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*Featured Cover Photo Credit: Ashley Harrell / SFGATE On September 2nd, the Labor Day holiday, tens of thousands of Burning Man attendees enjoyed their last day at the festival’s playas. While departing (or trying to depart), the Burning Man attendees faced a heavy dust storm that affected traffic significantly. According to an article from The Daily Beast, the attendees faced delayed traffic times of up to 10 hours getting off-site. Not just that, the dust storm affected the visibility of the Burning Man attendees trying to leave by reducing it to just five feet. Burning Man Traffic‘s account on X (formerly Twitter) had a post at 07:24 p.m yesterday that had a travel time of “6 hours from Greeters to pavement”. The account at 08:21 p.m. also uploaded another updated post that also shown an expected travel time of 6 hours too, in addition to the frequent posts that showed 4-5 hour commute times as well. According to another article from SFGATE editor Ashley Harrell, who attended this year’s festival with her partner, the dust storm started during the Temple Burn on Friday night, August 30th. Since then, even during the famous burning of “The Man” statue, the dust storm still continued, much to the detriment of the Burning Man attendees trying to leave Black Rock City as quickly as possible. Photo Credit: Jason Ross / Reno Gazette Journal Current status of the Burning Man dust storm situation As of this current moment, Burning Man Traffic’s X account now has travel-time updates that state “1 hour from Greeters to pavement”. For the Burning Man attendees, the dust storm is another hectic event on and around the playas that have made their experiences in the 2024 edition something that will live on in their memories for a very long time. Earlier in the week, during the first day of the festival to be exact, an attendee died after she was found unresponsive and the attendee’s death occurred after the festival began after a 12-hour delay due to rain and muddy conditions. In addition, The Mirror reported that a man named Samer Naouri got under arrest for false imprisonment, kidnapping, and abduction, as well as a drug-related offense. Furthermore, a woman named Susie Holland had to pay a fine of $1,500 to the Nevada Transportation Authority and the impound lot for giving rides to people who were heading to Black Rock City for cash without a proper permit (under Nevada transportation regulations). For the majority of the Burning Man attendees who were trying to leave, even after packing all of their things into their vehicles/trailers/RVs, the dust storm have probably affected their physical and mental well-beings. The same goes if they hitchhiked or taking the bus (or ridesharing) as well. If they do plan on returning to Black Rock City next year, or anyone who is planning to attending their first Burning Man, preparing for worst-case traffic/storm scenarios should be an important task for them to include in their plans. The post Burning Man Exodus Dampened By Major Dust Storm appeared first on EDMTunes.

Autumn is almost there and it means just one thing: Amsterdam Dance Event is around the corner. This year, a lot of new and old friends will return to ADE. Zamna is among them and, it’s not alone. For the 2024 party during ADE, Zamna has teamed up with SONA. Who’s SONA you may ask. Well, it’s a collective, founded by three friends, who bring innovative sounds and visual concepts to life. They run brands like No Art, expo, Wavy and Stichting Synergy. SONA resides in Amsterdam, the city with the most cultural identities per square meter. And we intend to take this inclusive and global mindset to all our events. We welcome audiences from all around the world. Or bring our creative concepts across borders. Since music is a universal language. Anyone can listen to it. SONA is where minds melt. Culture blossoms. And dance floors tremble. If you listen carefully. You will hear the sounds of the new audience. For the 2024 Amsterdam Dance Event, Sona will take over the historic Westerkerk, a stunning church in the heart of Amsterdam. Zamna will kick off the party on October 17th with a packed lineup that includes Argy, Agents Of Time, Brina Knauss, Oostil, Henri Bergmann, and Yet More. Because of the limited capacity of the venue, you must pre-register to get your ticket. Zamna is not the only party run by Sona during ADE. At the same location, the historic Westerkerk, just a couple of days later, on October 19th, Bedouin teams up with Sona bringing his Saga format to ADE. Sona is also teaming up with Circoloco for their September Amsterdam party at NDSM-Werf. Afterlife is set to return to ADE this year as well. The post Zamna teams up with Sona for ADE 2024 party: lineup appeared first on The Groove Cartel.

In an unexpected convergence of house music luminaries, Chris Lake and Disclosure have collaborated on a pair of new tracks, they revealed on Friday. Fans are abuzz with speculation after each took to social media to tease the new music and share previews. Lake, known for his chugging basslines and singular approach to sound design, brings a raw energy to the table while Disclosure—who leaned into a more club-focused sound in last summer's Alchemy album—craft their irresistible melodies. Built around a characteristically thick low-end, the first track is steeped in Lake's underground grit. Disclosure's melodic sensibilities shine in the second collaboration, where bluesy keys slink atop infectious house grooves. Neither has confirmed titles or release dates at the time of this writing, but whatever the outcome, this blend of two deeply influential styles signals an exciting chapter for house music. Check out the previews below. View the original article to see embedded media. Follow Chris Lake:X: x.com/chrislake Instagram: instagram.com/chrislake TikTok: tiktok.com/@chrislake Facebook: facebook.com/chrislake Spotify: spoti.fi/3auKRRk Follow Disclosure:X: x.com/disclosure Instagram: instagram.com/disclosure TikTok: tiktok.com/@disclosuremusic Facebook: facebook.com/disclosure Spotify: spoti.fi/2QwBc3q

Fifteen years ago, on September 3, 2009, deadmau5 released ‘Strobe’, a track that has since become a defining moment in the progressive house genre and a cornerstone of his illustrious career. As the sixth single from his album ‘For Lack of a Better Name’, ‘Strobe’ captivated listeners with its intricate melodies, gradual build-up, and emotional depth, quickly earning its place as one of electronic music’s most celebrated compositions. ‘Strobe’ transcended the typical dance track, resonating deeply with audiences and solidifying deadmau5, also known as Joel Zimmerman, as a trailblazer in the electronic music scene. The track’s origins trace back to an earlier work titled ‘Then We Stood Still’, which Zimmerman teased on his YouTube channel months before the official release, generating significant anticipation among fans. With its timeless appeal, ‘Strobe’ has accumulated over 100 million streams and remains a staple in deadmau5‘s live sets, often serving as a mesmerizing closing track. The song’s enduring influence is a testament to deadmau5‘s unparalleled talent and vision, making it a landmark in the history of progressive house. deadmau5’s impact on electronic music goes beyond ‘Strobe’. Known for his creativity and technical prowess, he has left an indelible mark on the EDM scene. His journey, marked by numerous hit albums, high-profile collaborations, and even legal battles over his iconic mouse helmet, reflects his unwavering commitment to his craft and his unique place as one of the most influential and polarizing figures in electronic music. ‘Strobe’ is more than just a track; it’s a symbol of deadmau5’s legacy and his ability to create music that transcends time, touching the hearts of listeners across generations. As we celebrate its 15th anniversary, ‘Strobe’ continues to inspire and captivate, standing as a testament to the enduring power of truly great music.

Wilza keeps his momentum driving forward as he drops his latest Tech House track, ‘U Know It Ain’t Cool’ via his label SwingBeat Records. A quick return following the release of his single, ‘What You See,’ Wilza now brings a fresh take on Bobby Brown’s 1980s hit ‘Don’t Be Cruel,’ offering the second single from his new Jack House swing project in which he works to revitalise the New Jack Swing genre by adding his own contemporary twist. Taking the skills and experience he has fostered over his long-standing journey within Electronic Music, Wilza has been focussing his creative efforts on this new project; consolidating his influence from RnB and House into a cohesive style, his approach sees him offering listeners a hint of nostalgia whilst infusing refreshing energy into his productions. As he seeks to pay homage to his personal favourites from the 80s and 90s music scene, Wilza emerges with a sound that captures the essence of these influential decades while incorporating modern production techniques: the result, epitomised in this latest single, comes as dancefloor-ready music that appears poised to unite listeners with its familiar yet unique sound. ‘U Know It Ain’t Cool’ envelops the listener in a vibrant sonic landscape: starting with a steady House beat, introducing playful percussive elements, the infectious bassline joins to provide a solid foundation for the track to build against, evolving as pulsing synths, soft chordal progressions, and the vocals of the Bobby Brown original enter. By splicing the vocal lines, adding risers, and developing the rhythmic composition, Wilza elevates the funky vibes of the track, introducing fresh energy with the breakdowns and groovy drops. Showcasing his ability to blend the past with the present, creating an auditory experience that will appeal to both long-time fans of New Jack Swing and new listeners, ‘U Know It Ain’t Cool’ appears an impactful release in Wilza’s new musical chapter as it serves to indicate his creative promise and sets the stage for future projects. So, be sure to stay tuned to Wilza’s journey by following him across social media, diving into ‘U Know It Ain’t Cool’ today: out now and available to stream and download across platforms here. Follow Wilza: Instagram / Spotify / Soundcloud Follow SwingBeat Records: Instagram

Heritage Listed unites with Le Hutin to deliver their House track, ‘Soothe My Soul’ via Basics Recordings. Although their debut musical collaboration, the pair have built a solid working foundation as joint label heads of Basics Recordings and now team up to bring this newest release, offering compelling energy to House fans globally. As they come together through a shared passion for House music, Heritage Listed and Le Hutin ensure that listeners experience the best of their unique styles in this new track, blending their diverse influences to craft a production that embodies their individual sonic identities. With the disco-infused vibes of Heritage Listed’s sound on full display, listeners are offered a taste of the high energy that has come to define his style and become a signature to his approach as a DJ and Producer. Having begun his musical journey in Australia and later relocating to Europe, Heritage Listed has had the opportunity to share his unique sound with various audiences, continuing to find motivation in the success and attention he has achieved so far. With notable streaming success for his original productions, such as ‘Cookies and Cream’ and ‘Airport Jazz,’ Heritage Listed now seeks to captivate more audiences as he joins forces with Le Hutin. Complementary to Heritage Listed’s approach and ambition, Le Hutin brings his own set of experiences and skills; with his first release in 2017 kickstarting his journey, Le Hutin has since held residencies at top Paris venues like Djoon Club and Rex Club, gaining recognition for his creativity and talent which he now brings to his work on ‘Soothe My Soul’. With the pair embarking on fresh ventures together, both through their label and this latest release, Heritage Listed and Le Hutin combine artistic visions, aiming to showcase their individual strengths and collaborative power. Driven by an infectious groove, ‘Soothe My Soul’ quickly establishes a lively energy, layering catchy details that captivate from the start. With a steady beat at its core, the track is elevated by funky piano motifs, soulful basslines, dynamic stabs, and expressive vocal lines, all contributing to its bold sonic palette. The intricate melodic phrases that weave throughout the arrangement add to the vibrant and evolving vibes, as underlying synth lines and percussion enrich the soundscape, giving way to a joyful listening experience that will surely resonate with fans of the style. So, out via Basics Recordings and available to stream and download across platforms here, be sure to listen to ‘Soothe My Soul’ now. Stay tuned to both Heritage Listed and Le Hutin via social media to remain up-to-date with each of their journeys. Follow Heritage Listed: Spotify / Beatport Follow Le Hutin: Spotify / Beatport / Instagram Follow Basics Recordings: Beatport

Showcasing the sounds of South Asian dance music, Indo Warehouse is set to hit South Africa, Kenya, and other locations this month Continue reading...

Former Volt & State member, Quentyn is back with I Wanna Know. The new single from the indie-electronic music artist blends electronic festival-feel melodies with organic indie band sounds. “I Wanna Know” showcases Quentyn’s signature style; festival-feel melodies are intertwined with the raw, organic sounds typical of indie bands. Quentyn’s songwriting process is unique; he begins each track on the piano, crafting the perfect melody loop before layering in electronic elements. This method results in music that is not just for festivals but for moments of introspection and active listening. The tune works when you’re on the road, alone, or during contemplation. It’s not surprising that early support for “I Wanna Know” has been strong. BBC Music, for instance, has already backed the track. The song has also gained significant traction on social media, with related content amassing over 300,000 views on Instagram. The success was also built thanks to a popular solo challenge that has captured the attention of music fans worldwide. Quentyn describes his music as designed to evoke the feeling of a plot twist in a movie. The sounds are reminiscent of the moment when the underdog triumphs against all odds, fueled by determination and a brilliant master plan. “I Wanna Know” is no exception, embodying the motivation and strength to take action in life, rather than serving as an escape. The post Quentyn Present Indie-Electronic single ‘I Wanna Know’ appeared first on The Groove Cartel.

Sara Landry, scorcher of dancefloors and rewirer of minds, has announced her long-awaited debut album, Spiritual Driveby. As the self-anointed "High Priestess of Hard Techno" prepares to unleash her sonic grimoire, anticipation is building for an album that will crystallize one of the most explosive electronic music breakouts in recent memory. The EDM.com Class of 2024 superstar has built a large and devoted following with her uncompromising approach to the genre, fearlessly pushing the tempo to the bleeding edge on the stages of the world's biggest festivals. Opening up about the album, Landry paints a picture of techno production that weaves big questions through hyperkinetic rhythms, channeling the invisible threads that bind us all. Her audacious claim? We're unwitting collaborators in this cosmic dance. "This sonic offering was motivated and inspired by the notion that none of us are alone because we are all energetically linked," Landry said in a press release shared with EDM.com. "Everything we do is interwoven and collaborative, whether we realize it or not. Every musical experience we’ve ever had, every show we’ve been to, every euphoric moment that echoes across time has been a collaborative experience and a stacking of energies." Spiritual Driveby, Landry adds, was completed after a 15-month period of writer's block. She credits her many collaborators, including Mike Dean, Nico Moreno, Shlømo, Aaron Hibell, LEGZDINA and Alex Farell, for helping break the cycle. The album also features her personal hypnotist, whose haunting vocals appear on its prelude. Spiritual Driveby is scheduled to release October 4th via Landry's own record label, HEKATE. Follow Sara Landry:X: x.com/saralandrydj Instagram: instagram.com/saralandrydj TikTok: tiktok.com/@saralandrydj Facebook: facebook.com/saralandrydj Spotify: spoti.fi/3RKgqwu

Dubbed "the world's wettest party," S2O Festival made a splash over the weekend with its U.S. debut at the Brooklyn Mirage. One of Asia's premier festival brands, S2O launched in Bangkok back in 2015 and has since hosted larger-than-life festivals in Japan, China, Taiwan, South Korea and Vietnam. The festival is beloved for its interactive water effects, which drench fans in euphoria alongside electrifying EDM lineups. Its organizers are now celebrating a successful—and soaked—stateside debut over Labor Day Weekend. Headliners Marshmello and Subtronics tore up the Brooklyn Mirage alongside Alan Walker, Timmy Trumpet, ARMNHMR, LEVEL UP and a special B2B set between Said The Sky and EDM.com Class of 2021 star William Black, among others. EDM.com was on the ground to capture all the wringing-wet mayhem. "I was definitely a bit nervous about the water at first, but I came prepared with a cover for my camera," said Kelly Knisel, who captured the festival for EDM.com. "It ended up being one of the craziest crowd experiences I've had. Everyone there was loving the water blasts! And in true raver fashion, everyone was helping me keep my camera dry and giving me their towels to help dry it off." Check out our gallery below and find out more about S2O here. Kelly Knisel/EDM.com View the 26 images of this gallery on the original article Follow S2O:Instagram: instagram.com/s2ofestival X: x.com/s2ofest Facebook: facebook.com/s2ofestival

In a fascinating twist, three-time World Speedway Champion Tai Woffinden, known for his dominance on the speedway track has now embarked on a thrilling new adventure in the world of electronic music. Inspired by top-tier artists like FISHER and motivated by his natural drive as a professional athlete, Tai is releasing tracks on Armada Music and collaborating with legends like Gabry Ponte. We caught up with him to explore his fresh perspective on music, balancing life as a DJ, racer, and father, and his plans for the future. You are best known for your impressive career as a 3x World Speedway Champion, what made you decide to also pursue a career in music? Well, we have Paul Fisher to thank for that. I went to his festival he did in Australia and his partner Chloe Fisher hooked me up with some backstage passes and I remember thinking he was a pro surfer and look what he’s doing here following his passion for music too. FISHER inspired me so I locked in and here we are releasing a track on Armada with Gabry Ponte! Life is wild… What lessons have you carried over from your speedway career into DJing and producing? I don’t know if there are any lessons, but to be a professional athlete and achieve what I have over the years it takes a certain kind of mindset and drive and I will carry that forward as that the only way I know how to live. How has the response from the electronic music community been since you began pursuing DJing? So far so good but were only just getting started! There’s a famous quote by American basketball legend Shaquile O’Neal that when he’s on stage performing as DJ Diesel, he has the same feeling as a playoff game. Do you also feel that same energy? I’m not sure yet, because until I play to a 55,000 capacity music crowd, the equivalent of the racing audience at Warsaw Polish Grand Prix, it’s not until then I can truly compare. However, I know one thing, I thrive in them high pressure situations like Diesel did when he was shooting hoops! How does your background and experience as a professional athlete influence the way you approach music? Well, like I say I’m good under pressure and I guess the touring aspect of a speedway racer’s life is very aligned with that of a DJ on the road. Just swapping the bikes for decks. Who is your biggest inspiration when it comes to electronic music? I love watching Will Sparks perform he always brings great energy. Fred again… is a true musical legend and his skills with instruments is super impressive. Then you have James Hype the master of the decks! There are too many amazing people in the scene to list them all. You released a track with Gabry Ponte, a legend in the Eurodance scene and best known of course for being part of Eiffel 65, did you (like me) grow up listening to that style of music? What was it like collaborating with him? I grew up listening to everything that my mum would be blasting on the stereo, often Michael Jackson. My youth days were loading up the skits mix CDs with my mate at the weekends and raving all night while his mum was working night. Then, when I was 16, we jumped the fence to go see Pendulum but my heart is main stage techno. We sent the track to Gabry’s team and just two days later we got a reply saying that he loved it and wanted to get straight to work on finishing touches. I’m stoked with how it turned out and to have such an enthusiastic reaction from someone of his level is really motivating. How do you go about balancing being a father, your career in racing and music, vlogging, and creating content on social media? Ahh yeah some days can be tricky… Socials are super easy. It only takes 5 min to post. I do all my own stuff, I put the vlogs on the back burner as we’re not allowed to use any race footage so it just did not make sense to do a race day vlog with a few clips of racing. For now, racing and producing works super well it’s a nice balance and allows me to switch off from the racing. The hardest part is being away from my wife and kids but I’m the provider and I want to give them the best life possible. We home school the kids when we’re in UK so we get so much time with them as we can when I’m home and it allows us to jump on a plane and they can all come so I feel we make the best of it. But my wife Faye is the key, she is very understanding about what I do for a living and she is our rock, the heart of the family! We have already lived ten lifetimes in the last ten years and I can’t wait for the next ones! Final question, where would you like to see your music career and racing legacy evolve in the years to come? There is still more that I want to achieve in the sport so I will continue my path and see where we end up. As for the music scene, I’m only just getting started and if its anything like my racing career it’s gonna be one hell of a ride!

Summer 2024 was one for the books, with dance floors across the globe buzzing with energy and excitement. As festivals lit up the nights and beach parties stretched into the early hours, five artists emerged as the true stars of the season. Here’s a look at the dance artists who absolutely dominated this summer. 1) Charli XCXCharli XCX has always been a pop sensation, but this summer, she fully embraced the dance music scene—and the results were electric. Her latest album, ‘Hyperdrive’, brought together catchy pop hooks with pulsating electronic beats, creating the perfect soundtrack for the season. Tracks like ‘Glitch in the System’ and ‘Electric Heart’ became instant favorites, blasting from speakers at every major festival. But it wasn’t just her music that made waves this summer—Charli XCX also sparked a viral movement with her “Brat” persona. Leaning into an unapologetically bold and rebellious image, she encouraged fans to embrace their inner “brat” by being fearless, fun, and a little bit defiant. The #BratMovement quickly took off on social media, with fans posting their own “brat” moments, embodying the carefree and confident attitude Charli promotes. Charli’s live shows were nothing short of spectacular. Her energy on stage, combined with her innovative sound and bratty flair, made her performances a must-see. By collaborating with top producers, pushing the boundaries of her music, and creating a cultural movement, Charli XCX reminded everyone why she’s a powerhouse in both pop and dance music. 2) KeinemusikIf you were anywhere near a dance floor this summer, you probably felt the deep, hypnotic beats of Keinemusik. This Berlin-based collective—made up of Rampa, &ME, and Adam Port—took their already stellar reputation to new heights in 2024. Their signature blend of house, techno, and Afro-inspired rhythms created an unforgettable vibe wherever they played. Their track ‘Desert Sun’ was a summer anthem, with its deep basslines and dreamy melodies captivating listeners everywhere. Whether they were performing at an intimate club or on a massive festival stage, Keinemusik delivered sets that transported audiences to another world, making them one of the standout acts of the season. 3) FisherFisher knows how to get a party started, and this summer, he was on fire. The Australian DJ and producer, famous for his infectious house tracks, dropped ‘Shake That’—a track that quickly became the anthem of every beach party and festival. With its catchy hooks and thumping basslines, it was impossible not to dance when Fisher was on the decks. His live sets were all about having fun, with Fisher’s playful energy and sense of humor shining through. From Ibiza to Miami, Fisher’s name was on everyone’s lips, and his music kept the crowds moving from sunset to sunrise. This summer, he proved once again why he’s one of the biggest names in dance music. 4) Sara LandrySara Landry has been quietly making waves in the techno scene, and this summer, she truly broke through. Known for her dark, intense sound, Sara’s music brought a fresh edge to the summer’s dance floors. Her album ‘Rituals’ was a standout, with tracks like ‘Black Mirror’ and ‘Shadow Dance’ becoming underground hits. Sara’s DJ sets were a deep dive into the darker side of dance music, filled with pounding beats and eerie atmospheres that left audiences entranced. Her ability to blend hard-hitting techno with haunting melodies set her apart, making her one of the most exciting artists to watch this summer. 5) John SummitJohn Summit has been on a steady rise in the dance music world, and in 2024, he reached new heights. The Chicago-born DJ and producer had a massive summer, with his album ‘Comfort In Chaos’ dominating playlists and dance floors everywhere. John Summit’s live sets were pure energy, with a mix of house and tech-house that kept the party going all night long. His connection with the crowd and ability to create an unforgettable vibe made him one of the most in-demand artists of the season. As summer 2024 comes to a close, these five artists have left a lasting impression on the dance music scene. From Charli XCX’s pop-infused beats to John Summit’s house anthems, each brought their own unique flavor to the summer, making it one of the hottest seasons in recent memory.

A Nevada woman is feeling the heat after Nevada authorities hit her with fines for offering rides to Burning Man. 61-year-old Susie Holland recently shared her story with the Reno Gazette Journal. Holland says Nevada Transportation Authority agents swarmed her car when she arrived to pick up Burners making their way to Black Rock Desert. It turns out her Burners were undercover agents. “When I pulled in … they just swooped up on me in three undercover Ford Explorers,” Holland told the RGJ. “They were coming at me so fast, so hard and so intensely, I was like, what is happening right now?” Holland says agents searched her car before informing her she could face up to $30,000 in fines. The crime? Apparently, it’s illegal to give rides to Burning Man without a permit. “We are seeing huge amounts of illegal activity. Most people don’t even know that they are operating illegally. But it is illegal to operate without a certificate of public convenience, a necessity that is administered and issued through the Nevada Transportation Authority,” Vaughn Hartung, the Chairman of NTA, said to KOLO-TV. When Holland went to the impound lot to get her car, she says an attendant told her 18 other cars had been brought in for the same reason. The 61-year-old Reno resident ended up paying $1,500 to both the NTA and the impound lot to get her car back. Holland is still waiting to see how much her fine will be. “This is (the NTA’s) hunting season. They’re not going to let us know that this is illegal. It doesn’t behoove them in any way,” Holland told the Reno Gazette Journal. The post Woman Slapped With Fines for Giving Rides to Burning Man appeared first on EDMTunes.

The organizers of the annual Amsterdam Dance Event have revealed the second wave of DJs and artists appearing at the summit's 2024 edition. For fans of dance and rave culture, there exists no place on Earth that stacks up to ADE, the world's leading electronic music summit and business gathering. And the stakes are high after last year's record-breaking conference, which attracted roughly 500,000 attendees. This year's event will span over 1,000 events and is expected to feature more than 3,000 artists, according to a press release. That includes influential dance music artists Anyma, Charlotte de Witte, Adam Beyer, Amelie Lens, Moodymann, who were confirmed today alongside a slew of promising trailblazers like Mau P, DJ Heartstring, Eefje de Visser, Korolova and Mama Snake, among others. The latest wave arrives after organizers in July revealed over 300 artists, including Martin Garrix, Peggy Gou, Boys Noize, Four Tet, Tiësto, Bonobo, Jamie Jones, Skream and EDM.com Class of 2023 star Indira Paganotto. The 2024 Amsterdam Dance Event is scheduled for October 16-20. ADE Pro passes are available here. Follow ADE:X: x.com/ade_nl Instagram: instagram.com/amsterdamdanceevent Facebook: facebook.com/amsterdamdanceevent YouTube: youtube.com/user/amsterdamdanceevent

The museum is set to open its doors in 2026 at Smithfield market, across the road from the iconic nightclub Continue reading...

What was once a raging inferno of music tech that flickered out too soon is being rekindled with a spark of innovation and a hefty dose of capital. Turntable Labs, the brainchild of the original Turntable.fm creators, is back with a new social music app called Hangout. With $8.2 million in fresh funding and lessons learned from their initial venture, they're ready to make a mark on music tech once more. In the early 2010s, Turntable.fm emerged as a breakout platform that promised to change the way we listen to music online. The product allowed users to DJ in virtual rooms, share tracks and engage in social interactions, creating a real-time interactive space for music lovers. However, the original Turntable.fm met an unfortunate end when the complexities of music licensing began to consume company resources and stall crucial product developments. Combined with a lack of sustainable revenue, the brand's operating woes made it difficult to attract further investment. Fast-forward to today, when the company, led by Joseph Perla, is ready to give it another go with Hangout, an app designed to bring back the best elements of Turntable.fm while addressing its past. Unlike its predecessor, Hangout's founders believe it has a clearer strategy for growth and sustainability, and the app's development has been backed by a recent $8.2 million seed round led by Founders Fund, Elizabeth Street Ventures, 468 Capital and f7 Ventures along with angel investor Michael Guimarin, the CEO of WordOut. One of the main differences between Turntable.fm and Hangout is a refined focus on community and gamification. Hangout aims to deliver an engaging social listening experience complete with custom avatars, upvoting systems and real-time interactions. As the app gears up for its full launch in 2024, its founders are in active talks with music rightsholders to ensure all legal bases are covered—a lesson learned the hard way in their previous venture. The waitlist for the forthcoming launch of Hangout can be found here. Check out a walkthrough of the platform below.

As the sun sets on another epic summer, EDM fans are being treated to a fitting finale: the imminent release of a high-profile collaboration between David Guetta and Alesso, "Never Going Home," with Madison Love. In a monumental first, the two esteemed dance music titans have joined forces for a track that's already become a festival favorite. Their new single, "Never Going Home," is set to release this week alongside vocalist Madison Love, whose voice beautifully complements the song's soaring melodies. The progressive house anthem has become a standout moment in the DJ sets of both Guetta and Alesso throughout this year's festival circuit, resonating with fans at Tomorrowland and Creamfields, among numerous other major events. With its uplifting energy and cathartic drops, the track harkens back to the golden era of 2010's festival music, evoking a sense of nostalgia while feeling fresh and contemporary. The progressive house backdrop of "Never Going Home" offers a reminder of the fleeting yet unforgettable moments of summer, a fitting soundtrack as we bid farewell to long days and warm nights. The track will hit streaming platforms this Friday, September 6th and fans can pre-save it here. .@Alesso and I have been teasing this track for a while and we decided to release it this Friday, ‘Never Going Home Tonight’ ft. @madisonemiko ➡️ Sept 6 pic.twitter.com/YjiE19musL — David Guetta (@davidguetta) September 2, 2024 Follow David Guetta:X: x.com/davidguetta Instagram: instagram.com/davidguetta TikTok: tiktok.com/@davidguetta Facebook: facebook.com/davidguetta Spotify: spoti.fi/3fHbpAC Follow Alesso:X: x.com/alesso Instagram: instagram.com/alesso TikTok: tiktok.com/@alesso Facebook: facebook.com/AlessoOfficial Spotify: spoti.fi/3kHFy5c

In a daring spectacle, ISOKNOCK—the collaborative powerhouse of ISOxo and Knock2—turned heads at North Coast Music Festival this past Labor Day Weekend when they performed from a DJ booth suspended in a shipping container by a crane. The high-flying setup was a perfect metaphor for ISOKNOCK's meteoric trajectory thus far: elevated, risky and absolutely thrilling. It's not merely the audacity of their performance that had fans buzzing at Chicago's Seat Geek Stadium and across social media thereafter; it's the duo's characteristically bold approach, one that has come to define them as one of dance music's most exciting acts in years. Fresh off the release of their surprise album, 4EVR, ISOKNOCK have been enthralling live audiences with their visceral fusion of raw trap, dance and punk elements. The album is a reflection of the duo's penchant for pushing boundaries and flying by the seat of their pants—the same spirit that was on full display at North Coast over the holiday weekend. It's timely proof that when it comes to pushing the envelope in electronic music, there's few standard bearers doing it quite like ISOxo and Knock2. Brownies & Lemonade, the electronic music event organizer known for their unique pop-up raves in unexpected places, called the stunt "one of the craziest takeovers we’ve ever done." Check out footage from ISOKNOCK's North Coast 2024 performance below. View the original article to see embedded media. here’s the full isoknock intro at north coast with a full view of the stage, enjoy pic.twitter.com/WGHnCmd3Jd — Brownies & Lemonade🍫🍋 (@TeamBandL) September 3, 2024 ISOXO & SKRILLEX - KILLERS ID pic.twitter.com/slgMQuzmuD — xSnowFall (@xsnowfallshiz) September 2, 2024 ISOKNOCK FLOATING IN THE AIR 🤯ISOxo & KNOCK2 DROPPED INTO THIS FESTIVAL IN A SHIPPING CONTAINER USING A MASSIVE CRANE. Unreal spectacle like no other to close our stage at north coast fest. @ISOxo_ @Knock2Music @northcoastfest pic.twitter.com/0V8hsN7CkK — Brownies & Lemonade🍫🍋 (@TeamBandL) September 2, 2024 I’ve never felt energy like this before. That ISOKNOCK set was just absolutely insane. @ISOxo_ @Knock2Music @TeamBandL pic.twitter.com/iHeKEvbOj5 — aye-jay (@aj4bird) September 2, 2024 He said OPEN THAT SHIT…THE FUCK…. UPPPPPP🔥🔥🔥🔥@ISOxo_ @Knock2Music pic.twitter.com/CYABUurduD — Cefiro (@CefirosA32) September 2, 2024 Fucking INSANE @ISOxo_ @Knock2Music pic.twitter.com/GBirGNQnYZ — Julie (@BigBooootyJulie) September 2, 2024 Follow ISOxo:X: x.com/isoxo_ Instagram: instagram.com/isoxo_ TikTok: tiktok.com/@isoxo_ Facebook: facebook.com/ISOxo Spotify: spoti.fi/3dwtO3h Follow Knock2:X: x.com/knock2music Instagram: instagram.com/knock2music TikTok: tiktok.com/@knock2music Spotify: tinyurl.com/ywduunza

Hardwell and Armin van Buuren will soon show us the way to dance music nirvana with their much-anticipated collaboration, "Follow The Light." A fitting blend of the superstars' iconic sounds, the powerhouse collaboration is imminently set to arrive after building a steady momentum in the live performance arena throughout 2024. From its debut spin in January, "Follow The Light" has become a staple in the respective DJ sets of Hardwell and van Buuren, like at UNTOLD Dubai, leaving fans eager for an official release. The demand reached a new level when they shared the stage six months ago at the 2024 A State of Trance festival in Rotterdam, dropping the track in a highlight moment from the weekend, before doing so again together at Miami's Ultra Music Festival. View the original article to see embedded media. By all accounts, "Follow The Light" is a transcendent trance anthem that elegantly intertwines the driving energy of Hardwell's progressive house roots with the ethereal, uplifting melodies synonymous with van Buuren in a masterful convergence of two worlds. Hardwell's label, Revealed Recordings, recently fueled the excitement with a tweet declaring, "The moment all of you have been waiting for is finally here," confirming the release of the single this Friday, September 6th. Fans can pre-save "Follow The Light" here. Follow Armin van Buuren:X: x.com/arminvanbuuren Instagram: instagram.com/arminvanbuuren TikTok: tiktok.com/@arminvanbuuren Facebook: facebook.com/arminvanbuuren Spotify: spoti.fi/2WHsl2t Follow Hardwell:X: x.com/hardwell Instagram: instagram.com/hardwell TikTok: tiktok.com/@hardwell Facebook: facebook.com/djhardwell Spotify: spoti.fi/3s1xcJD

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Continuing his unique project, NINETOZERO, Enrico Sangiuliano returns with a new single ‘Interconnection‘. Together with ‘Can U Feel It‘ it completes the Interconnection EP, which will be released on vinyl later this year. The celebration won’t stop with the release of the EP. Enrico Sangiuliano will play an all-night-long set at Village Underground in London on 7th September. The upcoming release is about the ‘Interconnection’ between different senses, for example sound and touch: when sound becomes vibration our perception enhances. The track creates a metaphor of the concept using a voice and a synthesizer that playfully evolve and merge into each other to become one, while still keeping their distinctive identities. ‘Interconnection’ is a track made for the dancefloor, a place where all our senses come together and go beyond the auditory experience, becoming a multisensory experience where we’re all… interconnected. – Enrico Sangiuliano As a producer, Enrico Sangiuliano has done it all. He remixed classics to chart-topping techno tracks that range from deep and dark to more melodic and euphoric. His creativity knows no bounds. With ‘Can U Feel It‘ and more recently with ‘Interconnection’, he explored the connection between auditory perception and physical sensations. The brilliant ‘Interconnection‘ is a pulsating cut that locks dancers into the hypnotic drums as flashes of acid synths spray about up top. Edgy vocal stabs add to the pressure. Meanwhile, trance-infused pads change shape through various filters. They range from smooth and smudged to sawtooth and make the trip all the more dynamic. Each element has plenty of room to breath and make its mark; a spine-tingling breakdown offers a moment to set before the groove kicks in and oscillating pads take dancers to the next level. Enrico Sangiuliano’s Interconnection EP is another essential work from this revered talent. The post Enrico Sangiuliano releases new “Interconnection” EP appeared first on The Groove Cartel.

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About eight out of ten times, when we listen to new music, our immediate thought and expectation is how the song or the artist makes us feel; and more often than not, the feeling you’re aiming for is – euphoria. Something NOTION has achieved to invoke with every release he has made since his debut. Pushing his ideas with purpose, creativity, and power, the Bristol native has now become one of the leading names of the UK’s dance music’s most prominent new-generation artists. With a creative approach that is both futuristic and impactful while building on his penchant for delivering turbo-charged music that exudes a variety of emotions, which has long been a defining feature of his releases, NOTION has been consistently pushing the envelope by reinvigorating bass music in his own enterprising ways, while serving his vision’s most imperative purpose – making people dance. Now sitting at the helm as one of United Kingdom’s top dance music lynchpins through hits such as ‘FOUND LOVE’ and ‘CHERRY’ as part of his ‘OUTSIDER’ series, NOTION continues to make his mark on global music with this renewed sound in singles such as ‘TEMPORARY FRIENDS’ with Charlotte Plank and ‘BACKBONE’, which sees NOTION experiment with jungle music. These have been accompanied by ‘TV DREAMS’, ‘GRAVITY’ and ‘THINK ABOUT U’ that have seen NOTION draw inspiration from his foundational sounds like house, breaks and garage. The Mixtape has already been a favourite among his industry peers, with massive support coming from scene heavyweights like Sammy Virji, Joy Orbison, Ben UFO, Floating Points Conducta, salute, Disclosure, Joy Orbison, and Ewan McVicar throwing their weight behind the release. Having just arrived from an extensive tour across the United States and Canada, NOTION is preparing to unveil his most prolific offering to date: the ‘FORWARDS’ Mixtape. The inventive DJ and producer recently unveiled the Mixtape, starting with the uplifting track ‘FEEL LIKE ME’. The full release, out on August 30, which will include some his recent hits, will be an exhibition of NOTION’s ever-evolving sound, which has traversed from its roots in bass and bassline cuts into a more versatile blend of electronica, garage, breaks, and jungle. We figured it was the perfect moment to catch up with NOTION and dive into his ‘FORWARDS’ Mixtape, chat about his current tour in the USA and Canada, and get bite on his DANCE DUBS project. Of course, we had to kick things off by asking how the festival season has been treating him! “It’s been great but I’m not going to lie, I’m a bit of an introvert and I love being at home so I never really look forward to summer until it actually gets here haha. Don’t get me wrong, I do love summer & festival season, always a highlight of my year but I also really love rainy days and cold weather, plus I don’t really have the legs for shorts tbh.” The festival season was marked by NOTION’s highly anticipated Glastonbury debut, where he dished out his energetic dancefloor cuts at the UK’s most prestigious musical gathering. Seamlessly combining his trademark blends that ranged from hard-hitting basslines to infectious rhythms, NOTION was able to give the crowd a glimpse into his ‘FORWARDS’ Mixtape. “I’ve never been to Glastonbury before and it’s just like the most overwhelming mad experience. So cool to be able to play it b2b with Oppidan too. Also, fun Glasto fact – my dad almost went to the first EVER Glastonbury when there were like 300 people in a field but him and his mates drove round for ages and couldn’t find it so they went home, so that one’s for you Dad.” Coming to his FORWARDS Mixtape, NOTION believes that it represents a natural progression of his artistic journey. The Mixtape is a testament to NOTION’s relentless pursuit of innovation and a passion for discovering the endless potential within his craft. “I’ve kind of been looking at FORWARDS as a continuation of my OUTSIDER project that I dropped in 2022 which was a bit of a fresh start for me in terms of expressing myself more freely artistically as well as trying to work out how to do artwork, music videos and all the visual side of being an artist properly and then also just being a bit more open to showing different sides of myself musically. I make so much different music across so many genres and before that point I kind of felt like I could only drop club stuff so it was a bit of a turning point for me. Having said that, there wasn’t really a conscious decision to write a project this time, FORWARDS is basically just made up of music I’ve been making over the past 18 months that all felt like it fit together naturally so we decided to make it a thing!” Next, NOTION detailed the creative process that went into making his FORWARDS Mixtape “I was thinking about this the other day because I never really go into writing music with a plan, I just sit down on my laptop with a blank slate and see what comes out. All of the influences in the Mixtape are club/dance music but I feel like it would feel more at home on the motorway at 2am than at fabric or something. I think that sums up a lot of the music on this project.” We’re in an era where the lifespan of a song has drastically shortened, largely due to the fleeting, 15-second dopamine hits offered by platforms like Reels and TikTok. While this can lead to viral moments, the decline in a song’s popularity is almost ten times quicker once the initial buzz fades. With the FORWARDS Mixtape, NOTION aims to defy this trend and craft art that stands the test of time. Each track on the release is imbued with deep emotions, prompting NOTION to reflect on the importance of moving away from the fast-paced consumption of music. “FORWARDS wasn’t really something I sat down with the intention of making as a whole project, it’s more just a collection of stuff I’d been writing over the last 12-18 months that felt like it all made sense as a body of work so it kind of wasn’t a deliberate move. I just knew I wanted to write some music that felt like something you’d sit and listen to all the way through – not skip to the drop and that’s all you’re there for. The whole anti-disposable art thing kind of hit me a few years ago though after just seeing how quickly people move on from stuff online. I feel like creatives put their heart and soul into their work and it’s just become completely normal to see a 15 second clip of something on insta, judge it off that and then move on to the next thing. I get that’s just the world we’re in now but I think it’s really important to not cater art to that model or it just becomes a snowball effect of dumbing everything down. Honestly, I think it would be arrogant of me to think I’m actually going to have any effect on any of this stuff with this project but I just really don’t want to make art that caters to whatever metric some tech company CEO decides is important so i’m just gonna do me, even if the algorithm hates it.” The lead-up to FORWARDS has been an exhilarating time for NOTION. Over the past twelve months, he has celebrated a series of chart-topping releases, each one further solidifying his presence as a tour de force of UK’s expansive dance music landscape. Adding to his music, he is currently in the middle of a monumental North American tour, which has been a major highlight of his year. “It’s actually just been so nice to be able to drop all this music to be honest, as hectic as its been planning it all, I feel like I spent years sitting on tons of unreleased tracks to the point where it became a bit of a running joke so I suppose I’m just making up for lost time haha. Getting to tour North America for the first time as well as Australia and New Zealand again has been amazing too.” Safe to say, NOTION hasn’t been able to get enough of the love he has received during the tour, and he talks about what his plans for the remainder of his tour. “The way people show love in America and Canada is super different which caught me off guard a bit the first time I went earlier this year… like when was the last time someone made you a personalised candy bracelet. It’s very different from home but I feel like they’re really dedicated to the music and it’s super cute how much they support you once they know you out there. After that I’m off to Australia and New Zealand which is always just absolute carnage at the shows and I cannot wait to get there.” Another key element of NOTION’s seminal undertakings is his DANCE DUBS project, a collection of exclusive, unreleased tracks available on SoundCloud and Bandcamp. This project has now garnered over three million plays on SoundCloud (with SKEPTA DUB contributing to 700k plays alone), thousands of purchases, and more than two thousand fans signing up for his broadcast community. Building on this success, NOTION launched a sold-out, eight-date UK tour in 2023, featuring a boat party and a radio show. DANCE DUBS which has now done the rounds of North America and is about to be unleashed in Australia and New Zealand, has played a crucial role in helping NOTION cultivate a loyal fanbase by seamlessly integrating them into his broader artistic vision. “Dance Dubs basically came about because there was a point in like 2021 or 2022 where I just had so many unreleased bootlegs, edits and tracks I’d made that were playing in sets my manager Sam and I were trying to work out what to do with them all. 90% of them couldn’t go on Spotify or get released how we usually would drop music because of samples/copyright, etc so we came up with the idea of kind of branding the whole thing and turning it into a series of free releases and just giving them away. Since then, it’s grown into this whole thing where we’ve done whole tours with it and now, we’re taking it across the world which is nuts. All off the back of a few bootlegs!” Bristol’s impact on major dance music genres is profound and widely recognized. The city’s vibrant cultural and musical scene has been a major source of inspiration and innovation, influencing some of the biggest names in dance music history. NOTION is no exception to this trend, but his relationship with Bristol offers a distinctive viewpoint. While the city’s influence is apparent in his work, NOTION’s perspective is uniquely his own. “I actually grew up in a tiny village in the west midlands which was definitely not quite as musically rich and vibrant as Bristol haha (I didn’t move to Bristol until I was 18) but to be honest I think the fact there wasn’t much going on really helped me nurture my introverted music making side and if I’d grown up in a city with loads of other stuff to do maybe I wouldn’t actually be doing this now. That said Bristol is such a sick place to be as a creative, there’s loads going on here artistically so it’s definitely an inspiring environment to be in.” With the release of the FORWARDS Mixtape now behind him, we were eager to learn about NOTION’s next major and innovative endeavour. Throughout his career, from his debut to the OUTSIDER series and up to FORWARDS, NOTION has been on a relentless quest to surpass the boundaries of his previous work and set new standards, demonstrating his ability to continuously evolve his sound. NOTION is poised to embark on another thrilling chapter, and his back catalogue suggests that his future releases will bring fresh and groundbreaking elements to the table. It’s an exciting time to be a fan, as NOTION’s next move promises to be both innovative and captivating – a move that will once again challenge the status quo and deliver something truly remarkable. “Definitely just trying to lean into being myself and not TRYING to fit into the dance music landscape too much. I’d love to continue doing all the visual stuff that’s made up such a big part of the FORWARDS project too and maybe start applying that to other aspects of my music but it’s expensive and very time-consuming so I don’t know how realistic that is hahaha. It’s probably a bad career move but I’m having much more fun and I feel a lot more comfortable with how I’m expressing myself for the first time ever probably, and long may it continue.”