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Ushuaïa Ibiza, Ibiza’s #1 outdoor entertainment venue, is gearing up for its highly anticipated season finale on Saturday, October 12th, 2024. Marking the end of another spectacular summer, the iconic ANTS residency will take centre stage for one last, unforgettable time with ‘The Last dANTS’. This epic closing party promises to deliver a cutting-edge soundtrack of house and techno, thanks to a series of exclusive back-to-back sets that bring much-loved ANTS regulars together with trailblazing guest artists. This unrivalled lineup will be paired with the world-class production and mesmerising audio-visuals that have defined the ANTS experience all season. Prepare for an explosive back-to-back set from The Martinez Brothers and Paco Osuna, whose infectious energy and genre-spanning selections will make for a truly unforgettable headline performance. Joining them is Chicago house legend Green Velvet playing back-to-back with global tastemaker and ‘Mad Motion’ collaborator Patrick Topping, and a back-to-back set from two legendary Ibiza residents Andrea Oliva and Vintage Culture. There’s two more special back-to-back sessions courtesy of Dutch selector Prunk b2b and trailblazing UK talent Fleur Shore, and ANTS regular SYREETA and Kitty Amor who will bring their forward-thinking sounds to the fore. All this, plus Liverpool DJ-Producer Melé and many more acts still to be announced for what is sure to be a very special season finale. 2024 has been another banner year for Ushuaïa Ibiza, reaffirming its status as the top outdoor entertainment venue in Ibiza. With its legendary poolside stage and mind-blowing production, the venue has hosted a series of unforgettable events featuring the biggest names and club brands on the planet, including ANTS, Armin van Buuren, Calvin Harris & MK, Chase & Status, Defected, Dom Dolla, elrow, F*** Me I’m Famous by David Guetta, I Love Reggaeton, Martin Garrix, Swedish House Mafia, and Tomorrowland presents Dimitri Vegas & Like Mike. With more of these exciting events still to come, Ushuaïa Ibiza continues to set the standard for world-class entertainment. As the sun sets on the summer season, ‘The Last dANTS’ will stand as the crowning celebration of yet another incredible year at Ushuaïa Ibiza. With this all-star lineup now revealed, tickets are set to fly. Don’t miss your chance to be part of this historic event. For tickets and VIP bookings, visit theushuaiaexperience.com COMING UP NEXT: ANTS AT ADE Ushuaïa Ibiza’s trailblazing underground party ANTS returns to the Amsterdam Dance Event (ADE) for a very special showcase on Thursday 17 October 2024. Find out more at unitedants.com.

Charlotte de Witte and Amelie Lens announce their grand return to the stage together at Flanders Expo in Ghent (Belgium). After weeks of teasing on social media and a hidden message during their shows, it is finally clear what the 2 DJs are up to. And what they’ve planned promises to be a once in a lifetime experience: on January 31 and February 1 (2025), for the first time ever, Belgian techno icons Amelie Lens and Charlotte de Witte come together for a unique back-to-back set. This promises to be an unparalleled highlight in the techno world. Flanders Expo is once again transforming into the biggest techno temple ever, with 20,000 ravers each night, a spectacular visual production and the two leading women of our techno scene. The full line-up will be announced at a later date. Amelie Lens has taken techno to another level, elevating it to new heights through her two record labels, LENSKE and EXHALE, and her event series. The attitude is a simple one: techno can be for everyone, and through her tireless passion for music and unique use of her own vocals, she has opened the scene to new listeners, new fans, and new ravers. Community is the driving force of all Amelie Lens projects and is most visible through EXHALE. Global shows, a successful three-year residency that brought techno to Ibiza by acting as a safe place for everyone to come and share their passion for music, and now her own solo show, produced independently, all reflect this commitment. Her successes are well documented across multiple covers, a prestigious Global Underground City mix, but above all, her focus remains on the dance floor, where she always was, and always will be, a raver at heart. Amelie says: “I couldn’t be more excited to join forces with Charlotte! The time has finally come to unite and create something truly unique and special for our communities. We’re one scene, united by our unstoppable love for the music!” Charlotte de Witte (KNTXT) is more than just a DJ; She is an icon in the electronic music scene with an unparalleled influence. As a DJ, producer, and record executive, she has quickly established herself as one of the most sought-after artists in the industry. Her signature approach effortlessly mixes genres with an intense energy. Since her breakthrough in 2010, de Witte has built a devoted fan base and has catapulted from underground star in Belgium to global sensation. This marks the fourth consecutive year for Charlotte at Flanders Expo. In December 2023, she was named the World’s No. 1 Techno DJ by DJ Magazine for the fourth time in a row. Charlotte says: “Flanders Expo, I’m back! It’s our fourth year at Flanders Expo and for this edition, we’re going above and beyond with not one, but two nights. It feels incredibly right to join forces with Amelie Lens, our paths have crossed many, many times and it’s been fantastic to see us both grow in this ever changing techno scene. This is Belgian Techno united, and this will be huge“ Tickets for Amelie Lens b2b Charlotte de Witte are available from Thursday 12 September at 6pm CET via backtoback.be. Day tickets cost €59.99. Combi tickets, for 31 January and 1 February, cost €99.99. Those who register now via backtoback.be can participate in a presale. Clubhouse tickets cost €109.99. For the biggest fans, there are Paddock tickets available at €179.99.

The roar of engines at Formula 1’s Las Vegas Grand Prix are about to be amplified by the sounds of Snakehips, Vandelux and Big Boi, the newly announced headliners of this year's Heineken Silver Stage. Now in its second year, the Las Vegas Grand Prix is doubling down on its formula for success by delivering an unbeatable fusion of top-tier racing and world-class entertainment. Snakehips and Vandelux are the latest electronic music artists to join the official entertainment festivities following Swedish superstar Alesso, who has been confirmed to perform at the nearby T-Mobile Zone. Strategically situated in the East Harmon Zone, the Heineken Silver Stage offers an unbeatable experience in the heart of the action. The prime location near Virgin Hotels Las Vegas will be accessible to race attendees in premium zones as well as the Heineken Silver Main Grandstand. Moreover, all 20 Formula 1 drivers will take part in exclusive live Q&A sessions and autograph signings throughout the weekend, offering fans unprecedented access to their favorite racing stars. Following Max Verstappen’s historic win in Sin City's inaugural 2023 race, expectations are running high for another awe-inspiring spectacle this November. For those looking to experience the full-throttle excitement of the Las Vegas Grand Prix, tickets for the 2024 race are on sale now. This year's race weekend takes place November 21-23.

Four Tet Ellie Goulding "In My Dreams" In a world of sonic conformity, "In My Dreams" is a refreshing breath of unconventional brilliance. Released moments ago via Three Six Zero Recordings, the new single is a distorted dreamscape of dance music that's both mesmerizing and unsettling. Goulding's voice, as delicate as ever, plunges us into a dream within a dream. She sings of "just visiting" our dreams, a phantasmic figure gliding through the subconscious. Meanwhile, Four Tet's production adds layers upon layers of grungy intensity. Four Tet says the new collaboration began when Goulding came up with a song idea and recorded voice notes containing lyrics and melodies. She then sent them in text messages and asked him if he was interested in producing a track around the vocal bits. "I found other noises to go with it and made 'In My Dreams,'" he explained in a press release. "[Goulding] added some new vocal parts but we ended up keeping the voice note recordings as the main vocal. I guess the first take is often the most magical. I wanted to make something that was all about juxtaposing harsh aggressive sound with the delicate and intimate." The influential producer previously enlisted Goulding for a feature on "Baby," a track from 2020's Sixteen Oceans, his 10th studio album. He then remixed Goulding's "Easy Lover" in 2022, leading to a Grammy nomination for Best Remixed Recording. You can find "In My Dreams" on streaming platforms here. Follow Four Tet:X: x.com/fourtet Instagram: instagram.com/fourtetkieran Facebook: facebook.com/fourtetkieran Spotify: spoti.fi/37kV2Id Follow Ellie Goulding:X: x.com/elliegoulding Instagram: instagram.com/elliegoulding TikTok: tiktok.com/@elliegoulding Facebook: facebook.com/elliegoulding Spotify: spoti.fi/3qvpOEG

The incident reportedly took place on Saturday night shortly after the suspect was said to have been rejected Continue reading...

With an uncanny ability to set an ecstatic mood through her music, the inimitable Anna Lunoe is set to release her debut album, Pearl. It's a big moment for the prolific Australian artist, who says she's laying bare her artistry in ways fans haven't yet seen. "When I started out in dance music as a local DJ, my dream was to fill dancefloors and pay my rent," Lunoe said in a press release. "As my career expanded and the industry changed and I got thrown into new challenge after new challenge, I always felt like my artist voice had to be secondary to my DJ needs. So in a way this marks a kinda colossal shift in perspective on my career to date, putting my artistry at the front in a way I never have before." Lunoe, who will soon support The Weeknd on tour in Australia, is known for her versatility as a producer, creating rapturous dance music rooted in house, garage, techno and more. Following July's release of "Only Love," she's now back on Nina Las Vegas' NLV Records with "Pearl," the title track from the new album. Though powerful in her production, Lunoe infuses an airy softness into the uplifting single to deliver a bubbly track fit for both a sunny stroll or a sweaty dancefloor. The record, she says, finds her at her "most sincere." "To me the sentiment in this song is about fighting for your spirit and creative force in a world that isn't really designed for us to hold on to it," Lunoe said in a press release. "Sonically this was an exercise in emotion and clarifying a feeling as opposed to straight up club tune-making—it's more sincere than I've allowed myself to be publicly before, but those few who get to hear my scruffy demos know this Anna well." You can check out the new single below and pre-save Pearl here. The album is scheduled to release October 25th, 2024. Follow Anna Lunoe:X: x.com/annalunoe TikTok: tiktok.com/@annalunoe Instagram: instagram.com/annalunoe Facebook: facebook.com/annalunoe Spotify: spoti.fi/2Vrs9mC

Norwegian DJ and music producer Kygo has hit another incredible milestone as his 2015 single ‘Stole The Show’, featuring Parson James, has officially crossed 1 billion streams on Spotify. This accomplishment comes just days before Kygo‘s 33rd birthday, marking a celebratory moment in both his personal and professional life. ‘Stole The Show’ was a defining track in Kygo‘s career, helping him break into the mainstream with its tropical house vibes and memorable vocals by Parson James. The song not only became a summer anthem but also solidified Kygo as a pioneer of the tropical house genre. Kygo‘s consistent ability to produce chart-topping hits and connect with global audiences is reflected in this latest achievement. The song’s billion-stream milestone serves as a testament to its enduring appeal nearly a decade after its release. As Kygo approaches his 33rd birthday later this month, this accomplishment feels like a fitting tribute to a career that continues to soar. Fans and listeners alike are now eager to see what other records the artist will break in the years to come.

The North Carolina artist has been indicted in a “first of its kind” AI music case Continue reading...

Wrapping up yet another impressive season, the iconic Pacha Ibiza is gearing up for a big run of closing parties. The club has been revolutionizing the White Isle's nightlife sector for over 50 years now, and this year was no exception. Throughout its summer 2024 season, Pacha hosted residencies from the likes of CamelPhat, Bedouin, Solomun and Marco Carola, and organized some of the island's best events, like their storied "Flower Power" party every Saturday. Pacha’s closing festivities will begin on September 30th with Diplo taking the decks alongside Francis Mercier and Caiiro. A takeover from CamelPhat will follow on October 1st with additional sets from Pete Tong, Adam Ten and Olympe. The next night, Bedouin will close their renowned SAGA residency alongside WhoMadeWho and Kadebostany. The "Pure Pacha" party series will then wrap on October 3rd with Robin Schulz and Martin Solveig, among others. Carola, Seth Troxler and Cole Knight on October 4th will soundtrack Music On, Bora Uzer and more will perform at the "Flower Power" closing party on the 5th and Solomun will play his last residency set on the 6th. Pacha’s grand finale will feature a two-part Music On closing event headlined by Carola October 10-11, followed by Roger Sanchez playing a special all-night set on the 12th. Finally, Peggy Gou will headline Pacha's "Grand Closing Party" on October 13th. Tickets for Pacha’s closing events are available here.

Astell&Kern, renowned for their high-end audio devices, just introduced the SP3000T Copper Edition, a limited-edition model that promises pristine audio quality, everywhere you go. The SP3000T is a portable music player that allows you to carry your favorite tunes anywhere you go. But at a steep price of $4,200, would you buy it? Crafted with a 98.8% copper body, the SP3000T Copper Edition has exceptional sound quality and durability. The integration of a real vacuum tube adds a warm, authentic analog tone to the digital audio. Furthermore, the model was fitted with Teraton Alpha technology for immersive digital sound. The player’s modular design and silicone dampers also help reduce noise and vibrations. In the end, it has the best of the analog and digital worlds, or, as their creators call it, “Analog Warmth, Digital Precision“. Of course, all of these elements drive the price up, for which the Astell&Kern model hit the markets at its $4,200 price tag. This product is targeted at audiophiles who prioritise exceptional sound quality, so it will undoubtedly find some buyers out there. But would you choose it over a streaming service on your phone? Could the days of portable music players come back with the premise of flawless quality? [H/T] Digital Music News The post A Premium $4,200 Portable Music Player Just Hit The Market appeared first on EDMTunes.

Before Nala and VNSSA ever started DJing together, they were exchanging oyster photos in a group chat they named, "We're F***king Eating." Although the food photos have since slowed down and dachshund pics now reign supreme, the two continue to share not only a palpable chemistry, but also a companionship that has only grown stronger over the years. The friendship began thanks to Dirtybird. They met in-person for the first time mid-pandemic, around 2021, at a drive-in rave. VNSSA, whose real name is Vanessa Barnes, arrived early to see Nala, Stefania Aronin, play her set. After crossing paths at the show, the two then started hanging out and DJing together. "We would complain about the male-dominated music industry to each other, and share experiences with that and connect through that," Barnes tells EDM.com in an exclusive interview. VNSSA and Nala of Girl Math.VNSSA/Nala/Instagram It wasn't long before Barnes and Aronin were booked for their first b2b performance together during Miami Music Week with Walker & Royce's label, Rules Don't Apply. "[Walker & Royce] were joking that our duo name would be VaNala Ice," Barnes recalls with a laugh. "That’s where it started and then we were getting more b2b offers, and we were like, maybe we should just make this a thing." As the demand for their b2b sets increased, the duo had to decide on a collaborative nom de plume. They were preparing for their debut performance at Coachella's beloved Do LaB when the name finally materialized. "There was a moment where I was like, it should be 'girl' something," Aronin says. "It had that punk edge to it." "Our friend Nikki has this joke: four plus four equals 'ate,'" Barnes adds. "So we were like, 'Girl Math,' that should be the name. But it's more than just that... Having 'girl' in the name gives us empowerment and it feels like a feminist movement." View the original article to see embedded media. Girlhood means "everything," Aronin and Barnes agreed. "There's this implied thing with girlhood that's like, we're great at everything and we hold it all down, and sometimes that goes without credit," Aronin explains. "So girlhood is about getting shit done, even if it means not totally getting acknowledged for the work that went into it." Nala and VNSSA, each of whom are star DJs and producers in their own right, found that girlhood in the music industry was inextricably linked with isolation and disillusionment. The opportunity to collaborate cultivated a sense of unity and comfort, they said, that ultimately aided in their creative process and tightened their bond. "Touring by yourself, it’s really easy to get burnt out and it’s just boring alone. So it’s a lot more fun having a partner in crime," Barnes says. "Playing together, you have another person where you can bounce ideas off and instead of just trusting yourself, you have someone else that you can rely on. So it's just nice to have that kind of support." Girl Math have now performed at Bonnaroo, Electric Forest, Splash House and other major music festivals. They're now gearing up for their first headlining show, which is scheduled for November 1st at the Chocolate Factory Theater in New York City. VNSSA and Nala of Girl Math.VNSSA/Nala/Instagram Drawing inspiration from their respective backgrounds in rock music, the pair found common ground in live instrumentation and began to infuse those shared interests into their music with a punk twist. Aronin said she's great at "coming up with random sound design concepts" while Barnes provides a lot of Girl Math's "structure, stability and direction." "It's just my anxiety," Barnes says with a laugh, blushing over the compliment. While Aronin brings her affinity for Riot grrrl-influenced vocals to the table, Barnes offers drumming skills with a metal focus. It was a match made in heaven. "I thought being a drummer in a metal band was the coolest thing you could ever do prior to being a DJ," Aronin gushes. "So I was like, we need to incorporate this history on both sides and turn this into something that's rowdy and fun and chaotic. That’s where we met in the middle—a rock-focused approach to music. And when I say structure, I really mean drums. She brings the drums on a really solid, structured level." "We want to take as much live music inspiration as possible," Barnes adds. "I think you'll be able to hear that in our production as well. Because there's a lot of live drum elements along with synths and Nala’s vocals. It gives it a very gritty, rebellious sound. It's the mix of us together." Through the singular lens of Girl Math, Aronin and Barnes say they ultimately hope to inspire other female producers in the electronic music scene. "Do whatever the fuck you want and make whatever the fuck you want," Barnes says with a grin. "Don't worry what anyone else thinks. Do whatever makes you feel good." "Surround yourself with people who are supportive," Aronin adds, "and fuck everyone else." Follow VNSSA:X: x.com/VNSSAmusic Instagram: instagram.com/vnssa TikTok: tiktok.com/@vnssaofficial Facebook: facebook.com/vnssaofficial Spotify: https://spoti.fi/3z5EYe2 Follow Nala:X: x.com/thisisnalaa Instagram: instagram.com/thisisnala TikTok: tiktok.com/@thisisnalaa Facebook: facebook.com/thisisnala Spotify: spoti.fi/3PaEghQ

The Global DNB Collective’s newest single, “Stuck in My Head,” is a riveting collaboration featuring three veteran producers from Charlotte, North Carolina. This track explores the consuming nature of obsession through its electrifying beats and unforgettable hook. The accompanying music video reinforces this theme with a dramatic narrative of a man who becomes a cyborg in his quest to overcome his fixation. Boasting an undeniably powerful energy and compelling story, “Stuck in My Head” offers an immersive audio-visual experience that’s not to be missed. GETTING TO KNOW ELECTRON-C, DARK ADAPTATION, & NOISESMITH Introduce yourself and your project We are Andrew, Tristan and Dan, aka Electron-C, Dark Adaptation, and Noisesmith (respectively). We are drum & bass producers & DJs hailing from Charlotte, NC. Explain what musical genre fits you best EC – Jungle/Drum & Bass and all the flavors of subgenres that fall within that. Mostly darker stuff. DA – Jump up, Rollers and Dancefloor NS – Melodic tearout meets dark neuro meets hard dancefloor with a pinch of jungle. Were you connected with music from a young age and did anyone inspire you? EC – I was dancing to music as soon as I was able to stand on 2 feet. I had a Casio keyboard at 9 years old, and would play Depeche Mode melodies by ear. It just spiraled from there. DA – I wasn’t raised around a lot of music besides metal and country, then deathcore, punk, a lot of hip-hop, R&B and trap music into my teen years. Then in my mid twenties I found reggae. Someone who inspired me within music has always been a variety of people like $uicideboy$, John Paul White of The Civil Wars, and Tom Barber of Chelsea Grin. NS – Oh god yes. My mom was Cuban and music was an integral part of our household. Through my love of underground hip hop, I discovered DNB in high school and have been in love ever since. What kickstarted your music career? EC – I’ve been recording music since the 90s, but when the pandemic hit, I took the extra time to focus on producing and releasing professional grade drum & bass. DA – My music career started when I received my first guitar at 13 (2005) and I’ve spent the last 19 years since then chasing the music. NS – I started writing in 2004 as part of the group titanZERO. After an extended hiatus, I started my solo project Noisesmith in 2022. Tell us more about your sound and how it’s evolved over time EC – In the early 90s it was industrial, in the late 90s it was big beat and jungle. For the last 20 years, I’ve refined the focus to modern jungle influenced rollers and dancefloor drum & bass. DA – My sound is still undefined, but if I had to I would say that its a blend of beautiful melodics and vocals combined with heavy baselines, tight footwork, and a trap aspect. NS – Early on, I wanted to make the hardest DNB known to man. Now, I want to tell a story with my sound. Invoke emotions with melodies, incorporate elements of hip hop, metal, industrial, synthwave etc, all while giving a nod to the hard shit. Any words you want to share to encourage other artists or producers? EC – I’ve had the following on a notepad on my desktop for the better part of the last 5 years: “The way we solve problems is often more important than the difficulty of the problems we are facing. KEEP FUCKING GOING DUDE. Don’t get discouraged. Make so much noise, they HAVE to hear you. Do it again, do it louder. Make music that’s so big it is undeniable.” DA – Your snare could be better. NS – Don’t try to be the “next” anyone, be the first YOU. Input = Output. Break the rules. How do you nurture your industry relationships? EC – Be a good human being. Duality is an illusion. Treat others like they’re your best mates. Help others as much as you can. If someone is a terrible person, cut the tie and walk away. And always keep pushing forward. DA – Being genuine, helping lift others up, everyone who loves the same music you do is a friend, you should treat them that way. NS – Stay humble. Support others. Don’t be a dick. Laugh at yourself. Is there anyone you’d like to thank that’s been crucial to your journey? EC – too many to list! My wife, Jade. Darren (SST) and Greg (The Lion’s Den) for the coaching and mentoring. DJ Met (RIP) for the early sounding board. Lorin (Base Industry) for believing in the vision early on. Tim (Kadilak) & Aaron (Snapback) at Rolled Up for pushing me to do it again and do it better. Jamie (Oneduz) for the dedication on this release. DA – The top is my partner Katie who introduced me to drum & bass and has helped me bloom into who I am today and Electron-C (Andy) who always pushes me to do better and so many other QC crew/family who supports. NS – My incredible wife Kimmy, my muse and everything. Jay Kronos, for joining me on this journey and being a brother. Tony Dubz, for teaching me the art of the mix and supporting me from day one. Jermel Yellow Fever, for pushing me back into this world—endless thanks. Zardonic, for believing in me and helping launch Noisesmith with some incredible tracks. And most importantly, to YOU, for sharing our love for the music. Thank you! Name 3 songs you love and what they mean to you + Youtube links EC – NIN – Wish, Future Prophecy – Dreadlock, Bru-C x Bou – Streetlife DA – Sigur Rós – Varúð, Goldfinger – Superman, Delta Heavy x Koven – Feel NS – Dom & Kemal – Moulin Rouge, Technical Itch & Dylan – The Legend (Evol Intent Remix), Company Flow – End To End Burners What’s your favourite piece of studio equipment or software? EC – All about the T-Glue DA – Thermal NS – PHASEPLANT! Name your favourite club or festival and how it makes you feel EC – Performing at EDC Orlando was pretty epic. Hospitality in the Park was ridiculous. DA – Hulaween! NS – Therapy Sessions! Name an outlandish rider request? EC – Only green M&Ms DA – 31 origami pigeons in light blue construction paper NS – A wall of framed sex toys Favourite clubbing memory and who or what did it involve? EC – Hybrid live at The Groove in Orlando in like 99 I think? Amazing. DA – The first time I ever saw DieselBoy live, at Serj here in Charlotte, the energy he brought was unlike anything I had experienced at the time and just stoked the fire for my musical journey that much more. NS – Andy C at Tonic in Charlotte NC. There were only a handful of people in attendance, it was GLORIOUS. To this day, the vibe is unmatched. What famous quote represents you best? EC – Be here now. Ram Dass DA – To lose patience is to lose the battle. NS – Art should comfort the disturbed and disturb the comfortable If you could play at any venue, where would it be and why? EC – Red Rocks. That would just be a profound moment. DA – Printworks London! Something about it just feels like home. NS – Doesn’t matter, as long as you’re there. Music is….. (explain more) EC – Everything. DA – Life Saving NS – A way to escape the pains of life, a way to celebrate the joys in life, a way to connect with people throughout life. In other words, music is life. One song you really couldn’t live without and why? EC – Ludovico Einaudi – Nuvole Bianche DA – Solomon France – Jump In NS – Dr Dre – The Chronic. The whole damn album. Namedrop your favourite 5 artists or DJs (past or present) EC – Bou, Camo & Krooked, DJ Craze, Friction, S.P.Y DA – Hedex, $uiceboy$, Camo & Krooked, London Elektricity, Run The Jewels NS – El-P, Technical Itch, Meshuggah, Mick Gordon, Graciela Wall (my mom) What was your first music memory and how did it fuel your fire? EC – The first big one was Nucleus – Jam On It – I’ve always loved breakbeats and bass music. DA – Ozzie Osbourne – Thunder Underground, my first metal cd ever. NS – Dara’s Renegade Continuum II mix. First taste of DnB, the rest is history. Tell us more about your plans for the future EC – Thai hot & Milkshakes! Then a nap. DA – More things like this… oh and a nap for sure NS – 2 EPs, several collabs/remixes, an all-original studio mix and… a nap. Any worldly advice you’d like to share? EC – When choosing the restaurant for dinner before the show, avoid making the whole group go eat Indian food. DA – Be kind. NS – Life ebbs and flows. Whenever things aren’t going right, just know that the pendulum will swing back in the opposite direction. Keep your head up. Stuck in my Head Is Out Now https://ditto.fm/stuck-in-my-head-various-artists Social Social Media Links EC – https://linktr.ee/electronCdj DA – https://linktr.ee/DarkAdaptationMusic NS – https://linktr.ee/noisesmith The post The Global DNB Collective Announces Their Latest Jungle/Drum & Bass Single ‘Stuck in my Head’ appeared first on Electric Mode.

The podcast looks at how the club community is fighting against "a clampdown on freedom of expression and civil society groups" Continue reading...

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksFred again.., Duskus, Four Tet, Skrillex, Joy Anonymous - glowTōN DEF - could there be more ?nimino - I Only Smoke When I DrinkEthanplus - Looseoso leone - Samuel SingsKidswaste, Beauvois - i quitShallou, Night Tales - I Just Wanted to DanceHAAi, Jon Hopkins, KAM-BU - Always AscendingSix Missing, Clariloops - Sitting BeachsideGeller - Pointillism

In the fast-paced world of Electronic Dance music, collaborations have become the cornerstone of creativity and innovation. When Grammy-winning DJ and producer David Guetta and serial hitmaker Alesso team up with singer-songwriter Madison Love, the result is nothing short of spectacular. Their latest single, ‘Never Going Home Tonight’, promises to be a surefire smash hit that will captivate audiences around the world. The single promises to become an anthem that takes listeners on a journey through the exhilarating chaos of nightlife. With Madison Love’s pristine lyrics, a bright piano riff, and Big-Room EDM-style synths, the song captures the essence of losing yourself in the moment, embracing the chaos of after parties, and surrendering to the irresistible pull of the dance floor. “I’m always excited when I get to work with David, and we wanted to make a real feel-good track for this one. It has everything I love about dance music in it – we’re so excited to share it with you all!” -Alesso The Dynamic Duo: David Guetta and Alesso David Guetta and Alesso are titans in the world of electronic dance music, each renowned for their unique sound and ability to ignite dance floors with their infectious beats. Guetta, a household name in the EDM scene, has a knack for crafting chart-topping hits that resonate with audiences worldwide. Alesso, on the other hand, is a master of Progressive House, known for his melodic tunes and electrifying live performances. The track arrives amid a year of massive proportion for both artists who are both hot on the heels of a stacked schedule of summer shows and releases. The international icons have been building anticipation for this latest collaboration all summer long – from Guetta’s residencies around the world, including Las Vegas’s Encore Beach Club as well as David Guetta Presents Future Rave at Hï Ibiza and ‘F*** Me, I’m Famous!’ party, now in its 23rd year, at Ushuaïa Ibiza and Alesso’s chart-topping releases including the genre-defying ‘I Like It‘ with Nate Smith and high-profile residency with TAO Nightlife in Las Vegas – to both artists delivering groundbreaking main-stage performances at Tomorrowland. From the infectious drop to the euphoric melodies, every element of ‘Never Going Home Tonight’ bears the unmistakable imprint of Guetta and Alesso’s musical genius. Their synergy is palpable, driving the track forward with an irresistible momentum that will have listeners hitting repeat again and again. Madison Love: The Voice of a Generation At the heart of ‘Never Going Home Tonight’ lies the soulful voice of singer-songwriter Madison Love. With her evocative lyrics and emotive delivery, Love brings a sense of vulnerability and authenticity to the track, grounding it in human emotion amidst pulsating beats and electrifying synths. Love’s collaboration with Guetta and Alesso is a testament to her versatility as an artist, seamlessly weaving her vocals into the fabric of the song and infusing it with depth and richness that elevates the overall listening experience. Her ability to convey the highs and lows of the nightlife experience, from the euphoria of the dance floor to the introspective moments of solitude, adds a layer of complexity to ‘Never Going Home Tonight’ that sets it apart from the crowd. With ‘Never Going Home Tonight’, Madison Love cements her status as a rising star in the world of Dance music, proving that her talent knows no bounds. Her collaboration with Guetta and Alesso is a match made in musical heaven, resulting in a track that is as infectious as it is heartfelt, leaving a lasting impression on all who hear it. The post David Guetta, Alesso And Madison Love Release ‘Never Going Home Tonight’ appeared first on EDMTunes.

This is truly the year for Hard Techno. The high priestess herself Sara Landry revealed her next single ‘Because They Want Our Seat’ for her upcoming debut album Spiritual Driveby. In collaboration with French Titan Nico Moreno, Landry’s release is available on her imprint HEKATE Records. Hope you’ve worked on your cardio, because this song will have your heart rate up in no time. ‘Because They Want Our Seat’ The track truly embellishes the essence of Hard Techno. Moreover, it’s a true display of Landry and Moreno’s chemistry during production. ‘Because They Want Our Seat’ digs you deep into the underground to hypnotize you with raw cadence and transfixed rhythms. Their profound technical mastery engulfs the entire track, unleashing intensity and infectious energy. Finally, the thunderous basslines and roaring bits anchor down the song. In effect, ‘Because They Want Our Seat’ mixes up Sara Landry’s use of the divine feminine brand of Hard Techno, along with Nico Moreno’s industrial and hypnotizing sounds. The result? 160 BPMs of pure adrenaline, and crazy chemistry that’s nothing short of pure alchemy. “I was so excited when Sara invited me to make this with her, and I loved being back in the studio together“, Nico Moreno said. “We looked back on what we both have done since our last piece together and our sounds have changed so much since then–I think we both feel incredibly blessed to be part of the growth of hard techno. We wanted this song to showcase the energy of the genre and the energy we receive from our audiences“. “This track is a truly immersive experience and I am absolutely hyped that I got to do it with Sara.” -Nico Moreno Sara Landry added, “Nico is one of my favorite artists to work with – our first track together, ‘Queen Of The Banshees” is still one of my hottest tracks. When we were bringing this one up we went back and listened to other tracks we’ve done together and it was incredible reflecting on how much both of us have changed and evolved. Working with Nico really inspires me because we both love this genre – and pushing its limits –so deeply“. “’Because They Want Our Seat’ Showcases that love – we were really able to capture the hard techno movement with this one – we absolutely laid it down at 160BPM. I can’t wait to share this release with you, i t’s such a sick track.” -Sara Landry With just a little under a month before her debut album drops, Sara Landry has become one of the most influential figures in the genre. From bringing Hard Techno to the Tomorrowland Mainstage, to bringing it to the mainstream media, allowing newcomers to be introduced to the scene the hardest, best way possible. It makes sense that everybody wants their seat. Now let’s dance at hypersonic speed into that filthy, delicious groove. Here it is! ‘Because They Want Our Seat’: The post Sara Landry And Nico Moreno Merge Their Energy In ‘Because They Want Our Seat’ appeared first on EDMTunes.

The musician, who helped put Bossa nova on the world stage, passed away "peacefully” last week Continue reading...

Things always come in three. That’s what they should have taught at Cercle Records. The label today is releasing COSMOS, the third installment in their annual vinyl compilation series. This third part includes music from Indira Paganotto, Ann Clue, Bantwanas, Romain Garcia, Brina Knauss, Vitalic and Notre Dame. COSMOS 0.0.92 (this is the name of the third part on Spotify) is in conjunction with their highly acclaimed and sold-out festival that took place in May. And, that’s not all! In celebration of the compilation, each single (excluding those from the live-streamed performances) will be paired by a compelling video series titled MATTER. All videos are inspired by the theme of the 2024 festival, air and space. The videos will be released on the Cercle Records YouTube channel. Josef Gatti and Cercle’s Head of Video, Mathieu Glissant are the directors of the new series MATTER. But what are the tunes and the artists in this third COSMOS release? Kickstarting the third part of the series is Romain Garcia. Born in Paris with Spanish roots, he has always infused his music with diverse cultural influences. He is not new to Cercle. In 2020, Cercle Records released Cappadocia, a featuring between Romain Garcia and Ben Böhmer which garnered over 22 million streams. Romain Garcia kicks off the compilation with Kako, injecting a captivating blend of melodic house with driving percussion and a mesmerizing vocal, ideal for closing a set. Up next is the African collective Bantwanas with Mama. The song is a deeply emotive, organic afro house cut, positioning them at the forefront of artists who are redefining African house music. The collective’s sound is a danceable and soulful blend that captures South African musical heritage while innovating in the electronic music genre. Notre Dame is a Parisian electronic music artist, musician, and producer. He has been influenced by French electronic legends like Daft Punk and Justice. His featured single Kids Never Stop Dancing, is an indie-dance piece with an upbeat, groovy melody and positive energy, representing his message of warmth and freedom. Brina Knauss, a Slovenian DJ, is celebrated for her perfectionist approach and exceptional DJ skills. Her track Drowning is an indie melodic house piece characterized by a fast melody, heavy kick, and varying rhythms, blending indie and house notes with touches of techno, evoking a summery, solar atmosphere. Vitalic is a pioneering French electronic music producer and composer, renowned for his influential debut LP OK Cowboy, which achieved gold status. In 2021, he announced a tour for his fifth album “DISSIDÆNCE” while celebrating his 20-year career. His track You Are Not Alone, featuring Vimala, showcases a techno-influenced sound with melodic, dark disco, electro, and techno elements, culminating in a signature massive drop and an organic, instrumental melody. Ann Clue, a passionate German DJ and producer is next. Her single Ethereal exemplifies her powerful and energetic style, featuring cosmic themes, heavy kicks, and futuristic vocals, taking listeners on a dynamic sonic journey. If Only I Knew is a high-energy track that conveys nothing but positivity, and is a masterclass in Denis Sulta‘s signature style, combining infectious melodies, pulsating rhythms, and an uplifting energy that transcends the dance floor. Alongside his musical output, Denis has played at Berlin’s Panorama Bar, Ibiza’s Pikes as well as showcasing his ‘Sulta Selects‘ takeovers at Tomorrowland, ADE and Printworks. Concluding the COSMOS compilation is Indira Paganotto. Indira’s energetic eclecticism and constant smile have become her trademarks. Blackbird SR-71 is a powerful cut featuring oriental throat singing and a trance rhythm in true Indira style. Cercle also presented its first 360° festival project, Cercle Odyssey. The post Cercle Records drops third part of vinyl compilation ‘COSMOS’ appeared first on The Groove Cartel.

Europe is home to some of the most vibrant and culturally diverse festivals in the world. From ancient traditions to modern celebrations, these festivals offer a unique opportunity to immerse yourself in the heart of European culture. Whether you’re a traveler, culture enthusiast, or festival-goer, 2024 promises a calendar full of exciting cultural events you won’t want to miss. Upcoming Cultural Festivals in Europe Upcoming Cultural Festivals in Europe, What to Look Forward to in 2024 In this article, we’ll explore some of the upcoming cultural festivals in Europe for 2024, including traditional folk festivals, colorful parades, and immersive arts events. Read on to discover the top festivals to add to your travel bucket list and make the most of your European adventure. 1. Venice Carnival (Italy) Dates: February 3-13, 2024 Location: Venice, Italy The Venice Carnival is one of the most iconic cultural events in Europe, renowned for its elaborate costumes, stunning masks, and centuries-old traditions. Taking place in the romantic city of Venice, this festival dates back to the 12th century and is celebrated with grand masquerade balls, parades, and street performances. Attendees don elaborate costumes and masks as they parade through the city’s picturesque canals and narrow streets. The festival culminates in several spectacular events, including the Flight of the Angel and the Ballo del Doge. Pro Tip: If you plan to attend the Venice Carnival, make sure to book your accommodation and events in advance, as this is one of Europe’s most popular festivals. 2. Oktoberfest (Germany) Dates: September 21 – October 6, 2024 Location: Munich, Germany No list of cultural festivals in Europe would be complete without mentioning Oktoberfest, the world’s largest beer festival. Held annually in Munich, Oktoberfest is a celebration of Bavarian culture, complete with traditional food, music, and, of course, beer. During the festival, millions of visitors from all over the world flock to Munich to enjoy local brews, giant pretzels, bratwurst, and traditional German folk dances. The event is also family-friendly, offering amusement rides, parades, and cultural exhibitions. Pro Tip: If you want to experience Oktoberfest like a local, visit during the first week when the crowds are smaller. Don’t forget to wear a traditional dirndl or lederhosen to fully immerse yourself in Bavarian culture. 3. Edinburgh Festival Fringe (Scotland) Dates: August 2-26, 2024 Location: Edinburgh, Scotland The Edinburgh Festival Fringe is the world’s largest arts festival, offering an eclectic mix of theater, comedy, dance, and music performances. Taking place in Scotland’s capital, this open-access festival welcomes artists from all over the world to showcase their talents. From avant-garde performances to stand-up comedy, the Edinburgh Festival Fringe offers something for every taste. The city comes alive with pop-up venues, street performers, and an unrivaled energy, making it one of Europe’s must-attend cultural festivals. Pro Tip: The festival is spread out across many venues, so plan your schedule in advance. Keep an eye out for free performances happening on the Royal Mile. 4. La Tomatina (Spain) Dates: August 28, 2024 Location: Buñol, Spain La Tomatina is a quirky and unique cultural festival in Spain that sees thousands of participants hurling tomatoes at each other in the small town of Buñol. Held on the last Wednesday of August, La Tomatina is an exciting event where the streets become a battleground for this friendly tomato fight. The event dates back to the 1940s and has since become an international sensation, attracting visitors from all corners of the globe. La Tomatina is not just about the tomato fight; it also features parades, music, and fireworks in the lead-up to the big event. Pro Tip: Wear old clothes and goggles, as things can get messy. Arrive early to get a good spot in the action, and don’t forget to join in the post-event street cleaning party! 5. Midsummer Festival (Sweden) Dates: June 21, 2024 Location: Various locations across Sweden Midsummer is one of Sweden’s most important cultural celebrations, marking the summer solstice and the longest day of the year. Held across the country, the festival is a joyful occasion that brings together family and friends to celebrate with traditional food, flower crowns, and folk dancing around the maypole. Participants typically enjoy a meal of pickled herring, potatoes, and strawberries while drinking schnapps and singing traditional songs. The festival’s centerpiece is the maypole, which symbolizes fertility, and people of all ages dance around it to celebrate the season of light. Pro Tip: If you’re visiting Sweden during Midsummer, head to the countryside for the most authentic experience. Public transport can be limited, so plan ahead. 6. St. Patrick’s Festival (Ireland) Dates: March 15-18, 2024 Location: Dublin, Ireland The St. Patrick’s Festival in Dublin is a vibrant celebration of Irish culture, history, and heritage. Held in honor of Ireland’s patron saint, St. Patrick, the festival includes parades, live music, traditional Irish dancing, and street performances. The main highlight is the St. Patrick’s Day Parade, featuring colorful floats, marching bands, and performers from around the world. The entire city of Dublin comes alive with a sea of green as locals and visitors alike celebrate Irish culture with food, drink, and merriment. Pro Tip: Dress in green to join the festivities and make sure to visit the iconic landmarks like the Guinness Storehouse and Trinity College while you’re in Dublin. 7. Festa de São João (Portugal) Dates: June 23-24, 2024 Location: Porto, Portugal Festa de São João is one of Portugal’s liveliest cultural festivals, celebrated in the city of Porto. Dedicated to Saint John the Baptist, the festival is famous for its unique traditions, including hitting each other with plastic hammers and releasing sky lanterns. The night of June 23rd is filled with street parties, live music, fireworks, and delicious Portuguese food. Locals and visitors alike gather on the streets to enjoy the festivities, which culminate in a spectacular fireworks display over the River Douro. Pro Tip: Join the locals by grilling sardines in the street and don’t forget to bring your plastic hammer—it’s all in good fun! 8. Carnival of Binche (Belgium) Dates: February 11-13, 2024 Location: Binche, Belgium Recognized by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity, the Carnival of Binche is one of Belgium’s most unique cultural events. Held over three days in the small town of Binche, the carnival is best known for its famous Gilles, masked men dressed in elaborate costumes and feathered hats. The highlight of the event is on Shrove Tuesday, when the Gilles throw oranges into the crowd as a symbol of good luck. The festival also features traditional music, processions, and lively street celebrations. Pro Tip: The Carnival of Binche is steeped in tradition, so make sure to respect local customs and dress appropriately if you plan to participate in the festivities. 9. San Fermin (Spain) Dates: July 6-14, 2024 Location: Pamplona, Spain The San Fermin Festival, or the Running of the Bulls, is one of Spain’s most exhilarating and controversial cultural events. Held annually in Pamplona, the festival includes bullfights, processions, and street parties, but the main attraction is the famous encierro, where participants run alongside bulls through the streets of Pamplona. San Fermin has deep cultural and religious roots, with the event being held in honor of Saint Fermin, the patron saint of Navarra. The festival is a combination of adrenaline-pumping action and traditional Spanish culture. Pro Tip: If you’re not up for running with the bulls, you can still enjoy the festival by watching from a safe vantage point or participating in the other cultural activities. Conclusion Europe’s cultural festivals offer a unique window into the traditions, history, and local customs of each country. Whether you’re looking to experience the colorful chaos of La Tomatina or immerse yourself in the artistic world of the Edinburgh Festival Fringe, there’s something for everyone in 2024. These festivals not only showcase the rich diversity of European cultures but also offer unforgettable experiences that will stay with you long after the celebrations end. Make sure to mark your calendar, plan your travels, and experience these incredible cultural events firsthand. Stay tuned to FestivalFeed.uk for more updates on the best festivals and cultural celebrations happening across Europe in 2024! The post Upcoming Cultural Festivals in Europe: What to Look Forward to in 2024 appeared first on FestivalFeed.

Toto Chiavetta, in collaboration with Ella Dvornik’s Alterella project and Enya II, presents the comprehensive Bonton / Shadow EP. Originally released a few years ago, both tracks are now being reintroduced by Siamese. The label brings both tunes into our sonic universe with renewed focus. The ToMak Revision of Alterella’s “Bonton” was reworked by Toto Chiavetta with the support of the Sead Ajaz Ensemble. He recognized the track’s dancefloor potential despite its origins in the hip-hop and trap genres. Ella Dvornik, who created the original version, also contributed to this exciting revision. The idea of transforming a hip-hop/trap track into a dancefloor-ready piece is fascinating in how different musical elements can be repurposed and recontextualized to create something entirely new while still honoring the original. “Shadow (Tape One Remix)”, a remix by Toto Chiavetta of Enya II’s wonderfully eclectic original track, has quickly become a staple in Adriatique’s recent sets, as Toto skillfully adapted the track for the dancefloor. The Chordial Remix of “Shadow”, another collaboration involving Toto with the assistance of Tarek Yamani, takes a different approach. This remix deconstructs the original with a dreamy yet infectious touch, perfect for special moments on the dancefloor. Enjoy. The post Adriatique’s Siamese drops ‘Bonton / Shadow EP’ appeared first on The Groove Cartel.

Dom Dolla’s performance during Labor day weekend at Forest Hills In New York City was nothing short of electric. The Australian DJ and producer brought his signature blend of house and tech house to the stage, captivating the crowd with his infectious beats and energetic presence. This was the first ever stadium show that Dolla has ever performed in, and it was completely sold out. DJ Seinfield, Fcukers, and Natasha Diggs joined them on support. From the moment he stepped onto the stage, Dom Dolla had the audience dancing and singing along to his hit tracks. His setlist was a perfect mix of old and new, featuring crowd-pleasers like ‘San Frandisco,’ ‘Miracle,’ and ‘Kiss Me.’ Listening to ‘girl$’ live in particular was a highlight, with this song going viral all summer long. The energy in the venue was palpable as the crowd swayed and jumped to the music. To make the night even more special, he even created a special intro just for New York, which thousands of us in attendance loved. The visuals accompanying Dom Dolla’s performance were stunning, adding to the overall immersive experience. The lights, lasers, pyrotechnics, and projections created a mesmerizing atmosphere that complemented the music perfectly. Throughout the two hour set, Dom Dolla did not let off the gas, throwing bangers after bangers which got the crowd’s cheering and yelling in excitement at every drop. The post [Event Review] Dom Dolla Lights Up Forest Hill Stadium appeared first on EDMTunes.

The Netherlands-born producer, Beswerda lands on DGTL, the famous imprint of the same-name festival, with a hypnotic melodic techno tune Take Me. What was initially crafted in a moment of vulnerability, Beswerdas Take Me portrays raw emotion. The single highlights his frame of mind as he began its creation with a powerful and somewhat aggressive approach. Ultimately, he shifted to an uplifting atmosphere as his spirits rose throughout the track’s road to completion. Leaving little to the imagination, Beswerda eloquently translates a wide range of emotions into his music, giving his listeners a window into his most vulnerable moments. Koen Beswerda also known by the name Beswerda is a DJ and producer from The Netherlands. Bewerda has been producing melodic techno for several years now. He has released on several high-caliber techno labels like Habitat, Mind Against’s imprint, where he has been featured on Metaflora and Metaflora II compilations. He also released on Afterlife, landing on both Realm of Consciousness V and Unity 3 compilations. The post Beswerda lands on DGTL with ‘Take Me’ appeared first on The Groove Cartel.

New York City wonderboy Layton Giordani is back on Insomniac’s techno imprint Factory 93 with Better Than U Thought. In the last few years, he has cemented his status as a prestigious tastemaker in the techno world. His respected decade-long discography has pushed Giordani to the forefront of the next generation of underground producers. This vocal-led peak-time techno track revolves around an enchanting hook. In the meantime, its silky croons sit atop running basslines, whirring risers, sharp percussion, cooing harmonic accents, and an acid-fueled resolution, closing the track in fine form. I was playing a Euro weekend in Amsterdam/Berlin, and I was looking to play a more driven techno set, but I also wanted to have a more sexy aesthetic, so I started surfing the web for vocals. I found this amazing slow vocal, sped it up, added an acid hook, and here we are – Layton Giordani. Layton Giordani stands firmly as one of the most popular talents of techno’s new school. He is a true artist in every sense of the word. His pioneering musical vision serves as a contemporary voice for the younger generation. Spending years acquiring knowledge from musical greats, the 28-year-old possesses a wealth of experience far beyond his years. He has now undeniably earned his rank in the upper echelon of techno. Layton Giordani – ‘Better Than U Thought’ is out now via Factory 93. The post Layton Giordani releases ‘Better Than U Thought’ on Factory 93 appeared first on The Groove Cartel.

The record is available via party-turned-label BDE (Big Dyke Energy) and features a collaboration with Miss Sharon Le Grand Continue reading...

The full 'Formula OneDa' LP drops on October 4 Continue reading...