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R3HAB, a dance music pioneer for 15 years teams up with Sophie and the Giants, the pop star that has been captivating audiences since her 2018 debut EP. The powerful combination of forces on their new single “All Night” breathes fresh life into the dance-pop scene. This collaboration follows R3HAB’s remix of Sophie’s “Paradise” (her track with Purple Disco Machine). “All Night” continues the euphoric peak time vibes, following R3HAB’s “Gózalo” with Deorro and Sophie’s “Shut Up And Dance.” The disco-laced track combines Sophie’s dreamy pop vocals with R3HAB’s dynamic production talents, delivering an energetic, feel-good anthem that re-imagines Blue’s 2001 platinum hit “All Rise,” refreshing the original and creating a new sound track to this generation’s nights out on the dancefloor. The post R3HAB and Sophie and The Giants’ release new club anthem ‘All Night’ appeared first on Dancing Astronaut.

A woman is recovering from a fractured spine and rib after falling off a structure at the 2024 edition of Burning Man. Rachael Gingery on Saturday fell roughly 20 feet from an art installation resembling a sinking ship, which was, along with a 100-foot serpent, part of a display called "Naga & The Captainess." In a post shared to Facebook, she says she climbed a ladder into the structure's crow's nest before attempting to slide across a tilted pole, around which attendees could wrap their legs. However, the weight of her backpack and coat inverted her body to the underside of the pole, forcing her to flip and ultimately lose her grip. The next thing Gingery remembers, she said, was "waking up on the ground surrounded by medics and unable to move." View the original article to see embedded media. "I was told that I was convulsing immediately after impact and looping my thoughts before returning to consciousness after a few minutes," Gingery wrote, adding that she doesn't blame the structure's developers. "I remember laying on the ground feeling shocks of pain course through my body and being unable to move as I was loaded into an ambulance." From there, Gingery says she spent over 16 hours in triage in a medical tent on the playa before an ambulance transported her to the trauma unit of a Reno-area hospital. Doctors there treated her for contusions of her lung and spleen as well as the fractured spine and rib. Gingery called the ordeal "one of the scariest experiences" of her life but remains in good spirits, referring to her outing in Black Rock City as her "best burn yet." She says she's expected to heal within the next six to eight weeks. This year's Burning Man took place from August 25th to September 2nd.

A woman unfortunately fell from a tall climbable Burning Man art. Rachael Gingery fell from an art piece resembling a sinking ship. Just before 6 a.m. on Saturday, Gingery climbed the wooden planks suspended on steel cables to the installation’s tilting crow’s nest, which sat atop a slanting pole that festival attendees could slide down. She fell about 20 feet. Luckily, she seems to be doing fine and will make a full recovery. After losing her grip on the pole and falling, Gingery was transported by ambulance to Burning Man’s clinic, Rampart. There, staff performed x-rays and ultrasounds. After the clinic visit, advanced imaging was deemed necessary, so Gingery was then transported by ambulance to Reno. There, CT scans determined that she fractured her spine and a rib, and sustained bruises to a few internal organs. Rachael had this to say: “We do not blame the art or artists in any way…We understand the risks we take at Burning Man and are grateful to the artists for bringing their art. We will 100% be out there again next year!” The art piece, called Naga & the Captainess, is one of the prized sculptures at this year’s event. Located in deep playa, it features not only the sinking parts of a ship but also a sea serpent and interactive treasure chests, cargo crates, and wine barrels. It is estimated that between 30 and 40 Burners require medical transports every year. This year’s exodus was damped by a major dust storm. The post Women Falls From Tall Climbable Burning Man Art appeared first on EDMTunes.

Manchester – September 4th, 2024: Ahead of their opening party Repercussion next week, The Warehouse Project reveals new shows for this season, including a headline show by Loyle Carner, an all day long with Four Tet, and a series of curated shows by Jamie Jones’ Paradise, Fatboy Slim, and Barry Can’t Swim. Acclaimed British rapper and musician Loyle Carner is set to headline and curate his show on Friday 4th October. Renowned for his introspective and emotionally raw production, Loyle Carner has carved a niche in the UK music scene, blending hip-hop with jazz and spoken world. His headline performance at Depot stage follows the success of his Summer 2024 UK & European tour. The poetic musician is set to be joined by yasiin bey, Frankie Stew and Harvey Gunn, Children of Zeus, and more. Plus, Concourse stage hosted by Deviation with Benji B & Judah, and special guests. One of the most prominent figures in electronic music, Four Tet returns for an unmissable day & night party where he will play open to close on Saturday 19th October with tickets from £25. Renowned for his extensive knowledge of music, Depot Mayfield is set to be transformed into Four Tet’s sonic playground, guiding the audience through an immersive 8-hour journey. The legendary DJ and Producer, Fatboy Slim, is set to present a special show on Friday 22nd November. Blending big beat and house sounds, Fatboy Slim has handpicked a line-up that showcases both established and emerging electronic music talents including Vintage Culture, Oden & Fatzo [Live], Kilimanjaro, Eats Everything, LF System, and more. Plus, a special Archive takeover by Manchester disco collective La Discothèque with Artwork, Melé, CC:DISCO! and more. Eat Your Own Ears returns this year with a curated show by Barry Can’t Swim on Friday 29th November. Known for his genre-blending sound that fuses house, jazz, and downtempo beats, Barry Can’t Swim is set to perform live and a DJ set. Bringing together an eclectic lineup that reflects his innovative approach to music, his curated show features both established and emerging artists who push the boundaries of electronic music, including the likes of Jyoty, salute, Joy Orbison, Hunee, Sbtrkt, and more. Making each season even more special than before, The Warehouse Project is proud to announce a brand new initiative with Apple Music to capture DJ sets in ground-breaking Spatial Audio. The world-leading club series is one of just a few handpicked venues across the globe offering the opportunity for dance fans to relive their favourite club nights exclusively on Apple Music. DJ sets from some of the world’s most exciting names in electronic music playing at this year’s WHP24 series, will be recorded using a fixed immersive audio installation and then mixed in the ground-breaking format to launch on Apple Music this fall. Ahead of WHP24, a selection of sets captured from last year are available to hear exclusively in Spatial Audio on Apple Music. They include: Skream, Bakey, Chloé Robinson, Izzy Bossy, Yung Singh, and DJ Flight and Strategy – all recorded as part of the 2023 UP YA ARCHIVES night hosted by acclaimed British artist and producer Nia Archives. An additional set of mixes from the 2023 club nights released in stereo include sets by artists Gorgon City, Ben UFO, Krysko, Manara and Jim Bane. To listen to Apple Music’s Spatial Audio DJ Mixes, and find out more about the initiative with The Warehouse Project, please visit apple.co/warehouseprojectmix. Pre-sale ticket sales go live on Thursday 29th August from 10am. General ticket sales go live on Friday 30th August from 10am. Register at www.thewarehouseproject.com/signup for presale access. The post Warehouse Project Reveals 2024 Lineup: Four Tet, Barry Can’t Swim, Fatboy Slim, and More appeared first on Electric Mode.

Chicago focused event organizers and cultural pioneers Viva Acid return for their highly anticipated fourth season. Celebrating Chicago’s vibrant Acid House scene and community from October 3rd – 6th at the Podlasie Club, in the city where it all began. Spread across four days, Viva Acid will be hosting a series of accessible events, workshops and conversations that foster creativity and further inspire innovation. Viva Acid 2024 champions collaboration and the development of deep belonging within our creative community. This year’s theme is transcending scarcity to build resilient, flourishing ecosystems through collective creativity. At a time where the path to success is ever-changing, these talks act as a reminder of the foundations the house music scene was built on, and the importance of connection in breaking through the noise. Across the four days, talks will cover a range of industry subjects, from ‘Maximizing Reach’ to ‘Marketing Authenticity’, while workshops will focus on production, with topics including ‘Approaching Remixing’ and ‘Creating What You Hear’. Attendees to the event will receive immense value and knowledge from pioneers of the scene such as Gene Farris, DJ Hyperactive, Radio Slave, Glenn Underground and countless more. Thursday 3rd will also see the premiere of ‘Children Of Acid’. The deep-dive documentary, produced by Viva Acid in partnership with production company Baffe, catalogs the rich tapestries of Chicago’s vibrant rave scene – a must see for anyone interested in the history and emergence of acid house. It wouldn’t be a Acid House music conference without performances, and the line-up for Viva 2024’s parties is equally as impressive. Watch acts such as Radio Slave, Flores Negras, Lauren Flax b2b DJ Slugo, Steve Noah, Microdot, Glenn Underground and many more take to the stage, showcasing the skill that saw them rise to the top of their scene. At a time when the goalposts are constantly changing and burgeoning artists can sometimes lose sight of music at the center of what they do, Viva Acid’s schedule is a timely reminder of the solid foundations on which the scene was built upon for those looking to make a real impact with their music. Dates: October 3rd – 6th Tickets: https://www.eventbrite.com/o/viva-acid-52975640723 Follow Viva Acid Website | Instagram | Youtube | Linktree The post Viva Acid Pays Homage To Chicago’s Acid House Scene with 4th Annual Talks and Workshops Series appeared first on Electric Mode.

The track is dedicated to her son Izaak Theo Adu Continue reading...

The hard techno favourite has already unveiled three of 12 tracks from the LP, set to arrive October 4 Continue reading...

Duo unveils their third single, exploring the human journey and universal connection with insane videos made for the stage. The duo BIGGER THAN US has released their latest single, titled “We’re Not Alone.” This track adds to a project that has developed organically, driven by a creative force that the artists themselves describe as something bigger than them. “We’re Not Alone” marks the third release by BIGGER THAN US a collaboration between Marieme and Stephan Jacobs AKA BOSA that explores themes of human vulnerability and personal evolution. The song, originally composed by Marieme, came to life with BOSA’s contribution, bringing new layers of sound and experimentation to the composition. The single “We’re Not Alone” is described by the artists as a sonic and emotional journey. The track blends intense soundscapes with an energy that aims for both introspection and empowerment. The central message of the song is that, despite the uncertainties and fears everyone faces, no one is alone in their experiences and feelings. The origin of the BIGGER THAN US project, as reported by the members, was unintentional. BOSA and Marieme began working together without a defined plan, allowing the creative process to guide them. This intuitive approach is reflected in “We’re Not Alone,” where Marieme, who wrote and recorded the track some time ago, finally found the right sound through collaboration with BOSA. From a technical perspective, BOSAs production incorporates a blend of digital and analog tools. The song features harmonies synthesized with the vocals, resampling with RMX-1000 and Kaoss Pad KP3, as well as bass sampling with Sub37, creating an atmosphere that evokes influences from Radiohead, Pink Floyd, Daft Punk, and Eskmo. The combination of these elements results in a sound that is both familiar and innovative. “We’re Not Alone” is not just a song but a reflection on the human condition. Marieme shares that the composition emerged during a period of questioning the meaning of life and the fear of the unknown. The lyrics address fear and the need for evolution, offering a message of connection and solidarity. BIGGER THAN US continues to explore new musical directions, with plans to release more music in the near future, including an upcoming single and the much-anticipated debut EP. “We’re Not Alone” is now available on major streaming platforms, and the duo invites everyone to connect with the song’s message and feel the power of unity through art. Follow biggerthanusmusic The post BIGGER THAN US Releases Third Single “We’re Not Alone” appeared first on Electric Mode.

Korine also revealed that Burial sent the soundtrack for new film ‘Baby Invasion’ through a PlayStation 5 Continue reading...

Amsterdam Dance Event (ADE), the world’s largest festival and business gathering for electronic music, today reveals the second wave of confirmed artists for ADE 2024. Among the newly released artists are Adam Beyer, Amelie Lens, Anyma, Charlotte de Witte, DJ Heartstring, DVS1, Eefje de Visser, Gene on Earth, Job Jobse, KI/KI, Korolova, Mama Snake, Mau P, Moodymann, and many others. ADE 2024 runs from October 16—20 and is the world’s most extensive festival and conference for electronic music, spanning 1,000+ events and an expected 3,000+ artists. Opening Specials and Unique Settings The organisation has recently announced this year’s series of standout ADE Opening Concerts, with Nick Verstand’s brand new visual spectacle, Eefje de Visser with a unique performance at Van Gogh Museum, Greetje Bijma x Oceanic at Bimhuis, Metropole Orkest’s tribute to J Dilla at Melkweg, and Lavinia Meijer x Nikki Hock at Zuiderkerk. Other highlights of the program so far include Tomorrowland presenting two Afterlife shows plus their own 20 year anniversary at Ziggo Dome, KI/KI returning to De Bajes – Amsterdam’s former prison space – after last year’s surprise back-to-back with Armin van Buuren, plus other special venues such as the Royal Tropical Institute, De Hollandsche Manege, and Stenen Hoofd. A number of artists will also be making their appearance at the ADE Pro conference, including Martin Garrix, Mau P, Indira Paganotto, Ellen Allien, Chris Stussy, Sama’ Abdulhadi, Sara Landry, and Miss Monique. They will discuss topics such as touring and live events, the club scenes in key territories, reinventing yourself as an artist, and more. The complete program will be announced in the coming months. Individual tickets are available through ADE’s program, and the ADE Pro Pass is available here. The Amsterdam Dance Event Foundation is a not-for-profit organisation dedicated to nurturing electronic music, its culture and its industry worldwide. The organisation devotes itself to stimulating development, innovation and talent, gathering the global industry and laying a foundation for future generations.

Closing this summer with a bang, Faithless just released their latest single ‘I’m Not Alone (Rest Well Maxwell)’. The timing couldn’t be more perfect as they gear up to celebrate the 26th anniversary of their iconic track ‘God Is A DJ’ and prepare for a full-live UK tour later this year. With reviews pouring in from their recent headline show at Glastonbury and a stunning new live set-up wowing audiences on their sold-out UK/EU tour, Faithless is proving that they are still at the top of their game after eight years. The new single, ‘I’m Not Alone (Rest Well Maxwell)’, is a heartfelt tribute to the greats who have passed, including their longtime collaborator LSK. Known for their ability to blend melancholic and euphoric elements seamlessly, Faithless delivers a track that is both beautiful and bumping, evoking a range of emotions from listeners. With dance floor mixes on the horizon, this track is sure to have fans dancing the night away. ‘I’m Not Alone (Rest Well Maxwell)’ is built around the words of long-time collaborator LSK: a peon to some of the greats who have passed (including, of course, Maxi Jazz himself). Faithless are OG’s when it comes to delivering a melancholic/euphoric sweet spot in the rave, so it’ll be a surprise to no one they have conjured an absolute masterclass in beautiful, bumping, emotive House. To be followed by dance floor mixes the track will have you dancing, crying and holding your best friends near. ‘I’m Not Alone’ arrives ahead of their upcoming UK tour in Autumn which includes an unmissable Brixton homecoming date on the 14th of November. Tickets for their dates earlier in the year evaporated in minutes, so sleep on these ones at your peril. It’s been almost three decades since Faithless made their debut, and in that span time the iconic UK act has made an unparalleled impact on the Dance music landscape. One of the most influential electronic acts of the 21st century, they’ve sold over 20 million albums including seventeen Top 40 singles, six Top 10 albums (three at #1), and amassed over a billion combined streams to date. Champion Sound UK/EU Tour dates 2024: 01/11 – O2 Academy, Edinburgh, UK 02/11 – Telegraph Building, Belfast, UK 06/11 – O2 City Hall, Newcastle, UK 07/11 – O2 Academy, Birmingham, UK 08/11 – Document, Bristol, UK 09/11 – The Brighton Centre, Brighton, UK 14/11 – O2 Academy Brixton, London, UK 15/11 – O2 Victoria Warehouse, Manchester, UK 21/11 – Mitsubishi Electric Hall (MEH), Düsseldorf, DE 22/11 – Lotto, Antwerp, BE 23/11 – Stadhalle, Offenbach, DE 28/11 – Tonhalle, Munich, DE 29/11 – Halle 622, Zurich, CH 30/11 – Fabrique, Milan, IT 03/12 – A2, Wroclaw, PL 04/12 – Gasometer, Vienna, AT 06/12 – Barba Negra, Budapest, HU 07/12 – Steel Arena, Kosice, SK 08/12 – Forum Karlin, Prague, CZ 12/12 – AFAS Live, Amsterdam, NL 14/12 – Poolen, Copenhagen, DK The post Faithless Present New Single ‘I’m Not Alone’ (Rest Well Maxwell)’ appeared first on EDMTunes.

Loyle Carner, Jamie Jones, Fatboy Slim and Barry Can’t Swim are set to curate their own parties, while Four Tet is performing an eight-hour set Continue reading...

Despite the growth of the sector, data shows that grassroots music venues and festivals are struggling Continue reading...

Today, music’s most explosive it-girl Sara Landry (with a fanbase of over 1 million followers on Instagram alone) unveils news about her highly-anticipated debut album Spiritual Driveby. Hot on the heels of her history-making Tomorrowland performance and a massive LA takeover, which included TWO sold-out Factory 93 nights and a pop-up tarot / merch experience. The latter took place at LA’s beloved metaphysical destination House of Intuition. The dynamite prepares to shatter boundaries once again. She will be revealing a genre-bending anthology that blurs the lines between the underground and the avant-garde. ‘Spiritual Driveby’ Her debut is set to drop on October 4 (via her imprint HEKATE). Spiritual Driveby is a collaborative offering that demonstrates Landry’s artistic duality, versatility and intuitive depth. The 12-track opus is a thunderous testament to the power of collective energy. One, which unfolds as a visceral odyssey meant to feel both intensely personal and universally shared. The album represents a ceremonial space where the sacred interplay of collaboration is as integral to the music as the sounds themselves. Each track was produced alongside Landry’s friends and industry counterparts. “This sonic offering was motivated and inspired by the notion that none of us are alone because we are all energetically linked“, says Landry. “Everything we do is interwoven and collaborative, whether we realize it or not“. “Every musical experience we’ve ever had, every show we’ve been to, every euphoric moment that echoes across time has been a collaborative experience and a stacking of energies.” -Sara Landry Artists joining Landry for her debut include Legendary producer Mike Dean, Electronic titans Nico Moreno, Shlømo, Aaron Hibell and more. And even her personal hypnotist – Restorative Hypnosis – whose mesmerizing vocals can be heard on the album’s prelude. The Sensation A sonic alchemist transforming Hard Techno sounds into transcendent experiences, Landry is an irrefutable force. In effect, she captivates global obsession and overhauls the scene through her dark, deliberate and divinely feminine lens. Catapulted from the underground to phenomenon status in 2023 following her viral Boiler Room set – the 3rd highest streamed segment to date with 6.3 million views, followed by Charli XCX at 5.8 Mil – Landry has earned critical acclaim. She is a provocateur at the helm of a global movement, pushing what has long been subversive into popular culture. Harnessing a brazenly unapologetic brand of artistry, Sara Landry is one of THE most in-demand names in music today. Her cult-like following sells out stages around the world with unprecedented fervor. In recent years, Hard Techno has seen a notable surge, attracting a young, highly engaged audience. Why? Well, they are driven by a post-pandemic thirst for cathartic release and the digital age of discovery. Landry, who boasts over 6.9 Mil likes on the platform, is the undeniable catalyst leading this revolution. The producer has popularized and established the cultural relevance for high BPMs with unbridled authenticity. She strips away preconceived notions of the genre through experiences that are equal parts immersive and spiritual. Moreover, Landry possesses the playful ability to connect with audiences, opening a captivating portal for sonic exploration. Thus, it ushers in a new generation of fans and elevates the category in an approachable way. Now that summer is over we can start getting spooky for the fall. And what a perfect way to enter October, with Spiritual Driveby around the corner. Thus, We will be definitely turning into our divine feminine then. The post High Priestess Sara Landry Sets ‘Spiritual Driveby’ Album Release Date appeared first on EDMTunes.

Amsterdam Dance Event (ADE) is the world’s largest festival and business gathering for Electronic music. From personal experience, it is one of the best events you can go to. They have more events than you can imagine and your calendar will be jam-packed every day. Today, they reveal the second wave of confirmed artists for ADE 2024. Among the newly released artists are Adam Beyer, Amelie Lens, Anyma, Charlotte de Witte, DJ Heartstring, DVS1, Eefje de Visser, Gene on Earth, Job Jobse, KI/KI, Korolova, Mama Snake, Mau P, Moodymann, and many others. ADE 2024 runs from October 16—20 and will span over 1,000+ events and an expected 3,000+ artists. If you are in the industry, it is a must-attend. For DJs and producers, it offers amazing networking opportunities with fellow artists. For industry professionals, the wide array of conference events will give you knowledge of everything you need to know about dance music. And if you are just a fan of the music, there is no better city to party in than Amsterdam. ADE has also recently announced this year’s series of standout ADE Opening Concerts, with Nick Verstand’s brand new visual spectacle, Eefje de Visser with a unique performance at Van Gogh Museum, Greetje Bijma x Oceanic at Bimhuis, Metropole Orkest’s tribute to J Dilla at Melkweg, and Lavinia Meijer x Nikki Hock at Zuiderkerk. Other highlights of the program so far include Tomorrowland presenting two Afterlife shows plus their own 20-year anniversary at Ziggo Dome, KI/KI returning to De Bajes — Amsterdam’s former prison space — after last year’s surprise back-to-back with Armin van Buuren, plus other special venues such as the Royal Tropical Institute, De Hollandsche Manege, and Stenen Hoofd. A number of artists will also be making their appearances at the ADE Pro conference, including Martin Garrix, Mau P, Indira Paganotto, Ellen Allien, Chris Stussy, Sama’ Abdulhadi, Sara Landry, and Miss Monique. Individual tickets are available through ADE’s program, and the ADE Pro Pass is available here. The post The Second Wave Of ADE 2024 DJs And Artists Has Been Announced appeared first on EDMTunes.

Is it too early to think about winter weather, snow on the mountains, and music festivals on top of mountains? Maybe not as Tomorrowland Winter has just announced its return to Alpe d’Huez for the 5th edition in 2025. Imagine a world where the beats of electronic music connect with the white slopes of the French Alps. This is what expect you at Tomorrowland Winter, a unique festival experience that combines the best of both worlds – world-class EDM and winter sports. So, What is Tomorrowland Winter? Tomorrowland Winter is the cooler sibling of the renowned summer electronic dance music festival, Tomorrowland. As the name suggests, it is the winter edition of the Belgium festival. There’s some difference with Tomorrowland Belgium tho. First of all, the duration. Tomorrowland Winter lasts a week long, from March 15-22, 2025. It also features 7 magnificent stages, including indoor and outdoor venues. Expect a packed lineup as the festival will host more than 100 world-class artists from various electronic music genres. You’re on the slopes so, Tomorrowland Winter offers skiing, snowboarding, and numerous outdoor activities. Hungry after all the skiing? Tomorrowland’s “Tastes of the World” cuisine provides a variety of food options to choose from. Not a skier? All mountain stages are accessible for both skiers and non-skiers. But, where is Tomorrowland Winter 2025? Tomorrowland Winter 2025 will return to the stunning French ski resort of Alpe d’Huez, where everything started. This picturesque alpine setting provides a magical backdrop for the festival. Tomorrowland Winter Reflection of Love stage 2024 Tomorrowland 2025 Winter Ticket Prices Ticket sales for Tomorrowland Winter 2025 will be released in two phases: September 21, 2024: 7-Day Packages go on sale September 28, 2024: 4-Day Packages and 7-, 4- & 1-Day Festival Passes become available Prices for the packages and passes will be announced on the official Tomorrowland website closer to the sale dates. Festival-goers can use the Tomorrowland Winter Simulator to customize their experience with various transport and lodging options. There will be various packages; you’ll be able to choose an All Festival Package that includes a lift & ski pass and a regular festival ticket. Visitors can choose from a variety of lodging & hotel options, including new accommodations as well. But now, let’s address the elephant in the room. Is Tomorrowland Winter Worth It? Short answer, yes, of course! Long answer. Tomorrowland Winter is worth and here’s why. First and foremost, the musical experience at Tomorrowland Winter is unparalleled. What truly sets Tomorrowland Winter apart is its stunning alpine setting. The French ski resort of Alpe d’Huez provides a backdrop of snow-capped peaks and pristine slopes that transform the festival into a winter wonderland. This unique location offers festival-goers the opportunity to seamlessly blend their love for music with exhilarating winter sports like skiing and snowboarding. It’s a rare chance to carve up the slopes by day and dance under the stars by night. The sense of community fostered at Tomorrowland Winter is another aspect that makes it truly worthwhile. Bringing together thousands of like-minded individuals from around the globe, the festival creates a unique atmosphere of unity and shared experience. The post Tomorrowland Winter tickets info for 2025 edition appeared first on The Groove Cartel.

It won’t be their first appearance in public tho. FLAMENCA, a new group mixing together electronic music and flamenco, was premiered at the prestigious Montreux Jazz Festival. Now, they’ll return for a full show at the World Club Dome event in Frankfurt from September 6 to 8, 2024. At the core of FLAMENCA is an imaginary “Corrida” concept. Just imagine a spectacular dance floor that brings to life the drama, tension, and raw emotion of the traditional Spanish bullfight. Across four distinct acts, the performance unfolds with 7 of Spain’s most revered dancers. They will tell the story of man versus beast but without spilling a single drop of blood, capturing the essence of Flamenco for the 21st century. Expect the unexpected as FLAMENCA fuses the intense passion and emotion of Flamenco with the pulsating energy of electronic dance music. Where was FLAMENCA born? They will create a 360-degree sensory experience that immerses the audience in the heart of Spanish culture. Utilizing cutting-edge audio and visual technology, FLAMENCA transforms its environment into a dynamic, ever-changing space. At the heart of this artistic revolution is Swiss-Spanish entrepreneur Esteban Garcia, founder of Realsound: a next-generation record label and creative music platform. After years of development, Esteban has created Realsound as a haven for boundary-pushing music and true artistic expression. As a talented producer and DJ, he is the driving force behind the music of FLAMENCA. The post Flamenco and electronic music is a thing: meet FLAMENCA appeared first on The Groove Cartel.

Hi!, Who are you? Most people reading this know me as Jauz, but my real name is Sam. I’ve been making all kinds of electronic music as Jauz for over ten years now, and have run my label Bite This! Since 2018. What’s your ethos? The goal and “tagline” for the Jauz project has always been “Music Has No Boundaries.” I grew up listening to so many different styles of music and always would bounce between polar opposite styles and sounds based on my mood or the situation. Early on, I spent much time as a producer hyper-focused on making just one genre, Dubstep, and ended up frustrated and unhappy. When I was finally able to remind myself of who I was at my core and allowed myself to explore all of the different possibilities that there were in the dance music world- that’s when things began to click. My goal has always been to help broaden the horizons of people who are listening to my music, experiencing my shows, or seeing me at a festival. Tell us your origin story… As I started to say above, my musical palette growing up was all over the place. In my early years, I listened to everything from Bay Area hip-hop and rap, bands such as Linkin Park, and all the way to artists like Basshunter and DJ Scooter. When I was eleven or twelve though, I found Metallica. I ended up picking up a guitar and throwing myself into the metal and hardcore world. I was convinced that I would end up playing guitar in a band. I tried starting multiple bands, but it never really panned out. One day, one of my buddies showed me a video of someone making hip-hop beats on their computer, all by themself- that was the lightbulb moment for me. It just so happened that right around that time, many of my friends and peers were getting into dubstep and electronic music as a whole- so the transition from metal to dubstep seemed like a no-brainer to me. From that point on, I kind of knew exactly what I wanted to do. Where are you based? Tell us about your local scene. I live in Los Angeles, and so does my team, so we consider the LA-area home base. The scene here is extremely vibrant and has a long history of being one of the best places for electronic music in the United States. Not only do you have the legends Brownies & Lemonade playing a foundational role in building the scene, but Night Bass, OWSLA, and so many other labels who are instrumental in holding it down with various monthly events. Do you have a specific sound or vibe? You could ask 20 different fans of mine, and they would probably have 20 different answers. That was always the goal with the Jauz project anyway- to always keep the kids guessing, and never feel like I’m “pigeonholed” into one specific sound or the other. I treat my record label the same way, as well. We have a lot of intention behind finding artists that fit the ethos of our label, not by their sound or style, but by how they carry themselves as artists and people. Part of running a label is being a fan of music, and I’m a fan of so many different styles of dance music it wouldn’t be fair to just choose one or two styles. Do you have a regular artist roster – who can we see releasing with you? Short answer – no. When I first started Bite This!, my goal was to kind of be the opposite of most of the labels I saw at the time; that meant putting out as many songs, by as many different artists, as fast as possible. We did an incredible job with that, putting out hundreds of records from artists all over the globe. But as time went on and the label grew, I realised that we had hit a point of diminishing returns and I didn’t feel as if we were providing enough value to the artists who were trusting us with their music. I always look at the label as if I’m an artist who’s signed to the label, not the guy running it. From that perspective, I knew that we had to make some big changes. That being said, I still don’t believe in trying to “lockdown” artists or anything like that. The main change is you’ll be seeing a lot fewer releases from the label, with much more intention behind each one. I hope that means that artists will want to continue releasing with us and become “part of the label”, but it’s not a prerequisite at all. Again, as an artist, I want to be able to do whatever it is I want with my music. So as a label owner, all I want to do is empower that freedom. We just put out our inaugural “we’re back” EP, from Italian producer Albert Breaker. It’s a super sick 3-track of bass-heavy tech house with a lot of South American flavour. Albert has released on the label multiple times and it was important to me to start things back up with someone who had been part of the family before. Up next, we have an insane EP from one of my favourite new American bass acts named Edison Cole. His style of heavy bass music is right up my alley, and I think the kid is insanely talented. I have a feeling you’ll be hearing his name quite a bit around UKF in the near future. Tell us about your A&R process. For the longest time, and still quite a bit now, we’ve had so many insane demos flood into our demo email account and submission website via Label Radar. I know as an up-and-comer how many of those damn emails you have to send, so it always feels cool when we strike gold and can tell some kid, “Hey man, all of that effort was worth it.” Also, I love being able to give spotlights to kids who people have probably never heard of before – I feel like that’s one of the main responsibilities you have as a record label. That said, times have changed a lot since I started Bite This!. I’ve started finding tons of insane talent just by scrolling through Instagram Reels – something I used to hate doing, but I’ve kind of programmed my algorithm to consistently show me relatively unknown, crazy talented up-and-comers. Posting your WIPs on IG reels/TikTok is kind of the new version of how we used to post WIPs on SoundCloud back in the day, and part of kind of restarting the label was also understanding that the way we should be “digging through the crates” should reflect the new landscape of music. What makes you different from other labels? I feel like I’ve touched on a lot of the things that I feel make us stand out as a dance label, but the one thing I haven’t mentioned yet is our partnership with OneRPM. They’re the largest independent music distribution company on the planet, and when we met with them we realised that our goals and visions aligned very naturally. It’s been so awesome to have the resources and firepower of what could be considered a major label but with the freedom to operate exactly as we see fit & I’m so appreciative of them and their belief in us as a label. What does it take to run a bass music label in 2024? A whole lot more than it used to! Things have changed so much since 2018- I would argue mostly for the better. I think there’s never been a better time to be discovered as a new artist, and truly be able to “blow up overnight”. So the main thing, as I mentioned above, is not sticking to our old ways just because they worked in the past – but trying to understand and embrace the world in which we live now. We can’t just put out a record on the label, send it around a bit, post it on socials, and call it a day. There’s a lot more that goes into every single, EP, etc. which is why I’m so grateful to have a team like OneRPM behind us to help give every artist we work with the absolute greatest chance for success. What have you got coming up that we should look out for? I just released a new song, ‘Higher For Your Love’, that I’m absolutely obsessed with at the moment. It’s a super melodic drum-and-bass tune, and the vocals on it are just unreal man. I’m putting out a new song every month this year, so there’s plenty more to look out for as well!

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Tomorrowland Winter is returning to the beautiful winter wonderland of Alpe d’Huez in France. From March 15-22, 2025 The world’s finest electronic artists will perform across a collection of magical indoor and outdoor stages. The weeklong festival is a winter festival adventure filled with snow, skiing, snowboarding, amazing outdoor activities, and delicious mountain food. Thanks to the Tomorrowland Winter Simulator, people can now start putting together their own favorite travel packages featuring a wide range of transport (including carpooling and train options) and lodging options. Last year’s sold-out winter edition, inspired by the magical ‘Amicorum Spectaculum’, welcomed more than 22,000 People of Tomorrow in the beautiful French ski resort of Alpe d’Huez to celebrate the spectacle of friendship. Having traveled to Alpe d’Huez for the first time, the iconic CORE stage instantly turned into a crowd favorite, while ‘The Reflection of Love’ stage was a brand-new gem to discover, inspired by the fabulous ‘The Reflection of Love’ Mainstage in Belgium and Brazil. Festivalgoers will also be treated to numerous surprise back-to-backs and performances from amazing DJs at Brasa’s intimate setting. 7-Day Packages for Tomorrowland Winter 2025 go on sale on September 21; 4-Day Packages and 1-Day Festival Passes go on sale on September 28 on tomorrowland.com. Stay tuned for the lineup announcement! The post Tomorrowland Winter returns to Alpe d’Huez for the 5th Edition in 2025 appeared first on EDMTunes.

Avi Sic brings a fresh collaboration, uniting with Costel Van Dein to release their Bass House production, ‘Feel Alive’ via Tiger Records. Individually skilled, creative, and innovative, the union between these two Producers has given way to a bold track, one that seamlessly blends each of their signature styles and complements their shared abilities when it comes to creating immersive soundscapes. Establishing herself as a noteworthy player within Electronic Music, with previous releases on top labels like Mentalo/Spinnin’ Records, Hexagon, Skink, Seeing Is Believing, and DND Recs, and recent performances including a headline spot at the Chicago Pride Fest, Avi Sic continues to push her name forward. Having been working to grow her discography, she ensures her collection remains fresh, regularly teaming up with other gifted artists to bring original sounds to her fans. With previous projects with Kiro Prime and Valy Mo, the talented Producer/DJ now offers another joint production as she partners up with Costel Van Dein, whose releases under labels like Maxximize, Revealed, Hysteria, Mixmash and Zero Cool have helped build his strong music catalogue. A dynamic pairing, both Artists come to this project with a wide range of experience and growing reputations, having had their music supported by genre heavyweights like Steve Aoki, Don Diablo, Nicky Romero, Bingo Players, Dr. Fresch, Curbi, Fedde Le Grand, Morgan Page, and more. As they combine skills, originality, and artistic visions, Avi Sic and Costel Van Dein have created a track poised to resonate amongst the Electronic Music community, bringing powerful Bass House vibes to the scene. Built around it’s thumping, robust bassline, ‘Feel Alive’ brings a dark yet upbeat energy, incorporating a steady kick, alluring vocal layers, underlying melodic motifs, and exciting risers. With the journey unravelling, the arrangement continues to evolve, propelling towards the breakdown where fresh details bring new intensity and drive, enhancing the overall sonic experience as vocal chops, atmospheric synth leads, and dynamic filtering join. As the bass hook and progressive groove return, the tension is released, completing the auditory adventure designed by Avi Sic and Costel Van Dein within ‘Feel Alive.’ A collaborative project that showcases the talent of both Avi Sic and Costel Van Dein, ‘Feel Alive’ appears as a unique yet cohesive production destined to reach the playlists of genre lovers around the globe. So, out now via Tiger Records and available to stream and download across platforms, hit play and discover the driving sound of ‘Feel Alive’ today. Keep up-to-date with the latest projects and releases from Avi Sic and Costel Van Dein by following each of them across social media today. Listen and Buy ‘Feel Alive’ Now:   https://tigerrecords.lnk.to/feelalive Avi Sic Online      Spotify | Instagram | Website      Costel Van Dein Online      Spotify | Instagram Tiger Records Online      Beatport | Soundcloud The post Avi Sic and Costel Van Dein Unleash Bass House Banger ‘Feel Alive’ via Tiger Records appeared first on EDMTunes.

The always-loud, always-awesome Deadbeats label from Zeds Dead came out with another fiery compilation album on August 23rd. This album is We Are Deadbeats Vol. 6 and it contains 16 equally diverse and innovative tracks that would influence fans to get off of the edge of their seats, chairs, sofas, or beds. As any of the previous compilation albums preceding We Are Deadbeats Vol. 6 have shown, these wonderful releases provide an opportunity for the fans to hear bass music’s future global phenoms. The first track of this album, ‘Tomb of the Scorpion’, is a collaborative track coming from Zeds Dead himself and the underground bass maestro from South Africa, Chee. This first track is one example of Deadbeats’ dedication towards its goal to ensure that bass music is a genre that has many admirers and aficionados worldwide. Click ‘Play’ on the Spotify link below to stream We Are Deadbeats Vol. 6, the newest compilation album coming from a great label that had recently received an honor of being ‘Label of the Month’ for the month of April from UK-based bass music giant UKF. We Are Deadbeats Vol. 6 shows why Deadbeats is becoming a leading name in dubstep, trap, downtempo, DnB, and various styles of bass music To emphasize how powerful this album is, all of the tracks in it are very addictive to hear. It will be hard to step away from it until probably the next couple days (or so). Very notable tracks to check out include ‘Alright Thanks’ from Jordanian electronic music star Don Jam mal, ‘VIBE ONE MORE TIME’ from rising phenom Steller, ‘Back In It’ by viral sensation Lumasi and Orlando-based dubstep artist Ghost Lotus, and ‘HELLPOD’ from innovative talent VEIL. For anyone who plans on attending the Deadbeats Texas Jamboree event on August 31st at the Panther Island Pavilion in Fort Worth, TX, listening to the album is definitely a great warmup for a gnarly night at the event. The event is an expansion to the Deadbeats Backyard Jamboree event, which had celebrated its 4th edition on the Fourth of July holiday at the Civic Center Park in Denver, CO. Additionally, Deadbeats also came out of an unforgettable, two-night Deadrocks X showcase before the Fourth of July holiday on July 2-3 at the Red Rocks Amphitheater as well. The post The ‘We Are Deadbeats Vol. 6’ Compilation Album Is a Fiery One appeared first on EDMTunes.

With over a decade of production experience and a lifelong immersion in music, Who is Silus? embarks on a unique journey of self-discovery and connection. This project isn’t just about music—it’s a deep exploration of what it means to be alive. The debut single “TETHER” has already set the stage, and more releases are on the horizon, promising to expand on the project’s distinctive aesthetic. Who is Silus? is more than just an artist; the project invites listeners to reflect on their own experiences through a carefully crafted auditory and visual narrative. The project’s vision is about connecting deeply with both the external world and the inner self, posing the question: Who is Silus? Who is Silus?’ evolution stems from a period of personal reflection during the COVID-19 pandemic. The artist’s previous work saw significant success with direct support bookings and label collaborations, but the global pause led to a reevaluation of artistic direction. This introspection birthed “Who Is Silus?”—a project where every note and visual element is infused with a journey toward self-discovery. Despite challenges like the pandemic and personal loss, Who is Silus? embraced these hardships as catalysts for growth. The artist’s commitment to holistic well-being—mentally, physically, and creatively—became central to the project, bridging the gap between the internal and external worlds. As the momentum builds, Who is Silus? envisions a future of global touring, signing with a talent agency, and creating immersive live experiences that resonate deeply with audiences. With a dedicated team and a clear vision, “Who Is Silus?” is poised to leave a lasting impact on the music industry. Listen to “TETHER” in its entirety on Spotify below. The post Who is Silus? Bridging music, art, and identity through a unique narrative appeared first on Dancing Astronaut.

Parisian DJ and producer Alex Wann continues to make a name for himself in the global electronic music scene. Known for his innovative approach and versatile sound, Wann has become a prominent figure in the Deep House genre, blending elements of Afro-house, tech house, and melodic house. His latest release, a remix of the 2014 hit ‘My Love’ by Route 94 featuring Jess Glynne, showcases his ability to reimagine iconic tracks while staying true to his soulful roots. Released on EMI’s Positiva Records, ‘My Love’ marks a significant milestone in Wann’s career. He has taken the original UK house anthem and infused it with an Afro-house vibe, a sound that has become synonymous with his work over the past two years. By blending Jess Glynne’s emotive vocals with rhythmic, repetitive beats, Wann has created a track that feels both fresh and familiar. Wann himself described the track as having an “instant connection with the dancefloor,” a sentiment echoed by the widespread support it has received from influential DJs and radio shows. Pete Tong and Danny Howard have featured it on BBC Radio 1, while John Summit included it in his set at CODA Toronto, further cementing its status as a dancefloor favorite. High-Profile Collaborations Several notable achievements have highlighted Wann’s rise in the electronic music scene. His breakthrough came with the release of ‘Milkshake,’ a track that quickly became a staple in DJ sets worldwide. Wann has also been involved in high-profile collaborations and remixes, including a standout remix of Swedish House Mafia’s ‘Ray of Solar’ in collaboration with Sasson. His partnership with Chris Lake’s Black Book Records has further solidified his position in the industry, with tracks like ‘Chase’ and ‘Haze’ receiving widespread acclaim. As Alex Wann continues to release music that pushes boundaries while staying true to his artistic vision, his remix of ‘My Love’ not only honors the legacy of the original but also propels Wann further into the spotlight as a rising star in the industry. Listen below: The post Alex Wann Reimagines Route 94’s ‘My Love’ with Afro-House Vibe appeared first on EDMTunes.