Ravebot

Music's symbiosis is peculiar. How can a musician and a listener, both strangers, be tethered so profoundly through an arrangement of sounds? Elderbrook has touched the lives of millions of listeners over 10 years. He isn’t a paint-by-numbers artist—he writes music meaningful to him. If you feel a kinship with him, his music must mean something to you, too. The decade has been good to Elderbrook. “Cola” is an enduring generational hit. His collective catalog has been streamed over a billion times. He’s released three albums, collaborated with legends, performed at iconic music festivals and has a Grammy nomination under his belt. Looking ahead, there’s always another mountain to conquer. But maybe there shouldn’t be. "I should have some goals, right?" Elderbrook asked EDM.com while reflecting on 10 years of his project and his ongoing "Another Touch" North American tour. “I don’t know if I’ve thought in depth about what it is I want to achieve through music. It’s cathartic and therapeutic for me to make music. I like making music.” “One important thing I have thought about is that I shouldn’t chase sounds I’ve heard elsewhere. I should make stuff for myself that sounds cool. Because that is what ends up being the best music.” View the original article to see embedded media. This enlightenment did not come naturally. It’s an ethos he exercises every day. Truthfully, he has set goals, but they were sometimes the wrong ones. Cliches exist because they often wield some truth, and after 10 years of trial and error, Elderbrook confirms the journey’s splendor is far richer than the destination. “I’m working on not chasing the next thing,” he said. “The reason I spoke so passionately about it is that it’s something I struggled with: 'I’ll be so happy once I get 100 million views.' Then you get 100 million views and you think, '1 billion would be nice though.'" “I don’t have anything with 1 billion views, but once I do, I’ll think, ‘It’d be nice to have two songs with a billion views.’ You’ll never reach it. It’s not about not setting goals, but setting goals to make a song that you love. Nothing quantifiable by other people. That shouldn’t matter.” Roman philosopher Seneca famously said, “Luck is what happens when preparation meets opportunity.” But it’s easy to misinterpret opportunity as luck. Passion and fear are sometimes indistinguishable in a business fueled by dreams and unlikely success. The music industry’s hamster wheel runs artists into the ground if allowed. The demand to build momentum is so fierce that artists can’t acknowledge burnout until their last enthusiastic ember is stamped out. Elderbrook’s “Something About You” collaborators, Rudimental, once taught him an important lesson about saying “no.” It’s a teaching he continues to practice in the pursuit of music made for him, not for metrics. “It’s not realistic when you see all these people online headlining festivals,” Elderbrook says. “You kind of compare yourself with them and feel like you need to say yes to everything, otherwise you’re never going to make it. You think you need to do this every single day. But really, a lot of it is that you need to look after yourself.” “If you can look after yourself, the next song you make will be 10 times better than if you’re stressed out trying to write an amazing No. 1 song smash hit single. Take your time, say no. Just say no because it’s very easy to say yes to everything. It’s overwhelming. It creeps up on you, and it can end badly.” Nomad Media Collective Now a father of two, Elderbrook has come a long way from the college student selling hip-hop beats for 200 to 250 pounds sterling. Fortunately for his family, his fiscal maturity has kept pace with his musical and personal evolutions. “I suddenly had $1,000 in my account for the first time in my life,” Elderbrook recalled of his college days. “I thought, ‘Pfft, yeah. Mr. Big Shot.’ I’m walking down the street. I walked past a thrift store and saw a trombone in the mirror–not the mirror, I’m not a trombone. I saw it in the window and said, ‘Yeah, I’m going to buy that trombone!’ No, it was a trumpet! ‘Yeah, I’m going to buy that trumpet. I bet I’m really good at it.’ It was $500.” “When my money ran out the next week, I had this trumpet. I was just looking at it. I still have it now. It serves as a reminder not to waste your money on stupid s–t.” Elderbrook keeps the trumpet as an important symbol of modesty. Unfortunately, that is all it’s good for. “I still can’t play it,” Eldebrook laughed. “One night, I picked up this trumpet and I could play it immaculately at five in the morning. But every other time I’ve tried, it hasn’t worked for me. It just clicked for me once. That was one time and I don’t think I’ll ever recreate it. But the people who were there can vouch. I nailed it at 5am this one time.” Who could have witnessed him playing a trumpet at 5M? “Listen, man,” Elderbrook replies coyly. “I’ve lived a life.” Elderbrook is currently making his way through North America on tour. He probably won’t play the trumpet, but if his last tour is an indicator, you can expect a sprawling, one-of-a-kind performance with DJing, singing, dancing and live instrumentation. You can find Elderbrook’s upcoming tour dates here. Follow Elderbrook:X: x.com/_elderbrook TikTok: tiktok.com/@elderbrook Instagram: instagram.com/_elderbrook Facebook: facebook.com/elderbrookmusic Spotify: spoti.fi/34UfzTd

As both a longtime DJ and a skilled metalsmith, Esteban Joseph is bringing something entirely unique to the electronic music community: intricate, handcrafted USB necklaces. Sleek, sturdy and unlike anything else on the market, Esteban’s work has quickly gained recognition, turning his small business into a coveted brand. His bespoke designs have caught the attention of John Summit, Diplo, RÜFÜS DU SOL's Jon George and Keinemusik's Rampa, among many others. They're much more than mere accessories. They are meticulously crafted investment pieces designed to be both functional and visually striking. Nat Goldie Diplo/Instagram Before launching his jewelry business, Joseph was a professional photographer and content creator, working with brands across the globe. While successful, he found himself feeling unfulfilled, he tells EDM.com, and constantly creating for others rather than for himself. Around that time, he started immersing himself in the electronic dance music scene, attending raves and DJing for fun. The shift in perspective led him to explore metalsmithing by virtue of a course at a community studio in Chicago. Within two weeks, he knew he had found his true creative path. He spent years refining his craft, investing in equipment and developing pieces for friends before ultimately taking the leap into full-time jewelry design nine years ago. As a DJ, Joseph noticed how many artists sported basic plastic USB drives around their necks, seeing an opportunity to elevate the look while maintaining the practicality of a DJ's most essential tool. So he began designing USB necklaces that blended functionality with artistic craftsmanship, and the response was immediate. Esteban Joseph's handcrafted USB necklaces.c/o Esteban Joseph What started as a personal project soon evolved into a full-fledged business, with DJs worldwide seeking out his unique designs. Joseph has since created hundreds of pieces, each one distinct, reflecting his one-of-a-kind fusion of jewelry and technology. His background as a photographer and filmmaker also allows him to bring an artistic storytelling element to his brand, capturing his pieces in a way that resonates with the dance music community. "I put everything into each piece I create, knowing that when someone wears it, it becomes a representation of me out in the world," he says. Joseph approaches his designs with an engineer’s mindset, ensuring that every piece is as functional as it is beautiful. His USBs are stylish but also built to last, crafted using premium materials. He says he prioritizes durability and speed, incorporating high-performance SanDisk Extreme Pro hardware, the same technology trusted by DJs at major festivals. Many of the drives he uses are water-resistant, shockproof and temperature-proof, with read speeds of up to 400MB per second. He offers a range of storage options, from 256GB and 512GB drives to a 1TB solid-state USB 3.2 drive, ensuring that DJs have the reliability and capacity they need for their sets. View the original article to see embedded media. His creative process is as unique as his designs. He offers both custom pieces and ready-to-ship units, allowing for a mix of structure and spontaneity. For custom orders, he collaborates closely with clients to bring their visions to life, with prices starting at $1,000 for silver and $2,000 for gold. His ready-to-ship pieces often begin with inspiration from a particular gemstone. Rather than sketching or planning extensively, he works intuitively, he says, to let let the materials guide the final design. This approach allows each piece to feel deeply personal and one-of-a-kind. "This process is creatively satisfying because there are no constraints, allowing me to really connect with the work," he explains. "Making handmade jewelry is an ancient craft, and mastering the alchemy of turning a stone into a finished piece is a deeply rewarding process. Understanding the materials, like how metal reacts to heat and stress, requires patience and a deep connection to the craft." A slew of major DJs have become fans of Joseph's work, with collaborations forming naturally over time. DJ Tennis was one of his first major supporters, commissioning custom USBs for his Life and Death label and incorporating its distinctive bird aesthetic. Diplo was referred through RÜFÜS DU SOL and actually wore his necklace to Super Bowl LIX, celebrating the win of his hometown Philadelphia Eagles with his USB around his neck. These collaborations have continued to expand, with artists regularly reaching out for new designs. View the original article to see embedded media. As his brand continues to grow, Joseph is considering ways to expand while maintaining the quality and craftsmanship that set his pieces apart. While he currently crafts every piece himself, he's exploring the idea of launching a more affordable line that retains the same level of artistry but is more accessible to a wider audience. He takes pride in creating not just USB necklaces, but also unique bracelets, rings and other jewelry pieces. His goal is to be a one-stop shop for curated style, where someone who buys a USB necklace might also discover the perfect companion piece to complement it. For now, Joseph remains dedicated to his craft, blending his love for dance music and jewelry into something truly one-of-a-kind. You can find out more at his website.

Released via the London-based producer's imprint Deep Heads, the four-tracker is available via Bandcamp now Continue reading...

Some words belong in museum halls, others live on dancefloors. "UNTZ," the latest from Avi Sic and Trentino, firmly plants itself in the latter. The Chicago-born producers, who cut their teeth in the city's club circuit long before "untz untz" became shorthand for the heartbeat of house music, deliver a track that's equal parts precision and playfulness. Out now via What Ya Need, it's engineered for maximum impact on sweat-drenched dancefloors. "UNTZ" thrives on momentum, with propulsive basslines and party-starting vocal chops alchemizing through a tension-and-release formula from Trentino and Sic. The synths swell, the percussion snaps and just when the anticipation reaches fever pitch, the drop arrives like a sucker punch of groove-forward bliss. The collaboration feels like an evolution rather than a repetition, a knowing nod to their Chicago lineage wrapped in festival-ready flair. Trentino's technical precision, honed as a Red Bull 3Style U.S. Champion, meets Sic's ever-growing production house music prowess, resulting in a track that's as club-savvy as it is radio-ready. And while "UNTZ" is a sonic bullseye, it’s also a harbinger of more to come. With a summer stacked with live dates and a steady stream of releases, both producers are primed for a busy year ahead. Listen to "UNTZ" below and find the new single on streaming platforms here. Follow Avi Sic:X: x.com/avisic Instagram: instagram.com/avisic TikTok: tiktok.com/@avisic Facebook: facebook.com/djavisic Spotify: tinyurl.com/yvck56k2 Follow Trentino:X: x.com/trentinomusic Instagram: instagram.com/trentinomusic TikTok: tiktok.com/@trentinomusic Facebook: facebook.com/trentinomusic Spotify: tinyurl.com/hezfbh8a

Bringing you the bass-house energy is LIKEBLUE who has just released her brand new track, ‘Got To Have Your Love.’ Very inspired by Knock2, the artist created a song that is not only energetic, but also about finding your spark again. “I’ve been through deeply low times, and each time, it felt like I might never get back to my joyful self. But music has always been the thing that brings me back,” says LIKEBLUE regarding the meaning of her newest release, ‘Got To Have Your Love.’ Featuring funky vocals and a complex, lively drop, the track promises to shake dance floors of all kinds of venues. Whether it is a nightclub setting or a festival with a big crowd, ‘Got To Have Your Love,’ encourages a wild atmosphere. Opening about the creation of this new record, LIKEBLUE mentions: “There was something about pairing these funkier, soulful vocals with a hype, electric drop that felt like a true expression of me.” Adding on to the meaning of the track’s soulful vocals, the artist says they’re a reminder that even in the darkest moments, you can always reignite your light. “Be your authentic self, and don’t let anyone take your spark away. And even if it fades, you have the power to get it back,” states LIKEBLUE regarding the release as well as her rules in production. Motivating her listeners, the artist announces more music and special moments that will hit right where audiences need them to. Stream ‘Got To Have Your Love.’ below. Out now everywhere, on all platforms.

Following his dance floor favourite ‘UR Free,’ Grayson Mercury has returned with another release, ‘We’re Done.’ This upbeat song holds the purpose to keep up a lively and energetic club atmosphere. Grayson’s newest release perfectly captures the fleeting excitement and audacity of a one-night stand with its energy, dynamic rhythm and melody. ‘We’re Done’ has powerful lyrics that add to its intensity and appeal. Every word explores the light-hearted bond between two people, where promises are as ephemeral as the night: “Cause I just wanna taste of your love / A Taste I can’t escape just for fun / I just wanna a taste of your love / I promise not to stay when we’re done.” The build-up creates a great, melodic anticipation before an animated drop that can drive crowds to an ecstatic feeling. The song’s repetition of “when we’re done” highlights the casual, noncommittal vibe, which makes it the ideal soundtrack for amazing night-time escapades. Grayson Mercury and What’s To ComeGrayson Mercury’s constant work ethic guarantees that his fans can anticipate a new song every month, as he already has several new records planned for release. The artist promises an exciting, rhythmic voyage for everyone who will listen to his developing discography, while his dedication to producing fresh, vibrant music speaks volumes about his enthusiasm and determination. Listen to the newest Grayson Mercury release below.

Warner Music Italy/Tankfloor is proud to announce the release of ‘We Made It’ on April 4th, the new single by Guz Hardy & J Luke, Mark Neve, and Andrea Zelletta, featuring Australian singer Myrrhe. This dynamic track marks a triumphant return to progressive music, blending the best of classic dance sounds with modern electronic elements to create an unforgettable listening experience. Guz Hardy & J Luke are an emerging EDM/Dance duo rapidly making waves in the electronic music scene. Having opened for global icons such as The Black Eyed Peas, Steve Aoki, MEDUZA, Don Diablo, and many more, their music is supported by renowned DJs worldwide. Their recent cover of ‘Just Dance’ surpassed one million streams within its first month of release, solidifying their place as rising stars in the industry. Mark Neve is a highly accomplished producer and artist with a string of accolades to his name. He co-wrote and co-produced ‘Thunder’ (by Gabry Ponte, Prezioso, and LUM!X), a massive hit that earned him over 12 Gold records, 13 Platinum records, and a Diamond record. His remix for Polish artist Bryska became a phenomenon, winning four Platinum records in Poland and being recognized as the most-played song on the radio in 2023. With collaborations spanning top-tier names like Dimitri Vegas & Like Mike, R3hab, Afrojack, and MIKOLAS, Neve’s influence on the electronic music scene is undeniable. His co-written and produced track ‘Delilah’ (with MIKOLAS) has surpassed 60 million streams on Spotify. Andrea Zelletta is a multifaceted artist, DJ, influencer, and model whose passion for electronic music has positioned him as one of Italy’s most active DJs. His hit single ‘Superstar’ earned a Gold record in France and racked up over 28 million streams on Spotify alone, further cementing his reputation as a powerhouse in the dance music scene. ‘We Made It’ is a celebration of the highs and lows of the night—a journey through blurred memories, excesses, and fleeting emotions. The track captures the essence of living in the moment while reflecting on the consequences of time slipping away. The lyrics build toward a metaphorical climax at dawn, symbolizing the transition from euphoria to nostalgia. This release expertly balances the euphoric dance music that dominated the charts from 2012 to 2016 with the cutting-edge sounds defining today’s electronic music landscape. The result is a track that resonates with longtime dance music fans and new listeners alike. With powerful production, captivating melodies, and Myrrhe’s mesmerizing vocals, ‘We Made It’ is set to be a standout hit in the 2025 electronic music scene.

Sama’ Abdulhadi, Richie Hawtin, sim0ne and many more will descend upon the ancient Roman town of Fano this June Continue reading...

In a bid to support London’s clubs and bars, Khan will be able to overturn licensing refusals Continue reading...

Words by Alex Lambeau and Zach Salafia Arodes, Th;en & Henri Bergmann – Show Me Helmed by a dark, anchoring bassline and a great melody riff, “Show Me” sees Arodes, TH;EN and Dancing Astronaut Artist To Watch in 2025 Henri Bergmann drop an outstanding record on Unreleased Records. The vocal enigma of Beobe cohesively brings together the instrumental and lyrics for a long lasting and memorable record. It arrived just in time for Miami Music Week, where Arodes and Henri debuted track at the Unreleased and Zamna event. Abstraal & Skuro – Abaajo French electronic duo Abstraal join forces with rising producer Skuro for their most requested ID to date, “Abaajo,” out now on Tomorrowland Music. Sampling catchy Spanish vocals, their new single is designed for peak-time dancefloor moments with plenty of tension and a pulsating drop. Bringing in support from Agents of Time, Henri Bergmann, Magdalena, and more, “Abaajo” has already been played by top tastemakers in the industry. Jackie Hollander & Kamino – LSD Dancing Astronaut Artist To Watch in 2025 Jackie Hollander is back with “LSD,” a collaboration with Kamino landing on John Summit‘s Experts Only record label. Part of a compilation package for Miami Music Week, “LSD” has quickly become one of the catchiest vocal tunes of the bunch paired with a punchy bass line and a room-filling riser. Quickly rising to one of the most in demand artists in house music, Jackie Hollander’s records seem to get better with each release. Tinlicker & Hero Baldwin – I Started A Fire A poignant reflection on lost love and trust, “I Started A Fire” emerged as one of the standout IDs during Tinlicker’s New Year’s Eve set at The Concourse Project in Austin, Texas. The Dutch duo’s sublime production is perfectly complemented by Hero Baldwin’s angelic vocals on this moving record. Affinity & STAR SEED – Different Ending (feat. Tyler Graves) Fresh off the release of Ophelia Records’ second mega-collab, “Pantheon II,” STAR SEED returns to the spotlight with a new collaboration alongside Afinity, “Different Ending” featuring Tyler Graves. The two melodic-bass maestros are long-time friends began crafting the track during an in-person studio session a couple of years ago. “We’re all so happy with how the song turned out and excited to share it with the world,” says Noah Koroman of STAR SEED. RÜFÜS DU SOL – In The Moment (Adriatique Remix) Adriatique put their signature touch on a melodic techno remix of “In The Moment,” marking the first rework from RÜFÜS DU SOL’s Inhale / Exhale album released last year. The remix stays true to the original while injecting it with a club-ready energy. Andrew Dum – Les Djinns Andrew Dum made waves in 2024 with support from artists like RÜFÜS DU SOL and Armin van Buuren, and he continues to ride that momentum with a fresh remix of “Les Djinns.” The Romanian DJ and producer preserves the soul of the original while infusing it with his signature blend of melodic and Afro house elements. Featured image: Drew The post Dancing Astronaut’s New Music Friday: April 4, 2025 appeared first on Dancing Astronaut.

The electronic duo AIGEL reveals the release of their sixth studio album, Killer Qız, on March 28, marking a key milestone in their creative journey. The album’s focus track will be Barsı Da Bezdä. This is the second album by the group recorded entirely in Tatar, exploring themes of loss and rediscovery, death and rebirth, the complexity of human nature, and trust in faith. At the heart of Killer Qız is a bold narrative: a DJ killer dances until the death of a high-ranking official, then escapes the country with her boyfriend. Figures from Russian society—ranging from “couch troops” to “Rospotrebnadzor employees”—watch their departure, while “the major, the doorman, and the war correspondent” desperately try to cling to the wing of their departing plane. But, as the lyrics declare, “no matter what they do, no one will take them along.” With the speed increasing, the pilot at the controls “plays hardcore.” Despite the audacious and vibrant energy of some tracks, the album remains deeply personal and introspective. One particularly haunting moment comes in a track where vocalist Aigel Gaisina’s voice is absent; instead, a child’s voice slowly transitions from speaking Tatar to German in real time, capturing the poignant experience of linguistic assimilation. The album concludes with Aigel herself reciting in German, reflecting on the meaning of home—whether it is where one is born or where one is laid to rest. A surprise addition to the album is a dance track in English, originally written for a short film by renowned clown Vyacheslav Polunin. This nearly wordless song carries the refrain that “life is a comedy,” offering a moment of lightness amidst the album’s weighty themes. “Since February 2022, we faced a long creative pause—nothing was written, and all words seemed to lose their meaning,” says Aigel. “For three years, we slowly finished pre-war demos and pieced ourselves back together. Emigration intensified the metaphor of searching for new words. Now, Ilya and I live in different countries—Berlin, with its harsh, stylish, and free atmosphere, and rural Montenegro, with its sunny and gentle calm. This contrast has seeped into our music. After a long stagnation, the first language that emerged for me was Tatar—it was like a system reset, returning to my default language.” One of the last-minute additions to the album, Assimilation, is a near-documentary-style track in which children gradually shift from resisting emigration to fully integrating into a new culture, replacing their native Tatar words with German. The track opens with sounds from the Berlin subway, and only after completion did Aigel realize that the announcer’s voice declares, “the train is heading towards Ruhleben”—a district in Berlin that translates to “peaceful life.” This unintended coincidence perfectly encapsulates the song’s theme. Ilya Baramiya shares his perspective on the album’s production: “I liked how Baauer described his album Planet’s Mad—drawing from ’90s dance music, inspired by Fatboy Slim, Daft Punk, and The Chemical Brothers. These artists didn’t stick to strict genres but focused on creating a unique atmosphere. We’ve taken a similar approach here, incorporating a broader range of influences—from K-pop to hard bass. There’s almost no hip-hop in this album.” AIGEL, the duo of Tatar poetess and vocalist Aigel Gaisina and St. Petersburg electronic musician Ilya Baramiya, is known for their sharp lyrics and innovative sound in Russian, Tatar, and English. Their hit song Tatarin has amassed over 140 million views on YouTube, while their track You Born won a Silver Lion at the Cannes Lions festival. In 2023, their Tatar-language song Pıyala made history by topping the charts in over 10 countries and reaching the Billboard TikTok chart. Since 2022, AIGEL has openly spoken against Russia’s invasion of Ukraine. Their performances in Russia were banned, leading them to leave the country—Aigel now resides in Berlin, while Ilya lives in Montenegro. FIND OUT MORE HERE WEBSITE | YOUTUBE | INSTAGRAM | SPOTIFY The post AIGEL Releases New Tatar Album Killer Qız on March 28 appeared first on Electric Mode.

From the studios of Apl.de.Ap, one third of iconic supergroup Black Eyed Peas, comes new single ‘I Wish’, out now on all global streaming services via Fankee. A delicate, beautiful tale of regret and lost love, Apl’s reflective topline floats across shimmering guitars, plucked strings and gently rolling percussion. Airy and light, ‘I Wish’ is indicative of Apl’s personal music style, produced by long-time artistic collaborators Edgar Sino (Artek606) and Jamir Garcia, who sadly passed before the song was released. Speaking about the single and his friend, Apl said, “It’s a fun song that talks about something that we’ve all felt at some time or another. You know they’re not the right one but, still, you wish. Miss you, Jamir.” Working with Fankee’s unique release proposition, Apl has unlocked a quarter of the single’s master rights for fans who want to acquire splits and become co-producers on the single, and a further 50 splits for fans who create the most engaging social media content using the track. The single marks the beginning of a huge year for the Filipino star. As well as a major run of new solo music and his usual stacked global tour diary performing with fellow Black Eyed Peas Will.i.am and Taboo, Apl will also announce several key artistic and philanthropic endeavours outside of music. From farming and agriculture to fashion and art, Apl’s growing influence as an ambassador and a voice for Filipino culture will become increasingly prevalent as 2025 unfolds.

Global dance music heavyweight R3HAB teams up with China’s hottest EDM act Wukong for their electrifying new single “Drip Drip,” in collaboration with $MUSIC and out now via Liquid State. Fresh off his genre-defying collaborations with Shaggy and Michael Patrick Kelly on “Rebellion” (Virgin Records) and his STMPD RCRDS debut “Hypnotising,” R3HAB now taps into the gritty pulse of UK Garage, fusing it with his trademark festival-ready energy. “Drip Drip” surges with a pulsating bassline, grimy synth stabs, and irresistibly catchy vocal riffs, making it an instant club and festival anthem as spring and summer stages light up around the globe. Wukong, known for his energy-fueled live sets and futuristic fusion of Eastern and Western influences, brings his signature sonic fire to the track. R3HAB shares: “‘Drip Drip’ is a newer ID of mine, but it came together quickly, and after hearing the crowd’s reaction at Tomorrowland Winter and EDC China just recently, I know it’s ready. I’m stoked to partner with China’s biggest EDM act, Wukong. His energy is electric, and we always have a good time together. We’re stoked that ‘Drip Drip’ will be available as an NFT through Virtuals, so our listeners get to be part of the song’s success, and I can’t wait to play it at many more festivals this season. See you there.“ R3HAB Multi-platinum DJ and producer Fadil El Ghoul, better known as R3HAB, has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified “All Around The World (La La La)”, “Rock My Body” and “Lullaby,” to his collaborations with the likes of Ava Max, ZAYN, Jason Derulo, Luis Fonsi, and more, R3HAB has proven to be one of the most forward-thinking artists in the game. His work has collected over 12 billion streams to date, including more than 1.1B in 2024 alone. R3HAB founded his label CYB3RPVNK in 2016, which has passed 4B streams across platforms since its inception. R3HAB continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify’s Most Discovered Artist, one of Spotify’s top 350 most streamed artists, ranked Top 20 consecutively since 2017 on the prestigious DJ Mag’s Top 100 DJs chart, and has earned over 100 Diamond, Platinum, and Gold certificates. R3HAB has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world’s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude, R3HAB has earned his place as a household name in dance music. Wukong Wukong is a rising prospect in the Asian EDM scene on a mission to bring his new breed of genre – Oriental Rave, to the world. As an emerging DJ/Producer from Singapore, he is deeply influenced by traditional Chinese culture, and Wukong has a bigger goal of promoting Chinese culture and values to the world. He blends ethnic Asian elements and unique sounds into his music, creating a whole new world for his audience, where Chinese mythology meets electronic bass music. In a short span of time, he has had many products released through major record labels such as Liquid State (by Sony and Tencent Music), Barong Family (by Yellow Claw), BredNButter (by Far East Movement and Trap City), Ones To Watch (by Laidback Luke), Rude Mood (by Bad Royale) and Vietnam’s fastest growing EDM label, RIOX. He is the first Singaporean EDM producer to be signed on the highly-coveted Liquid State team alongside R3HAB, Alan Walker, Corsak, and more. With his electrifying live performances and relentless determination, he is definitely one to keep your eyes on in the future. Remember the name, for he is here to stay. More info on R3HAB / Wukong / Liquid State / CYB3RPVNK:Download / Stream R3HAB: Facebook | Instagram | Spotify Wukong: Facebook | Instagram | Spotify Liquid State: Facebook | Instagram CYB3RPVNK: Facebook | Instagram | Spotify The post Multi-platinum R3HAB Draws Inspiration From UK Garage Music Genre on New Single “Drip Drip” with Wukong appeared first on Electric Mode.

Alexander Rya may not yet be a household name in America, but across the Atlantic, he’s been steadily making waves in his native Italy and beyond. His triumphant return to the release radar comes with his first track of 2025, “Show the World”—a high-energy house anthem that sets the tone for the year ahead. Rya’s journey began during the pandemic, when he started sharing remixes and mashups on social media. After gaining viral traction—and dedicating countless hours to honing his craft—he quickly became one of Italy’s most promising rising talents. He has since performed at some of the country’s premier venues, including Number One and Praja, while also gracing international stages like Pacha. Following an extensive tour schedule, Rya took a brief hiatus to recharge. Now, he returns with renewed focus and purpose. On “Show the World”, he delivers a powerful message: “Stand up and show the world what you’re dreaming.” The track follows a 2024 discography that includes a remix of Neja’s “Restless” alongside originals like “Feeling Low” and “The Underground.” Listen to Alexander Rya’s latest single, “Show the World,” below. *insert track* Featured image: Alexander Rya The post Alexander Rya releases new tech-house single ‘Show the World’ appeared first on Dancing Astronaut.

Dutch multi-platinum DJ and producer CMC$ teams up with genre-defying duo Terror Jr for their electrifying new single, “Risk It All,” a song that seamlessly blends organic, future house-inspired vibes with deeply emotive lyricism, all thoroughly wrapped in noticeable pop appeal. Opening with a pulsing kick drum and euphonious melodies, the track instantly sets a hypnotic tone before Lisa’s ethereal vocals – reminiscent of legendary Top 40-oriented toplines – take center stage. Her voice soars over the “Risk It All”‘s heart-rending yet hopeful lyrics, delivering a performance that is both soul-stirring and festival-ready. The new release is an instant dancefloor gem, balancing melancholy and euphoria in a way that hits the feels but also slaps in a festival set while perfectly fitting radio airwaves or when listening to it at home. CMC$ reflects on the organic creative process behind the song: “Lisa came to the Netherlands for a writers’ trip and rented a farmhouse somewhere in the countryside near Amsterdam. I went over there, and we wrote the song together in the farmhouse living room. The process went really smoothly, and within a few hours, we had the song ready! After making several production tweaks, we finally nailed it. This one’s a smash!” – CMC$ CMC$ Yael Nahar, better known under his stage name CMC$, is a Dutch multi-platinum DJ, producer, and songwriter. He notably co-wrote and co-produced Martin Garrix & Bebe Rexha’s smash hit “In The Name Of Love,” which has over 1 billion streams on Spotify alone. Having fine-tuned his production expertise in the studio over the past seven years, CMC$ has built up a proven track record of releasing high-impact material and continues to solidify his name with powerful releases. He received Platinum status with DVBBS & Gia Koka on their single “Not Going Home” (over 155 million streams on Spotify) and achieved a Gold record with “Parallel Lines,” also with the Canadian duo DVBBS. CMC$ has released music on renowned labels such as Spinnin’, STMPD, Universal Music, and Ultra, among others. His top 10 tracks on Spotify collectively amass over 240 million streams, including singles like “Understand Me” with Conor Maynard, “As Long As I’m With You” with OMI, and “X’s” with GRX and Icona Pop, which was selected as a World Record by famous radio DJ Zane Lowe. Alongside his massive singles, CMC$ has also showcased his versatility with power-charged remixes, including Martin Garrix & David Guetta’s “So Far Away” remix, highlighting his diverse production techniques. Outside the studio, CMC$ has built an impressive DJ career, performing at Tomorrowland (Belgium), Parookaville (Germany), ULTRA Music Festival (Singapore), and making his STMPD RCRDS stage debut at Balaton Sound (Hungary). Additionally, he has supported Martin Garrix at high-profile venues, including Ushuaïa Ibiza and Amsterdam RAI. Terror Jr Terror Jr is a dark pop duo that has amassed over 400 million streams to date, captivating listeners with their moody, genre-defying sound. They have 220,000 followers on Spotify alone. Last year, they headlined multiple dates in Shanghai and completed a sold-out U.S. tour with Peach PRC. Their electrifying live performances have also graced major stages at festivals such as Lollapalooza, Camp Flog Gnaw, and Osheaga. Terror Jr’s hit track “3 Strikes” is experiencing a resurgence on TikTok and Douyin (Chinese TikTok), where it’s quickly becoming a viral sensation. The song is currently climbing the Shazam charts in China, and the duo has recently surpassed 176,000 followers on Douyin. In 2025, Terror Jr will release a highly anticipated 16-track album, followed by a fall tour in support of the new material. More info on CMC$ / Terror Jr / Soave: CMC$: Facebook | Instagram | X | Spotify Terror Jr: Instagram | X | Spotify Soave: Facebook | Instagram | Website | Spotify The post Multi-platinum Artist CMC$ Asks You to “Risk It All” on New Upbeat Pop-House Single, Featuring Terror Jr. Out Now on Day & Night Records/Soave appeared first on Electric Mode.

Anyma, a DJ, songwriter, and multidisciplinary artist, comes out with his brand-new single “Work,” which features Yeat, the rap star. The song comes right after Anyma announced that his third album, “The End Of Genesys,” would be coming out soon and after his previous single, “Neverland (From Japan),” came out. Anyma and Yeat played “Work” for the first time together at The Sphere in Las Vegas. It was one of the most anticipated songs to come out of Anyma’s 12-date residency, and it was also the first time a rapper had ever performed at the famous venue. Fans were really excited about the track before it came out because Anyma and Yeat worked together in a way that wasn’t done before. The song is a perfect mix of Anyma’s hypnotic, melodic techno sounds and Yeat’s experimental singing, and it will be on Anyma’s album The End of Genesys. The album will finish the Genesys trilogy’s score and include new singles “Angel in the Dark,” “Hypnotized” with Ellie Goulding, and “Voices In My Head” with Argy and Son of Son. It will also include more new music that Anyma premiered live during his Sphere residency, such as rumored collaborations with Grimes, FKA Twigs, 070 Shake, Luke Steele of Empire of the Sun, and others. Anyma just finished playing his last four shows at Sphere as part of Live Nation’s Afterlife Presents Anyma “The End of Genesys” engagement. This came after an amazing eight sold-out nights as the first electronic music residency at Sphere. The dates were December 27–31, 2024, January 1, 10, and 11, 2025, and a total of 200,000 people came to all 12 events. Anyma had a lot of great performers join him for his last few shows. A huge list of top acts, such as John Summit, Mau P, Peggy Gou, Solomun, and more, performed at each event. Anyma’s highly praised albums Genesys and Genesys II, as well as brand-new material, were played during “The End of Genesys” residency. His high-quality live shows, which continue to captivate audiences around the world with their futuristic themes and ethereal aesthetic, were also shown. Alessio De Vecchi was the visual co-creative director and oversaw the art direction. Alexander Wessely was the head creative and stage designer, and the animation studio Woodblock did extra work on the production. Together, they made an unforgettable live music experience. Before, Adriatique, Amelie Lens, CamelPhat, Charlotte de Witte, Dixon, Mike Dean, Rampa, Tiësto, and other acts opened for them at shows in December 27–31, January 1, 10, and 11. The post Anyma releases first rap-techno driven song “Work” with Yeat appeared first on The Groove Cartel.

Direct Action Records is proud to present the ‘Dirty Kicks’ EP, an explosive debut release from Chicago’s own Play-Joh — and it’s already making waves, landing the coveted #1 spot on Beatport. A longtime staple of the Chicago underground and founder of the Chicago DJ Academy, Play-Joh fuses the soul of classic house with the punch of modern tech house, creating a sound that’s as gritty as it is dancefloor-ready. This four-track EP delivers from start to finish: from the hypnotic vocal chops and basslines of the title track ‘Dirty Kick’, to the relentless groove of ‘Ma Money’, the tight drum work and shimmering textures of ‘Chicago Boiler’, and the peak-time power of ‘Crushed Horizon’. Play-Joh’s story is just as compelling as his music. After stepping away from a successful legal career to pursue his passion full-time, he’s quickly become a force in the electronic scene. His breakout live tour in Tulum in 2024 captivated audiences, and now, from his base at Fort Knox Studios, he’s hard at work on his debut album. With a style rooted in deep grooves, bass-heavy rhythms, and a raw underground spirit, Play-Joh is redefining what it means to evolve as an artist — proving that it’s never too late to chase the sound in your soul.

The DJ-producer sustained “two popped bicep tendons” after moving a monitor on stage Continue reading...

It marks the first album released on legendary dubstep label Tempa since 2016 Continue reading...

This past week has brought exciting festival line-up announcements, even though we’ve seen fewer electronic or pop releases than usual. However, there’s no reason to feel down! My inbox often reveals a hidden gem just when I least expect it. Moreover proving that incredible pop releases are just waiting to shine. If you’re a fan of the Pet Shop Boys, you’ll especially want to check out the collaboration between Swedish producer Sund and British singer James Knight$. (Known for his work as KNIGHT$ and Boytronic). Remember, he was also the captivating vocalist of the synth-pop band Scarlet Soho back in the day. Although I’m not deeply familiar with Sund or his body of work, my Swedish heritage naturally sparked my interest in his track “I die for this Love.” I’m incredibly glad I took the time to listen. The composition features nostalgic analogue synths that evoke a sense of warmth and familiarity, while simultaneously capturing a distinctly modern European aesthetic. This blend makes the track feel both timeless and fresh, captivating listeners in a unique way. “I die for this love” presents a poignant exploration of unrequited love, capturing the complex emotions that arise from such longing. It delves into the intricacies of love, revealing feelings of confusion, heart-wrenching anguish, and deep despair. Through vivid imagery, the work highlights the bittersweet beauty of unreciprocated affection. Above all illustrating how it can leave a lasting impact on the heart. James, an artist who thrives in the dark-disco genre, has cultivated a profound connection with audiences around the globe. His extensive tour history includes collaborations with renowned acts like Drab Majesty and Peter Heppner, showcasing his ability to blend high-energy performances with compelling narratives. Furthermore, his impactful appearances at prominent events such as Sinners Day, WGT, and Standon Calling have not only captivated fans but also solidified his reputation as a formidable powerhouse in the heavy Hi-NRG live music scene. Similarly, in collaboration with SUND, I’ve already fallen head over heels for “I die for this love.” And can’t wait for you to do the same… Connect with Knight$ Facebook: https://www.facebook.com/Knights101/ X: https://x.com/jpsknights Instagram: https://www.instagram.com/knights101/ The post Listen to “I Die for this Love” by SUND featuring James KNIGHT$ appeared first on EQ Music Blog. View the full article

Anyma ft. Yeat – Work Anyma drops Work featuring Yeat, a genre-blending track that fuses Yeat’s futuristic rap style with Anyma’s signature melodic techno. Debuted during his immersive Sphere shows, the track stands out with its haunting vocals, hypnotic drops, and emotionally charged production. Alesso & Becky Hill – Surrender Alesso teams up with powerhouse vocalist Becky Hill for ‘Surrender’, a euphoric progressive house anthem that lit up his Ultra set. Featuring Becky’s soaring vocals and Alesso’s signature melodic builds, this track is primed for peak festival moments. biskuwi & Andrea Botez ft. Sarah de Warren – Going Under Andrea Botez, biskuwi, and Sarah de Warren have unveiled their electrifying new single, ‘Going Under’, a gripping techno anthem that unites three of the most exciting names in electronic music. The release marks a significant moment, not only as a powerful collaboration between two fast-rising producers and one of dance music’s most sought-after vocalists but also as a statement of visibility and representation. Landing on Transgender Day of Visibility, March 31st ‘Going Under’ serves as a beacon of inspiration for the LGBTQIA2S+ community, with biskuwi standing as a leading voice for trans artists in the electronic music space. Andrew Dum – Les Djinns Melodic and afro house rising star Andrew Dum crafts a brand new musical journey with his remix of the iconic ‘Les Djinns’. The reimagined track moves you, bringing back good memories while creating new ones. Andrew Dum’s edit is the perfect summer hit, blending the nostalgic, mystical essence of the original ‘Les Djinns’ with the deep and rhythmic soul of afro house, creating a magical fusion of the past and present. Tiësto x Rafael Cerato – Cool ‘N Calm (EP) Tiësto and Rafael Cerato drop the ‘Cool ‘N Calm’ EP, a sleek, underground-leaning project that merges deep grooves with progressive elements. The title track brings a chilled yet driving energy, perfect for more intimate dance floors and late-night sets. Honorable mentions: anamē & Lydmor – Astronauts Arcando – California Dreamin’ Bassjackers x Bellini – Samba de Janeiro (Dimitri Vegas & Like Mike Edit) Cat Dealers, Dani Doucette, Tineway – Cry for You DubVision, Nicky Romero & Oaks – Live My Life DVBBS x Dave Summer – Reset Empire Of The Sun – Television (Solomun Remix) Eran Hersh, Stadiumx – Nomadic Soul Florian Picasso – Hi Heels EP Fox Stevenson – Exile Is a Habit HI-LO & Sarah de Warren – Born to Love Hugel, TEDDY-O – Champs In The Rave ilan Bluestone & Jasper Blunk – 40 Joris Voorn, YOTTO, White Lies – Seventeen Kaskade, Lipless – State Of Mind Keanu Silva x Siks ft. Oda Loves You – Dance with the Devil LIZOT x Basslovers United x Heleen – Drunk Maddix & The Rocketman – Never Alone Magnificence & Corey James ft. Rion S – Time Machine Manse – Hear Me Now Markus Schulz x Pavlo Vicci – Get You Higher MOTi, Hallasen, Amero – Where Did Alice Go PLS&TY – Constellations R3HAB x WUKONG x $MUSIC – Drip Drip Ran-D & Devin Wild – Somebody That I Used To Know RayRay, Haus of Panda – Afterlife Rudimental x Khalid – All I Know Shermanology, Champion – Badder Showtek – In Your Face Sonny Fodera, Clementine Douglas – Tell Me (Agents Of Time Remix) Subtronics – Fibonacci album part 1: Oblivion Tchami, OOTORO – Late Night Secrets Timmy Trumpet, Gabry Ponte, Darren Styles ft. Charla K – It Must’ve Been Love Tinlicker- I started a fire Uberjak’d, Ella Young, MDDLTN ft. Ella Young – Keep On Running Vikkstar – Chemicals

Beatport, the world’s biggest store for DJs, producers, and music fans, keeps improving its genre organization. They’ve added Ambient/Experimental as a new genre on its own and changed Downtempo to be its own category, different from Organic House. These features show how immersive, atmospheric soundscapes and slow-groove rhythms are becoming more popular in electronic music. They also give artists a better way to show off their work. Electronic music is always changing, and Ambient/Experimental and Downtempo have become important parts of the ecosystem. These genres give artists a place to really explore sound and give listeners experiences that are immersive and push the limits. We’re making it easy for fans to find these sounds and for artists to connect with their fans by giving them their own pages. – Raphael Pujol, Vice President of Global Curation at The Beatport Group Ambient & Experimental music is music that puts mood and texture ahead of standard melodies and rhythms. Ambient music uses slow-evolving, simple compositions to make noises that are immersive, while experimental music uses abstract textures and rhythms that aren’t normally used in music to push the limits of what is possible. Warp Records, Kompakt, Mille Plateaux, Kranky, Erased Tapes, NOTON, and Music from Memory are some of the biggest labels in this movement. Artists like Aphex Twin, Max Richter, Tim Hecker, Kaitlyn Aurelia Smith, Autechre, and Kali Malone are also very important to it. Downtempo music is all about groove and reflection. Downtempo music has a lot of different sounds, from the smooth, natural sounds of Balearic and Lo-Fi to the lively, upbeat sounds of Trip-Hop and Chillout. It can be played on dance floors and in quiet rooms. This sound has been supported by well-known labels like Wonderwheel Recordings, Sol Selectas, Cosmic Awakenings, and Shika Shika. Important acts such as Chancha Via Circuito, El Búho, Kermesse, Rodrigo Gallardo, and Riyoon are still moving the genre forward. The post Beatport Expands Genre Offerings appeared first on The Groove Cartel.

Following up on their first release on The Moment, Belgian artist Samm gives “All The Love” a remix treatment. This cut was made by Everything Is Art and label heads WhoMadeWho. It has been melting hearts all over the world as a key part of WhoMadeWho sets lately. It was the best way to start The Moment. Also, you may be interested in our interview with Belgian talent Samm. Here is Samm’s remix. Samm has been making a name for himself by putting out a lot of music that is a mix of indie dance, afro house, and other styles. Together with Ajna, he owns Magnifik Records and has built a successful record label, sound system, and event series in his home country of Belgium. He has played at Tomorrowland and Pacha Ibiza, among other places in Europe, and his musical credits include the EP “Does It Matter.” A dreamy atmosphere is created by Samm’s new version of “All The Love,” which features a funky drum arrangement, strings that stir up the mood, and powerful synth stabs. The mix of rough and smooth makes the whole thing very interesting, and the voices take on a haunting quality. The sad breakdown comes before a strong start to the second half of the song, which keeps the mesmerizing balance between light and dark. The best performance from one of Antwerp’s best. The post Samm remixes ‘All The Love’ (Everything Is Art, WhoMadeWho) appeared first on The Groove Cartel.

Sweet Relief Musicians Fund has partnered with Sweetwater to launch a new initiative aimed at tackling one of the most prominent health crises facing the music industry today: noise-induced hearing loss. Unveiled this week, the Hearing Health Fund provides musicians and music industry professionals with free hearing screenings and high-fidelity earplugs in an effort to curb the chronic issue, which impacts thousands each year. According to the Sweet Relief Musicians Fund, approximately 40% of musicians and music industry workers experience noise-induced hearing loss. The risk is particularly acute for live performers, audio engineers and venue staff, many of whom operate in environments that regularly exceed safe decibel levels. The issue, however, extends to the broader music community as well. A 2023 EDM.com poll found that nearly 50% of music festival attendees do not wear ear protection, underscoring a wider lack of adherence to best practices at live events. The Hearing Health Fund will provide a free three-part hearing screening administered by certified audiologists. In addition to a review of results and education around hearing preservation, recipients will receive Etymotic ER-20XS High Fidelity Earplugs, designed to protect hearing without compromising the listening experience. "Screening is essential to protecting musicians from hearing loss because once the damage is done, there’s no going back to 'normal,'" said Dr. Todd Page, Sweetwater’s in-house physician. "It’s heartbreaking telling a fellow musician their tinnitus isn’t fixable; that it’s too late to reverse it, and all they can do is adapt and try to keep it from progressing." Sweetwater, best known as one of the world's largest online retailers of musical instruments and gear, also provides immersive sound experiences for venues and stadiums across the country. The company’s investment in the fund reflects a broader mission to support not only sound quality, but also the well-being of those who create it. The Hearing Health Fund is available now through Sweet Relief Musicians Fund. Full details can be found on the organization's official website.

As if Miami Music Week wasn’t chaotic enough, a new Grand Theft Auto VI plot twist emerged that sent both ravers and Redditors into a collective frenzy: mysterious white pills with "VI" stamped on one side and "10.10.25" on the other. The pills were reportedly found outside a downtown nightclub. Naturally, the internet did what it does best, spiraling into speculation that Rockstar Games was tantalizingly teasing the release date of Grand Theft Auto VI with… designer drugs? Images of the pills were first posted by Reddit user Lnce_Vnce, who claimed he found them "in a tiny sandwich bag during [his] final dance of the week," which might be the most Miami Music Week sentence ever constructed. GTA diehards immediately connected the dots (and Roman numerals), pointing out the striking resemblance to the branding of the game's long-awaited return to Vice City. The date lines up suspiciously well with previous speculation about the game's release. Rockstar Games has stayed completely silent, but that hasn’t stopped social media from running wild with theories. Some think it's a deliberate marketing stunt while others believe a drug supplier simply wanted to go viral during festival season. However, it remains unclear what was actually in the pill and whether or not it’s related to GTA VI at all. Until we get official word from Rockstar, the best we can say is this: We got branded GTA 6 pills before we got GTA 6.