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Gamer – GRX, Bassjackers Martin Garrix has done several amazing collaborations under his GRX alias, but the first ever GRX track is one that not many people have come across. Released in 2013 on Doorn Records, ‘Gamer’ was an epic collaboration with fellow upcoming stars of EDM, Bassjackers, which took on a heavy big room house sound. Despite this songs powerful bass and really creative lead sound, it’s one of the very few songs by Garrix that has less than a million streams on Spotify. Take a trip back 11 years and have a listen to this hidden gem below. Your Body (Martin Garrix Remix) – Christina Aguilera It’s rare to see a Martin Garrix remix these days, however back in the early stages of his career he pumped out some incredible ones with his remix of ‘Your Body’ being possibly one of his best. Released as the closing track to the deluxe edition of Christina Aguilera’s album ‘Lotus’ this remix displayed the incredible talent of Garrix in the early stages of his career. With powerful melodies, creative structure, and masterful builds in tension he was able to show off his massive potential in what is a wildly underappreciated track. Stellar (Martin Garrix Remix) – Daddys Groove The year after the release of his remix of ‘Your Body’, he would come out with another thumping remix in the form of ‘Stellar.’ He managed to take the original progressive house feel of the track and transform it into an earthquake starting big room house banger that deserved a lot more attention than it got. Though this track may not have had big commercial success, it was another track that would gain Martin Garrix praise from fellow artists and would also start to establish his signature sound. Alive – YTRAM In 2020 Martin Garrix would unveil his new alias YTRAM which to date he has only released three songs under with one of them being ‘Alive.’ This enchanting piece of tech house is a long way from his usual sound, but the Dutch DJ takes to it with style producing an excellent track that unfortunately wouldn’t get much attention. The YTRAM alias wasn’t pushed much by Garrix and has since faded into obscurity, although he has announced a performance as YTRAM at the STMPD RCRDS label night later this year which could mean new YTRAM music. Going Home – AREA21 It’s crazy to think that it took till 2021 for Martin Garrix to release his first album ‘Greatest Hits Vol.1’ under the alias of AREA21. AREA21 is the most successful of Garrix’s alternate aliases with most of the tracks garnering millions upon millions of streams, however at the end of the album there’s a track that seemingly flew under the radar. ‘Going Home’ is a truly touching track that has Garrix’s incredible euphoric energy with a fantastic vocal performance from Maejor that closes the album in emphatic style.

Worlds Away is set to redefine the festival experience on October 12, 2024, at the iconic Monterey County Fairgrounds. This groundbreaking event promises an unforgettable journey where cutting-edge technology meets EDM with performances from main stage feature acts The Chainsmokers, Tiësto, and R3HAB. Not just another EDM festival, what makes Worlds Away truly special is its commitment and mission to drive forward art and tech innovation. The festival is making waves with its cutting-edge immersive experiences, thanks to partnerships with tech giants like Augmento, Normal Studio, Endstate, and Vita Motus. The team behind Wolrds Away plans to transform the fairgrounds into a unique universe called “Nexus,” featuring cutting-edge technological innovations, immersive art installations, and spectacular light shows, all creative-directed by Vita Motus, known for their work at major events like Coachella and the Super Bowl Halftime Show. Festival founder Ro Sahebi describes the event as “not just a music festival,” but rather “an immersive, augmented experience.” He emphasizes the festival’s and his own point of view, “Today, festivals are focused on getting bigger and bigger. We are focused on creating something much more intimate and engaging.” Dancing Astronaut is proud to announce our partnership with Worlds Away and are thrilled to collaborate with such a forward-thinking festival. And this is just the start, Worlds Away has ambitious future plans, and according to Sahebi — “very serious sponsors and partners that have committed to building this out over the next few years in multiple locations.” Join us in Monterey. Tickets for Worlds Away are now on sale. The post Worlds Away merges art, music and technology for immersive festival experience appeared first on Dancing Astronaut.

Another milestone has been hit by Avicci post-mortem. One of his most iconic tracks ‘Levels’ hit 1 Billion streams on Spotify. It marks his 6th track to do so. ‘Levels’ joins an impressive list to achieve this incredible feat. ‘Hey Brother’ hit one billion streams in May and ‘Wake Me Up’ reached two billion last August. ‘The Nights’, ‘Waiting For Love’, and ‘Without You’ have also all received this accolade. Avicii’s Instagram announced the news this week and had this to say: “This iconic track played a pivotal role not only for Avicii but for the history of EDM – remaining a timeless anthem that transcends generations and continues to captivate audiences worldwide” The new Avicci documentary will explore Tim Bergling’s life like never before. Premiering at New York’s Tribeca Film Festival in April, Avicii – I’m Tim, goes through his own words, witnessing the journey of a shy but prodigious musical talent who would soon become one of the defining artists of his generation. The post Avicii’s ‘Levels’ Hits 1 Billion Streams On Spotify appeared first on EDMTunes.

We recently sat down with one of the legends of Electronic music for a chat. Paul van Dyk has been a towering figure in the Electronic music scene for literal decades. His distinctive blend of genres and the different countless anthems he released during the golden era of Trance captured the hearts of millions worldwide, including the heart of who’s writing this piece. Van Dyk’s journey began in the early 1990s when he started experimenting with production in his hometown of Berlin. His early work was heavily influenced by the evolving Techno scene, but he soon developed a unique sound that incorporated elements of Trance and House music, leading to defining records such as ‘For An Angel‘, ‘Nothing But You‘, and ‘Time Of Our Lives‘. His influence on the music world extends far beyond his own craft. He has mentored countless young DJs and producers, and his work has inspired a new generation of artists. He’s also come up with a handful of concepts for his DJ sets. And that’s where his path crossed ours. Not long ago, we had the chance to catch up with him before one of his VENTURE X sets, and we had a very interesting chat about topics such as Ibiza, the VENTURE X idea, and even what he thinks of the use of cell phones at shows. Keep reading to find out all the details of our exclusive interview with Paul van Dyk. The Interview (Please note, the bolded text represents a question, while the paragraph(s) following it represent Paul’s answers.) Well, first of all, thank you for being here. So, let’s talk a bit about SHINE, your Ibiza residency. You have officially completed the first half of shows. What’s your balance on this year’s season so far? Did you have any expectations going in? And if so, were they fulfilled? Well, my expectations are always great. And SHINE always lives up to it. It’s a very music-oriented event. People really come to listen to the music, to let go, to enjoy themselves. So, yeah, it’s phenomenal. It’s really exciting in a way, and the first half was fairly good. Obviously, the whole of Europe right now has a bit of a problem in terms of events, because first we had the Eurocup, and then we had the Olympics. So a lot of people also went to these places. Now that everything is over, everybody says Ibiza is going to be even better, with more traffic. So, let’s see how we go. I’m looking forward to being back in two weeks. And I’m playing a six-hour set. That’s always really special for me. So, I’m looking forward to that. That’s great to hear. Well, as someone who has gone to play there year after year, how would you describe the Ibiza nightlife to someone who has never been there? What makes it so special? And is it as special as, say, 20 years ago? Well, I wish I could say it is as special as 20 years ago. 20 years ago, and even 10 years ago, people who were kind of enjoying life, enjoying Electronic music, artists, in a positive way “crazy” people, they all went to Ibiza in the summer to celebrate life. And with the passing of time, around half of the island became more, I would say, kind of like a rich people’s playground. It became very, very expensive in parts of it. If you look at clubs like Hï (Ibiza) and Ushuaïa, as an example, and the stuff that’s going on there, you’ll see that’s just more like normal Pop music that’s being presented. So it’s not about music culture in that area. But you still find, you know, if you look at DC10, if you look at Eden, you still find the venues and the clubs where it’s all about the music, where it all revolves around what Ibiza is about. And besides all that, Ibiza is just a beautiful Mediterranean island. You should visit it if you can. Great. Now, tonight you’re presenting VENTURE X, a fairly new project of yours focused on Techno and Progressive rather than just Trance. We’d love to hear it from you. What does VENTURE X mean to you? Why did you decide to create it? And just out of curiosity, why is it called that way? Well, I’ll start with the name. A “venture”, as in, you venture somewhere. It’s almost like an adventure. And the X stands for “destination unknown”. So, I start with a clear idea, with a clear approach to where I want to go. And then I end up somewhere else. The thing is, you know, obviously in places like Chile or Argentina where I just come every once in a while, people want me to play ‘For An Angel’ and that kind of stuff. And at the end of the day, I’m here so that we create good memories, together. So, I’m pretty sure at the end of this show I will play some Trance as well because that’s what people who come to see me expect me to do somehow. But it will be a deeper, more proggy, techy approach to begin with and a different layout to start in, rather than just diving in straightforward. VENTURE X gives me the ability to explore different things. I mean, it’s like when I learned DJing. I turned to Electronic music at a time when it was just Electronic music. It wasn’t called Trance, Techno, this and this and this. So as a DJ, you just pick the music that inspired you and that you play. And that’s what I do with VENTURE X. I play things that I think are absolutely worth playing because they’re substantial, they’re good, and not just being stuck to one genre. Thank you. Now, I bet you’ve seen changes over the years in how Trance and other genres you are part of are consumed. Are there any changes that you can recall right off your head? Something that perhaps you had to learn to work around during these years? Well, the biggest, most extreme thing, obviously, the DJ was the freak in the corner while everyone else had fun back when I started. And then throughout the rise in popularity of Electronic music, people started running interviews with the DJs. Then came production, big stages, big festivals. Things have changed. And a lot of my colleagues have changed their approach to the music as well. What I can strongly say for me, from an artistical approach, is I have a very straightforward passion for Electronic music. And I do exactly what I think Electronic music should sound like, not just now, but also in four or five years. And I’ve seen throughout my career, many, many times, that something that I touch, something that I create now is popular later down the line, say, five years into the future, because others are picking it up and doing things with it. That’s some of the changes I’ve seen. And then something else, when, let’s say, big marketing corporations came in, they created products rather than artists. That changed a lot as well because, if you have multi-million-dollar companies promoting one individual and one certain sound, it has some sort of impact in one way or the other. Thank you. Would you say longer tracks, those that tell a story and take you on a journey, are becoming harder and harder to introduce to the market in today’s era of short attention spans, as they’re calling it? Well, it kind of is. Obviously, we live in the times of TikTok, so, you know, everything becomes shorter and shorter. At the same time, John 00 Fleming and I made a track together and called it ‘Against the Algorithm’ [still an ID] because there’s no way to shorten it. It is 11 minutes long and you have to listen to the 11 minutes, or leave it. And that’s also an artistic approach. There’s no way to shorten the sound. You need the journey, you need the layout of the music, you need to feel that drive of that piece of music. And if you don’t, then well, don’t. Listen to something else. All I’m doing is offering something, and you’re invited to join it, and you’re invited to enjoy it. Well, if you don’t, then don’t. Just listen to something else. Exactly. Thank you. On to another topic, we talked with Ferry Corsten a few months ago and he introduced the concept of “Template Trance” or “Template Tracks”, if you will. This, referring to the amount of songs that basically sound the same today in the industry because of presets, sample packs, and so on. So, what’s your take on it? Do you feel these Template Tracks, as he calls them, are an issue in modern Dance music? I have no idea what he’s talking about. I’m not using templates and I’m not playing music of artists who are using templates. Luckily enough, maybe the A&R team around me is really, really good and they’re sorting the shit out so I’m not listening to crap. But I don’t know what he’s talking about. Thanks. Now, if you could go back, let’s say, 30 years in time and meet your past self, what would you tell him? Like, was there anything Paul of the past worried about much more than what was really necessary? I probably would say something crazy like, “That one day you finished your noodle soup, you shouldn’t have because it was good”. [laughter] And on that same note, let’s suppose there’s someone in our audience who truly admires you, looks up to you and all you’ve done as an all-round artist all these years. What would be the one piece of advice you would tell them to achieve success? Don’t seek it. Whatever you do, do it with all your heart, with all your passion, with all your enthusiasm. And at the end of the day it’s like, without wanting to sound anyhow self-centred, when I’m in the studio, I make the music so it satisfies me, first of all. Because, here [at the club] or in a different scenario, I’m standing in front of people that have maybe never heard that piece of music I’m playing. And I need to bring across that it’s worth something, that it really means something. And I can only do that if I think so, if I did something that really convinced me. And so, my advice is just to do exactly what you want to do. Don’t copy your hero, don’t copy anyone else, because these people already exist. Do your own thing. Thank you. This is a hot topic now. Phones? No phones? Some phones? Which side of the clubbing debate are you on? Look, I think everyone should be allowed to do what they want to do. If you want to use your phone and record whatever you do, just do it. My advice is just like, if you have a good DJ in front of you, just close your eyes and follow the journey. Being there in the moment is much more important than maybe, back to the TikTok topic, having a 10-second clip to share. But at the end of the day, everybody should be able and allowed to do what they want to do. So I’m not in any way restricting anything. And finally. As a veteran, not only of Trance, but the entirety of Dance music, much like an esteemed football player goes on to become a coach of new minds, do you consider yourself a coach as much as, or maybe even more than, a music producer these days? Which part do you wish to play in today’s scene? Look, I’m not over-exaggerating my own position. I’m just doing whatever I want to do. And I’m in the lucky position that still, on a global scale, everywhere people sort of seem to enjoy what I do and still invite me to come and play for them. That makes me the happiest artist in the world. But if somebody wants to learn, somehow, from how I do things, what I do, fair enough. But I also don’t put myself on the podium and say, “So go, I have to teach you”. I don’t do that. I play my music. If you listen to it, if you have an open heart, you can soak it in. You know what I want to achieve with my music, because you’re going to feel it. But it doesn’t make any sense to talk about music, because you only end up talking about musical examples. You’re never going to do anything original. You can only actually play it and make it. And so therefore, whatever it is, if I’m still travelling around in 10 years or not, I will probably always make music, because it’s almost one of the languages I speak. It’s my way of communicating. That’s what I enjoy about this. Well, that’s a wrap then. Thank you so much for your time. Looking forward to tonight! Thank you, too. Final Words If I had a time machine, I don’t know how I’d explain the Felipe from 2005, who was into cars and loved the Need For Speed Underground 2 game, that he’d eventually not only meet the artist behind his favourite song of the soundtrack, but also talk with him about a bunch of things he wouldn’t even have comprehended back then. But that’s life. And that’s a wrap for this article. Thank you so much to Paul and the entire team behind who arranged this one. It was not only a bucket list item for me, but most importantly, it was another opportunity to read the thoughts and visions of a legendary artist outside of his sets. We’re often listening to the speech-deprived words of a producer through their craft, so actually reading what he has to say is always interesting. Stay tuned for more. The post [INTERVIEW] Paul van Dyk Talks Ibiza, Phones, VENTURE X, And More appeared first on EDMTunes.

After a strong debut earlier this summer in the City of Angels, Brunch Electronik will return this weekend to sunny Southern California for its final summer soiree. The Spanish import, which has been rallying dance music fans for over a decade, landed stateside last July after offshoot events in São Paulo, Madrid, Paris, Lisbon and Lima. An international sensation, Brunch Electronik focuses on day-to-night events with atmospheric enhancements, art installations, quality food options, a vendor village and a laidback European approach. For its second stint in Los Angeles, Brunch Electronik will once again partner with local collectives Minimal Effort and SBCLTR to curate an electronic paradise within the city's Pershing Square. The historic park, located in the heart of Downtown LA, is surrounded by towering skyscrapers, offering guests a truly dramatic backdrop while dancing to the latest in house and techno. Additionally, the urban park's central locale within the city's historic core allows for ease of access for attendees of the event. The Pershing Square metro station is directly across from the park, with access to the B and D lines of the LA Metro Rail system. c/o Press In true LA fashion, the event will take place on the last day of summer, allowing for a proper sendoff to the sweltering festival season in California. The event will be properly closed out with performances by melodic techno superstar Argy alongside minimal mastermind Dubfire, Sol Selectas Records label-head Sabo and rising star Airrica. These artists will help set the tone of the day-to-night festivities for which Brunch Electronik is beloved. When the gates open to this electronic utopia, the SoCal sun will envelop Pershing Square to the tune of laid-back, groovy house heaters. And as night falls, the towering skyscrapers will illuminate the dancefloor, transitioning into a deeper, techno-laden rendezvous. Brunch Electronik will take place on Saturday, September 21st at Pershing Square in Downtown Los Angeles. Grab your tickets here. Follow Brunch Electronik:Instagram: instagram.com/brunchbcn YouTube: youtube.com/@BrunchElectronikBarcelona TikTok: tiktok.com/@brunchelectronik Facebook: facebook.com/brunchbcn

Audien returned to New York City last weekend for a breathtaking performance at the Summer Club for their closing finale show, and it was one for the books. The best dayclub in New York City, with its stunning cityscape views and vibrant atmosphere, provided the perfect backdrop for the American DJ’s euphoric set. From the moment Audien stepped onto the stage, the crowd was hyped. His signature blend of melodic house and progressive trance filled the air, transporting listeners to a euphoric state. The energy was buzzing in the air as everyone came to support Audien on a beautiful Sunday night. Audien’s set was a masterclass in action. He seamlessly transitioned between his latest tracks and timeless classics, ensuring that there was something for everyone. Highlights included the anthemic ‘One Last Dance, his soaring ‘Colors’ remix and the euphoric ‘Insomnia.’ A highlight of the night was listening to one of his recent tracks ‘Living in Color’ which perfectly describes his performance’. His songs always have a way to connect everyone in attendance on a more emotional level and through the celebration of music. Additionally, Audien’s latest track ‘So Sad’ is out now on Armada Music, be sure to stream it down below and enjoy! Known for his production prowess and uplifting melodies, Grammy-nominated producer and songwriter Audien has established himself as an icon in the dance community. A staple in the progressive house genre, he garnered the support of industry veterans such as Tiësto, Above & Beyond, Zedd, Martin Garrix and Armin van Buuren through an extensive discography that includes collaborations with the likes of ARTY, MAX and Echosmith, and official remixes of songs by Coldplay, Halsey, Nile Rodgers, Bastille and Calvin Harris. Following four big releases in 2023 as part of his Progressive House Never Died movement, concertgoers can look forward to seeing him perform this year in Toronto, New York, Los Angeles, Denver, Montreal, Cleveland, San Francisco, Dallas, Seattle and more. In addition, you can catch him at his residency with Tao Group at Marquee Nightclub/Dayclub, Tao Beach, Hakkasan, Omnia and Wet Republic in Las Vegas. The post [Event Review] Audien Closes Out Summer Club NYC as Season Finale appeared first on EDMTunes.

Louis The Child today released a new album, The Sun Comes Up, but it apparently only scratches the surface of their music vault. Beloved for their bubbly dance-pop, Louis The Child's Robby Hauldren and Freddy Kennett are currently sitting on an unreleased, full-length hip-hop album, EDM.com has learned. The duo wrote each beat and even rapped their own lyrics, according to a media alert. The duo produced the project in Malibu, where they temporarily lived prior to today's release of The Sun Comes Up. While the hip-hop music "never saw the light of day," it played a pivotal role in the creation of their long-awaited sophomore album, which dropped today via Interscope. "Writing stuff for this hip-hop project tapped me into a lot of the feelings of where we come from in Chicago, and that tapped me back into the emotions and feelings starting Louis the Child," Hauldren said. "A lot of the music in this new project taps into a lot of the sounds we used earlier in our career, but through a much more refined and advanced lens with that many more years of experience." It seems surprising on the surface, but Louis The Child are known for testing the waters of other genres. The duo in late-2022 launched Black Marble, an alias under which they produce "experimental electronic music with a darker, clubbier, European late-night vibe," they told EDM.com in an interview at the time. It's important to note that Louis The Child have not formally announced the untitled hip-hop project at the time of this writing. Follow Louis The Child:Instagram: instagram.com/louisthechild X: x.com/louisthechild TikTok: tiktok.com/@louisthechild Facebook: facebook.com/louisthechild Spotify: spoti.fi/3b2DW1O

Swedish House Mafia might just give you your big break—if you can impress them with a remix of their track "Finally," that is. Teaming up with Alicia Keys, Swedish House Mafia's Axwell, Steve Angello and Sebastian Ingrosso reimagined Kings of Tomorrow's 2001 dance classic of the same name last month. Now, they've invited their fellow producers to remix the track by releasing its stems. To raise the stakes, Swedish House Mafia promised an official release of their favorite rendition of the high-profile collaboration. The trio also opened voting to the public on the Stems platform, where all remixed versions of the track will be available to listen. At the time of writing, there are nearly 200 submissions on the site. According to the trio's respective Instagram accounts, there's currently no deadline for the project. Follow Swedish House Mafia:Instagram: instagram.com/swedishhousemafia X: x.com/swedishousemafia TikTok: tiktok.com/@swedishhousemafia Facebook: facebook.com/swedishhousemafia Spotify: spoti.fi/36uoBWe

We’ve got a great Garage/Hybrid Dance tune for you today. ESPER, a French-born, California-based producer and artist, has just released his new track ‘These Nights (LA Lovin’)‘. The single, which features the vocals of Ave Savage, has just been lifted from the upcoming Joie De Vivre EP, to come out later in the year on Seeking Blue. ESPER has gained significant recognition in recent years. His song ‘Good Things’ was featured in a Netflix ad on TikTok and has amassed close to 100 million streams. He’s also worked as an engineer and producer for Kanye West and Halsey, and he’s toured across North America alongside artists like Illenium and NGHTMRE. ESPER. ‘These Nights (LA Lovin’)’ ESPER and Savage’s record, ‘These Nights (LA Lovin’)’ explores themes of lost love, soul-searching, and finding the strength to move forward. The track blends Melodic Rap with European-influenced production, creating a unique and innovative sound that reflects ESPER’s international background. “I want my fans to expect the unexpected, consistently keeping them on the edge of their seats”, ESPER comments. He also recalls the single as a project in the works for a long time, saying “This a record that took years and like 5 versions to finally blossom into this tune“. Listen to ESPER‘s latest single ‘These Nights (LA Lovin’)’, by hitting the ‘Play‘ button on the Spotify player below. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post ESPER Lifts Single ‘These Nights (LA Lovin’)’ From Forthcoming EP appeared first on EDMTunes.

BRANDON and No/Me have joined forces for a new collaboration, "Lost & Found London," out now via Don Diablo's Hexagon imprint. A sonic love letter to London's underground, the track captures fleeting moments of urban freedom—hopping barriers, chasing beats, embracing the unexpected—through heady house music. It's both an ode to nocturnal self-indulgence and a soundtrack for strangers to become friends, linked by the gravitational pull of all things four-on-the-floor. A seductive vocal performance from the surging singer-songwriter No/Me paints vignettes of strangers colliding on dark dancefloors, sharing breathless conversations that evaporate along with their sweat. Ensnared in BRANDON's propulsive production, her vocals capture the raw energy and sense of community that defines London's storied club culture. The new single arrives in the midst of a breakout for both artists. No/Me in 2023 nabbed the Electronic Dance Music Award for House Song Of The Year, winning for her collaboration with Noizu and Westend, "Push to Start." BRANDON, the resident DJ of Cologne's iconic Bootshaus club, recently performed at Parookaville and dropped a big record on Tchami's Confession label, "Up On Monday." Listen to "Lost & Found London" below. Follow BRANDON:Instagram: instagram.com/brandonsounds TikTok: tiktok.com/@brandonsounds Facebook: facebook.com/allaboutbrandon Spotify: tinyurl.com/v97v6ctm Follow No/Me:Instagram: instagram.com/lilnomesy Facebook: facebook.com/lilnomesy Spotify: tinyurl.com/2h982pmz

Good news comes from the Tech bubble today. Apple’s latest operating system rolled out for their products, iOS 18, brings a significant improvement for iPhone users who frequently text with Android users. With the addition of RCS (Rich Communication Services) support, these chats will now have features like high-resolution media, typing indicators, and read receipts. This is a welcome development, as iMessage conversations have long been superior to SMS-based chats. While RCS still lacks some features found in iMessage, such as scheduled messages and animated text effects, it offers a significant upgrade over traditional SMS. To check if you’re in an RCS chat, look for the “RCS” or “SMS” indicator in the text-entry box. If you see “RCS,” you’re enjoying the benefits of this improved messaging protocol. It’s important to note that not all carriers support RCS on iPhone yet. While major carriers like AT&T, T-Mobile, and Verizon offer RCS support in the US, smaller carriers like Mint Mobile may not have implemented it yet. If you want to turn off RCS, you can do so in your iPhone’s Settings app. Go to Settings > Apps > Messages > RCS Messaging. RCS is a significant step forward in improving communication between iPhone and Android users. By offering features like high-resolution media and typing indicators, RCS makes texting more enjoyable and efficient. As more carriers adopt RCS support, we can expect to see even greater benefits from this technology in the future. [H/T] The Verge The post iPhone Will Finally Allow iMessage-Like Features When Texting With Android appeared first on EDMTunes.

The all-female EP represents for us, in many ways, how the future of Trance is being woven. Yes we are two days late. No we are not by any means less excited. If anything, we spent a proper chunk of the last 48 hours adding to Amy Wiles‘ Spotify play count. Matter of fact, we could do the same today. The UK-based producer has just released the Here I Am EP, a collection of five impeccable tunes which battle on all fronts of the Trance sphere, and we can’t get enough of them. In case you’re not aware, Amy has been on a roll. She’s come a long way since starting her career at 16. She grew on to become one of Anjunabeats’ most promising acts during Lockdown, and she’s filled that spot gracefully. Having played at major festivals like Tomorrowland, Creamfields, ASOT, and Above & Beyond’s very own ABGT milestone gigs, she’s delivered tune after tune, and set after set. The Here I Am EP Amy is back in the studio today with the release of the long-awaited Here I Am EP. By sheer coincidence, the five-track release is comprised entirely of female acts. Alongside Amy, who rocks the two solo tracks ‘For You’ and the title track ‘Here I Am’ — which went on to become one of our picks for our New Music Friday series a few weeks ago CITEHERE—, Nourey, HANA, and Leena Punks all make an appearance this time, on the tracks ‘Human’, ‘Dreamland’, and ‘Sweet Feeling’ respectively. The entire EP approaches Trance in a very respectful way, yet with a much-needed amount of forward motion. All tracks are a nod to the past in their own respective ways, but they don’t get stuck in the past, and instead ferrycorsten their way to become works of yesteryear emotion with modern production tidiness. “Some of these musical ideas have been in the works for quite some time, some came together in the space of a couple of months“, Wiles says. Amy Wiles — Here I Am EP Tracklist Here I Am Human with Nourey Dreamland with HANA For You Sweet Feeling with Leena Punks Writer’s Picks It’s uncommon for me to like an EP or longer release in such a way that I can’t pick one. I’m digging the entire journey from beginning to end. That said, one track hasn’t failed once to make me sing along: ‘Human‘. I’m cooking breakfast and I’ll surprise myself humming the melody in the kitchen. And so, for that, it’s got to earn the top spot for me. ‘Human’ has got something I can only describe as the sound I fell in love with when I first discovered Anjuna. I came to the label around 2015, so Progressive Trance was in full swing, and I can really see the link between Amy and Nour’s track and, say, a hybrid between Sunny Lax and the later years of ilan Bluestone. It’s got the groove, the vibe, the tension… everything. Final Words Truly a spectacular work, all-round. If this is the future of Trance, I don’t want to miss a second of it. Listen to Amy Wiles‘ latest EP ‘Here I Am’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Amy Wiles Amazes On Latest Body Of Work, The Here I Am EP appeared first on EDMTunes.

The remix is taken from the imprint’s celebratory 13th birthday compilation album featuring new and unreleased tracks by artists from its roster Continue reading...

At this stage in their illustrious careers, it's clear that Chris Lake and Disclosure intend more on shredding the envelope of house music than pushing it. That's more clear than ever after today's release of their new collaboration, "in2minds," out now via Astrawerks and Lake's Black Book Records. It's house music stripped to its naked core, then rebuilt with a dark, postmodern edge that cuts through the noise of its formulaic counterparts in the genre. As the track unfolds, it reveals layers of gritty textures and brooding, hypnotic rhythms. Disclosure and Lake produce distorted subs and a thick, viscous bassline that oozes through the mix like tar, engulfing everything in its path. "This was a fun and natural collaboration for me," Lake said in a press release. "We made 'in2minds' the first day we got in the studio together. Disclosure and I are both pretty technical and with this song it feels like we kind of flexed on each other a little bit. The result is the collaboration of two minds." Fans of these influential house music producers can look forward to more collaborations in the future after they shared a preview of another new song earlier in the month of September. Disclosure's Guy Lawrence also said today's release is "just the first of a few bits we have cooking." Listen to "in2minds" below and find the new single on streaming platforms here. Follow Chris Lake:X: x.com/chrislake Instagram: instagram.com/chrislake TikTok: tiktok.com/@chrislake Facebook: facebook.com/chrislake Spotify: spoti.fi/3auKRRk Follow Disclosure:X: x.com/disclosure Instagram: instagram.com/disclosure TikTok: tiktok.com/@disclosuremusic Facebook: facebook.com/disclosure Spotify: spoti.fi/2QwBc3q

Brazil’s rising star Klean, a 21-year-old producer with a stand out sound and knack for hooky beats is leading off the run up to a new 4-track EP with a bumping lead single. After catching Rihanna’s ear with his “Rude Boy” remix at the Super Bowl, he’s been busy in the studio, recently remixing DJ Snake and Peso Pluma’s “Taka” and now dropping his own single, “Sem Parar.” The track and leads single from his upcoming 4-track EP literally means “Non-Stop” in Portuguese and blends baile funk’s infectious energy with polished EDM production. Teaming up with his mentors Tropkillaz and the dynamic MC Carol (a baile funk legend and feminist icon in her own right), Klean’s crafting a sound that aims to put Brazilian beats on the global map. It’s a bold move in a crowded field, but Klean’s got the chops to back it up. The post Brazil’s KLEAN leads off upcoming EP with lead single ‘Sem Parar’ appeared first on Dancing Astronaut.

As good of a banging Melodic Techno as you’ll get. We’ve got amazing news today coming from two incredible stars in the making. On one side, we’ve got 8Kays, a by-now near-legendary artist who’s carved a space for her unique sound between the Melodic Techno and Progressive fronts of the Dance industry. On the other side, Delhia De France, one of the recurring voices of the genre, having lent her lyrics and timbre to a variety of chart-topping acts. The two have joined forces today to release a banging new single, ‘Human Nature‘, out now via DGTL Records. Known for her artistic approach and creative vision, 8Kays seamlessly blends Techno with ethereal and melodic elements. With releases on labels like Afterlife, Bedrock Records, and Watergate, she’s built quite an impressive portfolio. During the last few years, she has toured globally, performing at prestigious festivals like Tomorrowland, Awakenings, and Timewarp. She’s also a regular at club shows in Ushuaïa and Hï Ibiza. Delhia De France is yet another icon of the Melodic House & Techno scene, having worked on some of the most hyped releases of the last seasons. She has released on labels such as Afterlife, Diynamic, Siamese, RoseAvenue, This Never Happened, Anjunadeep, and more. Delhia’s own productions include two EPs which saw support from BBC/Pete Tong, Beatport, Spotify, XL8R, and remixes for Janus Rasmussen (Kiasmos) and Robot Koch, as well as writing feature songs for TV shows. ‘Human Nature’ 8Kays and Delhia’s conjoint effort in ‘Human Nature‘ explores the most polished bit of their knowledge, providing a powerful tune that is not only a must-dance at clubs, but also carries a punch of deep lyricism blending with mysterious atmospheres and thematic textures and keys. Delhia’s lyrics explore the complexities of human desires and how life’s experiences can change us. She beautifully describes the paradox of wanting something we can never have. “Yet, isn’t yearning, longing and dreaming not also something inherently human while somehow feeling supernatural in its pure force?“, the song wonders, via her voice. Listen to 8Kays and Delhia De France‘s latest ‘Human Nature’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to watch the official Lyric Video over on YouTube. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post 8Kays Teams Up With Delhia De France On ‘Human Nature’ appeared first on EDMTunes.

Hearts race and splinter in "Fall Apart," the new collaboration from RayRay and Softest Hard, out now on Steve Aoki's Dim Mak Records. True to form, the two artists have crafted a hyperactive house beat that refuses to relent. But this time around, its energy belies its emotional core, serving as a relentless metronome measuring out the moments of a love's decay. RayRay and Softest Hard's vocals oscillate between ecstasy and agony through bittersweet lyrics that capture the electric, in-the-moment thrill of passion and the static aftermath of its dissolution. The saccharine highs of their upbeat production give way to the acrid taste of that loss, like a honey-drizzled dessert that—underneath its sweetness—hides a hidden depth of sadness. RayRay says the track is meant to "show a different side" of both producers, who are known for pushing the tempo to the bleeding edge. "I've known Softest Hard for quite a while, and we finally had the chance to collaborate on a track together," explains the Taiwanese dance music star. "While creating this song, I was inspired to combine uplifting melodies and rhythms to craft a song about heartbreak—something I feel I'm quite good at." Watch the official music video for "Fall Apart" below and find the new single on streaming platforms here. Follow RayRay:Instagram: instagram.com/djrayraytaiwan X: x.com/djrayray_taiwan TikTok: tiktok.com/@djrayraytaiwan Facebook: facebook.com/djrayraytaiwan Spotify: spoti.fi/3sJqzxf Follow Softest Hard:X: x.com/softest_hard Instagram: instagram.com/softest.hard TikTok: tiktok.com/@softest.hard Spotify: sptfy.com/6GEZ

Las Vegas-based Area15, an entertainment complex, has decided not to build a second location in Orlando, Florida. The company has put the 16.5-acre property, located north of the Orlando Vineland Premium Outlet, up for sale. Area15, which opened in Las Vegas in 2022, planned to create a similar experience in Orlando. It would have featured attractions like an art museum, amusement park, and mall. However, the company has made an internal business decision to walk away from the project. The 16-foot-tall robot statue that marked the property, dubbed Mechan 11, has been removed. The property is now listed for sale by international brokerage CBRE, with an asking price yet to be determined. Area 15 Orlando LLC originally bought the property in 2022 for $24.8 million. The Orange County Property Appraiser currently values the land at $23 million. Despite the cancellation of the Orlando project, Area15 remains committed to its Las Vegas location, which has welcomed nearly 2 million visitors in its first year of operation. The Las Vegas venue features attractions such as Van Gogh The Immersive Experience, virtual reality experiences, golf simulators, zip lines, restaurants, distilleries, and events like concerts. The decision to cancel the Orlando project comes as Universal’s Epic Universe is set to open next year, increasing demand for projects in the tourist corridor. CBRE Land Group, which was involved in Universal’s Epic Universe purchase, is handling the marketing of the Area15 property. The cancellation of the Orlando Area15 project is a disappointment for many who were looking forward to the new entertainment complex. However, it’s important to note that the Las Vegas location remains a popular destination for visitors. [H/T] Orlando Business Journal The post Las Vegas-Based Area15 Cancels Orlando Entertainment Complex appeared first on EDMTunes.

Kevin De Vries, a force in the Melodic Techno scene, has dropped a new release — the Saga EP. This time, he collaborates with rising act Y do I, crafting a three-track journey full of emotion, energy, and the unmistakable Afterlife sound. Together, they create an EP that strikes a perfect balance between light and dark, making it a must-listen. A Dynamic Collaboration Kevin De Vries, a key figure at Afterlife, teams up with Y do I, an exciting newcomer in the Techno world. Their combined efforts on Saga blend emotionally charged moments with pulsating basslines. Every track feels fresh while staying true to the melodic, hypnotic style De Vries is known for. Their collaboration introduces something new, yet firmly grounded in Afterlife’s powerful sound. Exploring Light and Dark The Saga EP stands out for its exploration of contrasting moods. Each track captures a different emotional tone, seamlessly blending light and dark elements. The EP connects deeply through its rhythm and vibration, drawing listeners in with every beat. This ability to evoke emotion while maintaining high energy is what makes the Saga EP an immersive experience, true to the Afterlife spirit. Built for the Dancefloor Saga isn’t just for deep listening — it’s made for the dancefloor. The driving basslines and soaring synths will resonate with Kevin De Vries’ fans, while Y do I’s fresh influence adds something exciting. Whether played in a club or a festival, the EP is designed to make an impact. Kevin De Vries and Y do I have crafted a release that showcases their talent while maintaining the timeless, transformative Afterlife sound. Saga is not only a statement but a journey through sound. The post Kevin De Vries And Y do I Deliver Powerful ‘Saga’ EP appeared first on EDMTunes.

In a city that thrives on glamour and after-dark revelry, it seems only fitting that the Las Vegas Grand Prix would fuse motorsport with a renowned nightclub experience. Headlining the first-ever "LIV on the Grid" stage is house music superstar Dom Dolla, who on November 23rd will elevate the Grand Prix to new heights by performing on the Paddock Club Rooftop the night of the race. This November marks the second edition of the Las Vegas Grand Prix, and the Fontainebleau organization's vision to bring nightlife alongside the speedway is helping redefine what fans can expect from the high-octane spectacle. Their innovative partnership is transforming the racetrack into a unique nightlife hotspot. "The Las Vegas Grand Prix is the must-see event of 2024, and Fontainebleau Las Vegas' LIV on the Grid will be at the heart of it all," says Michael Waltman, Fontainebleau Las Vegas' Senior Vice President of Nightlife. "We are thrilled to present LIV Las Vegas' resident artists on this worldwide stage and can’t wait for guests to experience the pinnacle of high-energy, luxury nightlife as we take LIV, literally, to new heights." The price of admission for the one-of-a-kind experience will be $13,500 per person, and the three-day package includes everything from VIP bottle service and all-inclusive food and beverages to 360° views of the track, pit-lane walks and access to the newly introduced Las Vegas Skate Circuit. Guests will also have the chance to enjoy additional entertainment at the Heineken Silver Stage, where, Snakehips, Vandelux and more will perform. The action doesn’t stop there. LIV Nightclub's race weekend programming at the Fontainebleau property will also feature Dolla on Thursday, John Summit and Cloonee on Friday, and dance music icon Calvin Harris on Sunday. Hospitality packages to "LIV on the Grid" are on sale now and prospective buyers can secure their tickets by contacting the Las Vegas Grand Prix sales team via email or by calling 1-844-VEGASGP. View the original article to see embedded media. Follow Dom Dolla:Instagram: instagram.com/domdolla X: x.com/domdolla TikTok: tiktok.com/@domdolla Facebook: facebook.com/domdollamusic Spotify: spoti.fi/3g2cuTm

The four-day riverside party will see the likes of Nicolas Lutz, OSSX, Ivan Smagghe, Roska and Sugar Free Continue reading...

British DJ/producer IDRIS (stage name of entertainment icon Idris Elba) returns to Defected Records with his latest single, ‘Sima Agua’, featuring Cape Verdean singer and activist Mayra Andrade. The release of ‘Sima Agua’ follows up on the multi-talented musician and actor’s recent releases on the label this year, especially his addicting remix of Fish Go Deep‘s ‘The Cure + The Cause’, ‘La Trumpeta’, ‘Pushing On’, ‘Go Deeper’, and ‘Shake Body’. These releases show why Idris Elba is currently one of House music’s top artists when it comes to musical innovation and production styles. Idris Elba teaming up with Mayra Andrade on ‘Sima Agua’ is a great match since the singer has proven herself to be a rising star in her native Cape Verde, Portugal and France. ‘Sima Agua’ provides the listeners with exhilarating vibes when feeling the percussive rhythms and Andrade’s amazing vocals. Click ‘Play’ to stream ‘Sima Agua’ on the Spotify link below, a track that serves as a great introduction to Cape Verdean music to global audiences. Furthermore, for anyone wanting to know more about Cape Verdean music through Mayra Andrade’s tracks, check out her top jams such as ‘Manga’, ‘Comme s’il en plauvait’, and ‘Les mots d’amour’. The post IDRIS Returns To Defected With ‘Sima Agua’ Featuring Mayra Andrade appeared first on EDMTunes.

Music enthusiasts around the world are treated to a sensational new album release from the talented GRAMMY Award-winning producer, Purple Disco Machine. Titled Paradise, this highly anticipated album is set to take listeners on a euphoric journey through the realms of Nu-Disco and Dance music. With a star-studded lineup of collaborations featuring industry icons like Nile Rodgers, Metronomy, Jake Shears, Duke Dumont, The Magician, Sophie and the Giants, Nothing But Thieves, and more, Paradise promises to be a musical masterpiece that transcends time and space. After two and a half years in the making, Purple Disco Machine has poured his heart and soul into crafting a collection of tracks that exude joy, nostalgia, and modernity. Through his meticulous attention to detail and unwavering dedication to his craft, he has created a sonic landscape that is sure to captivate audiences and transport them straight to the dance floor. Join me as we delve into the world of Paradise and explore the magic that Purple Disco Machine has woven into each and every track. About Purple Disco Machine Tino Piontek, better known as Purple Disco Machine, is a deliberate homage to his funk hero Prince and the dance flair of Gloria Estefan’s Miami Sound Machine. While the sonic identity of Purple Disco Machine grew up in the clubs of East Germany, where his passion for Disco and House flourished, he has since evolved to become an all-encompassing radio and streaming king. A suitable title for an artist with over 1 billion streams and multiple European Airplay Chart toppers across his catalogue with hits such as ‘Hypnotized’, ‘Fireworks’, ‘Dopamine’, and ‘In The Dark’. Beyond the radio, he has proven to be a club favorite among DJs across the world as the #2 best-selling Beatport Artist of all time with dance floor heaters such as ‘Body Funk’ ‘Dished (Male Stripper)’, ‘Playbox’, and ‘Devil In Me feat Duane Harden & Joe Killing-ton’. A Grammy Award winner with a remix of Lizzo’s ‘It’s About Damn Time’, Purple Disco Machine has had huge success with multiple high-profile remixes for the likes of Dua Lipa, Mark Ronson, Foals, Calvin Harris, Sir Elton John & Britney Spears, Fatboy Slim, Lady Gaga & Ariana Grande, Diplo & SIDEPIECE and many more. Proving his passion for the intimacy of the dancefloor the acclaimed producer played more than 80 shows in 2022 across Europe, the United States, and South America, with festival appearances at Coachella, Tomorrowland, and Ushuaia Ibiza. A dedicated performer and a hit-maker extraordinaire, his influence on the global Dance scene will be felt for generations to come. The post Purple Disco Machine Releases Highly Anticipated Album, Paradise appeared first on EDMTunes.

Two of dance music’s heavy hitters—HUGEL and Diplo—have teamed up for a track that was blowing up the internet as an ID. A joint release between Insomniac Records and Diplo’s Higher Ground, ‘Forever (feat. Malou & Yuna)’ is available worldwide now. HUGEL and Diplo will support ‘Forever’ by playing a show together at Brooklyn Mirage on Sunday, September 22, during the release weekend. ‘Forever’ is a breathtaking afro house single anchored to an iridescent topline about sharing an eternal connection with a first love. Ebbing and flowing around the heart-melting delivery, the track glides along wistful circular piano chords, rolling tribal drums, vibrant percussive accents, and deep basslines. The song has generated significant buzz online pre-release and was used in this Reels post of Diplo scaling Mt. Fuji, which has received over 4.6M views. “This original version of ‘Forever’ (by Adventure Club) was the anthem of Ultra Music Festival 2014, which was also my first time performing at the festival in Miami. This track has stayed with me over the years and holds a lot of memories around this moment. So, when I was looking for a new sample, I realized no one had produced a house track version of this song, so I decided I would be the one to do it. While Diplo and I send each other music all the time, Malou actually first introduced the demo to him during a studio session they were doing together. I then sent him my first version of the song, which he tested out during his Antarctic set – the response was big, so many people were asking about the track. From there, we worked through a couple of modifications, and now it’s ready to share with the world,” HUGEL says. Accompanying HUGEL and Diplo on this bonafide smash are Malou & Yuna. Malou is a singer/songwriter from LA who has become a hot ticket in dance music, leaving her stamp on progressive house, melodic house & techno, trance, bass, and beyond (releases with Ben Böhmer, Reinier Zonneveld, Jan Blomqvist, Giuseppe Ottaviani). Based out of LA, Yuna is an R&B and soulful pop artist whose silky vocals have graced tracks from some of the biggest names in dance (previous tracks with ZHU, Adventure Club, Ekali, Big Wild). You can listen to ‘Forever’ below and on all available streaming platforms. Stay tuned for more news! The post HUGEL & Diplo Finally Release Highly Anticipated Song ‘Forever’ appeared first on EDMTunes.

Today, Louis The Child released their sophomore album, The Sun Comes Up, via Interscope Records. The album’s 13 tracks explore a variety of tempos, rhythms, genres and moods, filtering it all through the unique choices and perspectives only Louis The Child can deliver. The acclaimed Chicago production duo – comprising Robby Hauldren and Freddy Kennett – has charted over 20 hits on Billboard’s Hot Dance/Electronic Songs tally and amassed nearly two billion combined career streams to date. They call The Sun Comes Up their most personal project to date, but they couldn’t have gotten here without going on a journey of discovery. The Sun Comes Up Dancing is at the heart of The Sun Comes Up, even as it brings plenty of vocal-heavy moments. Trap and hip- hop beats change suddenly into house rhythms, pushing candy-colored synth melodies into new dimensions mid-song. ‘Supercharger,’ which features 1996Montana on vocals exemplifies this beautifully. The Sun Comes Up is a return to form that celebrates curiosity, childlike wonder and gut instinct. From the opening feel-good grooves of ‘Believe It’ (with Madeon) to the wall of sound on the closing track ‘I’m Not Giving Up’ (with MEMBA). The album plays like a field trip through a sunny sky. The accompanying artwork evokes this feeling, showcasing happy little cloud monsters frolicking in a pastel sunrise. Up Next So it’s only fitting that the duo would celebrate the album’s release with a series of outdoor daytime shows. Today, they’ll play Granary Live! In Salt Lake City with special guests Jai Wolf and Wavedash. Tomorrow, September 21, Louis The Child returns to Red Rocks Amphitheatre in Morrison, CO. They are bringing Jai Wolf, MEMBA and Daniel Allen along with them. (Jai Wolf will be doing a CLUB BABU DJ set at both shows.) The Sun Comes Up is about letting your heart lead the way and finding joy in whatever form or medium it takes. Rather than ignore the sadder moments in life, it celebrates them, encouraging one to walk away with a lesson: “It’s what feels worth the time and energy, doing your best to make the world brighter for yourself, and then along the way, for everyone else, too,” … “When you’re intentionally making music, it’s your choice what to say. Are you going to talk about how much you hate a person, or are you going to talk about how you’ve grown from how they treated you, and try to find some new understanding through it?” Robby Hauldren Naming ‘Believe It’ as one of the best new dance tracks, Billboard observed. “[it’s] all bounce, effervescence and (seemingly) marimba, with the vocals giving the song a pop lean and a singalong melody and all its parts building to a giddy jam”…”. That’s not only joyful, but – in the very quickly moving world of dance releases, memorable too.” CULTR noted, “The vibes are immaculate…”. EDM.com praised ‘Make You Mine’ with Whethan and Hayley May as “a love anthem that’s both introspective and irresistibly danceable.” ThisSongSlaps hailed ‘I’m Not Giving Up’ as “a whimsical future bass beauty that has an undeniable anthemic quality to it that has made it a true fan favorite…” This album is a reflection of our healed, joyous inner child. Ethereal, euphoric, silly, and whimsical, it showcases Louis The Child at their prime. Enjoy. The post Louis The Child Heals Our Inner Child With New Album ‘The Sun Comes Up’ appeared first on EDMTunes.