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The waiting is over! The Swedish House Mafia maestro Sebastian Ingrosso has at last revealed his much-awaited solo effort. Legendary tastemaker Pete Tong just revealed the bombshell on his BBC Radio 1 show, introducing Ingrosso’s new tune, “Flood.” “Flood” is a masterclass in atmospheric production. The tune commences with a dramatic and dreamy breakdown that grabs the listener right away. It carries them to a sonic environment both known and shockingly novel. Notes of the Past, Whispers of the Future “Flood” marks a fresh chapter in Ingrosso’s career, yet it does not entirely forsow his roots. The increasing arpeggio in the breakdown reminds one of the famous “We Come, We Rave, We Love.” But this time around Ingrosso has created a more natural and organic impression, therefore highlighting his artistic development. The track gains depth and passion with the chorus’s vocal inclusion. It’s the ideal balance to the rich instrumentation to produce a strong synergy that will appeal to both old and new listeners. Ingrosso swings a curveball just when you believe you have “Flood” under control. The second drop is an appealing, down-tempo glitchy beat that will get throngs moving. This surprising turn shows Ingrosso’s eagerness to challenge limits and play about with his sound. What now? All eyes are now on Sebastian Ingrosso as “Flood” ripples across the radio. Will this constitute a component of more general body of work? In not too distant future, might we anticipate more tracks challenging genres? One thing is for sure: Sebastian Ingrosso’s new musical path starts off explosive. The post Listen Sebastian Ingrosso New Single “Flood” on BBC Radio 1 appeared first on The Groove Cartel.

The 30th Anniversary edition of Plastikman’s Musik, the ground-breaking second studio album by Richie Hawtin as Plastikman, has been announced for release on NovaMute on 6 December 2024. The album, originally released via NovaMute / Plus 8, followed 1993’s Sheet One and propelled Hawtin into new levels of international success. On its initial release, in Nov 1994, Hawtin was central to a burgeoning underground scene in Detroit, and the album, which expands on his unique and innovative minimal techno world, was launched with Plastikman’s first ever live performance in Aug 1994 – at the derelict Packard Plant in Detroit, in a room encased in black plastic sheets. Before the full album hit the shelves, ‘Plastique’ (later described by Q as “… the flipside to Hawtin’s early singles, all ticking percussion, feline acid tweaks and cushioned sub bass”), set the stage for a more dance floor friendly album, albeit one with an unsettling and sinister side. Musik, which featured tracks such as ‘Freek’, ‘Kriket’ (which Raf Simons used earlier this year in the Prada Men Spring/Summer 2025 show), ‘Fuk’ and ‘Marbles’, was soon heard by a much wider audience. Plastikman live appearances at Glastonbury, Tribal Gathering and a headline slot at Megadog followed soon after, prompting NME to declare Plastikman to be “Fiercer than Orbital, funkier than the Prodigy and more insatiably danceable than anything else on the bill”. The album, described by The Guardian as “music as you’ve never heard it before” and by The Wire, who made it one of their Albums of the Year, as “… a masterpiece”, defined a moment in techno that still echoes today. Now, 30 years later, to mark its anniversary, the album has been remastered from the original tapes, reminding us why Plastikman is a name that still resonates and that the album’s intensity – on and off the dance floor – has lost none of its potency in the intervening years. Manufactured with environmentally conscious packaging, pressed on bio-vinyl. Pre-order Musik (30th Anniversary Edition) Plastikman Musik vinyl tracklisting (cat # NOMU37VLP) A1 Konception A2 Plastique B1 Kriket B2 FUK B3 Outbak C1 Ethnik C2 Plasmatik C3 Goo D1 Marbles D2 Lasttrak The post Plastikman – Musik, 30 years on appeared first on Decoded Magazine.

The group pulled the plug on five shows across North America – their first US tour in half a decade Continue reading...

An album beloved of fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher’s discography. A distinctive blend of studio and live recordings, it’s an excellent showcase for the diversity of his music; from the anthemic title track, through the breakneck mayhem of ‘Steinbolt’, to the sunlit bliss of ‘Tommib Help Buss’ and beyond. For the 20th anniversary, Warp is proud to present this expanded deluxe version – a limited edition one-time pressing, carefully remastered from the original recordings by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson. Never entirely satisfied with the sound of the original release, Tom has relished the opportunity to bring out fresh dynamics and detail in the tracks. Bonus album Venus No.17 Maximised is compiled from material originally released as part of the Ultravisitor promo EP, released 26 January 2004; the Square Window 3” CD, a free bonus disc given out with WarpMart pre-orders of the Ultravisitor album and theVenus No.17 EP. The accompanying booklet contains photographs, posters and recording documentation from Tom’s archive. Ultravisitor (20th Anniversary Edition) will be available on October 25th via Warp Records. On streaming services, the existing Ultravisitor and Venus No.17 will be refreshed as Ultravisitor (Remastered) and Venus No.17 Maximised, which includes the original EP as well as tracks from Square Window that have previously never been available digitally. Ultravisitor (20th Anniversary Edition) A1. Ultravisitor A2. I Fulcrum A3. Iambic 9 Poetry A4. Andrei B1. 50 Cycles B2. Menelec B3. C-Town Smash C1. Steinbolt C2. An Arched Pathway C3. Telluric Piece C4. District Line II D1. Circlewave D2. Tetra-Sync D3. Tommib Help Buss D4. Every Day I Love Bonus album Venus No.17 Maximised E1. Square Window E2. Abacus 2 E3. Venus No.17 E4. Itti-Fack E5. Melt 14.6 F1. Venus No.17 Acid Mix F2. Tundra 4 F3. Talk About Me & You The post Squarepusher releases ‘Ultravisitor’ 20th Anniversary Deluxe Expanded Edition appeared first on Decoded Magazine.

As the year draws to a close, Anyma makes his Las Vegas debut with his residency, Afterlife presents Anyma ‘The End Of Genesys’ live at Sphere December 27-31, 2024 and January 1, 10 & 11, 2025. As Sphere’s first electronic artist residency, Anyma has invited an exciting array of talent to join him at the ground-breaking venue. Presented by Live Nation, each performance will feature an exceptional range of industry-leading artists, including: A genre leader heralded for his critically-acclaimed albums Genesys and Genesys II, as well as his high-caliber live shows, Anyma is the multidisciplinary music and contemporary art project helmed by Matteo Milleri, operating at the compelling intersection between art, technology, and music. Afterlife has evolved from an event series and record label to become a multidimensional platform for groundbreaking artists and visually sensational installations. As the first electronic music act at Sphere, Anyma will present an audio/visual ‘Genesys’ show, which has fascinated audiences around the world. Visual collaborations include; art direction by Alessio De Vecchi, executive production by Alexander Wessely, and additional production by animation studio Woodblock – anticipating what is bound to be an unforgettable milestone in live music. Sphere’s next-generation technologies – including the world’s highest-resolution LED display and its advanced concert-grade audio system, Sphere Immersive Sound, powered by HOLOPLOT – will be combined with Anyma and Afterlife’s signature production. Fans can expect a sensory-expanding mix of innovative visuals and sounds that defy the boundaries of what’s possible. Limited tickets for January 10 & 11 shows remain at after.life/spherelasvegas. Tickets for all other shows are completely sold out. Confirmed to join Anyma at Sphere by date are: December 27 DIXON MIKE DEAN December 28 AMELIE LENS CHRIS AVANTGARDE B2B REBŪKE December 29 CHARLOTTE DE WITTE CASSIAN B2B KEVIN DE VRIES December 30 RAMPA PARISI December 31 ADRIATIQUE MASSANO January 1 TIËSTO ARGY January 10 SEBASTIAN INGROSSO SCRIPT January 11 CAMELPHAT LAYTON GIORDANI The post Afterlife announces Anyma ‘The End of Genesys’ Live at Sphere Las Vegas Residency appeared first on Decoded Magazine.

Andromedik has had a crazy year so far. He has hosted his own stage at Tomorrowland, embarked on his first US tour, and organised the second edition of his rave concept ‘Andromedik Invites’, for which he’s bringing Kanine, Grafix, Mozey, Emily Makis and others to Belgium. In addition to touring, performing, and organising events, he is also busy working on new music. While Andromedik blew up with tracks like ‘Forever’ and ‘Your Eyes’ back in 2018, he says his sound feels more mature now. Focusing more on the technical side of drum and bass, and working with vocalists more than ever, he’s peeling back the layers of who he wants to be in this scene. We caught up with Andromedik and talked all about his 2024 so far, and what’s yet to come. How are you doing? It’s been quite a year for you so far. I’m doing very well, I’m still enjoying the summer. I attended every festival I wanted to be at, so I went from one highlight to another, which was very fun. The rest of the year is looking good too. I’ve had my US tour for example, it was my first time there. You can see that more and more artists are going there now. Chase & Status, all the Worship guys are there. Overall, I’m really happy with how it’s going. I’m also making music that I’m very proud of and is feeling more mature. In what way does your music feel more mature for you? Around 2018, 2019, I did a lot of melodic drum and bass with a slightly happier sound than now. Not that I’m making dark stuff now, but I notice that the songs start to sound different. I find it very exciting to see other artists evolve their sound from album to album. If everything sounds the same, it gets boring pretty quickly. I’m thinking about the technical stuff, making a better mix, creating cooler sounds… Drum and bass is a genre that has a lot of possible directions, so I try to work with that. I’ve also been working with songwriters more often, and that’s something I’ve noticed more and more; working with other people, you can learn so much from them. It brings such a new, cool insight into your music. The reason that I like working with vocalists, is because I think they bring that human element everyone can connect with. I think that makes that song more special. It makes a drum and bass tune feel more like a full song. That’s feedback I often get from MCs, as well, that they really don’t have a place to MC, because it’s just constant vocals throughout my entire sets. That doesn’t mean I don’t like MCs, though! But every time they want to get in, a new vocal starts playing from the next song, and that’s no fun for them either. So that’s why I’m doing my own ‘MCing’ for now. You can also choose where you create your highlights. But don’t get me wrong, I love MCs. You’re based in Belgium, and it’s a pretty small scene there. How is the scene amongst the DJs? I think it’s really cool. We’ve got a group chat with some of the other DJs and we talk to each other every day. There’s Basstripper, Maze, Primate, Captain Bass, and a few other people. It really feels like this big group of friends. We hang out in summer to go swimming for example, go on trips together… It’s very nice because it also feels like a group of colleagues in a way. Sometimes DJing can be a very individual job, so it’s nice to be able to talk to people who are doing the same thing. I also get a lot of support from them. If you look at the Andromedik Invites stage at Tomorrowland, you’ll always find someone from that group chat that’s also part of the line-up. We try to bring each other everywhere. Last year we did a birthday bash for Primate and Used and I did a b2b there. We have a lot of fun together. You’ve just come back from your US tour. How did that feel? You’ll notice that there’s more and more happening in the US. Like I said, Chase & Status are doing crazy stuff there. Worship are doing massive tours there too. The last tour they did I was thinking, how big are all those venues here? Apart from that, Netsky is also been touring there for quite some time now. You just feel that the Americans are starting to get a feel for the faster tempo. That’s why it felt like it was the moment to go there. We also noticed that more interest came from the US. And then there was a request for Lost Lands, Excision’s festival. When they asked if I wanted to come and play, I said yes, this is the moment. And how did it feel to go there? Cool! America is a massive country. I had only been there once for a summer school, when I was still at university. It was in Georgetown, very close to Washington. It’s amazing that I can see more places in the country through my job and experience how that is. It really felt like a mini vacation. Out of all the countries you visited as a DJ, which one has been the coolest so far? 100% New Zealand. It’s such a crazy place. It doesn’t feel like you’re on Earth. It’s like you’re on another planet. The nature there is totally different from what we have in Europe. It’s such a beautiful country, I’ve been there twice now. Every time I’m there I’m like, it’s so cool that I can come here to play music. I was able to take my brother with me the last time, which was also super fun. This summer, you also had your own stage at Tomorrowland with Andromedik Invites. Can you tell us more about that? I did my first edition of Andromedik Invites at Trix last year, and that went very well. Tomorrowland noticed that. They told me that they were thinking of putting more drum and bass on the line-up, and asked me to put together a line-up for the Atmosphere stage; they’d never put D&B there before. That was really amazing, because I could pick and see which artists I wanted to book. It was nice to be able to put such a line-up together, it was new to me. I could literally just ask my favourite artists to come, and I’m really happy with the line-up we put together. The tent was packed the whole day. Merow opened the tent. She’s a Dutch bass house artist, and when she started playing her first tune, the tent was already full. It was mad to see, and I really hope we can do it again next year. You’re also throwing an Andromedik Invites rave in November in Antwerp Expo. Can you tell us more about who you invited and why you did that? If you look at those headliners, I started from the thought, who fits in a rave concept? For this edition, we wanted to go bigger than Trix. We also want to make it feel more like a rave rather than just an Andromedik headline show. I think that’s great for the Belgian scene—the more parties there are, the better. It’s just to bring fresh wind into the scene. And when I think of a warehouse rave, I think of Kanine. I think he’s gonna fit the whole Antwerp Expo vibe really well, he has that dark sound. So from the start I was like, I want Kanine on the line-up. From there, I started puzzling again. I invited Grafix last year at Trix, and he played a fantastic set, so I decided to invite him again. I also wrote the track ‘Comedown’ with him, so it makes sense for him to be there. I invited Emily Makis because she’s mega-relevant now. She writes great songs, has an amazing voice… From what I’ve seen on social media, all her concerts look amazing. I think Mozey is good to have that bit of jump up for the Belgian jump up lovers. They are artists I like. That’s the music I listen to. I think if you listen to my sets, you will hear a lot of music from the people on the line-up. That means I won’t be able to play that music myself that evening, but that’s my problem. It’s purely about what kind of music I feel and what I would like to hear when I’m standing there. I think that in the long run, the music you listen to will have an influence on your own music, and that’s why I feel like they really fit into the Andromedik Invites concept. That’s interesting! Is there anything else you would like to share with us? Absolutely. There will be a new song coming before Andromedik Invites on November 2, and there’s still a lot more to come. I think if you follow my releases, you know that I release music quite often. I’m definitely not going to stop doing that. So, lots of stuff is coming.

Pretty Lights and a small team of determined creatives have orchestrated an online auction that resonates far beyond the confines of his dreamlike dancefloors. As Western North Carolina grapples with the catastrophic aftermath of Hurricane Helene, the pioneering electronic artist has joined a feverish rally to offer a beacon of hope through a rare collection currently under the digital hammer. It's a luminous lot comprising over 150 coveted items, each crackling with a pulse of his creativity and his band's ineffable connection to fans. "Our fans are really about lifting each other up and the sense of community that we've built is such a beautiful thing," Meghan Zank, Smith's partner, tells EDM.com backstage prior to Pretty Lights' set at Austin City Limits. "So they all want to help. When we see any major devastation, we think, 'What can we do?'" Pretty Lights, whose real name is Derek Vincent Smith, echoed that sentiment. He and Zank worked with Erin Fritts, Jennifer Rodriguez and Emily Picart to execute the 72-hour online auction, "Creatives For WNC Relief," which features contributions from all around Pretty Lights' vast community. The band's videographer Corey Ramos, a Charlotte native, has also played a pivotal role. "We're a few hours away, so it definitely hit home, seeing how many friends live out there. Their city was devastated and they can't go back, and some friends are relocating," Ramos laments. "It was just so unexpected and they're just not prepared for that kind of stuff. They're prepared for blizzards—not flash flooding." "It was tough to see. So after a week of kind of just figuring out how we could help, we figured this might be the best way. A lot of people have love for that area through the music scene." Among the treasures up for grabs are over 15 autographed official prints—rare relics no longer available to the public—alongside tickets to upcoming shows and high-quality photo prints captured by Pretty Lights' photographer, Brittany Teuber. Other highlights include lessons from renowned drummer Adam Deitch and Lettice guitarist Adam "Shmeeans" Smirnoff. An official photo print of Pretty Lights captured by the band's official photographer, Brittany Teuber.Brittany Teuber/Brizzzzzle "Creatives For WNC Relief" even includes a guarantee for song or sample requests at Pretty Lights' performances, letting fans take part in curating the very sound that defines their lives. But as bidders vie for these gems, they're also contributing to a larger narrative of resilience and restoration. To that end, the silent auction speaks volumes about the transformative power of art in times of crisis. Zank paints a picture of a deeply passionate grassroots effort to prove that electronic music can help rebuild, both spiritually and materially. "The music that [Smith] makes really comes from the deepest part of his soul," she says. "It speaks to the human experience and I think it's super relatable. And he's just a really true artist. So I think when something's real, it just attracts power. Taking care of each other—it's not about just him, it's about our team and the community around us." "Connection is a big theme around here," Ramos adds. "I feel like any way that PL gets a chance to connect or fuse the connection themselves, they'll take advantage of it." "Creatives For WNC Relief" ends October 15th at 7pm EST (5pm MST, 4pm PST). You can place bids here. Follow Pretty Lights:Instagram: instagram.com/prettylights X: x.com/prettylights Facebook: facebook.com/prettylights Spotify: spoti.fi/2GkoC5A

On October 12, 2001, Guy-Manuel de Homem-Christo and Thomas Bangalter, also known as Daft Punk looked into the future and released ‘Harder, Better, Faster, Stronger’—a track that not only became a hit but also a prophecy for the music world that followed. As we celebrate the 23rd anniversary of this anthem, its robotic rhythm and hypnotic lyrics remain as influential as ever. In 2001, when electronic music was beginning to gain popularity beyond the underground rave scene, artists like The Chemical Brothers, Fatboy Slim, and Basement Jaxx were intoducing listeners to the genre. It was however Daft Punk’s ‘Harder, Better, Faster, Stronger’ with its fusion of house, funk, and robotic vocals and challenging conventional song structures, that truly broke new ground by pushing the boundaries of electronic music. The core of ‘Harder, Better, Faster, Stronger’ is built around a sped-up sample of Edwin Birdsong’s 1979 track ‘Cola Bottle Baby’ combined with Daft Punk’s signature use of the vocoder. This, along with the song’s mechanical, futuristic feel, made it stand out against the backdrop of traditional pop and rock at the time. Upon its release, ‘Harder, Better, Faster, Stronger’ didn’t just capture the attention of clubgoers—it also became a commercial success, peaking at No. 3 on the Billboard Dance Club Songs chart and No. 3 on the UK Dance Chart. Over the years, it has left an enduring mark on music, with one of the most notable tributes coming from Kanye West who transformed its robotic lyrics and brought its influence into the realm of hip-hop with ‘Stronger’. Big names like Diplo and Deadmau5 have also reinterpreted the track, each adding their own unique twist. Its status as a pop culture phenomenon was further solidified by viral YouTube performances like ‘Daft Hands’ and ‘Daft Bodies’, where performers timed their hand or body movements to the song’s lyrics. Since the release of ‘Harder, Better, Faster, Stronger’ and the album Discovery, Daft Punk went on to release the massively successful Random Access Memories in 2013, which won multiple Grammy Awards, including Album of the Year. Their single ‘Get Lucky’ , featuring Pharrell Williams, became an international hit and showcased the duo’s ability to blend genres and generations. Although Daft Punk announced their disbandment in 2021, marking the end of an era after nearly three decades of shaping electronic music, their influence continues to resonate throughout the industry. Their groundbreaking approach to electronic production, the fusion of human and robotic sounds, and their commitment to innovation have inspired artists such as Madonna, Skrillex, Alison Wonderland, and many others across various genres. As we look back at 23 years of ‘Harder, Better, Faster, Stronger’, we recognize that Daft Punk didn’t just create a song—they sparked a movement. This track, with its mechanical pulse and relentless drive, symbolizes the pursuit of constant progress. But in a world that demands we push harder, we also have to acknowledge that innovation often comes not from force, but from reflection, adaptation, and finding new paths forward. While celebrating the amazing energy and mantra of ‘Harder, Better, Faster, Stronger’ , let’s also remember that true growth doesn’t just come from pushing harder. It comes from evolving with purpose, finding balance, and adapting to the ever-changing world around us.

M-22 is back with a game-changing new track, teaming up with UK vocal powerhouse Jasmine Thompson to bring a thrilling rework of Lykke Li‘s beloved hit ‘I Follow Rivers’. This fresh take injects the indie favorite with a surge of high-octane energy, turning it into an unstoppable, feel-good anthem made for the dancefloor. The British-German DJ duo, Matt James and Frank Sanders, better known as M-22, are no strangers to delivering hit after hit. With over 300 million Spotify plays and a track record of explosive collaborations and remixes with the likes of Avicii, Marshmello, Clean Bandit, and Robin Schulz, M-22 has earned their place as leaders in the global electronic music scene. Jasmine Thompson is no stranger to German dance music collaborations. Having recorded notable singles with Felix Jaehn and Robin Schulz amassing over 1 billion streams collectively. Her instantly recognizable vocals shine on this latest feature, reigniting the magic of the original with her effortless tone. Make sure to check out this stunning collaboration on all platforms here.

With their fifth studio album, “Inhale/Exhale,” RÜFÜS DU SOL has confirmed their leadership in the field while reinventing what electronic music might be in 2024. Published under Rose Avenue and Reprise Records, this 15-track odyssey offers evidence of the band’s development as artists and people. The album provides an unmatched experience that is both very personal and broadly resonant. Tyrone Lindqvist, Jon George, and James Hunt, better known as RÜFÜS DU SOL, have evolved since their 2010 debut. Though they have stretched the envelope of their sound with every album, “Inhale/Exhale” is their most ambitious and sophisticated effort to produce yet. Factors evident in the music’s depth and complexity, the album emerged from a period of notable personal changes for the band members and a reinterpreted creative workflow. Inhale/Exhale in RÜFÜS DU SOL own words This record is very special to us. We’re incredibly proud of it and of what it represents for us as a group. We wrote a lot of music together for this project, and decided early on that we were trying to create something more expansive than we have previously shared. It’s crazy to think we’ve been collaborating on this project together for almost fifteen years, to know that we’re five albums deep now and we’re as excited about making music together now as when we started. Shout out to all the fans who support us, this collaboration wouldn’t be possible without you. – RÜFÜS DU SOL Let’s carefully investigate every song, untangling the tapestry of sound and feeling RÜFÜS DU SOL has spun. Inhale/Exhale in our words The first song on the album, Inhale, functions as a metaphor for the trip ahead as well as an introduction. Starting with the faint sounds of a little brook, it progressively gets louder like a rushing waterfall. This natural development reflects the change of the band and prepares the audience for the vast sonic environment to arise. From the opening, “Lately” shows up with a mesmerizing beat that doesn’t quite relieve the tension accumulated in “Inhale.” This restraint is excellent; it keeps listeners interested and yet produces an unexpectedly soothing effect. The clean, sophisticated production here highlights RÜFÜS DU SOL’s ability to evoke mood without overwhelming the senses. With “Breathe,” the album veers deeper and into more enigmatic seas. Here the baseline is rich and seductive, matched by dreamy vocals floating above the mix. The techno-inspired components strewn throughout show the band’s readiness to expand their sound into uncharted territory while preserving its unique melodic quality. “Music is Better” explodes with an irresistible vitality that is hard to control. One of the album’s top hits, it makes sense why the band landed their first #1 at Dance Radio. Here, the appealing main subject blossoms completely and captures a celebration and gladness. RÜFÜS DU SOL exhibits their experimental aspect with Levitating, a downtempo track including unusual drum rhythms. The percussive parts take the front stage and produce an interesting and danceable rhythmic playground. This is the ideal illustration of how the band strikes a mix between accessibility and creativity. “Break My Love” is unique in its dreamy, personal quality. The songs lure you in close only to burst into a drop calling for movement. Things calm down as we approach the middle part of the album, allowing for introspection. With In The Moment a peaceful environment is created by soft arpeggios entwining with a simple, mesmerizing baseline. This song seems as an appeal to be present, to really occupy the area the music produced. “New York“: this down-tempo work is a cinematic trip. You are carried to a loft above Central Park while you listen, seeing from a bubble of peace the anarchy of the city. The poignant ambiance created by the sluggish beats against the evocative voices precisely captures the mixed beauty of urban life. Starting with soft beats, “The Life” progressively picks in intensity to reflect the themes of love and resiliency found in the lyrics. In the story of the album, this song seems as a turning point—a moment of strength and validation. Here Lindqvist’s vocals shine, delivering words like “No matter where the road takes me / There’s nothing in this world / That could break me” with a clearly felt passion. RÜFÜS DU SOL treads more clearly into more openly electronic space with Pressure. Organic rhythms and experimental beats produce a dynamic, throbbing soundtrack that highlights the band’s adaptability. With Fire / Desire the percussion investigation carries on, with hypnotic synth lines grounded in down-tempo beats. The music reflects the dichotomy in the title, therefore generating an absolutely fascinating tension between restriction and release. The synths and piano lines become more open and ethereal as the album draws to an end with Edge of the Earth. Both sonically and emotionally, one feels stretching outside and pushing boundaries. Standing at the Gates tracks the energy down while accentuating the memories. It seems like a moment of introspection on the road we have traveled over the album, a stop before the last ones. The exquisite creation here makes room for meditation, a required respite before the last push. The penultimate song, “Belong,” features dreamy harmonies and wonderful synth work. Reiterating the connection to the music as well as to each other, it captures the main ideas of love and belongingness of the album. “Exhale“: The album finishes with a song fitting its title from the beginning. Romantic tones and soft harmonies help one to feel released, to let go. The trip ends beautifully and cathartically, leaving listeners feeling complete and rejuvenated. How the album was born and its meaning RÜFÜS DU SOL has a great capacity in “Inhale/Exhale,” to strike a mix between refinement and accessibility. Every track provides a deep, layered soundscape that honors repeated listening; the production quality is flawless. The band’s development is clear in their enlarged musical palette, which keeps their unique voice while absorbing influence from all around the electronic music scene. This record distinguishes itself in emotional resonance. Though “Inhale/Exhale” feels like their most personal and mature work to date, RÜFÜS DU SOL has always been exceptional in producing songs that speak to the heart. Weaved throughout are the ideas of love, development, and self-discovery, therefore producing a story that is both quite personal and generally relevant. From “Inhale” to “Exhale,” the album’s arrangement captures a whole trip, a musical representation of the breathing cycle. This idea gives the listening experience more complexity and motivates interaction with the album as a whole instead of as a set of separate songs. The backstory of RÜFÜS DU SOL album, Inhale/Exhale One should consider the background of the “Inhale/Exhale” creation. Written amid a worldwide epidemic that changed the music business and during a moment of major personal change for the band members, the album feels like both a reaction to and a haven from the difficulties of previous years. The album’s coherent yet varied sound clearly shows the fresh creative flow indicated in the press release. Tracks like “The Life” and “Belong,” which address themes of resilience, connection, and finding one’s place in a world undergoing change, have even more poignancy from this background. RÜFÜS DU SOL New Album Inhale Exhale picture What we have learned from Inhale/Exhale? “Inhale/Exhale” provides a moment of oneness and clarity in a world that too frequently seems fractured and chaotic. It reminds us of the beauty of common events, the need for connection, and the healing ability of music. Listeners who release the last notes of this album experience rejuvenation and enthusiasm for what RÜFÜS DU SOL will produce going forward. The album is a voyage, a meditation, a celebration rather than only a collection of songs. This is a piece that requires to be experienced complete, each track building on the next to produce a harmonic and emotionally relevant totality. We consider “Inhale/Exhale” a lighthouse signaling the way ahead and reminding us of the emotional foundation of the genre as the terrain of electronic music changes. This album resonates with the human experience in all its complicated beauty, pulsates with emotional energy, and breaths life. Basically, it’s RÜFÜS DU SOL at its best, asking everyone to inhale deeply and let the music help them to lose themselves. The post RÜFÜS DU SOL fifth studio album ‘Inhale/Exhale’: Review appeared first on The Groove Cartel.

This year has already seen the 10th anniversary of a bunch of absolutely historic electronic music, and now adding to that list is the sensational ‘Virus.’ Created by the monstrous pairing of Martin Garrix and MOTi, ‘Virus’ would take the festival and club scene by storm with its amazing melody and insanely powerful drop. Prior to working together on this track, Garrix and MOTi had already known each other for several years having both come from Amsterdam and having done various shows together. They would often send tracks to each other for advice and did work on a couple projects together, however it was ‘Virus’ that would be the project that would see completion. Even before its release there was a lot of excitement and anticipation surrounding the song with Garrix debuting it at Mysteryland and some other huge DJs including it in their sets such as Avicii, Nicky Romero, Hardwell and David Guetta. Though ‘Virus’ wouldn’t see much chart success, it would fast become a fan favourite and has cemented itself as one of Martin Garrix and MOTi’s best songs. It would also help with Martin Garrix’s meteoric climb from 40th to 4th on the DJ Mag Top 100 DJs chart as he quickly established himself as one of the biggest artists in the world. Along with all this ‘Virus’ provided us all with one of the most iconic moments in music history at Ultra Music Festival 2022 when Garrix shouted “F**K CORONA” before the drop. Martin Garrix and MOTi coming together to make this track was a gift to the music world. Would you like to see them collaborate again?

Wynn Nightlife has announced a high-profile afterparty featuring Anyma, confirming the superstar DJ's Las Vegas nightclub debut in the midst of his groundbreaking Sphere residency. Scheduled for Monday, December 30th at XS Nightclub, the show is being organized in partnership with Framework, with whom Wynn Nightlife is collaborating to produce the upcoming Art of the Wild festival. It will take place after Anyma's show that night inside the Sphere, one of eight in a historic run at the record-breaking venue. Wynn Nightlife says the "landmark event" will allow fans to experience Anyma's music in an intimate setting, a rarity considering his performances are typically reserved for major music festivals like Tomorrowland and Coachella. "We're thrilled to be a part of Anyma’s Las Vegas nightlife debut, and this exclusive one-time event," said Ryan Jones, Vice President of Wynn Nightlife. "Wynn Nightlife strives to be at the forefront of the nightlife hospitality industry by offering dynamic programming, creating one-of-a-kind experiences and leading innovation. Anyma at XS Nightclub delivers all of that." You can purchase tickets and find out more here. Follow Anyma:Instagram: instagram.com/anyma TikTok: tiktok.com/@anyma X: x.com/anyma_eva Facebook: facebook.com/anyma.ofc Spotify: tinyurl.com/2p976k79 Follow Wynn Las Vegas:X: x.com/wynnlasvegas Instagram: instagram.com/wynnlasvegas TikTok: tiktok.com/@wynnlasvegas Facebook: facebook.com/wynnlasvegas

Esteemed DJ and electronic music producer Jackmaster has died at the age of 38, his family announced today. The influential Scottish artist, whose real name was Jack Revill, tragically succumbed to complications from an "accidental head injury" sustained on the island of Ibiza. "It is with profound sorrow that we confirm the untimely passing of Jack Revill, known to many as Jackmaster," reads a statement released on Revill's Instagram today. "Jack tragically died in Ibiza on the morning of 12th October, following complications arising from an accidental head injury." Rising to prominence in Glasgow, Jackmaster held residencies on BBC Radio 1 and co-founded the prominent Numbers imprint. The record label became a platform for pioneering electronic artists like Jamie xx, Hudson Mohawke and the late SOPHIE, among many others. "His family—Kate, Sean, and Johnny—are utterly heartbroken," the statement continues. "While deeply touched by the overwhelming support from friends, colleagues, and fans, the family kindly requests privacy as they navigate the immense grief of this devastating loss." We at EDM.com express our sincere condolences to the family, fans, friends and loved ones of Jackmaster. View the original article to see embedded media.

The Glasgow-born DJ, producer and label head passed away this morning (October 12) following complications from a head injury Continue reading...

Sebastian Ingrosso has just hinted at a new solo project that would highlight another aspect of his musical ability. Turning now to Instagram, Ingrosso posted an enigmatic picture along with a fascinating caption: It’s been a very long time since I worked on something of my own that represents who I have become since then. I am on a journey of traveling inwards and this is one of the many stories I hope to tell. – Sebastian Ingrosso Ingrosso is most known for his work with the Swedish House Mafia and as one-half of Axwell Λ Ingresso; hence, this news marks a shift from his known sound. The artist’s reference to “traveling inwards” suggests a more intimate and reflective attitude toward his work. Ingrosso is a flexible producer, so we believe that this new project might explore melodic techno and progressive trance. Combining “cinematic” and “dreamy” components with “dark and mysterious” components could produce a sound with both emotional resonance and sonic complexity. Fascinatingly, this news follows Anyma’s publication of the whole “The End of Genesys” residency lineup for The Sphere in Las Vegas. Ingrosso is scheduled to perform alongside half of Tale Of Us, which fuels more conjecture over his new musical orientation. This is not Ingrosso’s first venture into side projects, though. Under the Buy Now name, he and Steve Angello have worked together investigating the more raw side of dance music. However, this new solo project is likely to challenge Ingrosso’s artistic limits even further. The post Sebastian Ingrosso Teases New Solo Project appeared first on The Groove Cartel.

House superstar, Malaa is a busy musician this year with new releases and a new alter ego. Out now is ‘Save Me‘, a new track including a driving baseline and a Grammy-winning vocal artist, Rory to back it up. The two artists put their addicting genre styles together to form another staple in clubs through the end of the year and well beyond. Inside Malaa’s Next Club Hit If you have ever experienced a deep love for someone or something that has taken you for granted or more simply, love a good House track, ‘Save Me’ is a good massage for your ears. In the beginning, Rory puts it down with a message of awareness that quickly introduces the hook, “save me“. This melodic intro builds without too much emphasis and drops us down into a bass drop and chorus signature to Malaa’s infectious style. After the break, get ready for a 2nd drop that adds some heat to the family of bass sounds that makes this track the masterpiece that it is. Malaa Then & Now Since 2015, Malaa has rocked the dance floor with constant releases, remixes, and collaborations. Some great examples would be his hit single ‘Notorious‘, his Illegal Mixtape series, his 2022 album Don Malaa, and his remix of Linkin Park‘s ‘In the End‘. Recently on the road to becoming the greatest House artist of all time, Malaa had a standout performance at the world-known festival Coachella as well as Ultra, Tomorrowland, Creamfields, HARD, Electric Zoo, and EDC. To top things off his recent tour, the Don Malaa Tour included sold-out shows at iconic venues like the Shrine Auditorium (Los Angeles) and Radius (Chicago). To say that Malaa’s career ever merges into the slow lane would be a traffic violation in itself. A Sneak Peek Into Malaa’s Alter Ego Memorable releases like ‘Save Me’ are only the start of Malaa taking over every club on earth in 2025. The Electronic music-enthused guru is turning heads with talks about a new alter ego by the name of SIMIYA, some are picking sides. This new stage presence and banger catalog are said to test the limits of Electronic music with genre-bending and rule-breaking methods, religiously. Stay tuned for more about SIMIYA and in the meantime, enjoy ‘Save Me’ – quick listen below or check out the Youtube video. The post Malaa Doubles Down On Releases With ‘Save Me’ Featuring Rory appeared first on EDMTunes.

Mark your calendars for Saturday, December 28, as GRAMMY-winning artist Black Coffee makes his highly anticipated return to Dubai Harbour, ready to perform for a crowd of thousands. In a collaboration that promises an unforgettable experience, The Night League—behind renowned venues like Ushuaïa and Hï Ibiza—joins forces with Studio A by Addmind Hospitality to present one of the most iconic names in Electronic music. The Magic of Black Coffee Black Coffee, the South African DJ and music producer, is celebrated for his ability to blend various musical styles into a unique sound often referred to as “Afropolitan House”. This signature style fuses House with Soul, alternative African percussions, Organic electronics, and rich Jazz elements, creating an immersive auditory experience that captivates audiences. With a discography featuring collaborations with international superstars such as Alicia Keys, Drake, Pharrell Williams, and David Guetta, Black Coffee’s influence extends far beyond the dancefloor. His long-standing residency at Hï Ibiza is regarded as one of the world’s most cultured underground parties, showcasing his knack for curating an unforgettable musical journey. An Unmissable Experience The excitement surrounding Black Coffee’s return to Dubai is palpable, especially after his last performance drew an impressive crowd of over 15,000. This year, attendees can expect an enchanting evening against the stunning backdrop of Dubai’s skyline at sunset. The combination of breathtaking views and Black Coffee’s mesmerizing beats sets the stage for an unforgettable night. But it’s not just about the music — this event promises state-of-the-art production from High Scream, led by the talented Romain Pissenem. Fans will be treated to captivating visuals and an electric atmosphere that elevates the entire experience. Get Your Tickets! With Black Coffee’s immense popularity, tickets for this event are expected to sell out quickly. If you want to be part of this magical night, it’s best to secure your spot as soon as possible. This is not just another concert; it’s a chance to experience one of the world’s most influential electronic artists live in one of the most beautiful settings. The post Black Coffee Coming Back To Dubai Harbor appeared first on EDMTunes.

In a groundbreaking move, DJ Snake introduces his new alias, The OUTLAW, with Trickstar on the high-energy remix ‘HITA,’ a fresh spin on the iconic Flosstradamus and Viperactive track. Set for release via exclusive platform Hydshare and SoundCloud. ‘HITA’ blends The OUTLAW’s bass-heavy twist with Flosstradamus’s signature Trap style and Viperactive’s intensity, creating a Bass anthem that’s been generating buzz across social media since DJ Snake’s The OUTLAW debut at Lost Lands Festival. The OUTLAW emerged from DJ Snake’s desire to break free from mainstream limitations, where he often felt pressured to tone down his sets. Sparked by a conversation with Excision, Snake embraced the freedom to perform with full intensity. As one of the first major artists to push Bass music to new heights, he frequently faced pushback for “playing too heavy“. Now, with The OUTLAW, DJ Snake is fully unleashed, delivering his sound without compromise. ‘HITA’ is set to captivate fans with its explosive energy and innovative sound, marking a pivotal step in DJ Snake’s artistic evolution. DJ Snake continues to showcase his ability to innovate and evolve his artistry. About The OUTLAW: The OUTLAW, DJ Snake’s bold new alias, was created to break away from the constraints of mainstream expectations and fully embrace his raw, intense sound. This project reflects DJ Snake’s desire for creative freedom, allowing him to push Bass music to its limits without compromise. As one of the most influential figures in Electronic music, DJ Snake has made a global impact with multi-platinum hits like ‘Turn Down for What’, ‘Let Me Love You’, and ‘Taki Taki’. His headlining performances at major festivals, including Coachella and Tomorrowland, have cemented his reputation as a genre-defying artist. With The OUTLAW, DJ Snake embarks on a new chapter, pushing the boundaries of his artistry while staying true to his Bass-driven origins. The post DJ Snake Releases Outlaw Set From Lost Lands + Remix Of ‘HITA’ appeared first on EDMTunes.

Listen to the most flavour-packed tracks we discovered this week. Music makes the world go round. And in that regard, we’re constantly on the lookout for new, exciting tunes to share with our audience. We’ve found some that cause goosebumps, and make you open your eyes and get up from your chair to dance. So put on your best pair of headphones, or turn up your speakers, and enjoy this week’s New Music Friday. Here are our top picks for the best music we came across this week, in no particular order. And remember, if you would like to contact us for a chance to feature your track on our page, head over to this link right here. RÜFÜS DU SOL – Exhale Genre: Ambient / Indie Dance And just like clockwork, we find ourselves again drooling over GRAMMY-winning live electronic trio RÜFÜS DU SOL. Yes, they’re sexy, but more importantly, today we receive their fifth studio album Inhale / Exhale. The highly anticipated LP is out now via Rose Avenue/Reprise Records. The entire album is a journey, and a story you are a part of one way or another. The closing track, ‘Exhale‘, therefore, feels like you have obtained peace through the experience. It reminds us of the ability to release lots of tension and bad juju through breathing out. And more importantly, being able to breathe again, soothingly. Ben Hemsley – Tidal Genre: Classic Trance Ignore this came out last week (when we didn’t do a NMF). We’d been waiting on this one piece of blissful Trance for months, and now it’s ours for Eternity. Ben Hemsley. This man took the Trance scene by storm — and for all the good reasons. As of now, he has become one of the younger figures in who we trust to restore Trance to its former glory. Inspired by the golden era of Trance, Ben Hemsley’s ‘Tidal’ featuring the vocals of Rose Gray is one of the year’s most anticipated releases, by a mile. The 10.5-minute-long track blends Classic Trance hallmarks with innovative soundscapes, all while Rose Gray’s ethereal voice adds an emotional layer to the narrative of a turbulent on-and-off relationship. Are you a producer and you want your song featured on EDMTunes? Follow this link right here. Adam Beyer – Don’t Go Genre: Techno (Peak-Time) Adam Beyer continues to push Techno’s boundaries with diverse elements while staying true to the beat, with his new EP Don’t Go, out today. Picking up where he left off with previous EPs and collabs, Drumcode’s label boss delivers a two tracker of epic proportions, marked by a creative use of vocal samples and vocal processing, creating an extra layer of rampant power. The title track, ‘Don’t Go‘, kicks off with spacey elements of hoover and doppler FX, maintaining an assertive, demanding forward thrust throughout but soon becoming dominated by the vocal sample, a two-line Afro-vibe chorus of mixed voices processed as a riff, then a melody, and then building through the big breakdown into a huge drop. Gorgon City & Max Styler – Touch Genre: Tech House The Electronic music scene is buzzing with excitement as Gorgon City teams up with Max Styler for their latest track, ‘Touch‘. Known for their unique blend of Deep House and vibrant Pop elements, this collaboration is no exception. Let’s dive into what makes ‘Touch’ a standout addition to both artists’ discographies. ‘Touch’ opens with an inviting melody that sets the stage for a euphoric experience. The track features lush synths and a pulsating bassline, instantly drawing listeners in. The production is polished, with intricate layers that reveal themselves with each listen. What truly stands out in ‘Touch’ is its vocal delivery. The ethereal vocals weave through the instrumental, creating an atmosphere that feels both intimate and expansive. Final Words Stay tuned, for more of our compilations every Friday — based on demand. Are you a producer and you’d like to be featured in the next edition of our New Music Fridays? Then head over to this link right here, you champ. And be sure to follow EDMTunes for all the latest news and reviews that revolve around our beloved Electronic Dance Music! The post EDMTunes New Music Friday – Week 41 appeared first on EDMTunes.

The build up has been insane. And, after long months of waiting, the lineup for Anyma’s End of Genesys Residency at the Sphere is available. The Melodic Techno DJ, half of Tale of Us, and lead of Afterlife will close down the year in the very first EDM residency for the Sphere venue in Las Vegas. Moreover, Live Nation is sponsoring the event. The desert awaits! The Lineup With some wild cards, and some expected faces, the lineup turned out to be one of the most diverse ones we’ve seen for an Afterlife event. Anyma truly outdid himself choosing all these talented and popular individuals. Now for the familiar faces: Camelphat, Layton Giordani, Adriatique, Argy, Dixon, and Massano will all write history alongside Anyma with their influential sounds. Moreover, you can’t have a proper show unless you surprise the audience with some sick B2Bs. We’re absolutely thrilled to witness Cassian b2b Kevin de Vries, and Chris Avantgarde b2b Rebūke. The Wild Cards Now for the juicy surprises. More mainstream producers made it into the roster. These include Tiësto and Sebastian Ingrosso. However, their skills in blending Progressive and Big Room sounds are the perfect spice to add to the Sphere. Two of the most impactful female Techno DJs join this crazy list: Charlotte de Witte, known for her dark, and hypnotizing sounds, and Amelie Lens, who actually remixed one of Anyma’s most popular tracks ‘Syren’, into a psy-tech delight. Both Belgian artists lead their own labels (KnTxT and Exhale) and will bring their harder, sinister, and tasty soundscapes. Lastly, we will encounter legendary producer Mike Dean, and German Afro House DJ and member of Keinemusik, Rampa. Up and Coming To close out the list, Anyma selected new additions to the Afterlife family that have also taken the scene by storm. Script, who underwent a major rebrand that began with his smasher hit ‘On the Low’, and the electronic duo Parisi. The latter have enchanted stages all over the world with their euphoric mix of House and Techno. The Sphere The multibillion dollar venue has hosted major residencies for U2 and The Eagles. Most recently, its current CFO resigned this week and their stock fell a bit. Nevertheless, this AI-ran entertainment venue has led the technological industry to new heights. And now, hosting their very first EDM residency with Anyma. Alongside his visual director, Matteo Milleri aka Anyma have established a whole other realm of audiovisual experiences. Let’s start the new year with a dream. Tickets are still available for all dates of the show. The post Anyma Reveals Full Sphere Residency Lineup appeared first on EDMTunes.

Insomniac has always been synonymous with bringing larger-than-life experiences to Dance music fans. From their flagship Electric Daisy Carnival (EDC) to Nocturnal Wonderland, they have dominated the U.S. scene for decades. Now, Insomniac Europe is poised to take things to the next level, with two of the most iconic European events — Amsterdam Music Festival (AMF) and A State of Trance (ASOT)— set to expand under their umbrella. A Big Move with ALDA: The 50% Acquisition Back in 2018, Insomniac made a bold move that signaled its intentions for global domination when they acquired 50% of ALDA, a leading European dance music event production company based in Amsterdam. ALDA, known for producing some of Europe’s most celebrated events like AMF and ASOT, had already established itself as a key player in the international Dance music scene. By joining forces, Insomniac and ALDA created a powerhouse capable of pushing the boundaries of dance music experiences even further. This partnership was seen as a natural progression for both companies, with Insomniac Founder and CEO Pasquale Rotella stating, “By aligning our businesses, we can bring the world-class experiences that both Insomniac and ALDA are known for to the U.S. and exciting new places around the world”. Allan Hardenberg, ALDA’s co-founder, echoed this sentiment, calling the partnership a thrilling new chapter for both brands. AMF and ASOT: European Dance Titans With Insomniac Europe now officially in the picture, two major festivals will be at the forefront: AMF and ASOT. AMF, held annually in Amsterdam, is the largest indoor Dance music festival in the Netherlands, drawing thousands of fans for an unforgettable experience. A State of Trance (ASOT), the world’s leading Trance event founded by Armin van Buuren, has built a legacy of delivering euphoric, high-energy performances. These events, under Insomniac’s influence, will continue to grow, potentially expanding into new territories and offering even more immersive fan experiences. What’s Next for Insomniac Europe? While details on the full scope of Insomniac Europe remain under wraps, their launch is an exciting step for fans across the continent. Insomniac’s impressive track record of producing over 2,000 events worldwide, including EDC in Japan, Mexico, and China, suggests that Europe is in for something truly special. Stay tuned for more announcements as Insomniac Europe prepares to shake up the festival scene. The post Insomniac Europe Launches To Host AMF And ASOT appeared first on EDMTunes.

As the anticipation builds for Amsterdam Dance Event (ADE) 2024, one name is lighting up the Techno scene: Charlotte de Witte. Known globally as a powerhouse in the genre, Charlotte is set to return to Amsterdam with her highly acclaimed KNTXT Turbo Club, a 72-hour marathon that promises an unparalleled experience for fans and Dance music enthusiasts alike. A 72-Hour Techno Marathon KNTXT Turbo Club is not just an event; it’s an experience that encapsulates the essence of Techno culture. This year, Charlotte is pulling out all the stops, bringing together a lineup of top-tier artists, immersive visuals, and, of course, her signature high-octane beats. Fans can expect a relentless barrage of pounding basslines, hypnotic rhythms, and an atmosphere that fuels the spirit of Dance. Charlotte’s ability to curate a space that is both electrifying and inclusive sets her apart in the Electronic music landscape. With each set, she pushes boundaries, ensuring that every moment in the Turbo Club is memorable and transformative. Charlotada Is Back This year, Charlotte is thrilled to bring back her partnership with Don Julio Tequila, elevating the KNTXT Turbo Club experience with the Charlotada. This exclusive hangout spot within the club will offer attendees a unique blend of tacos, tequila, and Techno, creating a multisensory environment that goes beyond the dancefloor. Imagine savoring delicious tacos crafted with authentic flavors while sipping on premium Don Julio Tequila, all set to the backdrop of pulsating Techno beats. Charlotada will provide a much-needed respite for festival-goers, allowing them to recharge and socialize before diving back into the energetic atmosphere of the Turbo Club. Food enthusiasts and cocktail fans won’t be left out, as Don Julio is offering a special hot sauce and rim salt set. The first 20 guests each day who say the code “Por Amor” at the Paloma bar will walk away with this exclusive gift — perfect for recreating the Charlotada experience at home. Charlotte de Witte’s KNTXT Turbo Club at ADE 2024 is poised to be an unforgettable experience for Techno lovers everywhere. With 72 hours of non-stop music, the exciting Charlotada partnership, and the vibrant atmosphere of Amsterdam, this is an event you won’t want to miss. Prepare to lose yourself in the beats, indulge in delicious tacos, and raise a glass of Don Julio Tequila as Charlotte de Witte ignites the night once again. Get ready for a Techno journey like no other! The post Charlotte de Witte Bringing KNTXT Turbo Club And Charlotada Back To ADE 2024 appeared first on EDMTunes.

With his awe-inspiring dubstep and bass music production, Soltan has dazzled the masses time and time again. His new Dustinations EP only stokes the wonderment, providing us with five festival-ready bangers. Out now on NGHTMRE and SLANDER's Gud Vibrations label, Dustinations is Soltan's first EP since 2016's Jadugar, though he's released no shortage of singles and collaborations since. "Serpent King" kicks off the project out on a raucous note, its punchy drums and acid-fueled bass promising a wild ride ahead. Then comes the titular "Dustinations" and "Masyaf," where Soltan dips his toes into the turbulent waters of bass house. He seamlessly transitions the second drop of both back to his signature dubstep style, showcasing his formidable versatility in the studio. "Babel Bug" finds him exploring a more languid sound, but don't let that fool you into thinking it's any gentler. Chopped and muddled samples saturate the mix while grimy, textured 808s propel through like toxic sludge. Though a standout on its own, it seems to operate as a segue into the EP's final track, "Blinking Stars," which acts as a jolt strong enough to electrify listeners into a stupor. Listen to Dustinations below and find the new EP on streaming platforms here. Follow Soltan:Instagram: instagram.com/soltansound X: x.com/soltansound TikTok: tiktok.com/@soltansound Facebook: facebook.com/soltansound Spotify: spoti.fi/3HFBRt1

End Overdose is leading a hi-tech charge in the fight against drug overdoses, unveiling a cutting-edge e-training tool that promises to make a significant impact at EDM events. The nonprofit, one of EDM.com's best industry leaders of 2022, says the initiative will "revolutionize overdose response training" at the concerts and festivals in which their teams are providing education. Dubbed "Narcats World," the e-learning resource arrives in the midst of a growing need for medical preparedness at large-scale events, where limited onsite resources can leave attendees vulnerable. Harm reduction remains one of today's most timely flashpoints in the electronic dance music community and its festivals, which remain heavily scrutinized due to its inextricable link to drug use. Synthetic opioids like fentanyl are the primary driver of overdose deaths in the United States, according to the US Drug Enforcement Administration, citing CDC data. End Overdose believes "Narcats World" will democratize training by making it more accessible while improving retention and preparedness. Its deployment is designed to educate more ravers while boosting their confidence in managing real-time overdose situations. The organization says "Narcats World" can increase retention by up to 75%. They've gamified the platform to offer rewards to participants, and incorporated narrative storytelling and "multi-sensory" specs like haptic feedback to keep them engaged. It's important to note that the e-learning tool is still in its development phase and End Overdose has not formally rolled it out to events at the time of this writing. View the original article to see embedded media. Follow End Overdose:X: x.com/endoverdose TikTok: tiktok.com/@end.overdose Instagram: instagram.com/end.overdose Facebook: facebook.com/end.overdose Website: endoverdose.net

Daring them to confront their fears, HI-LO and ZHU's new collaboration "Afraid To Live" envelops listeners in the heart of the techno underworld. The inquisitive repetition of the track's hook, "Are you afraid to live?" serves as both a challenge and an invitation, immersing us in the unrelenting rhythms that define a powerful techno anthem in-waiting. Perfectly capturing the raw, primal energy of the after-hours world in which techno thrives, Oliver Heldens, under his HI-LO alias, leans fully into his underground edge by producing driving basslines and thumping percussion. He pushes the track into ominous territory alongside ZHU's own techno alias, Blacklizt, whose hypnotic touch imbues its signature allure. Known for bringing introspective depth to his songwriting, ZHU's influence on "Afraid To Live" is unmistakable, drawing a subtle connection to the spiritual journey of his recent GRACE album, which hit streaming services earlier this year. The track is set to make a splashy debut at this year's Amsterdam Dance Event, where HI-LO is set to perform at the annual Dockyard Festival on October 19th. In the meantime, listen to the new track below and find it on streaming platforms here. Follow HI-LO:X: x.com/official_hilo Instagram: instagram.com/officialhilo Facebook: facebook.com/officialhilo Spotify: spoti.fi/2ZFW1Oa Follow ZHU:X: x.com/zhumusic Instagram: instagram.com/zhu TikTok: tiktok.com/@zhu Facebook: facebook.com/zhu Spotify: spoti.fi/391vjDR