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After a spectacular sold-out 10-year anniversary edition in 2024, Don’t Let Daddy Know (DLDK) is set to return to the massive Ziggo Dome on Saturday March 1st, 2025. Register now via amsterdam.dldk.com for access to the Early Bird Ticket pre-sale on Tuesday September 24th. Expect an interstellar line-up DLDK is known for its diverse international audience, spectacular lighting, and epic visual effects, but it all starts with a killer line-up. The full line-up will be revealed later this year. Just like previous years fans can expect only the world’s best DJs. At previous editions, famous artists like Hardwell, Tiësto, Alesso, Martin Garrix and Timmy Trumpet performed. Intergalactic storyline. The next iteration of this legendary electronic dance music festival invites attendees to dive deeper into the festival’s fictional world, “The Red Galaxy”, exploring its different planets and worlds in a thematic journey unlike any other. This extraordinary universe is characterized by its red-coloured planets, stars, and nebulas, surrounded by the most liberated life energy imaginable. On March 1st, DLDK invites ravers from across the globe to embark on a temporary escape to “The Red Galaxy,” offering people a chance to take a break from their hectic daily lives. Pre-sale starts Tuesday September 24th Register now to get access to the lowest cost Early Bird Tickets of only €52,50 ex. fee. Don’t your chance to be part of this cosmic celebration! Secure your spot and immerse yourself in a rave like no other. For more information and to register, please visit https://amsterdam.dldk.com.

In modern times, artistic longevity can be an elusive beast, but this summer, Amsterdam’s Ninih is delivering a project that illustrates exactly what it takes to remain at the forefront of innovation in the underground while transcending genres and generations. Over the years, we have been fortunate enough to receive the multitude of aliases that pioneering DJ and producer, Silverlining (aka Asad Rizvi), has offered us. While he has been focusing on solo material since 2017, Ninih’s Pieter Jansen spotted that there was a wealth of material in his early collaborative projects with other artists that transcended classification, stood the test of time, and needed to be presented to the world in the right way. Hence, this special triple LP, “Silverlining & Friends: Collaborations 1996–2001,” addresses these landmark explorations with meticulous track selection by Pieter and Asad, with exceptional mastering, beautiful sleeve art, and extensive anecdotes about how the music came about. Throughout the LP, you can expect a host of names that will be familiar to any discerning underground vinyl digger, such as Two Right Wrongans, Impossible Beings, Appleheadz, Southern Comforters, and Bluegoose vs. Silverlining. However, this album weaves a fresh narrative around this diverse selection of tracks—some well-known, others rare or unreleased—from blissful listening into up-tempo house grooves to a gentle return to earth with the final unreleased gem that has been confined to DAT tape for more than 20 years. This body of work accommodates both headphone and heads-down moments over the course of its three discs. Hence, this is more than a reissue compilation of rare 12s, but rather a recontextualisation of a huge body of work with a shared ethos. “At the turn of the millennium”, as Silverlining writes in the sleeve notes, “London was an all-embracing place, and, for us, blending elements from house and techno was just one part of a wider drive to draw together the hotchpotch of our musical and familial backgrounds. With the relentless hype and polemics that have encircled a certain genre for more than a quarter century, a project that embraced the full spectrum of our efforts certainly comes as a breath of fresh air.” The album dives in with the Sigur Rós-esque “Through Wires And Air”, by Impossible Beings. This ethereal opus saw Asad working with Ravi McArthur and Paul Sng during a recording stint in a Canadian log cabin. Having started as a simple strum on an acoustic guitar by Sng, the track developed into an accomplished production with Sng on vocals, McArthur on bass and guitar and Silverlining on keys, as well as live strings later recorded in London. Next up we have the genre-defying, jazz-tinged “Moontan Lotion”, by Appleheadz, a collaboration that started with Charlie Inman, and later became a trio with Kester Lyddon. Tee’ing things up on the B-side, is the 1996 Appleheadz masterpiece, “If You Were A Cat You’d Follow Me”, a highly sought-after deep house weapon that resurfaces time and time again. Both feature masterful sax instrumentation by Inman. As we move to the second disc, we encounter Asad’s endeavour with Brixton hero, Tom Gillieron, as Southern Comforters. “Quick Call The King” features punchy drum patterns in combination with a killer elasticated groove; another classic from the deep and hypnotic catalogue of their Reverberations imprint. Another genre-bender follows with an instrumental of “In My Sky” from Appleheadz, which also featured on the “Moontan” EP. An unclassifiable anthem, utilising broken beats, dreamy synths, guitar by Nigel Price-Wallace, and trumpet by Ralph Lamb, the sum of which combines to create a piece of uniquely sublime depth. Side D kickstarts with vintage Surreal action: Bluegoose (aka Richard Grey) vs. Silverlining’s classic “Taken Over”. This classy breakbeat movement was birthed in the studio above the famous Swag Records where Richard worked at the time, an address which was vital during those years. Impossible Beings feature again with their “Tuesday Morning Milkman” track. Originally released on the Eukahouse sister label, Shaft, the track is both quirky and stripped back as it meanders down a path of curiosity. Two Right Wrongans, an influential partnership shared with the late Nathan Coles, feature on side E with “They’ll Never Get It Right Them Two”. Recorded at Twang Dynasty in Brixton in 1996, it’s a perky trip for the hazy hours of the night, blending elements from house and Detroit techno. “Back To The Imbiss” is another treat from the Impossible Beings project, constructed at Mr. C’s Watershed studio. “Imbiss” refers to their ‘98 road trip around Europe, a homage to the Berlin based shops where they would stock up on weissbier and cheese. A funk laden breakbeat trip, playful and animated as it travels. Last but not least is a previously unreleased track from Impossible Beings, “A Hundred To One”, a mesmerising and musically rich mind trip, with vocals from Kirsty Hawkshaw, backing from Kim Hardy, Ravi on bass, Beth Quist on dulcimer and the late Ray Garraway on drums. The track was the first to be created during the aforementioned log cabin retreat the group shared many years ago. The Beings later added live strings and flute instrumentation in London. A smooth touch to finish this amazing collaboration exploration, and an LP that will perk the ears of the tastemakers. The album was mastered to an exceptional standard by Helmut Erler at Berlin’s legendary Dubplates and Mastering facility. As well as being sonically aligned by the music, the 3 x 12” comes in a beautifully packaged sleeve with illustrations by Rowanna Lacey and graphic design by Nol Cobben, accompanied by line drawings of each of the artists by Wim Swim. The sleeve also features stories about each track, written by esteemed producer and author Harold Heath, highlighting the moment in time the music was made, how they established their relationships and so forth. The notes offer a unique insight to this vital era and how things were rapidly evolving. The back of the sleeve includes a heartfelt introduction to the release written by Asad himself. Ninih is showcasing a true case of admiration with this collection. In a market that moves faster than ever, it is important to share your respect for a prestigious era and the inspiring artists that drove electronic music forward, while blurring the lines between the mass swarm of new genres during this period. “To be absolutely clear,” Silverlining has said to us, “this is not a ‘tech-house’ album. I feel this term simplifies and detracts from the atmosphere of musicality that truly drove us, especially in the Reverberations community of artists that binds most of this work. But we understand that if it helps people, a handful of the tracks here can be defined that way. It just wasn’t the only thing we were all doing. We hope this album helps to correct some major misconceptions of our collective story.” During this influential period, individualism was reaching extreme heights, so it makes it even more charming that these artists, each a musical rarity in their own right, managed to meet and share their creative energy, all with the same outlook and passion. The integrity and futuristic vision of Silverlining and his affiliates is something that can only be applauded. Available to download here The post Silverlining & Friends: Collaborations 1996-2001 appeared first on Decoded Magazine.

The Deputy Prime Minister was spotted behind the booth with FISHER in August Continue reading...

Today we go a little deep, really digging under the surface of mainstream melodic techno. Patrick Ruprecht is a 33-year-old DJ and producer from Zurich, Switzerland. He just landed on Black Rose Recordings with a 2-track EP, Overthinking Mind. The tunes mark the 18th release of the label. Black Rose Recordings is an independent music label, founded in 2020 by Erly Tepshi during the melodic techno wave of the same time. Now, the imprint has solidified its position having released and launched several songs and artists in the melodic techno panorama. Kicking off the Overthinking Mind EP there’s the title track. The sounds include a synth arp that accompanies you for the entire length of the record. The melodic bass gives you an emotional vibe against the powerful stabs. The break starts with a hypnotic synth and then develops in a more majestic way. Odyssey Beyond Horizon is the second installment. In collaboration with Øntold, is the darker track of the Ep. It ranges between warmer and acid synth, the groovy bassline and the metallic percussions make the track strong and deep. The Overthinking Mind EP is another step forward in the developed of the label. It’s also another incredible EP from Patrick Ruprecht and we can’t wait to hear more. The post Patrick Ruprecht presents ‘Overthinking Mind’ appeared first on The Groove Cartel.

Europe’s Biggest Dance Show will return on Friday 20 September with BBC Radio 1 joining forces with ten radio stations across nine countries for a marathon broadcast, showcasing the best of each nation’s Dance scene. The Dance extravaganza will kick off at 6.30pm with Radio 1’s Danny Howard at the helm for the first thirty minutes before handing over to our broadcasting partners across the European Broadcasting Union. Listeners from across the globe can expect to hear Dance music from some of the biggest UK acts, the hottest European DJs, and a very special show from Ukraine. Radio 1 has a rich history of championing Dance music in the UK and around the world, with the first show of this kind taking place in 2019. Now a highly anticipated feature of the Dance music calendar, Europe’s Biggest Dance Show unites stations from across the continent to bring the very best Dance music to an audience of millions. Danny Howard says: “It’s my third time doing Europe’s Biggest Dance Show and I still find it mind blowing how big this is for UK Dance music and Europe as a whole. To capture the essence of the dance floor and supersize that into one big continental community, celebrating our respective (super talented) artists for one night only is going to be huge!” Aled Haydn Jones, Head of BBC Radio 1, says: “I’m very pleased to be broadcasting with our European Broadcasting partners once again to bring an epic night of Dance music to millions across the world. It’s going to be a massive celebration and I can’t wait to tune in.” Listeners can hear all the action live on BBC Radio 1 and BBC Sounds from 6.30pm BST on Friday 20 September. The countries and broadcasters involved are (in order of broadcast): UK, BBC Radio 1 Sweden, Sveriges Radio P3 Finland, YleX Germany, 1LIVE Germany, Fritz Estonia, ERR Raadio 2 Norway, NRK mP3 Belgium, Studio Brussel Austria, Radio FM4 Ireland, RTÉ 2FM Ukraine, Radio Promin The post BBC Radio 1: Europe’s Biggest Dance Show returns to BBC Radio 1 appeared first on Electric Mode.

It marks the second release from an expanded edition of ‘Selected Ambient Works II’ Continue reading...

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The LIFE Stream Project is set to host FLORESCENCE, a game-changing charity event that blends the power of EDM with a crucial cause. Partnering with END OVERDOSE and The Egyptian Motor Hotel, this mini-music festival aims to educate and prevent overdoses in Phoenix, Arizona on October 12th. A Night of Music, Art, and Awareness FLORESCENCE promises an unforgettable experience, featuring chart-topping headliners alongside diverse performances. Attendees can look forward to live acts that will captivate audiences throughout the night. Additionally, educational awareness segments will be interspersed between sets to enhance understanding of overdose prevention. For those unable to attend in person, HD live-streaming will allow for global audience participation. And we will also be featuring over 40 guest mixes leading up to the event, be sure to check those out. Star-Studded Lineup The event showcases some of electronic music’s finest talents, including Jawns, a pioneer in the trap and wave movement and known for his genre-bending sets. Jampagne, a breakout artist known for her jersey club sound, with support from Flosstradamus, Yellow Claw, Marshmello, Bok Nero, and more. Mamba, an Arizona fan favorite who recently opened for Illenium at the return of Rawhide (a locally loved venue) that will be sure to wow you with his heavy but melodic sound. So Sus, your favorite DJ’s favorite producer, known for her creativity and self-expression, you can expect a bass-leaning set. Bella Renee, more popularly known as a vocalist with songs featuring Reaper, ARMNHMR, Blossom, SAYMYNITTI, and Mamba, joins us as a DJ for the night. Lore + Esaac, long-time producers, DJ’s, and best friends will be bringing their live set to the stage (if you like Fred Again, you won’t want to miss this). Venue with a Heart: The Egyptian Motor Hotel This historic 1920s landmark in Downtown Phoenix serves as the perfect backdrop for FLORESCENCE, blending retro-inspired architecture with a commitment to local arts and culture. The venue’s unique atmosphere enhances the event’s mission of fostering community engagement while celebrating creativity. More Than Just a Party FLORESCENCE embodies The LIFE Stream Project’s mission: harnessing EDM’s community spirit to drive positive change. By attending or tuning in, participants are supporting overdose prevention education, community engagement initiatives, and fundraising efforts aimed at addressing pressing social issues. Join the Movement Be part of this transformative night where music meets purpose. FLORESCENCE isn’t just an event – it’s a step towards a safer, more connected future. For tickets, streaming information, and ways to support, visit https://posh.vip/e/florescence-

In a groundbreaking move, the popular electronic music festival, Breakaway Festival, has announced $MOTHER as its official cryptocurrency payment for Breakaway Nashville. This partnership marks a significant step towards mainstream adoption of cryptocurrencies in the entertainment industry. Launched in May 2024, Iggy Azelea’s Solana-based memecoin, $MOTHER, quickly skyrocketed, reaching a $200 million market cap within just four days. As part of the partnership, token holders will have the exclusive opportunity to purchase festival tickets using $MOTHER. Starting today, fans can purchase tickets and VIP passes for Breakaway Fest using $MOTHER. As a special incentive, those who opt for crypto payments will enjoy a generous 20% discount. This offers a unique opportunity for $MOTHER holders to experience the festival at a reduced cost while supporting a forward-thinking event. I’m very happy to announce that $MOTHER has been intergrated as the official crypto payment of @BreakawayFest Tickets & VIP passes purchased with our token unlock a 20% discount… $MOTHER PROVIDES 🍑🫶👩‍🍼✨ Thanks to @sphere_labs for all their hard work on this too! pic.twitter.com/o2aPjWizYL — IGGY AZALEA (@IGGYAZALEA) September 4, 2024 The post Breakaway Nashville Announces Iggy Azelea’s $MOTHER Coin as Official Cryptocurrency Payment appeared first on EDMTunes.

The future is blindingly bright for Chicago's North Coast Music Festival, which took over the Windy City for a Labor Day Weekend that ravers soon forget. As the last vestiges of Chi-town's summer began to fade, we were on the ground at this year's event, which brought the highest attendance numbers in the history of the festival. 90,000 attendees dance the days and nights away across three days at SeatGeek Stadium as well as North Coast's full-field practice dome and various fields in-between. The grounds turned into a sprawling oasis of electronic beats and trippy visuals, an adult playground for the adventurous spirit. And there wasn't a blind spot—practically anywhere you went, bass boomed like the roar of Lake Michigan during a storm. Seven stages with lasers for days featured performances from Subtronics, Above & Beyond, ILLENIUM, Seven Lions and many more, not to mention b2b sets from the likes of ISOKNOCK (ISOxo and Knock2), LSZEE (LSDDREAM and CloZee), Tchami and Malaa (No Redemption) and Dabin and Said The Sky (Dab The Sky). Organizers are already planning to level up in 2025 and fans can sign up for the pre-sale waitlist here. In the meantime, check out a list of five things you missed this year below. ISOKNOCK DJed in a shipping container suspended by a crane View the original article to see embedded media. DJ Susan filled in for Moksi and tore up "The Shipyard" View the original article to see embedded media. A golden-hour drum & bass set from Chase & StatusDNB at golden hour. 🌅 🇺🇸 pic.twitter.com/UPKCihI7Gc — Chase & Status (@chaseandstatus) September 2, 2024 ACRAZE brought out Lil Mabu on "The Vega" stage on Friday EDM.com EDM.com Two Friends closed the festival on the mainstage with a drumline View the original article to see embedded media. Follow North Coast Music Festival:Instagram: instagram.com/northcoastfest TikTok: tiktok.com/@northcoastfest X: x.com/northcoastfest Facebook: facebook.com/northcoastfest

The world of Dragon Ball is no stranger to epic collaborations, but this one hits on a whole new level. Grammy Award-winning DJ and producer Zedd has composed the opening theme for the highly anticipated TV anime Dragon Ball Daima, bringing his signature sound to the beloved franchise. Fans got a sneak peek at his work through the anime’s recently released main trailer, which features the electrifying track ‘Jaka Jaan’ by Zedd feat. C&K. A Dream Realized for Zedd For Zedd, working on Dragon Ball Daima is more than just a project—it’s a lifelong dream come true. The producer expressed his excitement on Instagram, saying, “It’s a dream come true to share that I had the privilege to compose the opening theme song ‘Jaka Jaan’ for Dragon Ball DAIMA!!! It’s really a full circle moment for me and an absolute honor being able to write for a show that had such a massive influence on me since a young age!” Having been a fan of Dragon Ball since childhood, this collaboration was deeply personal for Zedd. He wrapped up his message by thanking the anime team. In the process, showing immense gratitude for the opportunity to contribute to a series that shaped his youth. A Powerhouse Team The track ‘Jaka Jaan’ is not just a one-man effort. The song also features the talents of singer-songwriter unit C&K, who contributed both to the composition and the performance. C&K’s involvement came at Zedd’s request, adding an extra layer of dynamism to the piece. Furthermore, the song’s lyrics were penned by Yukinojo Mori. He is the legendary lyricist behind iconic Dragon Ball songs like ‘CHA-LA HEAD-CHA-LA’ from Dragon Ball Z. He also wrote ‘Genkai Toopa X Survivor’ from Dragon Ball Super. This marks a blend of new and nostalgic elements, with Zedd bringing a fresh electronic twist to Mori’s signature anime lyricism. The collaboration is a perfect fusion of past and present, bridging decades of Dragon Ball history. Zedd’s Return to Music What makes this announcement even more exciting is the fact that Zedd’s contribution to Dragon Ball Daima coincides with the release of his first album in nine years. The album named, ‘Telos‘, dropped on August 30th. Fans have eagerly awaited his return, and now, with his influence extending to the anime world, it seems Zedd is making up for lost time in the best way possible. With ‘Jaka Jaan’, Zedd reintroduces himself as a musical powerhouse. Moreover, he also taps into the hearts of millions of anime fans worldwide. Dragon Ball Daima is sure to be a major highlight. Not just for its plot but for this captivating new theme song. Check out Zedd’s composition in action, below. The post Zedd Composes Soundtrack for Dragon Ball Daima appeared first on EDMTunes.

Born and raised in Las Vegas, the dynamic brother duo Fama (US) are making waves in the tech-house scene. Dominik and Frankie Fama blend their desert roots with a passion for tech house, drawing inspiration from artists like Chris Lake, Mochakk, and Daft Punk. After honing their skills as DJs for several years, Fama ventured into production in September 2023, quickly securing their first label release with the track “On Me” in May 2024. Their latest release, “Boss,” dropped under No Permit Records, showcases Fama’s evolving sound within the tech-house realm. This track unveils a funkier, unrefined dimension of house music that captivates listeners from start to finish. With its straightforward, clean approach, “Boss” leverages an engaging vocal sample and precise percussion to generate an undeniably magnetic energy. Infused with a slightly exotic, lively, and enchanting vibe, the track embodies the essence of a true heater, marking another significant chapter in Fama’s ongoing musical saga. The post Tech house upstarts Fama show us who’s ‘Boss’ appeared first on Dancing Astronaut.

LEFTI and his ‘warehouse disco’ sound delivers a unique musical experience with every new production. His robust house style, tailored for spacious venues and late-night energy, incorporates hypnotic drones that elevates the spirit of nocturnal crowds, tapping into the essence of classic house music. This essence shines in LEFTI’s remix of CASSIMM’s ‘House Thing’. While preserving the original’s core, LEFTI infuses it with his style all his own while CASSIMM sees his work thoughtfully reimagined by LEFTI’s skillful production. ‘House Thing (LEFTI Remix)’ captivates with its polished percussion and impactful basslines. From the first beat, listeners are drawn into LEFTI’s trademark house groove, showcasing his ability to blend smoothness, sophistication, and technical prowess. Released on the respected Freakin909 label, this track finds an ideal home that complements LEFTI’s impressive catalog includes releases on prominent labels like Nervous, Freakin909, Let There Be House, and Toolroom Records. In 2021, he launched Quincy Boy Records, which has quickly gained industry recognition. The label’s releases have earned support from top artists and airplay on major stations such as BBC Radio 1, KISS FM, and Select Radio. This remix of ‘House Thing’ adds another notable chapter to LEFTI’s ongoing exploration of house music, capturing the genre’s quintessential elements and energy. The post LEFTI reimagines CASSIMM’s ‘House Thing’ into a groovy heater appeared first on Dancing Astronaut.

Are we a bit early? Are we not? Well, who cares! If you’re in LA, your New Year’s Eve party is already here. Framework has just announced Keinemusik’s Rampa as the headliner for their inaugural New Year’s Eve celebration at Red Studios. What’s Red Studios? Well, it’s the legendary film production house in Hollywood. Mark your calendar as on Tuesday, December 31, Framework will ring in the new year and it will be in good company. The party will combine high-end production and a special showcase from one of the world’s leading contemporary electronic talents. This will be the latest of a series of incredible parties, that started just last July. Duke Dumont All Night Long event went sold out and it was the facility’s first-ever ticketed music event. Framework’s New Year’s Eve event will mark Rampa’s first solo headlining performance with Framework. The show follows previous sold-out Framework events with Keinemusik’s hallmark Los Angeles show earlier this year at Exposition Park, and the exclusive Zenyara afterparty at Coachella in 2023. It was a hell of a year, yes, but what better way to finish it with a bang? Fans can register for pre-sale access now until Wednesday, September 11. Pre-sale tickets will go on sale for all registered users on Thursday, September 12 at 10 AM PT followed by general on-sale at 1 pm PT. Don’t miss out. What about Framework you may ask. Framework was founded in 2013 with the goal of becoming the leading purveyor of unique underground experiences in Los Angeles. Over the last decade, Framework has exhibited rapid growth, hosting upwards of 200 artists and 1.1 million guests across 35 venues internationally. Framework has since become the principal consultant and talent buyer for companies looking to present novel underground experiences to emerging markets. The post Keinemusik’s Rampa to headline Framework’s LA New Year’s Eve appeared first on The Groove Cartel.

Kode PinK, comprised of pediatrician Kenan Nadar and IT specialist Calvin Htet, brings fresh energy to dance music by blending pop’s playfulness with electronic music’s drive. Hailing from Central Florida and Northern California, this DJ/Producer duo embodies their motto “no dream too big,” inspiring fans to pursue their passions regardless of unconventional backgrounds. The unlikely duo’s latest single “How The Great Have Fallen,” featuring singer/songwriter bnji, offers a witty take on post-breakup emotions. This satirical anthem explores the disillusionment that follows when someone once admired falls from their pedestal. The opening line, “I shoulda knew Cupid had to go and give ya someone new. Just thought that he’d have better aim,” sets a tone of sardonic disappointment, highlighting the complex coping mechanisms often employed after heartbreak. “How The Great Have Fallen” examines projection and defense mechanisms common in post-breakup trauma cycles. While Kode PinK doesn’t endorse wishing misfortune on others, they recognize it as a relatable human experience worth exploring and their distinctive pop approach serves as an engaging backdrop for this narrative. The post Kode PinK turns heartache into humor on ‘How The Great Have Fallen’ appeared first on Dancing Astronaut.

Australian multi-platinum artist CYRIL continues his musical journey with the release of “To The World” EP, a follow-up to his August EP “From Down Under.” Born and raised in rural Australia and now based in Darwin, CYRIL is more than just a producer and DJ. He’s a multi-instrumentalist skilled in guitar, piano, and drums, whose journey from teenager to adult was marked by challenges. His background infuses his music with authenticity and emotional depth, contributing to the widespread appeal of tracks like “Stumblin’ In” and his remix of Grammy-nominated Disturbed’s “The Sound of Silence.” His latest EP features six tracks that further establish his distinctive style, blending bluegrass and country sounds with organic electronic production and emotive vocals. Since the release of his breakthrough hit “Stumblin’ In” in November 2023, CYRIL has indeed gone “From Down Under To The World.” This metaphor is embodied in the combination of his two recent EPs. ‘To The World’ showcases CYRIL’s versatility and artistic vision. “Before I Let You Go,” featuring MarcLo, is a poignant yet hopeful ballad, while “Put Your Records On” offers CYRIL’s unique interpretation of the carefree original. The EP also includes a downtempo house remix of America’s “A Horse With No Name,” reminiscent of his remix of Disturbed’s “The Sound of Silence.” CYRIL’s stateside story is set to reach new heights as he embarks on his debut US tour starting September 16. The tour will take him to major cities including Chicago, San Diego, San Francisco, New York City, and Washington, DC, with more dates to be announced. The post CYRIL releases 6-Track ‘To The World’ EP ahead of debut US tour appeared first on Dancing Astronaut.

Panamanian DJ and producer Gian Varela joins forces with Dominican powerhouse and 3-time Latin Grammy award-winner Maffio for their latest dancefloor anthem, “Gua Gua.” The synergy between Gian Varela and Maffio on “Gua Gua” represents a meeting of two generations of Latin American musical talent. Maffio, with his established career and multiple Latin Grammy wins, brings a wealth of experience and a deep understanding of Latin rhythms. Varela, as a rising star in the electronic music world, contributes his fresh perspective and ability to bridge cultural gaps through music. The result is a rhythmic tech house heater that seamlessly blends their multiple influences. At its core, the track features a driving four-on-the-floor beat characteristic of tech house, but it’s the fusion of Latin and Afro house elements that truly sets it apart. Maffio’s signature style shines through in the Spanish vocals, which add an exotic flair to the production. The production showcases upbeat, tribal-inspired drum patterns and hypnotic percussive elements that create an irresistible groove. Dynamic melodies weave through the track, adding depth and complexity to the sonic landscape that evokes the feeling of dancing in a jungle until sunrise. The post Gian Varela and Latin Grammy Award-winner Maffio join up for Latin tech house hit ‘Gua Gua’ appeared first on Dancing Astronaut.

R3HAB, a dance music pioneer for 15 years teams up with Sophie and the Giants, the pop star that has been captivating audiences since her 2018 debut EP. The powerful combination of forces on their new single “All Night” breathes fresh life into the dance-pop scene. This collaboration follows R3HAB’s remix of Sophie’s “Paradise” (her track with Purple Disco Machine). “All Night” continues the euphoric peak time vibes, following R3HAB’s “Gózalo” with Deorro and Sophie’s “Shut Up And Dance.” The disco-laced track combines Sophie’s dreamy pop vocals with R3HAB’s dynamic production talents, delivering an energetic, feel-good anthem that re-imagines Blue’s 2001 platinum hit “All Rise,” refreshing the original and creating a new sound track to this generation’s nights out on the dancefloor. The post R3HAB and Sophie and The Giants’ release new club anthem ‘All Night’ appeared first on Dancing Astronaut.

A woman is recovering from a fractured spine and rib after falling off a structure at the 2024 edition of Burning Man. Rachael Gingery on Saturday fell roughly 20 feet from an art installation resembling a sinking ship, which was, along with a 100-foot serpent, part of a display called "Naga & The Captainess." In a post shared to Facebook, she says she climbed a ladder into the structure's crow's nest before attempting to slide across a tilted pole, around which attendees could wrap their legs. However, the weight of her backpack and coat inverted her body to the underside of the pole, forcing her to flip and ultimately lose her grip. The next thing Gingery remembers, she said, was "waking up on the ground surrounded by medics and unable to move." View the original article to see embedded media. "I was told that I was convulsing immediately after impact and looping my thoughts before returning to consciousness after a few minutes," Gingery wrote, adding that she doesn't blame the structure's developers. "I remember laying on the ground feeling shocks of pain course through my body and being unable to move as I was loaded into an ambulance." From there, Gingery says she spent over 16 hours in triage in a medical tent on the playa before an ambulance transported her to the trauma unit of a Reno-area hospital. Doctors there treated her for contusions of her lung and spleen as well as the fractured spine and rib. Gingery called the ordeal "one of the scariest experiences" of her life but remains in good spirits, referring to her outing in Black Rock City as her "best burn yet." She says she's expected to heal within the next six to eight weeks. This year's Burning Man took place from August 25th to September 2nd.

A woman unfortunately fell from a tall climbable Burning Man art. Rachael Gingery fell from an art piece resembling a sinking ship. Just before 6 a.m. on Saturday, Gingery climbed the wooden planks suspended on steel cables to the installation’s tilting crow’s nest, which sat atop a slanting pole that festival attendees could slide down. She fell about 20 feet. Luckily, she seems to be doing fine and will make a full recovery. After losing her grip on the pole and falling, Gingery was transported by ambulance to Burning Man’s clinic, Rampart. There, staff performed x-rays and ultrasounds. After the clinic visit, advanced imaging was deemed necessary, so Gingery was then transported by ambulance to Reno. There, CT scans determined that she fractured her spine and a rib, and sustained bruises to a few internal organs. Rachael had this to say: “We do not blame the art or artists in any way…We understand the risks we take at Burning Man and are grateful to the artists for bringing their art. We will 100% be out there again next year!” The art piece, called Naga & the Captainess, is one of the prized sculptures at this year’s event. Located in deep playa, it features not only the sinking parts of a ship but also a sea serpent and interactive treasure chests, cargo crates, and wine barrels. It is estimated that between 30 and 40 Burners require medical transports every year. This year’s exodus was damped by a major dust storm. The post Women Falls From Tall Climbable Burning Man Art appeared first on EDMTunes.

Manchester – September 4th, 2024: Ahead of their opening party Repercussion next week, The Warehouse Project reveals new shows for this season, including a headline show by Loyle Carner, an all day long with Four Tet, and a series of curated shows by Jamie Jones’ Paradise, Fatboy Slim, and Barry Can’t Swim. Acclaimed British rapper and musician Loyle Carner is set to headline and curate his show on Friday 4th October. Renowned for his introspective and emotionally raw production, Loyle Carner has carved a niche in the UK music scene, blending hip-hop with jazz and spoken world. His headline performance at Depot stage follows the success of his Summer 2024 UK & European tour. The poetic musician is set to be joined by yasiin bey, Frankie Stew and Harvey Gunn, Children of Zeus, and more. Plus, Concourse stage hosted by Deviation with Benji B & Judah, and special guests. One of the most prominent figures in electronic music, Four Tet returns for an unmissable day & night party where he will play open to close on Saturday 19th October with tickets from £25. Renowned for his extensive knowledge of music, Depot Mayfield is set to be transformed into Four Tet’s sonic playground, guiding the audience through an immersive 8-hour journey. The legendary DJ and Producer, Fatboy Slim, is set to present a special show on Friday 22nd November. Blending big beat and house sounds, Fatboy Slim has handpicked a line-up that showcases both established and emerging electronic music talents including Vintage Culture, Oden & Fatzo [Live], Kilimanjaro, Eats Everything, LF System, and more. Plus, a special Archive takeover by Manchester disco collective La Discothèque with Artwork, Melé, CC:DISCO! and more. Eat Your Own Ears returns this year with a curated show by Barry Can’t Swim on Friday 29th November. Known for his genre-blending sound that fuses house, jazz, and downtempo beats, Barry Can’t Swim is set to perform live and a DJ set. Bringing together an eclectic lineup that reflects his innovative approach to music, his curated show features both established and emerging artists who push the boundaries of electronic music, including the likes of Jyoty, salute, Joy Orbison, Hunee, Sbtrkt, and more. Making each season even more special than before, The Warehouse Project is proud to announce a brand new initiative with Apple Music to capture DJ sets in ground-breaking Spatial Audio. The world-leading club series is one of just a few handpicked venues across the globe offering the opportunity for dance fans to relive their favourite club nights exclusively on Apple Music. DJ sets from some of the world’s most exciting names in electronic music playing at this year’s WHP24 series, will be recorded using a fixed immersive audio installation and then mixed in the ground-breaking format to launch on Apple Music this fall. Ahead of WHP24, a selection of sets captured from last year are available to hear exclusively in Spatial Audio on Apple Music. They include: Skream, Bakey, Chloé Robinson, Izzy Bossy, Yung Singh, and DJ Flight and Strategy – all recorded as part of the 2023 UP YA ARCHIVES night hosted by acclaimed British artist and producer Nia Archives. An additional set of mixes from the 2023 club nights released in stereo include sets by artists Gorgon City, Ben UFO, Krysko, Manara and Jim Bane. To listen to Apple Music’s Spatial Audio DJ Mixes, and find out more about the initiative with The Warehouse Project, please visit apple.co/warehouseprojectmix. Pre-sale ticket sales go live on Thursday 29th August from 10am. General ticket sales go live on Friday 30th August from 10am. Register at www.thewarehouseproject.com/signup for presale access. The post Warehouse Project Reveals 2024 Lineup: Four Tet, Barry Can’t Swim, Fatboy Slim, and More appeared first on Electric Mode.

Chicago focused event organizers and cultural pioneers Viva Acid return for their highly anticipated fourth season. Celebrating Chicago’s vibrant Acid House scene and community from October 3rd – 6th at the Podlasie Club, in the city where it all began. Spread across four days, Viva Acid will be hosting a series of accessible events, workshops and conversations that foster creativity and further inspire innovation. Viva Acid 2024 champions collaboration and the development of deep belonging within our creative community. This year’s theme is transcending scarcity to build resilient, flourishing ecosystems through collective creativity. At a time where the path to success is ever-changing, these talks act as a reminder of the foundations the house music scene was built on, and the importance of connection in breaking through the noise. Across the four days, talks will cover a range of industry subjects, from ‘Maximizing Reach’ to ‘Marketing Authenticity’, while workshops will focus on production, with topics including ‘Approaching Remixing’ and ‘Creating What You Hear’. Attendees to the event will receive immense value and knowledge from pioneers of the scene such as Gene Farris, DJ Hyperactive, Radio Slave, Glenn Underground and countless more. Thursday 3rd will also see the premiere of ‘Children Of Acid’. The deep-dive documentary, produced by Viva Acid in partnership with production company Baffe, catalogs the rich tapestries of Chicago’s vibrant rave scene – a must see for anyone interested in the history and emergence of acid house. It wouldn’t be a Acid House music conference without performances, and the line-up for Viva 2024’s parties is equally as impressive. Watch acts such as Radio Slave, Flores Negras, Lauren Flax b2b DJ Slugo, Steve Noah, Microdot, Glenn Underground and many more take to the stage, showcasing the skill that saw them rise to the top of their scene. At a time when the goalposts are constantly changing and burgeoning artists can sometimes lose sight of music at the center of what they do, Viva Acid’s schedule is a timely reminder of the solid foundations on which the scene was built upon for those looking to make a real impact with their music. Dates: October 3rd – 6th Tickets: https://www.eventbrite.com/o/viva-acid-52975640723 Follow Viva Acid Website | Instagram | Youtube | Linktree The post Viva Acid Pays Homage To Chicago’s Acid House Scene with 4th Annual Talks and Workshops Series appeared first on Electric Mode.

The track is dedicated to her son Izaak Theo Adu Continue reading...

The hard techno favourite has already unveiled three of 12 tracks from the LP, set to arrive October 4 Continue reading...

Duo unveils their third single, exploring the human journey and universal connection with insane videos made for the stage. The duo BIGGER THAN US has released their latest single, titled “We’re Not Alone.” This track adds to a project that has developed organically, driven by a creative force that the artists themselves describe as something bigger than them. “We’re Not Alone” marks the third release by BIGGER THAN US a collaboration between Marieme and Stephan Jacobs AKA BOSA that explores themes of human vulnerability and personal evolution. The song, originally composed by Marieme, came to life with BOSA’s contribution, bringing new layers of sound and experimentation to the composition. The single “We’re Not Alone” is described by the artists as a sonic and emotional journey. The track blends intense soundscapes with an energy that aims for both introspection and empowerment. The central message of the song is that, despite the uncertainties and fears everyone faces, no one is alone in their experiences and feelings. The origin of the BIGGER THAN US project, as reported by the members, was unintentional. BOSA and Marieme began working together without a defined plan, allowing the creative process to guide them. This intuitive approach is reflected in “We’re Not Alone,” where Marieme, who wrote and recorded the track some time ago, finally found the right sound through collaboration with BOSA. From a technical perspective, BOSAs production incorporates a blend of digital and analog tools. The song features harmonies synthesized with the vocals, resampling with RMX-1000 and Kaoss Pad KP3, as well as bass sampling with Sub37, creating an atmosphere that evokes influences from Radiohead, Pink Floyd, Daft Punk, and Eskmo. The combination of these elements results in a sound that is both familiar and innovative. “We’re Not Alone” is not just a song but a reflection on the human condition. Marieme shares that the composition emerged during a period of questioning the meaning of life and the fear of the unknown. The lyrics address fear and the need for evolution, offering a message of connection and solidarity. BIGGER THAN US continues to explore new musical directions, with plans to release more music in the near future, including an upcoming single and the much-anticipated debut EP. “We’re Not Alone” is now available on major streaming platforms, and the duo invites everyone to connect with the song’s message and feel the power of unity through art. Follow biggerthanusmusic The post BIGGER THAN US Releases Third Single “We’re Not Alone” appeared first on Electric Mode.