Ravebot

The artist has shared the first single from his forthcoming LP, slated for release November 22 via Gobstopper Records Continue reading...

The musician-turned-director announced the forthcoming film via Instagram on the 21st night of September Continue reading...

The subscription launched less than a year ago and will officially close on November 28 Continue reading...

The new turntable takes inspiration from the brand’s classic models from the ‘60s and ‘70s, showcasing a J-shaped aluminium tonearm. The newly designed tonearm lift that automatically raises at the end of a record and stops the motor is a rare feature for a direct-drive turntable and not only reduces the risk of needle wear or damage but also gives users the freedom for convenient, hassle-free listening. In addition, the tonearm comes equipped with the brand new AT-LT10 headshell, also launching today, which connects it to the black AT-VM95E cartridge for outstanding tonal quality and pays homage to Audio-Technica’s renowned turntable heritage. The turntable’s robust MDF box plinth, adjustable feet, thick rubber-damped, anti-resonance, die-cast aluminium platter, and 2.5 mm rubber mat work together to temper unwanted noise and vibration so users can enjoy all the detail from their music. For users looking to customise their audio experience, the stylus can be replaced or interchanged with any of the five additional styli in the VM95 line and the tonearm’s VTA (vertical tracking angle) adjustment and sub counterweight enable the use of a broad range of other cartridges. AT-LP8X turntable and AT-LT10 headshell features The semi-automatic turntable has three speeds (33-1/3, 45, and 78 RPM) and features a J-shaped tonearm with adjustable VTA (vertical tracking angle). A newly designed tonearm lift automatically raises the tonearm at the end of a record and stops the motor. The 25 mm rubber-damped, anti-resonance, die-cast aluminium platter comes with a 2.5 mm rubber mat and is driven by a sensor-monitored motor that ensures a continuously accurate platter rotation speed. A newly designed low-torque, direct-drive DC servo motor improves wow and flutter performance. The motor and its efficient internal switching power supply are housed within a box plinth constructed of 16 mm MDF (medium density fiberboard) and is equipped with height-adjustable feet for excellent protection against unwanted noise and vibration. Phono-level output provides pure, direct transmission of the cartridge’s signal. The AT-VM95E BK (black) cartridge (0.3 x 0.7 mil elliptical stylus) is compatible with any VM95 Series replacement stylus, offering a wide choice of options for every budget and application. The included subcounterweight provides an expanded cartridge/headshell weight range of 14.0 g – 23.5 g. A detachable RCA output cable (dual RCA male to dual RCA male with ground), 45 RPM adapter, and removable hinged dust cover is included. The turntable features a newly designed lightweight AT-LT10 headshell: A universal ½”-mount headshell for 4-pin turntable cartridges with or without threaded inserts. The ultra-lightweight aluminium die-cast body keeps vibration to the bare minimum. Elongated through holes enable precise cartridge positioning and overhang adjustment. The OFC (oxygen-free copper) lead wires result in exceptional sound quality. The slip-resistant finger lift allows the stylus to be placed precisely on the record. Includes mounting screws Availability The Audio-Technica AT-LP8X turntable will be available from 25th September 2024 in select stores only, RRP £859 / €999. The Audio-Technica AT-LT10 headshell will be available from 25th September 2024 online and in stores, RRP £50 / €59. Find out more at www.audio-technica.com. The post Audio-Technica unveils the new direct-drive turntable AT-LP8X appeared first on Decoded Magazine.

Hosting electronic, punk, rock, and jazz acts, the much-loved bar celebrated its 25th birthday in May this year Continue reading...

The much-anticipated return of the influential DJ Awards is on October 2nd at Chinois, Ibiza. The first ceremony of the new era will honour publicly voted winners in several vital categories while a special afterparty will feature sets from Luciano, Cristoph, Mathew Jonson, Ben Sterling and Manu Gonzalez. Set in the heart of Ibiza’s Marina, Chinois’ opulent ambience, dynamic 360º degree screens and cutting edge sound system make it the perfect venue for the DJ Awards ceremony and afterparty. On a high in their third year with some of the most exciting residencies of the summer, this will be another unmissable party under the disco ball. Doors open at 10.30pm with awards ceremony taking place 11.30 to 12.30. BBC Radio 1 tastemaker Jaguar returns to present the awards alongside respected electronic music personality Katie Knight, a regular face in Ibiza, who will also be interviewing artists backstage after the ceremony while the afterparty kicks off in the club at 12.30am. Sets come from the legendary Luciano who will be presented on the night with his Ibiza Icon Industry Award and is sure to serve up a magical set of stripped-back minimal with signature Latin flair. Also playing will be artists nominated in the categories that have been voted for by the public. They include Cristoph (HUB IBiza Studios Tech House), Mathew Jonson (Live Act), Ben Sterling (The RIOT Noise Breakthrough Artist) and Ibiza mainstay Manu Gonzalez. Other categories include International DJ Of The Year 2024, House, Drum & Bass, Techno, Progressive House, Organic House, Afro and Trance, all of which have been chosen by a public vote. Interspersed with voted categories, the winners of some special Industry Awards will be presented with their trophies having been selected by a specially assembled team of industry professionals. Founded in 1998 by José Pascual and Lenny Krarup, the DJ Awards have long been recognised as the ‘Oscars for electronic dance music’. Now under new ownership and with fresh investment after a four year hiatus, the awards make a welcome return and continue to champion excellence in global dance music. The DJ Awards 2024 is an unmissable event that recognises the achievements of a wealth of underground musical talent from the last 12 months and is the start of an exciting new chapter in the long-running story of these iconic awards. Tickets: https://dice.fm/event/eokxry-dj-awards-afterparty-2nd-oct-chinois-ibiza-tickets The post DJ Awards unveil 2024 Ceremony and Afterparty headliners appeared first on Decoded Magazine.

Hi, Who Are You? We’re Paul T, Edward Oberon, and Zac Calder. Together we have launched GRAND NU MUSIC. We three of us teamed up because we all bring something unique to the table: Paul and Ed have built solid careers in drum and bass, with Ed also working in a music studio, and Paul running his own business. Whilst Zac is a producer and director of Just Ramps, an indoor skatepark in Wolverhampton Together, we’ve combined our passions and expertise to create what we think and hope will be a great record label. What’s your ethos? We’re all about building a drum and bass community that thrives on passion, creativity and collaboration. Our label isn’t just a place to release tracks; it’s a space where artists, both established and fresh to the scene, can find a real home for their music and creative ventures. We’re here to support everyone; from seasoned producers looking to push boundaries, to fresh talent taking their first steps in the scene. Our goal is to create a community where everyone can learn, grow, and share their passion for music because essentially, it’s the passion for this music that made us want to start the label in the first place. At GRAND NU MUSIC, it’s all about helping each other excel and making sure that great music reaches the people who love it. Whether you’re a veteran or just getting started, we’re excited to be part of people’s journey and to see what we can create together. Tell us your origin story… The origin of GRAND NU was a natural evolution of our journey in the drum and bass scene. Paul T & Edward Oberon have spent over 20 years releasing music on some of the biggest labels out there. Throughout that time, we’ve been fortunate to connect with a wide range of producers—both up-and-coming talents and seasoned veterans—who regularly send us their tracks. After years of receiving seriously good music and passing it along to other labels, we thought; why not just create a home for these tracks ourselves? Instead of forwarding the music we got sent to other labels, we wanted to build a space where we could nurture these ideas, help the artists grow, and release their music directly through our own label. And that’s how GRAND NU was born—a hub for great drum and bass, where artists can evolve their sound and can reach the right audiences. Tell us about your local scene… We’re all based miles away from each other (conveniently or inconveniently depending on how you look at it), Zac is based in Stourbridge, about half an hour outside of Birmingham, Paul is based in Charlton, London and Ed is in Southampton. We’re hoping the distance between us will be convenient in the way that we can tap into the different locations that we’re based at. The scene within Birmingham is pretty strong. There are a lot of regular ravers who you’ll see at all the drum and bass events that go on. It’s a nice community and if you go to a lot, you’ll see a lot of familiar faces. We have big events popping up now and then. I’d say my favourites to go to are just outside of Birmingham at a venue called The Hare & Hounds. We get a lot of good line ups there thanks to Break Thru Sound, which brings artists such as Goldie, LTJ Bukem, DRS, Lenzman to name a few on a regular basis. We also have other collectives such as ‘BCB’, Black Country Bass which are smashing it at the moment, doing regular events around the midlands, giving loads of up-and-coming artists a good venue to play at. Within Charlton, we have a great collection of artists close by such as Jumpin Jack Frost, Bryan Gee and Dillinja – we also have a great record shop/dubplate shop in New Cross not far called Planet Wax which is a great hangout. The scene in Southampton is quite lively, with events happening regularly at venues across the city. From liquid to jump up and rollers to mainstream dnb, as well as live bands, there’s plenty to choose from. With Bournemouth and Portsmouth close by it makes for a healthy melting pot of crews and different sounds. Legends, mainstays and new blood all about making their mark in the local area. Do you have a specific sound or vibe? When it comes to the sound we’re after, we’re not tied to any specific style of drum and bass. What really catches our attention is music that’s memorable. At GRAND NU, we want to support and promote a diverse range of artists, so it wouldn’t make sense for us to stick to just one subgenre of D&B. If your music has a great vibe, sounds good, and leaves a lasting impression, we’re here to help you get it out there (though we do have a soft spot for heavy-hitting basslines and catchy vocals haha). Do you have a regular artist roster- who can we see releasing with you? At GRAND NU, you can expect to see familiar faces releasing with us regularly, but we don’t tie our artists down with exclusive contracts. Our priority is the success and happiness of the artists we work with, so if a great opportunity comes their way from another label, we’ll be the first to encourage them to go for it. We believe in building long-lasting relationships with our artists, and while we hope they’ll continue releasing with us in the future, we’re all about supporting their growth wherever it leads them. The aim is to build the scene and the artists within it, the label is a by-product of doing that. Tell us about your A&R process… Our A&R process is all about collaboration and understanding the artist’s vision. We’re here to guide and offer advice where it’s needed, but the most important thing for us is hearing directly from the artist. After all, it’s their music, and they already have a vision driving it. We see ourselves as the bridge that connects the dots, using our contacts and connections to help artists make the right decisions that will propel them further into the drum and bass scene. Our goal is to build strong, genuine friendships with our artists, getting to know their creative process and the motivations behind their music. By doing this, we aim to boost their self-confidence and help them grow, both as artists and as individuals. What makes you different from other labels? What sets GRAND NU MUSIC apart from other drum and bass labels is our deep commitment to building a true community and putting the artist’s journey first. We’re not just about releasing tracks—we’re about fostering relationships, nurturing talent, and supporting artists every step of the way. We believe in giving artists the recognition and rewards they deserve. It’s their music, so we’re offering better percentages on releases to ensure they get a fair cut. We’re also working with artists to create breakdown videos of their tracks, which will be available on our website alongside the releases. These videos offer a deeper look into how the music is made, and a big percentage of the revenue from them goes directly to the artists. Our goal is simple: help artists earn more from their music, and if we can play a part in making that a full-time reality for some, we’re doing something right. Our approach is collaborative and artist-focused. We listen closely to the vision each artist brings and work alongside them to help shape and amplify their sound. We’re also not confined to a specific subgenre of Drum & Bass, which allows us to support a diverse range of music and artists, giving everyone a fair shot at success. Most importantly, we prioritize the long-term success and happiness of our artists. We encourage them to explore opportunities wherever they arise, even if it’s outside of our label. We want to see our artists grow, thrive, and make a lasting impact on the Drum & Bass scene, and we’re here to support them in every way possible. What does it take to run a bass music label in 2024? From our experience in the short time we’ve been running GRAND NU MUSIC, the most crucial thing you need to run a bass music label in 2024 is a genuine passion for the music you’re releasing. Running a label isn’t easy—it’s challenging, expensive, time-consuming and stressful. If you’re in it for the wrong reasons, Murphy’s Law seems to apply: everything that can go wrong, will go wrong. But if you’re driven by a true love for the music and a commitment to your artists, that passion will be the fuel that keeps you going. The drive that the three of us have to make GRAND NU a success—by helping our artists achieve their own success—gives us the motivation and determination to keep pushing forward. This shared passion and commitment is what propels us to overcome the challenges and keep the label moving ahead. What have you got coming up that we should look out for? We’ve got some really exciting things coming up in the near future. We’re showcasing the music we’ve got coming out at INTABEATS Rooftop Day Festival in London alongside TRIBE (Fabio), Brixton Bass (Jumpin Jack Frost), INTABEATS (Bailey), Precinct (Dogger, Mindstate, Verbz, Foxi), Four::mule (Promo Zo, Mistic, Cadence, 2Shy) & Front Left (Kieron & Harrison). And then we have our first release coming on the 11th October by two incredibly talented artists which are smashing it at the moment, Hexa & KL. We’re incredibly excited for it all. Website

A new report reveals that three clubs are closing in the UK every single week Continue reading...

Two people have passed away after attending the 2024 edition of Lost Lands in Ohio, the festival's organizers confirmed today. "We are deeply saddened to share that two individuals who attended the event passed away over the weekend in separate incidents," Lost Lands said in a statement shared on social media. "We extend our sincere condolences to their family, friends, and loved ones." "The health, safety and welfare of our fans and community are our top priority. The exact causes of these tragedies are unrelated to any vehicle incident and remain unknown. We will not provide further details out of respect for the families' privacy." The Licking County Sheriff's Office had earlier announced the deaths of two men: James Phromphanh, 34 and an unnamed 27-year-old man. It's unclear at this time whether or not substances or alcohol played a role, and a toxicology report is pending. The family of Phromphanh has launched a fundraising campaign to aid in the process of retrieving his body. "He passed away in another state, and we just want to bring him home to Texas and give him a proper ceremony with his loved ones," they said via GoFundMe. In a separate incident, a man was arrested after allegedly driving his vehicle into a number of tents within the campgrounds of Lost Lands, one of the nation's top electronic music festivals. Noah Curtis, 24, was taken into custody and charged with aggravated vehicular assault after injuring two people, one of whom was reportedly hospitalized with a broken hip. Lost Lands 2024 began Friday, September 20th and concluded Sunday, September 22nd. We at EDM.com express our sincere condolences to the family, friends and loved ones of the victims during this difficult time.

Two independent music festivals, Chicago’s North Coast Music Festival and Ohio’s Lost Lands Festival, which had aimed to earn around $70,000 by discreetly reselling VIP tickets through the now-defunct ticketing platform Lyte, are now facing losses exceeding $300,000 each, according to court records. The two festivals are involved in two separate lawsuits — one in New York for North Coast and the other in Los Angeles for Lost Lands. These lawsuits offer the first details about Lyte’s sudden collapse earlier this month. Lyte’s abrupt shutdown, with no prior warning to its hundreds of clients, revealed that its CEO, Ant Taylor, a Princeton graduate and former media executive, had shifted the company’s business model towards large-scale ticket reselling. Although Lyte was promoted as a peer-to-peer ticket exchange, court documents reveal that much of its revenue came from working with promoters to sell large numbers of VIP tickets at inflated prices, splitting the profits with event organizers. One court filing shows that of the 3,064 tickets listed for North Coast Music Festival (held Aug. 30 to Sept. 1), only 89 tickets were sold by fans. Lyte used these listings to attract traffic to an additional 2,975 tickets posted by the festival’s promoters, with a face value of roughly $287,750. Lyte then resold these tickets on its platform, generating $426,912 — a 48% increase, or around $139,162 in added revenue. This amount was to be split equally between Lyte and the festival’s promoters. North Coast Music Festival was set to receive $69,581, which would have been a 24% increase over their expected ticket sales revenue. However, none of this revenue was paid to the North Coast Music Festival, and the festival also didn’t receive the $287,750 it was owed from the ticket sales listed on Lyte. Similarly, the organizers of Lost Lands Music Festival, claim they are owed $330,000 for tickets sold through Lyte, plus additional revenue from markups. According to their lawsuit (filed under the corporate name APEX Management), Lyte had provided APEX with a $100,000 advance to use the platform, which APEX repaid by early September. Though much of the Lost Lands lawsuit is heavily redacted, it gives some insight into the timeline of Lyte’s downfall. A court filing states that APEX’s consultant for Lost Lands, concert promoter AEG Presents, learned that Taylor resigned as Lyte’s CEO on September 12, and that the company had halted nearly all its operations and laid off most of its employees, as mentioned by attorney Eric Levinrad in the filing. Stay tuned for more news! [H/T] Billboard The post North Coast & Lost Lands Sue Lyte Over Scalped Tickets appeared first on EDMTunes.

Bogi Productions and Ignite Group are proud to launch their brand-new “1NIGHT” event series with Superstar DJ, Producer, and tastemakers Tiësto and Diplo. Purchase Tiësto tickets HERE Purchase Diplo tickets HERE Taking place on October 10 (Tiësto) and October 18 (Diplo) at Underground Atlanta, “1NIGHT” promises fans an unparalleled nightlife experience: the chance to party with one of the world’s finest DJs at a historic venue with a beautiful city skyline as a backdrop. Running from 9 PM—late, the event space will be built entirely from scratch, primarily focusing on creating a comfortable, fan-friendly, first-class environment from top to bottom. Outside of your musical maestros for each evening, “1NIGHT” will feature live art installations, food vendors, CO2, lasers, and a sound set up to ensure the music touches your mind, body, and soul. “We’re excited to team up with Bogi Productions to bring the great fans of Atlanta this top-tier event. The production will be second to none, and we’re designing every aspect from the ground up, meticulously crafted to ensure fans have a fantastic time,” Jeff Dee, Ignite Group. “I’ve been involved with many local events in the Atlanta market over the past few years, and I know the local fans are some of the best in the country. ‘1NIGHT’ is for the fans, for the love of the music, and the love of life. My team and the great people at Ignite Group are bringing a world-class experience to the Atlanta Underground, and we can’t wait for you to see what ‘1NIGHT’ is all about!,“ Bogi Atanasov, Bogi Productions. Throughout his unparalleled career, the GRAMMY® Award-winning, Platinum-certified international icon Tiësto has brought electronic music to the masses, first rising out of the underground scene to become one of the biggest and most influential DJ/producers of all time. He’s played the main stage of every major international dance music festival and created the template for Las Vegas DJ residencies. Meanwhile, he’s sold over 36M albums, clocked six Billboard “Hot 100” hits, and aggregated an incredible 11B+ worldwide streams. But the truth is, Tiësto is just now getting started. A leading figure of the global Dance Music movement, he helped forge the bridge between electronic and pop, evolving the sound of mainstream music itself in the process. Diplo’s decades-long musical career spans scenes, genres, and roles. He’s a prolific producer and collaborator, with credits on songs from Robyn, Lil Wayne, and Santigold. His labels, Mad Decent and Higher Ground have reshaped the sounds of modern dance music, with the former bringing Brazilian baile funk, moombahton, and Angolan kuduro to wider audiences. His project Major Lazer takes a similarly global approach to dance music, pulling in the sounds of reggae, dancehall, and soca; he’s also one-third of supergroup LSD with Sia and Labrinth, one-half of electronic duo Jack Ü with Skrillex, and part of supergroup Silk City with Mark Ronson. For the latest information or to purchase tickets, please click here (Tiësto) and here (Diplo). A limited number of tables will be available for reservation. To secure a table, please contact [email protected] The post Bogi Productions & Ignite Group Presents 1NIGHT with Tiesto & Diplo appeared first on EDMTunes.

How do you improve a track that’s phenomenal already? Well, you release a remix of it, of course. This is what the Experts Only label boss John Summit did for one of his star songs of his debut album Comfort in Chaos. Thus, House music icon Max Styler rendered his vision of ‘Tears’ featuring vocalist Paige Cavell, for a wonderful journey ahead. The track is avaibale on both Darkroom and Experts Only. ‘Tears’ (Max Styler Remix) Just as Max Styler does, he brings out an incredible side of Tears that can be interpreted differently from the original. With haunting reverbs, and incredible depth, the remix showcases Styler’s capabilities to showcase different emotions, while highlighting the strongest elements from the original track. Paige Cavell’s vocals now turn into an empowered version of the original, and the feeling of sadness washes away. These tears are stronger than ever. Max Styler has run the track his most recent shows, and it has brought joy and empowerment to live audiences everywhere. John Summit remains busy as ever with sold out shows and massive success from his debut album. This years highlights include touring with Dom Dolla and their Everything Always duo shows, Coachella,The Gorge, and EDC. Up next, Daddy Summit will visit San Francisco at the Cow Palace venue. Moreover, he has two sold out nights and added a third night at the Kia Forum in Los Angeles in November. Even when your tears cascade, know that the sun will shine on your face once again. Here’s ‘Tears’ (Max Styler’s Remix): The post John Summit’s ‘Tears’ Gets A Reimagining By Max Styler appeared first on EDMTunes.

Alex Jordan and THE ARCHITECT have partnered up to deliver a dark house cut titled “MORE” alongside babychaos. Brooding bass lines in tandem with a compelling vocal from babychaos make this collaboration a must-listen for anyone reading this. Alex Jordan hails from South Florida and at just 26 years old has already appeared at some of the biggest clubs and festivals in the world. He considered artists like Hardwell, DJ Snake and Depeche Mode to be among his inspirations. And “MORE” follows his previous single “Hoping For More” with Aliice Mar. THE ARCHITECT is a brand new alias from an experienced producer in the scene who has begun to shift their sound to lean further into the world of deep house and dubstep. “MORE” is an apt name for their debut release with music fans sure to be clamoring for just that. babychaos delivers a crisp topline that perfectly compliments the production on the record. She’s known for her work in the genres of hard rock and metal and makes a perfect crossover into the dance space on “MORE.” Featured image: Eddie Myers The post Alex Jordan, THE ARCHITECT team up on new single with BabyChaos,’MORE’ appeared first on Dancing Astronaut.

DJ and producer TOKiMONSTA has announced the postponement of her Eternal Reverie album release and cancellation of her upcoming tour due to “an extremely urgent personal matter.” The artist posted the announcement on social media yesterday, stating she is safe and healthy, but she needs to direct her energy to family matters at this time. “You guys deserve me at my best and that’s just not where I am right now” TOKiMONSTA TOKiMONSTA announced her Eternal Reverie album and accompanying tour earlier this summer, which was set to kick off at the end of this month with numerous stops across the U.S. She’s released three singles off the album so far, including ‘… Switch It,’ ‘Corazón / Death by Disco, Pt. 2,’ and most recently, ‘On Sum.’ According to Spotify, the album is now set to release on March 7th, 2025, but this is likely still to be determined, pending the status of TOKiMONSTA’s personal affairs. About TOKiMONSTA Born as Jennifer Lee in the Southern California city of Torrance, TOKiMONSTA is known for her creative production, particularly in instrumental Hip-Hop. She’s also one of the top Asian-American EDM artists, and received a Grammy Awards nomination in 2019 for her 2017 album, Lune Rouge. In late 2015, TOKiMONSTA was diagnosed with Moyamoya disease, a progressive cerebrovascular disease which constricts certain arteries in the brain. She has spoken openly about her experience suffering from aphasia, which is a loss of ability to understand or express speech, caused by brain damage. According to a recent article from NPR, the level of TOKiMONSTA’s aphasia was so severe that she was unable to speak. TOKiMONSTA later went through two brain surgeries in January 2016 and has since made a full recovery. While the album postponement and tour cancellation is disappointing for all TOKiMONSTA fans, we are keeping her and her family in our thoughts at this time and hope to see her back in action soon. The post TOKiMONSTA Postpones Album, Cancels Upcoming Tour Due to Personal Matter appeared first on EDMTunes.

Wireless earbuds are the norm in 2024, but they can be expensive and easy to lose. Fortunately, Jabra’s wireless earbuds, typically priced at $170, are currently available at Best Buy for just $33.99 due to stock clearance. These earbuds feature Bluetooth Multipoint, allowing connection to two devices at once, and six microphones for clear calls. With seven hours of battery life and 28 additional hours from the charging case, it’s a great deal, but supplies are limited and won’t last long at this price. Jabra’s buds are also rain and dust-proof, ensuring they withstand everyday life for the duration of their two-year warranty, and hopefully a lot longer. The post These $170 Jabra Earbuds Are On Sale For $33.99 appeared first on EDMTunes.

HI-LO, the darker, more Underground Techno alter ego of DJ/ producer/ HILOMATIK label head Oliver Heldens, is a well-established Drumcode denizen. With three EPs and a VA track already adorning Adam Beyer’s imprint, Oliver has taken the Techno world by storm. Now he enlists LUSU, the futuristic, high-energy Techno project of producers Wiwek and Mike Cervello, for the exhilarating streaming single ‘DIZZY’— the two-track eponymous EP which follows on 27th September. ‘DIZZY’ is a frantically hyper yet expertly crafted track. A Superspeed Techno beat and pumping percussion, backed by subtle but slightly ominous bass synth. Intervals of Melodic House synth chords in the breakdowns and epic drops keep the tracking moving forward. The vocal sample referenced in the track title is a feature throughout, beginning as a highly processed riff, and emerging as the much-loved acapella quatrain from Game’s 1991 cut ‘U Turn Me On’ pitch-shifted and speed up to the max. HI-LO is having an incredible year releasing one of my personal favorites of his ‘BADDADAN BAD’. As well as collaborations with Space 92 and Maddix. Make sure to check out ‘DIZZY‘ below! The post HI-LO Returns To Drumcode With LUSU For ‘DIZZY’ appeared first on EDMTunes.

Drum and bass fans, rejoice! Liquicity is thrilled to announce the return of its Winter Festival to Eindhoven on Saturday, December 28, 2024. After last year’s incredible debut in this vibrant city, Liquicity is back to transform Klokgebouw into a haven of melodic beats and winter magic. Event Essentials Date: Saturday, December 28, 2024 Time: 12:00 – 00:00 (That’s right, 12 full hours of D&B bliss!) Venue: Klokgebouw, Klokgebouw 50, 5617 AB Eindhoven, The Netherlands Age: 18+ A Lineup That Will Melt Your Winter Blues Prepare for an auditory journey with some of the finest talents in drum and bass: Andromedik • Culture Shock • Friction • Maduk • Metrik • 1991 • A Little Sound • BCee • Disrupta • Jon Void • Keeno • Makoto • Mandidextrous • NCT • Rameses B • Telomic • Botone • Flowanastasia & Tyr Kohout • Midaze • Sektor & Subsequent • Styke • Switch/Case Hosted by: Mota New additions Based on last year’s visitors’ survey, Liquicity has made some key improvements: – More food options to fuel your dance moves – Additional toilets for your comfort – Extra space to let those liquid vibes flow freely Secure Your Spot in Winter Wonderland Tickets are on sale now, and if history is any indicator, they won’t last long. Grab yours at: https://shop.paylogic.com/fcaa966351fb46558e2a213b790d8614/ About Liquicity: Founded in 2011, Liquicity is a Dutch liquid drum and bass record label, YouTube channel, and event promoter. Run by Maris Goudzwaard and Mark van der Schoot (aka Maduk), Liquicity has become synonymous with melodic, emotive drum and bass and unforgettable live experiences.

Indie Dance Trio Pushes Boundaries with Genre-Bending Sophomore Album Out now on 20/20 Vision Recordings Los Angeles trio, ASHRR, announces the release of their eagerly awaited second album, Sunshine Low, via 20/20 Vision Recordings. Renowned for their eclectic blend of electronic soul, post-punk, space disco, and indie dance, ASHRR’’s new album weaves the feel of dreamy summer nostalgia with the pulse of late-night thrills, creating an unforgettable soundtrack. The album showcases standout tracks such as “Fizzy,” a 70’s influenced soul-drenched dub-disco meets NYC underground jam, and “Sway,” which has echoes of Roxy Music and post-punk dance floor favorites. “Please Don’t Stop The Rain” offers a DJ influenced electronic soul track with an unforgettable hook, while “Sun Song” mixes in world music influences and modern psychedelia. On “No Garden,” ASHRR mixes hip-hop beats with jazz-infused soul, and dub, powered by deep basslines and hypnotic percussion. The track’s dark, moody vibe is laced with psychedelic undertones, while the defiant lyrics—”I won’t let you take me down”—bring an edge of resilience and resolve. “Different Kind of Life” captures the essence of samsara—the endless cycle of desire, always yearning for more, never satisfied with the present. The song’s Afrobeat rhythms nod to the late ’70s, fused seamlessly with the raw energy of post-punk. It’s the kind of soul-drenched, dance floor anthem Larry Levan would have spun at Paradise Garage, turning Saturday night into an ecstatic release. “The chemistry between us was immediate,” Josh Charles of ASHRR reflects on the two year recording of the album. “Sunshine Low emerged from the pandemic and captures the profound connection we’ve forged over the years. We’ve woven influences from 70s psychedelia and afrobeat, 80s alternative, and contemporary electronic music into something we hope becomes truly timeless. With Sunshine Low, we’ve embraced our roots in soul, funk, jazz, and experimental music, crafting something that’s both reflective and joyous. We’re excited to share this album with the world.” Composed of lead vocalist Steven Davis and producers Josh Charles and Ethan Allen, ASHRR has gained recognition for their unique fusion of rich harmonies, immersive soundscapes, and versatile songwriting. Their diverse backgrounds—spanning all genres —infuse their music with a captivating depth. Josh added, “When we met Ethan, it was just a given that we were going to end up making music together. There is a unique bond between the three of us. We have a brotherhood basically. It’s an honor and thrill to be able to call these guys my friends”. In addition to the new album, ASHRR’s dedication to dance music is further highlighted by their collaboration with UK’s Felix Dickinson, who reimagined “Fizzy” for the celebrated Crazy P Curate: Vol 1, along with previously released remixes from System Olympia, Massimiliano Pagliara, Lovefingers, and Scientist, expanding the trio’s indie-electronic sound into clubland. Fans can also look forward to a special edition of their alter ego hybrid ASHRR SOUNDSYSTEM remixes of the full album, offering a dynamic, immersive experience on the dancefloor. Stream: ASHRR – Sunshine Low https://lnk.to/SunshineLow Sunshine Low Tracklist: 1. Please Don’t Stop The Rain 2. Different Kind Of Life 3. Sway 4. Sunshine Low 5. What’s Been Turning You On? 6. Koolove 7. Lion 8. Fizzy 9. No Garden 10. Deux Sons 11. Something New 12. Sun Song 13. The Glow Connect with ASHRR Website | Instagram | Facebook | Twitter | TikTok | Spotify | Apple Music | YouTube The post ASHRR Releases New Album Sunshine Low appeared first on Electric Mode.

Adonis has stated: "We have never and never would deny entry to anyone based on their race, ethnicity, gender or religion" Continue reading...

In celebration of EDM.com's 10-year anniversary, we're presenting a brand-new, first-of-its-kind initiative, the "Artist Choice" list. While some annual lists and awards are dictated by fan voting and others are data-driven, the "Artist Choice" list was exclusively sourced from the scene's actual musicians. Over 300 of the world's biggest dance music artists, across a plethora of sub-genres, were contacted and polled in a months-long initiative. The ongoing project is designed to cut through the noise and celebrate the enduring impact of electronic dance music as recognized by those who best understand the intricacies of the industry: the artists themselves. We sought out these artists to provide insights into the best festivals, music producers and many other distinctions to spotlight their peers' impressive accomplishments throughout 2023. Check out the inaugural "Artist Choice" winners below. EDM.com Presents: Artist Choice 2024 WinnersMusic Festival: Tomorrowland Tomorrowland Venue: Brooklyn Mirage Alive Coverage Artist of the Year: Skrillex Marilyn Hue Breakthrough Artist of the Year: Sammy Virji c/o Universal Music Group House Artist of the Year: Odd Mob c/o Press Bass Artist of the Year: PEEKABOO c/o Press Techno Artist of the Year: Sara Landry c/o Press Drum & Bass Artist of the Year: Chase & Status c/o Press Trance Artist of the Year: Marlon Hoffstadt c/o Press Song of the Year: John Summit & HAYLA - "Where You Are"Album/EP of the Year: Skrillex - Quest For FireHall of Fame Inductee of the Year: David Guetta Christian Wade/EDM.com Best Crowd: Chicago Don Idio Mainstream Song of the Year: John Summit & Hayla - "Where You Are"Underground Song of the Year: Kevin de Vries & Mau P - "Metro"Best Collaboration: Skrillex, Fred again.. & Flowdan - "Rumble"Remix of the Year: Hamdi - "Counting" (Taiki Nulight Remix)Event Organizer: Insomniac Events Jamal Eid Record Label of the Year: Armada Music Armada Music

For many fans, electronic dance music is more than just sounds out of a computer—it's therapy. A new study highlights just how transformative EDM can be for mental health, shedding light on why so many listeners turn to the genre in times of emotional need. Conducted by the team behind Tebra's The Intake platform, a comprehensive online resource designed to help independent healthcare practices, the study analyzed over 68,000 Spotify tracks and surveyed more than 1,000 people to explore how music supports mental wellbeing. The findings revealed a profound connection between EDM and mental health as more than 1 in 10 respondents identified it as their "go-to genre when feeling sad or depressed." This comes as no surprise to longtime enthusiasts, who often describe the genre as a release valve for pent-up anxiety. Whether it's the euphoric atmosphere of a rave or the tranquility of chill electronic streaming session, EDM offers a unique blend of escapism and community that many other genres lack. About 43% of EDM fans reported being in good mental health and nearly 8 in 10 people surveyed overall said they’ve used music in general to pull themselves out of a dark time, further reinforcing its transformative power. Healthcare professionals also backed these claims. About 1 in 3 healthcare professionals think EDM is the best genre for improving mental health, the study says. The music's naturally rhythmic properties are key to uplifting moods, reducing stress and even creating feelings of unity and joy—while dancing solo or in a crowd of thousands. As mental health becomes a more prevalent conversation in today's global music community, Tebra's findings shine a spotlight on the genre's ability to connect people to their emotions in a way that feels both therapeutic and freeing. Check out the company's full study here.

Last week, the iconic DJ Armin van Buuren and his wife, Erika van Thiel, marked a significant milestone in their love story: their 15th wedding anniversary. The couple, who have been together for nearly two decades, have weathered the storms of fame and fortune, maintaining a strong and enduring bond. Armin and Erika first met in the early 2000s. Their love story blossomed amidst the whirlwind of Armin’s career. Despite the demands of his global fame, Armin found solace and support in Erika. In 2009, Armin proposed to Erika in an unforgettable manner. During a surprise performance at the Royal Opera House in Sydney, Armin popped the question, sealing their love with a heartfelt “yes” from Erika. Erika has been a constant presence in Armin’s life, providing unconditional support and love. She has stood by his side through the highs and lows of his career, offering a grounding force. Together, they have built a beautiful family, welcoming their daughter Fenna in 2011 and their son Remy in 2013. Armin has often expressed his deep gratitude for Erika, crediting her as a central force in his life. Her love and support have been instrumental in helping him balance his demanding career with personal happiness. Erika has remained a private individual, choosing to stay out of the public eye and focus on her role as a wife and mother. The post Armin van Buuren Celebrates 15 Years Of Marriage With Wife Erika appeared first on EDMTunes.

Renowned DJ and producer and Afterlife head Anyma ignited the crowd at Robot Heart during this year’s iconic Burning Man festival. He played only once throughout the entire gathering, and the set was unannounced, those who knew got to experience his magic. The hourlong set, now captured on video for the world to enjoy, has been uploaded to YouTube in its entirety. The mix contains Anyma’s best original works, but also features music from the likes of SCRIPT, Patrice Bäumel, Adam Port, Cassian, KISS, Goom Gum, Adriatique, RÜFÜS DU SOL, Eric Prydz, Pink Floyd, and many more. Throughout the performance, Anyma seamlessly blended different styles and tempos, keeping the crowd captivated from start to finish. The set culminated with a slower, more emotional track, leaving a lasting impression on the attendees. The video of Anyma’s set offers a glimpse into the unique atmosphere of Burning Man and the transformative power of Electronic music. Watch the complete set below on YouTube for the full audiovisual experience, or scroll below it to listen to the audio recording on SoundCloud. Stay tuned for more! Robot Heart · Anyma – Robot Heart – Burning Man 2024 The post [WATCH] Anyma Brings The Feels To Burning Man 2024 appeared first on EDMTunes.

A Fusion of Afro Tech and Uplifting Vocals Released by United Music Records On 6 September, DJ Jigar released his latest track, “Mapema,” under United Music Records, featuring the powerful vocals of dd Aziz. This collaboration blends DJ Jigar’s Afro Tech influences with the rich, expressive voice of dd Aziz, creating a dynamic and uplifting musical journey. “Mapema” stands out for its integration of African rhythms and percussion, complemented by oriental influences. The track took six months to finalize, as DJ Jigar experimented with various elements before settling on the current version. Initially, the track featured a different vocal sample, but after discovering dd Aziz’s work in Afrohouse, Jigar decided to reach out to him. The collaboration quickly took shape, and within a week, the final version was ready. The creative process behind “Mapema” reflects DJ Jigar’s meticulous approach. He continuously refined the track, adding and removing elements to find the perfect balance. The final version highlights a spiritual and joyful mood, driven by a strong percussive foundation and the eloquent voice of dd Aziz. The song’s message encourages listeners to believe in themselves and rise above everyday challenges. Technically, DJ Jigar used Ableton Live and Serum, alongside professional mixing and mastering from a studio sound engineer. The use of traditional African instruments and timbals lends the track its distinctive sound, blending Afro Tech with oriental elements. DJ Jigar, a veteran of the global electronic music scene, has been performing for over two decades. From his early experiences in local clubs to headlining major festivals like Rock in Rio Lisboa and Corona Sunset Sessions, his career has been marked by a commitment to blending different musical influences. With a deep connection to Afrohouse and techno, Jigar has consistently delivered unique and immersive performances worldwide. dd Aziz, known for his vocal contributions to Afrohouse, adds an uplifting layer to “Mapema.” His collaboration with DJ Jigar brings a new dimension to the track, emphasizing the power of positivity and self-belief. With “Mapema,” DJ Jigar continues to push the boundaries of Afro Tech while staying true to his musical roots. The track is available on all major streaming platforms, offering listeners a vibrant and inspirational musical experience. The post DJ Jigar Unveils New Track “Mapema” Featuring Idd Aziz appeared first on Electric Mode.

Meetch, the DJ and Producer whose unique sound and energetic style continue to capture attention, is getting ready to take to the stage for the HiLand event at this year’s Amsterdam Dance Event (ADE) on Wednesday, the 16th of October. Taking place at one of the world’s largest Electronic Music festivals, his performance will place his signature approach on display, promising to give way to hard-hitting music and captivating visuals. Held at the Offline Store in the heart of Amsterdam, the event vows to bring a blend of various Electronic Music styles, from Trance to Techno to Progressive, curated by a lineup of talented DJs like Maarten De Jong, Frank Spector, and Hel:sløwed. As Meetch prepares to join the roster of global talent, bringing his unique blend of Tech House and Bass House to the decks, the event promises a diverse experience for all attendees, making the HiLand show one to mark in the ADE calendar. Having honed his craft throughout his decade on the Electronic Music scene, Meetch offers a unique outlook and captivating presence when he takes to the stage, showcasing a talent that has taken him to perform at top venues like Pacha and Stage 48 in New York, as well as Avalon in Los Angeles. As his upcoming appearance at the HiLand event will surely see him upholding his distinct approach to live performances, introducing his signature robot persona, Meetch seems poised to excite, set to bring his experience and skill to the decks. With a musical journey that has led him through various pursuits, from recent releases like ‘Feel It,’ to hosting his radio show ‘Digital Dance Radio,’ to adding to his growing list of performances, Meetch continues to build on his momentum, working to keep his reputation growing and reach expanding. Now, ready to perform against the backdrop of Amsterdam’s thriving Electronic Music scene, Meetch prepares to captivate crowds once more, poised to deliver a set filled with driving rhythms, hypnotic synths, and groovy basslines. So, for attendees looking to experience the energy and creativity that defines ADE, Meetch’s set seems one not to miss. For more information visit the official Amsterdam Dance Event website or follow the links below. To Find Out More: HiLand Event Meetch Online Spotify | Soundcloud | Instagram HiLand Online Links | Instagram The post Meetch to Unleash His Unique Blend of Bass House at HiLand During ADE 2024 appeared first on EDMTunes.