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Aroudn 150 protestors gathered outside the Old Bailey yesterday evening (October 21) with banners reading “Justice for Chris Kaba” Continue reading...

Celebrating 14 years of ‘Pure Andy Farley’, the Hard House legend returns to the heart of Shoreditch for another marathon daytime event. Promising another unforgettable exhibition of Hard Dance prowess, Andy Farley returns to XOYO on Saturday, 2nd November, to deliver an undeniably nostalgic 10-hour vinyl-only performance at ‘Pure Andy Farley’. This sell-out event series has been an increasingly popular jewel in the programming at XOYO with the legendary Farely now clocking up over 10 editions of his unmissable daytime rave at the Shoreditch-based venue. Kicking off at 11am and with over 50,000 records to choose from, Farley will be nothing less than on-form at this marathon session. Ask any Hard House clubber to name a DJ who epitomises the Hard Dance scene; chances are, they will suggest Andy Farley. A pioneering DJ with over 35 years of experience, Farley is a standout for his seamless mixing and precision tune selection. Starting as a vinyl collector of rare soul and R&B records, he sold his collection to buy his first decks and gained recognition in the mid-90s as a resident at Birmingham’s Tins Tins, where he helped shape a harder-edged sound. With residencies at hard dance brands Sundissential, Storm, Progress, and Frantic (now in its 25th year), Andy Farley is a global favourite appearing all over the world and on home turf at countless Tidy Weekenders and Creamfields. At ‘Pure Andy Farley’, running since 2010, clubbers can expect a mindblowing showcase from Farley’s vast record collection as he journeys through House, Hard House, and Trance. With over 140 tracks, 80 remixes, and commercial albums like “Hard House Nation” and “Music for a Harder Generation” to his name, fans will be captivated by a true artist throughout his entire 10-hour performance. XOYO has firmly established itself as a hub for bass music lovers in London. After a standout summer packed with performances from some of the biggest names in the scene, the club is continuing to break new ground with its cutting-edge lineups. In recent months, it has hosted a stellar mix of talent, with legends like Goldie and Andy C delivering unforgettable sets alongside genre-blurring acts like Ed Solo and Deekline. The club welcomed veterans Ray Keith and the legendary duo Fabio & Grooverider. At the same time, acts like SASASAS, Zed Bias, N-Type, and Matrix & Futurebound kept things fresh and forward-thinking. With its unwavering focus on pushing the boundaries of electronic music, XOYO has become a beacon of London’s diverse and inclusive nightlife. By consistently curating unique, boundary-pushing experiences, the venue has solidified its place as a cultural mainstay in the city’s ever-evolving club scene. EVENT DETAILS Pure Andy Farley 2024 -10 Hour Vinyl Set Saturday 2nd November XOYO, 32-37 Cowper Street, Shoreditch, London, EC2A 4AP 11:00 – 22:00 (Last entry 17:30) – 18+ Event Tickets available from www.xoyo.co.uk Follow XOYO https://www.instagram.com/xoyoldn https://www.facebook.com/xoyolondon https://twitter.com/XOYO_London https://www.xoyo.co.uk The post Andy Farley Returns to XOYO London for a 10-hour All-vinyl Special This November appeared first on Electric Mode.

Amsterdam Dance Event (ADE) announce the dates for its 30th edition, which will take place from October 22 to 26 2025. After the conclusion of one of ADE’s most memorable editions to date, which primarily showcased a broadened conference and festival program as well as its renewed artistic direction under the Arts & Culture umbrella, the ADE team are excited to look forward to ADE 2025. The 30th edition will coincide with the final week of Amsterdam 750, the 750 year anniversary of the Dutch capital and the celebrations will see many events taking place in Amsterdam throughout the year. ADE will unveil various initiatives in connection with the anniversary celebrations in the coming months. The Amsterdam Dance Event Foundation is a not-for-profit organisation dedicated to nurturing electronic music, its culture and its industry worldwide. The organisation devotes itself to stimulating development, innovation and talent, gathering the global industry and laying a foundation for future generations. The Amsterdam Dance Event (ADE), an initiative of Buma, has grown into the world’s largest and most influential club-based festival and conference for electronic music. The event continues to grow and develop each year, featuring over 2,900 artists throughout 1,000+ events in over 200 venues. The five-day event features every conceivable aspect of electronic music culture, with dedicated conference programming, an extensive Arts & Culture programme, live music and DJ/artist performances, all spread across the city of Amsterdam.

The sounds of Lane 8's inner child will come out on the road early next year after he announced a new tour in support of his latest album, Childish. The influential deep house producer embraced childlike wonder on his fifth album, which he released last month on his own label, This Never Happened. He's now announced an eponymous tour kicking off in February 2025. In addition to the dates and venues, Lane 8 also shared that Ashibah and Otherwish will be joining him on the road this winter and spring. After the September release of Childish, Lane 8 gave fans a behind-the-scenes look at how his kids created the album's artwork and inspired the contents within. In addition to the tour announcement, fans can also expect his Fall 2024 mixtape sometime this week. Lane 8 will kick off the "Childish Tour" on February 28th, 2025 at Seattle's WAMU Theater. Pre-sale tickets to all dates go on sale Thursday, October 24th at 10am. You can check out the flyer below and register for early access here. Lane 8/X Follow Lane 8:X: x.com/lane8music Instagram: instagram.com/lane8music Facebook: facebook.com/lane8music Spotify: spoti.fi/2BYYafk

A UK-based drug charity, The Loop, has issued a warning about unusually strong MDMA pills circulating in the UK. Several recent hospitalizations have prompted the charity to urge clubbers to be cautious. Test results from various batches of pills — Pink Timberlands, Purple Louis Vuittons and Purple Pop Smokes — revealed that one in four pills contained significantly more MDMA than a typical adult dose. In fact, double the standard adult dose, which means 200mg of the substance. Fabric nightclub in London has also issued a statement urging patrons to prioritize their health and seek assistance if they feel unwell. The club’s welfare team is available to provide support and advice. “Significantly raised temperature, excessive sweating, muscle rigidity, and non-responsiveness or seizure” are all symptoms to be aware of. “A typical heavy/strong dose is around 200mg“, Fabric say, “but some of these pills are reported to contain over 300mg which creates a strong overdose risk. If in doubt, please don’t take it“. In recent months, The Loop has issued multiple warnings about the strength of drugs circulating in the UK. They launched the UK’s first regular drug-checking service in January and have alerted the public to concerns about counterfeit benzos and strong MDMA pills. [H/T] DJ Mag The post Warning Issued In The UK For Strong MDMA Pills, Several Hospitalized appeared first on EDMTunes.

The much-loved venue has launched a fundraiser to raise money for its creative community following last week's blaze Continue reading...

Alex Kislov drops his brand-new 10-track Progressive House album, ‘Dream Sequence,’ via AK & Friends. Known for his innovative approach towards Deep House, Techno, and Experimental Beats, Alex Kislov offers listeners a varied range of music with this new release, delivering an album that journeys through hard-hitting tracks and soundscapes where dynamic vocal lines take the focus: a project showcasing his artistic development and style, Alex Kislov’s ‘Dream Sequence’ album marks an exciting step forward in his journey, coming as a release poised to capture attention. With each track, Alex Kislov has ensured he puts forward music that feels both fresh and innovative whilst staying true to his artistic vision and style. Featuring the previously released singles, ‘Time Stops,’ ‘Daydream’ and the title track ‘Dream Sequence,’ the album gives way to unique-sounding productions that highlight Alex Kislov’s sonic originality. Having honed experience on the Chicago music scene, working to push boundaries to set himself apart, Alex Kislov has spent time refining his skills, influences, and creativity: a developmental journey that appears on full display in this new collection of tracks. As the album showcases Alex Kislov’s attention to detail, blending elements like atmospheric synths, pulsating basslines, and rich textures, ‘Dream Sequence’ offers a captivating listen, evolving with each production. With tracks like ‘Flashback’ delivering punchy energy through steady kicks, dynamic progressions, and intricate arpeggiator lines, coupled with the groove-heavy arrangements of tracks such as ‘Tales’, the album presents a well-crafted blend of intensity and melody, integrating driving energy with rich, worldly nuances. The vocal collaborations on the album enrich the sonic depth and diversity of ‘Dream Sequence’ further; adding expressive vocal lines from Leo Wood, Ron Carroll, and Eli Mes, Alex Kislov ensures that each track on the album offers something unique, resulting in a cohesive yet varied listening experience that displays the breadth of his skillset whilst bringing in various influences to highlight the individuality behind his approach. Alex Kislov’s latest release sees him delivering a cohesive collection of tracks that reflect his evolving sound, offering a well-rounded listen that cements ‘Dream Sequence’ as a compelling addition to his growing body of work. So, with his momentum only set to continue growing, keep Alex Kislov on your radar by following his journey across social media: listening to his brand-new album, ‘Dream Sequence,’ today, out now and available to stream and download across platforms. Listen and Buy ‘Dream Sequence’ Now: Alex Kislov Online  Spotify | Instagram | Beatport   

Fresh Powder deliver a brand-new remix with their take on Post Malone’s, ‘I Had Some Help’ featuring Morgan Wallen. With their signature style on full display, the duo’s rework offers listeners a fresh twist on the original, adding hard-hitting energy with its pounding beats and driving bassline: a dynamic Tech House remix that serves to highlight their talents, sound and approach, Fresh Powder‘s new release marks another step forward in their journey, sure to draw in new listeners with its high-energy sound. With a penchant for House and Techno, Fresh Powder has been working to define their style, integrating their influences to create a cohesive sound that encompasses their backgrounds whilst offering something fresh and innovative. Following the release of their debut single earlier this year, their journey as a duo is no doubt just getting started, yet already indicates promise as they continue to work towards growing their discography and list of live performance dates. Now, as they incorporate their original touch to Post Malone’s hit track, Fresh Powder ensures that their potential shines through, bringing music that reflects their love for the genre and commitment towards offering Electronic Music enthusiasts compelling sonic experiences, whether through their productions or live shows. Within Fresh Powder’s reimagined version of ‘I Had Some Help,’ a steady kick and robust bassline make up the opening arrangement, building a foundation for the familiar vocals of the original to layer against as synth textures and energetic percussive elements keep the soundscape moving forward. As filtered details combine for the first breakdown, introducing fresh elements at the drop, like driving melodic hooks and a bold low-end, the track soon pushes towards the next breakdown, where the vocals remain in a prominent position, weaving processed lines together with atmospheric pads, staggering synths and exciting risers. Coming as an inventive rework, Fresh Powder’s remix of ‘I Had Some Help,’ sees them reshaping the original into an impactful production while retaining the core essence of the track. So, out now and available to stream, dive into Fresh Powder’s ‘I Had Some Help’ today, and keep the duo on your radar by following them across social media today. Listen to ‘I Had Some Help (Fresh Powder Remix)’ Now: Fresh Powder Online Instagram | Spotify

The wandering spirit RL Grime will share Halloween haunts one last time before vanishing into the horizon. The Sable Valley founder is preparing to release the 13th installment in his beloved Halloween mix series. However, the announcement came with the unfortunate news that this year's mix will be the final entry in the series, which began in 2012. The influential electronic music producer took to X to share a preview of the mix, titled "The End." In it, You can see numbers counting out each mix with eerie sounds layered beneath. When the countdown reaches 13, the music is cut and we're shown a gravestone that reads 2012-2024. RL Grime has not yet revealed any further details about the mix. Still, fans can expect plenty more hip-hop and electronic selections alongside a celebrity guest for the introduction. His Halloween mixes of yesteryear have featured Neil deGrasse Tyson, T-Pain and Guy Fieri, among others. The mix is set to release Friday, October 25th. In the meantime, check out the teaser below and watch RL Grime's 2023 Halloween mix here. XIII “The End” This Friday pic.twitter.com/KvKhHsR2QS — RL GRIME (@RLGRIME) October 21, 2024 Follow RL Grime:X: x.com/RLGRIME Instagram: instagram.com/rlgrime TikTok: tiktok.com/@rlgrime Facebook: facebook.com/RLGrime Spotify: spoti.fi/3hKdCfc

How can today's generation of electronic music producers stay authentic in a highly saturated market? In the age of social media, when viral content strategies and hollow traffic-drivers often take precedence, borne urges artists to remember the importance of the music itself. "I notice that people crank out a few songs and then immediately go to the marketing or pushing it on on TikTok," borne tells EDM.com. "I think people forget that the most important part is the music and creating a story." The 22-year-old breakout's hot take on music production? Today's artists need to "let the music speak for itself." "There's a lot of 'dopamine hit' content, which gets people interested for a certain amount of time, but then they lose the engagement," he explains. "Trying to create a story and focus on the production itself is the most important part." With so much content constantly bidding for attention in an endless stream of ads and memes, today's listeners struggle to focus for more than a few seconds. So he felt it was paramount to call his music pseudonym something classic and timeless, ultimately turning to his own last name to derive his pseudonym. "I was trying to find something that I wouldn’t regret in five years," he says with a laugh. He felt a humbling, full-circle moment wash over him in May, when he was featured in a mix by the deeply influential UKF brand. As a teen, UKF's releases framed his approach to electronic music through the lens of timeless tunes from dubstep luminaries like Zeds Dead. Being featured in a mix alongside the iconic duo made it even more meaningful, he said. He then dropped his thumping, 140 BPM dubstep heater "Control" via UKF in September. View the original article to see embedded media. The artist's exposure to electronic music in his early teens "turned on the curiosity factor," inspiring him to play with Virtual DJ and ultimately buy his first controller. From there, he started experimenting with music production around age 14. A Montréal native, borne attended the city's beloved ÎleSoniq Music Festival but had never went to any other major fests until Shambhala last summer. That event also happened to be where he played his debut DJ set. He says he was initially drawn to rave culture because it sets the stage for a full spectrum of unlimited self-expression and creativity. He also felt inspired by the level of teamwork involved in taking the overall vision of an event from an idea to reality. In order to produce a successful event, an array of factors have to meet at a creative collision point, including visual art, sound and stage production. That process intrigued him. When analyzing festival culture and the overall spirit of dance music, borne said he's enthralled by the "family tree" of influences that stem from industry pioneers who paved the way for EDM and its subgenres, creating a textured web of innovation and interconnectedness. View the original article to see embedded media. Those layers of innovation and inspiration ultimately led him to heavily experiment with his style and sound in the past eight years. "When I first started, I used to just stack stuff and have a bunch of layers because it made it feel bigger and louder. Over time, I learned that less is more," he explains, laughing about the "chaotic" start to his discography. "I experimented with everything, and I think that’s important for every producer to do," he adds. "Dip your toes into everything and then see what you really enjoy doing." Now, borne describes his signature sound as "minimal" and "bass-oriented." His goal is to infuse every arrangement with a heavy dose of intention, from the bass to the percussion and everything in between. The producer's work is paying dividends. His style has led him to major performances, like an upcoming headline set for Atlanta's DEF collective, and collaborations with some of bass music's biggest names. Of all his recent collabs, he says his unreleased track with PEEKABOO, one of EDM.com's best music producers of 2023, means the most. "I've been getting more into 140, deep dubstep style, which is one of [PEEKABOO's] specialties. It's always nice working with like-minded producers," he said about producing the hotly anticipated ID. "It was like, let's just make whatever and make it natural. I was also really grateful he brought me to be a part of the Denver show at Mission Ballroom. For him to bring me out for that and share love and support, I was so appreciative." View the original article to see embedded media. When peering into his metaphorical crystal ball, borne embraces change for the music industry, like the influx of AI. He said he can imagine certain AI applications benefitting young, aspiring music producers. "It would be cool to use AI for project breakdowns, like showing how a song was made or how the individual sounds were made. If tech like that was a tool when I was younger and trying to learn, it would have been extremely beneficial because you’d learn faster, as opposed to just figuring out yourself." He's aware, however, of the nefarious aspects of generative AI in the music production world. "The whole point of music is the humanized effect," he explains. "You see how many different options and sounds there are, because it’s through our ears and it's very personalized. If someone goes about making music through AI, it's going to be algorithmic and you can see exactly what's going to happen. The possibilities aren't as endless in that sense. I do feel like people will recognize the humanized songs, but we'll see." Leaving aspiring producers with one last piece of advice, borne says it's crucial to "take lessons out of failed attempts." "I'm a firm believer that the music speaks for itself," he says. "Remember, even if it sounds bad, the whole process you went through to make that song has probably taught you a lot. Try to find small wins. It doesn't always have to be about like the end result. Try to create a story for people to follow alongside the music." Follow borne:Instagram: .instagram.com/itsborne X: x.com/bornemusicc TikTok: tiktok.com/@bornemusic Spotify: spoti.fi/3Yoezly

Drop Out EP by Loxodrome Almost exactly 30 years ago in 1994 Jamie Odell released his Loxodrome EP on legendary London label Jumpin & Pumpin, a release that has since gone onto receive a lot of love and attention and got reissued by Craigie Knowes sub label Wormhole Wisdom back in 2020. Fast forward three decades and Jamie aka Jimpster has decided to dust off his Loxodrome cap, and now we’re happy to present you with the fruits of his studio sessions in the form of The Drop Out EP. The title track treads a much darker, more minimal path than we’re used to hearing on his Jimpster or Franc Spangler releases. Aimed fairly and squarely at the dance floor, Drop Out goes heavy on squelching, modular synth sequences which build around a stripped back jacking drum groove. Jamie’s trusty Juno 106 gets dusted off to provide the chunky bassline and ominous pads which are interjected with a trippy vocal sample and white noise fills. Emberfall follows in fine style with saturated 808 drums and 303 acid line taking centre stage. Overall, an optimistic and uplifting atmosphere emits from the speakers, heightened by the Juno string chords, taking inspiration from classic 90’s Italian Dream House. Flipping over we have a dub version of Emberfall which loses the pads and stabs in favour of dub delays and extra snare fills for a more impactful and minimal acidic club workout. Closing out the EP things get lush as Jamie heads into deep, late night electro territory on Fornax A. Memories of Black dog and B12 are channeled through the layers of filtering synths and glitchy breakbeats and are inspired by his production approach and Atari ST running C Lab Creator and Akai S900 – the tools at his disposal when producing his debut Loxodrome EP all those years ago. Available via here The post Jimpster has decided to dust off his Loxodrome cap appeared first on Decoded Magazine.

Just over a month after the release of their highly praised album Kiss and Forget, electronic music powerhouse WhoMadeWho is back with a remix of their collaborative track ‘Heartless’ with Kölsch, reimagined by the talented Italian duo Fideles. This marks the first official remix of “Heartless” and continues the band’s streak of high-profile collaborations and accolades. ‘Heartless’ (Fideles Remix) The Fideles remix of ‘Heartless’ takes a track that blends the styles of WhoMadeWho and Kölsch into an effortlessly beautiful work that creates a calming atmosphere, and livens it up while staying true to its roots. The Italian duo replaces the gentle kick with a punchier, more dynamic beat, infusing the track with their signature grandeur and elevating it to new heights. Fideles offered some words in regards to their remix: “We’ve long admired WMW and Kölsch for their emotive musical journeys. When allowed to remix a track from their album, “Heartless” immediately stood out to us. During a creative session in Ibiza, we found the perfect way to blend their vision of the track with our sound.“ “…The result is a remix that honors the original while bringing our unique touch. We’re also very thrilled with how it’s been received in the industry by our peers and. on the dance floors–it’s a special moment when our remix connects with so many people from different walks of life” Fideles The Fideles remix joins an impressive roster of remixes from ‘Kiss and Forget’. These include works by CamelPhat, Adam Ten, INNELLEA, and Mind Against & Dyzen. WhoMadeWho fans can look forward to more, with an upcoming remix by Alex Wann and an official remix EP on the horizon. WhoMadeWho’s recent success extends beyond the studio. The trio clinched the “Best Organic House” award at the 2024 DJ Awards in Ibiza earlier this month, adding to their “Best Live Performer” accolade from the 2024 Beatport Awards in May. These honors, coupled with the release of Kiss and Forget, underscore WhoMadeWho’s unstoppable momentum. The Music Video WhoMadeWho has unveiled a series of captivating music videos to accompany each track on ‘Kiss and Forget’. It was directed by Berlin-based talent Thomas Kuhn with creative direction by Polina Vinogradova. These visual pieces form a kaleidoscopic journey through time, emotion, and human connection. The videos serve as a unique narrative tapestry. Moreover, it weaves together the album’s themes of nostalgia, eternal youth, and the ephemeral nature of relationships. These melodic titans definitely have a lot of heart. Here is ‘Heartless; (Fideles Remix): The post WhoMadeWho Enlists Fideles for a Remix of ‘Heartless’ appeared first on EDMTunes.

Laurent Garnier is joining the ‘fabric presents’ mix series, and details are now out on this bespoke milestone release. The trailblazing DJ and producer is doing not one but four mixes as he embraces an opportunity to go even bigger for the London institution in its 25th groundbreaking year. A full-spectrum and multi-genre release, there’s a UK-focus, house, techno and downtempo mix. In his words, “diversity makes it richer, makes it better.” Eager to pay homage to the vitality of club culture, his vision is to take us through a rapturous weekend at fabric from Friday through to the afters. Making it even more unique, he’s also dropping an original four-track EP – one track per genre. Garnier: “Clubs have been my second home since the start of my career. Once you’ve witnessed that unique connection you can create in a club with a crowd, once you’ve experienced it from behind the decks, you just know you are where you’re meant to be. This special journey with fabric is of course a tribute to the legendary London club – a place that’s been a home to so many clubbers, DJs and music-lovers for so many years – but most of all, a tribute to all the dancefloors and all the clubs around the world.” Ploughing through hundreds of records a day, it’s no surprise to hear Garnier describe the track selection process as being “complicated”. His enriching trip through fabric spans over five hours with each mix coming in at 1 hour 20 minutes. Across all four, it’s clear that he’s immersed in the present and future-focussed with a majority of the chosen records dropping only in the last three years. The House Odyssey mix kicks off with afro house via South African producer Mr. Blasé, and the vibrancy continues through cuts from Cape Verde to Chicago as newer faces Culoe De Song, Neinzer and Tal Fussman meet linchpins DJ Spen, DJ Lady D and Mike Dunn. In techno, his Rhythmic Resonance mix is searing with high impact moments from Red Axes, John Tejada, Electric Rescue, Works of Intent, and himself as three of his own epic productions feature. A UK-focus underpins Garnier’s nod to fabric’s fervent bass devotees with the Into The Low-End sessionfeaturing Skrillex, MC GQ, Sami Virji and Martin Badder. On The Way Home sidles up to clubbers for a downtempo dust down with stunning explorations from Daudi Matsiko, Adriano Koch, Richie Culver and Melody Gardot, among others. His EP further showcases his mastery of genres. Luminous house cut ‘Odyssée Maison’ is in for spirited dancefloor grabs with Dan Diamond on vocals, while ‘Resonances From The D’ is for techno heads, glued together with tumbling rhythms, soaring synths and scattering hi-hats. ‘Playing With The Low-End’ is the bass-doused maze that looms large before ‘On The Way Home’ brings a shower of orbiting synths. One for collectors, especially as the uniquely-packaged deluxe vinyl and CD are limited editions, it drops as physical-only on 29th November. The deluxe LP includes a bespoke box, coloured vinyl of the mixes and 12” EP and a picture booklet of Garnier. The CD comes with embossed ‘25 Years of fabric’ aluminium cases and the booklet. Pre-order fabric Presents Laurent Garnier here. The four-track exclusive EP is also available for purchase as a separate product exclusively at Paris record store Yoyaku. Saturday 7th December, Laurent Garnier headlines fabric’s Room 2 alongside Works Of Intent. Ron Trent and Serenda take the reins in Room 1, with Circa Groove, Thorgurder, Rupert Ellis and Will Mellor in Room 3. Get tickets to the event here. Mixes CD 01: House Odyssey CD 02: Rhythmic Resonance CD 03: Into the Low-End CD 04: On The Way Home EP 01. Odyssée Maison Feat. Dan Diamond 02. Resonances From The D 03. Playing With The Low-End 04. On The Way Home The post fabric presents Laurent Garnier: celebrating 25 years of fabric appeared first on Decoded Magazine.

The long-running central London bar and nightspot is set to be developed into a 507-room hotel Continue reading...

Following a sold out 20 Years of Viper Recordings event at XOYO earlier this year, the legendary Drum & Bass label, Viper Recordings, is back on Friday 6th December for the final chapter in its year-long 20th anniversary celebration. Also marking the release of the red hot 20 Years of Viper album, the standard setting Matrix & Futurebound are back deep in the heart of Shoreditch at the capital’s premier bass music venue for one last hoorah, alongside another head-turning line-up of DJs and MCs, all ready to throw down an omnipotent storm of face-bending basslines and head-bopping beats. Viper Recordings and its founder, Futurebound, has been a leading force in drum and bass for two decades, delivering dancefloor anthems and supporting established and emerging talent. Their roster is a vibrant mix of veterans like Matrix & Futurebound, Brookes Brothers, and Cyantific, alongside rising stars such as Dossa & Locuzzed, BMotion, and newcomers Jack Mirror, Millbrook, and Madface. Releases from heavyweights like Calyx & Teebee, Teddy Killerz, Hybrid Minds, and Koven highlight Viper’s commitment to quality and genre diversity. Viper’s global presence is undeniable, with stages at major festivals like EDC Las Vegas, Tomorrowland, and Rampage and sell-out events at iconic London venues such as fabric, XOYO, and Egg. The label has launched the careers of chart-topping acts like Sigma, Nero, Camo & Krooked, Metrik, and Delta Heavy, and its annual compilations, including ‘The Sound of Drum & Bass’ and ‘Summer Slammers,’ have cemented Viper’s reputation in the streaming era. A venue that continues to stand the test of time, XOYO London remains committed to providing high-quality clubbing experiences to the masses. Through its continuous residencies and one-off shows, XOYO flawlessly perpetuates a safe and inclusive nightlife platform bolstered by some of the most sought-after artists and brands in global electronic music. Whether it’s the Friday night bass-focused programming that has seen the likes of Andy C, Goldie, Alix Perez, Mike Skinner, Interplanetary Criminal, Fabio & Grooverider, Crucast, and countless others or its House & Techno oriented offerings through their newfound partnership with championed promoters LWE, there truly is something to whet the appetite for all of London’s unparalleled diversity and world-famous club culture. For tickets visit https://skiddle.com/e/40090484 The post Viper Recordings returns to XOYO for The Finale of its 20th Year Celebration appeared first on Decoded Magazine.

XP Music Futures, the music conference by MDLBEAST Foundation, has announced its first speakers for the 2024 edition, set to take place from December 5th to 7th in Riyadh’s JAX District. Leading voices in both the MENA and international music scenes with Dystinct, Marcella Araica, Asayel, Fulana, Dish Dash all headlining a diverse line-up of panels, workshops, and discussions. These speakers are set to share their insights on the evolving music landscape, drawing from their rich experiences as artists who have shaped and influenced contemporary sounds in the region. As part of the 2024 program XP Presents will feature a large cohort of Nigerian talent that have been instrumental in the global success of their regional sound including Joeboy, Kold AF, Wizard Chan. Their participation underscores XP Music Futures’ mission to foster growth, innovation, and impact in the MENA music ecosystem, shining a light on the Nigerian music scene and its impact across the globe. XP Music Futures would also like to express its gratitude to key partners Warner Music. “I’m really excited to see a platform like XP putting a spotlight on music from the African continent and honoured that they’ve asked me to participate and share my perspective and experience!” -Temi Adeniji -Managing Director of Warner Music Africa. XP will feature a variety of local and international experts in their field, ready to share their wisdom and knowledge with those in attendance including Mohini Dey, Bas, DJ Yoda, KIKO, Bombino. Previous editions have hosted renowned global and regional stars that have come and shared their wealth of knowledge. Artists and innovative industry figures such as producer and label owner Don Cannon, DJ Khaled, Cosmicat, Nicole Moudaber, Fat Joe, David Guetta and many more have spoken at the Riyadh event. XP Music Futures returns to Riyadh for another year on the 5th, 6th & 7th of December in Jax Diriyah. For all updates on XP Tickets, please register with us: Here The post XP Music Futures unveils first wave of speakers appeared first on Decoded Magazine.

Montreal-based artist TDJ concludes her acclaimed SPF INFINI series with GENESIS, a groundbreaking audio-visual project that combines a narrative-driven music video, a flawless DJ mix, and a 36-track compilation. In this final installment, TDJ explores the profound disconnection between humans and their environment through a cinematic journey that takes place on a private plane. The music video showcases stunning visuals, including an airborne dance with a dragon and an impromptu skydive, while the compilation features original music from a talented group of up-and-coming artists. The music in SPF INFINI GENESIS is a blend of trance, electro, techno, hardcore, and emo, showcasing TDJ’s versatility as a producer. The compilation includes tracks from SofTT, Panteros666, fknsyd, Yoshiko, 1luu, and many more. While TDJ may portray an icy character on screen, her live performances are full of energy and passion. She will be touring throughout the fall, including stops at Intercell for ADE, Dreamstate Festival, and EDSea and EDC Orlando. You can catch her on her tour dates down below: TDJ Upcoming Tour Dates October 19 – Intercell – Amsterdam, The Netherlands October 24 – Frágil – Lisbon, Portugal October 25 – Club Kaiku – Helsinki, Finland October 26 – Madame Loyal – Bordeaux, France November 2 – EDSea – Miami, Florida November 8 – The Ground – Miami, Florida November 10 – EDC Orlando – Orlando, Florida November 15 – Boiler Room – Mexico City, Mexico November 22 – Dreamstate – Long Beach, California November 29 – Coda – Toronto, Canada November 30 – SAT – Montreal, Canada December 6 – Soundcheck – Washington, DC December 7 – 99 Scott – New York City, New York December 13 – Public Works – San Francisco, California December 27 – OXI – Berlin, Germany December 28 – Colour Factory – London, United Kingdom January 11 – Le Bikini – Toulouse, France January 18 – Dachstock – Bern, Switzerland January 24 – Cabaret Sauvage – Paris, France February 7 – Slalom – Lille, France February 8 – Tama – Poznan, Poland February 14 – Warehouse – Nantes, France February 15 – Belle Électrique – Grenoble, France February 21 – The Internatiiional – Seoul, South Korea February 23 – WWW X – Tokyo, Japan The post Trance Visionary TJD Releases 36-Track Compilation, DJ Mix, & Film SPF INFINI: GENESIS and Announces Tour appeared first on EDMTunes.

TikTok's relationship with music is undergoing a transformation. Its platform has become a driving force for the discovery of electronic music, boasting a 70% growth in video creations featuring the genre year-over-year, according to a press release issued by the company. Sub-genres like drum & bass, techno and trance have all seen notable increases in popularity. To capitalize on this momentum, TikTok has launched its global #ElectronicMusic hub coinciding with the recent Amsterdam Dance Event. TikTok’s global community is not just consuming electronic music—they’re fueling its future. From remixing tracks to sharing clips from live sets, users are helping artists achieve rapid virality, like EDM.com Class of 2024 member Kenya Grace, whose track "Strangers" picked up steam on TikTok and has since garnered over 1 billion streams across services. Serving as a launchpad for emerging talent and established icons alike, TikTok is amplifying the reach of electronic music artists across the globe. However, while the company is ramping up its efforts to promote music, it is simultaneously shutting down its native music streaming service, TikTok Music. The platform, which launched in 2019, aimed to compete with giants like Spotify and Apple Music but was available only in select regions like Brazil, Mexico and Australia prior to its closure. TikTok, however, isn't backing away from music entirely. Instead, they are doubling down on features like the "Add to Music App" function, allowing users to save songs from the platform directly to major streaming services. This strategic shift suggests that the company sees more value in bolstering its core strength, short-form video creation, rather than competing directly in the crowded streaming space.

In the digital sphere where electronic music mainstays like Kygo and Marshmello once found their footing, SoundCloud is now reporting that fans of the genre comprise its most dedicated, vocal and active community. Released during this year's Amsterdam Dance Event (ADE), new data from SoundCloud proves that the electronic genre's fanbase is outshining other music communities with staggering engagement statistics. In an "Essential Insider Knowledge" panel during last week's summit, SoundCloud CEO Eliah Seton and house music producer Mau P revealed fresh insights into the platform's electronic music ecosystem. The community is not only growing in size, but its listeners are also the most engaged of any genre on the platform. According to the data, electronic music fans are 104% more likely to share content, 85% more likely to repost and 52% more likely to comment than fans of other genres. The revelations mark an important chapter for SoundCloud, which almost faced bankruptcy nearly a decade ago. The company in 2017 narrowly avoided collapse thanks to a $169.5 million capital infusion. The platform struggled to monetize its massive user base at the time, with layoffs and office closures threatening its future. Today, SoundCloud's thriving electronic music culture continues to play a pivotal role in its story, helping the company reassert its standing as a vital hub for artist creativity and fan interaction. Trance, hardcore and house, which drive the highest engagement rates on SoundCloud, are leading a surge of activity, with the lattermost genre topping the charts for the most streams and listening time. Global data reveals that countries like Belgium, Austria and Germany dominate electronic music streams while Vietnam is emerging as a hotspot by virtue of its fast-growing "Vinahouse" sub-genre. With over 400 million tracks and a mission rooted in empowering artists, SoundCloud is banking on this enduring connection with electronic music fans to continue shaping the future of the industry. Check out the company's official blog post to discover more statistical insights on electronic music's reach and impact on the platform.

Ultra Music Festival is pulling back the curtain on 25 years of rave royalty with a groundbreaking docuseries that will keep fans in a heightened state of anticipation until the festival's historic 2025 edition. To celebrate the upcoming 25th anniversary of the brand's flagship Miami edition, Ultra has unveiled All Eyes On Us, a 25-episode docuseries designed to explore the iconic EDM festival's enduring legacy. Produced by the visionary team at NOMOBO, the program captures the essence of Ultra through the voices of artists, fans and industry titans who have helped shape the event’s profound impact on stateside EDM culture. Three parts of the series have been released thus far. The first episode, "Open The Gates," reflects on the ceremonial homecoming that occurs each March as Ultra's gates swing open to welcome tens of thousands of electronic music enthusiasts. The second, "That First Ultra," transports viewers into the memories of some of the festival's biggest performers, like Hardwell, Pendulum and Marshmello, as they fondly recount their first Ultra experience. Released just last week, the third chapter in the All Eyes On Us saga, "All Eyes On You," offers a behind-the-scenes glimpse into the meticulous preparation of Ultra's prolific closing sets. Dutch powerhouse W&W take center stage as they prepare for their debut closing performance at Ultra Europe while heavy0hitters like Armin van Buuren and Nicky Romero reflect on the high-stakes artistry involved in crafting an unforgettable Ultra setlist. The series not only serves as a love letter to the past, but also fuels anticipation for the 2025 edition. Fans can look forward to headlining performances by Martin Garrix, Zedd, Afrojack and Carl Cox, alongside rare back-to-pack performances. With additional lineup announcements on the way, Ultra 2025 promises to be one for the history books. You can catch new episodes of All Eyes On Us every Monday via the UMF TV YouTube channel. Ultra is scheduled to return to its longtime home of Bayfront Park from March 28-30, 2025 and tickets are on sale now. Follow Ultra Music Festival:X: x.com/ultra Instagram: instagram.com/ultra TikTok: tiktok.com/@ultra Facebook: facebook.com/ultra

Released on October 22, 2010, Skrillex’s EP ‘Scary Monsters & Nice Sprites’ marked a defining moment in electronic music. Featuring nine tracks, including six originals and remixes by Noisia, Zedd, and Bare Noize, this EP showcased Skrillex’s ability to blend chaotic, bass-heavy dubstep with melodic elements. The title track, ‘Scary Monsters and Nice Sprites’, captivates listeners with a whimsical intro before plunging into a visceral soundscape, creating an electrifying experience that resonates through the body. This EP catapulted Skrillex into the mainstream, solidifying his influence on the dubstep genre. Its success went global, achieving platinum status in the US, Canada, and Australia, and earning a gold certification in Australia. Notably, ‘Scary Monsters & Nice Sprites’ played a pivotal role in bringing dubstep to the forefront of music culture, even making history at the 2012 Grammy Awards when dubstep was recognized for the first time by the Recording Academy. At the 54th Grammy Awards, Skrillex was nominated in five categories, including Best New Artist, and took home three Grammys: Best Dance/Electronica Album, Best Dance Recording, and Best Remixed Recording, Non-Classical for Benny Benassi’s remix of ‘Cinema’ (Skrillex Remix). This marked a turning point for electronic music, with Skrillex leading the way. Thanks to ‘Scary Monsters & Nice Sprites’, Skrillex not only showcased his groundbreaking style but also helped bring dubstep into mainstream recognition. The EP remains a landmark release that redefined the electronic music scene and paved the way for dubstep’s rise to global popularity.

The FTC just approved a game-changing “click-to-cancel” rule that simplifies how consumers cancel subscriptions in the U.S. This regulation aims to protect consumers from deceptive practices and ensure cancellations are as easy as signing up. Music streaming giants like Spotify, Apple Music, and Amazon Music, which serve hundreds of millions of subscribers globally, are among the companies most impacted. These platforms will now need to streamline their cancellation processes to match the simplicity of their sign-up systems. The FTC receives thousands of complaints annually about shady subscription practices, and this rule aims to reduce that number. Backed by the Biden administration’s ‘Time is Money’ campaign, it addresses long-standing consumer frustrations. However, some business groups express concerns that the rule might drive up costs for consumers. Here’s what’s in the rule: 1. Canceling Should Be Easy If a company, like Spotify or Amazon Music, lets you subscribe online, they must allow you to cancel through the same method with the same number of steps. No more navigating complex menus or searching for hidden options to end your subscription. 2. No More Deception Companies can no longer mislead consumers with hidden terms. The rule makes it illegal for sellers to lie or misrepresent any material facts about their subscriptions. 3. Informed Consent The FTC’s rule also requires businesses to get your informed consent before charging you for any recurring subscription. This puts more control back into your hands, ensuring you’re not hit with unexpected fees. 4. Clear Disclosure Businesses must provide clear, truthful, and easy-to-find information about their subscriptions. If a subscription has conditions or automatic renewals, they need to disclose that upfront. 5. Multiple Cancellation Options If you subscribed in person, you should be able to cancel online or over the phone with no added hassle. This rule will go into full effect by April 2025. It applies to most subscription-based programs, regardless of the media in which they were sold. Companies that violate this rule could face civil penalties and be held liable for refunds. Two things were dropped from the final version of this rule. Companies won’t have to send you annual reminders about your subscriptions, and they can still offer you alternatives or ask if you want to hear their pitch before canceling — but only after getting your consent first. This new rule is a big win for consumers. It gives us more control over our subscriptions and stops companies from trapping us in hard-to-cancel services. Let’s hope it sets the stage for even stronger consumer protections in the future. The post This New FTC Rule Makes Canceling Subscriptions Easier appeared first on EDMTunes.

Martin Garrix, one of the biggest names in electronic music, has teamed up with longtime friend and fellow DJ/producer Sem Vox to release their long-awaited track, ‘Gravity.‘ Featuring vocals from rising talent Jaimes, this track has already become a fan favorite after its premiere at Ultra Music Festival Miami and has earned a permanent spot in Garrix’s festival sets throughout the summer. A Collaboration Built on Friendship The collaboration between Garrix and Sem Vox is the result of years of friendship and creative synergy. Their relationship spans more than 15 years, with the two playing back-to-back sets at various festivals in their early days. This track holds special significance for both artists. Sem Vox shared: “Martin and I have been friends for more than 15 years. We’ve played back-to-back at several festivals when we were younger, and ‘Gravity’ holds a special place in our hearts. It reflects the emotions we’ve all experienced at some point in our lives.” Track Breakdown: “Gravity” The track opens with Jaimes’ emotive vocals, paired with a rising synth that builds anticipation. As the vocals blend seamlessly with the synth, drums kick in, supporting the growing energy of the song. The track builds toward an explosive “reach to the sky” drop—a signature element of Martin Garrix’s style, creating a euphoric moment for listeners. After the drop, another verse from Jaimes continues the anti-gravity theme, keeping the energy high. This progression leads into a second drop, mirroring the first but amplifying the core message of the track. ‘Gravity’ combines Garrix’s classic sound with Sem Vox’s dynamic production, creating a perfect balance of emotion and energy. Want to watch ‘Gravity’s first time on stage? Here is the live recording of Martin Garrix’s 2024 Ultra Miami set. Summary & Instrumental For all you lovely DJ’s out there – don’t miss out on the instrumental version of ‘Gravity’. These releases are a celebration of friendship, creative growth, shared musical journeys, and remaining a few feet off the ground. With Martin Garrix’s signature sound, Sem Vox’s influence, and Jaimes’ powerful vocals, this track is set to leave a lasting impact on the electronic music scene. Don’t miss out on this electrifying new track. Listen now on your favorite streaming platforms and feel the energy for yourself. The post Martin Garrix and Friends Deliver Ultra Track ‘Gravity’ appeared first on EDMTunes.

NOISES is a house DJ/producer from the West Coast of the United States and he recently released his latest track, ‘BNP,’ on October 11th. This track may have the potential to become a top, underrated banger of the fall season coming from a rising DJ/producer. This release sure does have the power to turn up the heat on dance floors with a unique, vibrant West Coast groove, which also has phenomenal house music vibes as well. ‘BNP’ is a vibrant reflection of NOISES’ Latin heritage, and the track has an awesome combination of an old-school Chicano rap sample teaming up alongside wickedly good house groove, upbeat percussion, and a funky bass-line that may become memorable too. In fact, this track genuinely combines his cultural roots with his musical identity, crafting a sound that confirms that it does belong to himself. In the end, the outcome of ‘BNP’ is an intense, energetic, groovy dance music anthem that shows off NOISES’ talent and skillset that perfectly brings in musical influences for his tracks. This amazing inclusion of various musical influences also allow the artist to continue staying true to his signature style, a style that have gained him supporters in the likes of Deadmau5, Dillon Francis, Alison Wonderland, and Zeds Dead since he started his career in 2019. Click ‘Play on the Spotify link too stream ‘BNP’, a track that can become the catalyst for NOISES to become one of the EDM industry’s rising stars in the genre. The post NOISES Presents Cultural Influences With Catchy Beats in ‘BNP’ appeared first on EDMTunes.

2024 has truly been the year of Eli Brown – and it’s only growing further as he gears up for another thunderous release and label pop-up at Glamcult. His undeniable talent continues to ignite a seismic shift across the scene, entangling the underground’s edge with mainstream appeal in a way that’s nothing short of pure alchemy. Fresh off his sold-out show at Rockefeller Center — where he became the first-ever techno artist to grace the iconic stage—Brown is proving once again his ability to move beyond creative boundaries with effortless determination. ‘Escape From Planet Monday’ is his latest single. A high-octane collaboration with LUSU featuring Sarah De Warren, the track immediately tantalizes listeners with a deep, pounding bassline, promising an intense journey at nothing short of breakneck speed. ‘Escape From Planet Monday’ offers a hypnotic rhythm, woven with lush harmonic scales and echoing synths, evoking a haunting, otherworldly vibe as it plunges into the sonic recesses of the underground. The track’s trance-like lyrical refrain creates emotional depth and adds a viscerally addictive layer that lures listeners even deeper while the resonant bass lines continue to erupt with raw energy. Listen here: Alongside the new track, Eli Brown teamed up with HI-LO to present the ultimate label showcase at the beloved Amsterdam underground outpost, Glamcult, on Wednesday, October 16. Individually known for their trailblazing contributions to the space, Eli Brown and HI-LO have once again blended their talents, and are plunging fans into the depths of the underground at Amsterdam’s Glamcult store, showcasing the peak of collaborative artistry and sonic exploration. The Arcane x Hilomatik Pop-Up pushes the boundaries of the genre, entwining the worlds of music, fashion and culture, and is a continuation of Eli Brown’s ability to push what has long been considered subversive into popular culture. The post Eli Brown: ‘Escape From Planet Monday’ appeared first on EDMTunes.