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A package arrived on my doorstep one random Monday. Inside was a handwritten note from Skrillex: "Hope you find some time in your busy life to listen to this album from start to finish. ᥫ᭡ Sonny" Spoiler alert: I made time. And within just a few minutes of listening, it became clear that this was the sound of an artist who has nothing left to prove—but so much more to say. Born Sonny Moore, the prodigy who erupted from the MySpace ether has spent over a decade shapeshifting—punk screamer, dubstep deity, pop architect—only to return now with the elusive album his ride-or-die fans could only dream of since the seminal Recess back in 2014. His disciplined Quest for Fire and Don't Get Too Close albums of 2023 were drops of water on a desert tongue, and those fans never stopped aching for the return of that vintage, feral Skrillex growl. But here it is now—reimagined, reborn and roaring back into our cerebellums. Featuring 34 tracks, the album is his Interstellar, a sprawling, cyclical epic that loops back to his roots while spiraling into the stratosphere. It's Skrillex unchained, a cathartic eruption that finally fulfills his Atlantic Records contract after 15 years and opens the floodgates to a future where his music answers to no one but his own restless genius. Skrillex in late-2024 revealed his plans to go independent after completing his Atlantic deal by virtue of his next body of work, today's release of F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3. "I've never felt more inspired and in lockstep with my intentions as an artist," he said at the time. The stakes have never been higher. Few artists wield the kind of influence Skrillex does, and fewer still exit major label deals on their own terms. Going independent means full creative control, and if history has taught us anything, it's that Moore thrives when the rules don't apply. As he cuts the corporate cord, one truth rings even louder than his ageless dubstep: Skrillex hasn't just come home, but redefined what home can be. Kelly Knisel&sol;EDM&period;com A time capsule finally cracked open, the album features many long-lost tracks that once lived only in online forums and grainy SoundCloud rips, shaping the instincts of today's biggest DJs when they were still kids, wide-eyed and wired to his sound. These unearthed gems now carry with them a sense of both nostalgia and evolution, proving that the music we wait for doesn't just belong to the past, but also to the future it unknowingly built. But FUS isn't just a trip down memory lane. If it's a museum tour of past glories at times, it's a mad scientist's lab at others, where Skrillex brews up boundary-pushing bangers with reckless creativity. He tosses convention into a shredder with Virtual Riot on the anarchic "WHILE YOU WERE SLEEPING VIP," producing snarling synths that gnash through a rabid rhythm. Then comes the stunning "RECOVERY," his long-awaited collaboration with fellow music production savant Space Laces, with whom he takes dubstep to the bleeding edge. That subversive spirit runs roughshod through the album, like in "GULAB XX." Equal parts seduction and destruction, the track finds Naisha's come-hither vocals mutating into a ferocious drop. Skrillex goes even further with his contrarian approach in the sublime "LOOK AT YOU," a haunting cut with Jónsi where distorted textures envelop you like a sensory deprivation tank—claustrophobic yet transcendent. Skrillex performing at Miami's Ultra Music Festival on March 29th, 2025.Kelly Knisel&sol;EDM&period;com Amid the pandemonium, we find moments of tortured beauty. "SAY GOODBYE" features a spellbinding lyrical performance from NJOMZA, whose vaporous voice drifts like mist over Skrillex's hypnotic production before fracturing under the weight of a guttural dubstep drop. It's a duality that defines the album—serenity and savagery, woven together with a virtuosic hand. That duality blooms fully in "VOLTAGE," a mythic beast of a track that fans have chased like a white whale since its early teases back in 2011. Now officially unleashed, it's a reminder that even in his most tender moments, Skrillex is still electronic music's architect of the collision course between clarity and chaos. It all points to a legacy somehow still in its infancy for Skrillex, who seems to be just warming up, despite already reshaping the sound of a generation. As he severs ties with the label machine, his next chapter feels less like a leap into the unknown and more like a seasoned producer betting on himself after years of navigating the industry's ups and downs in lockstep with a fan base that's stuck with him through every pivot. To that end, the album isn't some ethereal farewell, but a loud, practical flex of what Skrillex can do when he's calling the shots. Expect more collabs, more risks and a lot more noise, all straight from the source. You can listen to F*CK U SKRILLEX YOU THINK UR ANDY WARHOL BUT UR NOT!! <3 below and find the album on streaming platforms here. Follow Skrillex:X: x.com/skrillex Instagram: instagram.com/skrillex TikTok: tiktok.com/@skrillex Facebook: facebook.com/skrillex Spotify: tinyurl.com/naka2dyv

The record, abbreviated to ‘FUS’, includes collaborations with Varg2™, Boys Noize, Wuki, and more Continue reading...

While thunderclouds cracked open above Miami and Ultra Music Festival fell silent due to a flash flooding warning, Kaskade found himself DJing beneath a plastic tarp on the deck of a swaying boat—and made it one of the most unforgettable moments of Miami Music Week. The multi-Platinum DJ and producer teamed up with Mary Lou's to host a private pop-up party at sea attended by just 150, including members of EDM.com's staff. The intimate event was already one of the week's more sought-after, but it was the ensuing storm that that elevated the affair from exclusive to unforgettable. As the rain intensified and wind whipped across the deck, crew members and fans quickly threw a tarp over the DJ booth, erecting an impromptu shelter. An unfazed Kaskade leaned into the moment, dropping his 2008 deep house classic "Raining" in a lighthearted nod to the chaos. At one point, he found himself DJing on just one functional CDJ. The tarp seemingly sagged under the weight of rainwater as fans held it up themselves, transforming the pop-up into a shared memory of what happens when Mother Nature collides with dance music's collective boundless spirit. Somewhere between the thunder and the bassline, the scene turned into folklore. Watch footage from Kaskade's Sunday boat set below. View the original article to see embedded media. View the original article to see embedded media. View the original article to see embedded media. Follow Kaskade:X: x.com/kaskade Instagram: instagram.com/kaskade TikTok: tiktok.com/@kaskade Facebook: facebook.com/kaskade Spotify: spoti.fi/3fHaUGk

Set to take over Park West, the event will act as a celebration of the late ghetto house pioneer and a fundraiser for his family Continue reading...

A week ago, the world received a major announcement from Tomorrowland and Insomniac. These two festival titans teased that they have collaborated on a project. Not too long after, we obtained the big news everyone was dying to know. Tomorrowland and Insomniac are combining their magic to bring a breathtaking show called UNITY to the Las Vegas Sphere. This show will be incorporating music, visuals, and storytelling to take you on a journey through the Tomorrowland worlds of Planaxis, Adscendo, and Orbyz, blending in the vibrant excitement from Insomniac’s universes. UNITY tickets start at $99 for reserved seating and general admission floor tickets for $279. March 31st, they had their presale for the initial weekend dates, and by no surprise, they sold out immediately. So to give the people what they want, UNITY just announced 6 more dates to attend. You now have an opportunity to attend September 19th, 20th, 26th, and 27th. As well as October 17th and 18th. The pre-sale for these dates goes live today, April 1st, at 10 pm PT. Get ready to buy your tickets to an immersive EDM experience live never before! The post Tomorrowland x Insomniac UNITY Adds 6 More Dates appeared first on EDMTunes.

This years Ultra Music Festival in Miami gave us a lot of joyful moments, however it wasn’t all smooth sailing as a longstanding feud finally came to a head. At the end of deadmau5’s set he took a bit of a jab at James Hype saying, “How do I James Hype my way out of this one?” and then randomly scratching the decks followed by him sarcastically saying “real DJing, I’m just saying.” This seemed to be mocking James Hype’s war against pre recorded sets. After that jab James Hype has decided he wants to throw a right hook in return and has challenged deadmau5 to a boxing match. In an interview after Ultra, Hype said, “I’m going to make sure he lives up to the name of deadmau5 because I’m going to kill him in the ring. Who does this? Only me.” Deadmau5 has accepted the challenge already getting together a team for his training camp so that he can end this feud once and for all. He had his own fighting words saying, “after this fight he’ll just be James because there will be no more hype around him after I knock him out.” The two legends of DJing haven’t set a date yet, but soon we’ll be seeing them switch from making people sing, to stepping into the ring.

Even in Las Vegas—a city built on spectacle—the demand for Tomorrowland and Insomniac's "UNITY" has exceeded capacity, transforming the event's original three-night debut into the beginning of something bigger. After a rapid sell-out of its debut dates over Labor Day Weekend, the EDM powerhouses are expanding their collaborative Vegas Sphere event series with six newly announced shows. The immersive "UNITY" experience will now return for encore performances September 19-20, September 26-27 and October 17-18. "UNITY" marks the first-ever collaboration between Insomniac and Tomorrowland, two of the most influential forces in electronic dance music. The announcement alone sparked a frenzy, with pre-sale tickets evaporating in mere minutes. That momentum has now materialized into three more weekends of shows at the world’s most advanced entertainment venue, which recently hosted its first-ever electronic music residency, Anyma's historic "The End of Genesys." At its core, "UNITY" is a narrative-driven audiovisual experience. The production fuses iconic visual motifs from Tomorrowland’s dreamlike stages, Planaxis, Adscendo and Orbyz, with Insomniac's whimsical festival properties, including Beyond Wonderland, Escape Halloween and Electric Daisy Carnival. These thematic universes are set to collide by virtue of a cinematic experience inside Sphere, powered by the venue's record-breaking 16K resolution wraparound LED screen. The experience is anchored by an original orchestral-meets-electronic soundtrack that pays tribute to dance music's history. Presale access for the six new dates opens here on Tuesday, April 1st at 10am PT. The general on-sale begins April 7th. View the original article to see embedded media. Follow Tomorrowland:X: x.com/tomorrowland TikTok: tiktok.com/@tomorrowland Instagram: instagram.com/tomorrowland Facebook: facebook.com/tomorrowland Follow Insomniac Events:X: x.com/insomniacevents TikTok: tiktok.com/@insomniacevents Instagram: instagram.com/insomniacevents Facebook: facebook.com/insomniacevents

In a moment engineered for maximum impact, Subtronics ended his set on Ultra's iconic Mainstage over the weekend by announcing a new album. Beneath a canopy of lasers and bone-rattling bass, the dubstep superstar unveiled his next project: Fibonacci Part 1: Oblivion, an eight-track EP that marks the first half of an expansive, two-part concept album. Slated to release April 4th via his own label, Cyclops Recordings, the EP sees Subtronics returning to his signature high-concept world-building. The project leans into the Fibonacci sequence—a naturally occurring mathematical pattern found in everything from seashells to supernovae—as both a blueprint and thematic anchor. The first installment leans heavily into his roots and spans eight tracks, a symbolic nod to the number since it appears in the Fibonacci sequence. "Part 1 of the EP conveys that all of reality, in its complexity and grandeur, originates from nature and the fundamental laws of the universe," Subtronics said in a press release shared with EDM.com. "It emphasizes the Fibonacci sequence and golden ratio as intrinsic patterns that govern nature... not through divine intervention, but through physics." Fans can now pre-save Fibonacci Part 1: Oblivion here. View the original article to see embedded media. Follow Subtronics:X: x.com/subtronics Instagram: instagram.com/subtronics TikTok: tiktok.com/@subtronics Facebook: facebook.com/subtronicsofficial Spotify: tinyurl.com/yupr7jmk

The dance music world is once again celebrating the powerful synergy of Audien and ARTY, as their latest track, ‘One More Thing’ featuring Sara Davis is out now. Long-awaited since the success of 2018’s ‘Never Letting Go’ and 2020’s ‘Craving’, the collaboration serves a reminder that progressive house will last forever. The track is out now via Armada Music. ‘One More Thing’ delivers the signature sounds that fans have come to expect from Audien and ARTY: soaring melodies, meticulously crafted soundscapes, and an undeniable sense of euphoria. Sara Davis’s vocals add a poignant layer to the track, exploring themes of longing and human connection. This emotional depth resonates strongly with listeners, as the lyrics bear the emotional weight of what ifs and moments between lovers slipping away. The post Audien & ARTY Team Up on Uplifting Progressive House Anthem ‘One More Thing’ appeared first on EDMTunes.

The trio surprised fans at Ultra Music Festival in Miami, 14 years since the track’s release Continue reading...

The Ibiza born party WooMooN is returning to the iconic Cova Santa for another season of escapism through sound, art, and immersion in music. Heading into their ninth year they’re looking to raise the bar once again with their new enticing ‘Kinetic’ theme. WooMooN is a beautiful blend of circus, theatre, and music making it one of the most creative parties in the world. This year it’s back every Friday from May 16th to October 3rd with a whole assortment of amazing new features to create a 360-degree sensory experience. These fantastical additions include a giant 3D spinning lamp, a floating air and mesh fabric installation, a new moving toroidal stage, and immersive mirror art and projections throughout. To match this incredible theme, they’ve put together a lineup of vibrant and diverse artists such as: Satori, Bora Uzer, Laolu, Viken Arman, Jan Blomqvist, Rampue (Live), Ry X (DJ Set), Oliver Koletzki, Sven Väth, Parallelle, Henrik Schwarz (Live), Deer Jade and more all lined-up. WooMooN is keeping up their great devotion to diversity with a wide range of female artists featured in the lineup who are killing it in the dance scene. Ibiza is a haven of beautiful settings for the best parties in the world and Cova Santa is no exception. Set near the scenic city of San José and built around an ancient cave it’s a venue which is at one with the nature around it adding to the sense of escapism. The open-air area allows you to dance with a view of the stunning sunset while WooMooN’s ingenious theme lets you see Cova Santa at its best. Diverse, friendly, immersive, historic. Every element of WooMooN’s residency at Cova Santa is perfectly crafted to create an unforgettable experience for everyone to get lost in. To get your tickets click the link below: https://www.covasanta.com/en/events.html: WooMooN Reveals Dates And Headliners For 2025 Cova Santa SeasonYou can follow Cova Santa Ibiza on their Instagram below: https://www.instagram.com/covasantaibiza/?hl=en: WooMooN Reveals Dates And Headliners For 2025 Cova Santa Season

DJ and Producer BARKER continues his sonic evolution with the release of ‘Space,’ a Tech House cut that blends driving basslines, hypnotic rhythms, and compelling textures. Out now via S&S Sound House, this latest release sees BARKER pushing boundaries, delivering a track as expansive as it is high in energy. BARKER continues to build a reputation for crafting bold, groove-driven productions, aiming to stand out within the Bass House and Tech House scenes with his unique approach and refined production skillset. Based in Chicago, he has gained experience both DJing and in the studio, building his catalogue of work with high-powered music that reflects his journey, background, and creative vision moving forward. With ‘Space,’ he further highlights his evolving signature sound; leaning into pulsing synth work, rolling percussion, and impactful low-end frequencies, he crafts a musical experience that is engaging for listeners whilst once again showcasing his trademark approach and style. At its core, ‘Space’ is a sonic journey – layered with deep, resonant basslines, dynamic synths, and tension-building breakdowns that lead into powerful drops. The evolving structure keeps listeners locked into the track, balancing high-impact rhythmic details, from heavy beats and crisp percussion, with melodic details where hypnotic leads and punchy synth hits coverage with spoken vocal layers, energetic hooks, and gritty motifs. BARKER’s ability to weave together immersive soundscapes with groove-driven momentum is on full display in ‘Space,’ making this track a standout addition to his growing catalogue, one sure to keep his name steadily climbing the list of those to watch out for within Electronic Music. As BARKER continues to pursue forward-thinking sounds, he keeps bringing fresh music to his listeners, aiming to expand his listenership with each display of creativity, innovation, and skilled artistry. As his journey unfolds with more releases and performances, he remains a force within the genre, so be sure to keep up with him via social media to stay in the know about his upcoming projects. ‘Space’ is out now via S&S Sound House and available to stream and download across all major platforms. Listen and Buy ‘Space’ now: BARKER Online Instagram | Spotify    S&S Sound House Online Instagram | Beatport

Jody Vukas drops his newest single, ‘Horizon,’ via Batuque Music. Stepping further into the realm of Progressive House, this latest production sees him blending his signature grooves with fresh sonic elements, continuing his exploration of dynamic and immersive soundscapes with a track primed for peak dancefloor moments. With a steadily growing presence on the Electronic Music scene, Jody Vukas continues to carve out his own path, building on his momentum as he seeks to make himself known for his creativity, passion, and innovation. His ability to fuse melodic depth with driving energy has earned his music support from genre heavyweights like Dowden and Steve Lawler, and more, seeing him connect with an expanding audience of fans as he continues to grow his catalogue and deliver engaging DJ sets. As he remains committed to evolving his artistry, Jody Vukas upholds consistency in his output, showcasing development and originality each time. Now, striking back with yet more unique music, he offers his listeners ‘Horizon,’ inviting them into the groove as he carves a powerful soundscape, balancing rhythmic energy with melodic nuance. Driven by a steady pulse and evolving progressions, ‘Horizon’ builds momentum with crisp percussion, atmospheric textures, and a dynamic low-end presence. As the track unfolds, groovy details, a pounding kick, and Latin-inspired rhythms weave together, enhancing the soundscape as intricate synths bring a refreshing edge to the arrangement. With pulsing leads, ambient pads, pulsating basslines, filtered layers and punchy melodic hooks, the track crafts a hypnotising tapestry of sound, resulting in an enthralling sonic experience that captures the essence of Jody Vukas’ creativity and highlights his refined approach towards production and innovation. As he remains dedicated to pushing the boundaries of his sound, Jody Vukas continues to make an impact, aiming to set himself apart as a unique and influential voice and garner further attention from both genre fans and top industry names alike. So, with an exciting journey still ahead of him, be sure to follow Jody Vukas across social media and stay tuned for what he brings next. ‘Horizon’ is out now via Batuque Music and available to stream and download across platforms. Listen and Buy ‘Horizon’ Now:   Jody Vukas Online Website | Instagram | Spotify Batuque Music Online Beatport | Instagram | Website

MITCH DB returns with ‘One More Time,’ his latest Hypertechno release, alongside Level 8 and Zora Foxx. Out now via Soave Records, this new track reinforces his reputation on the Electronic Music scene for crafting dancefloor-driven anthems, blending energy with sharp production and infectious melodic hooks. Continuing to evolve his sound, MITCH DB captures the sonic intensity that defines his signature style in ‘One More Time,’ offering listeners a track that is both powerful and immersive. As he teams up once more with Level 8, having had an array of previous collaborations together, such as their recent single ‘Weight of Your Love,’ alongside James Jay, MITCH DB once again taps into their creative chemistry, crafting a track that showcases their shared musical passion, blending their signature sounds to put forward a cohesive and fresh-sounding release. With its atmospheric opening, ‘One More Time’ immediately draws in the listener, setting the stage with emotive vocal melodies and rolling low-end details. As the production builds, crisp synths and pounding rhythms take hold, pushing the track forward with relentless momentum. The high-powered chorus sections pack a powerful punch; crafted with precision, the stuttering leads and pulsating groove are designed to energise, guiding listeners through the mighty soundscape as Zora Foxx’s vocals continue to take the lead, guiding the sonic journey with catchy hooks and motifs. As the track keeps unfolding, layered textures and dynamic transitions add depth to the arrangement, upholding the flow of ‘One More Time’ to ensure its impact across dancefloors and streaming platforms alike. Now available via Soave Records, ‘One More Time’ is set to make waves across the global Electronic Music community, placing MITCH DB’s creativity and distinct approach front and centre once more. So, be sure to discover its dynamic soundscape today and stay tuned to MITCH DB’s evolving journey via social media. Listen and Buy ‘One More Time’ Here:   MITCH DB Online  Spotify | Instagram | Website  Level 8 Online  Spotify | Instagram | Beatport  Zora Foxx Online Beatport | Spotify Soave Records Online Website | Instagram | Beatport

Mondingo continues to expand his sonic journey with an exciting Deep House remix of ‘Underwater,’ reimagined by the Producer and Live Artist Felix Raphael. With the original infused with his distinct sound and evocative vocals, Mondingo’s ‘Underwater’ showcases his unique approach ahead of the release of his debut album, ‘Island,’ continuing to build anticipation as he puts forward this next offering. Now, with Felix Raphael’s unique touch, the track evolves into a deeper interpretation, maintaining its emotive essence while introducing new energy and movement. Releasing his music, including this latest remix, via his newly founded electronic label, MOODSHINE Records, Mondingo has already captivated listeners with his distinctive fusion of organic and electronic sounds. With ‘Underwater’ gaining attention for its intricate production and rich depth, this remix brings a fresh perspective, reinforcing Mondingo’s commitment to creating music that resonates both emotionally and sonically, remaining fresh and forward-thinking in the sounds he puts forward. An exciting figure in the Melodic House space, Felix Raphael has built a reputation with a sound that blends electronic elements with organic and classical details, earning him collaborations with names like Oliver Koletzki, Ben Boehmer and Tinlicker. Known for his dynamic performances and distinctive productions, his rework of ‘Underwater’ seamlessly extends his artistry, infusing the track with compelling energy while preserving its heartfelt essence. Felix Raphael reimagines ‘Underwater’ with a masterful balance of depth and energy, blending deep, organic grooves with his signature sound. While preserving the soul of the original, he reshapes it into a hypnotic journey, where warm textures, rolling percussion, melodic synth work, and a driving pulse create a captivating sense of movement. Ethereal yet club-ready, the remix flows effortlessly between melody and rhythm, making it suited for a variety of listening environments; from introspective listening to DJ sets globally, Felix Raphael’s take on ‘Underwater’ will surely hit listeners with its dynamic energy, rich textures, and seamless groove, drawing them deeper into its immersive soundscape. A carefully crafted reinterpretation, Felix Raphael’s remix of ‘Underwater’ captures the spirit of the original while pushing it into new sonic territory. As Mondingo continues to lay the sonic groundwork ahead of his forthcoming album ‘Island,’ this latest release adds another dimension to his artistic vision, hinting at the mesmerising sounds listeners can expect next. Be sure to follow both Felix Raphael and Mondingo across social media to stay updated on upcoming releases, remixes and projects. ‘Underwater (Felix Raphael Remix)’ is out now via MOODSHINE Records and available to stream and download across platforms. Listen and Buy ‘Underwater (Felix Raphael Remix)’ Here: Mondingo Online Spotify | Instagram | TikTok Felix Raphael Online  Beatport | Instagram | | Spotify MOODSHINE Records Online  Beatport | Instagram

Alden Song returns with his latest Tech House single, ‘Gonna Say Goodbye,’ highlighting his continued evolution as both a Producer and DJ with a high-powered track primed for peak time moments. With a focus on groove-driven rhythms and infectious melodies, this new production showcases Alden Song’s ability to craft immersive dancefloor experiences while incorporating fresh influences into his ever-evolving sound. Having carved his journey through exciting DJ performances across the USA and notable studio work, Alden Song now channels his experiences into ‘Gonna Say Goodbye.’ Blending polished production techniques with his signature energy, he pushes his creative boundaries with a track that layers precise sound design, rhythmic drive, and catchy vocal textures. Known for his ability to merge modern Tech House with classic House influences, Alden Song continues to hone his sound, capturing both energy and emotion to craft engaging sonic journeys for his listeners and showcase a sonic identity that will draw a global crowd. Opening with an electrifying synth line, quickly building its pulsating groove with energetic basslines, pounding kicks, and shuffled percussion, ‘Gonna Say Goodbye’ steadily evolves as punchy leads and an infectious vocal hook join the mix. Then, maintaining a dynamic balance between intense rhythms and melodic depth, rolling beats and hypnotic textures weave together, creating the evolving soundscape that defines ‘Gonna Say Goodbye.’ Designed to ignite dancefloors while resonating beyond the club setting, with its upbeat synths, immersive vocal lines, and elevating sonic layers, the track reflects Alden Song’s growing artistic vision and refined production approach, underscoring his talent for balancing forward-thinking sounds with his captivating signature style. With ‘Gonna Say Goodbye,’ Alden Song continues to push forward, demonstrating his ability to innovate while staying true to the essence of his sound. As he embraces fresh creative opportunities, having recently relocated from NYC to LA, he sets his sights on the next chapter of his career, bringing this new release to expand his reach and reinforce himself as a talent to be watching. Out now and available to stream and download across platforms, dive into Alden Song’s ‘Gonna Say Goodbye’ today and be sure to stay up to date with his latest projects and performances by following him on social media. Listen and Buy ‘Gonna Say Goodbye’ here:   Follow Alden Song: Instagram | Spotify | Soundcloud

The electronic duo AIGEL reveals the release of their sixth studio album, ‘Killer Qız’, marking a key milestone in their creative journey. The album’s focus track will be ‘Barsı Da Bezdä’. This is the second album by the group recorded entirely in Tatar, exploring themes of loss and rediscovery, death and rebirth, the complexity of human nature, and trust in faith. At the heart of ‘Killer Qız’ is a bold narrative: a DJ killer dances until the death of a high-ranking official, then escapes the country with her boyfriend. Figures from Russian society—ranging from “couch troops” to “Rospotrebnadzor employees”—watch their departure, while the “major, the doorman, and the war correspondent” desperately try to cling to the wing of their departing plane. But, as the lyrics declare, “no matter what they do, no one will take them along.” With the speed increasing, the pilot at the controls “plays hardcore.” Despite the audacious and vibrant energy of some tracks, the album remains deeply personal and introspective. One particularly haunting moment comes in a track where vocalist Aigel Gaisina’s voice is absent; instead, a child’s voice slowly transitions from speaking Tatar to German in real time, capturing the poignant experience of linguistic assimilation. The album concludes with Aigel herself reciting in German, reflecting on the meaning of home—whether it is where one is born or where one is laid to rest. A surprise addition to the album is a dance track in English, originally written for a short film by renowned clown Vyacheslav Polunin. This nearly wordless song carries the refrain that “life is a comedy,” offering a moment of lightness amidst the album’s weighty themes. “Since February 2022, we faced a long creative pause—nothing was written, and all words seemed to lose their meaning,” says Aigel. “For three years, we slowly finished pre-war demos and pieced ourselves back together. Emigration intensified the metaphor of searching for new words. Now, Ilya and I live in different countries—Berlin, with its harsh, stylish, and free atmosphere, and rural Montenegro, with its sunny and gentle calm. This contrast has seeped into our music. After a long stagnation, the first language that emerged for me was Tatar—it was like a system reset, returning to my default language.” One of the last-minute additions to the album, ‘Assimilation’, is a near-documentary-style track in which children gradually shift from resisting emigration to fully integrating into a new culture, replacing their native Tatar words with German. The track opens with sounds from the Berlin subway, and only after completion did Aigel realize that the announcer’s voice declares, “the train is heading towards Ruhleben”—a district in Berlin that translates to “peaceful life.” This unintended coincidence perfectly encapsulates the song’s theme. Ilya Baramiya shares his perspective on the album’s production: “I liked how Baauer described his album Planet’s Mad—drawing from ’90s dance music, inspired by Fatboy Slim, Daft Punk, and The Chemical Brothers. These artists didn’t stick to strict genres but focused on creating a unique atmosphere. We’ve taken a similar approach here, incorporating a broader range of influences—from K-pop to hard bass. There’s almost no hip-hop in this album.” AIGEL, the duo of Tatar poetess and vocalist Aigel Gaisina and St. Petersburg electronic musician Ilya Baramiya, is known for their sharp lyrics and innovative sound in Russian, Tatar, and English. Their hit song Tatarin has amassed over 140 million views on YouTube, while their track You Born won a Silver Lion at the Cannes Lions festival. In 2023, their Tatar-language song Pıyala made history by topping the charts in over 10 countries and reaching the Billboard TikTok chart. Since 2022, AIGEL has openly spoken against Russia’s invasion of Ukraine. Their performances in Russia were banned, leading them to leave the country—Aigel now resides in Berlin, while Ilya lives in Montenegro. To celebrate the release of ‘Killer Qız’, AIGEL will embark on a concert tour. Tour dates and ticket information can be found on their official website: aigel.band.

One of our favourite acts, Death In Vegas return with new album ‘Death Mask’, where disintegration, overload and total sonic immersion tell a personal tale. With dirty circuitry and rough-hewn textures at the fore, this is gritty, unpolished techno; an audio outlier that’s full of personality, and a bold artistic statement. It’s closer in DNA to the grainy growl of sunn O))), or the searing intensity of Underground Resistance at their fiercest, and as far from generic influencer business as you could possibly get. Raw in both senses, as well as unbridled electrical grit, ‘Death Mask’ is raw emotionally too. From Death In Vegas’ mainstay Richard Fearless’ own birth in Chingola, Zambia, to his father’s funeral, and the solace of his partner, the album reflects on Fearless’ own life, loved ones, and grief. Seeped in heavy emotions and torrents of volts, the results are some of the most strikingly visceral and human electronic sounds you’ll hear. Multiple thematic channels are fed through Death in Vegas’ machines, with Fearless literally processing his feelings, working them through as a form of electronic primal therapy. More than just tattered gnarliness though, an unconventional beauty radiates through the noise. Like light refracting through a filthy, cracked stained-glass-window, icy IDM melancholy juxtaposes perfectly, with caustic rave power. Broader inspirations are weaved into the album’s fabric too; from his Thameside Metal Box studio and evocations of nautical ghosts, to lamentations for a broken world, to memories of a youthful Detroit pilgrimage, and the innocent fraternity of rave euphoia, there’s a lot going on, acting as a chronicle of moments, and locations. To the casual observer, with their mercurial catalogue, Death In Vegas might seem a hard act to pin down, but everything they’ve done is in fact grown from the same dirt. From the scuzzed-up beats of ‘Dead Elvis’, ‘The Contino Sessions’ narcotic rock n roll; the sleazegaze psych of ‘Scorpio Rising’; the krautwwerk klang of ‘Satans Circus’; the stroboscopic frazzlement of ‘Trans Love Energies’ and the gauzy throb of ‘Transmission’, each made its bed in the cosmic slop. This time round, when asked about his influences for ‘Death Mask’, Richard comments, “I’ve been soaking in Ramleh’s ‘Hole In the Heart’, the machine funk of Terrence Dixon’s Population One, Jamal Moss’ psychedelic techno jams, the stunning minimalism of Mika Vanio’s Ø and Panasonic, the layered drones of LOOP, and drowning in the acid of TM 404. Most centrally through, I’ve been inhaling the deepest dub, from Mark Ernestus’ distillations, to the principles of originators like King Tubby and Scientist. As someone who’s always been obsessed with the genre, I loved the idea of recording live takes as separate stems, then doing dub-inspired mixes of these stems through my console. Some of the gear I use has a tendency to take on a life of its own, for example the Effectron delay which Arthur Russell also used. It was feeding back on itself, and ended up sounding like a radio conversation – literally voices from within the machine. On the Echoplex, the tape has never been changed. It’s eroded by the hands of time. When you record over the tape, things bleed in from what was there before, like people from the past.” Live dates: 16/05/25 – Sat 17/05/25 – Deleste Festival, Valencia 12/06/25 – Live Q&A, Rough Trade Dover St, London 15/06/25 – Beyond the Pale Festival, Co. Wicklow 21/06/25 – EartH Theatre, London 25/06/25 – Le Trabendo, Paris 26/06/25 – Le Bikini, Toulouse 27/06/25 – TBA, Nîmes Richard Fearless began as resident DJ at the Job Club in London’s Soho during the 90s, where he’d play alongside Claude Young, Derrick May, Dave Angel and Andrew Weatherall. After a few years he was picked as a resident for the legendary Heavenly Social, alongside the Chemical Brothers. It was during this time that he started Death in Vegas. Across the six Death In Vegas albums, guest vocalists have included Dot Allison, Bobby Gillespie, Iggy Pop, Jim Reid from The Jesus and Mary Chain and Mazzy Star’s Hope Sandoval. ‘The Contino Sessions’ was nominated for the Mercury Music Prize, and its single ‘Aisha’ was a top 10 hit in the UK. The title track from the album ‘Scorpio Rising’ reached 14 in the UK charts. Death In Vegas performed their much-loved single ‘Dirge’ on Jools Holland in 2000, then a quarter century later, in testament to its enduring appeal, the track was sampled by Celeste on her recent single ‘Everyday’. Their music has featured in many TV programmes and films, most notably Sofia Coppola’s ‘Lost in Translation’, ‘Mission: Impossible – Fallout’, and ‘The Animatrix’. Gigs played include Atonal Berlin, Movement in Detroit, Glastonbury, Reading and Leeds, Coachella, Brixton Academy, Fabric, Fuji Rock, Primavera Sound and Manchester Academy. ‘Death Mask’ track list: 1. Chingola 2. Lovers 3. While My Machines Gently Weep 4. Hazel 5. Roseville 6. Róisín Dub(H) 7. Robin’s Ghost 8. Your Love 9. Death Mask Pre-order here The post DEATH IN VEGAS announce first album in 8 years appeared first on Decoded Magazine.

The highly-established Death In Vegas return with new album ‘Death Mask’, where disintegration, overload and total sonic immersion tell a personal tale. With dirty circuitry and rough-hewn textures at the fore, this is gritty, unpolished techno; an audio outlier that’s full of personality, and a bold artistic statement. It’s closer in DNA to the grainy growl of sunn O))), or the searing intensity of Underground Resistance at their fiercest, and as far from generic influencer business as you could possibly get. Raw in both senses, as well as unbridled electrical grit, ‘Death Mask’ is raw emotionally too. From Death In Vegas’ mainstay Richard Fearless’ own birth in Chingola, Zambia, to his father’s funeral, and the solace of his partner, the album reflects on Fearless’ own life, loved ones, and grief. Seeped in heavy emotions and torrents of volts, the results are some of the most strikingly visceral and human electronic sounds you’ll hear. Multiple thematic channels are fed through Death in Vegas’ machines, with Fearless literally processing his feelings, working them through as a form of electronic primal therapy. More than just tattered gnarliness though, an unconventional beauty radiates through the noise. Like light refracting through a filthy, cracked stained-glass-window, icy IDM melancholy juxtaposes perfectly, with caustic rave power. Broader inspirations are weaved into the album’s fabric too; from his Thameside Metal Box studio and evocations of nautical ghosts, to lamentations for a broken world, to memories of a youthful Detroit pilgrimage, and the innocent fraternity of rave euphoia, there’s a lot going on, acting as a chronicle of moments, and locations. To the casual observer, with their mercurial catalogue, Death In Vegas might seem a hard act to pin down, but everything they’ve done is in fact grown from the same dirt. From the scuzzed-up beats of ‘Dead Elvis’, ‘The Contino Sessions’ narcotic rock n roll; the sleazegaze psych of ‘Scorpio Rising’; the krautwwerk klang of ‘Satans Circus’; the stroboscopic frazzlement of ‘Trans Love Energies’ and the gauzy throb of ‘Transmission’, each made its bed in the cosmic slop. This time round, when asked about his influences for ‘Death Mask’, Richard comments, “I’ve been soaking in Ramleh’s ‘Hole In the Heart’, the machine funk of Terrence Dixon’s Population One, Jamal Moss’ psychedelic techno jams, the stunning minimalism of Mika Vanio’s Ø and Panasonic, the layered drones of LOOP, and drowning in the acid of TM 404. Most centrally through, I’ve been inhaling the deepest dub, from Mark Ernestus’ distillations, to the principles of originators like King Tubby and Scientist. As someone who’s always been obsessed with the genre, I loved the idea of recording live takes as separate stems, then doing dub-inspired mixes of these stems through my console. Some of the gear I use has a tendency to take on a life of its own, for example the Effectron delay which Arthur Russell also used. It was feeding back on itself, and ended up sounding like a radio conversation – literally voices from within the machine. On the Echoplex, the tape has never been changed. It’s eroded by the hands of time. When you record over the tape, things bleed in from what was there before, like people from the past.” Live dates: 16/05/25 – Sat 17/05/25 – Deleste Festival, Valencia 12/06/25 – Live Q&A, Rough Trade Dover St, London 15/06/25 – Beyond the Pale Festival, Co. Wicklow 21/06/25 – EartH Theatre, London 25/06/25 – Le Trabendo, Paris 26/06/25 – Le Bikini, Toulouse 27/06/25 – TBA, Nîmes Richard Fearless began as resident DJ at the Job Club in London’s Soho during the 90s, where he’d play alongside Claude Young, Derrick May, Dave Angel and Andrew Weatherall. After a few years he was picked as a resident for the legendary Heavenly Social, alongside the Chemical Brothers. It was during this time that he started Death in Vegas. Across the six Death In Vegas albums, guest vocalists have included Dot Allison, Bobby Gillespie, Iggy Pop, Jim Reid from The Jesus and Mary Chain and Mazzy Star’s Hope Sandoval. ‘The Contino Sessions’ was nominated for the Mercury Music Prize, and its single ‘Aisha’ was a top 10 hit in the UK. The title track from the album ‘Scorpio Rising’ reached 14 in the UK charts. Death In Vegas performed their much-loved single ‘Dirge’ on Jools Holland in 2000, then a quarter century later, in testament to its enduring appeal, the track was sampled by Celeste on her recent single ‘Everyday’. Their music has featured in many TV programmes and films, most notably Sofia Coppola’s ‘Lost in Translation’, ‘Mission: Impossible – Fallout’, and ‘The Animatrix’. Gigs played include Atonal Berlin, Movement in Detroit, Glastonbury, Reading and Leeds, Coachella, Brixton Academy, Fabric, Fuji Rock, Primavera Sound and Manchester Academy. ‘Death Mask’ track list: 1. Chingola 2. Lovers 3. While My Machines Gently Weep 4. Hazel 5. Roseville 6. Róisín Dub(H) 7. Robin’s Ghost 8. Your Love 9. Death Mask Pre-order here The post DEATH IN VEGAS announce first album in 8 years appeared first on Decoded Magazine.

A fundraiser has been launched to support the late artist’s family in his wake Continue reading...

In the wake of her electrifying 2024 disco-infused hit “Freedom of The Night“. I was left with a palpable excitement, that it wouldn’t be long before Sophie Ellis-Bextor captivated us again. As she prepares to release her eighth studio album, this anticipation is especially high. Notably, it will serve as the follow-up to her 2023 project, “HANA.” Without a doubt fans are eager to see how she will evolve her sound and artistry in this new musical chapter. Furthermore, the tail end of 2024 was an illustrious period for Sophie, “Freedom of The Night” was linked with a home catalogue shopping brand driven by a prominent TV advertisement, a Christmas campaign. Additionally, viewers on both sides of the Atlantic watched her welcome in the New Year. In the UK, she took the reins on a New Year Disco special. She also appeared at New York’s Times Square on New Year’s Eve on Dick Clark’s New Year’s Rockin’ Eve. Prepare for an unforgettable experience as 2025 heats up, with Sophie gearing up for her largest UK and Ireland headline tour yet this May and June. Don’t miss the chance to hear her captivating new song, “Relentless Love,” a shimmering testament to her artistry and passion. Sophie says, “Relentless love” came from my love of fun fairs and the way that falling in love and going on a ride can be a similar thrill. Ferris wheels, roller coasters… all of them can make your perception of reality a little wonky and give you a rush. They are sometimes unpredictable but also an exciting way to shift your perspective for a little minute”. As anticipated, Sophie collaborates with a talented team of songwriters and producers to bring “Relentless Love” to life. This track notably taps into the connection with Baz Kaye, also known for his work alongside Jessie Ware. “Relentless Love” captures the essence of Jessie’s classic disco sound, delivering an engaging experience. Furthermore, Sophie effortlessly crafts her own brand of nostalgic, retro-infused disco-pop, showcasing her undeniable talent for this genre. Connect with Sophie Ellis-Bextor Facebook: https://www.facebook.com/SophieEllisBextor/ X: https://x.com/sophieeb Instagram: https://www.instagram.com/sophieellisbextor/ The post Listen to “Relentless Love” by Sophie Ellis-Bextor appeared first on EQ Music Blog. View the full article

In a move that has stunned the electronic music industry, Decoded Magazine and Mixmag have officially announced their merger, set to take effect on May 1st. After a year of behind-the-scenes negotiations, the two iconic music publications have decided to unite forces, with Decoded Magazine taking the reins on all underground electronic music coverage, while Mixmag will double down on its EDM expertise. From ADE Drinks to a Game-Changer Sources close to the deal reveal that the merger discussions first began over a few drinks at Amsterdam Dance Event (ADE) last year. What started as a lighthearted joke between industry veterans quickly snowballed into a serious conversation about the future of electronic music journalism. With both publications holding significant influence in their respective spheres, it became clear that a partnership could offer unparalleled global reach and expertise. “It just made sense,” says Decoded Magazine owner Damion Pell. “The money is better than I have now, and the reach is insane. Plus, let’s be honest—everyone knows melodic techno is the future.” The New Editorial Divide The merger will see Decoded Magazine assume full responsibility for underground and niche electronic genres, ensuring continued deep-dive coverage of techno, house, progressive, and experimental sounds. Meanwhile, Mixmag will dedicate itself entirely to EDM, bass, and mainstream festival culture, offering comprehensive coverage of the biggest artists, events, and trends shaping the commercial dance music space. A spokesperson from Mixmag stated, “We welcome Decoded into the fold with open arms and fully stocked bars. Their team is incredible, and we’re excited about the new dynamic this partnership brings.” A New Era for Electronic Music Journalism With this historic merger, the industry can expect an even more refined approach to electronic music coverage. Decoded will continue to champion underground sounds with exclusive interviews, in-depth features, and cutting-edge reviews, while Mixmag’s EDM division will cater to the global mainstream audience. Fans of both platforms can rest assured that their favourite content will not only continue but thrive, with increased access to exclusive material, larger event coverage, and a wider audience reach. The first collaborative issue post-merger will debut at IMS Ibiza, where the new editorial teams will unveil their refreshed vision for dance music journalism. What’s Next? While details of the operational shift are still being finalised, industry insiders suggest that this merger could be just the beginning of a larger consolidation trend in music media. Whether this signals a new golden age for electronic music journalism or a seismic shift in industry power dynamics, one thing is for certain—this move will reshape the way fans consume electronic music content. As Pell himself put it, “If we’re going to do this, we might as well do it properly. Now, who’s buying the next round?” Happy April Fool The post Decoded Magazine and Mixmag Announce Historic Merger from May 1st appeared first on Decoded Magazine.

In a move that has stunned the electronic music industry, Decoded Magazine and Mixmag have officially announced their merger, set to take effect on May 1st. After a year of behind-the-scenes negotiations, the two iconic music publications have decided to unite forces, with Decoded Magazine taking the reins on all underground electronic music coverage, while Mixmag will double down on its EDM expertise. From ADE Drinks to a Game-Changer Sources close to the deal reveal that the merger discussions first began over a few drinks at Amsterdam Dance Event (ADE) last year. What started as a lighthearted joke between industry veterans quickly snowballed into a serious conversation about the future of electronic music journalism. With both publications holding significant influence in their respective spheres, it became clear that a partnership could offer unparalleled global reach and expertise. “It just made sense,” says Decoded Magazine owner Damion Pell. “The money is better than I have now, and the reach is insane. Plus, let’s be honest—everyone knows melodic techno is the future.” The New Editorial Divide The merger will see Decoded Magazine assume full responsibility for underground and niche electronic genres, ensuring continued deep-dive coverage of techno, house, progressive, and experimental sounds. Meanwhile, Mixmag will dedicate itself entirely to EDM, bass, and mainstream festival culture, offering comprehensive coverage of the biggest artists, events, and trends shaping the commercial dance music space. A spokesperson from Mixmag stated, “We welcome Decoded into the fold with open arms and fully stocked bars. Their team is incredible, and we’re excited about the new dynamic this partnership brings.” A New Era for Electronic Music Journalism With this historic merger, the industry can expect an even more refined approach to electronic music coverage. Decoded will continue to champion underground sounds with exclusive interviews, in-depth features, and cutting-edge reviews, while Mixmag’s EDM division will cater to the global mainstream audience. Fans of both platforms can rest assured that their favourite content will not only continue but thrive, with increased access to exclusive material, larger event coverage, and a wider audience reach. The first collaborative issue post-merger will debut at IMS Ibiza, where the new editorial teams will unveil their refreshed vision for dance music journalism. What’s Next? While details of the operational shift are still being finalised, industry insiders suggest that this merger could be just the beginning of a larger consolidation trend in music media. Whether this signals a new golden age for electronic music journalism or a seismic shift in industry power dynamics, one thing is for certain—this move will reshape the way fans consume electronic music content. As Pell himself put it, “If we’re going to do this, we might as well do it properly. Now, who’s buying the next round?” Happy April Fool The post Decoded Magazine and Mixmag Announce Historic Merger from May 1st appeared first on Decoded Magazine.

Discover everything about Skrillex‘s new album “FULL” – how to listen to Skrillex’s 2025 album, track highlights, and why this surprise Dropbox release marks a pivotal moment for electronic music’s most influential producer. Skrillex launched his highly anticipated new album “FULL“. But there’s a catch. He didn’t choose the standard release procedure. Instead, he released it directly to fans, skipping all standard streaming platforms in the process. The 47-minute sound journey showed up in fans’ email inboxes out of the blue, sent through a secret Dropbox link. Usually, albums come out on streaming services at midnight. Skrillex’s “FULL” album came out through an email blast to his subscribers list after a private listening party in Miami where recordings were not allowed. This sneaky way of sharing—a secret Dropbox link with the whole 47-minute experience. This is not the first time an artist released a song via a Dropbox link direct to the fans. Axwell already did several times in the past. The most famous one was with Swedish House Mafia’s Underneath It All. Fans who want to get the Skrillex FULL album can only do so by subscribing to his official email list. However, more people will be able to get it in the next few days as the Dropbox link of Skrillex’s FULL album went viral minutes after it was sent. This direct link between the artist and the listener cuts out the middleman, creating a more solid bond between the artist and the fan base. During its 47-minute length, the album immerses listeners in a carefully crafted soundscape where vocal samples clash with industrial elements, psychedelic synthesizer sections turn into thunderous bass drops, and brief moments of ambient beauty balance out the constant rhythmic assaults. What makes this collection unique is how well the stories in it fit together. The production has Skrillex’s signature technical precision but also goes into emotional areas that were not expected. This shows that commercial or genre standards do not limit the artist. This surprise drop comes at a very important time for Skrillex and dance music in general. This album is both an artistic statement and a disruption in the music business. It comes after his successful return to Ultra Music Festival after a ten-year absence. By sending “FULL” to fans directly through Dropbox instead of the usual routes, Skrillex rejects the algorithmic ways that people find new music these days. Since Skrillex released “FULL” right after leaving Atlantic Records, it seems to be his unfiltered artistic vision, free from corporate control. The post Skrillex Surprise Release of “FULL” Album. Listen Now! appeared first on The Groove Cartel.

Dineen’s cult documentary follows two British sound systems, the legendary Sir Coxsone Outernational (featuring a young Blacker Dread) and the (then) up-and-coming Young Lion, both based in south west London. Sound system culture was never only a music scene. As DJ Country explains in the film, he would use his sets to also provide news to the community. In a performance shown in the film, he speaks about the New Cross Fire, which killed 13 young black people in 1981, the same year that Dineen made Sound Business. Feeling that there was a cover-up over how the fire broke out, Black people came together to march in the first Black People’s Day of Action, a precursor to the cross-cultural Black Lives Matter marches in 2020 following the killing of George Floyd by police officers in America. Narrated by Mikey Dread, this original footage from the early 1980’s gives some nice insight into the culture of Sound Systems in the UK. We’re introduced to one particular Sound System, the Coxsone Sound, UK’s Number One in the Reggae Sound System business during the time of this film. The post WATCH: The Story Of The Original UK Soundsystem Culture (Documentary) appeared first on Decoded Magazine.