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Amsterdam Dance Event (ADE) is celebrated as a central hub for electronic music, where fans, artists and industry figures come together in a city that comes alive with sound. Every year, hundreds of events compete for attention across Amsterdam, and this year there was one, Awakenings x KI/KI x Jägermeister, that stood out for two reasons: its production magic and the fact that it was free. EDMHouseNetwork was there to witness this spectacular event, and here is what we have to say about it. It was clear that Awakenings had outdone themselves from the moment you stepped into the Gashouder. With a visual setup dominated by a moving mirror that cast beams of light, a 2.5 km network of LED lights, and a 360-square-meter LED screen, the venue itself became a canvas of lightning. Due to the nearly 100 moving hoists repositioned lights throughout the night, the visuals felt alive, breathing with each beat. The result was a setting that embraced you, and connected you to the music and those around you. The nights music was primarily driven by KI/KI, whose styles blurs the edges between euphoric trance and pounding techno. Known for weaving intense, high-energy tracks that shift like a tidal wave, KI/KI kept the crowd moving and often leaned into unexpected transitions that brought waves of euphoria. Thanks to the state-of-the-art D&B Audiotechnik sound system that filled every inch of the Gashouder, KI/KI’s drops came through in a unmatched, sharp, powerful clarity. The DJ booth was positioned close to the crowd, which created an amplified feeling of connection between KI/KI and the audience, that not only got to experience her music but became a part of the atmosphere that she created. As the night progressed, each element – the light, sound and energy from the crowd – blended into a holistic experience that touch both mind, body and soul. The complex production wasn’t just visual but kinetic, and brought a dynamic layer to the night, making it fell like each transition in the set was an event on its own. Awakenings x KI/KI x Jägermeister was a testament to how high-calibre production can elevate a musical event into a full-body experience. It wasn’t just another show, but an exhibition of masterful production and artistry that solidified Awakenings status as a true industry leader. An achievement that proves Awakenings unyielding commitment to the music community, and passion for creating heart-driven experiences that go far beyond the ordinary. For those who missed this special event, Awakenings offers fans another chance to dive into their world-class production during their anticipated NYE celebrations at Gashouder, between 28-31 of December. The lineups and tickets can be found here, and if you’re planning on ringing the New Year with an unforgettable experience, one of the four different Awakenings NYE events is something that we full-heartedly recommend.

The Tomorrowland Immersive Experience announced in September has officially opened its doors in Madrid! People from around the world came to discover Tomorrowland’s unique immersive audio-visual experience for all ages at the emblematic WiZink Center (La Sala de Cristal) in the heart of Madrid. Created and developed by the Tomorrowland and XR Music Hub teams (formed by Layers of Reality and Blanco y Negro Music), the Tomorrowland Immersive Experience offers guests a nearly 45-minute journey into the magical world of Tomorrowland, while exploring some of the most iconic themes in the history of the festival, including The Story of Planaxis, The Book of Wisdom, The Elixir of Life, and many more. Tickets and more info are available on immersive.tomorrowland.com. Designed for all audiences, the Tomorrowland Immersive Experience is set to become one of Madrid’s most popular attractions, giving visitors the chance to explore a breathtaking world of wonder, adventure and cutting-edge technology, where the stories behind the different Tomorrowland themes and worlds come to life. Kicking off with a trip down memory lane through 20 years of Tomorrowland history, people will get the chance to get to know one of the world’s largest and most iconic festivals. Afterwards, several digital installations allow visitors to explore some of Tomorrowland’s key features, values and objects, and get an initial glimpse of Tomorrowland’s DNA, before walking inside the other mythical realms of Tomorrowland for a unique and unprecedented VR experience. At the end of the experience, guests can pass by the shop and discover a wide selection of different Tomorrowland items & gadgets. The post Tomorrowland’s Immersive Experience in Madrid is Now Live! appeared first on EDMTunes.

The electronic scene is buzzing with excitement as CamelPhat and Massano unveil their powerful two-track EP, Oblivion, the latest release on Massano’s Simulate Records. Marking the 12th installment of Simulate’s storied catalog, this collaboration is a journey into the dark, melodic depth both artists are known for, capturing the raw, emotive energy that defines their work. Featuring intense synths and unforgettable vocal performances, the Oblivion EP is already making waves on dancefloors worldwide. A Perfect Fusion of Signature Sounds The title track, ‘Oblivion’, sets a powerful tone with CamelPhat’s signature melodic synths merging seamlessly with Massano’s hard-hitting, dark beats. Vocalist Nu-La brings a haunting intensity to the track, capturing the listener with soulful, almost ghostly lines that elevate the production. CamelPhat’s touch is undeniable, with sweeping soundscapes and synth lines that build a sense of tension and release, making ‘Oblivion’ a high-octane experience from start to finish. The Emotive Power of ‘Glowing’ The second track, ‘Glowing’, introduces David O’Dowda’s emotive vocals, bringing a melancholic yet uplifting vibe. The chemistry between O’Dowda’s voice and the moody production enhances the track’s depth, embodying both light and dark energies. CamelPhat and Massano balance aggressive synths with melodic undercurrents, creating a dance-ready anthem that feels introspective and exhilarating at once. This dynamic, layered sound is exactly what makes Oblivion such a memorable release on the Simulate label. A Milestone for Simulate Records For Simulate Records, Oblivion is more than just another release; it’s a defining moment. As the label’s 12th installment, it showcases the caliber of artists it champions and the forward-thinking sound it cultivates. This EP, featuring vocalists Nu-La and David O’Dowda, highlights a production that is both sonically and emotionally impactful. With CamelPhat making their Simulate debut alongside label founder Massano, Oblivion is a testament to Simulate’s bold, boundary-pushing ethos. With its infectious rhythms and powerful vocals, Oblivion is sure to become a staple in both CamelPhat and Massano’s sets. Be ready to hear these tracks lighting up clubs and festivals alike, cementing Oblivion as one of the most exciting EPs of the year. The post CamelPhat & Massano Unite on Explosive ‘Oblivion’ EP for Simulate Records appeared first on EDMTunes.

Alesso starts a bold new chapter with his latest track, ‘Lonely Heart’. This release marks the launch of his new label, Body Hi. It represents a shift towards atmospheric, underground sounds, showcasing Alesso’s evolving style and new artist. ‘Lonely Heart’: Alesso’s New Sound The single ‘Lonely Heart’ blends deep basslines with rock-inspired vocals. Inspired by the 1983 classic ‘Owner of a Lonely Heart’ by Yes, Alesso reimagines it with a modern twist. The result is a moody and hypnotic vibe, departing from his usual upbeat tracks. With ‘Lonely Heart’, Alesso brings a more immersive sound. The launch of Body Hi signals a new era, promising more tracks that emphasize a progressive and moody feel. Released in 1983, ‘Owner of a Lonely Heart’ is a standout track by the British progressive rock band Yes. The song integrates rock, new wave, and electronic elements, showcasing the band’s innovative direction during that era. With its memorable guitar riff and introspective lyrics addressing themes of solitude and self-reliance, the track resonated with a wide audience. Notably, it achieved significant commercial success, reaching the number one spot on the US Billboard Hot 100 chart, marking a pivotal transition from Yes’s traditional progressive rock roots to a more contemporary, radio-friendly sound. Alesso and his new label will have thousands dancing to these long lost vibes in no time. Body Hi: Alesso’s Record Label Body Hi allows Alesso to explore intimate, emotive music. The label focuses on tracks that resonate deeply, offering more creative freedom. It moves away from commercial sounds, diving into a more personal side of Alesso’s music. John Alto, the first artist signed to Body Hi, collaborates with Alesso on ‘Lonely Heart’. This partnership sets the stage for future releases, highlighting diverse and experimental sounds. Fans can expect fresh music from Alesso’s new label soon. Listen to ‘Lonely Heart’ today and experience the sound of Body Hi. The post Alesso Launches New Label Body Hi with ‘Lonely Heart’ appeared first on EDMTunes.

DubVision has returned to STMPD RCRDS in style. Their newest track ‘I’ll Be There’ is a huge progressive house track. It is beautiful festival anthem that has been played out for sometime now. It is a mesmerizing blend of uplifting melodies and infectious beats. Played by Martin Garrix throughout ADE, it is the first single after the release of their debut album Another World. DubVision has been on a tear for many years now but 2024 has been a special one for them. Dropping their debut album was huge but in addition they have impressive other singles. ‘Wherever You Are’ with Garrix is a personal favorite of mine. Right when I heard it at EDC I knew it was a special one. They also had a collaboration with Afrojack in ‘Underwater.’ The Dutch Duo has an amazing ability to produce a diverse amount of music from their club bangers to their uplifting anthems like ‘I’ll Be There.’ Make sure to check it out below! The post DubVision Drop Massive Progressive House Track ‘I’ll Be There’ appeared first on EDMTunes.

Carl Cox, a bastion of Miami's iconic Ultra, is unveiling a "never-before-seen" live show at next year's festival, its organizers announced today. The techno legend, who remains a lynchpin of Ultra's storied RESISTANCE MegaStructure, did not appear in 2024 after performing at the festival a staggering 19 times since its launch back in 1999. But he's now returning and meeting the moment by debuting a brand-new show, "Evolution." The venture marks Cox's "first-ever fully live Ultra set," according to a press release. "Evolution" mirrors the improvised brilliance of 2022's Electronic Generations album, which Cox at the time called his first-ever body of work as a live artist in an intimate interview with EDM.com. "For the first time ever, I’ll be performing my new show 'Evolution,' which is a full live set, at Ultra Music in Miami this March," Cox said in a statement. "This means I'll be playing my music live on stage, using a combination of hardware and software to create and manipulate sounds in real-time. Unlike a DJ set with pre-recorded tracks, or my hybrid set that combines elements of live performance and DJing, I'll be crafting and evolving the music live, adding an extra layer of spontaneity and energy to the performance." The ambitious show will serve as the closing set of Ultra's inaugural "Carl Cox Invites" stage takeover. Richie Hawtin, Adam Beyer, Stephan Bodzin and Dubfire are also poised to perform, among other influential techno artists. "This is something I’ve been planning for a long time, and I couldn’t be more excited to bring it to life," Cox continues. "I promised you all something special in honor of their 25th anniversary, and this is it!" View the original article to see embedded media. Ultra's organizers are celebrating the totemic EDM festival's 25th anniversary in 2025. Cox is joined on the bill by fellow headliners Martin Garrix, Hardwell, Zedd, Alesso, Gesaffelstein, Armin van Buuren, Axwell, Charlotte de Witte, Afrojack and Tiësto, among others. The 2025 lineup also features rare collaborative DJ sets by deadmau5 b2b Pendulum and Anyma b2b Solomun. In other Ultra news, the festival recently launched an embracive docuseries to celebrate its prevailing legacy and impact on stateside EDM culture. The program, All Eyes On Us, will feature 25 episodes. Ultra is scheduled to return to its longtime home of Bayfront Park from March 28-30, 2025. Tickets are on sale now and more artists will be announced in the weeks ahead. Follow Carl Cox:X: x.com/carl_cox Instagram: instagram.com/carlcoxofficial TikTok: tiktok.com/@carlcox Facebook: facebook.com/carlcox247 Spotify: spoti.fi/3oJKvw8

AlphaTheta‘s iconic brand, Pioneer DJ, has just introduced the DDJ-FLX2, a budget-friendly, versatile DJ controller designed to cater to both beginners and experienced DJs. This compact and user-friendly device offers a range of features to enhance your DJing experience. Priced at just $179, Pioneer made sure that wallet size is not a worry, effectively allowing virtually any interested individual to dive into the world of DJing. The DDJ-FLX2 is compatible with most popular DJ software right out of the box, such as rekordbox, djay, and Serato DJ Lite. Also down the topic of versatility, whether you’re using a smartphone, tablet, or computer, you can easily connect the controller and start mixing your favorite tracks. One of the standout features of the DDJ-FLX2 is its Smart CFX and Smart Fader functions. These two features are combinations of more complex DJ techniques used to transition and warp tracks, but all mapped and automatically programmed to one single knob, allowing even the more beginner users to sound like industry professionals. Additionally, the Performance Pads enable you to trigger hot cues, samples, and effects, adding creativity and flair to your sets. With its lightweight and compact design, the DDJ-FLX2 is perfect for DJs on the go. Its USB bus power capability eliminates the need for an external power supply, making it even more portable. Find more about the controller right here. The post AlphaTheta Just Launched A New Budget-Friendly DJ Controller appeared first on EDMTunes.

News of renovation works come a week after the station’s communal area was closed off following health concerns Continue reading...

Fan of UK Garage? Then there’s a 90% chance you’ve already heard of DJ Jackum. Dressed in a pink balaclava and huge yellow glasses, he’s making serious waves in the electronic scene. He’s taking us back to ten years ago, to the heydays of 140, dubstep, and grime. With his aggressive and energetic garage, he wants to bring this big energy back to the rave. If you’re going to a DJ Jackum set, you can expect “big tunes, dubs, and rowdiness”, as he explains it. “People come to these nights knowing that we’re going to go mad, you know. We’re going to sweat. We’re going to go mental.” And that’s exactly what he’s doing at his UK shows at the moment. Time to talk to him! Hi DJ Jackum! How are you doing? I’ve been doing well! I’m starting to feel like everything’s really coming together. The shows have been getting better and better. The Jackum name is getting a bit more well-known, and people are starting to get the sound and what I’m trying to do. I’m here for it! It’s all been really positive. Nice to hear! How can you tell that your sound is catching on? The biggest thing for me was when fans would start showing up with balaclavas on. I even played a show in Paris where four people in the crowd were wearing the pink balaclavas. I think that’s wicked. It shows that people all around the world are starting to get it. At first I was a bit worried how my more high energy and aggressive style of garage was going to be perceived, but to see that there’s people reacting that well to it, that’s nice to see. I originally got into the scene through 140 dubstep, grime, and bassline. Coming from the North of England, bassline has always been prominent in the underground music scene. It’s those genres where you get that high energy. You would go to the rave and when the tunes dropped you were jumping around, you were going crazy, you were calling for wheel ups… The energy was through the roof. There are probably a lot of contributing factors but energy seemed to go slightly down in the rave, especially after covid. Everything almost got reset. My whole vibe is that I want to get the rave back to where people were jumping around screaming and losing their minds. That’s my happy place. When did you realise that there were a lot of people wanting that same feeling back? Parklife was a big moment for me. This year I got to go back to back with Badger and PJ Bridger. It was super interesting because it felt like the triangle of garage. You had Badger bringing the uplifting and happy side of garage, PJ brought the underground vibe, and then you’ve got my high energy. Playing out in front of all those people was amazing, the reactions were sick. That’s when I felt like, yes, let’s do it. You’re on quite a busy schedule at the moment, with a headline tour coming up next year… It’s great. At the start of this year I had a full-time job which I didn’t like very much. To be in a position where I’m busy enough to do music full-time now, it’s literally a dream come true and I’m super grateful for it. To be looking forward to playing the UKF15 Drumsheds show is insane. UKF was our introduction to electronic music back in the day, so to get shows like that coming in is unreal. With my upcoming headline tour, we want to go smaller again. Small venues, they’re the bread and butter of the UK dance scene. Playing huge festivals and clubs is wicked, but smaller 200 to 400 cap venues… they just have a totally different feeling. Everyone’s in a dark sweaty room together and dancing. It’s the best feeling in the world. The idea behind this headline tour is to create shows with this tight-knit feeling. It’s going to be six dates full of pink balaclavas. My dream vision for this tour is that I want to be at the ticket office. I want to be the one putting the wristbands on people, and give them the balaclava. I want to look every fan in the eye and say, “Thank you for coming. Let’s go mental in half an hour’s time.” A big part of the tour is that we’re going to be working with specific promoters that we love. In Leeds you’ve got Airspace, in Manchester there’s Ghosts of Garage, in the Midlands you’ve got Psyked… These are all promoters that I hold near and dear to my heart. You always hear about DJs, and about venues but no one sings the praises of promoters. Without the promoters, there’s nowhere for people to go and party and so we’re going to be working closely alongside some of those promoters that I’ve mentioned. You’re known as this guy with the pink balaclava and big glasses. How did you come up with this look? I’ve been wearing the pink bally for over a year and a half now. I wish I had some insane story about when I started wearing it, but I never really thought about it at the time. Me and my partner, we have a dress-up box at home for house parties. We have this box full of stupid hats and glasses, and we make everyone put a hat on out of the box. We had this pink balaclava sitting in there and one day I just put it on, not thinking anything of it. The reaction to it from people was wicked, and it got me thinking. I’ve always loved the idea of anonymity. Daft Punk for example, their faces are hidden. MF Doom, the rapper he wears a mask, Slipknot even. So, when the reaction to the balaclava was good, I used that as a go-ahead to lean into it. There is something to be said about anonymity. Does it feel like people focus more on the vibes and the music then? On one hand you’re removing your identity from the music, so that should in theory shift the focus onto the music and not the identity. But then again, by hiding your face and having this other identity, it becomes about the identity as well so it’s almost backwards. The number one benefit of the balaclava for me, it definitely has an effect on me when I’m performing. It’s like a plate of armour. You feel protected behind it and that takes some inhibitions away from you and brings out a confidence in you that you wouldn’t normally be able to tap in. I find DJing terrifying, I really do. I still get very, very scared before my sets, but putting on the pink balaclava has become a ritual. I’d be backstage and then five minutes to go, the mask comes on, the glasses go on… That’s when I get in the zone. It puts me in a frame of mind where it’s not Jack going up on stage, it’s Jackum, and Jackum goes mental, he goes crazy. You were saying how there’s people showing up in pink balaclavas to your sets. How does that feel? I recently played a set at BOG Bristol, where we handed loads of balaclavas out to the people behind the decks. It was probably one of my favourite sets I’ve ever played because everyone behind me was wearing the balaclavas. Their faces were hidden, and I think that that helped them to go mental and really get into the music. They all knew that they’re on camera and being filmed so normally you might be a bit worried about “do I look good, do I look too drunk, my mum gonna see this or dad gonna see this…” But because everyone was in the masks, they felt how I felt. The balaclava plays a massive part in that because they feel how I feel, where they’re protected and they’re hidden, but in plain view at the same time. They can dance how they want, they can do whatever they want, and no one no one knows it’s them. It definitely has an effect on people. It gave me a lot more confidence as a DJ, and I think anything a more up and comer DJ can do to try and put their nerves at ease that isn’t drinking a ridiculous amount of alcohol is positive. Your music has got quite a unique style to it as well. How did you get there? The vocals that I sample play a big part in it, that’s my grime influence coming in. Talking about everything that I love, high energy, people going mad, that’s grime, and grime demands that reaction out of people. It’s nearly the only place where I’ve ever found vocals that match the energy of my music. Another part is, when it comes to production, I’m absolutely not a perfectionist. It doesn’t have to be the most beautifully crafted, spent 100 hours on a thing for it to be enjoyable. Sometimes it’s okay if it’s a bit rough around the edges. I was massively into punk and heavy music when I was younger, and I still carry that whole aesthetic and mentality with me. All the music I love is rough around the edges, it’s got imperfections. In the music scene right now, there’s a massive emphasis on technical perfection and making sure the mix is perfect. To me, that is the most uninspiring thing about music, that’s so boring! I want to push a bass into a distortion and get the loudest, angriest sound possible and then run it. I’ve been producing for about 10 years now. When I started out, I made the mistake of focusing on the technical details too much. I went down a rabbit hole, but then I reached a spot whereI realised that I hadn’t actually made a song and exported it in years. I was a producer, but I wasn’t producing any music. This realisation changed my whole approach to one where I absolutely had to finish every track by the end of the week. Whether I thought I could work on it more or whether I thought a section needed work… If I hit a week on a track, then that was it. I was forcing myself to be happy with unfinishedness. I teach 1-to-1 music production lessons, and I always tell people to aim for ‘80% finished’. If you can get your track 80% done, that’s good enough. It’s way better than a song being sitting on your hard drive unfinished for six months. You recently released ‘One More’ on UKF, a 160 bpm dubstep track. What’s the story behind this one? I normally make garage and 140, so this is much quicker than anything else I’ve done. This track is the epitome of what I’ve just been talking about, something being rough around the edges, full of layers. The whole track is based around this huge gnarly bass and when I play back the bass, it always seems to sound different. It crunches in different ways. ‘One More’ is the prime example of a loud, rowdy tune. UKF is a perfect place for it. Any last thoughts? I want to shout out all of the promoters and everyone that we’ve worked with. Ghosts of Garage, Psyked, Airspace… There are too many for me to mention but all the promoters that have backed what I’m doing um and put me in those rooms with the fans. I’m super excited to see what comes next.

Google is seeking to redefine the DJ experience with its latest generative AI innovation, MusicFX DJ, which allows users to mix tracks simply by typing prompts. The tech giant's new AI-powered DJ tool doesn’t rely on existing tracks, instead creating entirely new music in real-time by adjusting sounds based on user-generated text prompts. Working in partnership with Grammy-winning musician Jacob Collier, Google refined the tool to be more accessible, encouraging novel forms of musical experimentation for mainstream audiences. Developed by the company's artificial intelligence research laboratory, Google DeepMind, the tech makes it possible for anyone to mix music live simply by typing phrases like "uplifting trance" or "dark cinematic tech house." The project represents an attempt to "open the doors of music creation" beyond professional DJs," according to a blog post shared by Google DeepMind. There's no doubt, however, that this AI-driven "DJ" experience raises timely questions about authenticity in live performance and may amplify the ongoing debate over AI's impact on the creative arts. It's a groundbreaking development, but one that could be regarded by traditional DJs as a bastardization of turntablism and the precision, practice and intuition behind the art form. Google's AI-powered MusicFX DJ tool.Google DeepMind Google has added several features to MusicFX DJ that are usually exclusive to seasoned DJs, including control over specific instrumentation. With options to modify key, tempo and the "mood" of the music, the tech affords users the flexibility to personalize their sessions, which can be shared with friends in collaborative "jam sessions." They can even download 60-second clips of their creations, expanding MusicFX DJ's utility for online creators looking to add original soundtracks to their content. Google's first foray into generative music, MusicLM, used advanced machine learning to create nuanced compositions generated from text alone. MusicFX DJ takes the core principles of MusicLM and applies them in an interactive setting, adding more DJ-oriented controls and the ability to modify multiple prompts simultaneously. You can find out more about MusicFX DJ via Google DeepMind's blog post and watch Collier utilize the tool below.

The organizers of Creamfields have revealed HALO, an innovative "mega stage" coming to the popular electronic dance music festival in 2025. HALO serves as both a rebrand and an expansion of Creamfields' fan-favorite Runway stage, which debuted back in 2022. The cyclical outdoor arena stands at a diameter of 45 meters and will be outfitted with "pioneering 360 and overhead video, lighting and sound" from the multi-disciplinary UK design studio Lucid Creates. "We're incredibly grateful to be given the space and the opportunity to create such ambitious structures and shows like Runway and now HALO with Creamfields," said the firm's Founder and Creative Director, Chris Carr. "It's not an easy thing to pull off, but creating these groundbreaking experiences really is what drives us all." Check out an artist's rendering of HALO, provided by Creamfields, below. c/o Creamfields View the 2 images of this gallery on the original article 2025 is set to be the festival's "most ambitious" year yet with regard to its production, per the press release. The reveal of HALO follows that of another groundbreaking stage, APEX, which Creamfields claimed will be "the largest indoor festival superstructure in the world." APEX is expected to have a capacity of 30,000, topping that of Madison Square Garden, Hollywood Bowl and the Gorge Amphitheatre, among other iconic music venues. Creamfields returns to the Daresbury Estate in Cheshire, England over Bank Holiday Weekend from August 21-24. The 2025 lineup has not yet been announced at the time of this writing. Tickets will go on sale Wednesday, October 30th at 9am GMT. Follow Creamfields:X: x.com/Creamfields Instagram: instagram.com/creamfieldsofficial TikTok: tiktok.com/@creamfieldsofficial Facebook: facebook.com/officialcreamfields

However the industry body has said that “laws alone are not enough," highlighting the need for "a cultural shift" to prevent sexual harassment Continue reading...

Techno King, Carl Cox, is bringing some excitement to kick off your Tuesday. We already knew that Carl Cox was returning to Ultra Music Festival 2025 to celebrate the 25th Anniversary of the festival, and we already knew that he was planning something big. Now we’re getting some info on just what he has in store. After Carl Cox brought his Hybrid-Live show to Ultra a few years back, he’s taking it to the next level of ingenuity with his new ‘Evolution’ show. Carl Cox announced his new show called ‘Evolution’ making a debut at Ultra’s Resistance Megastructure in March. Rather than a hybrid live set, this will be a fully live set. There will be no pre-recorded tracks being played like a traditional DJ set. He will be using a combination of hardware and software on stage to create and manipulate sounds live as he performs. It will be something like watching a DJ/producer create a track from the first element, and then adding layer after layer of different sounds until you see a full track created. He says he’s been planning this for a long time and he provided a little preview in his Instagram post. You’ll see a setup that looks like something you might see from Stephan Bodzin or Porter Robinson. Carl Cox frequently talks about how he likes to challenge himself and create the same level of effort that was required back in the days of Vinyl DJing. Needless to say, this takes things to a totally new level and we’re psyched to see it in action! The post Carl Cox Announces Evolution Live Show Coming to Ultra 2025 appeared first on EDMTunes.

Find out how you can help those affected by the humanitarian crisis in Lebanon, from ways to donate to further reading and information Continue reading...

The highly anticipated Primavera Sound, 2025 lineup just got even more exciting! British rap sensation Central Cee has been added as a headliner, joining Charli XCX, Sabrina Carpenter, and Chappell Roan for the June 5-7 festival at Barcelona’s Parc Del Fòrum. Returning after his 2023 Primavera debut, Central Cee’s star has only risen, and his unique blend of Drill, Hip-Hop, Dancehall, and Reggae will bring a new flavor to this year’s lineup. Central Cee: A British Rap Icon Comes Full Circle Central Cee’s return to Primavera Sound marks an exciting moment for the festival. When he performed in 2023, he was an up-and-coming talent; now, he’s a transcendent figure in the urban music scene, representing a modern-day Brit-pop for the drill generation. Known for hits that capture the voice of the streets with a melodic and relatable style, Central Cee’s sound resonates from the pavements of London straight to the hearts of his fans. His addition adds another layer to an already eclectic lineup that embraces the present and future of music. A Stacked Lineup: Pop, Indie, and Urban Heavyweights Alongside Central Cee, fans can catch headliners Charli XCX, Sabrina Carpenter, and Chappell Roan, each bringing their own distinct style to the festival. This year’s bill also features a mix of Indie Rock and Electronic heavyweights like LCD Soundsystem, FKA Twigs, Fontaines DC, and Haim, along with cutting-edge acts like Clairo, Turnstile, TV On The Radio, and Floating Points. With acts from Waxahatchee to Beabadoobee and Caribou, Primavera Sound 2025 promises to be a deep dive into the current music landscape, giving fans a taste of everything from dreamy Pop to gritty urban beats. Ticket Info, Fan Sale, and Exclusive Offers The fan sale for Primavera Sound 2025 opens on October 28 at 11:00 CET, with general admission passes priced at €295 and VIP tickets at €495, both subject to availability. Furthermore, General sales will follow on October 29 at 11:00 CET via Fever. Revolut users will enjoy a 10% discount on full festival tickets, adding perks for Primavera Sound Porto and other Primavera tours in Spain, extending the festival experience well beyond Barcelona. Primavera Sound Barcelona 2025 is set to deliver another unforgettable festival weekend, with an iconic lineup celebrating music’s present and future. Central Cee’s addition, along with a blend of new and legendary acts, makes this year’s festival unmissable for fans across the musical spectrum. Lastly, for tickets, and more information, be sure to check out their official website, here. The post Central Cee, Charli XCX, Sabrina Carpenter And More To Headline Primavera Sound 2025 appeared first on EDMTunes.

Lancashire Police said that the unlicensed event featured “loud music, lights, lasers and drones” Continue reading...

The iconic Carl Cox kicks off his highly anticipated November tour across the US and Mexico, delivering a series of electrifying performances. This tour brings his renowned Hybrid and DJ sets to life, offering fans one last opportunity to catch Cox live in North America before the year ends. An Immersive Experience in Los Angeles The standout show of the tour is Carl Cox’s first-ever 360° performance at the Shrine Expo Hall in Los Angeles. This in-the-round format immerses the audience, creating a unique visual and auditory experience. Fans surround the stage from all sides, allowing for deeper engagement and an entirely new way to experience Cox’s energy and sound. Featured Collaborations on Tour During his November tour, Carl Cox will share the stage with notable artists, enhancing each event’s dynamic: Vintage Culture: The famous Brazilian DJ and producer, renowned for blending soulful house with pop hooks and tropical rhythms. He will perform alongside Cox at EDC Orlando on November 8th. Afrojack: The Dutch DJ and producer, known for his energetic electro house tracks and collaborations with major artists, will join Cox at the Shrine Expo Hall in Los Angeles on November 9th. These collaborations promise to elevate the tour’s energy, offering audiences a diverse and top tier dance music performance. Tour Highlights and Sound Evolution From bustling clubs to massive festival stages, Cox’s tour promises dynamic beats and diverse musical blends. His sets move effortlessly from soulful house rhythms to deep, pulsating techno, ensuring a range of sounds that keep the energy at a peak. When Cox shifts into Hybrid mode, expect cutting-edge creativity, where live elements blend seamlessly with his DJ mastery. Carl Cox Live: November Tour Dates The tour will hit major North American cities, featuring both club nights and festival appearances: November 8th: EDC Orlando – DJ Set B2B with Vintage Culture November 9th: Shrine Expo Hall, Los Angeles – Hybrid Set, 360° In-The-Round November 15th: Club Space, Miami – DJ Set November 16th: Seismic Festival, Austin, TX – Hybrid Set November 17th: Dreamfields Festival – Hybrid Set November 22nd: Better Together Festival, Phoenix, AZ – DJ Set November 24th: Zouk Nightclub, Las Vegas – DJ Set Ticket Info Tickets are available now, and demand is expected to be high. With this being Cox’s last chance to perform in North America in 2024, these shows are essential for any fan of electronic music. If you are interested in the Los Angeles 360° Shrine Expo Hall show and would like to buy your tickets now, they are on sale at Golden Voice. Don’t miss out—experience one of Carl Cox’s 2024 final shows in North America! Visit here for more details and ticket information. The post Don’t Miss Carl Cox Live in North America This November appeared first on EDMTunes.

With his most recent release “Delta,” Dutch master Jochem Hamerling unequivocally distinguishes himself. He provides a piece that appeals to both the heart and feet with equal eloquence. Beyond its initial dance floor impact, “Delta” – his fourth milestone release on the esteemed Sinners imprint – has importance. Like its geographical designation, the song is a confluence of musical currents where Hamerling’s trademark melodic sensitivities meet the raw intensity of modern progressive trance. Those following his path should not be surprised by this synthesis; after all, three consecutive endorsements from Armin van Buuren’s A State of Trance have already verified Hamerling’s capacity to negotiate the fine balance between commercial appeal and creative integrity. “Delta” differentiates itself mostly with architectural accuracy. The song develops like a contemporary Dutch skyscraper: methodical in its basis, audacious in its vision, and arresting in its finished form. Whereas delicate melodies float above like morning mist over Rotterdam’s harbour, the deep, rolling bassline produces a hypnotic undertow. This interaction among aspects highlights Hamerling’s development as a producer; every part supports the entire instead of vying for attention. Living in the La Guarderia of SLAM! radio, Hamerling has grown to have a close awareness of both physically and emotionally what moves a dance floor. This feeling penetrates “Delta,” especially in its exquisite tension and release cycles. Its timing, which falls during Amsterdam Dance Event (ADE), seems less like chance and more like planned genius; this is music meant to occupy those vast warehouse venues where the future of electronic music is created yearly. Though they clearly point toward the future, the rivers of influence coursing through “Delta” might have echoes of electronic music’s past. And based on this publication, capable hands will be in charge of future. The post Jochem Hamerling lands on Sinners with ‘Delta’ appeared first on The Groove Cartel.

When a robot says it loves Daft Punk, you know the future has arrived. EDM.com has discovered a TikTok video in which Tesla's Optimus bot surprised a group of inquisitive attendees at the company's recent "We Robot" event with its top music pick: Daft Punk. Speaking with the group, the Optimus bot said EDM is its favorite genre before referring to the legendary duo by name. The interaction added a dash of pop culture flair to the high-tech event, where fans had the rare opportunity to interact with Tesla's unreleased technology. The humanoid bot's casual nod to Daft Punk delighted attendees, especially since CEO Elon Musk has championed EDM culture in the past. Watch the full TikTok clip below. View the original article to see embedded media. Tesla's affinity for the genre isn't new, but this latest news out of "We Robot" adds a new twist. Musk has hosted massive EDM-inspired events in the past, such as the "Cyber Rodeo" at Tesla’s Texas Gigafactory and rave-fueled "Giga Fest" in Berlin, where techno became an integral part of the celebration. He has also flirted with part-time music production, releasing his song "Don't Doubt ur Vibe" back in 2020. The "We Robot" event, held at Warner Bros. Discovery studio, was already drawing attention for showcasing Tesla's latest advancements in robotics and autonomous vehicles. However, the Optimus bots stole the show by roaming around the crowd, dancing and even conversing with fans in varying accents. Their introduction hints at Tesla's vision for consumer-ready bots, with Musk predicting a future where these high-tech companions could be within reach for roughly $30,000. Musk in June 2024 claimed that Optimus could enter limited production in 2025. He reportedly expects the bots to be available for households by 2027.

San Francisco's Mission District has a new secret DJ, and it's not spinning decks—it's eavesdropping on every song that drifts through its streets. There’s a musical spy lurking above San Francisco's Mission District: a solar-powered Android phone hidden on a street pole in an undisclosed location, tirelessly listening to every "bop" it catches below. Tracking the sounds of the 415 like a silent music sleuth, the low-budget contraption is operated by an old Android phone rigged with Shazam and logs an endless playlist of everything it hears. The curious invention by Riley Walz is no ordinary gadget. Nicknamed the "Bop Spotter," it’s always on, ready to tag every song played in earshot. So far, the eavesdropping device has identified many electronic anthems crossing into its neighborhood orbit, including "Where Are Ü Now" (by Skrillex, Diplo and Justin Bieber) and "Break Free" (by Zedd and Ariana Grande). You can even track and download the entire playlist to see the music being recorded in real-time. The Bop Spotter's log reveals a genre-blending mix of pop hits, hip-hop throwbacks, reggaeton bangers and dance anthems. With a CSV file downloadable from Walz's website, anyone can tap into the cityscape's sonic diary and imagine they’re walking right through the Mission District's streets. For Walz, the payoff is more than just capturing the next hit. His favorite moment so far has been clocking the Bill Withers classic "Just the Two of Us" at 3am in, presumably, a moment of pure spontaneity. Walz says he drew inspiration from urban tech like the police's ShotSpotter, which is designed to triangulate the location of gunshots in dense areas, but his project has a different mission altogether: tracking the city's organic soundtrack. The Bop Spotter and its covert, nonstop DJing gig cost him around $100, he told 404 Media. "This is culture surveillance. No one notices, no one consents," Walz writes. "But it's not about catching criminals. It's about catching vibes. A constant feed of what’s popping off in real-time." You can find out more about the Bop Spotter and access its full music log here.

Listen to a banging track we recently came across. Some artists excel at their field of expertise: you see them lead the entire corner of their sound and inspire generations with their techniques. But when was the last time you listened to a man who can do a bit of everything, and do so in proper style? We’ve got news for you today. Meet Sporty-O. Sporty-O Sporty-O is a multi-genre producer and vocalist from Atlanta, whose front has been bridging the gap between EDM and Hip-Hop for a long while. During his over ten years of adventures in the industry, he’s had over 100 releases — out of which many became Beatport Top 10s —, including which stands ‘2Nite’, his 2010 work with Felguk, and the official song for EDC. After crushing it at festivals such as EDC itself, but also Ultra, Das Energi, and many others, he’s now teamed up with production duo Lorme & Pedrumz for a larger project: a conjoint album. This LP will be released on November 9th, and to make the wait more easy to digest, they’ve lifted the first single off the body of work. ‘Angelic Psychedelic Relic’ Out of context, the title of this track sounds like a tongue twister, but put into context, it makes perfect sense. You may even surprise yourself singing to the lyrics. ‘Angelic Psychedelic Relic’ is one of the many collaborations you’ll soon get to hear between Sporty-O and Lorme & Pedrumz. A feel-good, easygoing Drum & Bass composition, this track is the optimal candidate to showcase both acts’ style and approach to music production. The tune is truly infectious, with Sporty-O’s vocals nodding to the noughties at the same time that the beat — subtle but effective — carries you onward with swift drums and several layers of ear candy. “For the upcoming LP, both Lorme & Pedrumz and I wanted to demonstrate that any genre of music can be translated into a sub-genre of electronic dance music, and that music is about the energy and experimentation for us.” -Sporty-O. Listen to Sporty-O and Lorme & Pedrumz‘s ‘Angelic Psychedelic Relic’ by hitting the ‘Play‘ button on the Spotify player below. Also, stay put for the album, coming up in just a few days. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Sporty-O And Lorme & Pedrumz Lift ‘Angelic Psychedelic Relic’ From Upcoming Conjoint Album appeared first on EDMTunes.

We’re going back to the golden ages with this one! 2024 has been one great year for Dance music superstar Ferry Corsten. He’s been working and showcasing his upcoming album Connect for an entire year already, slowly unveiling single after single. The theme of the album is, as you might remember from our interview with him, old sounds, old souls, but modern approach to production and some new, sometimes futuristic flair. After tracks that felt truly unreal to have released in 2024 such as ‘Fulfillment‘, his collaboration with Marsh, and ‘Chaos‘, a joint work alongside Silva City, he’s releasing one of the more nostalgic pieces we’ll see in the album. This time, he’s teamed up with Classic Trance quintet SUPERSTRINGS, to deliver their single, ‘Remember‘. ‘Remember’ And remember you will. This track is simply pure, absolute bliss. Detuned saws, gated pads, legato leads, an incredible drum rack, reverse kicks, and many yesteryear goodies come together to create something out of this world, or rather, out of this timeline. Close your eyes and tell me this is not early-stage Gouryella. ‘Remember’ effortlessly transports the genre’s newcomers and loyal fans alike back to the days of old. And that’s what’s so valuable about this piece: it’s not a modern rendition of a Trance classic, for it is a Trance classic by itself. And me, being me, a Classic Trance addict, I have to say I’ve had such a fun year with the whole “old is cool again” wave. Between Ferry, SUPERSTRINGS, Silva City, and Ben Hemsley, Christmas arrived early for yours truly. Listen to Ferry Corsten and SUPERSTRINGS‘ amazing ‘Remember’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Ferry Corsten Is Joined By SUPERSTRINGS On Classic Trance Gemstone ‘Remember’ appeared first on EDMTunes.

Vinyl’s resurgence hit a snag this month as Billboard’s reporting error sent ripples through the music industry. Billboard recently removed its vinyl sales figures from the site, sparking confusion and speculation about the real state of vinyl in the U.S. After Billboard reported a jaw-dropping 33.3% year-over-year decline, many were left questioning if the vinyl revival was finally cooling off. Digital Music News (DMN) launched an investigation, only to find that the vinyl sales picture was murkier than expected. On October 14, 2024, Billboard’s “Market Watch” section showed an alarming drop in vinyl sales. Data from Luminate, the company responsible for tracking music sales, indicated a massive decline that Billboard quickly broadcasted. Just one day later, though, Luminate clarified the figures. The actual sales were up by 6.2%, not down by a third. Billboard corrected the mistake and added a disclaimer to their report, but the damage was done. The error resulted from changes in how Luminate collects data. Traditionally, independent record store sales were estimated based on samples. But starting in early 2024, Luminate implemented a more direct system, tallying actual sales from record shops across the country. This change, though intended to improve accuracy, disrupted year-over-year comparisons. Luminate even acknowledged the difficulty in drawing direct comparisons due to the new system. This reporting shift upset independent record stores, some of which joined the Vinyl Record Manufacturing Association (VRMA) to create their own vinyl sales chart. Meanwhile, Billboard’s updated “Market Watch” page continued to show inflated year-over-year declines, even after the original error was acknowledged. Billboard’s parent company, Penske Media Corporation, has since declined to comment, leaving music lovers and industry insiders waiting for a more stable reporting solution. Notable EDM Albums on Vinyl Despite the reporting mix-up, electronic music continues to thrive on vinyl. Some must-have vinyl releases for EDM fans include: ODESZA – The Last Goodbye Swedish House Mafia – Paradise Again Justice – Justice (aka Cross) Daft Punk – Discovery Porter Robinson – Worlds Flume – Flume Rüfüs du Sol – Bloom This debacle underscores how fragile tracking systems can be—especially when independent record stores, the heart of vinyl culture, feel overlooked. So, while the numbers may be in flux, it looks like the passion for vinyl isn’t going anywhere. Photos courtesy of Reddit u/logiebear77 and u/Chrissss9999 The post Billboard Misreports Vinyl Sales Numbers, Takes Detail Off Website appeared first on EDMTunes.

Paradise Blue, the beloved destination festival Excision has called a "headbanger's paradise," will not return in 2025, its organizers announced. Launched by the dubstep superstar's event organizer, Excision Presents, the oceanfront weekender debuted by virtue of a splashy takeover at Cancún's Marriott Resort and all-inclusive Four-Diamond Paradisus Resort back in 2022. It has since become one of the top destination events for fans of bass music, joining the ranks of the company's other fan-favorite festival properties, Lost Lands and Bass Canyon. The fallow year was revealed on Paradise Blue's Instagram page over the weekend. Excision Presents refrained from revealing why, but confirmed the festival will return in 2026. "It's been a great 3 years on the beach!" the company writes. "While we won’t be returning to Cancún this spring, we are working towards bringing Paradise Blue back in 2026, so be sure to sign up for event updates!" You can register for updates on Paradise Blue here and follow the festival at the links below. View the original article to see embedded media. Follow Paradise Blue:X: x.com/paradise_blue_ Instagram: instagram.com/paradisebluefestival Facebook: facebook.com/paradisebluefest

RÜFÜS DU SOL, dance music's de facto architects of tender singalong moments, have sold an astounding 500,000 tickets to their 2025 "Inhale / Exhale World Tour." A touchstone of atmospheric dance music, the illustrious trio is less than two weeks removed from the release of their fifth album, Inhale / Exhale. Spanning 47 shows across four continents, the eponymous tour marks the biggest headlining run of RÜFÜS DU SOL's career, according to a press release shared with EDM.com. From intimate warehouse parties in Sydney to commanding arena-sized crowds, RÜFÜS DU SOL's evolution to barnstorming headlining act mirrors their transformative music—expansive, bold and increasingly universal in scope. Their upcoming sprint feels like a tour de force for a band that's built their reputation on transcendent live experiences. "Touring has always been a way for us to connect with our fans on a deeper level, and seeing this global response to Inhale / Exhale has been moving," the band said in a statement. "We can't wait to share these moments with everyone next year." The majority of concerts are now sold-out. Highlights include a night at SoCal's iconic Rose Bowl Stadium, an "immersive one-night-only performance" at London's Crystal Palace Park and five hometown shows in Australia. You can find the full list of "Inhale / Exhale World Tour 2025" dates below and purchase passes here. c/o Live Nation Follow RÜFÜS DU SOL:X: x.com/rufusdusol Instagram: instagram.com/rufusdusol TikTok: tiktok.com/@rufusdusol Facebook: facebook.com/rufusdusol Spotify: spoti.fi/35b5FL4