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We recently talked with a duo that’s been dominating the scene for close to a decade. Fatum. You might know them, you might remember them. Maybe some of their tracks come to mind if I mention ‘I Ran‘, ‘Coming Home‘, ‘Superfecta‘ or ‘The Tide‘. These guys have been putting out proper bangers year after year, for ten years now. With two Grammy nominations, Billboard Top 20s, over 200 releases and decades of experience, as well as remixing and collaborating for the likes of Hans Zimmer and Armin van Buuren, they are in demand for their signature melodic, Trance-infused, Techno sound. Their latest incursion happened just a week ago, when they released ‘Make Me Wonder‘, a track composed alongside Bren Lock and Brieanna Grace, which, after years of being in the making, finally saw the light of day via Insomniac’s Interstellar Recordings. We’ve managed to have a lovely little chat with the boys, just off the heels of their Interstellar debut. We talked about all things producing, collaborating with Bren — an old friend of theirs —, their constant sonic evolution, past members of the group, social media presence, and much more. We even addressed the whole marketing versus production debate artists are all picking sides on. So, without further to do, sit down, grab your favourite mug (fill it with your favourite drink), and read on, as we have a conversation with Daniel Davis and Bruce Karlsson, the men behind Fatum. The Interview (Please note, the bolded text represents a question, while the paragraph(s) following it represent Fatum’s answers.) First off, huge congrats on the release of ‘Make Me Wonder’! In your eyes, what does this single mean for Fatum and your story? Thank you! To be honest, this release means a lot to everyone involved. It was a real labor of love to bring this one to the finish line and a true testament to proper collaboration. The song took over two years to complete from the original idea, but it was worth the wait. We absolutely love this record! We’re aware you’ve been friends with Bren Lock for a while now. Had you had any unfinished collaborations before working on ‘Make Me Wonder’, or is this the first time you guys sit down and work on a track together? We had been friends with Pete (Bren Lock) for nearly 10 years, but this was our first attempt at a collaboration. It felt like we had worked together many times before, given the number of revisions we both undertook for this song. Our projects share a similar sonic realm, and our musical history has always been aligned, with both of us coming from a melodic style background and taste. We’d love to have you walk us through the story of the song. How was it born? When was that moment in which you realized you had something special in the works? The song began two years ago when Bruce and I initially wrote the track with a different vocalist. We pitched the first version to several labels, but there wasn’t much traction since our style was shifting from our usual Trance 2.0 sound to something darker and more melodic. We sat on the record for over a year, waiting for the right moment or inspiration to bring it to life. That’s when I decided to ask Bren Lock to listen and incorporate his ideas. Instantly, the song had new life, and its identity felt more mature and developed for the current sound both our projects were aiming for. We sent it to Interstellar, and they loved it! We finally saw the finish line, but then the unexpected happened… Because it took us so long to fully form the song, the original vocalist decided to pursue a different creative direction and backed out. We were back to square one. Fortunately, Interstellar was kind enough to help us find a new vocalist and introduced us to Brieanna Grace, who completely transformed the feel of the record into what it is today. Her talent and fresh approach to the topline were beyond perfect, and we are incredibly grateful it ended up in her hands. Which are some sources of inspiration you can recall as your “muses” for whenever you’re working on a track? Is it, for example, Nature, or past experiences? And what was the spark that ignited the idea behind ‘Make Me Wonder’? As Fatum, we love drawing inspiration from other songs. Bruce and I have what feels like an audio Pinterest board filled with tracks and the experiences or emotions they evoke, which we then bring into our work. “Make Me Wonder” was no different. Many people listened to and helped shape this record, and through their feedback and the challenges we faced, we were motivated to refine the production and never give up. I believe it was the initial spark of excitement that started the project, but it was our determination that kept the flame alive. Fatum is today a duo, but it used to be different. In fact, a handful of people have been a part of Fatum’s history. Would you say the vision you had for the band back in 2014 — when you had your first releases — still holds up to this day? And, do you still hear the influence of Chad and Bill in your sound? Not many people know that Fatum started as a group of four. While most are familiar with Bruce and me, fewer know about Chad Newbold and the late Bill Hamel. We have always been, and still are, best friends, and every member of our group continues to influence every release we make—even to this day. Though we deeply miss Bill, his pioneering sound in early trance, progressive, and breaks continues to inspire us. And while Chad has taken on more of a behind-the-scenes role, we couldn’t create any record without his musical touch. We owe so much to these two and are incredibly grateful for the team we’ve built together. Speaking about your sound, it has been in constant evolution. It’s always been that way. What would you say are key things an artist should do to embrace change, without losing that so-called “signature sound” they are known for? Evolution is a fundamental part of humanity, and as creatives, being stuck in one sound and repeating the same thing over and over can be demoralizing and exhausting. We believe that while our signature sound will always evolve, the quality and attention to detail will remain constant. It’s important to be consistent for your audience, but it’s equally important to stay true to yourself—and sometimes, being true to yourself means stepping outside of the box. We’ve allowed ourselves the freedom to always explore that. You guys are one of the more vocal acts I’ve seen that openly talk about the role of a musician in today’s times. It’s usually a matter of debate, whether an artist should only make music and rarely acknowledge marketing, versus those acts who are social media icons first of all and then take their fame over to music. Two approaches, two results. Would you say there’s any right way to balance creativity in the studio and optimal social media presence? Speaking for myself (Daniel), I believe social media and marketing have created opportunities for any musician to achieve their dream—whether that’s becoming famous or building a sustainable career doing what they love and being creative. There’s a lot of resistance among musicians toward social media and marketing because it’s another skill we need to learn to grow effectively, and, to be honest, not many people know how to do it successfully. The entire music industry, like many others, is evolving right before our eyes. Some might argue that social media has shifted the focus away from the art itself, and in some cases, that might be true. However, I would argue that in many cases, it’s more about the art—and the artist—than ever before. All it takes is a creative person doing what they love, learning to use a platform of their choice, and sharing their work with the world. It has never been easier to have your voice heard, your art seen, and, most importantly, to express the real human behind it all. We are in a new era for small businesses—and for musicians, this is our chance to showcase our art to the world without waiting for others to dictate the direction of our careers. A good chunk of our readers are actually DJs and producers in the making. Do you have any thoughts or words for those rising artists who look up to you and are somewhat struggling to stand out in a sea of producers all trying to make it in the industry? Be encouraged! All musicians are navigating the same challenges, but there is hope, trust me! The traditional path in the music industry is being dismantled, and a new era for independent artists is on the rise. The only way to stand out is to showcase your uniqueness, and the best way to do that is to find a social platform you enjoy, learn how to use it, and consistently put yourself out there. This is the quickest way to grow your project, music, business, and career. And if you feel lost or need help, please follow us on Instagram at @fatummusic and reach out. We’re here to help. Final Words Those words you just read come from two very wise artists. I’ve been following them ever since I first heard the Sunstars remix of their ‘I Ran’ cover, and then they crossed over to Anjunabeats just at the same time I was shifting my likes to Progressive Trance. So you could say I’ve seen them evolve, apply new techniques and approaches to production and, in more recent times, also take the lead in how to become an all-round artist regarding marketing. Thank you so much Daniel and Bruce for opening up and being quite deep about your answers. And also, big ups for offering to help the community! They may not remember, but back in 2018 I sent them a song for feedback, and they actually listened to it and gave me some notes! So I can testify this positive approach to making music has always been there. You can find them over on their Instagram. Thanks again guys! Wishing you the very best on this nth new chapter of yours, also, most likely, your nth successful chapter too. The post [INTERVIEW] Fatum Talk Latest Single, Social Media, Making It In The Industry, And More appeared first on EDMTunes.

We’re all for these songs that breathe new life into cultural classics. Today, the Italian DJ and producer Skylin3 makes it back to the spotlight with a new release on Glasgow Underground. And what a comeback tune, to be honest! Following the success of his earlier track ‘The Way I Are’ with label head Kevin McKay, he’s now joined forces with his fellow mate Raffa FL and Colombian duo Cumbiafrica to put a fresh spin on the Gypsy Kings 1987 hit ‘Bamboléo‘. The original track is basically a part of human history as of today, given the fact that the whole world knows it, maybe not by name, but by its infectious Flamenco rhythm. This iconic characteristic was not looked over by the team behind today’s release, and the revamped track merges Skylin3’s Tech House rhythms with Flamenco guitar riffs. ‘Bamboléo’ You’re a menace if you can resist the urge to dance to this track. It blends the best of two genres that are already quite irresistible by definition, and the clash of these two forces results in a fresh cut for the dancefloor. Imagine the DJ dropping this in the middle of a high-energy set, and you magically know the rhythm, and the chorus, and start singing along. Yup, the track has that very potential. “I produced ‘Bamboléo’ one year ago but I still remember the process and it feels like it was just yesterday. I would find the right blend between club and radio vibes, to make sure that everyone can listen to it every day, with Latin and summer sounds and a nice groove!“ -Skylin3 Listen to Raffa FL, Skylin3 and Cumbiafrica‘s ‘Bamboléo’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Italian Producer Skylin3 Revives A Classic With Flamenco-Inspired Single ‘Bamboléo’ appeared first on EDMTunes.

A comprehensive roundup of all things Drum & Bass just came out today. Let us captivate your ears with this piece of news today. Brighton’s Drum & Bass star in the making, Sakkura, has lifted the veil on one of her greatest projects to date, a spellbinding artist album titled ASTRAL, via Atherea Records. To celebrate the launch, Sakkura will also embark on a live tour with her newly formed band, performing as Sakkura Live. ASTRAL is, as mentioned, a comprehensive roundup of the whole of the Drum & Bass spectrum, effortlessly blending euphoric, vocal-led tracks with intense, gritty beats across its eleven delightful tracks. The album not only highlights Sakkura’s production skills, but also reflects her deep connection to a genre that has profoundly influenced her career and personal life. ASTRAL For Sakkura, this project represents a significant phase of transformation and healing, with music serving as a vital means of renewal. The approach Sophia took to crafting the LP is quite unique, as out of the entire tracklist, only one is 100% her work. The other nine tracks were thought out and constructed as collaborations, further enhancing her will to contribute to the DnB — and ultimately Dance — community. Contributions come from an impressive array of talent including Miss Melody, Riva, Ten-K, Dee Freer, Project Takeover, Hoodz, RV, and Mavrik. “ASTRAL really has been a journey for me, both personally and artistically“, says Sophia (Sakkura). “As an album it’s a true representation of where I have been musically, but creatively it has allowed me to collaborate with some of my closest friends in a way that I haven’t been able to before. It’s very freeing to finally have it released and we have already started putting the next project together“. One thing I truly enjoy about Sakkura’s vision is how she believes collaborations are key to unlocking new sounds, instead of just blending two already existing ones. She describes her collaborators as close friends, almost like family, and explains that working together allows them to be creatively unrestricted. Writer’s Picks I love the fact that all songs have their unique flair to them, and they all represent sort of a different corner of DnB. I’m not a connoisseur of the genre by any means, but I do dig it, and in particular, one track that stood out to me from the first listen was ‘So Free‘, the second track of the album. It’s just such a lovely track to me. It sounds old-school, it sounds fast-paced, like it has an urge to imprint its message on one as a listener. Also, ‘Purity‘ takes a close silver medal on my four listens to the album from start to finish. Actually, I’ll go on to say this one might be my absolute favourite track whenever I’m not hypnotised by the percussion present in ‘So Free’. Its euphoric, singalong-ey nature truly leaves a lasting impression, and those gated vocal beds are just a nod to my ever home: Trance. Plus, the track as a whole reminds me of the Blackbox era of Need For Speed games, which were my childhood. I’m sorry, I can’t be unbiased when nostalgia comes into play. Sakkura — ASTRAL Tracklist Bad Girl with Riva & Miss Melody So Free with Riva, Ten-K & Miss Melody Gravitation with Dee Freer & Project Takeover Ethereal with Riva & Miss Melody Double Filthy with Miss Melody, Hoodz & Riva Purity with Riva Ultrasound with Miss Melody & RV Taking Me Higher with Riva & Miss Melody Peep Show Human Storage with Hoods Bristol Beats with Mavrik & Hoodz Sakkura is an artist name, but it’s also a band name, and a collective. It’s ambiguous, and I like that – it represents something more than just me. It’s the Japanese word for blossom and I think that idea of a re-birth, of Spring and new life, is something that sits at the centre of what Sakkura represents as a creative project. -Sakkura Final Words Overall, the whole album is an interesting journey. So interesting, in fact, that only by the third album listen did I actually notice the tracks in which certain artists performed, all had a distinctive vibe to them. That was eye-opening for me, and I can surely state that idea of the ambiguous collective is fully present. And contrary to how it sounds from the get-go to use such a concept, it’s executed in the best way possible in here. Truly a job well done. Listen to Sakkura‘s incredible LP ASTRAL by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Sakkura Releases Gigantic Collaborative Album, ASTRAL appeared first on EDMTunes.

"Long-awaited" is a gross understatement for Telos, Zedd's new album. For nine years fans have anxiously waited, and the dance music icon made sure it wasn't in vain. Unlike his global hit singles "The Middle" and "Stay," which dabbled in tried-and-true dance-pop arrangements, Telos illuminates a more analytical side of Zedd that craves artistic expression through unexpected mediums. "Telos has multiple meanings, one of them being 'accomplishment' or 'completion of human art,'" Zedd explains. "'The end' is another interpretation of it, and I relate to all of them. I grew up listening to these albums that shaped me as a musician, and I never thought I would be able to create anything as good as those, but as I was completing Telos, I really felt the same emotion I was given by those incredible albums when I grew up. "I created something I didn't think I was capable of—it just took a long time." Ivan Meneses/AI Visuals The Telos tracklist reflects the influence of classical and orchestral compositions on Zedd's artistry, with each song containing the theatrical whimsy that stems from his musical upbringing. It's an intentional yet unabashed mixture of synth and symphony, resulting in an album of timeless proportions. Funk holds an indomitable sway over many Telos tracks, with slap-bass acting as the glue that ties together their arrangements. That approach gleams throughout "Automatic Yes," a compelling collaboration with John Mayer; and "Out of Time" and "Tangerine Rays," each of which feature a radiant Bea Miller. The flames of exploration are then starkly stoked with the intense and worldly solo interlude "Shanti," a collaboration with Zedd's "Middle" collaborators, Grey. The understated "No Gravity" (with Bava) follows in similarly penetrating fashion, blasting us from world travels into outer space. Here, an undertow of tenderness eliminates gravity, leaving soothing bass guitar and gentle vocals to serve as our only tether to the ground. In an unexpected—but completely welcome—pivot, Zedd taps Irish folk group the olllam for "Sona," bringing a retro, cinematic twist to Telos. Elsewhere, "Descensus" soars with fiery electric guitar riffs and dramatic cymbal crashes, leading a futuristic charge alongside pop artist Dora Jar. An undeniable highlight of Telos arrives with "Dream Brother," which samples the late great musician Jeff Buckley's song of the same name from his celebrated 1994 album Grace. Awash in Zedd's futuristic production, the track churns to a drum beat that resembles the eeriness of a ticking clock counting down to the unknown. Closing out Telos, legendary rock group Muse joins Zedd for "1685," a track that swells with a fierce and theatrical fervor. Clocking at just over six minutes, the track sounds as a lullaby might, the gentle plunking of notes serving as a reverent reflection on the many masterstrokes of the album. Opening up about the album, Zedd paints a picture of a deeply personal journey of cognitive dissonance, ultimately emerging victorious with regard to his vision. "What I've always dreamed of doing is creating an album that I genuinely believe 30 years from today, I will look back and be incredibly proud of, that will be just as amazing then as it is right this moment, because it's not based on trends," Zedd explains. "It's not based on sound design that might fall off after a while. It's based on music, and so are the albums that I still to this day adore that were released 20, 30, 40, and 50 years ago. [With Telos], I accomplished just that. It just took a bit of time to get there." Listen to Telos below find the new album on streaming platforms here. Follow Zedd:X: x.com/zedd Instagram: instagram.com/zedd TikTok: tiktok.com/@zedd Facebook: facebook.com/zedd Spotify: spoti.fi/2CoYpk2

Prep your neck, headbangers- Lost Lands 2024 is almost here. Taking place on September 20-22 in Legend Valley, Ohio, this year promises to bring all your wildest dubstep dreams to life. Curated by Excision himself, Lost Lands has become one of the biggest festivals in the US. Lost Lands is known for its prehistoric theme and bass-heavy music, bringing together ravers from all over the country. Lost Lands made its debut on the festival circuit in 2017, boasting a heavy-hitting lineup of headbangers that had everyone scrambling to purchase tickets. Attendees can expect production heavy performances from Excision, who will deliver multiple sets including his signature B2B sessions with guests. The lineup also includes an impressive amount of talent, from dubstep pioneers to rising DJs, ensuring that every basshead’s cravings are satisfied. Lost Lands isn’t just a music festival; it’s a fully immersive experience. The festival’s signature dinosaur-themed aesthetic takes ravers to another world, complete with life-sized dinosaur sculptures, elaborate stage designs, and pyrotechnics. The attention to detail in the production creates a unique environment where the past meets the future, but bass music is the star. Excision and his team have always placed a strong emphasis on the festival’s community aspect, ensuring that Lost Lands remains a safe and welcoming environment for all. From the Lost Lands app that helps fans stay connected, to the on-site medical and safety teams, every detail is designed with the attendees’ experience in mind. Whether you’re a seasoned veteran or a first-timer, Lost Lands promises an experience that will leave you counting down the days until you can return. Tickets are currently sold out, but to get on the waitlist or learn more information about the festival, click HERE.

Leaked UK Government documents have revealed proposed plans to extend the indoor smoking ban to areas outside nightclubs, pubs, restaurants, and football stadiums. If approved, the ban would spell the end of smoking in outdoor nightclub smoking areas, as well as in pub gardens. Ministers are considering this action to curb the uptake of smoking and vaping, especially among young people. However, the hospitality sector argues that a ban could adversely affect their businesses. The ban is part of a broader set of measures proposed in a bill targeting tobacco and vaping. The goal is to gradually eliminate smoking by banning the sale of tobacco and vapes to anyone born after January 2009. Originally introduced by the previous Conservative Government under Rishi Sunak, Keir Starmer’s Labour Government has now adopted this idea. The measures would apply only to England. The other UK nations would be allowed to make their own decisions. Starmer did not rule out a ban on smoking in nightclub smoking areas and pub gardens. He had this to say: “That is a preventable death; it’s a huge burden on the NHS and, of course, it is a burden on the taxpayer. So, yes, we are going to take decisions in this space, more details will be revealed, but this is a preventable series of deaths” Full plans for the outdoor smoking ban are likely to change following consultations, but it’s understood that many figures within Starmer’s Labour cabinet are in favor of such measures. The post Nightclub Smoking Areas Could Be Banned in England appeared first on EDMTunes.

Angela Raver is at it again Continue reading...

Marc Romboy and An On Bast, both part of the Awesome Soundwave family, connected during several electrifying label showcases hosted by the legendary Carl Cox. Their shared passion for spontaneous creativity led them to embark on a series of jam sessions, purely for the joy of making music together. With no specific goals in mind other than having fun, An On Bast and Marc Romboy met twice in his studio, diving into freeform jams with drum machines and modular systems. The result? Two captivating tracks: “Spielfreude” and “Wanderlust.” These tracks, born from pure improvisation, are packed with dynamic twists and rich soundscapes, embodying the true spirit of experimental techno. “Twiddling the knobs like crazy” was their mantra, and it paid off. Both tracks flow effortlessly yet are full of unexpected turns, making them stand out in a sea of monotonous releases. Released on Marotopia, the new label by Robert Babicz and Marc Romboy, this EP marks the second release following the debut “Modular Friends” by Marc Romboy & Robert Babicz. Dive into “Spielfreude” and “Wanderlust” and experience something genuinely unique—music that breaks the mold in a world where too many tracks blend into the background. Download here The post Marc Romboy & An On Bast team up for Marotopia EP “Spielfreude” appeared first on Decoded Magazine.

Get ready for an electrifying experience with the latest release on New Music Friday at EDMTunes! Introducing ‘Lift Me Up,’ a powerhouse collaboration between Drumcode’s Adam Beyer and Vintage Culture. This long-anticipated track is brought to life by the vocals of Kyzo, making it an absolute banger. Released today on Drumcode, don’t miss your chance to be among the first to experience this dynamic tune. Listen in and share your thoughts – we can’t wait to hear what you think! ‘Lift Me Up’ The unexpected collaboration that has quickly become a must-have in your playlist. ‘Lift Me Up,’ fuses the best of house and techno. It delivers a pulsating beat that ignites the dancefloor with undeniable energy. With a masterfully crafted build-up, it keeps you on the edge until it explodes into an irresistible crescendo, seamlessly blending infectious melodies and euphoric synths that create an uplifting ambiance. Kyzo’s soul-stirring vocals add a profound emotional depth to the track. They complement the impeccable production standards of Vintage Culture and Adam Beyer. This track is a polished masterpiece that guarantees an immersive sonic experience. Vintage Culture & Adam Beyer ‘Lift Me Up,’ has solidified the bond between Beyer and Vintage Culture. The Drumcode boss made a memorable appearance at Vintage Culture’s So Track Boa event earlier this year, sparking rumors of an upcoming b2b performance to close out the year. Adam Beyer’s unwavering dedication, continuous innovation, and influential presence in the techno scene firmly establish him as one of the most respected and enduring figures in electronic music. His recent performances at Tomorrowland and the Drumcode Yacht Week only serve to reinforce this. Meanwhile, Brazilian sensation Vintage Culture stands as a formidable figure in the global house music scene, set to lure audiences this summer at events like Tomorrowland and Brunch Electronik Lisboa. For the full roster of tour dates throughout the summer, be sure to check out his schedule here. Hope you enjoy this banger, stay tuned to EDMTunes for all your latest music updates. The post Adam Beyer & Vintage Culture Exciting New Single – ‘Lift Me Up’ appeared first on EDMTunes.

Born and raised in LA, OMNOM is a house music producer with an insatiable appetite for experimentation. In fact, he is already known for chomping up underground and crossover influences with his idiosyncratic yet crowd-pleasing sensibilities. He returns to Insomniac Records with his solo offering, ‘By Myself,’ featuring singer/songwriter, producer, and creative director XKYLAR. Let’s take a look at what this new record is about. ‘By Myself’ is a hefty house track with a vocal lead that oozes confidence, turning down flirtatious advances in order to soak up the vibe on the dancefloor all alone. Meanwhile, a dark and rumbling groove navigates around whirring tones, swirling bleeps, hissing hats, and brain-scrambling sub-bass snarls. The single will be paired with an official music video featuring XKYLAR, as well as including a cameo from OMNOM himself, and coincides with a dedicated tour branded as ‘By Myself.’ ‘By Myself’ has received heavy live support from superstars including Dom Dolla and John Summit. It follows OMNOM’s critically acclaimed The Unexplained EP via his collaborative HYPERBEAM project alongside Odd Mob, which drew radio support from Sirius XM, Kiss FM UK, SLAM!, and Triple J. OMNOM – ‘By Myself’ (feat. XKYLAR) is out today (August 30) via Insomniac Records. You can listen to it below and on all available streaming platforms. Stay tuned for more news! The post OMNOM Returns to Insomniac with ‘By Myself’ featuring XKYLAR appeared first on EDMTunes.

New York City native Layton Giordani has cemented his status as a prestigious tastemaker in the techno world, standing behind a respected decade-long discography that has pushed him to the forefront of the next generation of underground producers. Giordani touches down on Factory 93 Records with his new single, ‘Better Than U Thought‘. This vocal-led peak-time techno track revolves around an enchanting hook whose silky croons sit atop running basslines, whirring risers, sharp percussion, cooing harmonic accents, and an acid-fueled resolution, closing the track in fine form. “I was playing a Euro weekend in Amsterdam/Berlin, and I was looking to play a more driven techno set, but I also wanted to have a more sexy aesthetic, so I started surfing the web for vocals. I found this amazing slow vocal, sped it up, added an acid hook, and here we are,” Giordani says Layton Giordani stands firmly as one of the most popular tastemakers of techno’s new school, a true artist in every sense of the word. His pioneering musical vision serves as a contemporary voice for the younger generation. Spending years acquiring knowledge from musical greats, the 28-year-old possesses a wealth of experience far beyond his years and has now undeniably earned his rank in the upper echelon of techno. Solely focused on his passion for music from the age of just 13, Giordani’s path forever changed at 19 years old after watching Danny Tenaglia perform live at Pacha NYC. Deeply inspired by the formative experience, Layton began to master his craft behind the decks, landing a pivotal residency at Brooklyn’s Output NY that would consequently steam-roll his career into quick maturity. Thanks to the faith they instilled in him, Layton turned heads and began making a name for himself through his deft touch and sharp ear. Giordani is set to embark on his debut North American Tour, which will include stops at the iii Points Music Festival, Sound Nightclub, The Church Nightclub, 45 East, EQ Nightclub, Das Energi, Concord Music Hall, and Seismic Dance Event at 1015 Folsom. You can listen to ‘Better Than U Thought’ below. Stay tuned for more news! The post Rising Star Layton Giordani Releases ‘Better Than U Thought’ appeared first on EDMTunes.

We’re grounding ourselves in a melodic realm. Armin van Buuren recruits Melodic Techno duo Agents of Time for an inspiring and soulful new track. ‘Love is Eternity’ features the enchanting vocals of Orkid and it’s available through Armada Music. ‘Love Is Eternity’ A song that transcends time, ‘Love Is Eternity’ is a sensational club track. It lays off the back of the Italian duo’s remix of ‘Love Is A Drug’. The track marries Orkid’s heartfelt vocal performance with stellar progressions and a melodic drop. The latter guarantees audial fireworks to leave an impression that will last forever. Armada continues to blend the boundaries of music with major collaborations and incredible performances. As one of Trance’s major influences, van Buuren continues to expand his repertoire and continues to amaze us with an emotional dance ballad. Coming along into this ride, Agents of Time continue to stand out on the Dance scene with their significant and obscure melodies, inspiring others along the way. Armada Music With over 40,000 signed tracks under their belt, Armada Music is the biggest independent music label there is. With label heads Armin van Buuren, Maykel Piron, and David Lewis, the company manages some of the biggest names in the industry. From Arty, to Armin, Loud Luxury, or Yulia Niko, to name a few. The label takes pride in continues support with BBC 1 Radio and Sirius XM. We all wish we could dance for eternity, but since that’s not possible, we let love carry along for us. Here is ‘Love is Eternity’. The post Armin van Buuren Joins With Agents Of Time For ‘Love Is Eternity’ appeared first on EDMTunes.

On August 27th, 2024, stepping into Cinespace for the revival of DIM MAK TUESDAYS felt like entering a time machine. The legendary LA party, once the pulse of the underground music scene, made its triumphant return as a monthly event, transporting attendees back to the late 2000s and early 2010s. For a few glorious hours, it was as if the last decade had melted away, and we were once again the rebels on the fringes, united by our love for electro, fidget, and punk-infused dance music. A Time Capsule of the Blog House Era Walking into the Bourbon Room, where Cinespace now resides, was like stepping back into a snapshot of the blog house era. The venue’s atmosphere immediately triggered memories of a time when “EDM” was still an unfamiliar acronym and the scene belonged to the outsiders. The night’s soundtrack, a perfect blend of heavy electro and gritty punk dance, resonated with the same raw energy that first drew so many of us to the dance floor. It was the kind of night that made you feel 18 again, surrounded by kindred spirits who understood that this music was more than just sound—it was a movement. The Bloody Beetroots and a Breath of Fresh Air The highlight of the night came courtesy of The Bloody Beetroots, who delivered a set that was nothing short of a revelation. It was a potent reminder of why I—and so many others—fell in love with this scene in the first place. Their performance was an electrifying burst of nostalgia that reawakened a sense of euphoria that had been dormant for far too long. In a world where music festivals have become mainstream and polished, DIM MAK TUESDAYS offered a breath of fresh air, a return to the unfiltered, rebellious spirit that made the early days so exhilarating. A Night for the True Believers As I looked around the crowd, I couldn’t help but feel a deep connection to those around me. Even without knowing their names, I knew these were “my people.” The sense of camaraderie was palpable; we were all there for the same reason—to relive the golden days of the scene and to celebrate the music that had shaped our lives. The lineup, featuring Bones b2b Bot (with Bot formerly half of Crookers), Fashen, Dan Oh, and surprise guests, only deepened that sense of unity. It was clear that this night was more than just a party—it was a gathering of a community that had once defined itself as much by its music as by its rejection of the mainstream. The Future of DIM MAK TUESDAYS As the night came to a close, I couldn’t help but wonder what the future holds for DIM MAK TUESDAYS. If this first event was any indication, the monthly party is set to reignite the same explosive energy that made it a cornerstone of LA’s nightlife over a decade ago. For those of us who were there back in the day, it’s a chance to relive our formative years. For the new generation, it’s an opportunity to experience a piece of music history that helped shape the dance music landscape as we know it today. One thing’s for sure—I’ll be back, and I can’t wait to see where this revival takes us next. The post A Nostalgic Revival: DIM MAK TUESDAYS Returns to Cinespace appeared first on EDMTunes.

Today, just two days before he kicks off of his five-show summer residency on Sunday’s at Ushuaïa Ibiza, Armin van Buuren has released the tenth Ibiza-themed instalment of his globally acclaimed A State of Trance mix album series. This tenth edition continues the tradition of the three-part mix series, capturing the electrifying spirit of the White Isle and bringing it to listeners around the world. A couple weeks ago, the producer and DJ made the announcement on his ASOT radio show on Thursday (August 15). On the same show, Armin also premiered the Who’s Afraid of 138?! Mix. A State of Trance Ibiza 2024 (Mixed by Armin van Buuren) is a three-part journey through Ibiza’s diverse soundscape. Divided into On The Beach, In The Club, and Who’s Afraid Of 138?!, the mix album captures the essence of the island’s music scene, soundtracking the serene shorelines and breathtaking sunsets, as well as the exhilarating nightlife. Featuring forty-two tracks, it includes contributions from renowned artists such as Agents Of Time, Aly & Fila, David Forbes, Gabry Ponte, Heløwed, Joris Voorn, KI/KI, and Mauro Picotto. “I’ve been a huge fan of Ibiza for many years, and I know the island inside and out, but I still find new ways to fall in love with it all over again,” says Armin van Buuren. “It’s not just a hotspot for new music, but also a place where people create unforgettable moments and lifelong friendships. Celebrating ten years of Ibiza-themed albums is incredible. There are a lot of new songs on there that I’ve only played in my sets so far. It feels good to get it out right before my residency starts. I hope you love it!” You can listen to A State of Trance Ibiza 2024 (Mixed by Armin van Buuren) compilation album below and on all available streaming platforms. Stay tuned for more news! The post Armin van Buuren Releases “A State of Trance Ibiza 2024” appeared first on EDMTunes.

The new track follows the band’s recent announcement of a 21-date UK/EU tour this autumn Continue reading...

Daft Punk's LEGO doppelgängers are set to make a cameo in Piece by Piece, Pharrell Williams' upcoming biopic. Told through the lens of LEGO animation, the film, Piece by Piece, chronicles the growth of Williams' music career and his path to becoming a cultural icon. Focus Features, the movie's distributor, has now released its official poster and uncovered the first look of Daft Punk in LEGO form. It's a match made in rectangular heaven, blending the French electronic music pioneers' sleek futurism with the nostalgic charm of childhood building blocks. As Williams' career snaps into focus one brick at a time, the inclusion of his helmeted "Get Lucky" collaborators promises to add an extra layer of whimsy to this already unconventional biopic. First look at Daft Punk in the LEGO Pharrell Williams biopic. In theaters on October 11. pic.twitter.com/EjhEszw02H — DiscussingFilm (@DiscussingFilm) August 29, 2024 Daft Punk's Thomas Bangalter and Guy-Manuel de Homem-Christo feature in a star-studded cast of bricked-up music icons, appearing alongside Gwen Stefani, Jay-Z, Snoop Dogg, Kendrick Lamar, Justin Timberlake, Timbaland and Busta Rhymes. Whether or not Daft Punk perform in Piece by Piece remains to be seen, but it's a safe bet after comments made by the film's director, Morgan Neville. "There are so many great characters, everybody from Snoop to Daft Punk, all these different people are amazing in Lego," Neville recently told Variety. "But recreating recording studios and boom boxes, and turntables and all this stuff that hadn’t really been done, people are going to … I want a set of all that stuff! It was a great, creative challenge." Outside of Hollywood, Daft Punk have been a popular choice for the humble LEGO creator. An ambitious father-son duo in 2020 developed an intricate recreation of the robots' iconic "Alive 2007" pyramid stage, and in 2022, an artist constructed lifelike LEGO versions of Bangalter and de Homen-Christo's iconic helmets. A year later, an award-winning creator used the multicolored bricks to recreate a 3D cover of Daft Punk's final album, Random Access Memories. Piece by Piece is scheduled to be released in the United States on October 11th, 2024. Check out the trailer below.

SIDEPIECE, the GRAMMY® Award-nominated dance duo comprised of multimillion-streaming DJ/producers NITTI (Ricky Mears) and Party Favor (Dylan Ragland) – are celebrating the end of summer by teaming up with soulful R&B songstress, writer and producer Midian (Beyoncé, Justin Bieber) for their new anthem, ‘Who Created Love (Feat. Midian),’ available now via Big Beat Records. ‘Who Created Love’ Written and produced by SIDEPIECE, ‘Who Created Love’ has quickly proven a show-stopping fan favorite during SIDEPIECE’s explosive live sets throughout the summer, including a special performance that saw them joined onstage by Midian at Los Angeles, CA’s HARD Summer. More than just a House track, the song captivates the essence of summer with an optimistic and euphoric approach. This leads to a massive sense of loving and caring on the dancefloor. The track marks the latest in a seemingly non-stop run of recent bangers from SIDEPIECE, including SIDEPIECE & Disco Lines’ euphoric ‘Give It To Me Good’ and the duo’s sizzling collaboration with Croatian house artist San Pacho, ‘Taka.’ credit: Koury Angelo SIDEPIECE is continuing to travel North America on an epic live schedule highlighted by headline sets, top-billed festival appearances – including EDC Orlando (November 8) – and much more. SIDEPIECE While Dylan Ragland and Ricky Mears meant to start a side project, they weren’t expecting to create SIDEPIECE – a GRAMMY® Award-nominated house duo that’s clocked more than 362M global streams since its inception. The two creatives – Ragland makes music as fan favorite Party Favor while Mears produces as dancefloor igniter NITTI – first linked via DM in 2019 to share track ideas. Sensing their musical chemistry, they jumped on Facetime. By the end of the call, they’d registered the @youasidepiece social handles and their own figurative sidepiece had been born. credit: Koury Angelo “It started out as a fun passion project because we both love and care about house music,” says Dylan Ragland, “but it’s grown so much bigger than we originally planned.” Indeed, success came fast for the pair. SIDEPIECE’s second single, the 2020 Diplo collaboration “On My Mind,” proved a global smash, earning more than 225M global streams, Gold and Platinum certifications in a dozen countries around the world, and a prestigious 2021 GRAMMY® Award nomination for “Best Dance Recording.” A flurry of additional hit singles followed, with SIDEPIECE carving out a signature sound rooted in catchy vocals – “The most important element,” says Ragland – and an ever- intoxicating bump-and-grind house groove. Spanning tech house, bass house, and beyond, tracks including “Acrobatic,” “Temptation,” “Sextacy” and “Reborn” are all quintessentially SIDEPIECE – party-starting club records with a pop-lean and serious sex appeal. Create new dance moves, in the name of love, with SIDEPIECE’s newest release ‘ Who Created Love’ : The post SIDEPIECE Celebrate The End Of Summer With ‘Who Created Love’ (Feat. Midian) appeared first on EDMTunes.

Wax Motif is back with the club-ready house anthem, ‘212,’ set to drop on August 30th via Cr2 Records. This undeniable party anthem arrives at the heels of the hitmaker’s landmark HARD Summer performance. Which featured a surprise appearance from VULTURES collaborator Ty Dolla $ign. Australian-born, LA-based DJ and producer Wax Motif is back with the club-ready house anthem, ‘212,’ set to drop on August 30th via Cr2 Records. Teaming up with NYC duo Truth x Lies and bass DJ + rapper AK RENNY. Wax Motif delivers an infectious beat that masterfully blends house, electro, and hip-hop elements. An ode to the undeniable energy of New York City’s iconic area code, ‘212’ captures the gritty yet vibrant pulse of the bustling metropolis in a way that only this powerhouse trio can. ‘212’ is a bold and boundary-pushing offering, propelled by minimalist, yet powerful production centered around a relentless bassline. AK RENNY’s sharp verses add a striking edge. Making this track an undeniable standout on any playlist or dance floor. With its innovative approach and genre-blurring sound, ‘212’ demands attention and leaves a lasting impact. “Truth x Lies have been friends and close to us for a few years now. We have been passing ideas back and forth for some time. TXL started the 212 song and when I heard it, I felt I could really work with an idea. We ended up working on a few back and forth sessions to create 212 as you hear it today. This song is one to keep you moving in the club and provide you some energy to get you through your night. ” -WAX motif About ‘212’ masterminds Daniel Chien, aka Wax Motif, is a leading force in defining the house sound in the US. Drawing inspiration from R&B, disco, and UK bass. His debut album, House Of Wax, has garnered over 33 million streams. Making him a sought-after producer with support from acts like Dom Dolla, John Summit, Solomun, and Zhu. His flip of Drake’s Honestly, Nevermind gained radio support and a co-sign from Gordo. Wax Motif has reached new heights with sold-out shows, including a collaboration with ZHU on “Better Recognize” and an advance sell-out at the Shrine Expo Hall in Los Angeles. With festival performances at Electric Forest, Lollapalooza, and Tomorrowland. In early 2024, Wax Motif produced ‘BACK TO ME’ featuring Freddie Gibbs for Ye x Ty Dolla $ign’s album. ‘VULTURES‘, which topped charts in 80 countries within 24 hours, solidifying his status as a top-tier producer. Recently, Wax Motif headlined HARD Summer with a high-energy set on the HARDER Stage Saturday night, coinciding with the VULTURES 2 release. In a thrilling moment, Ty Dolla $ign joined him on stage, treating the 80,000-strong crowd to live performances of ‘BACK TO ME’, ‘Field Trip’, and an exclusive preview of their upcoming collaboration, ‘Make Me Better’—leaving an indelible mark on the Los Angeles festival. Truth x Lies is a dynamic DJ and producer duo from New York City, made up of Ryan Howard and Ian Bertles, who met through a mutual friend while Ian worked at a record store in Manhattan. Starting as local promoters, they spun at their events, exploring various genres before focusing exclusively on house music. The name Truth x Lies reflects the duality of their backgrounds and approaches to music. Their breakthrough came in 2017 when they won the Insomniac Discovery Project, prompting them to shift from local gigs to full-time production. In 2023, they released their first single, ‘Heard About Me,’ a cover of 50 Cent‘s ‘P.I.M.P.,’ followed by ‘Controlled’ featuring Jake Herring, solidifying their presence in the house music scene. You can listen to Wax Motif, Truth X Lies and Ak Renny- ‘212’ below! The post Wax Motif Joins Forces With Truth X Lies, Ak Renny For Club-Ready Banger ‘212’ appeared first on EDMTunes.

Spotify has long been at the forefront of blending music with social media, and it seems like they’re gearing up to take that integration to the next level. Rumors are swirling about a new Spotify feature that would allow users to continuously share their music directly through Instagram’s Notes. This potential game-changer, first spotted by app reverse engineer Alessandro Paluzzi, has the internet buzzing with anticipation. Continuous Sharing: The Next Evolution of Music and Social Media? Instagram introduced its Notes feature back in 2022 as a way for users to share 30-second clips with their followers. While song clips have been part of the equation in regions with music licensing, this new feature suggests that Spotify is exploring a deeper integration. The proposed “continuous share” feature would let users broadcast what they’re listening to in real-time on Instagram, with the option to stop sharing whenever they choose. This concept isn’t entirely new, as Spotify already has a similar integration with Facebook. However, given the shifting demographics—with younger users gravitating more towards platforms like Instagram and TikTok—it’s no surprise that Spotify is focusing on Instagram for its next social feature rollout. Testing in Progress: Will This Feature See the Light of Day? As with many app developments, it’s important to note that this feature is still in the testing phase. Meta and Spotify are known for experimenting with new concepts, but not all make it to a public release. The “Share from Spotify” prompt that Paluzzi uncovered reads: “Continuously share what you’re listening to. You can stop sharing at any time,” hinting at a seamless experience for users who want to share their musical journey with followers. The Bigger Picture: Spotify’s Social Ambitions This potential feature aligns with Spotify’s broader strategy of enhancing its community features, which is crucial as they look to compete with platforms like YouTube and TikTok. Beyond just music streaming, Spotify has been adding new layers to its app, such as the ability to comment on podcasts and create detailed user profiles. These moves suggest that Spotify isn’t just content with being a music streaming service—it wants to be a social hub for music lovers. While neither Spotify nor Meta has confirmed this feature, the buzz around it indicates that something big could be on the horizon. Whether or not the continuous sharing feature becomes a reality, it’s clear that Spotify is committed to pushing the boundaries of how we interact with music and social media. [H/T] Digital Music News The post Spotify and Instagram Team Up: New Continuous Sharing Feature in the Works? appeared first on EDMTunes.

As thousands of music lovers from every corner of the globe are descending upon the grounds of Haarlemmermeer, the wait for one of the most anticipated festivals of the year, Mysteryland, is finally over. Today, on the 30th of August, the iconic festival known for its mind-blowing music, breathtaking installations and exceptional vibes, kicks off its three-day program and is set to deliver an unforgettable experience that will leave a buzz long after the last beat drops. Mysteryland, ‘’the colorful collaboration of artists’’, that took place in 1993 for the very first time and was originally a one-day event, has since then grown into a multi-day festival held annually in Haarlemmermeer, and is now the longest running electronic music festival in The Netherlands. Showcasing legendary performances from top DJs and electronic music artists, Mysteryland is celebrated for its musical diversity, offering a rich array of genres from techno and hardcore to house, R&B, and hip-hop. This broad spectrum of sounds has made the festival renowned for its eclectic mix and inclusive atmosphere. Nested in the lush landscape of the Floriade terrain near Amsterdam, with over 100,000 yearly festivalgoers from over 100 nationalities, Mysteryland is about much more than music alone. Offering immersive art installations, cultural activities and commitment to sustainability and community-building, Mysteryland has become more of a cultural institution that once a year, provides the ones who are lucky enough to attend with a holistic, mind-blowing, sensory experience. After last year’s successful 30th anniversary celebrations, Mysteryland is back in 2024 with yet another promising weekend program with over 300 artists, 22 stages, a broad variety of different activities and yet to be revealed surprises. Only looking at the line-up alone with Charlotte de Witte, Artbat, Kölsch, R3HAB, Fedde la Grand b2b Mark Knight, Meduza, Yellow Claw, Vini Vici, Cynthia Spiering, and many more, there is no doubt that we’ll be in for a wild and unforgettable ride. And guess what – this year EDMHouseNetwork has gotten the honor of partaking in this amazing experience which will be a journey that we of course want to take our followers and readers on too! We will be at Mysteryland from beginning to end, camping together with most hardcore festivalgoers and are going to do our best to make sure that you get to experience some of the best parts of Mysteryland through us. On that note, stay tuned as we embark on another adventure in the destination of the best possible vibes.

The award ceremony returns to Ibiza this year after a four year hiatus Continue reading...

Reimagined and better. Remixes are one of the biggest parts in music, being the official way to release an artist’s vision of a track originally created by someone else. Throughout time, we have been blessed with some amazing reworks that to this date are still huge and receive appreciation. Follow along the list as we are about to go down memory lane looking at 5 remixes that became bigger than the original track. Nadia Ali, Starkillers & Alex Kenji – Pressure (Alesso Remix)Back in 2011, Alesso gave us one of the most iconic EDM tracks ever made. Still in his setlist these days, the song is a masterpiece. Everything is perfect about it, the vocals, the leads, the build up, the tension it creates, and finally, the drop. With such a legendary sound, Alesso won the award for the ‘Best Progressive Track‘ at the 2012 International Dance Music Awards. 2. Mike Posner – I Took A Pill In Ibiza (Seeb Remix) This is that song you first heard on the radio and immediately fell in love with. From a folk-pop track to a golden era, tropical house classic, Seeb have topped charts in countries such as the UK, USA, Belgium and The Netherlands. The remix is true to the sounds of 2015/2016 when tropical house was at its peak with other songs such as ‘Stole The Show‘ and ‘Perfect Strangers.’ 3. Lana Del Rey – Summertime Sadness (Cedric Gervais Remix) ‘Summertime Sadness’, but make it a festival anthem. The legendary Cedric Gervais produced one of the most loved progressive house songs to this day. Turning a slow bpm record into an EDM classic, the song has debuted at number 72 on the Billboard Hot 100 and became Lana Del Rey’s highest-charting solo. Cedric’s remix also reached number 4 in the UK singles chart and went platinum in Germany. 4. Benny Benassi feat. Gary Go – Cinema (Skrillex Remix) From tech house to electro house and dubstep, Skrillex has done it all, but nothing compares to his remix of ‘Cinema‘ by Benny Benassi. The dubstep icon stole the show with this release that received a 2012 Grammy Award for Best Remixed Recording and stayed on Billboard’s Dance list for more than two years after its release. The ‘Cinema‘ remix is now Skrillex’s 14th most streamed song on Spotify with 159 million streams. 5. Steve Aoki feat. Wynter Gordon – Ladi Dadi (Tommy Trash Remix) Another Golden Era gem, this time coming from one of the progressive house pioneers, Tommy Trash. Having tracks such as ‘Reload’ and ‘Sunrise (Won’t Get Lost)’ in his discography, Tommy is truly a legend of the genre. In 2012, he released his version of ‘Ladi Dadi’ by Steve Aoki and Wynter Gordon. The remix went on to be played at the biggest festivals and clubs in the world by artists like the Swedish House Mafia, Tiesto and Kaskade. While this list only features five of the biggest remixes ever produced, there are still a ton of them out there that could make this article go on forever. It is great how listeners can think a track couldn’t get any better and then be blown away by a remix. Remixes have always been a way of keeping older and iconic songs fresh and adapted to the newer sounds of the industry.

The Canadian producer has also shared a fourth single from the album, ‘Come Find Me’, in the lead up to its release Continue reading...

Kasablanca delivers the fourth single of their upcoming debut album, ‘Higher Resolution’ (Side A), this time with their viral official cover of The Prodigy’s iconic track from 1996, ‘Breathe.’ Quickly becoming a chart-topping single in the late ’90s, ‘Breathe’ was the second single from The Prodigy’s third album ‘The Fat of the Land.’ The song saw widespread critical acclaim around the world, hitting number 1 on UK music charts, going on to be 2x certified platinum, and earning a spot as one of dance music’s most recognizable tracks. First heard in 2023 during Kasablanca’s set at the Group Therapy Weekender at The Gorge Amphitheater, the duo took the audience by surprise with this thumping live-oriented take on ‘Breathe.’ Footage of the cover quickly spread online, garnering millions of views. Whilst the song was never intended to see an official release, with the blessing of The Prodigy themselves, Kasablanca’s cover of ‘Breathe’ is now available. Kasablanca’s ‘Breathe’ gives an official tribute to the original hit while blending modern tastes of acid house and techno into a true mainstage anthem. It follows their three previous album singles, ‘Remission’ with Lane 8, ‘Terminal Feeling’, and ‘Daydream’ with anamē, with the first half of their recently announced debut album ‘Higher Resolution’ dropping on October 4th. The band will tour North America this fall in conjunction with the album’s release Stream / Download here The post Kasablanca covers The Prodigy’s ‘Breathe’ appeared first on Decoded Magazine.

Liverpool will host a historic electronic music festival celebrating 60 years of The Moog — the first-ever commercial synthesiser. The Moog At 60 is a four-day musical extravaganza for lovers of all things electronic and synth, which takes place at Liverpool Hope University’s Capstone Theatre between 21-24 November 2024. This landmark celebration will pay homage to the revolutionary instrument and its inventor Robert Moog, which changed popular music forever in 1964. The Moog, a name synonymous with electronic music, was the first-ever commercial synthesiser. Through its revolutionary concept of analogue modular synthesis, the instrument heralded a succession of technological developments in music throughout the 60s and 70s. It was a key feature in the most innovative electronic and experimental music, progressive rock and jazz fusion of the time. Paving the way for a succession of technological developments in music, The Moog created a new sound which was soon embraced by legendary acts such as Kraftwerk, George Harrison, and the Rolling Stones. Following a period in electronic music production in the 80s and 90s dominated by digital synthesis, more recently analogue modular synthesisers have returned to the centre stage in electronic music, with artists enthralled by the instruments’ timbral richness and their tactile sensitivity and playability. Opening the festival in Liverpool on Thursday 21 November will be a headline show featuring Will Gregory Moog Ensemble; a collective led by Goldfrapp’s Will Gregory and whose members include Portishead’s Adrian Utley and composers Graham Fitkin and Ben Foster. Expect sounds from their latest album Heat Ray, an album inspired by the work of Greek mathematician Archimedes. On Friday 22 November, the Capstone hosts a Lydia Kavina and The Twelve Hour Foundation double bill. Theremin player Lydia Kavina has graced stages with renowned orchestras such as the London Symphony, Radio France Orchestra and the National Philharmonic Orchestra of Russia, whilst The Twelve Hour Foundation, whose music is released on the Castles in Space label, has had airplay from the likes of Stuart Maconie, Gideon Coe, Pete Wiggs and Project Moonbase. On Saturday 23 November, the festival welcomes another double bill in Dave Bessell and Polypores. A classically trained musician with a doctorate in classical orchestration, Dave Bessell has also enjoyed an extensive career in popular music contributing to albums by Killing Joke and Suede. Polypores’ music has been released by respected electronic music labels such as Castles In Space, Polytechnic Youth, Woodford Halse, DiN and Frequency Domain. The celebration culminates on Sunday 24 November with A Tribute to Kraftwerk: 50 Years of Autobahn and Far Beyond. For the 50th anniversary of the iconic group’s international breakthrough album Autobahn, music technology expert Mark Jenkins presents a striking live solo performance of the band’s hits. For lovers of these innovators and pioneers of electronic music, this very special anniversary gig is simply a must. The Capstone Theatre’s Neil Campbell said: “During the past few years, The Capstone Theatre has become a hotbed of electronic music and we have hosted many packed out nights. This, our first-ever festival of electronic music, will be particularly special — featuring some incredible acts in celebration of the groundbreaking instrument that changes music forever. We’re thoroughly excited.” Tickets for The Moog at 60: A Celebration are on sale at TicketQuarter. Event tickets start at £16.50, with festival bundle tickets available from £55. The post Festival of electronic music comes to Liverpool to celebrate 60 years of the synthesiser appeared first on Decoded Magazine.