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Jody Vukas continues his streak of captivating releases with a powerful Progressive House remix of CoShade’s ‘All Is A Dream’, featured as part of a remix pack released through Addictive Sounds. Known for his ability to craft immersive soundscapes and dynamic energy, Jody brings his signature production style to this reimagining, delivering a track that pays homage to the original while carving out its own distinct sonic identity, highlighting Jody Vukas’ style and sound. The remix opens with a driving beat, immediately drawing listeners into a rich auditory experience; uplifting pads and striking sonic elements guide the track, setting an expansive tone that steadily builds in intensity. As the track progresses, the bassline emerges as a central force, unleashing the remix’s full power while maintaining a balance of finesse and drive; arpeggiated synth lines weave through the arrangement, adding layers of energy and movement, keeping listeners engaged as the track evolves. Jody Vukas skillfully highlights CoShade’s original while infusing it with his unique sound and production style; the result is an electrifying and immersive journey that invites listeners to join and let themselves be guided through a unique and stimulating listening experience. By blending the essence of the original with his forward-thinking approach, Jody creates a remix that stands out and showcases his ability to innovate while remaining true to the spirit of the track. Out now via Addictive Sounds, Jody Vukas’ remix of ‘All Is A Dream’ is a must-hear for fans of the genre, as this release continues to reinforce his reputation as a rising name with a talent for delivering both energy and emotion in equal measure. Stream or download the remix on all major platforms, and make sure to follow Jody Vukas across social media to stay updated on his latest projects, releases and live shows. Listen and Buy to ‘All Is A Dream’ here: Jody Vukas Online Website | Instagram | Spotify Addictive Sounds Online Instagram | Beatport

Nostalgix, the bass house queen, returns to Dim Mak with her latest single, ‘Power,’ featuring Bipolar Sunshine. This electrifying track showcases distorted basslines, a captivating lead melody, and a standout vocal performance by Bipolar Sunshine. Following the release of ‘Don’t Keep Me Waiting’ and “Show Me Love,’ ‘Power’ completes a trilogy of singles, culminating in a music video directed by Nostalgix herself. The video, featuring both Nostalgix and Bipolar Sunshine in a retro Mercedes (a nod to the ‘Show Me Love’ video), tells a deeply personal story of Nostalgix’s journey through darkness and emergence into a place of newfound strength and self-empowerment. In her own words; “Power” truly captures the growth and transformation I was experiencing in my life at the time. When I was making “Don’t Keep Me Waiting” and “Show Me Love,” I was going through a very dark period in my life. ‘Power’ truly felt like the time where I was coming out of that struggle, stepping into my true self and embracing strength. Embracing my power. She adds; The music video for “Power” is by far my favorite I’ve directed yet. A huge shoutout to Giovanni Carbajal for helping bring that vision to life, and working so hard by my side to make the video what it is today. Fun fact, if you watch the music video for ‘Don’t Keep Me Waiting’, then ‘Show Me Love’, then ‘Power’ you’ll see the beautiful storyline and transformation that happens within those records, along with some hidden messages in the videos.” NOSTALGIX ON TOUR January 24 – City at Night, Ottawa, ON January 25 – Rum Runners, London, ON January 31 – The Rave/Eagles Club, Milwaukee, WI February 14 – Festivoix, Trois-Rivières, QC May 30 – The Brooklyn Mirage, Brooklyn, NY The post Nostalgix Releases New Single ‘Power’ Featuring Bipolar Sunshine appeared first on EDMTunes.

Taking over the MUIN Bangkok Club on the 31st of January, 2025, MR.BLACK has announced his debut ‘Trip 2 Fantasy’ event in Thailand. Continuing right where he left off in 2024, future psytrance trailblazer MR.BLACK has announced that he will bring his ‘Trip 2 Fantasy‘ concept brand to Bangkok in Thailand for the very first time, and to MUIN Bangkok Club when being more precise. Following the first successful ‘Trip 2 Fantasy’ events held in Tokyo, Japan, a milestone in itself of course, MR.BLACK is now further expanding his concept to a whole different country, with this immersive event set to take place on the 31st of January, 2025. Renowned for his hard-hitting productions and truly energetic live sets, MR.BLACK is more than set on wrecking havoc with his ‘Trip 2 Fantasy’ debut event in Thailand, and in doing so, everyone in attendance can expect an experience that will create memories for a lifetime. A true musical pioneer, MR.BLACK blends fast BPMs with a fusion of psy elements, eastern influences, and techno amongst others, making for a signature sound that cannot go amiss. The ultimate of entertainers, ‘Trip 2 Fantasy’ in Thailand will mark yet another immense endeavour for this legendary act, and in turn, we cannot wait for what he has in store for us all next. Bringing the absolute heat on the constant, MR.BLACK’s debut ‘Trip 2 Fantasy’ event in Thailand is set to be written in the history books, with the man of the moment also eagerly awaiting for this groundbreaking endeavour. Edging ever closer, be sure to check out MUIN Bangkok Club’s official website for further information on the full lineup, set times and ticket purchasing. Will you be joining the madness in Thailand on the 31st of January? If yes, let us know in the comments section. Find out more and follow: Mr Black – Instagram | Muin Bankok – Instagram The post MR.BLACK announces debut ‘Trip 2 Fantasy’ event in Thailand appeared first on Electric Mode.

The BPM Festival, one of the most iconic names in electronic music festivals, has announced the cancellation of its 2025 Costa Rica edition. The decision comes after a series of unexpected challenges related to permits and local authorities, despite having initially secured all necessary permits for the event. What Happened: A 24-Hour Battle for Approval According to the festival’s official statement, the BPM Festival team had worked tirelessly to ensure that everything was in place for the event. In the days leading up to the festival, authorities unexpectedly closed the event’s permits on January 9th, prompting emergency meetings and legal proceedings. The team, which included international members, quickly responded and appeared before a local court. They were granted reaffirmation that the event was, in fact, fully authorized. However, despite overcoming these hurdles, the festival faced opposition from certain forces within Costa Rica that seemed determined to stop the event from moving forward. This, combined with the challenges of producing events in remote, “jungle-like” locations, led to the heartbreaking decision to cancel the festival for the 2025 edition. BPM’s Commitment to Local Communities Since its inception in 2008, the BPM Festival has supported local communities when hiring. Unlike many larger festivals, BPM likes employing local workers at each event, ensuring that its presence brings tangible economic benefits to the area. On average, the festival contributes 8 to 10 million US dollars annually to the local Costa Rican economy. BPM emphasized their commitment to local workers and ensuring they always comply with local laws and gain all necessary permits. Looking Ahead: Refunds and the Festival’s Resilience Despite the disappointment, BPM expressed gratitude to its loyal fans and emphasized that the festival would continue to push forward. They acknowledged the struggles faced by many festivals in the post-COVID era but reaffirmed that BPM has remained resilient and committed to delivering quality events despite the setbacks. Fans who purchased tickets to the 2025 Costa Rica event will be provided with full details about ticket refunds on Wednesday, January 15th. BPM also asked for continued support and respect from its fans during this time, reiterating its dedication to putting on world-class festivals in the future. Conclusion Though BPM Festival Costa Rica 2025 has faced a tough setback, the festival’s resilience and dedication to the community continue to shine through. Despite this disappointment, BPM’s legacy as a champion of both electronic music and local economies remains intact, and fans can look forward to what the future holds. The post BPM Festival Cancels 2025 Costa Rica Event appeared first on EDMTunes.

The Itaewon venue, which hosted its last event on December 31, cited licensing challenges as reason for its closure Continue reading...

Renowned 26-year-old Belgian Drum & Bass DJ and producer Andromedik formally started 2025 with a boom, releasing his much-awaited new tune, “Air“. Featuring the expressive vocals of UK artist Lauren L’aimant, the song is the ideal introduction to what looks to be another incredible year for the young star. Specifically created to premiere at Andromedik’s main event, “Andromedik Invites,” at Antwerp Expo in late 2024, the tune combines soaring vocals, synth growls, and powerful melodies to create a high-octane anthem. It captures the vitality of that remarkable night. Already commanding attention with its contagious enthusiasm and epic atmosphere, “Air” will rule playlists all around. If “Air” is any guide, Andromedik’s greatest year yet seems to be 2025. Fans should be ready for many surprises and spectacular events as he intends to release even more music and keep enthralling audiences with his high-energy concerts. Watch for more interesting news as Andromedik confirms his status as among Drum & Bass’s most powerful performers. This is only the start! The post Andromedik Kicks Off 2025 with ​His Brand-New Single ‘Air’ appeared first on The Groove Cartel.

The film celebrates 30 years of Rotterdam’s dance music scene, from the ‘90s to present day Continue reading...

The venue will close its doors on January 19, citing rising utilities and "uncompromising landlords" Continue reading...

Underscoring its core values in genre built on unity and shared experiences, the electronic dance music community is rallying to support those impacted by the catastrophic Los Angeles wildfires. Six wildfires are currently blazing across Los Angeles County and at least 11 people have reportedly died, with officials warning the death toll is likely to rise. Over 40,000 acres have burned and more than 12,300 structures destroyed, according to the California Department of Forestry and Fire Protection. The Palisades Fire, the largest and most devastating blaze of the cluster, is now "one of the most destructive natural disasters in the history of Los Angeles," according to Los Angeles Fire Chief Kristin Crowley. Many prominent DJs, record labels and event organizers have launched fundraising campaigns and limited-edition merchandise to galvanize fans into action, with 100% of proceeds going to wildfire relief funds. Read on to discover and donate. deadmau5deadmau5 teamed up with BlackCraft for a limited-edition t-shirt, all proceeds of which will go directly to the Los Angeles Fire Department Foundation. You can purchase the t-shirt here. View the original article to see embedded media. FISHERChloe Fisher, the wife of house music superstar FISHER, launched a GoFundMe campaign "to personally ensure that donations are directed toward helping those affected by these devastating fires and supporting LA’s recovery." She will be donating to GoFundMe.org as well as various organizations dedicated to rescuing pets and wildlife. You can donate to the fundraiser here. View the original article to see embedded media. Chris LakeHouse music superstar Chris Lake is donating 100% of the proceeds collected from merchandise of his record label, Black Book, to relief efforts until January 16th. You can purchase Black Book Records merchandise here. Chris Lake/Instagram ClooneeTech house producer Cloonee and his record label, Hellbent Records, launched a merchandise fundraiser in which 100% of profits will benefit one fire department (California Fire Foundation), one humane charity (LAFD Foundation) and one animal shelter (Pasadena Humane). You can purchase the merch here. View the original article to see embedded media. Subtronics and LEVEL UPDubstep stars Subtronics and LEVEL UP launched a limited-edition t-shirt featuring an image of their dog, Ellie, and will donate 100% of the proceeds to Greater Good Charities: Disaster Relief for People and Pets Impacted by the Wildfires in Southern California. You can purchase the "Ellie Tee" here. View the original article to see embedded media. ALLEYCVTRaising funds for pets and wildlife displaced by the wildfires, bass music producer and singer-songwriter ALLEYCVT launched a new merch line, "Tree Huggers." 100% of the proceeds from her t-shirt will be donated to Pasadena Humane. You can purchase ALLEYCVT's merch here. View the original article to see embedded media. Ranger TruccoDJ and house music producer Ranger Trucco is donating 100% of his merch proceeds to LAFD Foundation, the official nonprofit partner of the Los Angeles Fire Department. You can purchase Trucco's hat and hoodie here. Ranger Trucco/Instagram SnakehipsDance music duo Snakehips released one of their earliest tracks, "On & On," which had been previously unavailable online, exclusively on Bandcamp for one week. They are donating 100% of the proceeds to Red Cross Los Angeles, Pasadena Humane and the Los Angeles Fire Department Foundation. You can purchase the track here. View the original article to see embedded media. View the original article to see embedded media. GoshfatherGoshfather teamed up with a handful of Bay Area promoters and event organizers to host "House Heals," a benefit concert at The Midway SF. Scheduled for Sunday from 2-8pm, the fundraiser will donate 100% of proceeds to Pasadena Humane and the California Fire Foundation. You can purchase tickets to "House Heals" here. View the original article to see embedded media. The Recording Academy and MusiCaresThe Recording Academy and MusiCares pledged $1 million to aid music professionals impacted by the wildfires. The organizations also launched the Los Angeles Fire Relief Effort, which will "provide both immediate relief and long-term support to individuals and families in the music industry facing displacement and loss due to the disaster." The Recording Academy and MusiCares are offering $1,500 in financial assistance and a $500 grocery credit. They are urging those impacted to contact them by email ([email protected]) or phone (1-800-687-4227). View the original article to see embedded media. Breakaway FestivalThe organizers of Breakaway, the nation's largest traveling music festival, will donate a portion of ticket sales of their upcoming Dallas edition to support wildfire relief efforts. Afrojack, Zedd, SLANDER, Louis The Child and Gryffin are set to headline the fest April 4-5. You can purchase tickets to Breakaway Festival Dallas here. View the original article to see embedded media. Space YachtSpace Yacht, a beloved local organizer of electronic music events, postponed their event on January 11th event to Saturday, January 25th. They're now planning on launching a donation booth at the rescheduled event to benefit the California Fire Foundation. You can purchase tickets to Space Yacht's upcoming "Rooftop Rave" in DTLA here. View the original article to see embedded media. Emo NiteEmo Nite Gives a F*ck, the philanthropic arm of the beloved event brand Emo Nite announced it will support local fundraising efforts by donating a portion of ticket sales to organizations providing essential aid and resources to those impacted by the wildfires. You can purchase tickets to Emo Nite's events here. View the original article to see embedded media. The LA Raver and Rave HavenThe LA Raver and Rave Haven launched a GoFundMe campaign to raise funds for the Widows, Orphans & Disabled Firefighter’s Fund, a charity founded in 1906 to help the families of firefighters injured or killed in the line of duty or facing other crisis. You can donate to their fundraiser here. View the original article to see embedded media. Sound NightclubSound Nightclub, a cornerstone of Los Angeles' electronic music scene, announced a flexible refund policy for all January events in response to the ongoing wildfire crisis affecting the city. Located in the heart of Hollywood, the venue will remain operational but offered ticket-holders the option to receive full refunds without requiring justification, implementing a straightforward refund process by requiring only basic ticketing information via email. View the original article to see embedded media.

The Ministry of Sound club in London is steeped in history from starting life as a disused bus garage to becoming one of the best nightclubs in the world. The club has now been open for 34 years and at last a book is being made to bring together all that history in one place. Ministry of Sound has played host to just about all of the biggest names in electronic music over the years and is renowned for having an incredible sound system with bass powerful enough to knock you off your feet. With all the different generations of DJs and ravers that have stepped foot into the club there’s plenty of tales to be told and the book will include those tales from the people who have lived them. The book also promises to include exclusive photos and rare memorabilia to offer an in depth look into the past for those who didn’t get to see it and those that can’t remember it through the fog of thumping kicks over the years. Having developed such an astonishing legacy it will be interesting to have access to see the things that have made the Ministry of Sound what it is today.

With their most recent release, TWENTY SIX and Tayson Kryss are once again in action. Linking together for another dial-in dancefloor weapon, “Pegado,” a sticky and sensual Latin house tune coming courtesy of Insomniac Records, are the chart-toppling duet. Once their smash-hit track “Buscando Money” became immensely popular, the pair is once more using their strong chemistry to produce funky beats flavored with real Latin taste. “Pegado” floats ever-forward on its lazy rhythm section as if the drums were the motor of a sumptuous sailboat floating over a gorgeous tropical sea loaded with warm bottom vibrations. A shimmering guitar gives that little piece of aural embellishment as Kryss offers clear vocals that bounce with the subdued swing of his native Spanish tongue. Designed to keep listeners hooked from the first beat, TWENTY SIX touches on part of the magic that powers his latest collab: “​The song’s title, meaning ‘stuck’ or ‘tight’ in Spanish, reflects the intense, addictive vibe of the track, designed to keep listeners hooked from the first beat. With its lively energy and unique fusion of genres, ‘Pegado’ is poised to elevate TWENTY SIX and Tayson Kryss to new international heights, taking their signature sound to audiences around the world. Whether you’re on the dancefloor or listening through your headphones, it’s an anthem that resonates with the universal rhythm of life and celebration.” Still riding high off of their earlier this year’s “Buscando Money,” the platinum-certified Latin house hit that broke into the Billboard Hot 100 charts, and became a worldwide fixture with top positions in Argentina, Spain, and Italy. Having accumulated more than 142 million plays thus far, the viral impact of the release inspired Chris Lake, Insomniac Records regular HUGEL’s remix treatment as well as a sought-after vocal appearance from the venerable Sean Paul. While DJing all around Europe and South America, the Italian rising artist TWENTY SIX was creating waves with top-notch tracks on reputable labels like Nervous Records and Teamwrk before to his breakout year 2024. Years in his own right, the vocals and fluid approach of Cuba’s own Tayson Kryss have been much sought after. Working with other outstanding musicians like BADDIES ONLY and LiL CaKe, he has put his trademark touch on reggae and trap as much as house music. Together TWENTY SIX and Tayson Kryss have a really worldwide sound. Not only do they come from some of the most vibrantly culturally alive nations on Earth, but they created “Pegado” during trips around Milan, Madrid, and Ibiza, therefore giving this new song unquestionable worldwide appeal. All platforms have TWENTY SIX and Tayson Kryss’ new track “Pegado” available from Insomniac Records. The post TWENTY SIX and Tayson Kryss Reconnect on “Pegado” appeared first on The Groove Cartel.

Like Mike partners Human Rias (our interview) and Afnan Prince for “Let It Burn,” released on Green Room. The song marks still another turning point in Like Mike’s amazing trip from mainstage EDM behemoth to underground music inventor. Having dominated festival major stages for years as part of Dimitri Vegas & Like Mike, the Belgian musician has spent recent years developing a more complex sound character. Trading spectacular drops for hypnotic grooves and delicate evolution, this latest CD strengthens his dedication to deeper, more nuanced electronic music. Let It Burn demonstrates this polished approach brilliantly. Warm basslines pulse beneath crystalline percussion in the complex tapestry of deep, melodic house components that the cooperation creates. While Afnan Prince’s vocals have an ethereal, timeless quality that enhances the production above conventional dancefloor fare, Human Rias lends his unique attention to textural detail. The way the song is arranged shows amazing restraint—a far cry from the high-energy maximalism of Like Mike’s past work. Rather than spectacular peaks and drops, we discover a mature production that breaths and develops naturally, creating suspense through small changes and well-placed parts. This release marks not simply a fresh song but also a continuance of Like Mike’s artistic reinventions. His current work, notably “Let It Burn,” draws listeners into more personal aural environments while his earlier work attracted large festival audiences. From main room anthems to underground rhythms, this change emphasizes an artist not hesitating to question his and his audience’s assumptions. The post Like Mike Continues Underground Evolution with “Let It Burn” appeared first on The Groove Cartel.

PC Brett Spruce assaulted a man while off-duty at Leeds' O2 Academy in September, 2023 Continue reading...

As countless musicians and industry professionals continue to face displacement and destruction amid the catastrophic LA wildfires, the Recording Academy and MusiCares have pledged $1 million to provide both immediate aid and long-term support to the region's music community. Over 38,000 acres have burned and more than 12,300 structures destroyed, with the death toll climbing to 11 as of Saturday, according to the California Department of Forestry and Fire Protection. The lattermost figure is expected to climb, officials said, as the wildfires remain largely uncontained. Firefighters battling the catastrophic Palisades Fire in Los Angeles.California Department of Forestry and Fire Protection As the blazes continue to wreak havoc, displacing tens of thousands of residents, the Recording Academy and MusiCares are taking immediate action to provide relief. The crisis has wiped out venues, recording studios, equipment repositories and other critical essentials vital to the livelihoods of musicians and industry professionals. Recording Academy CEO Harvey Mason Jr. expressed deep concern for the music community in a statement. "The entire GRAMMY family is shocked and deeply saddened by the situation that is unfolding in Los Angeles," Mason Jr. said. "The music community is being so severely impacted, but we will come together as an industry to support one another. Our organizations exist to serve music people because music is a powerful force for good in the world, and we hope the broader industry will now rally to this cause." MusiCares has a long history of organizing critical disaster relief efforts, including providing assistance during the COVID-19 pandemic and the Hawaii wildfire outbreak of 2023. Eligible applicants aid include not only musicians, but also producers, event crew members, agents and other professionals across the industry's ecosystem. The Recording Academy and MusiCares have launched a joint donation page to amplify support for those in need. Residents affected by the wildfires can access a variety of resources, including emergency shelter locations provided by the Red Cross and transportation vouchers from Uber and Lyft for evacuees. For more information on how to contribute to the ongoing relief efforts or to apply for assistance, visit the MusiCares website.

Originally conceived during a 2017 studio session, deadmau5's "Jupiter" has emerged as a fully realized opus, embodying the distinct combination of precision and whimsy that have come to define his creative ethos. The new track opens with arpeggios that dance like meteoric showers, cascading across a cosmic soundscape while a haunting bassline pulses with a gravitational force of its own. As "Jupiter" unfolds, luminous leads pierce through like solar flares, illuminating the intricate layers of deadmau5's meditative production. Fans of the influential producer first glimpsed its early foundations during one of his signature livestreams back in 2017. Unveiled on deadmau5's own mau5trap imprint as his first release of 2025, "Jupiter" serves as an introduction to a year already teeming with numerous high-profile live appearances. That includes his highly anticipated return to X Games Aspen and a performance at Miami's iconic Ultra Music Festival, where fans will also witness his stunning "retro5pective" live show. The production celebrates 25 years of deadmau5's unparalleled influence in electronic music. You can listen to "Jupiter" below and find the new track on streaming services here. Follow deadmau5:X: x.com/deadmau5 Instagram: instagram.com/deadmau5 TikTok: tiktok.com/@deadmau5 Facebook: facebook.com/deadmau5 Spotify: spoti.fi/3otTHVp

The electronic music community is constantly evolving with new sounds inspired by the scene of yesteryear. EDM.com's weekly Fresh Picks series discovers new music and unearths influential tracks that help define the underground dance scene. You can find the below tracks on EDM.com's Fresh Picks Playlist. Follow to stay up-to-date and submit tracks for consideration here. EDM.com Fresh PicksCharli xcx, A.G. Cook - So I featuring a.g. cookOklou - family and friendsFKA twigs, Koreless - Drums of DeathVegyn- DeboldJaxon Wild - XTRAJake Penn - No SleepJanus - TrialsMarMar, dg. - take me somewhereKacy Hill - JulietJabeau - FIRERamadi - Just Take Me Home

If we know anything about KDrew by now, it's that he doesn't just produce music. He engineers experiences, and his new single, "Surface," is yet another electronic masterstroke designed to thrill and bewilder. The acclaimed producer, singer-songwriter and audio engineer stuns with his latest release, a dazzling flex of genre-melding mastery that propels you through moments of both chaos and clarity. In "Surface," he artfully balances intensity with emotional depth to create a proper mind-bender that manages to be both a dance banger and a masterclass in dynamic contrast. Out now via Hegemon Select, the track kicks off with eerie, atmospheric layers that feel like the calm before a storm. Then, boom—you're sucker-punched by a drum & bass drop so fierce it could crack concrete. It's raw, relentless and designed to make your pulse race like the electric touch of a stranger-turned-soulmate on the dancefloor. But just when you think you've got KDrew figured out, he pulls the rug out from under your dancing feet. The second drop dives into a half-time groove, trading breakneck intensity for a crystalline dreamscape of shimmering textures and delicate, fluttering arpeggios. Listen to "Surface" below and find the new single on streaming platforms here. Follow KDrew:Website: kdrewmusic.com Instagram: instagram.com/Kdrewmusic X: x.com/kdrewmusic Facebook: facebook.com/kdrewmusic YouTube: youtube.com/kdrewmusic Spotify: spoti.fi/3z0GVm4

Fatboy Slim’s 1998 smash hit ‘Praise You’ off the amazing ‘You’ve Come A Long Way Baby’ album is one of his greatest tracks accompanied by a legendary music video with an interesting story behind it. Fatboy Slim has taken to Instagram to unveil some interesting facts behind the making of the video. Directed by and starring Spike Jonze who would go on to direct some massive productions including ‘Jackass: The Movie’, ‘Where The Wild Things Are’ and ‘Her’, the video follows a group dancing at various locations in West Hollywood. The video was made on a budget of only $800 and filmed on handheld cameras which helped making it seem like nothing important was being recorded as they had no filming permits. With no permit and the areas where they filmed being out in public, the crowds and reactions from them are all genuine. Initially the video was rejected by MTV as they said that it looked low quality, however it went onto win the award for Breakthrough Video, Best Direction, and Best Choreography at the MTV Video Music Awards. ‘Praise You’ went to number 1 in the UK and in 2001 the video was voted number 1 of the 100 best music videos of all time in a poll to mark the 20th anniversary of MTV. The video defied its critics to become what is considered one of the most iconic music videos of all time that it is still captivating people 27 years after its release.

Low Steppa, Tony Romera, and Crusy‘s most recent team-up Watch Out is a trinity of brilliance providing a necessary slice of House music that demands respect and starts buzz. This partnership is the result of a year-long path of mutual invention and shared successes, not a haphazard gathering of ideas. Starting the year strong with their chart-topping Beatport genre #1 smash, “Dance To The Music,” Low Steppa and Tony Romera proved their ability to combine infectious enthusiasm with rhythmic subtlety. Tony and Crusy simultaneously debuted “The Unknown,” a very moving song that connected with listeners and underlined their mutual love of stretching the boundaries of House music. Low Steppa and Crusy performed “Bullerengue,” a summer hymn issued under the venerable Defected Records, praised for its irresistible rhythm and sun-soaked mood. Their combined efforts produce a fantastic piece of chunky House music that offers everything listeners could want. The basis is big, authoritative drums; a killer bassline offers an enticing and unrelenting beat. Diva-style vocals, a trademark of classic House that imbues the track with soul and character, layered on top of these components. Designed for the dance floor, the vibrant track promises to wreak major damage anywhere it is performed. The record is out now via Toolroom. The post Tony Romera, Crusy and Low Steppa team up for banging house single appeared first on The Groove Cartel.

Jung Jaeil vs ACRAZE – Squid Game Theme vs Do It To It (Zedd Mashup) In 2021 the first season of ‘Squid Game’ was hugely popular, but no one expected when Zedd took to the stage at EDC Las Vegas that he would find a way to incorporate this trend into his set. To the surprise of everyone the theme for ‘Squid Game’played to open up Zedd’s set which was then perfectly moulded into ACRAZE’s breakthrough track ‘Do It To It’ sending the crowd wild. This insane creativity from Zedd to bring together two huge trends in such an amazing way made for one of his greatest on-stage moments. Reinier Zonneveld, HI-LO vs Billie Eilish, Khalid – Flying Octopus vs Lovely (Oliver Heldens Mashup) Oliver Heldens has always been one of the best at creating unforgettable mashups that always make his sets stand out. Though not his most complicated mashup, Heldens’ inventiveness to bring together these two tracks which couldn’t be more different from each other to produce this masterpiece is astonishing. The vocals from Billie Eilish and Khalid feel like they were made for this song with how well they fit in thanks to Heldens’ excellent production skills. Avicii & David Guetta vs Florence & The Machine – Sunshine vs Spectrum (Avicii Mashup) ‘Spectrum’ is a track that has been in many amazing mashups with one of the best and most memorable coming from Avicii at Tomorrowland in 2012. His Grammy nominated collaboration with David Guetta paired with the unforgettable vocals of Florence Welch were a match made in heaven. Avicii performing a historic mashup in front of a packed-out Tomorrowland crowd to the backdrop of fireworks in the night sky is a moment no one will forget. Martin Garrix vs Martin Garrix – Scared To Be Lonely vs Limitless (Martin Garrix Mashup) In recent years fake out drops have become a much more prevalent element in electronic music and one of the best uses of it has to be on the first drop of Martin Garrix’s ‘Limitless.’ Using the wonderful vocals of Dua Lipa from ‘Scared To Be Lonely’ he managed to take the track to another level sending crowds wild around the globe. The mesh of one of his most powerful instrumentals with the vocals from one of his biggest tracks was an inspired creation. Swedish House Mafia vs Avicii – Don’t You Worry Child vs Wake Me Up (Axwell & Ingrosso Mashup) Tomorrowland has served up some amazing moments over years and one that’s hard to forget came back in 2018 with Axwell & Ingrosso closing day 2 of the festival with a mashup of ‘Don’t You Worry Child’ and ‘Wake Me Up.’ Two titans of electronic music bringing together two of its greatest ever songs at the biggest festival in the world is a monumental combination. There are few vocals that would be accepted to replace those of ‘Don’t You Worry Child’ in a mashup so Avicii’s iconic ‘Wake Me Up’ was a great choice that fit the track perfectly.

Reusable cups will be used, aiming to stop wastage of two million single-use plastic cups every year in many of Belfast’s venues Continue reading...

Anyma debuted “Hypnotized,” his most recent joint effort with Ellie Goulding. Originally performed at The Sphere during his innovative “The End of Genesys” concert, the song speaks about the direction of electronic music itself, not only about a junction of two musical worlds. Right away, the song declared itself as something different from Anyma’s normal output. His unique sound design is still the same, but here the technique is more polished, more approachable, but no less powerful. Possibly the most physically interesting component of any Anyma track to date, the bassline is a technical wonder of audio engineering that rumbles with surgical instrument accuracy. This is the kind of bass that commands your attention rather than asking gently. Goulding’s involvement takes the track above simple club music bounds. Her digitally altered face displayed across the huge LED surface of the stadium at the debut produced a moment of group bewilderment that aptly fit the track’s themes of losing oneself in another. “Hypnotized” is especially intriguing because it avoids sacrificing its roots while also separating itself from conventional techno. The song seems more like an evolution than a departure; as though Anyma has discovered a means to transfer the raw intensity of underground electronic music into a language mainstream listeners can grasp. While packaging it in a more approachable style, the records keeps the exacting attention to detail that subterranean enthusiasts demand. This goes beyond simply an underground producer “selling out” to mainstream music. Rather, it shows how electronic music might develop outside of genre boundaries. Although the track’s arrangement may be more radio-friendly, the sound design and production quality remain absolutely superb. From the eerie pad work to the precisely tuned percussion, every component exhibits Anyma’s technical expertise. One cannot stress the visual element of the track’s launch at The Sphere. Combining images with music produced a moment when the lines separating artist and audience, between real and digital, become beautifully hazy. Goulding’s digitally altered presence, hovering over the audience, gave songs normally simple in a conventional pop setting levels of significance. What “Hypnotized” finally stands for is a strong argument about how electronic music may transcend its conventional limits. Anyma has produced something that seems both familiar and innovative by embracing pop forms while preserving underground production quality. The post “Hypnotized” is Anyma’s Bold Leap into Pop Territory with Ellie Goulding appeared first on The Groove Cartel.

Discover how German producer Deneubourg blends mystical baselines with robotic vocals in “Oblivion,” a groundbreaking melodic techno track that pushes the boundaries of the genre while paying homage to Anyma‘s innovative style. A deep dive into one of 2025’s most compelling independent electronic releases. The most recent work from Deneubourg, “Oblivion,” shows how deftly the German producer understands modern melodic techno. Inspired by Anyma‘s creative sound design and own unique character, the song creates a complex tapestry of mesmerizing sounds and deftly constructed progression. With its purposefully slow pace from the beginning, “Oblivion” creates a meditative environment. The basis of the production is a mysterious baseline that both acts as an emotional storyteller and rhythmic anchor. This quiet but strong component blends perfectly with ethereal synth melodies to create a sonic environment feeling both ancient and futuristic. Particularly noteworthy is the architectural framework of the track. Deneubourg shows amazing discipline in letting the composition breathe and change naturally instead of racing to climax points. This painstaking approach to layout reflects the finest features of the melodic techno genre, in which tension and release are deliberately controlled to enhance emotional impact. The track’s story pivots on a turning point when artificial vocals enter during the break. These processed vocal pieces are not only cosmetic accents but also a vital link between the track’s more forceful later half and its meditative opening. Here, the vocal processing methods used highlight Deneubourg’s technical ability while preserving the ethereal aspect of the piece. When the fall does come, it strikes impact via contrast instead of force. This part’s “heavy but slow” character captures the producer’s subtle attitude to energy control. Deneubourg chooses a more complex solution that preserves the hypnotic core of the music while adding fresh levels of intensity instead of depending on traditional high-energy drops. Perfect production value and attention to detail define “Oblivion” in the indie music scene. From the spatial treatment of the synth melodies to the subdued baseline modulation over the track’s length, every component in the mix has been meticulously examined and placed with intention. Strong artistic vision and technological mastery help “Oblivion” transcend simple genre practice into the domain of actual creative expression. The post Deneubourg presents first 2025 single “Oblivion” appeared first on The Groove Cartel.

The 2025 BPM Festival Costa Rica marks the sudden end of yet another difficult chapter in the festival’s history. Originally scheduled for January 8–12, 2025, in Tamarindo, Guanacaste, the celebration ran across several challenges that finally resulted in its cancellation after just two days of running. BPM Festival Costa Rica 2025 was canceled after its first two days due to multiple factors: strong opposition from local residents (183 community members signed a petition against it), concerns about public safety following incidents at the 2024 edition, questions about proper permits, and what organizers describe as broader resistance to electronic music events in Costa Rica. The festival had already faced challenges when it was forced to relocate from Guanacaste to Tamarindo just days before the event. After early closures on January 8 and multiple canceled events on January 9, organizers announced the complete cancellation of all remaining festival dates, with refund information to be provided on January 15. Months before the event, 183 Playa Avellana locals signed official documentation denouncing the festival’s presence in their neighborhood. Their serious worries centered on things like noise pollution, transportation congestion, possible crime rises, and environmental damage. Supported by nearby Development Associations and tourism companies, the homeowners were especially concerned about their community’s inadequate infrastructure and absence of police presence to manage such a big event. Recent events of the festival in Costa Rica have been surrounded by controversy. Tamarindo officials first turned down hosting the 2025 edition after allegations of riots, street brawls, and death in surrounding Los Jobos surfaced during the 2024 edition. These events along with claims of stolen cars caused great conflict between the festival planners and local police. The 2025 version ran across right away operational difficulties. There were issues over their liquor license and surveillance plan approval even if the organizers claimed to have all the permissions well in advance. The festival had already suffered a significant blow when it had to return from its intended “jungle-like” location in Guanacaste back to Tamarindo just days prior. The first two festival days were marred with disturbances. All evening events on Wednesday, January 8, were called off early. Three more events had been shelved by Thursday. By Friday morning, the organizers declared the cancellation of all remaining events, albeit first reassuring guests they had permission to proceed following emergency meetings with local officials. In their statement, the organizers of BPM highlighted more general problems influencing Costa Rican electronic music events. They cited comparable difficulties experienced by other festivals, including Envision Festival, which called off its 2025 run following an unfortunate occurrence involving an attendee. The planners said, “There are forces at play in Costa Rica that appear determined for us and for other electronic events to discontinue or fail.” BPM Festival has seen major setbacks before this as well. Originally beginning in Playa Del Carmen, Mexico in 2008, the festival was forced to move to Portugal following a horrific shooting incident in 2017 that left several casualties. Costa Rica became its new residence following the epidemic, but the current state of affairs calls into doubt its future in that nation. Prominent house and techno musicians such Jan Blomqvist, Francesca Lombardo, Manda Moor, and Malóne were among the outstanding lineup planned for the 2025 edition. For information on refunds, guests will now have to wait until January 15, nevertheless. This postponement seems to fit a bigger trend influencing Costa Rican international electronic music events, casting doubt on the future of such celebrations in the nation. The post What happened to BPM Festival Costa Rica and why it has been canceled? appeared first on The Groove Cartel.

It’s a lovely tribute, and something really special to start this new year. We love all things emotional over here. And so we were compelled to hear wunderkind musician Orsay‘s first release of the year. After a successful 2024 which proved he’s one of the acts to look out for in the future of Afro House, He’s teamed up with the acclaimed Maxi Meraki for “Amado”, to release a sentimental tribute to Orsay’s late father, releasing on Adriatique’s Siamese imprint. Having been tested on the road not only by their authors but also giants such as RÜFÜS DU SOL, WhoMadeWho, Adriatique, Carlita, and many others, the collaboration gears up to become an early anthem for spring and summer festivals around the world, empirically proven. ‘Amado’ The single is a testament to true love, legacy, and the everlasting impact of those who once marked our paths. “‘Amado’ — ‘loved ones’ in English — is dedicated to the ones who are not here anymore, yet are still so close to our hearts”, says Orsay, who built the backbone of the single with his late father in mind. He recalls, “This track is very special to me because I made it a few months after my father passed away. The original vocal on it was a voice message that he left me and that I used as inspiration to create all the melodies and feelings in the track”. Powerful both in energy on the surface, as well as its message lying underneath, ‘Amado’ pairs warm and nostalgic piano lines with groovy instrumentation and analogue synths, creating a genre-bender which marries Melodic Techno and Afro House for the ultimate sonic combo. Its hybrid state allows for the piece to be the ideal soundtrack to connect people on a number of dance floors — from the golden sunset lovers enjoying a dancing session by the beach, to the late-night, eyes-closed clubbers chasing highs. Listen to Orsay and Maxi Meraki‘s heartfelt ‘Amado’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Orsay And Maxi Meraki Pay Homage To His Late Father On Latest Collaboration ‘Amado’ appeared first on EDMTunes.