforms here. FOLLOW TAPE B:X: x.com/tapebbeats Instagram: instagram.com/tapebbeats TikTok: tiktok.com/@tapebbeats Facebook: facebook.com/tapebbeats Spotify: tinyurl.com/mwvmuh8v FOLLOW SUBTRONICS:X: x.com/subtronics Instagram: instagram.com/subtronics TikTok: tiktok.com/@subtronics Facebook: facebook.com/subtronicsofficial Spotify: tinyurl.com/yupr7jmk FOLLOW JOHN SUMMIT:X: x.com/johnsummit Instagram: instagram.com/johnsummit TikTok: tiktok.com/@johnsummit Facebook: facebook.com/itsjohnsummit Spotify: spoti.fi/3oVz7hG

When longtime collaborators Said The Sky and William Black come together, the emotional weight of their music is anything but happenstance. Their latest release, a collaboration with Melodie Wagner called "All Falls Down," mirrors the delicate act of picking up the pieces after a shattering heartbreak, a theme they've explored in previous works but never with such raw vulnerability. The duo has once again crafted music that delves deep into the trials of love and loss. An exquisite blend of future-pop and melodic bass, "All Falls Down" falls in the gray area where vulnerability and strength are deliriously blurred. The track's emotional core lies in its lyrics, which grapple with the trepidation of giving oneself fully in the wake of heartache. From a production standpoint, its soaring synths serve as a cathartic release, carrying listeners through waves of heavy-hitting 808s. The song speaks to the universal experience of seeking companionship in the darkest hour, a sentiment beautifully captured in its melancholic melodies and emotionally charged production. As its arrangement crescendos, it mirrors the journey of attempting to rebuild after a fall, a theme that resonates with anyone who has ever felt the sting of a broken heart. Black, an EDM.com Class of 2021 inductee, and Said The Sky are expected to debut "All Falls Down" live at the Brooklyn Mirage on September 1st, when the S2O Festival rolls into town. Listen to "All Falls Down" below and find the new single on streaming platforms here. Follow Said The Sky:X: x.com/saidthesky Instagram: instagram.com/saidthesky TikTok: tiktok.com/@saidthesky Facebook: facebook.com/saidthesky Spotify: spoti.fi/3ilYVjc Follow William Black:X: x.com/itswilliamblack TikTok: tiktok.com/@itswilliamblack Instagram: instagram.com/williamblack Facebook: facebook.com/itswilliamblack Spotify: spoti.fi/3tTBgfS

Panamanian DJ and producer Gian Varela is back with "Gua Gua," a late-summer dancefloor filler with a Latin twist. Out now via Municipal Recordings, the track is a collaboration with Latin Grammy-winning super-producer Maffio, who has created music for Pitbull, Akon, will.i.am, Nicky Jam, Farruko and many more. Together, their expertise shines through in the production, with each element carefully placed to maximize impact on the dancefloor. The track's four-on-the-floor beat, a relentless heart transplanted from the depths of the underground, pumps life into feet that forgot how to move. "Gua Gua" seamlessly blends Latin vocals with a thick bassline, creating an irresistible urge to move. Varela and Maffio have struck a potent balance between tech and Afro-house, ensuring the song's appeal stretches from casual listeners to dedicated dance music enthusiasts. Varela says he met Maffio through El Chombo, one of the world's most influential producers of reggaeton and plena music. After he remixed Maffio's track "Elma Maria" and released it on Sony, the two decided to hit the studio and produce an original track together. Now, Varela says he's setting his sights on the development of his own label, Monarka Records. He has not formally announced a launch date at the time of this writing. Listen to "Gua Gua" below and find the new single on streaming platforms here. Follow Gian Varela:Instagram: instagram.com/gianvarela X: x.com/gianvarela TikTok: tiktok.com/@gianvarela Facebook: facebook.com/djgianvarela Spotify: spoti.fi/3ihpPen Follow Maffio:Instagram: instagram.com/maffio X: x.com/maffio TikTok: tiktok.com/@maffioglobal Facebook: facebook.com/maffioglobal Spotify: tinyurl.com/yfwk2pn8

Antonator swarms the senses with his new single, a cosmic collision of old-school trance and techno. Out now via his own Anto Recordings imprint, "Swarm" is a propulsive techno journey through the stars. Extraterrestrial synths soar like alien spacecraft, their engines humming with a relentless energy and hurtling through a luminous arrangement with a sci-fi aesthetic. The track's spacey melodies and driving bassline create a hypnotic, almost trance-like state. Beneath the familiar soundscapes, there's a subtle undercurrent of experimentation, a hint of the unknown that keeps listeners on their toes. It's a testament to Antonator's skill as a producer, seamlessly blending the classic with the contemporary to curate a sound that's both nostalgic and forward-thinking. Hailing from Athens, the Stockholm-based artist has been producing electronic music since the late 90s. In 2007, he won Pete Tong's coveted "Bedroom Bedlam" competition thanks to his song "Wonderful Strings." His gritty tracks have since received support from David Guetta, Sven Väth, Paul Van Dyk and The Crystal Method, among others. Take a listen to "Swarm" below. Follow Antonator:Instagram: instagram.com/antonatormusic Facebook: facebook.com/antonatormusic YouTube: youtube.com/antorecordings SoundCloud: soundcloud.com/antonatormusic