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Semark returns with his latest Dance/Electro Pop single, ‘Wherever You Like.’ Known for his distinctive blend of House and Dance, the talented Producer and DJ now emerges to deliver another vibrant track, presenting this brand-new single to offer listeners a fresh display of his creativity and energy. With over a decade of experience performing across the UK and Europe, including performances at venues like Ministry of Sound and Fire & Lightbox, Semark’s presence within Electronic Music continues to expand. Having developed a sound which draws from the 90s Dance scene, while bringing in elements of modern House, Semark is growing his discography, putting forward music primed to resonate across the dancefloors of his live sets. With recent releases that include ‘Sweet Sensations,’ alongside remixes for Mollie Collins’ label, Right Good Records, Semark’s momentum shows no signs of easing as he drops another track that highlights his approach and further strengthens his reputation as a Producer to watch closely. Opening with a captivating vocal hook, ‘Wherever You Like’ builds in energy as a catchy synth lead, steady kick, underlying pads, and robust bassline join to create the driving vibe of the arrangement. Combining intricate synth work with deep, punchy beats, the track offers a dynamic sonic experience that is both upbeat and melodically detailed, continuing to push forward and keep the momentum high as the track moves towards its conclusion. With its sharp and lively sound, this new production from Semark serves as a display of his distinct style, introducing the high energy that has become his signature. As he continues to evolve his sound, as showcased in this latest release, Semark remains a talent for genre enthusiasts to take note of, with more powerful tracks sure to be on his horizon. So, make sure to listen to ‘Wherever You Like’ today and stay tuned to Semark’s journey by following him across social media. ‘Wherever You Like’ is out now and available to stream and download across platforms. Listen and Buy ‘Wherever You Like’ Now: Semark Online   Spotify | Instagram   

As the 2024 Amsterdam Dance Event (ADE) approaches, Play Records continues its tradition of showcasing innovative and diverse Electronic Music with the release of its newest compilation, ‘Play At ADE 2024’. With a focus on Techno, Tech House, and a touch of Progressive House, this year’s collection reflects the forward-thinking ethos that Play Records is known for whilst highlighting the creative energies of both new and established talent from across the globe. This year’s compilation brings together an eclectic group of Producers and DJs, embodying the diverse essence of the ADE experience and showcasing the various talents working within Electronic Music today. Featured on the album are names like Adult Movie (Netherlands), AKASHAH (Canada), Audio Fever (USA), Creezie (USA), KLNGMSTR (Germany), and Melleefresh & Hectic (Canada/UK), all contributing fresh tracks that are sure to resonate with followers of Play Records and beyond. Balancing heavy-hitting energy with vibrant soundscapes, ‘Play At ADE 2024’ brings together tracks rich with pounding kicks, punchy melodies, and playful elements, creating a dynamic listening experience that captures the vast spectrum of the Electronic Music genre. Among some of the highlights is the previously unreleased radio edit of the Scandall and Ros Remix of ‘Hook Yu Up’ by Melleefresh & Boy Pussy, offering fans a fresh, exclusive track that elevates the energy of the collection whilst honouring Scandall’s contributions to Electronic Music. A well-rounded compilation, ‘Play At ADE 2024’ demonstrates the label’s ongoing ability to craft dynamic and impactful collections, emerging as an exciting offering ahead of this year’s ADE. Whether a long-time devotee of the scene or someone new to the genre, this new compilation provides a comprehensive journey through some of Electronic Music’s most captivating and innovative sounds, spotlighting the talent currently shaping its expansive and varied landscape. So, as this latest release comes as yet another statement of their commitment to innovation and artistic diversity, Play Records once again works to establish their influence, presenting a compilation that serves as an essential listen for any lovers of Electronic Music. ‘Play At ADE 2024’ is out now via Play Records and available to stream and download across platforms here. Listen to ‘Play At ADE 2024’ Now: Play Records Online Website | Soundcloud | Instagram

Rising DJ and music production duo, Lady Decibel, are back with a new House release titled ‘I Try’. Following the release of their previous track ‘Waiting’, the pair continue to make their mark on the Electronic Music scene with their signature blend of 90s and 2000s-inspired Dance music, infused with modern production techniques, this release is set to continue building their position as a rising name in today’s Dance music landscape. Lady Decibel, a duo made up of two talented female artists originally from Manila, Philippines, and Minsk, Belarus, have now based themselves in Orlando, USA, where they’ve been pursuing a shared vision for Electronic Music. With a mission to revitalize the iconic sounds of rave culture while celebrating diversity, Lady Decibel are quickly becoming voices for inclusivity, within the LGBTQ+ community and beyond. Their music reflects both their love for the genre and their commitment to creating an open, welcoming space on the dancefloor for people of all identities and backgrounds. ‘I Try’ showcases Lady Decibel’s ability to craft dynamic, party-ready tracks; built around a groovy chord progression, the track delivers a powerful beat with a strong low-end foundation, quickly expanding into a vibrant and energetic journey. A bouncy bassline and infectious vocals drive the track forward, creating a pulsating atmosphere perfect for any dancefloor. The rhythmic sound elements, bright synths, and clever use of risers and pads add layers of intensity, making this track a noteworthy addition to any DJ set or playlist. The duo’s signature style, blending the energy of rave culture with their own approach to music production, is on full display in ‘I Try,’ as the track highlights their talent for crafting party-ready anthems that still showcase their unique and refreshing sound. Make sure to follow Lady Decibel on social media to remain updated on their latest releases and projects, as this is only the beginning of their promising career. ‘I Try’ is out now and available in all major online stores and streaming platforms. Listen and Buy ‘I Try’ Now: Lady Decibel Online Beatport | Instagram | Spotify

DJ, music Producer and audio engineer Nonduality, known for his deeply eclectic blend of elements from different Electronic music genres like House, Techno, Breakbeat, and Deep House, to name some, has teamed up with Berlin-based Producer Eva Van Dijk for their latest collaborative House track, ‘Bubblewrap’. Both artists bring their unique styles to this release, merging Nonduality’s dynamic, meditative production with Eva’s experimental pop and jazz-influenced soundscapes; their partnership highlights the growing synergy between Berlin’s vibrant Electronic scene and Nonduality’s meditative approach to sound design, that crafts a sound that feels simultaneously fresh and familiar to fans of both underground and mainstream Electronic music. For Nonduality, this release signifies a continuation of his evolutionary path, pushing boundaries between genre lines while maintaining a deep, meditative core; while Eva’ Van Dijk’s constant experimentation with texture and form reflects her unique take on music Production, making this collaborative release highlight their growing influence as rising figures in Berlin’s Pop and Electronic scenes. The journey of ‘Bubblewrap’ kicks off with crisp sound design and shiny lead synths that instantly set the mood for an expansive sonic journey. As the catchy vocals weave in, the melody unravels into a lively blend of bouncy basslines and steady, driving beats. Throughout the track, rhythmic elements entwine with uplifting pads, creating a colorful, immersive listening experience that bridges both artists’ styles and sounds. The combination of fresh sonic textures and innovative production techniques makes ‘Bubblewrap’ a standout release for both artists, marking their creative collaboration as one not to miss. Make sure to follow both artists across social media to remain updated on their latest releases, news and projects, as this marks only the beginning of a series of upcoming new music for these talented artists. ‘Bubblewrap’ is out now and available in all major online stores and streaming platforms here. Listen and Buy ‘Bubblewrap’ Here: Nonduality Online Spotify | Instagram | Website Eva Van Dijk Online Spotify | Instagram

Andrew Canlon brings his next single, offering his Electronic Pop track ‘Liquid Love’ to his listeners. With its catchy vibes, delivered through expressive vocal hooks, bouncy synth motifs, and groovy basslines, the track showcases Andrew Canlon’s unique approach towards music creation within the Electronic Music space, displaying his musicality and influence from his Classical Music background. Remaining driven to make a name for himself, this newest release seems poised to make an impact on Andrew Canlon’s journey, sure to support his efforts towards carving out a distinct place within the realm of Electronic Music. As his discography continues to develop and his repertoire of live performances keeps growing, Andrew Canlon upholds his committed work ethic, striving towards bringing his innovation and originality to the Electronic Music scene. With a style that bridges the gap between musicality and storytelling, introducing live vocals to both his productions and live sets, Andrew Canlon puts forward a unique creative outlook, aiming to set himself apart from his peers within the genre. As this latest single sees him retain his signature approach, merging the modern energy of Electronic Music with his trademark vocal sound, Andrew Canlon once again offers listeners the opportunity to dive into his creative world and discover his style. Bringing captivating energy through its inspiring harmonic progressions, the opening of ‘Liquid Love’ sets the tone for the production, introducing Andrew Canlon’s lyrical vocals, a bold bassline, and tension-building rhythmic hits. Then, with the soundscape evolving, pulsing synths layer into the mix, together with a melodic motif and steady beat, drawing listeners further into the bold tapestry of sound that ‘Liquid Love’ delivers. With its punchy low-end, staggering pads, dynamic hooks, and ambient sonic elements, the track continues to push forward, evolving into an engaging listening journey whilst displaying Andrew Canlon’s signature style. So, with ‘Liquid Love’ reinforcing the potential and individuality behind Andrew Canlon’s creative approach, be sure to listen to the track today and keep watch of Andrew Canlon’s journey by following him across social media. ‘Liquid Love’ is out now and available to stream and download across platforms. Listen and Buy ‘Liquid Love’ Now: Andrew Canlon Online  Instagram | Website 

For fans of boundary-pushing House music, Avi Sic’s latest release ‘Get Up & Listen’ is one for the books. Known for her versatile production style and energetic live performances, she has crafted a track that merges listener-focused subtleties with club-driven power. Released via Tiger Records, ‘Get Up & Listen’ is already gaining traction on the Beatport Bass House chart, and displays her ability to evolve her sound while staying true to her artistic vision. We caught up with Avi Sic to discuss the creative process behind the track, her approach to production, and how it fits into her larger discography. Here’s what she had to say. Hi Avi, thanks for joining us and congrats on the release of “Get Up & Listen”. Thank you! It’s a unique one for sure, I’m excited that it’s out. Can you tell us, what was the initial inspiration for the track, and how did it evolve during the production process? I tried to create outside the box with this one. The idea wasn’t to make a smash club record but something more listener-focused. The evolution took some time, I wasn’t even sure it was actually an idea worthy of further development at first. I overthink things a lot. Can you take us through your workflow for this track? Did you begin with a melody, the beat, or something else? I was messing around in the studio and wrote the bassline and drum pattern initially. The more I listened to it, I realized I had something cool going on within the simplicity. The beat was catchy and bouncy, so I put more time into it. I really wanted the kick and bass to be the focus of the track and not overwhelm that with too many ideas or sounds. The bassline and synth work in “Get Up & Listen” are really punchy; what techniques did you use to get those sounds, and what tools were key in shaping them? As the focus of the track, this is definitely where I put the most time in. Choosing the right bassline synth was key. I went through many variations of the sound. Dialing in the sidechain perfectly was the key to the punch here. There is some subtle filtering and stereo effects of the sound throughout the track to create movement. For the kick, it has three layers: a low, mid, and high. This is how I got the most out of a single sound. When producing this track, did you have a particular crowd or festival in mind? How did that influence your choices? I always ask myself questions like “where does this fit into a set of mine?” and “who is the target audience of this track?” My answers on this one were a bit different than my other releases, but it was for this exact reason that I wanted to continue with it. It’s good to have variety in any arsenal. This one was very Chris Lake-inspired. Strange sounds, driving basslines. Something similar to the Black Book style but also different in many ways. You’ve played some incredible live shows so far this year; did you road-test “Get Up & Listen” before its release? If so, how did the crowd react and did you make any changes based on that feedback? Of course! Live testing my ideas is part of my process for sure. The surprise element of this track begins in the final build and into the last drop. At first, I had this part as the second drop. But after playing it live a few times, I tried switching the arrangement. This worked out much better, as the crowd was almost waiting for something new to happen rather than just giving it to them straight away. The reaction was more fulfilling to everyone—so I kept that change in the final version. Can you share a bit about the process of selecting and processing the vocals? Were they a key element from the start? The vocals were the last element I added. I didn’t want them to be the focus or be too overwhelming in general. Almost more of a background idea just to keep the momentum going. I found this speech and thought it had lots of potential. I chopped it up and only kept a few key ideas. It’s very sermon-like, asking existential questions, and becoming commanding at its peak. It really fit the vibe of the track and brought all the elements together. How do you balance your instinct for innovation with keeping your sound accessible to the fans who follow your releases? Was this something you had to consider while creating this track? (You may want to include her response to this if provided) You’ve said in previous interviews that you produce a wide range of styles. How does “Get Up & Listen” fit into the larger arc of your discography and sound evolution? It’s dark and energetic, which is something it does have in common with other releases of mine. But this one is more of a journey, so that sets it apart. It has fewer in-your-face type elements but, in its nuances, has a lot of complexity. I like to push a genre less approach, almost a combination of House music styles. I call it ‘Hybrid House,’ which is achieved by using elements of all styles. I really hate to feel boxed into anything. That’s where creativity can stall. It certainly shows my evolution in terms of being able to produce more simplified arrangements. Less is often more. Tiger Records has been a great home for “Get Up & Listen”. How has working with the label influenced your release strategy or creative direction? Yes, it’s a great label and I’m happy I found a home for this one with them. I really like their releases in general. Across the board, they are strong and have similar qualities. That’s something important to me when deciding on a label. We already hit #30 on the Beatport Bass House chart and had a feature in the new release as well. Hopefully, the momentum will keep going! What are some of the key challenges you faced while producing this song? Were there any moments where you had to step back and rethink the track? Many times. But this is a normal process for me. I put a lot of thought and time into every one of my releases. It is art, after all. Never completely satisfied but always proud. The tough part is trying to please everyone. This is not possible, so really the key is just to be happy with the final product yourself. And that’s when I know a song is ready. The arrangement was my main challenge with this one but in the end, I felt it was working well and for that reason, it was indeed finished. That is also my favorite part of this particular single. A simple yet effective arc to the track. Hope you enjoy listening to it as much as I enjoyed making it! Avi Sic continues to push the boundaries of her sound while staying grounded in the unique qualities that have garnered her a strong following. ‘Get Up & Listen’ exemplifies her ability to experiment with structure and sound while maintaining her signature energy. With a powerful combination of bass-driven grooves and unexpected twists, it’s a track that adds another layer of versatility to her already impressive catalogue; be sure to check it out and experience the journey yourself below and here. Avi Sic Online Spotify | Instagram | Website

With their most recent single, “All I Wanted,” Hunter/Game, the Italian team comprising Martino Bertola and Emmanuele Nicosia, has once more shown their brilliance. This song provides a seductive preview of what seems to be a revolutionary release as the third and last teaser for their forthcoming album ‘VISION‘. The six-minute track “All I Wanted” showcases Hunter/Game’s ability to combine analog instrumentation with state-of-the-art production methods. Hi-hats and sharp synths lead the way as the song begins, creating a complicated and danceable rhythmic framework right away. Layering and sound design become masterful as the music develops. What makes this song stand out is the way the twisted textures and alien samples are seamlessly blended. These components combine to produce a sci-fi environment that is immersive and just a little bit unnerving, all in the best possible ways. Longing male vocals give a more techno-oriented production with an emotional depth that is frequently lacking. Clearly, ‘All I Wanted’ is based on its set of mind-bending synth lines. From subdued, background parts to full-bodied lead instruments, the synths change across the song. We have been interested all through the six-minute performance by this lively arrangement. Technically, the sound design on the exhibit is first-class. The rich, analog warmth of the synths points to the utilization of high-end hardware. But their modulation’s accuracy and control point to the pair’s mastery of contemporary production technologies. Our take on All I Wanted Listening to “All I Wanted,” we find Hunter/Game’s ability to produce intelligent yet visceral music to be rather remarkable. Although the complex composition of the track rewards close, analytical listening, its throbbing rhythms and expressive melodies also speak directly to the body and heart. ‘All I Wanted’ exudes a tangible buzz. With ‘VISION,’ the pair seems to be on the verge of something quite unique. Having closely watched their history, it excites us to see how their sound has changed and what fresh ground they will investigate on the complete album. The release of ‘All I Wanted’ also comes just one week ahead of the launch of Hunter/Game’s new AV concept show ‘VISION’. It will debut at EartH in London’s East End on Friday, October 11, in partnership with Fabric. The post Hunter/Game’s ‘All I Wanted’ – A Prelude to ‘VISION’ album appeared first on The Groove Cartel.

DJ Mariah, who has been making waves at iconic venues across Europe, has just added another milestone to her career: she has been announced as a performer at the prestigious Amsterdam Dance Event (ADE), one of the largest and most influential electronic music events in the world. This new achievement further solidifies Mariah’s position as one of the most promising DJs on the international electronic music scene. The ADE is known for bringing together the biggest stars in electronic music, renowned producers, and the latest global trends. Mariah’s participation in the event not only confirms her talent but also highlights the impact of her growing presence in the European market. Her name now shines alongside industry giants, reaffirming her place among the top names in electronic music. In addition to her performance at ADE, Mariah has been confirmed as one of the performers at the KUBE showcase, organized by the renowned DJs BlackBox and DJ Mesh. This event is known for spotlighting emerging talents and innovative names, as POU, a British duo that has been making waves in the electronic music scene. Mariah has recently announced an exciting collaboration with them, releasing a track titled ‘Haunt’. This upcoming track is expected to showcase both Mariah’s distinctive sound and POU‘s innovative approach, promising to be a hauntingly powerful addition to their discographies. The anticipation around this collaboration is building, and it’s set to be a highlight at the ADE. Mariah promises to bring all of her energy and sophistication to the showcase, delivering an unforgettable experience for the audience. This announcement follows her successful contracy with the legendary Ministry of Sound, where Mariah had a standout season, captivating audiences and critics alike with her performances. Now, with ADE on the horizon, expectations for her sets are higher than ever. Mariah is set to bring all the energy, sophistication, and innovation that have defined her journey, with a performance that is sure to be a highlight of the event. Mariah is enjoying a meteoric rise, and her presence at the Amsterdam Dance Event marks yet another step in the consolidation of her name as a force to be reckoned with in global electronic music. Audiences already familiar with her hypnotic performances at clubs like Ushuaïa Ibiza and Ibiza Rocks are eagerly awaiting her appearance at one of the world’s most sought-after stages. The ADE will serve as a pivotal platform for Mariah to showcase to an international audience why she is one of the most talked-about artists in the scene. Her technical skills, commanding stage presence, and unique connection with the dancefloor make her a complete artist, ready to conquer even more space at major global events. With a diverse audience and a lineup that ranges from conferences to unforgettable parties, ADE will be yet another powerful showcase for Mariah to demonstrate her ability to transcend musical and cultural boundaries. If her success in Ibiza and London is any indicator, her debut at the KUBE showcase promises to be electrifying. For more information and tickets to the Amsterdam Dance Event and the KUBE showcase, visit here.

GNDHI, the Bangalore-born music producer and multi-instrumentalist, renowned for blending genres with live performance mastery, has just launched an electrifying live set at the iconic Simba Brewery. Featuring an unreleased selection of all original tracks and stellar remixes, GNDHI’s latest performance is set to redefine live electronic music, showcasing his skillful fusion of saxophone, percussion, and forward-thinking production elements. After officially premiering the live set experience on Mixmag Asia yesterday, GNDHI is starting his movement in the music industry showcasing his mastery and own signature sound with a mix of Indian classical music, Afrobeat, house, and electronica elements. Tracklist: Tadap Ft. Chandan (Unreleased) Premier Gaou – Francis Mercier, Magic Systems (GNDHI Remix, Unreleased) Piya Ft. Chandan (Unreleased) Too Far Ft. XANE (Unreleased) Father Ocean – Monolink x Ben Böhmer (GNDHI Remix, Unreleased) Transference (Unreleased) Watch It Go Ft. XANE (Unreleased) Baby It’s You – London Grammar (GNDHI Saxophone Rendition Ft. Katya Krishnan, Unreleased) In Your Head – Angelos, Da Mike (GNDHI Resketch, Unreleased) Water – Tyla (GNDHI’s 5 am Saxophone Remix, Unreleased) GNDHI’s live set was a full-spectrum experience, blending soulful melodies and energetic rhythms with striking live instrumentation. “Transference” immediately becomes one of the most sought after tracks from the live experience. From the sultry saxophone performance in “Baby It’s You” to the hypnotic rhythms of “Watch It Go” featuring XANE, every track is a fresh, unreleased sound that solidifies GNDHI’s reputation as a rising artist in the music scene. Known for his creative remixes and collaborations with artists like TroyBoi, GNDHI continues to push the envelope of electronic music.

Rising DJ and producer Alexandra Richards has made her mark in the dance music world with the release of her debut single, ‘Feel You‘. This captivating track showcases her talent for crafting deep, melodic house tracks with a touch of Afro house influence. Growing up in a household filled with artistic inspiration, thanks to her parents (Rolling Stones guitarist Keith Richards and supermodel Patti Hansen), Alexandra was naturally drawn to the world of music. Her love for DJing blossomed after learning from friends in New York City, and she quickly established herself as a sought-after talent in the city’s vibrant club scene. ‘Feel You’ is a testament to Alexandra’s ability to create music that resonates on a deep emotional level. Featuring the distinctive vocals of the celebrated dance music duo JAIKO, the track delves into the complexities of a passionate connection. The lyrics explore the internal struggle between being drawn to someone intensely and maintaining a sense of self. Here’s what Alexandra had to say about this track: “I’ve been traveling a lot to South Africa since 2017, when my husband and I met. We listen to a lot of Afrobeat, and African electronic music from the 70s. It moves you in such a special way to dance, and chill all at the same time. I love to incorporate that into the music I want to make.” The post Alexandra Richards Drops Debut Single ‘Feel You’ appeared first on EDMTunes.

Escape Halloween, the world’s largest Halloween music festival, is just around the corner, with a lineup destined to make the 13th edition its best one yet. Returning to the NOS Events Center in San Bernardino, CA on Friday, October 25 and Saturday, October 26, Escape will feature an expansive lineup of over 80 artists across five+ immersive stages of frightful fun. Unsure of which artists to check out? Read below for a lists of 5 artists to catch at this year’s spooky event. KREAM A dynamic DJ duo on the rise, KREAM features Norwegian brothers Daniel and Markus Slettebakken. Known for their unique take on melodic tech house, the duo was first discovered on SoundCloud through their remixes and have since garnered over a billion plays with their original releases. You may have seen their LIQUID : LAB series on Youtube, which has become one of the biggest online events in dance music, broadcasting from unique locations across Norway to millions of viewers worldwide. Don’t miss the rare opportunity to see this duo perform stateside! OMNOM OMNOM is a rising star in the electronic music scene, known for his innovative and vibrant take on house and tech house beats. Hailing from Los Angeles, the DJ/producer has quickly gained recognition for his ability to seamlessly blend genres and create unforgettable auditory experiences. Since his breakout track, ‘Fo Free,‘ in 2018, OMNOM has continued to prove why he’s one of dance music’s most promising stars, with no signs of slowing any time soon. Catch this DJ at Escape this year to see what all the fuss is about. Hamdi Hailing from Oxford, UK, Hamdi is one of the most versatile DJ/producers on the scene right now. Drawing influences from early 90’s hip hop and electro, he’s known for energetic live sets and his ability to produce a broad range of styles with signature dubstep sound design. His breakout track in 2017, ‘Show Me‘ with Sammy Virji took the UK bass scene by storm, and he has since become a highly sought after booking, so don’t miss your chance to see Hamdi perform on the stages of Escape this year! Mary Droppinz (UKG Set) I first had the pleasure of experiencing Mary Droppinz live at Deadrocks earlier this summer. I knew nothing about her but was blown away by her infectious energy on the stage, as well as her diverse stylings, covering everything from wonky bass music to tech house. Her upcoming UKG set at Escape will likely channel more of her house and techno roots, rather than her recent explorations in bass music, so come prepared to shuffle and dance the night away with the unmatched energy a Mary Droppinz set will provide! Odd Mob I must say, the energy of the crowd during an Odd Mob set is hard to top. This Australian DJ/producer has a flair for identifying unique sounds and producing unconventionally groovy tracks. Known for hit releases like ‘Losing Control‘ on John Summit’s Experts Only imprint, Odd Mob has skyrocketed into the spotlight this past year, and for good reason. Do NOT miss Odd Mob if you’re into funky, high energy house music. Hopefully now you have some inspiration to get you started as you begin building your itinerary for Escape Halloween later this month. If you haven’t purchased tickets yet, don’t worry there’s still time – tickets are available here. See you at NOS! The post 5 Artists To Catch At Escape Halloween This Year appeared first on EDMTunes.

House grooves and mischievous energy collide in "Party Girl," Fredy Lane's latest single. Edgy, intoxicating and a little bit dangerous, this tech house temptress claws its way out of the speakers and into your hips. The track is best experienced in dark, smoky rooms, delivering chugging basslines that lure you in slowly and keep you moving, almost against your will. Meanwhile, the LA-based producer's seductive vocals slither through the mix like a velvet-tongued serpent. Unapologetic and dripping with late-night allure, they slink through the arrangement like whispers at an afterparty you shouldn't be at but can't bring yourself to leave. Out now via Honua Records, "Party Girl" arrives in the midst of a furious rise for Lane, who has recently released music on Thrive, Insomniac's IN/ROTATION and deadmau5's hau5trap, among others. She's also partnered with Insomniac Radio to launch a podcast, Alone Together, which she says functions as a platform for open conversations about mental health in the electronic music community. Listen to "Party Girl" below and find the new single on streaming platforms here. Follow Fredy Lane:Instagram: instagram.com/iamfredylane Tiktok: tiktok.com/@fredylane X: x.com/iamfredylane Facebook: facebook.com/iamfredylane Spotify: tinyurl.com/2kt8newu

NFL running back Bijan Robinson is trading touchdowns for turntables in his new off-field venture, a DJing series called "Spin Zone." Known for juking defenders with lightning precision, Robinson says his offseason hobby is DJing. In each episode of his new online video series, he sharpens his DJ skills with the help of an established act in the electronic dance music world. With just one touchdown through five games of the 2024 NFL season, the Atlanta Falcons star may not be producing much for his fantasy football owners, but he's delivering W's in the studio. "Spin Zone" launched last month by virtue of a session with chart-topping dance music duo Louis The Child, who taught him the fundamentals of beat-matching. He then headed to the Atlanta studio of house music star Austin Millz, with whom he discussed the importance of feeding off a crowd's energy on the dancefloor. Whether or not Robinson goes from reading defenses to reading rooms full of ravers remains to be seen, but his goal, he says, is to start performing b2b sets alongside other DJs. "My goal for the offseason around DJing is, I want to learn but then I want to start doing some sets—do some sets with other DJs," he told Louis The Child's Robby Hauldren and Freddy Kennett. Check out Robinson's "Spin Zone" sessions with Louis The Child and Austin Millz below. View the original article to see embedded media. View the original article to see embedded media.

Robot Sunrise – the solo project of producer/DJ/multi-instrumentalist Danny Klein – is staking his claim as one of the most exciting voices in the melodic techno scene. A long-time ringleader of LA’s house and techno underground, Robot Sunrise previously made waves as half of electronic duo Dreamfreak, where he released multiple tracks through legendary dance record label Astralwerks. He’s also co-written and performed with GRAMMY-winning artist / G.O.O.D. Music-affiliate Really Doe, as well as co-written for GRAMMY-nominated act Télépopmusik. Now, Klein is fleshing out his Robot Sunrise alias into a multi-dimensional, narrative-driven project. With an artistic brand revolving around themes of emancipation, equality, and peace, Robot Sunrise wants to use his music to inspire positive action in the world. To solidify this mission statement, Robot Sunrise contributes portions of all his profits to Human Rights Foundation – an act that translates his music’s impact to real-life aid to oppressed people around the globe Most recently, listeners got a taste of Robot Sunrise’s hypnotic, hopeful techno sensibilities with “London Public WiFi (Robbie Rivera Remix).” Serving SPIN Records’ first-ever release, “London Public WiFi (Robbie RIvera Remix)” marked the second collaboration of 2024 between Robot Sunrise and the UK chart-topping Rivera, and saw the legendary house maestro brilliantly rework the original single. Today, Robot Sunrise unveils “Take Me,” a spacious, ethereal cut whose celestial atmosphere and themes perfectly compliment the track’s melodic techno palette. With a central melody born literally from a dream, “Take Me” is a lucid, free-flowing dance experience – a track that is as suited for the nightclub as it is for headphone listening. “Take Me” kicks off with a sweeping riser before dropping into a four-on-the-floor beat, infusing bumping kick drums with futuristic synth arpeggios, granular hi-hats, and ghostly pads. The track then brings in its central, introspective piano melody before building into its vocal section: “Take me, where there is nothing/Take me, to the stars,” Robot Sunrise sings over the song’s dreamy, mystical instrumental – a grooving, astrological vibe made complete by Robot Sunrise’s mesmerizing vocal processing. Robot Sunrise has also announced The Robot Sunrise Experience, a special, one-off performance. Taking place Saturday, November 9 at the Porter St Community Center in DTLA, The Robot Sunrise Experience will be an immersive, multi-medium showcase replete with spellbinding orchestral accompaniment, experiential elements, interpretive dance and a developed storyline that will build out the Robot Sunrise narrative through his headlining live hybrid melodic techno set. The night will also include DJ sets by very special guests Bright Lights, Little Dinosaur and Mikey Made. The Robot Sunrise Experience follows a handful of special Robot Sunrise performances over the past month, including his Burning Man set, which saw the producer take Burners through a 90 minute journey of 125 BPM melodic techno. In September, Robot Sunrise also performed at the debut Off The Grid Campout Austin. That performance was a tone-setter for his live set at the SoCal edition of Off The Grid Campout, which is entering its 8th-ever event this weekend. Off The Grid Campout is a yearly grassroots underground electronic music festival in the Mojave Desert run by event brand company True Entertainment, whose new offshoot management division True Management represents Robot Sunrise. The post Melodic Techno purveyor Robot Sunrise unveils ethereal new single “Take Me” via SPIN Records appeared first on EDMTunes.

For the first edition on October 10, pole dancer A.T will perform alongside electronic acts Nastya Vogan, Basic Chanel and FYI Tobyn Continue reading...

The leading dance music publication, DJ Mag, is shifting from its monthly magazine format to four premium quarterly editions a year starting January 2025. This transition aims to create a more premium and collectible experience for readers. Each quarterly issue will feature three cover stars, ensuring a wide range of artists are celebrated, while adding a collectible element for readers. While subscribers will receive one of the three covers at random, all cover features will be included in each edition. The quarterly magazines will also see an increased page count and higher paper quality, making the magazine more visually appealing and valuable for collectors. DJ Mag’s editor, Carl Loben, expressed his excitement about this new phase of the magazine: “Along with the rest of the team, I’m excited to be bringing DJ Mag into its next phase of evolution. Electronic dance music is a perpetually exciting movement, forever changing, and is now bigger globally than ever. As the flagship publication, this new quarterly edition will allow us to increase focus on the in-depth, discerning, internationally relevant long-form features DJ Mag has specialised in for many years. I can’t wait to get cracking!” -DJ Mag editor, Carl Loben Since its launch in 1991 to cover the emerging UK rave scene, DJ Mag has become a prominent voice in dance music. Originally a fortnightly magazine, then monthly, the latest transition to a quarterly format marks another significant milestone in the magazine’s evolution. The quarterly edition will be available on newsstands at £7.99 per issue, or via a 12-month subscription priced at £27.99, a saving of over £1 per issue. Current subscribers to the monthly edition will receive a two-year complimentary subscription to the quarterly version. The final monthly edition of DJ Mag will be the next one, the November Top 100 DJs issue. The first quarterly magazine will be released in January 2025. You can order copies or purchase a subscription at djmagshop.com. The post DJ Mag Switching From Monthly Editions to Quarterly appeared first on EDMTunes.

Brimming with carefree, uplifting energy, Anabel Englund has released a new single, "Get Busy." The song, out now via Ultra Records, laces Englund's light and airy vocals through an undeniably catchy melody. Embracing a playful and sensual tone, it unapologetically explores the theme of passion with lyrics about "getting busy" on the ground—just about everywhere else. The track also strikes a personal chord for Englund, who revealed that she spent the last six months in a self-reflective "cocoon" after ending several personal and professional relationships. "It was terrifying to say goodbye to people I have had in my life for many years who I still love so much and yet also know it’s time for me to start a new chapter," she said. "When I think about my new beginning a few topics come to mind. Strength in my own company and in knowing who I am, a wonderful juicy sexual awakening, a love for connection and music and stories." Listen to "Get Busy" below and find the new single on streaming platforms here. Follow Anabel Englund:Facebook: facebook.com/anabelenglundofficial X: x.com/AnabelEnglund_ Instagram: instagram.com/anabelenglund Spotify: sptfy.com/Ol3C

Don Jamal is a multinational character, and his music reflects that. His family is from Jordan, but he spent much of his life in Saudi Arabia. Still, he’s been surrounded by British culture his entire life, having attended a British international school for most of his primary education, and living in the UK where he participated in football camps during his summer breaks. He spent his youth watching every UKF video he could find, but it wasn’t until he moved to Santa Barbara, California, that he started producing music. That was in 2019. Fast forward five years, and he’s played surprise b2b sets with Zeds Dead and Skrillex, performed at some of the most respected festivals across North America (including Infrasound and Lightning in a Bottle), collaborated with Justin Jay, and released tracks on Deep Dark and Dangerous, Deadbeats, and Bassrush. His approach to production is firmly rooted in UK influence, but it extends far beyond any specific genre. From breakbeats to techno to dubstep, he likes it all. In this exclusive interview with UKF, Don Jamal talks about his love for UK music and culture, the aspects of tour life that fans don’t usually see, working with Zeds Dead’s Deadbeats record label, and more. You’ve spent much of 2024 performing all across North America, supporting artists like Zeds Dead and Barclay Crenshaw. As an artist who’s just getting started in the touring world, what’s one thing that surprised you about tour life? Everyone thinks life on the road is a dream. And I mean, in a lot of ways it is. But people don’t realise how much travelling and time it takes behind the scenes; the sleepless nights, the set preps, sound checks, all that stuff. At the end of the day I love it and it’s worth every minute, but I definitely didn’t realise how hard it is to get good sleep when you’re on the road. You’ve also played some of the most beloved festivals in North America, including Lightning in a Bottle and Infrasound. What’s your favourite festival set you’ve played this year? Lightning in a Bottle definitely. I’ve never had a set go by so fast. It’s almost like I don’t even remember playing, because I was having so much fun up there, everything was a blur. Everyone was dancing, and I had my best friends on stage celebrating with me. It was amazing, for real. Do you remember the first time you heard that someone played one of your songs on a big stage? I remember the exact moment – it was Ternion Sound, opening for Zeds Dead at Mission Ballroom on July 4, 2022. That track was the first track I made that I was truly proud of, so I sent it to Andrew from Ternion Sound. He texted me the night of the show and said he might play my track, so I was just standing in the crowd, dancing and hoping they’d drop the tune. When I heard the intro come in, I looked at my friend and we just started freaking out. It was such a sick moment. I was going crazy. Would you say Ternion Sound is a big inspiration for the Don Jamal project? Absolutely. They just play the music they love, regardless of what genre it is. They don’t get stuck in the 140 dubstep sound, which is a genre I love too, but there’s so much more I want to play. I wanna drop UKG, breaks, all sorts of stuff. They’re the same way, and it’s inspiring to watch someone like them do it right. Justin Jay is another artist who seems to embrace a genreless approach to music production. You’ve released a handful of tracks with him at this point, including remix of Levity’s viral track “Flip It” and “Is this a dream?” from Justin’s newest album. How long have you and Justin been making music together? That’s actually a funny story – I’ve known about Justin Jay for a while, because he was DJing in Santa Barbara back when I was living in California before the pandemic, but we never officially met before I moved to Colorado. One day I was hanging out at my friend’s place in Boulder and he walked in with his girlfriend, who’s close with a few of my good friends. I introduced myself and said “Dude, have you ever heard of Justin Jay? You look just like him.” And of course, he’s like… “Yeah, I am Justin Jay.” We started laughing and chopping it up, and we realised we both love the same music. I was DJing that night, and I started dropping some UKG tracks. He came up to me so excited that someone else was playing UKG, and we’ve been homies ever since. I love working with him because his approach to producing is so carefree. There’s no pressure. He doesn’t care what you make. He just wants to have fun and create. Whatever happens, happens – that’s why we make bangers together, because it’s so natural. I was scared to produce with him at first, because I didn’t have a studio and I was kind of embarrassed about my set-up. But he just brought his monitors, put them down on my kitchen table, put on some Apple earphones and started making a beat. He taught me you don’t need anything fancy to make good music. You also played a back-to-back set with Justin on New Year’s Eve in Denver last year with Skrillex and Zeds Dead, right? I was supposed to headline a small afterparty after Skrillex’s Red Rocks show, and I got a text from Justin asking if Skrillex could come. Of course I said yes, and I was like honestly, Skrillex can just take my set. If Skrillex is there he should be playing, not me. But when he showed up, we all just kind of started DJing together. Justin Jay joined, and Zeds Dead showed up. Super Future was there too, it was insane. Speaking of Zeds Dead – earlier this year, you were featured on the ‘We Are Deadbeats Vol. 6’ compilation. What was it like working with the Deadbeats team alongside such an insane roster of artists on the compilation? Most of that process was standard procedure in terms of getting the track to them and working out a release date. But the promo that we did for We Are Deadbeats Vol. 5 was on a whole other level. There was a whole radio-style announcement, and all the artists teased the project together on social media. I had so much fun; promoting it didn’t feel like a chore. It felt inspiring, honestly. You’re making music that feels very inspired by UK artists, and I’m curious to know what your relationship is like with UK bass music. I know you grew up in Saudi Arabia, and from what I understand there’s not much of a bass music scene there… So how did you discover bass music originally? Everything around me was British growing up. Even when I was living in Saudi Arabia, I went to a British international school every day and watched Premier League football all the time. I also went to the UK for soccer summer camps when I was younger. Of course, I was watching UKF YouTube videos all the time too. I used to search “big bass drops” on YouTube and UKF would always come up. I watched every video I could find. So you’ve clearly been a fan of dubstep long before you started producing your own music in 2019. Do you remember the moment when you decided to pursue music as a full-time career? I don’t necessarily know the moment, but I know why. Since I was five years old, I dreamed of being a professional soccer player. Although that never worked out, I knew I loved the feeling of playing in front of a big crowd. When I realised I could get that same feeling from DJing, that’s when it clicked. I’ve heard Shaquille O’Neal say he kind of feels that way as well, which is also why he started DJing. But for a while, I just didn’t think I was good enough to turn it into a career. But when I became more confident, that’s when I started to take it seriously. You’ve lived in tons of different places across the world, but chasing your dream eventually brought you to Colorado. How does Denver’s music scene compare to other cities? It’s so different — Denver is like Disneyland for dubstep. Take Santa Barbara for example. I was living there before I moved to Denver, and there wasn’t much of a bass music scene at all. The scene was very house-focused, but there were a couple people that were pushing bass music. I was a part of that with Ooga and a few other homies. That’s where I learned to produce actually. But when I came to Denver, life was like a whole different world. If you like dubstep, Denver is the best place to be for sure. You recently released the ‘Duelist’ EP on Wubaholics, which is one of my favourite dubstep labels at the moment. Can you talk about the inspiration for the three tracks on this new EP? I love Wubaholics because they’ll put out whatever’s fire. Sure, they’re known for the wonky stuff, but the inspiration for the ‘Duelist’ EP is centred around mixing old-school dubstep with a new-school style, and turning that sound into absolute club bangers. I wanted to create tracks that will have the crowd going wild every time a DJ drops them. This EP doesn’t really tell a story in the three tracks, but it definitely gets the crowd going.

Four Tet has announced a high-profile arena performance at the Kia Forum, bringing his deeply influential sound to Inglewood for an open-to-close set. The masterful electronic music producer is set to take the helm at the Inglewood-based arena on February 22nd, 2025. Fans attending the extended set will hear him play his many world-class originals and collaborations, like the Ellie Goulding-assisted "In My Dreams" and the global house hit "Baby again.." with Fred again.. and Skrillex. You might even hear some of his chaotic selections on the periphery of his own catalog, like HOL!'s "Country Riddim." The concert is branded as "Woogie" and follows his show at San Francisco's Cow Palace in October 2023. Taking to Instagram to announce the upcoming LA edition, he promised fans an experience just as special. The arena headline is co-produced by The Do LaB and Goldenvoice, the lattermost of whom in 2023 invited Four Tet to close out Coachella alongside Fred again.. and Skrillex. Pre-sale tickets go on sale Thursday, October 10th at 10am here. Check out Four Tet's announcement below. Follow Four Tet:X: x.com/fourtet Instagram: instagram.com/fourtetkieran Facebook: facebook.com/fourtetkieran Spotify: spoti.fi/37kV2Id

There’s only one day left until Tomorrowland Brasil 2024 kicks off! As always, the global Tomorrowland community won’t miss a beat of the legendary festival, built around the mythical “Adscendo” theme. The Brazilian edition of the gathering will be livestreamed, so if you’re not at Itu, you can still catch the magic of the festival. Music lovers around the world can experience the magic of Tomorrowland Brasil 2024 through tomorrowland.com, the Tomorrowland App, and One World Radio. This global broadcast will emanate live from the picturesque Parque Maeda festival grounds in Itu, São Paulo, pulling out all the stops to connect everyone at home to this magnificent new chapter in Tomorrowland’s history. From October 11th to 13th, livestreams from the iconic Adscendo Mainstage will bring unforgettable sets by the world’s finest electronic artists directly to your screens. This stellar lineup includes Adriatique, AFROJACK, Alok, B Jones, Don Diablo, Hardwell, NERVO, Öwnboss, Sunnery James & Ryan Marciano, Yves V, and many more. To further enhance the mobile experience, Tomorrowland will be utilizing a dedicated vertical setup at the Mainstage. Upholding tradition, One World Radio, Tomorrowland’s official station, will be pumping out live sets from various festival stages (Mainstage, Freedom, and CORE). This provides listeners with a unique, front-row experience of Tomorrowland Brasil 2024, even if they can’t be there in person. And long after the parties are over, One World Radio will continue to broadcast the best sets, allowing you to relive the magic and extend the festival fun. Don’t miss a single beat! Follow the magic of Tomorrowland Brasil 2024 live via tomorrowland.com, the Tomorrowland App, and One World Radio. Tune in on the aforementioned channels, or catch the broadcasts via DAB+ in Belgium, the Netherlands, Switzerland, the UK, and Malta, and via FM in Romania (92.1 FM) and Spain (Mallorca and Ibiza). The post Tomorrowland Brasil Will Be Livestreamed – Here’s What You Need To Know appeared first on EDMTunes.

Patrick Harboun and his son are no strangers to pushing LEGO's creative boundaries. After winning the grand prize of a worldwide competition in 2020 with their meticulously designed Daft Punk LEGO recreation, they now have their sights set on getting it officially released. And they need the support of the robots' fans and LEGO enthusiasts alike to make it happen. Patrick Harboun The father-son duo's original entry was built during the height of the pandemic lockdown, a time when many turned to creative outlets for solace. Sharing their mutual love for Daft Punk's timeless music, they crafted a stunning replica of the duo's iconic pyramid stage from their "Alive 2007" tour. Despite winning first place, the stunning set never saw commercial production. However, the Harbouns are going for greatness one more time after becoming re-inspired by Daft Punk's cameo in Pharrell's upcoming LEGO animation film Piece By Piece, Patrick tells EDM.com. Patrick Harboun Their new design is live on the LEGO Ideas platform, where projects can garner fan votes for a chance to become official sets. If successful by voter demand, it will celebrate Daft Punk's enduring legacy in both music and pop culture. The father-son team is hoping that Daft Punk devotees and LEGO lovers will come together to cast their votes and turn this dream into a reality. You can show your support by voting for the project here.

In just a few years, Kasablanca have proven they have a lot to say—and they’re not done yet. The duo's debut album, Higher Resolution, to be released in two parts, is an intimate and deeply layered expression of their journey, both personal and musical. After a few years of explosive success, the duo is still maintaining their place as one of electronic music’s most compelling acts of the moment. The album is an exploration of resilience, personal battles, rebirth and the drive to keep moving forward. Its titular track is a rhythmic tone-setter with vocoder-laced lyrics cutting through the atmosphere, as if echoing from a distant future. Much of the album's first chapter similarly delivers a sense of euphoria that feels almost cinematic in scale, like "Remission," their triumphant collaboration with Lane 8. Released just days before Micky of Kasablanca was declared cancer-free, the song feels prophetic, as if it were always meant to accompany the moment when hope turned into reality. "Terminal Feeling" delves into the more introspective side of their story. Paired with ethereal, almost ghostly vocals, its haunting techno rhythms give the track an air of tension—an audible reflection of the fear and uncertainty that comes with battling illness. Yet, even in its darker moments, there’s a glimmer of defiance as the duo turns personal adversity into cathartic release. The result is a hypnotic dancefloor anthem brimming with raw, unfiltered energy. Elsewhere, tracks like "Dawn" see Kasablanca offering new stylistic production choices with frenetic percussion while crooning vocals soar through the mix, steeped in reverb. The blend of breakbeat rhythms and futuristic soundscapes captures a feeling of nostalgia and forward motion all at once, marking another standout moment on the album. A debut album release is always a milestone in an artist's career, but Higher Resolution (Side A) is a decisive reflection of their growth and evolution as artists and as people thus far. You can listen to the album below and catch Kasablanca on tour now. Follow Kasablanca:Instagram: instagram.com/kasablanca X: x.com/WeAreKasablanca Facebook: facebook.com/WeAreKasablanca Spotify: spoti.fi/3G1Q30e

It comes following claims from attendees that five trans women were forcibly removed from a bathroom by a third party security team at the operator's Skegness resort over the weekend Continue reading...

Who knew DJ Snake had a dark side? Last month, Excision gathered some of the biggest names in dubstep and bass music for the dazzling 2024 edition of Lost Lands. While its lineups have evolved each year, last month's festival featured the most musically diverse lineup in its history, offering fans many more options outside the bass umbrella. Before the French superstar took the stage, he teased a new alias set to perform amongst the dinosaurs, The OUTLAW. The posts were cryptic, but he said that Excision had told him to go as hard as he wanted with no rules. The result was a stunning performance filled with ruthless dubstep, dark techno and even some surprising tearout that left attendees buzzing all weekend. For those who couldn't witness The OUTLAW's debut in person, Snake has shared the full hourlong performance on his SoundCloud. Fans can hear every bit of the set from the intro to the finale as Snake proved why an EDM headliner can fit right in at the world's biggest bass festival. Listen to The OUTLAW's full Lost Lands 2024 performance below. The set is also available as a free download here. View the original article to see embedded media. FOLLOW DJ SNAKE:Facebook: facebook.com/djsnake.fr TikTok: tiktok.com/@djsnake X: x.com/djsnake Instagram: instagram.com/djsnake Spotify: spoti.fi/2Ydtfoq

Alexandra Richards, daughter of rock legend Keith Richards and supermodel Patti Hansen, has made her long-awaited debut with the single “Feel You,” a captivating slice of deep melodic house that effortlessly merges Afro-house vibes with contemporary dance sensibilities. Growing up in an artistic household undoubtedly shaped Alexandra’s creative vision. With a father who helped define rock ‘n’ roll and a mother who graced the covers of fashion magazines, it’s no surprise that she found herself drawn to the worlds of music and fashion from an early age. After learning the ropes of DJing from friends around New York City, she quickly established herself within the city’s club scene, curating sounds for high-profile events across the globe. This experience shines through in “Feel You,” as she skillfully crafts a sound inspired by global clubs that feels both fresh and familiar. From the very first notes, “Feel You” envelops listeners in a warm, swoony atmosphere. The production is polished yet organic, letting the track to breathe while holding strong to a persistent groove. Collaborating with the celebrated dance music duo JAIKO, known for their distinctive blend of male and female vocals, Alexandra creates a dynamic interplay between the two and her production. The voices intertwine beautifully, exploring the deep feelings that come with close connections—where personal space blurs into intimacy, and the struggle to stay grounded becomes too much to bear. The post Alexandra Richards releases debut her single ‘Feel You’ appeared first on Dancing Astronaut.