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Miami's thumping heartbeat of house music slowed its pace over the summer of 2024 as Club Space closed its doors for renovations. But the iconic nightlife destination is back, and arguably bigger than ever. The proprietors of Space are celebrating the venue's comeback with a massive opening party series, allowing their tight-knit community to reunite on the dancefloor and groove through the sunrise again. It arrives after months of working to reopen the venue alongside the City of Miami and the South Florida-based contracting firm US Construction Corp. The club temporarily shuttered for renovations after a groundbreaking party with a no-phone policy on June 2nd. Space is now back with a revamped layout, which includes adjustments to its emergency exit infrastructure as well as upgrades to the venue's ground-level spaces, Floyd and the Ground. FISHER, Peggy Gou, Green Velvet, DJ Seinfeld, Francis Mercier and many more are set to perform from Thursday, September 19th through Sunday, September 22nd for a stacked weekender on the terrace. "Get ready for 4 massive marathons," the club wrote in an announcement shared to Instagram. Tickets to Space's opening party series are available here. View the original article to see embedded media. Follow Club Space:X: x.com/clubspacemiami Instagram: instagram.com/spacemiami TikTok: tiktok.com/@clubspace_miami Facebook: facebook.com/clubspace

The Trick label boss has been performing sober since 2017, claiming it changed his “relationship with music and partying” Continue reading...

It marks the sixth track to be released from his forthcoming album ‘In Waves’, slated for release on September 20 Continue reading...

After the infamous 2017 Fyre Festival debacle, it would seem almost unthinkable for anyone to want to experience a round two. Yet, Billy McFarland, the mastermind behind the first festival disaster, insists there’s demand for Fyre Fest II—and a lot of it. According to McFarland, 20,000 people are clamoring for tickets to his redemption event, set to take place on a private Caribbean island next April. A Second Chance on a Private Island McFarland, now 32, hopes to redeem himself after spending four years in prison for fraud related to the original Fyre Festival. This time around, he’s planning a much smaller event with 3,000 attendees, scheduled for April 25-28. Unlike the first fiasco, which promised luxury villas and gourmet meals but delivered disaster relief tents and cheese sandwiches, McFarland says he’s learned from his mistakes. With a professional production team now onboard, he’s confident Fyre Fest II will be different. Despite the heavy skepticism, McFarland is charging forward, with ticket prices ranging from $1,400 for the basic package to a jaw-dropping $1.1 million for the ultimate VIP experience, which includes luxury yachts, scuba diving, and island hopping. Early Buzz and Sold-Out Presale Even with no artist lineup and very few concrete details about the festival’s location, Fyre Fest II has already sparked interest. In August 2023, the first 100 presale tickets sold out within 24 hours. McFarland attributes this to the notoriety of the first Fyre Festival, which he believes has fueled curiosity. Many want to attend simply to witness what could be either a spectacular success or another public failure. “It’s not about 10,000 people staring at a stage,” McFarland said. “It’s about a shared experience—exploring a private island and diving into the unknown.” The Road to Redemption? McFarland is fully aware of the mountain of skepticism surrounding him. While the first festival left attendees stranded with subpar food and accommodations, he vows that this time, the island will have the proper infrastructure, including real hotels and villas. Jokingly, he even mentioned that cheese sandwiches will make a return but as the highest-priced item on the menu. Whether McFarland’s redemption arc will prove successful remains to be seen. But with 20,000 people reportedly eager for tickets, it seems that, for now, Fyre Fest II has the attention of the world—again. Check out his original Instagram post, here. View this post on Instagram A post shared by Billy McFarland (@pyrtbilly) [H/T] – NBC News The post Billy McFarland Claims 20K People Want Fyre Fest II Tickets appeared first on EDMTunes.

UK charity Black Lives in Music spoke at an inquiry into the state of London’s nightlife earlier this month Continue reading...

The legendary Swedish DJ and producer Avicii has reached a remarkable milestone as his iconic track ‘Levels’ has officially crossed 1 billion streams on Spotify. This achievement serves as a powerful reminder of the lasting impact of Avicii‘s music, even years after his untimely passing in 2018. Released in 2011, ‘Levels’ was a game-changing track that propelled Avicii into global stardom. With its infectious melody, uplifting beats, and the unforgettable Etta James sample, the song became an anthem for electronic dance music (EDM) fans worldwide. It not only topped charts around the globe but also laid the foundation for the EDM boom of the 2010s. The 1 billion streams milestone is a testament to the song’s enduring popularity and the influence Avicii continues to have on the music world. ‘Levels’ has inspired countless DJs, producers, and fans, remaining a staple in the world of EDM nearly a decade after its release. Though Avicii is no longer with us, his legacy continues to live on through his groundbreaking music, and ‘Levels’ hitting 1 billion streams is a fitting tribute to an artist who changed the landscape of electronic music forever.

The news was confirmed on September 16 by Freude Am Tanzen, a record label close to Monkey Maffia Continue reading...

Meet In The Lab Recordings. Back in 2021, Kendot and Spectra T started their label, wanting to focus on the futuristic and experimental side of drum and bass. “You can fit a lot under this umbrella,” explains Kendot. “That’s why there’s probably something for everyone to be found in our catalogue. There’s liquid, neuro, jumpup…” Fast forward to 2024, and In The Lab have gone from playing small bars in Northampton to taking over Motion Bristol and opening Rampage Sportpaleis. They are now residents for Worried About Henry, are part of the Hospital Records Business Mentorship programme and are signing some of the most promising artists in the scene. Something tells us they are a label to watch out for… How are you doing? It’s been quite a big year for you guys so far already… Spectra T: We’re doing amazing. The first big thing this year was playing at Rampage, Sportpaleis in particular. Being able to grace that stage is absolutely unreal and to be able to showcase our label, our artists, and our sound to that wide of an audience both online and in the arena was insane. There are so many artists and labels who still haven’t had a chance to play that stage! Kendot: For me, Steelyard was one of those venues we were able to tick off our list. That’s such a legendary space. For us to be able to go there and play friggin’ Crazy Frog bootlegs? It was just amazing. Spectra T: Another one is playing the outdoor stage at Motion. That’s one where I remember being at Run All Day a few years ago and just thinking, wow, the vibe here is just absolutely unreal. That is the best of Bristol, when you get the sun shining outdoors at Motion, and then when we got the chance to play that! That was one of our favourite sets we played this year. We really vibed on that one. Kendot: It was a 90-minute one, so we were able to proper expand on all the stuff that we like to play. It was really cool. It was a great set. Spectra T: Another thing I’m really proud of, aside from sets, because it’s not obviously all about where you play, would be the amount of big artists, either online or in person, who have given us recognition. That’s still something that’s so surreal to see because for us, we’re still the little label from Northampton, and we don’t really expect everyone to know who we are, but it’s nice when they do. Talking about support, you’ve got a big support group behind you with the label. How is it working together? Spectra T: They always come through when we need it. We’ve got our friend Connor (Kendot’s brother-in-law), who has been there from the inception of ITL. He designed the In The Lab logo. That just shows how long he’s been there. He’s helped with set-up, set-down, everything… From the tiniest gigs to the biggest ones. He helped with design stuff and building little things for projects. We’ve got the core residents as well, like Trinity and Aduken. They’ve always been there to support us with anything we ask, whether that be sharing stuff on social media or giving ideas, and feedback. We have got that team, even if we don’t utilise them as much as we should. Kendot: It’s kind of hard to ignore the support that we’re getting from other companies within drum and bass as well. The consistent bookings that we get through Rampage and Worried About Henry, if we want to talk about gigs. And then, label advice and support that we’re getting through the Hospital Records Mentorship Programme. We’re so lucky to have ‘friends in high places’, giving us advice, help, and support. We couldn’t be more thankful for that. Spectra T: The guidance we’ve been able to get from those brands has been invaluable. We’ve really gone into this blind. Neither of us have studied business or music or anything like that, it’s purely out of passion. We just love music. So, to be able to ask those questions when we need it and receive that support is brilliant. Where do you feel that you are now? Kendot: I would like to think that we’re a couple of years away from our peak, because everything started to ramp up in the last 18 months to two years- and it doesn’t seem like it’s plateauing yet. We keep being dumbstruck by the opportunities that are coming through. Rather than everything being business as usual, it’s still exciting and jaw-dropping and nerve-wracking, so I still think we’re on an upward trajectory. Spectra T: Even if we don’t realise sometimes, everything is still moving forward. I would say that we’re signing some of the strongest music from some of the strongest artists that we have so far. Coming off the back of our first-ever full festival season, it just shows that stuff is well and truly in motion in the best way possible. Let’s talk about the sound you want to push with In The Lab Recordings. A lot of labels have their signature sound, but you guys have quite a varied palette. Kendot: People who know myself and Andy (Spectra T) personally, know that our music taste is quite broad, which is why we get along so well. If it’s good music, we’re interested. We listen to pretty much anything as long as we like it and as long as it’s good. That is reflected in our label now. We are a drum and bass label mainly, but we don’t want to pigeonhole ourselves on that. Spectra T: I’m through and through a dance floor D&B and commercial D&B head, that’s where my love of drum and bass came from initially with Wilkinson. But Kendot is now more into the minimal and deeper side of drum and bass. When you get those two elements mixed- get the darker, more technical sound design paired with the big anthemic euphoric leads and vocals, that leaves you with the releases that you’ve been seeing from In The Lab recently. Kendot, you said, “We like something as long as it’s good.” What is good for In The Lab? Kendot: The technical execution of an idea is what’s good. If you’ve got an idea and you do it well, and you stick the landing, I would say that that’s good. Spectra T: It’s that musical flow that we care about with our label. Looking at the VAs for example, we’ve got Antimatter and Matter, they are absolute parallels and absolute opposites to each other. Antimatter showcases the deeper, darker, heavy, techy side of In The Lab, and Matter is where we let loose our more melodic light-hearted side. Kendot: We’re dipping our toes in other genres as well, and that means we can grow and experiment with these VAs a lot more. We’re able to find homes for music that previously wouldn’t have fit on the label. There have been so many times when we’ve had music that we’ve sadly had to turn down. Now that we’re broadening ourselves, it opens the door to a lot of exciting things. Spectra T: I think it’s important to say as well that the majority of the artists that we work with and we push on In The Lab don’t specifically just produce drum and bass. A lot of them experiment in other genres, so now that we’re finding our core roster, it’s nice to be able to showcase them and what they can do, whether that is in or outside of drum and bass. How do you curate your releases? Spectra T: We’re very lucky that we have our regular artists who are consistently sending us ideas and music. Alongside that, we’re consistently getting demos. Regardless of whether we sign them a lot or not, I would say that the overall quality of the demos we get is very high, which we’re very thankful for. Then it’s just a case of me and Kendot listening through the tracks, and nine times out of ten, it’s a pretty straightforward yes or no, because we understand each other’s taste. In general, we can agree on whether we want to sign something pretty quickly. Or if something needs changes, then Kendot is very good at identifying what needs changing in a track. Kendot: While it’s really hard to put into words and describe what we’re looking for exactly, In The Lab tracks tend to have a particular flavour. Even though we release liquid, harder stuff, all these different styles of drum and bass, there is a common thread that runs throughout our music, and that’s mainly what we’re looking for. Then it’s as simple as, do they stick the landing in the execution of that idea? If the vibe is right, and it’s produced to a high enough quality, then it’s a yes. Spectra T: We’ve had demos coming from absolutely amazing producers, some of which we’ve been wanting to sign music from for a long time, and we’ve had to turn it down because the idea is just simply not good enough. We will stand by that regardless of who you are. If the track is good enough, it will get signed. If the track’s not good enough, then it won’t. Kendot: It can be quite painful, especially knowing how much effort someone’s put into this piece of work. You know that they’ve spent hours and hours and hours writing this piece of music for us to say ‘that doesn’t work’. But we have to have our integrity because otherwise it kind of all falls apart, doesn’t it? Spectra T: Just because we don’t necessarily think that it holds up to what we want to release on In The Lab, doesn’t mean it’s not good enough to release in general. We get a lot of music that maybe just isn’t quite there for us, but it’s still more than good enough to play out, to listen to, and just to vibe with. Sometimes also, there’s just too much music. We’ve got people who have sent us five or six tracks, and we’ve had to tell them we can only take one. Sometimes that’s really hard. On those occasions, we like to put them forward to other labels that are releasing similar styles and might have room for the release. As I say, it might not fit with us, but it might still be good enough for a release. Kendot: I’d like to think that people that send us demos regularly (because there will be people reading this that send us demos regularly) that we converse with, that when we turn stuff down, it’s not a negative comment on your piece of music. It’s the fact that it doesn’t work for our label. Rather than us saying ‘No, we don’t like that, we don’t think that should be released’, it’s more a case of, ‘Yeah, that’s good music, but that doesn’t suit our vision’. Let’s go back to the early days of the label. What was the moment when you thought, “Wow, In The Lab is really doing something!”? Spectra T: It would have to be when we got the first Best Newcomer Label nomination on the Drumand BassArena Awards because that was completely and utterly unexpected. We did not think in our wildest dreams that we’d be getting nominated for that. There were people around us that were saying, oh no, I think you’ve got a good chance, and we just did not believe it. To actually see that support materialise in the way of a nomination felt like we were hitting a wide audience and it was being appreciated, the music we were releasing, and people were digging it. Kendot: Seeing our name there was a record scratch moment. It was like, what?? Oh my god, where did that come from? How did that happen? It was really cool. Really, really cool. I think another wow moment, maybe a less serious one, was when I realised that every single event we’re playing now has four decks rather than two – me and Spectra T have played on a lot of lower quality equipment. Bad decks, messy booths, no booth monitors, booth monitors that are broken, decks that are broken, you name it. One day I was like, hang on a minute, we haven’t played on less than three decks in a very long time and all the decks work. I don’t step into a club anymore worried that things are broken. That’s really nice. It sounds like you really found a way of working together and building this brand that is In The Lab. Spectra T: It’s absolutely great and absolutely terrible at the same time. Because it shouldn’t work, but it does. It’s what it comes down to. We both have our struggles and neither of us are particularly good at communicating with each other, but we both understand each other very well and understand what we’re good at and what we’re not. Kendot: We fell into our respective roles essentially on day one. With no conversation or communication. It’s just that we each have different strengths and where each of us have strengths, the other one has weaknesses and vice versa. There was never any structural conversation of, I’ll do this, you do that. That’s why it works for us in our situation because we just fill the gaps in each other’s strengths and weaknesses. How is the future of In The Lab looking for you? Kendot: It’s looking pretty bright. We’ve got lots of music coming, as always. I’m feeling really good about the artists that we’re working with in the near future. Most of them, as always with ITL, are fairly small or unknown names, and it’s really exciting to give people like that a platform. In terms of the gigging side, we’re looking forward to club season now starting up. We’ve just had our first full festival season, as Spectra T mentioned earlier, and we’re looking forward to every opportunity that comes. Spectra T: Without going into too much detail, we’re dipping our toes into trying to create some different styles of projects and social media content. I’m sure everyone will see it over the rest of the year and going into next year. It’s some very exciting stuff, which I will leave to your imagination for now. Thank you! Is there anything else you would like to share? Spectra T: I would like to give some spotlight to some other labels and people. We definitely got to give a shout out to Stellar Audio, SINFUL MAZE, Yamatai, Phase Records, Abyssal Music. All these similar-sized labels to us have been absolutely killing it. The quality of releases has been getting better and better, and they’re all run by such lovely people that have been supportive to us and really welcoming to us. I feel like we’ve all come through at a similar time. We’re all on a similar journey. I want to give a shout out to some of our core roster as well, on their individual successes. [BORDERS] and Vici have been absolutely killing it. They’ve been releasing on bigger and better labels. The quality of releases has just been becoming insane. And finally, a big thank you to everyone who has been supporting us

planetedetroit · Junior Sanchez & Carl Craig – Art-O-Fact Detroit Mixes Following his debut on Planet E Communications last year to release Art-O-Fact, New Jersey-born and-based house music legend Junior Sanchez now teams up with long time friend label boss and techno icon Carl Craig for a brand new Detroit Remix. “Art-O-Fact (Detroit Remix),” which injects the futuristic sound of Carl’s hometown, is set for release on Planet E on September 19. It’ll be the first of three new additional mixes from Carl Craig and Junior Sanchez that all arrive on October 11 (digital and vinyl), including a ‘Beatless’ mix and a ‘Bass’ mix, which split the new Detroit Mix directly in half, with one focused on melody and the other on rhythm. Sanchez initially brought “Art-O-Fact” to Planet E with Detroit in mind. “I loved so many records by Carl Craig, Derrick May, Kevin Saunderson, and Juan Atkins,” he says. “I let my inspiration guide me, and I thought about that city—what it meant to me and what techno meant to my heart.” To fully connect the dots, Carl Craig has hopped on the remix, reinforcing the eclectic synth work with a heavy new groove, a gritty bass line, and subtle, shadowy synth melodies. The result is a fortified connection between two scenes and eras that sonically toes the line. Earlier this year, Junior Sanchez appeared in the film Desire: The Carl Craig Story, a documentary chronicling Carl’s career while “telling the tale of techno and Carl’s place in a larger lineage of black musicians,” as Film Threat wrote. The film premiered at the Tribeca Film Festival in New York City. Sanchez’s eclectic palette can be partially credited to his time spent in the sonic melting pot of New York City in the 1990s. A pillar of the underground club scene, Junior Sanchez began DJing at iconic New York City institutions such as Limelight and Club USA at the mere age of 13. He released his first track on iconic house imprint Strictly Rhythm at age 15. Sanchez’s extensive repertoire of collaborators includes Madonna, Ariana Grande, Good Charlotte, Azealia Banks, and more. At the same time, his own imprints, Cube Recordings, and Brobot Records, have seen releases from the likes of Felix Da Housecat, Sébastien Léger, and Steve Mac. Led by legendary Detroit techno pioneer Carl Craig, Planet E Communications has been an integral force in shaping electronic music for the past thirty years. Standing testament to the timeless spirit of techno, over the past two years alone, Carl has released the leftfield Attenuator jazz fusion project from himself and Moritz Von Oswald, DJ Holographic’s multi-genre Detroit Love Vol. 5, and the first electronic music album from Mexican-American percussionist Francisco Mora-Catlett. Planet E continues to transcend the dance floor as it perpetuates the unifying spirit and unwavering creativity of Detroit. Stream / Download here The post Carl Craig new remix for Junior Sanchez’s “Art-O-Fact” on Planet E appeared first on Decoded Magazine.

We know you’re already planning what to do for New Year’s Eve but Teksupport just announced its Halloween party in New York City. Teksupport and el studio have announced the fourth iteration of Black Lotus. What is it? Black Lotus party is an immersive theatrical event initiative. Held on October 24th and October 31st at an undisclosed Manhattan location, Black Lotus invites revelers to step into a shadowed realm. Here, the physical and metaphysical converge, promising an intoxicating atmosphere of transcendence and world-renowned house and techno talent. Expect avant-garde theatrical performances and the enigmatic bloom of the Black Lotus. Attendees will be catapulted into a hauntingly beautiful dream-mare environment where euphoric synergy reigns and reality blurs. Immersive theatrical performances for this edition will be presented in collaboration with Fleur Du Mal, a sophisticated luxury lingerie and ready-to-wear fashion brand. New York City party Black Lotus with Damian Lazarus The Black Lotus programming opens on Thursday, October 24th. It will feature a sleek cutting-edge curation led by the inimitable Crosstown Rebels and Day Zero founder Damian Lazarus. Multi-instrumentalist DJ and producer Mita Gami, Miami-based Tiffy Vera, and a special surprise act TBA will enrich the lineup. New York City party Black Lotus with Damian Lazarus New York City Halloween party Black Lotus 2024 The spectacle continues on Halloween night, where the iconic Guy Gerber will conjure his signature mystique. Australian producer/DJ Kaz James, rising star Nick Morgan, and Grammy-Award winning producer Michael Malih will join the already staggered lineup. They’ll bring the audience to an ambiance that shifts to a darker, arcane aura. New York City Halloween party Black Lotus 2024 Led by founder Rob Toma, Teksupport have spent the last decade shaping the nightlife landscape of NYC. They did so through their cutting-edge production, unparalleled musical curation, and never-before-used locales. Pushing the boundaries of traditional nightlife, Teksupport have been the driving force behind some of the most important collisions of club culture, high fashion, and technology in recent years. The pioneering event visionaries expanded beyond New York City to throw events across the United States, positioning themselves as the premiere partner for stateside takeovers from global institutions. If you’re more into techy and Ibiza-vibes, CircoLoco is hosting a Halloween party in New York as well. The post Halloween in New York City with Teksupport and el studio appeared first on The Groove Cartel.

*Featured Cover Photo Credit: Tomorrowland Foundation Tomorrowland Foundation and Mobile School VZW are collaborating with one another to bring the impactful ethos and core values of Tomorrowland to schoolchildren in the form of a beautiful toolkit. The LIVE, LOVE, UNITE toolkit is an interactive educational game that brings the colorful world of Tomorrowland to youth workers, teachers, and youth organizations. Prominent Belgian DJ/producer Amber Broos visited primary school De Kraal in Winksele on Monday, September 16 and she brought out the toolkit so that the schoolchildren there can enjoy what the toolkit has to offer. Furthermore, the toolkit also celebrates the 20th anniversary of the Tomorrowland Festival. Photo Credit: Tomorrowland Foundation Tomorrowland Foundation and Mobile School VZW brings out LIVE, LOVE, UNITE toolkit that has inspirations from world-famous artists This innovative toolkit has inspirations that come from 12 very prominent artists in the dance/electronic music world. These artists are NERVO, Armin van Buuren, Lost Frequencies, GORDO, MATTN, Amber Broos, Henri PFR, Netsky, Andromedik, Kölsch, Sunnery James & Ryan Marciano, and AFROJACK. The role that this toolkit is to instruct and guide the youth on learning important lessons that will help them have a great future and also become role models for other youth in the next generation as well. The LIVE value emphasizes the importance of being oneself, LOVE allows all to respect oneself and others around, and UNITE strives all to work together in a genuine, loving manner. Furthermore, the toolkit features a colorful panel that brings out a festival environment that contains recognizable situations and QR codes. By scanning the codes, children and young people are invited to watch engaging videos where the DJs share compelling stories and give enjoyable challenges that help them understand and apply the core values. LIVE, LOVE, UNITE worldwide The 70 Mobile School partners operating in 37 countries are not the only providers who are bringing out the LIVE, LOVE, UNITE toolkits. Anyone working with children and young people such as other educational institutions or specialized youth programs can also partake in the fun with this toolkit as well. Youth workers, teachers, and educators can easily download and use the toolkit to engage with young people aged 8 to 15. Participants can complete the toolkit in parts or in one single play-through, with a total duration of 2 to 3 hours, which makes it a perfect product for anyone to learn and enjoy at their own pace. Finally, the toolkit is available in Dutch, English, and Spanish. Photo Credit: Tomorrowland FoundationThe post Tomorrowland Foundation and Mobile School VZW Present LIVE, LOVE, UNITE Toolkit appeared first on EDMTunes.

Los Angeles, get ready for an unforgettable night of underground house and techno at The Loft at Academy Nightclub in Hollywood. On Friday, 9/20/24, TMD aka The Music Dealers and Pulse Lab are curating a stacked lineup that will keep you moving from start to finish. Nikoleta Pilavian Kicking off the night is the rising star Nikoleta, setting the perfect vibe with her signature blend of groovy, melodic house. Following her is Pilavian, who will dive deep into hypnotic rhythms and entrancing beats to take things up a notch. Next up is a powerful b2b set from Piilot and Warden, who will bring their dark, driving techno to The Loft’s dancefloor. Piilot Warden Closing out the night at 1 AM, the much-anticipated duo Low Hanging Fruit. The duo consists of who will deliver a high-energy set packed with massive drops and infectious beats. Their unique sound and seamless chemistry make them one of the most exciting acts in the underground scene right now, and this is a performance you absolutely don’t want to miss. At 1 AM, Low Hanging Fruit—the b2b duo of Mt. Sierra and Busterkun —will close out the night with a high-energy set. Their unique sound blends big drops with infectious beats, creating a set that will keep the crowd moving until the early hours. You definitely won’t want to miss this dynamic performance. Low Hanging Fruit – Secret Service Long Beach Low Hanging Fruit – LicknDip If you’re looking for an immersive night of underground music, The Loft at Academy is the place to be. With such a stacked lineup, this event promises to be one of the best in LA’s nightlife scene this month. So, grab your tickets now and get ready for a night of unforgettable music! Get your tickets here! The post The Loft at Academy Nightclub: TMD X Pulse Lab – Low Hanging Fruit, Nikoleta, Pilavian, Piilot b2b Warden! appeared first on EDMTunes.

Through September, the multi-talented Freekbass seeks to elevate his position within Electronic Music as he works to grow his presence, aiming to secure the ‘Live Pro’ badge on TikTok, a title granted to the highest-quality live creators, a milestone that builds on the success he has so far achieved during his career. Having taken to live streaming on TikTok, offering his unique creativity to listeners worldwide, Freekbass continues cultivating a platform where fans can experience his music in realtime, building a global community centred around his passion and groove-driven sound. With a creative outlook that sees him blending his varied influences and background into a cohesive yet unique sound, leaning on his skilled bass playing and production abilities, Freekbass keeps developing his artistry whilst exploring new ways to connect with fans and showcase his evolving musical direction. As he continues to focus his creative energy on nurturing his presence in the digital space, Freekbass now seeks to garner the TikTok ‘Live Pro’ title, an accolade that highlights his talent as an established live creator on the platform, while on a climb lasting throughout the month of September. Having already been honoured as one of the top 30 live creators for the ‘TikTok Live Awards’ during his first year of streaming, Freekbass appears on the path to gaining this next milestone: an achievement that will see him become the first-ever bassist with the ‘Live Pro’ designation. Delivering live streams every night, offering them as a special treat during September, Freekbass remains committed to growing his reputation all while continuing to push the boundaries of his craft. Having fostered a particular love for Funk over the course of his musical journey, Freekbass’ approach sees him merge the vibrant energy of Funk with the sonic modernity of Electronic Music, giving way to both unique and captivating performances. His live sets blend deep grooves and rhythmic beats with his trademark bass, complemented by his bold fashion, high-energy studio setup, and positive vibes, culminating in powerful displays of his artistic vision and energetic spirit. With his dedication to his craft and developing presence on TikTok showing no signs of slowing down, Freekbass’ journey as a forward-thinking artist will surely continue evolving as he aims for the ‘Live Pro’ title and grows his platform further. So, tune in each night to Freekbass’ TikTok to experience his performances for yourself, keeping up-to-date with his latest projects and news by following him across social media. Follow Freekbass: Spotify | Website | Instagram

A group of ravers has taken the initiative to organize "girls-only mosh pits" at Lost Lands, creating a safe space for women to lose themselves in the festival's heavy-hitting dubstep and bass music without feeling intimidated or outnumbered. Mosh pits are embedded in festival culture, but they pose significant risks to women. Women are more vulnerable to being pushed, groped or crushed in the crowd, and the aggressive environment often leads to unwanted physical contact and potential injuries. The intense physicality and lack of control amid loud music and dense crowds also make it difficult to call for help if needed. "Having girls-only mosh lets us girls fully participate without the fear of being overwhelmed," Samantha Longfield, who attended Lost Lands in both 2022 and 2023, tells EDM.com. "It's about creating a safe space for self-expression, proving that mosh pits—even at bass-heavy festivals like Lost Lands—are for everyone." The ladies-only mosh pits at this year's festival in Ohio are sponsored by the team behind the stylish Wub Witch clothing brand, who said the areas are meant to be a "safe space just for girlies to rage." It's important to note that the gatherings are not affiliated with the festival in an official capacity and are being organized by a number of its attendees. The first meetup is taking place 4:15pm on Thursday at the dinosaur structure at Lost Lands' new 360° stage, The Crater, during VAMPA's pre-party set. The second is scheduled for 4pm on Saturday at the Becky the Brachiosaurus figure near the Prehistoric stage, during Emorfik's performance. Each group is encouraged to stick around for family photos 15 minutes later. Lost Lands returns to Ohio's Legend Valley September 20-22, 2024. You can find everything you need to know about this year's event, like its camping guidelines, livestream and updated fire policies, in our exhaustive festival guide. Wub Witch Wub Witch Follow Lost Lands:X: x.com/lost_lands Instagram: instagram.com/lostlandsfestival Facebook: facebook.com/lostlandsmusicfestival

Around 8:10 PM CEST, tons of X (formerly Twitter) accounts were hacked showing a message about a Solana crypto wallet. Accounts hacked span from Amsterdam Dance Event, to companies like Lenovo India to celebrities and even institutional accounts like @EUinmyRegion. Amsterdam Dance Event hacked on X But what’s going on? What’s happening with the $HACKED keyword on X? no official information has been released. This is a breaking news. Story in development. Reload the page for new information. The post Tons of X (Twitter) accounts apparently being hacked: what’s going on? appeared first on The Groove Cartel.

Although the 2024 Paris Olympics have come to an end, the magic continues to live on through Kavinsky’s ‘Nightcall,’ which will now see an official Paris Olympic edit. The 2024 Olympics took place July 26 – August 11, hosted in Paris, France, with America taking home the most medals, followed by The People’s Republic of China, and Japan. You can see the full list of results here. This year’s events were stunning to watch, from the opening ceremony on July 26 in front of the Eiffel Tower all the way to the closing ceremony on August 11th, with appearances from Tom Cruise, Red Hot Chili Peppers, Billie Eilish, Snoop Dogg, and more. For EDM fans worldwide, it seems a highlight of the closing ceremony was when French DJ/producer Kavinsky took the stage and performed his 2010 track, ‘Nightcall,’ ultimately becoming the most-Shazamed song in a day. The Impact of ‘Nightcall’ at the 2024 Paris Olympics According to an article from Billboard, the minute the track got a lot of Shazams was 04:50 p.m. ET. The top three countries that Shazamed the track the most were France, the United States, and Mexico. The day before the Closing Ceremony, the track had 281,000 total global on-demand streams according to music data and insights company Luminate. During the live performance of the track, there were 6,921,000 Shazams of it. The Upcoming ‘Nightcall’ Olympic Remix Now, over a month later, Kavinsky has indicated he and fellow Olympics performers, Phoenix and Angèle, are releasing a new version of “Nightcall.” The collaboration was announced Monday (September 17) on social media with a mysterious billboard featuring Kavinsky’s Ferrari and a phone number. Calling the number revealed a short message from the artists and a preview of the upcoming remix. We have something to tell you. Call us now on +1 (901) 673-5822 pic.twitter.com/L898sgEXpt — KAVINSKY✨ (@kavinsky) September 16, 2024 ‘Nightcall’ has a bit of history that pre-dates the 2024 Olympics, as it was featured in the official soundtrack of the 2011 film Drive and has the legendary Daft Punk member, Guy-Manuel de Homem-Christo, as its producer. In addition, according to Kavinsky’s Spotify bio, ‘Nightcall’ now has over 404 million streams. Stay tuned for more info regarding the release of ‘Nightcall.’ The post Kavinsky To Release Olympic Edit Of Closing Ceremony Highlight, ‘Nightcall’ appeared first on EDMTunes.

Bobby Blakdout, born Robert Lindsey, has tapped the likes of Rick Ross, Juicy J, and Gucci Mane for a thrilling hybrid-electronic music journey piloted by his debut album, DAYUM. Consisting of eight total collaborations, DAYUM also draws production support from experimental bass producers Dabow and Dirty Audio. Not only has Bobby Blakdout manufactured a star-studded LP—he’s also announced the inception of a brand-new music-driven charity dedicated to pediatric cancer treatment. With his new foundation, the burgeoning tastemaker seeks to provide affected youth with opportunities to explore music as a means of psychological and emotional support during incredibly challenging times. A portion of the proceeds generated by Bobby Blakdout’s debut album will drive the early-stage development of his new philanthropic undertaking. Now streaming everywhere via Blak’d Out Records, DAYUM is both a can’t-miss record and a tool for the greater good. Stream it below. The post Bobby Blakdout ties new music charity to gritty debut album, ‘DAYUM’ appeared first on Dancing Astronaut.

Coming October 10, ‘The Haçienda: Threads’ contains first-hand accounts from Todd Terry, Noel Gallagher, Mike Pickering, and Bez from the Happy Mondays, as well as clubbers and staff Continue reading...

In case you did not know, three weeks ago Swedish House Mafia dropped one of their most anticipated tracks for 2024, ‘Finally‘ together with Alicia Keys. Now, the boys have officially released all stems of the song, for free, on the joinstems.com website. This gives upcoming producers a great opportunity to showcase their talent and ideas by remixing ‘Finally.’ Stems include the: acapella, pads, synth, guitar break, guitar rhythm, lead, keys, bass and drums of the track, all in studio quality. One important thing worth mentioning is that for now, remixes can only be published to the joinstems.com platform. Producers are not allowed to make use of the stems commercially and any work shared elsewhere will be copyright striked and removed. So far, 40 remixes from a variety of genres have been uploaded with most of them listed in the ‘House’ category. Out of all remixes, Axwell, Sebastian Ingrosso and Steve Angello will select the best ones which will also receive an official release from the Swedish House Mafia. If you are not a producer but want to enjoy other people’s work, you can do that too on joinstems.com where you can listen to all remixes and upvote your favourites, helping them move up the leaderboard. If you are a producer, why not give remixing ‘Finally‘ a shot? It is a great chance to try and make noise with your music, and who knows, maybe your track will be one of those selected for an official release. Besides entering the competition, you can also receive feedback from the boys to perfect your remix and learn what the producer in you needs to improve. Until we get some remixes released, you can stream ‘Finally‘ below.

‘SOPHIE’, the posthumous album from the late producer, is due to land on September 27 Continue reading...

The move is said to mutually benefit both companies by pushing Townsend’s “European expansion” forward, while giving Artone “presence in the UK” Continue reading...

Youngster has made its way from European clubs to the Middle East, and now it’s hitting digital platforms, showing the musical evolution of the UK-based Luso-Angolan artist. It’s hard to pick the standout moments from an artist who’s been in the game since 1997, starting in Luanda, Africa, and going on to smash it across Europe, from the UK to Poland. But Youngster is up there. The original tune runs just over six minutes, taking listeners on a spacey journey with a nostalgic, sunset vibe. Influenced by London’s deep house scene—with funky basslines, long melodies, advanced chord progressions, and a solid groove—the track has been tested across clubs in Europe and the Middle East. Fun fact: it was first aired live on Bloop London radio back on 5th July 2021. Youngster marks a new level of maturity for producer Leandro Silva, cementing his identity as a DJ who’s aiming even higher. From his early days at the iconic Elinga Bar in Luanda—a creative hub for local artists and still a reference point in the scene—to his releases on labels like Pokerflat and Manual Music, it all built up to the Leandro Silva we know today, aka Denker. He dropped Youngster via Igual Records on 28th August 2024, with a remix by Fred Aster. Leandro Silva has DJed in some of the world’s best spots, including the UK, the Netherlands, Poland, Portugal, and Jordan. Along the way, he’s released music on labels like Pokerflat, Manual Music, Piston Recordings, and Melomane, and worked with artists like Mr. V, Robert Owens, Inaya Day, Wayne Tennant, Cinnamon Brown, Veselina Popova, and many more. His tunes have been backed by top names like Sasha, Manoo, Ashley Beedle, Jimpster, Phonique, Lars Behrenroth, Ramon Tapia, Don Diablo, Roger Sanchez, and a whole lot of others. His collab with Mr. V hit #23 on Beatport, catching the attention of the industry’s big players. Recently, he launched his own label, Igual Records, and debuted Youngster, with a remix by Fred Aster, a long-time collaborator. The two have shared plenty of DJ booths, and they’re gearing up to drop a new project soon. Talking about his creative process, Leandro Silva said: “It was a long journey. Youngster came out of studio sessions where I experimented with different sounds and approaches, drawing influence from Jan Jelinek, Jimpster, and the South African Aquatone, which led to a more abstract deep house vibe. Those sessions resulted in 12 tracks, some of which have already dropped on Igual Records.” Fred Aster is an Angolan producer based in Luanda and the DJ behind Blur Records. He’s dropped several EPs on labels like Dobro Music and Rewind Ltd, and more recently, on Blur Records with Jazz Space Pool, French Cat, and What You Need in collaboration with Chemars. He also hosts the monthly radio show “Luanda Underground,” broadcast live on Radio Electronica in Germany. Aster’s got more releases on the way, including a remix for Leandro Silva and a new disco track with Scrucru, set to drop early September. Youngster dropped on 28th August 2024 via Igual Records and is available on all major platforms. Follow: Leandro Silva Igual Recordings The post Deep House Tested On The Dancefloors: Leandro Silva Drops Youngster With A Remix By Fred Aster, Via Igual Records appeared first on Electric Mode.

The Ultra Music Festival 2024 official after movie has finally arrived, and it’s a cinematic masterpiece that perfectly encapsulates the magic of Miami’s most iconic event. Directed and edited by the talented Charly Friedrichs, better known as Final Kid, the aftermovie takes viewers on a euphoric journey through the high-energy weekend, giving us all the FOMO we didn’t know we needed. The visual storytelling is elevated by Aaron Hibell’s genius original music production, featuring both released and unreleased tracks that add layers of emotional depth to the footage. Music That Defines Moments The soundtrack of the aftermovie isn’t just background noise—it’s the heartbeat of the entire experience. Kicking things off, the music selection sets the tone with Aaron Hibell & Alex Wann’s ‘Set Me Free’, which captures the freedom and exhilaration that Ultra is all about. As the energy escalates, tracks like Becky Hill, Chase & Status’ ‘Disconnect’ and Aaron Hibell’s unreleased banger ‘Another Dimension’ amplify the electric atmosphere that Ultra is known for. The transition from Aaron Hibell’s haunting ‘You Look Lonely vs Another Dimension (Dubstep Edit)’ into the more ethereal ‘Levitation’ showcases Final Kid’s mastery in blending visuals with music. An Unreleased Treasure Trove What sets this aftermovie apart is the inclusion of several unreleased tracks from Aaron Hibell, making it a must-watch for fans eager to hear what’s next in the electronic music world. Tracks like A State of Emergency (FK’s Resistance Edit) send chills, while the Nicky Romero, Third Party vs Chemical Brothers, and Artbat mashup of ‘Hey Bad Boy’ bring a gritty yet nostalgic feel to the Miami skyline. The climax comes with Aaron Hibell & Final Kid’s ‘Encore (MUSIC IS THE ANSWER)’, a fresh take on the original track by Joe Godard featuring SLO. The message? Music truly is the answer to everything. Looking Ahead: #ULTRA25 As we revel in the highlights of Ultra 2024, the aftermovie also teases what’s to come. With the waitlist for #ULTRA25 now open, this film serves as both a recap and a reminder of why Ultra Miami is the ultimate festival experience. Between the world-class music, jaw-dropping visuals, and unbeatable atmosphere, Ultra is more than just a festival—it’s a movement. You can join the ticket waitlist here. The post Ultra Drops Ultra Miami 2024 Aftermovie appeared first on EDMTunes.

This year’s Moga Essaouira is to hit an exclusive Life & Death Showcase. The lineup includes label head DJ Tennis b2b Seth Troxler plus several key label artists all playing and closing out the festival on 6th October. But when? The highly anticipated 2024 edition is scheduled for October 2nd to 6th. The location chose is the beautiful SOFITEL Essaouira Mogador Golf & Spa, Morocco. Life & Death is one of the underground’s most revered and tasteful electronic labels. It deals in a cultured blend of house and techno. Sounds include deep grooves and rich melodies from a wide array of contemporary innovators. Label boss DJ Tennis won’t miss the party. He will play a sure-to-be memorable back-to-back with Detroit party starter Seth Troxler. Life & Death roster continues with associates Atlassi, Carlita, Demi Riquísimo, Luke Alessi, and Paula Tape all adding their own unique sounds at this extraordinary window into the Life & Death world. What’s MOGA? MOGA is a boutique festival born in 2016 in Essaouira and offers five days of dance, culture, music, food, and discoveries in the heart of the wind city. The thoughtful music program also promotes the destination and the Souiri lifestyle through multiple events. The festival will take place at SOFITEL Essaouira Mogador Golf & Spa. The festival grounds include four diverse stages (Main, Garden, Wild, and Terrace), and there is a diverse program and over 70 artists from around the world. The lineup includes Ama, Dixon, Damaian Lazarus, Pachanga Boys, Hunee, Apollonia, Fumiya Tanaka, Sonja Moonear, and Stavroz amongst many more. Between sets, dancers can cool off in two refreshing swimming pools or wander through a beautiful palm grove. Ahead of the main event, on October 2nd & 3rd the OFF festival offers cultural and wellness events throughout the city. It includes free access to open parties and events related to art, food, and water sports. The post Life & Death Announce Morocco Showcase appeared first on The Groove Cartel.

As summer comes to and end, British saxophonist, singer, and DJ Ellie Sax brings those vibes that we are starting to miss with her latest single, ‘It’s Really That Simple’. The single comes after a long 3-year hiatus from releasing music, much to the excitement of all her followers and fans. The single features her signature sax and feel-good house grooves along with a catchy vocal hook that all comes together perfectly. Known for her electrifying performances, Ellie has played at global stages from Ibiza to events like the Monaco Grand Prix and Glastonbury Festival. She combines live saxophone solos with DJ sets, creating a unique fusion of jazz, classical, and electronic music that has earned her a loyal following. On the music front, she has gained millions of streams, most notably on her massive 2020 hit ‘Scatman (Love Me Loud)’. Beginning her musical journey at a young age, Ellie subsequently mastered the saxophone & developed a deep love for jazz and classical music. However, it was her exploration of electronic music that led her to create a signature sound, characterised by a vibrant fusion that traverses across genres & with live improvisation. This innovative approach has earned Ellie Sax a dedicated fanbase & numerous accolades within the industry. Stream this single below.