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AlphaTheta Corporation, the world’s leading manufacturer of DJ equipment, has announced the release of the AlphaTheta DDJ-GRV6, a 4-channel DJ controller compatible with Rekordbox and Serato DJ Pro. The controller is about to change the game. DJs can easily remix drum parts and perform remixes on the fly with the DDJ-GRV6, thanks to its new Groove Circuit feature, which is available in RekordBox. It enables DJs to manipulate the music in ways that were impossible with a conventional DJ controller. DJs simply press one of the dedicated buttons to swap the drum part of any track with a beat or break in a completely different genre while it’s playing and add effects to create unique sounds. Paired with Serato DJ Pro, the DDJ-GRV6 can manipulate and separate Stems using the Stems FX feature. With a layout inherited from the Pioneer DJ CDJ and DJM setups, the DDJ-GRV6 gives users a feel for playing on club-standard equipment to prepare them for the booth. The controller also includes the Smart Rotary Selector and Discover function, to help make browsing and selecting tracks more intuitive and faster. The DDJ-GRV6 can be used with a PC/Mac and mobile devices, enabling DJs to start right away on their device of choice. The price is quite reasonable at $829. The post AlphaTheta’s New DDJ-GRV6 Controller Will Let You Remix Songs Live appeared first on EDMTunes.

Adam Beyer continues to push Techno’s boundaries with diverse elements while staying true to the beat, with his new EP Don’t Go, out today October 11th, 2024. Picking up where he left off with previous acclaimed solo EP Ghost Kiss and his recent knockout debut Vintage Culture collaboration, the Swedish producer and Drumcode label boss delivers a two tracker of epic proportions, marked by a creative use of vocal samples and vocal processing, creating an extra layer of rampant power which can be both spacey and machine-like, yet organically human. ‘Don’t Go’ The title track kicks off with spacey elements of hoover and doppler FX, maintaining an assertive, demanding forward thrust throughout but soon becoming dominated by the vocal sample, a two-line Afro-vibe chorus of mixed voices processed as a riff, then a melody, and then building through the big breakdown into a huge drop. The call and response pattern of the sample is compulsively engaging, triumphant and incessantly hooky while lending an organic, atavistic feel skilfully enmeshed with the percussion. ‘Tool Of Thought’ It has more of a futuristic flavor this time, with a complex percussive attack of clacking beat, hissing hi-hats, metallic bass and hoover notes like sirens upping the dangerous, unsettling ambiance. Beyer’s recent experimenting with vocoders herecreates a deep, dark vocal. No chance of not dancing to this. Not content to rest on his considerable laurels, Techno king Beyer keeps on evolving, and the responses during his current tour of major festivals worldwide make it clear that fans old and new are more than ready for this particular iteration of his brilliance. About Adam Beyer Adam Beyer occupies a firm position among the few Techno originators who’ve stayed at the top of their game since the ‘90s. The Swede’s three-decade career is an impressive unfurling of steadfast, future-focussed innovation and expansion. Beyer has performed at nearly every club and festival around the world multiple times, he’s the first to have racked up 100 Awakenings appearances, he’s turned in two rounds on Radio 1’s Essential Mix and an entry into Fabric’s mix series, built a vast catalogue of vital records, released under various aliases, and launched three record labels, including the gargantuan Drumcode, a world-dominating brand with a syndicated radio show, weekly show on streaming platforms and global wide events. Beyer’s vocation kicked off as he galvanised the dawning of a new wave of European Techno in the mid-’90s with releases on Planet Rhythm Records and the iconic Drumcode imprint. Adolescent impatience spurred the launch of his label in 1996. With a vast stack of his records good to go and Beyer being eager to speed up the release process, he threw money into a venture that would sooner give his cuts a stomping ground. Drumcode would soon grow at supersonic speed with his own high-voltage material being released alongside early records from Cari Lekebusch, Joel Mull, Marco Carola, Henrik B and Hardcell. Today there’s no bigger label or brand in Techno than Drumcode. It’s long been an entry point into the genre, ushering in millions of ravers. An impressive roster of artists features across an unbroken schedule of worldwide, sustainable events, with a high point being a two-year run of its own booming festival. The imprint has already surpassed its 250th release – a historic collaboration that had Kevin Saunderson revive his E-Dancer moniker for remix treatment. Celebrating the origins of Techno, Beyer came through once again on his commitment to respecting the sound, maintaining its integrity and pushing things forward with a diverse line-up of artists including Robert Hood, DJ Mink, Amelie Lens, Len Faki, TYGAPAW, DJ Bone, rRoxymore, Bart Skills and Layton Giordani. “Techno is more diverse than it’s been in a long time. The underground scene is thriving again. I started Drumcode as a counterculture movement, so it’s encouraging to see the energy in it – this youth punk feeling feeding back into Techno again”, Beyer says. The post Adam Beyer Drops Diverse Techno EP, Don’t Go appeared first on EDMTunes.

Delhia de France and 8Kays‘ most recent offering, “Human Nature,” is a brilliant new release on DGTL Records. Human Nature‘s emotional center is Delhia de France’s poetic investigation of human desire. Her songs negotiate the difficult terrain of longing, guilt, and social repression of our most intense feelings. De France offers a paradox at the core of the human experience: our natural inclination to want for the unreachable combined with the social training that usually casts desire itself as something terrible. With his alchemical production on “Human Nature,” 8Kays transforms the core of De France’s songs into a lush, changing soundscape. Starting from a place of mild tension and growing to moments of catharsis and revelation, the track’s development reflects the emotional trip the lyrics describe. De France’s technique distinguishes itself in how she reframes apparently forbidden emotions. She raises yearning and longing for an almost transcendent condition rather than showing them as shortcomings to be conquered. The idea that these very human emotions have a “supernatural force” asks listeners to reevaluate how they connect with emotional expression and desire. Described as “monotonously enchanting,” the opening synthesizers deftly capture the sensation of restrained emotion – a surface-level serenity that masks deeper currents. The emergence of odd noises and finally the dramatic piano-driven breakdown as the song progresses feels like a sonic depiction of emotions shattering through limitations of constraint. This musical trip from flaw to beauty reflects the human experience itself. De France’s comments remind us that far from causes of shame, our aspirations and desires are the very core of what defines us as humans. By doing this, she asks listeners to welcome the whole range of their emotional life. A “stinging main synth” that pushes the envelope of the music marks the end of the track. This component is especially interesting since it’s said to have been successful on dancefloors all around even prior to the track’s official release. This style of sound design can set off a visceral, bodily reaction in listeners, therefore generating those transcendent moments when music, movement, and emotion unite. The post 8Kays and Delhia de France team up for ‘Human Nature’ appeared first on The Groove Cartel.

In the latest update from Glastonbury, it was revealed that ticket prices will increase next year Continue reading...

Joining forces for an unexpected collaboration, Dom Dolla and Tove Lo invite us into a seductive maze of pop and drum & bass with their new single, "CAVE." A departure for each of these dance music superstars, "CAVE" had been in the works for "years" prior to today's release on streaming platforms, according to Dolla. The track arrives after they performed it live together during Coachella's second 2024 weekend. "After years of being mates and many late night convos about making music together, we finally made it into the studio and came up with something a bit different for us both," the Australian DJ and house music producer said. View the original article to see embedded media. Mirroring the late-night collapse of emotional walls, Lo's icy vocals cut deep, each line dripping with desperation as she resists the pull of love. Her captivating lyrics haunt and linger like that last cigarette of the night—smoldering and irresistible. Meanwhile, Dolla's production slithers through your veins beneath, creating an electric tension and tightening its grip until you cave in too. His drums pound and prowl beneath the surface, slicing through a predatory bassline that circles Lo's breathy confessionals like a shark scenting blood in the water. Together they've crafted an anthem for the witching hour, when inhibitions melt and turn into either thrills or regrets—no in-between. You can watch the official "CAVE" music video below and find the new single on streaming platforms here. Follow Tove Lo:X: x.com/tovelo TikTok: tiktok.com/@tovelo Instagram: instagram.com/tovelo Facebook: facebook.com/tovelo Spotify: spoti.fi/3jePhj1 Follow Dom Dolla:X: x.com/domdolla Instagram: Instagram.com/domdolla TikTok: tiktok.com/@domdolla Facebook: facebook.com/domdollamusic Spotify: spoti.fi/3g2cuTm

In a perfect world, all workplaces would have break rooms with this kind of music in them. Between their world-class music festivals all over the globe, Insomniac stays busy by releasing music from major artists on native labels inspired by the sounds of those events. Now, the electronic music behemoth has announced the newest edition to its roster of imprints, Break Room Records. We're told the new label and event series will focus on the trendy sounds of trap, hardwave and experimental bass music. Those "rebellious and defiant" songs will create "an escape via bass music that falls on the aggressive fringes of the genre," according to a press release shared with EDM.com. The first release on Break Room is "Ultra," a hardwave banger from Hex Cougar and VARI that takes us to a cyberpunk world through distorted vocals and frenetic percussion. Combined with sawing, jagged synths that feel charged with electricity, Break Room's debut makes you feel like you're cruising past endless neon lights at breakneck speeds. Listen to "Ultra" below and find the new single on streaming platforms here. View the original article to see embedded media. Follow Break Room Records:X: x.com/breakroomrecs TikTok: tiktok.com/@breakroomrecs Instagram: instagram.com/breakroomrecs

Amelie Lens once again spins a web of techno hypnotism in "Falling For You," her brand-new single. A highlight of the Belgian superstar's standout Tomorrowland 2024 set, the track is out now via Sony Europe. It arrives hotly anticipated after being entrenched as the closing song of her DJ sets throughout the summer. With its impassioned vocals, "Falling For You" feels like a love letter written in urgent, propulsive techno. It's a haunting exploration of desire in its most desperate state, where Lens laces fragile lyricism through her raw, minimalist production: "I never felt so loved, I am falling for you / My body awakes, I'm returning to you." The words, sparse yet loaded with longing, mirror the relentless energy of Lens' production, pulling us into a claustrophobic loop of euphoria and vulnerability. She has always had a knack for melding the human pulse with the machine, and here, the tension between those elements is electrifying. Listen to "Falling For You" below and find the new single on streaming platforms here. Follow Amelie Lens:X: x.com/AmelieLens Instagram: instagram.com/amelie_lens TikTok: tiktok.com/@amelielenske Facebook: facebook.com/amelielensmusic Spotify: tinyurl.com/bd5s394c

Drum & bass vet BCee is back with a new album, These Are The Days, his eighth in an illustrious career spanning over two decades. The vocal-driven album pulses with a vibrant, soul-drenched heartbeat, blending emotive highs with the bittersweet undertow of fleeting time. The Spearhead Records founder beautifully explores the nuances of joy and struggle as they intermingle through our passing years. His melodies weave through liquid drum & bass with a quiet confidence, sometimes soaring, sometimes sinking deep into introspective grooves. Through standouts like "Straight to Your Heart" and "Hurt Each Other," BCee bottles a raw, reflective energy and reminds us that these days—whether blissful or bruising—are the only ones we get. Opening up about the new album, BCee says he wanted to explore songwriting and drum & bass in ways his fans hadn't yet heard. "Something new compared to my previous albums is that every single one of the tracks is a full vocal song collaborating with different vocalists throughout," he explains. "The title These Are The Days reflects a duality: celebrating the good times while recognizing that these are the only days we get. Whether you're enjoying life or facing tough times, it's about seizing the moment and making the most of it." You can listen to These Are The Days below and pre-order vinyl here. View the original article to see embedded media. Follow BCee:X: x.com/stevebcee Instagram: instagram.com/stevebcee Facebook: facebook.com/bceespearhead Spotify: tinyurl.com/4csntzpc

Amsterdam Dance Event (ADE) is set to electrify the city once again in October 2024, bringing together some of the most influential names and events in the electronic music industry. As the world’s leading electronic music conference and festival, ADE will feature a host of performances, networking events, and showcases across the city. Here are some of the most exciting shows you won’t want to miss: 1. EDM.com, EDMHouseNetwork & Friends: Insider Access Industry Networking Event & PartyThis exclusive networking event is a must-attend for anyone serious about making connections in the electronic music industry. On October 17, 2024, this gathering will unite DJs, promoters, producers, labels, booking agents, venue owners, and content creators for an afternoon and evening of knowledge sharing and personal interaction. Every hour, key players will be highlighted to foster one-on-one connections, making this event an invaluable opportunity to grow within the global dance music community. Attendees can seek advice on booking, social media strategy, and even showcase new music to industry professionals. Complimentary appetizers and drinks will be served, and entry is free for ADE delegate pass holders. 2. Tomorrowland Presents: Our Story 2024Marking the 20th anniversary of Tomorrowland, this highly anticipated show will take place at the Ziggo Dome on Friday, October 18. A visual and auditory journey through two decades of Tomorrowland’s iconic music moments, the event promises a spectacular combination of electronic beats and live orchestral performance. The Symphony of Unity will blend classical and electronic music, guiding the crowd through a transcendent experience. The lineup will remain a surprise until showtime, but expect performances from some of the world’s top electronic artists. With 15,000 fans attending, this is an absolute must for Tomorrowland devotees. 3. AMF 2024The Amsterdam Music Festival (AMF) returns to ADE with an incredible lineup featuring some of the biggest names in the electronic scene, including Martin Garrix, Tiësto, Timmy Trumpet, Maddix, and more. Set to take place on Saturday, October 19, 2024, this massive event will take over the Johan Cruijff Arena, promising an unforgettable night of high-energy performances. AMF is renowned for its intense party atmosphere and top-tier production, making it one of ADE’s premier events. 4. STMPD RCRDS Label NightOn October 18, 2024, STMPD RCRDS is hosting a special label night featuring a packed lineup of talent, including Dillon Francis, Julian Jordan, Justin Mylo, Blinders, and more. Known for discovering and promoting rising stars, STMPD will deliver a night of cutting-edge music across a variety of electronic subgenres. Keep an eye out for a special guest appearance that’s bound to elevate the excitement even further. If you love fresh, innovative sounds, this event is one to prioritize. 5. Morten Presented by We Rave You & BootshausEscape Amsterdam will host Danish DJ and producer Morten in collaboration with We Rave You and Bootshaus. Morten, a major player in the “future rave” movement, is known for pushing boundaries with his signature sound that blends techno, trance, and big-room house. Expect an intense, futuristic atmosphere and a show that will leave a lasting impression. 6. Mochakk Calling ADE x Loveland | ADE 2024Brazilian star Mochakk will once again headline an energetic showcase, joined by an exciting lineup featuring Chloé Caillet, Chaos in the CBD, and Logic1000. Known for his electrifying stage presence and genre-blurring sets, Mochakk is a rising force in the house music scene. This show is sure to be a highlight of ADE 2024, with diverse sounds and top-tier production. 7. ANTS AmsterdamANTS returns to ADE with an unmissable showcase of house and techno on October 17, 2024, at Hemkade 48. As part of the ANTS ON TOUR series, this event will deliver a future-facing lineup that champions the cutting edge of underground electronic music. Known for their immersive productions and expertly curated lineups, ANTS events are a favorite among tech-house enthusiasts. Don’t miss this celebration of forward-thinking dance music. ConclusionWhether you’re an industry professional looking to network or a fan eager to experience the best in electronic music, ADE 2024 promises a range of events that will cater to all tastes. From high-profile anniversary shows like Tomorrowland’s “Our Story” to cutting-edge performances at ANTS and STMPD RCRDS, this year’s ADE is shaping up to be one of the most exciting editions yet. Make sure to grab your tickets early and prepare for an unforgettable experience in Amsterdam!

Insomniac Music Group is pleased to announce the launch of its new vertical, Insomniac Publishing. This marks a significant expansion in the company’s mission to create impactful music for its label, community, and sync. Through this exciting new venture, Insomniac is committed to investing in and advancing the careers of its exceptional songwriters and emerging talent within the Dance music world. All of this while ensuring they have the tools and opportunities to make a lasting impact. The Team : The Insomniac Publishing team boasts a core roster of writers who have been making waves in recent months. This was through writing camps held at Insomniac HQ. The roster includes 2Night Management (Matroda, San Pacho, Bruno Furlan), Aryay, Avi Snow, Benni Ola, Jasper, Joris Mur, Mattilo, Nuala, Omer Horovitz and Rami Jrade. Notable records featuring contributions from the roster include Gordo and Drake’s ‘Sideways,’ AMÉMÉ’s ‘Richa,’ Blond:ish’s ‘Different Way,’ Dillon Francis & Galantis’ ‘Pretty Low,’ and many more on the way. The Insomniac HQ : The writing camps have taken place at the newly completed Insomniac Studios at Insomniac HQ. This facility features two state-of-the-art writing and recording rooms. Insomniac HQ has hosted over 100 unique artist sessions, averaging five weekly sessions in the studios. The “Mainstage” studio is equipped with all the essential outboard gear for top-notch production and vocal recording. The Dolby Atmos room is a premier space for writing, mixing, and recording, offering an immersive audio experience. The Catalog : Additionally, the Insomniac Publishing catalog includes more than 1,000 one-stop songs and tracks from all subgenres of Electronic and Dance music. Their aim is to make licensing quick and easy. They proudly work with licensing partners, including Amazon MGM Studios, Best Buy, Fortnite, NETFLIX, Paramount, Peacock, 7-Eleven, and more. Recent placements include songs in Mayor of Kingstown on Paramount + and The Lake on Amazon Prime. One of the standout writers on the roster, Rami Jrade, has excelled in the sync space with notable credits across Apple, Coca-Cola, Netflix, NBC, and others. The post Insomniac Music Group Launches New Internal Publishing Vertical appeared first on EDMTunes.

Fresh Start returns to The Midway in San Francisco this NYE & New Year Day (NYD) for a huge block party. The line-up will be featuring a star-studded lineup of the biggest names in dance music. The first phase of Fresh Start’s lineup was announced in August this year. Phase 2 will be revealed in November. This year, The Midway will be completely transformed. The venue will be decked out in Fresh Start’s 2025 Y2K branding. There will be installations, multiple food trucks and an elevated culinary menu prepared by The Midway’s Executive Chef. Phase 1 : Techno superstar Charlotte De Witte will be headlining on the 31st of December counting down to 2025 with a bang. This will follow a sunset set by Cloonee. The Blessed Madonna, Enrico Sangiuliano, Essel, Matroda and Wuki will are a part of the NYE line-up as well. The next day, Chris Lake will deliver sunset vibes to The Midway with an unmissable dance-music journey. The incredible ZHU will also perform, alongside Austin Millz, Justin Jay and J. Worra. In true New Year’s style, Dombresky is also set to don his dazzling Disco Dom alias for a party-starting set of vintage grooves. The Experience : Previously, Fresh Start has featured drag brunches, sunrise yoga, a marching band, an onsite arcade, and even a pop-up restaurant providing full table service, so expect even more surprises across the two days. If you’re new to this annual city staple, Fresh Start is San Francisco’s premiere New Year’s Block Party at The Midway. Each year, hundreds of artists descend upon the corner of Michigan and Marin Streets to take over The Midway’s multiple indoor stages, plus a massive main stage built outdoors. Weekend Passes, Single Day Tickets and Elevated VIP Packages are available here. Book now and be sure to keep your eyes peeled for the second phase of what is shaping up to be an incredible NYE/NYD lineup. The post San Francisco’s Premier Festival Fresh Start Returns for NYE & NYD appeared first on EDMTunes.

Giant streaming platform Spotify has bucked the trend of tech companies mandating a return to the office, maintaining its flexible remote work policy. The company believes that treating employees like adults is essential for fostering a productive and innovative work environment. Spotify’s decision comes in contrast to other tech giants like Amazon and Dell, which have implemented stricter return-to-office policies. Spotify’s Chief Human Resources Officer, Katarina Berg, argues that remote work has not negatively impacted productivity or efficiency. “You can’t spend a lot of time hiring grown-ups and then treat them like children“, she argues. Spotify has offices in major cities worldwide and encourages employees to come together for in-person collaboration during designated “core weeks.” This approach allows the company to maintain a strong team culture while minimizing the environmental impact of commuting. “It is harder and we all struggle to collaborate in a virtual environment”, Berg says. “But does that mean that we will start forcing people to come into the office as soon as there is a trend for it? No.“ [H/T] Digital Music News The post “Our Employees Are Not Children” – Spotify Will Keep Remote Working appeared first on EDMTunes.

UNTOLD will celebrate its 10th-anniversary edition in 2025 from August 7–10. Dubbed the third-best festival in the world by Top 100 Festivals, UNTOLD will return to the heart of Transylvania, Romania next Summer for fans to experience a real-life fantasy and celebrate music, love, freedom, friendship and unity. UNTOLD X promises to be legendary, with a stunning lineup, mind-blowing experiences and activities, mesmerizing production, and magical surprises for four memorable days and nights. With a diverse lineup of the best DJs in the world, renowned or newcomers, powerful live acts, and top singers, UNTOLD Festival is a musical paradise with multiple stages and music spots. Every year, the organizers bring to the beautiful city of Cluj-Napoca, in Romania, 200 to 250 artists who play EDM, house, future house, deep house, progressive house, tech house, techno, hard techno, trance, dubstep, drum & bass, or sing rap, trap, hip-hop, pop, and more. About UNTOLD Festival UNTOLD Festival was born in 2015, when Cluj-Napoca, the beautiful city that hosts the event, was designated the European Youth Capital that year. The first edition of UNTOLD brought 170 artists and 240,000 participants to Romania for the festival’s four days and nights. In 2024, the ninth edition of UNTOLD welcomed 250 local and international artists and over 427,000 fans from Europe, the USA, Canada, Mexico, Brazil, Asia, the UAE, and Australia. The magical realm of UNTOLD is a playground of 235,000 square meters in Cluj-Napoca, which surrounds the stadium – Cluj Arena and Central Park. The festival hosts multiple stages with unique production and decors, music spots, and diverse activities such as a flying simulator, VR games, treasure hunts, water activities on the lake, a Fashion Village with Romanian Designers, and a permanent tattoo studio. Usually, over 40 food vendors offer a diversity of tastes, from Romanian food to Asian, Hungarian, Indian, and more, including food for veggies. Tickets for UNTOLD X Tickets for UNTOLD X are available now on the UNTOLD website here, starting at 139 euros. Stay tuned for more details, including lineup, and snag your tickets now for an unforgettable 10th anniversary edition! The post UNTOLD Will Celebrate 10th Anniversary Edition In August 2025 appeared first on EDMTunes.

Apashe is continuing his Antagonist journey with a double dose of orchestras this winter. Early next year, Apashe will unfold the next chapter of his Antagonist saga on the road for an ambitious "Antagonist 2.0" tour, resuming the story that began in 2023 with the release of his stunning sophomore album of the same name. "I never thought I’d be bringing my vision to such amazing venues," Apashe said. Beloved for his inimitable blend of electronic and classical music, Apashe will feature a philharmonic orchestra for the tour's first two stops in Seattle and Paris, France. After those shows, he'll be joined by a brass orchestra for the remaining stops in Dallas, Chicago, New York City, Washington DC and Los Angeles. In addition to the orchestra, Apashe will be supported by special guest Habstrakt as well as LYNY, Vladimir Cauchemar, Josh Teed, Leblanc, Wasiu and other artists to be announced in the weeks ahead. Apashe will kick off the "Antagonist 2.0 tour January 24th, 2025 at Seattle's WAMU Theater. Tickets go on sale October 9th, 2024 at 10am local time with code "MAJESTIC." Apashe's "Antagonist 2.0" tour flyer.Apashe/X Follow Apashe:Facebook: facebook.com/apashe.official TikTok: tiktok.com/@apashemusic X: x.com/Apashe_Music Instagram: instagram.com/apashe Spotify: spoti.fi/2CSiT5C

Earlier this summer, MRAK (Carmine Conte from the famed Italian duo Tale Of Us) released a stellar EP, The Pledge, that represented a kaleidoscopic arrangement of melodic rhythms. In this previous weekend, MRAK unveiled his latest two-tracker, The Turn. This two-tracker provides two feel-good tracks that can help the listeners ease in for the rest of the week. On The Turn, it has ‘Reserva’, a string-laden upbeat tune with 19:26, an ambient and neoclassical emotive techno project of fellow countryman Raffaele Sorrentini. Then, MRAK brings out on The Turn another stellar track, ‘Dune’, with Aimée Sophia, a world-class singer who has developed an international reputation for providing beautiful, spell-binding vocals and the vocals she showcases amplify the mysterious feeling of this track.. Click ‘Play’ on the Spotify link below to stream The Turn from MRAK, a release that feels like one is in a world of blissful feels and colorful vibes, as well being in an environment where any worries go away while listening to this release. The post MRAK Brings Out Great Emotions Through Two-Tracker, ‘The Turn’ appeared first on EDMTunes.

It seems like Sphere Entertainment Co. is taking multiple hits this week. As the futuristic venue located in Las Vegas prepares for a huge residency, while hosting Anyma for End of Genesys, chief financial officer announced his departure from the company. Furthermore, the company’s stocks have fallen 4.3 percent from the closing price as the news of the resignation broke out. Sphere Stocks Fall David Byrnes will depart from his role as CFO and treasurer soon. However, he will have an interim period in his position as the venture searches for someone to replace him. Moreover, the Sphere fell down to $41.07 per share during this announcement. Even though the volume was just over three times the day to day average, the closing price for Monday was $43.80. September 29, 2023: U2 Performs U2:UV Achtung Baby Live At Sphere Opening Night Sphere entertainment oversees operation at the majestic Sphere Las Vegas. The 17,500 venue has hosted U2 and the Eagles residencies. Besides a one hour signature film called ‘Postcard From Earth’, the venue hosted an UFC event and is on the Formula One Grand Prix track. David Byrnes The CFO currently stepping down has played three different roles in the company since december 2023. In addition, he was serving as executive vice president and CFO of Madison Square Garden Entertainment Corp for two years. During this time, Byrnes supervised major interest sales and stock offerings that dealt with Tao Group Hospitality and MSG Entertainment. (source) Will this events affect the Sphere long term? We will find out as we’re shy 3 months out of the one of the biggest EDM residencies of the year. Anyma will present The End of Genesys to close out one of the most successful chapters of his career. With six dates on new year’s weekend and two extra dates added on January 10 and 11, The Sphere will remains busier than ever. The post Sphere Entertainment CFO Resigns & Stock Falls appeared first on EDMTunes.

As autumn sets in and ADE season approaches, Stefanno b2b Julianno deliver a mix that captures the vibrant energy of Amsterdam’s nightlife. Drawing inspiration from the city’s streets and the pulse of its dancefloors, the duo have crafted a selection that reflects their love for dynamic, high-energy records. With their upcoming trip to ADE, this mix serves as the perfect preview of the excitement to come, setting the tone for a season filled with unforgettable music and shared experiences on the dancefloor. The Romanian DJ/Producer duo have been making their mark on the Progressive Trance scene since 2008; with performances at key festivals and alongside major artists like Above & Beyond, Aly & Fila, and Dash Berlin, they’ve built a reputation for engaging crowds and delivering memorable sets. Their passion for music and dedication to their craft continue to drive their career forward, and this mix perfectly highlights their expertise and artistry. Stefanno B2B Julianno Online Spotify | Instagram | Beatport The post Stefanno b2b Julianno Are Energizing ADE Season with a Dynamic New Mix appeared first on EDMTunes.

We may have seen the last of the summer season but that does not mean we can’t continue that feeling moving into Autumn thanks to Italian producer Mic Does Things and his infectious new single, ‘Summer Love’. The single, released on July 19th, is a wonderfully addictive and infectious dance single, built around uplifting synths, smooth melodies, and sounds that transport you straight to a sun-kissed getaway. With its expertly crafted arrangement, the track captures not only the euphoria of summer but also the bittersweet emotions of a fleeting romance. The nostalgic energy of the song is matched by evocative lyrics such as, “Just a summer love, only me and you” and “When autumn comes, we’ll drift apart,” perfectly encapsulating the end of a season—and a love affair. This release showcases Mic Does Things’ ability to blend heartfelt storytelling with high-energy production, making ‘Summer Love’ an unforgettable summer anthem. And this is only the beginning for Mic Does Things. As a fresh face in the music scene, he’s already making waves with his innovative sound. With a passion for experimenting and creating, he brings a unique approach to his music that sets him apart. His journey is just beginning, but it’s clear that his ability to connect with listeners and create something memorable is already making an impact.

Decoded Magazine · Exclusive Premiere – Josh Wink – 'Nerf Herder' With a title inspired by Princess Leia’s immortal clapback to Han Solo in The Empire Strikes Back, and a creation that occurred during parent downtime at a Nerf tournament, ‘Nerf Herder’ is Josh Wink in a playful mood, perfectly timed for his annual Hallowink festivities alongside Will Clarke on the 31st of October. ‘Nerf Herder’ takes its sonic cues in part from 90s progressive house – driving and expansive, it slaps as hard as Leia’s words and follows on from recent singles ‘The Deepness’ and ‘Progression’ where Wink explores the more emotional/ melodic aspects of his creative palette. Big tune from one of the greatest to do it! Josh Wink says: ‘’Nerf Herder’ is a reference in the Star Wars movie The Empire Strikes Back where Leia insults Han by calling him a “stuck-up, half-witted, scruffy-looking nerf herder”. But that wasn’t the reason I named this track ‘Nerf Herder’. I was waiting for my son at a Nerf event in Philadelphia, while he and other participants were in the laser tag-like arena, I was composing music on my laptop in an empty room at the community center where it took place. So instead of the track name being the date of when I made it, or something else, this one came to mind and stuck (with a slight nod to Star Wars, Han and Leia too). Two years ago was a period of time musically, where I delved into emotional and melodic techno/house compositions (‘Iz’, ‘The Deepness’ and ‘Progression’) that are slightly influenced by the 90’s progressive sound, yet still have the signature Josh Wink quality to the production. I am excited to slow things down, expressing the deeper, and more emotive side of me, rather than the techno sound most people know me for.”. An artist and DJ who barely needs introduction, Josh Wink has been gloriously disrupting electronic dance music with a DIY and post-punk energy since the 90s. Amongst a huge arsenal of profound releases – his seminal breakout hit ‘Higher State of Consciousness’, highlighted as one of Rolling Stone’s ‘Greatest Dance Songs Of All Time’ in 2022. In 1995 the single was unleashed on the world and was immediately embraced by everyone from Gilles Peterson to Carl Cox. The definitive track continues to be rediscovered and adored by every new wave of DJ, raver and electronic enthusiast since its original release 29 years ago. His Ovum imprint is a continuation of this boundary-pushing attitude, with more than 400 releases, over 130 associated artists and countless chart-topping tracks in its 30 years. Born in Josh’s native Philly in 1994, Ovum is as DIY and independently-minded now as it ever was, with label and founder having plenty up their sleeve to surprise and delight in 2024 and well and beyond. Stream / Download here and get your tickets to Josh’s annual Hallowink party with Will Clarke on the 31st October here The post Exclusive Premiere – Josh Wink ‘Nerf Herder’ appeared first on Decoded Magazine.

Legendary artists and emerging talents in the electronic music world abound on Time Warp‘s “Two Days | Two Celebrations” edition on October 25–26, 2024, when it returns to Mannheim. Given such a wide range of artists, it may not be easy to choose the must-see events. But from our experience, we are here to guide you with our list of the five musicians you really must not miss at this year’s Time Warp festival. &Me and Rampa Starting our list is the much-awaited face-off between two major Keinemusik collective members, &ME and Rampa. This back-to-back set looks to be a master class in deep, melodic house, techno, and, of course, a bit of afro-house. The ability of &ME to create expressive, groove-driven songs complements Rampa’s strong rhythms and percussion skills. Combining organic components with electronic beats in a way that has come to define the Keinemusik sound, their cooperative energy is likely to provide a magnetic environment on the dancefloor. Charlotte de Witte b2b Enrico Sangiuliano Among the highlights of the festival is Charlotte de Witte and Enrico Sangiuliano’s back-to-back set. Both artists are well-known for their mesmerizing techno and combined intensity will produce an amazing experience. De Witte’s evocative build-ups combined with Sangiuliano’s thundering rhythms will probably provide an exciting and exactly balanced performance. Miss Monique Miss Monique from Ukraine has become among the most interesting names in progressive and melodic techno very fast. Her sets are renowned for their trip-like feel. She fuses mesmerizing rhythms and uplifting melodies with pounding basslines. Together with her flawless track selection, Miss Monique’s ability to craft a narrative via her music promises to transport Time Warp participants on an enchanted musical trip. Her performance, as a relative newbie to the Time Warp stage, is not to be missed since it presents an original viewpoint on the music of the festival. Reinier Zonneveld (live) In the techno scene, Reinier Zonneveld‘s live performances have become fable. It’s quite amazing how quickly he could produce throbbing, high-energy techno utilizing a range of hardware synthesizers and drum machines. Offering festival-goers an opportunity to see the creative process in real-time, Zonneveld’s show on Saturday promises to be a masterclass in live electronic music production. Indira Paganotto Rising sensation Indira Paganotto is one of the fresh waves of techno musicians sweeping over the scene. At big events and venues all around, her hard-hitting, trance-influenced techno has been turning heads. Paganotto’s set at Time Warp is probably a high-octane affair that highlights why she’s regarded as one of the most intriguing fresh electronic music stars. The post The 5 artists you can’t miss at Time Warp 2024: lineup appeared first on The Groove Cartel.

‘Cornucopia: The Book’ features over 300 images and projections from musical and visual artists Continue reading...

Dolby will take over Amsterdam's TOBACCO Theater with a series of listening sessions, concerts, talks, and mixing workshops Continue reading...

In the midst of the jungle revival, one name that’s become impossible to ignore is Bristol-based DJ/producer Cheetah. Despite being relatively new to the scene, his relentless drive to create distinctive, high-energy, booty-shaking bangers never disappoints—whether it’s old-skool jungle, groundbreaking bass music, or a seamless blend of both. Self-released tracks like “X-rated” and “Freaks” are tearing up dancefloors across the UK and beyond. Describing himself as a “serial collaborator,” Cheetah isn’t exaggerating; he’s worked with heavyweights like Nia Archives, Tim Reaper, and Samurai Breaks, just to name a few. After a hectic summer with debut appearances at major festivals like Glastonbury, Outlook Croatia, and Boomtown, Cheetah has definitely been keeping busy. This year, he’s also showcased the latest in UK sounds across Europe, playing in France, Spain, Poland, The Netherlands, Germany, and Croatia—often joined by the Singularity UK crew. Thankfully, he took some time to catch up with us at UKF, sharing his summer highlights and teasing exciting projects for the upcoming club season, including an EP with Samurai Breaks on Super Sonic Booty Bangers (SSBB)—just in time to lift our post-summer blues. Lets kick off with this summer, You’ve been incredibly busy playing at many festivals. What were some of the highlights? It’s been sick, it was my first time playing at festivals! Glastonbury was a standout experience. I ended up spending most of my weekend at NYC Downlow, an infamous queer club in the heart of the festival, listening to a lot of hard-house & disco. Oh, sick! Did it end up impacting your set at all? Yeah actually, the club definitely left an impact on my set. I felt like I was marinating in the club’s energy. I had a bunch of fun, sexy, queer-influenced tracks on my USB, which were different from my usual ones. Since it was a mostly jungle takeover and everyone else had been playing jungle, I decided to drop some sexy, fruity, 160-shit. Everyone loved it and I think they could see I was loving it too, it just felt right. Sexy, Fruity, 160, I love that! You’ve been with the SSBB and Singularity UK crews this summer. What was that experience like? In general, the best opportunities on paper can become quite stressful and anxiety-inducing. For example, going to Glastonbury for the first time. If I hadn’t been able to go with the Singularity UK crew and do a takeover with them, it would have been a bit lonely and stressful. But I’ve known them for a few years now and we’ve become quite a close-knit family, so it made the experience much more enjoyable. I actually ended up lost one day, but luckily I bumped into Samurai Breaks and Jess (who’s the chief booty-bouncer at Super Sonic Booty Bangers). We went to see Skream & Benga and then ended up spending the whole day together, which was really nice. Essentially, that’s the human side of the labels. Knowing that the people behind the music are genuine is important to me. You’ve got an EP out in collaboration with Samurai Breaks on SSBB… There are some absolute bangers on there! After finishing my Freaks EP, I wanted to try something new. I was inspired by vogue/ballroom music and 160 tracks, and the concept for the EP emerged from that. I reached out to Samurai Breaks, and we decided to collaborate on the EP back in March. From then I started making a ton of tunes -about 12 in total. Many didn’t make the cut… It was initially meant to be a four-track EP, then it expanded to five tracks, and then six. Finally, three days before the pre-masters were due I panicked as I realised I really wanted a tekky 170 jungle tune for the project. I spent the next three days on my laptop, trying to finish it on time. This ended up being the seventh track ‘Go Harder’, a track with a style of production I’ve never really attempted before. I’m quite proud of it. Wow… It was tricky because it was a new style for me – it was a very clinical production. It’s not old skool; it’s not drum and bass either. It’s fruity, fun, and a lot of experimentation for me. I wanted the EP to be a vibrant project with something for everyone. The artwork is amazing, the promotion is great, and Sam’s a fantastic collaborator. Anyone who knows him will tell you he’s incredibly driven, refreshingly blunt, and super focused. He’s a legend and has been an amazing mentor for me recently. The Freaks EP, which dropped in June, was also packed with bangers—definitely more jungle, ragga, and 160. How was it releasing this EP independently? The whole idea behind the Freaks EP was to take complete creative control over the production, promotion and artwork. I’d become a bit complacent, letting labels handle that for me. While labels are a huge part of the culture, I wanted to try doing it all myself this time. Musically, the goal was to create fun, light-hearted tracks without taking things too seriously. There’s a lot of dancehall and hip-hop infused… I listen to a lot of dancehall. I made ‘X-Rated’ during my first year of uni when I was really getting into it. I then mixed in an Erika Badu vocal, another artist who I was into at the time. For ‘Freaks,’ I wanted to maintain that playful, light-hearted vibe. ‘Freaks’ by Vicious was the main sample. It’s another dancehall tune that I’ve loved for quite a while, specifically the cheeky, androgynous vocals. https://soundcloud.com/cheetahhhh/sets/freaks-ep?si=2c33a27a7a7b4297855d66cd46a1ce1f& utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing How did your journey into producing actually start? I get asked a lot about this since I’m relatively young. My mum bought me the most basic version of FL Studio when I was 14. I’m super grateful for that – seven years on I use the same version. I learnt how to use it from hundreds of hours of YouTube tutorials. I’m pretty sure I learnt from watching Martin Garrix tutorials. In 2017 I would make Brockhampton-type beats. I used to record vocals for the tracks with my mates and release them on my Soundcloud. The lyrics were all really stupid and were all a big joke between me and my mates. We all had a lot of fun. As I got older we started making garage, grime and some more experimental electronic music inspired by floating points etc. I’ve always had a pretty diverse music taste. When did you get into jungle then? In 2019 I started going to squat raves and was suddenly catapulted into dance music and rave culture. The music was mostly jump-up D&B which I somewhat enjoyed but never really got attached to. It was around this time that I met the Singularity UK crew. They really educated me on dance music. Jungle spoke to me way more than jump-up D&B did as I’ve always listened to hip-hop & R&B, and was already used to producing with breakbeats and soul samples from when I made beats. Whenever I did attempt to make D&B it always ended up sounding like jungle anyway as I was using my boombap drum packs. Eventually, after releasing some of my early jungle experiments like ‘Of Course’ on Da Demolition Squad, I was asked to perform as a DJ. I had to say no a couple of times at the start as I hadn’t yet learnt how to mix. Honestly, most of my early exposure to jungle then came from new school labels like Subcode Records, Globex Corp and Future Retro instead of stuff from the ’90s. I was deeply inspired by the new generation of jungle producers like Tim Reaper, Sully, Lavery, and Samurai Breaks. My taste was definitely shaped by new-school sounds, which is likely why my jungle has a different feel. Yeah, it’s interesting you say that. Don’t get me wrong, I’ve for sure produced old-school jungle tracks that echo the 94/95 era. I got deeply involved with the scene, connecting with some serious old-school heads, and their effort to preserve the culture is incredible. On top of that, the current jungle and hardcore scene is full of really amazing people and it’s such a lovely community. It was really a safe haven from hyper-masculine drum and bass raves. After a while though, trying to perfectly replicate a specific sound from the past in production and in sets drove me a bit crazy. It’s a personal thing, some people love it but it wasn’t for me. My jungle really doesn’t sound very old skool anyway. I really look forward to creating all sorts of jungle hybrids in the future. I want to return to the variety of tunes I would make before I started DJing loads of jungle-only raves. Okay, let’s get real: which city is better, London or Bristol? That’s a tough one. I often find that when I’m talking to someone from another country who hasn’t been to either city, I recommend Bristol over London. I’ve lived in Bristol for a while now, and I feel that no other city really matches the jungle scene. Sound system culture doesn’t seem as strong in London. Bristol offers a great mix of student energy and long-time locals, creating a perfect balance. While London still hosts amazing raves and Singularity UK continues doing great work there, Bristol’s unmatched community and the endless list of raves wins out for me. You’ve worked with some amazing artists like Tim Reaper, Dj Sofa and Stekker, unreleased projects with Nia Archives. How did these collaborations come about? With Nia, she’d been releasing her music a bit before me. I followed her on Instagram and noticed she posted a story featuring one of my tunes and had downloaded my SubCode EP from a couple of years ago. Yeah! I remember her playing that on BBC Radio 6, the track “Spin Sugar”! It was cool, it was my first proper EP release so I was really surprised she heard it. We ended up getting in contact and I started sending her tunes. She continued to support me and eventually, we linked up in her studio in London. We made some edits for her tour and ended up getting on well, that’s how collaborations work for me -if we don’t get on, it can get a bit awkward and I can find it hard to be creative. I’ve got collab projects with Nia, Janaway, Samurai Breaks & Guido YZ all in the works… What have been the key takeaways from those collaborative experiences? When I first moved to Bristol I linked up to produce with Janaway – the only other guy my age who released jungle. Turns out we had the same vision and started to really get on as mates. Since then we’ve collaborated loads and performed internationally together he feels like a brother now. Whenever we link up it just feels like hanging out, sometimes we link up just to chat and end up making a banging tune. Occasionally we’ve linked up to produce but then just end up chatting. It’s all natural, there’s no pressure and for me, that’s the key. I have similar attitudes with anyone who I collaborate with a lot. Another lesson I learnt was that not all tracks will have a 50/50 split in work – and that’s alright. It’s okay if the contributions aren’t equally divided. What matters is the collaborative environment in which the tunes are made. You might not physically touch any buttons at all, but if your ideas and energy helped shape the creation, you’ve still played a crucial role. A collaboration is about the collective creativity and energy you bring to the project. Speaking of future projects, what else can fans expect? I’ve got my ‘SSBB’ EP launch at Clock Factory on September 28—proper gassed for that. I like to keep things spontaneous, so after this EP it’s hard to predict exactly what’s next. Any last thoughts you want to share? I want to say a huge thank you to anyone who’s listened to my tracks or come to see me DJ. It’s everything to me. Check out my Super Sonic Booty Bangers EP and keep your eyes peeled for any future projects. Hopefully, there’s something for everyone, keep an open mind. Bang it out in the gym! Absolutely, that’s exactly what it was made for! Grab a dumbbell and swing it to ‘Go Harder’. Get ready for some serious personal bests! https://www.instagram.com/cheetah.brr https://dademolitionsquad.bandcamp.com/album/x-rated-ep

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What an incredible week it has been for the This Never Happened Superstars, Sultan + Shepard! They started off with a bang, celebrating their 250th episode of Dialekt Radio by exclusively featuring never-before-heard tracks. As if that wasn’t enough, they also dropped two brand new singles, ‘Close Your Eyes’ and ‘Behind Her Eyes’. Both of which will be part of their highly anticipated Circle in Time: The Trilogy EP. Don’t miss out on the chance to experience the depth and emotion of these phenomenal new additions to their already remarkable discography. ‘Close Your Eyes’ Ned and Osama’s music has always had a powerful emotional impact. Their latest tracks, will be a part of their upcoming project Circle in Time: The Trilogy EP. The song ‘Close Your Eyes’ is a collaboration with Richard Walters, who adds a unique emotional depth and vocal warmth to the track, enriching its introspective and serene qualities. Walters’ lyrical style often delves into themes of longing, self-reflection, and human connection, all of which are palpable in ‘Close Your Eyes’. While working on their first album Something, Everything, S+S created songs with Walters that formed the spiritual core of the album. As they wrapped up Something, Everything, and embarked on Forever, Now, they conceived ‘Close Your Eyes’, but the perfect ending eluded them until now. As they began crafting Circle in Time, the stars aligned for ‘Close Your Eyes’. ‘Behind Her Eyes’ ‘Behind Her Eyes’, is a truly special track for the S+S boys. Written during a challenging time when Ossama’s mom was battling cancer, the song encapsulates the deep emotional journey of sadness and hope. The infectious groove of the track is driven by a tight bassline and steady percussion, providing a rock-solid foundation. The intricate layering of melodies, fueled by arpeggios, creates a captivating and propulsive rhythm. There’s a dynamic interplay between different synths, crafting a rich and textured soundscape that draws listeners in. The subtle yet impactful drops use modulation and reverb to add a sense of spatial depth to the track. As always, the boys deliver an exceptional piece of music that resonates on a profound level. Mark your calendars for November 15th because that’s when The Circle in Time: The Trilogy will be released! And if you haven’t heard they will continue you their brilliant live tour this winter. I had the pleasure of catching them earlier this year, and believe me, this is a show you absolutely cannot miss. Check out their tour dates here and make sure to grab The Circle in Time: The Trilogy box set to experience their epic journey. Stay tuned to EDMTunes for all your latest music updates. The post Sultan + Shepard Release Exciting Close Your Eyes EP appeared first on EDMTunes.