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Other artists on the first wave line-up include Romy, John Glacier, Arca, Sampha, DJ Gigola, Shy One, Wookie, and livwutang Continue reading...

Roskilde Festival reveals the first wave of acts for 2025. The 53rd edition of the Danish non-profit festival runs from 28 June to 5 July 2025 and will feature more than 170 music acts. Stormzy, Arca, Fontaines D.C., Magdalena Bay, Beth Gibbons, and Faye Webster are among the first 28 acts announced for the lineup at Roskilde Festival 2025. Tickets are now on sale. Denmark’s Roskilde Festival is one of the longest-standing festivals in the game. Across eight days, the festival will host 130,000 participants, including 30,000 volunteers, and feature more than 170 music acts, as well as a vast lineup of interdisciplinary art and activism through installations, performances, workshops, and talks. Today, the non-profit festival—which donates all proceeds to humanitarian and cultural activities that benefit youth—reveals the first 28 acts to play next year’s festival. British rapper and cultural icon Stormzy will be among the headliners at Roskilde Festival 2025. Stormzy will be one of the first acts to play the festival’s new and enhanced Orange Stage. The main stage of the festival will be about twice its former size. Stormzy said: “Excited to be headlining Roskilde next year. Playing in both 2016 and 2018 was incredible, but returning now as a headliner feels like a big milestone. Roskilde has a unique energy, and I’m looking forward to sharing this experience with everyone. It’s going to be something special!” He will be joined by other critically acclaimed acts like Irish post-punk group Fontaines D.C., US alternative pop duo Magdalena Bay and indie pop musician Faye Webster, the ground-breaking Venezuelan producer Arca, and iconic UK singer-songwriter Beth Gibbons from Portishead fame. The inaugural announcement for Roskilde Festival 2025 spans multiple styles, genres, and continents, also featuring Germany’s hard-hitting party kings Electric Callboy, acclaimed US singer-songwriters like Jessica Pratt and Faye Webster, British experimental rock musician Geordie Greep, Lebanese post-folk six-piece Sanam, Ethiopian jazz composer Esy Tadesse and Denmark’s very own pop superstar MØ. Inspiring hope and action for new generations Located 20 miles outside Copenhagen, Roskilde Festival is the largest festival in Northern Europe. Home to a spectacular camping site and festival city, the festival is renowned for its deep sense of community. Being a non-profit festival means that every ticket sold directly supports humanitarian causes and cultural work, giving participants the chance to be part of something bigger. “At Roskilde Festival, we aim to lay the groundwork for a brighter future by inspiring hope and action for new generations. We combine big utopian visions with tangible, everyday solutions that point towards new paths. Art plays a crucial role as a catalyst for change, and in 2025, participants at Roskilde Festival will experience an engaging and progressive lineup across music, performances, art installations, and activism,” says Signe Lopdrup, CEO of Roskilde Festival. Tickets now on sale Tickets for Roskilde Festival 2025 are now available, with a full festival ticket priced at DKK 2,520 (approx. £280). For the first time, two-day tickets are also being introduced, allowing participants to choose any two of the festival’s final four days for DKK 2,070 (approx. £230) plus booking fee. There is a limited number of two-day tickets on sale. Get your ticket here. Today, the following 28 music acts have been added to Roskilde Festival 2025: Stormzy (UK) Arca (VE) Fontaines D.C. (IE) Beth Gibbons (UK) Electric Callboy (DE) Faye Webster (US) The Hu (MN) Magdalena Bay (US) MØ (DK) Thee Sacred Souls (US) Allie X (CA) Arsenal Mikebe (UG) The Chisel (UK) Creekbed Carter Hogan (US) Deb Foam (DK) Emma Sehested Høeg (DK) Esy Tadesse (ET) Fat Dog (UK) Geordie Greep (UK) I. Jordan (UK) Jessica Pratt (US) Kassi Valazza (US) Mina Okabe (DK) Sanam (LB) Snow Strippers (US) Thou (US) Tootard (INT) Wisp (US) For more information and tickets, visit roskilde-festival.dk. Follow Roskilde Festival: IG: @roskildefestival FB: @orangefeeling TW: @orangefeeling About Roskilde Festival Roskilde Festival 2025 will run from June 28 to July 5. Since 1971, Roskilde Festival has brought generations together around music, art, and community. Organized by the Roskilde Festival Charity Society and created by 30,000 volunteers, all profits are donated to humanitarian, non-profit, and cultural work, with a particular focus on benefiting children and young people. Over the years, the festival has raised approximately DKK 443 million (approx. €59 million) for charitable initiatives. The post Roskilde Festival 2025: First wave of artists revealed, including Stormzy, Arca, Fontaines D.C., and Beth Gibbons appeared first on Electric Mode.

As Calvin Harris’ album, “Motion“, turns 10 years old, it’s a suitable moment to reflect on the impact of this groundbreaking work, released on October 31, 2014. Following the massive success of his previous album, “18 Months“, which featured a variety of chart-topping hits, “Motion” solidified Harris’ status as a leading figure in electronic dance music. “Motion” is a masterful collection of Harris’ hit songs that showcases hit ability to blend various rhythms and vibes, making it accessible to such a diverse audience. The album includes hit singles such as “Summer”, “Blame”, and “Outside” each of which topped charts and dominated airwaves for months, further proving Harris’ consistency for creating memorable melodies and club-ready anthems. One of the standout tracks, “Under Control”, featuring Alesso and Hurts, perfectly captures the album’s energy. With its catchy rhythm and uplifting lyrics, the song became an instant favorite, resonating with listeners around the globe. The collaboration exemplified Harris’ talent for pairing his production prowess with powerful vocalists, creating tracks that are both memorable and danceable. Other notable collaborations on Motion include “Outside” with Ellie Goulding and “Blame” featuring John Newman, each showcasing Harris’ ability to bring out the best in his featured artists. The album’s eclectic mix of sounds—from house to pop—enabled it to reach a wider audience, making it a staple in playlists and clubs alike. The critically acclaimed album further cemented Calvin Harris’ reputation as a pioneer in the EDM scene. Its combination of chart-topping singles and innovative production techniques continues to influence artists today. As we celebrate a decade of this iconic album, it’s clear that Motion remains a landmark release in the evolution of modern dance music.

The countdown has begun for Scream or Dance 2024, Jakarta’s ultimate Halloween Music Festival, happening at Carnaval Ancol on November 1st and 2nd. Under the mystical theme “The Undiscovered Universe,” this year’s event invites festival-goers to dive into an electrifying realm where music meets imagination. Organized by Shaheen, a visionary inspired by his own journey in the music scene, Scream or Dance is not just a festival—it’s a metaphorical release, a place to unleash your inner self through the unrestrained power of sound and movement. A Lineup to Remember This year’s Scream or Dance lineup boasts global heavyweights and local legends, ensuring two unforgettable nights of pulsating energy. Friday’s lineup is headlined by the globally celebrated Jonas Blue, alongside fan favorites AVAO, KartyParty, Mahalini, Moji, and Dipha Barus performing a thrilling B2B with Winky Wiryawan. Saturday promises another stellar experience with Yellow Claw and KAAZE leading the charge, joined by Ms. Puiyi, SIHK B2B Frizzyboy feat. MC David Beat, and Indonesia’s own Weird Genius. Supporting acts across both days include an impressive mix of talents such as Elvin, RBA, Tomsky, Weird Genius, Diana Dee, Exhale B2B Noka AXL, and many more. Each artist adds their own flavor to the festival, creating an immersive atmosphere where electronic beats guide you on a journey through the Undiscovered Universe. Experience the New Branding and Aftermovie In line with its evolving identity, Scream or Dance has unveiled a new branding that amplifies its unique appeal within the global festival circuit. The recently released after movie captures last year’s euphoria, highlighting unforgettable moments, the adrenaline-pumping beats, and the unbreakable connection between the artists and their fans. Relive the excitement and immerse yourself in the Scream or Dance vibe below More than Just Music For Shaheen, organizing Scream or Dance is deeply personal. He reflects on how the festival brings people together, allowing them to share memories, laugh, and dance under the Jakarta night sky. His passion shines through every detail, from lineup choices to stage design, making Scream or Dance an authentic experience for ravers and newcomers alike. With a belief that festival-going should be accessible, Shaheen’s journey from a ticket-selling schoolboy to a festival organizer echoes the ethos of Scream or Dance—a celebration of community, music, and freedom. Get Your Tickets Now Don’t miss out on Jakarta’s most anticipated music event of the year. Join us in this Undiscovered Universe and experience an unforgettable weekend that promises to leave you both breathless and inspired!

Following the success of hypnotc single ‘Cosmic Agogó’, Brazilian DJ/producer BATHKE returns with his best material to date in latest EP ‘DADDY ISSUES’. This bold six-track project is packed with unabashed queer imagery, brazenly confronting themes of control, sex, and freedom while drawing inspiration from French philosopher Michel Foucault. Moments of unfiltered human experiences, centred around power dynamics and paternal relationships, are delivered through a multitude of mesmerising and progressive electronic sounds. The EP reveals a full glimpse of what BATHKE has to offer: emotional resonances and danceable beats that encourage listeners to reflect on societal norms and their own personal connections to these themes. This project cements BATHKE’s place in the electronic music scene as an artist unafraid to challenge conventions and spark introspection through sound. Don’t miss ‘DADDY ISSUES‘, out on all streaming platforms this September. Rodrigo Bathke, known professionally as BATHKE, first swapped his drum lessons with music production in 2017, and GarageBand was the platform that sparked his interest in creating electronic music. He would then go on to explore various other pathways in sound, studying piano and music theory and developing a sophisticated understanding of composition and sound design. Now, he stands as a rapidly emerging DJ and producer drawing inspiration from a broad spectrum of genres, including jazz, techno, and ambient music. BATHKE is more than just a project; it is Rodrigo’s artistic expression—a platform where he creates music that forges forward-thinking and defiant sounds with deep emotional undertones. As a Brazilian performer, he has made a mark in the local music scene of Curitiba, performing at various events and building a reputation for his sets. With his latest project, ‘DADDY ISSUES‘, BATHKE takes a bold and complex leap in his artistry. To stay updated on what’s next from this BATHKE, fans can use the links below. Listen / Stream / Download https://ditto.fm/daddy-issues-bathke GETTING TO KNOW BATHKE : INTERVIEW Introduce yourself and your project I’m Rodrigo Bathke, but I go by BATHKE professionally. My journey in music began in 2017 when I traded my drum lessons for music production, with GarageBand sparking my passion for creating electronic music. Since then, I’ve explored various aspects of sound, studying piano and music theory, which helped me develop a more refined understanding of composition and sound design. Today, I’m emerging as a DJ and producer, drawing inspiration from a wide range of genres like jazz, techno, and ambient music. BATHKE is my artistic voice—a space where I create forward-thinking, emotionally charged music. As a Brazilian artist from Curitiba, I’ve become part of the local music scene, performing at different events and building a reputation for my sets. My latest project, Daddy Issues, marks a bold and complex evolution in my work, it dives into the complexities of power dynamics, reflecting human experiences where sex is used as a tool to unlock repressed emotions. In this 6-track EP, I aimed to challenge conventions and explore the full spectrum of human sexual experiences. The provocative title, “Daddy Issues,” captures the essence of the album and serves as an invitation for listeners to engage with delicate and often underestimated themes in society. Explain what musical genre fits you best I would say that I move across different musical genres. I really enjoy composing danceable old-school house, but I also love soft synth melodies paired with strong techno beats. Were you connected with music from a young age and did anyone inspire you? I remember being a kid and getting obsessed with specific songs, listening to them repeatedly on my Discman and later on MP3 players. I would just get lost in a trance with my headphones on—it was so comforting. Later, when I discovered the work of self-taught producers like Arca and Grimes, it inspired me to study music as well What kickstarted your music career? Honestly, I was working in corporate business and started having a lot of anxiety attacks, and producing music became an outlet for those episodes. It reached a point where I made the decision to create music projects and perform in the nightlife scene in my city—and that’s how it all started. Tell us more about your sound and how it’s evolved over time It’s funny to look back at some of my older projects and see how my sound has evolved. One of the biggest changes is having a clearer direction for the music I’m creating, along with a better understanding of musical genres, tones, and beats that work well together. Another key aspect is mixing—knowing which instrument will take the lead and which others will play a supporting role, and how to blend these ideas so the music comes across clearly and with purpose. For the Daddy Issues EP, I had a clear vision in my mind for each track, and that made the composition process much easier. I knew which songs would be more danceable and which ones would be more introspective, and that really added to the overall concept of the album. Any words you want to share to encourage other artists or producers? I would say to let go of self-criticism and perfectionism, and just allow yourself to create. Usually, ideas flow much more freely without pressure. Also, writing down your ideas helps a lot, and over time, those ideas come together to form something meaningful. That’s when perfectionism can be useful—to refine and elevate the work. How do you nurture your industry relationships? Two important people in my career, who are now friends, are artists I met through the internet and the local scene. We shared common ideas and goals, and that was crucial in organizing local events and helping with the creation of my music. Is there anyone you’d like to thank that’s been crucial to your journey? I’d like to thank my friends who encouraged me to pursue my art and had to endure listening to my chaotic early demos at the beginning of it all, lol. Name 3 songs you love and what they mean to you + Youtube links Halcyon and On and On – Orbital It’s pure ethereal electronic music, make me feel serene and powerful at the same time. Vogue – Madonna Iconic queer anthem, it says so much about freedom to be yourself. El Bandido – Nicolas Jaar Incredible production, contemporary house rhythm with disco touches—a total vibe! What’s your favourite piece of studio equipment or software? I’ve been really into the Circuit Tracks lately. It’s a sequencer with built-in synthesizers that allows me to upload samples. It’s perfect for taking to different places and stimulating creativity away from the computer, as I can create nearly an entire song on it. I also want to start using it in live performances! Name your favourite club or festival and how it makes you feel My favourite club has to be KitKat in Berlin. The atmosphere and decor are simply amazing. I love how people feel free and comfortable there, away from their phones—it’s really captivating. You can enjoy yourself in whatever way you see fit, and it’s truly an unforgettable experience. Name an outlandish rider request? Give me 10 puppies before the show, and I’ll perform 10 times better lol! Favourite clubbing memory and who or what did it involve? A recent memory that’s among my favourites was Arca’s performance at Primavera Sound São Paulo. It was the first festival I attended right after the pandemic, and if you know Arca’s sound, you don’t really know what to expect. The heavy industrial beats followed by soft, cute melodies completely disarmed me, and I felt like I was floating. She even ended the performance with a song by a Brazilian artist, which made it truly memorable. What famous quote represents you best? Be yourself; everyone else is already taken. -Oscar Wilde If you could play at any venue, where would it be and why? I’d love to play at KitKat Berlin. There’s something special about Berlin’s clubs that makes people feel incredibly comfortable. I think it’s the fact that cell phones aren’t allowed—people are fully immersed in the moment and the music, and that creates a unique vibe that’s hard to find elsewhere. Music is….. (explain more) Music is energy; you’ll notice there’s always a song that fits any feeling you’re experiencing. If you’re feeling sad, play a sad song and it will help you process that emotion. If you’re excited, a dance track will elevate your energy even more. It’s powerful enough to shift our emotions and senses. One song you really couldn’t live without and why? This was a tough one, choosing just one, but I think I’ve decided. “Six Blade Knife” by Dire Straits. I think it has a timeless vibe, something I could listen to at any moment, whether I’m having my coffee or driving down the road. It’s chill but deep, and I think that represents me well. Namedrop your favourite 5 artists or DJs (past or present) Nicolas Jaar Noporn Lana del Rey Honey Dijon Sophie What was your first music memory and how did it fuel your fire? My Dad had and old Vinyl record player in his office, one of my earliest music memories is trying all the different records and dancing to them in the room. I think that’s where my connection to music really began. Later on, discovering about electronic music and the possibility of creating sounds with just a computer inspired me to dive deeper into production. It fueled the fire in me to create my own music and explore sound in a way that felt personal and transformative. Tell us more about your plans for the future I’ve been working on my next project, and without giving away too many spoilers, I can say it’s going to take a very different approach from my last EP. It will have a western vibe, with organic sounds and a lot of groove. Expect retrofuturistic cowboy, I’m very excited. Any worldly advice you’d like to share? Be safe, enjoy life, trust the process and stay curious. Allow yourself to grow without being held back by fear or judgment. The beauty of both is in the exploration and in how we connect with the world and with ourselves along the way. OUT NOW Listen Here Support BATHKE on Social Media Instagram Listen to more of BATHKE Spotify | Apple Music The post BATHKE embraces sex, freedom and power in debut EP, ‘DADDY ISSUES’ appeared first on Electric Mode.

With October’s festival season wrapping up, we’re moving full-speed ahead into November, a month that holds something special on each weekend. Teaming up with FestGPS.app once again, we’ve rounded up the top 9 EDM festivals happening this November that you simply can’t miss! 1. EDSea – Bahamas (2-6 November) Setting sail for the Bahamas, EDSea is a unique festival experience on the open sea! This five-day cruise combines a tropical getaway with an incredible lineup of EDM artists like KSHMR, Mau P, and . Onboard the Norwegian Joy, festival-goers will experience poolside sets, themed parties, and exclusive performances while enjoying breathtaking ocean views. With stops in Nassau and Great Stirrup Cay, EDSea offers beach parties, snorkeling, and all the tropical activities you could hope for. Tickets are all-inclusive, starting at $1,099 for a shared cabin. Grab your swimsuit, and get ready for a floating festival adventure. 2. EDC Orlando – Orlando, FL (8-10 November) Prepare for an electrifying weekend as EDC Orlando returns to Tinker Field. This renowned festival will feature mind-blowing stages, immersive art, and a lineup packed with heavy-hitters like Tiesto, Fisher, Eric Prydz, and John Summit. Across three unforgettable days, festival-goers will be treated to the magic of EDC‘s carnival-inspired aesthetic, complete with neon lights, rides, and colorful parades. With a mix of bass, house, and trance across multiple stages, EDC Orlando is the ultimate Floridian EDM event for those ready to dance under the electric sky. Tickets are on sale, starting from $259 for general admission. 3. ULTRA Taiwan – Taipei, Taiwan (16-17 November) EDM’s global touring brand, ULTRA, returns to Taiwan this November, bringing its impressive production and energy to the island. ULTRA Taiwan’s lineup is set to impress with names like Hardwell, DJ Snake, and Zedd ready to turn up the heat. The event is set to take place at Dajia Riverside Park, a prime location with scenic river views, and will feature ULTRA’s signature mainstage, Resistance stage, and more. Tickets are nearly sold out, so grab yours soon for a one-of-a-kind experience at Asia’s premier EDM festival. 4. Ritvales – Mexico City, Mexico (2-3 November) Kick off the month in Mexico City at Ritvales, an event celebrating EDM with a Latin twist. This unique festival showcases both international and local talent, with acts spanning techno, house, and Latin electronic fusion. This year, Ritvales will take over Bosque de Chapultepec, creating an immersive experience within nature. Expect big names alongside emerging talent, and enjoy the Dia de los Muertos vibe that adds a cultural depth to the party. General admission tickets are priced from MXN 1,500. 5. ZAMNA Toronto – Toronto, Canada (8-9 November) Known for its jungle raves in Tulum, ZAMNA is making its Toronto debut this November! Taking over the Rebel complex, ZAMNA Toronto will bring the same mystique and atmospheric vibe, with a stellar lineup that promises to be unforgettable. From deep house to melodic techno, this two-day festival promises a unique experience with its immersive stage design and top-notch audio-visual production. 6. Seismic Dance Event – Austin, TX (15-17 November) Seismic Dance Event returns to Austin this November, focusing on all things techno and house. Held at The Concourse Project, the festival will host three stages, each with impressive lineups featuring artists like Carl Cox, Disclosure, and Gesaffelstein. Seismic is known for its underground vibes and intimate setting, making it one of the top events for dance music fans looking to get up close with their favorite DJs. Tickets start at $199 for the weekend pass. 7. Shaq’s Bass All Stars – San Diego, CA (16 November) Basketball legend Shaquille O’Neal, aka DJ Diesel, is back with his Bass All Stars tour, and it’s stopping in San Diego this month! Expect heavy bass and trap, as Shaq is joined by some of the biggest names in the bass scene. Known for his high-energy sets and stage presence, Shaq’s Bass All Stars promises a night of pure adrenaline, with mosh pits and headbanging galore. The one-day event will be held at the Pechanga Arena, and tickets are priced at $69 for general admission. 8. Tomorrowland presents Atmosphere – Antwerp, Belgium (22 November) Tomorrowland brings its legendary Atmosphere stage indoors to Antwerp for an exclusive show this November. Known for its immersive dome stage, this event promises a hypnotic night of deep, melodic house and techno. With a carefully curated lineup featuring names like Nico Moreno, Alignment, and Azyr, Atmosphere is all about a spiritual journey through sound. Tickets start at €89, and the event promises to sell out, so secure yours now for a taste of Tomorrowland in the winter season. 9. Time Warp NYC – New York, NY (22-23 November) The iconic techno festival Time Warp is coming to NYC for two nights of rave at the New York Expo Center in the Bronx. Featuring a stellar lineup of techno heavyweights such as Mochakk, Vintage Culture, and Chris Stussy, Time Warp NYC will bring its German techno heritage to the U.S. with incredible production, lighting, and sound. The festival’s famous “cave” design will also be present, providing an immersive visual experience that pairs perfectly with the heavy beats. Tickets are on sale starting from $119.

On October 31, 2014, Calvin Harris released ‘Motion’, a groundbreaking album that bridged the worlds of EDM and pop, cementing his reputation as one of the biggest figures in electronic music. Featuring a star-studded lineup of collaborations with artists like Ellie Goulding, Big Sean, John Newman, and Gwen Stefani, ‘Motion’ delivered hit after hit, including chart-toppers like ‘Summer’, ‘Blame’, and ‘Outside’. With its infectious hooks and club-ready beats, the album quickly became a global sensation and has since racked up billions of streams worldwide. ‘Motion’ was a high-energy blend of electronic, pop, and dance, showcasing Calvin Harris‘ talent for crafting songs that are as catchy as they are danceable. Singles like ‘Summer’, where Calvin Harris himself provided the vocals, dominated airwaves and playlists alike, while collaborations with rising and established stars extended the album’s reach across genres and audiences. ‘Blame’, featuring John Newman, and ‘Outside’, with Ellie Goulding, were among the album’s most successful tracks, earning platinum certifications and solidifying Calvin Harris as a pioneer of mainstream dance music. Celebrating its 10th anniversary, ‘Motion’ remains a defining album of the 2010s dance-pop era, with tracks that continue to be festival staples and playlist favorites. Calvin Harris’ ‘Motion’ is not just an album but a milestone in dance music history, marking a period when EDM took over the mainstream and forever changed the sound of pop music.

As the year draws to a close, the highly anticipated Spotify Wrapped 2024 is on its way! Every December, Spotify users eagerly await this feature to recap their listening habits and memorable music moments. If you’re a listener or artist, here’s what you need to know to get the most out of this year’s Wrapped experience. For listeners, Wrapped delivers a personalized summary of your top songs, artists, genres, and playlists from the past year. In 2024, over 225 million Spotify users engaged with Wrapped content, marking a significant 40% engagement increase compared to 2023. Wrapped has become more popular each year. This has occurred as users enjoy reliving their audio highlights and seeing how their tastes compare to others. Artists: Here’s How to Prepare for Wrapped 2024 Spotify Wrapped offers artists a great chance to strengthen connections with their fans. To be “Wrapped-ready,” Spotify encourages artists to upload a short video clip by November 15. This clip should be under 30 seconds, vertical (similar to TikTok), and free of music, lyrics, explicit language, logos, or graphics. Spotify says, “Speak directly to the fans who’ve had you on repeat all year. Record an under-30-second clip for the chance to be featured in Wrapped data stories and a special video feed for your top fans”. After Wrapped, Spotify will feature these clips across profiles, the Now Playing screen, Release Pages, and the Home tab, helping artists stay connected with fans even after the Wrapped period. When Will Spotify Wrapped 2024 Drop? While Spotify hasn’t confirmed a release date, previous Wrapped releases give a clue. Wrapped started in 2016, dropping each December, and Spotify has gradually moved the release earlier. In 2018, Wrapped arrived on December 6, then on December 5 in 2019, December 1 in 2020 and 2021, and November 30 in the last two years. This trend makes November 30 a strong contender for Wrapped 2024’s release date. Ready for Wrapped? Here’s What to Expect Spotify tracks Wrapped data from January 1 to October 31, so make the most of these last few days to shape your 2024 summary. Listen to favorite songs and artists or discover new music you want to include in your recap. Whether you’re an artist ready to connect with fans or a listener anticipating your stats, Wrapped 2024 promises another exciting, high-engagement experience. So hit play, and get ready—November 30 will be here before you know it! For more information, check out Spotify’s official Spotify Wrapped website, here. [H/T] – Digital Music News The post Spotify Wrapped 2024 Is Just Around The Corner appeared first on EDMTunes.

Patrick Topping, the celebrated UK DJ and producer, just pulled off something that had many in the scene doing a double-take: a sold-out, alcohol-free rave. In an era where club culture is often intertwined with drink and aftereffects, Topping took a bold step by launching his very first sober rave event. The move wasn’t just a hit; it was a groundbreaking shift in the rave experience, and Topping couldn’t be more thrilled. Breaking Boundaries With A Sober Rave Concept For Topping, this event was more than a party—it was a statement. “Some people thought I was mad for starting an alcohol-free event,” he admitted, recognizing that the idea of a sober rave could seem out of place in the Dance music world. But Topping’s instinct told him there was a demand for it, and he was right. The event sold out quickly, with an atmosphere he described as “insane”. The night proved that sobriety doesn’t equate to a lack of energy or passion on the dance floor. A Rave for Every Kind of Raver The crowd that night was a vibrant mix: fitness fanatics, those on a sobriety journey, and many who were simply “sober curious” and looking to shake off the usual post-party regrets. Topping found it “amazing to see the energy and everyone proper going for it!”. His interactions with attendees highlighted how meaningful the event was for those there; he even had the chance to connect with people who shared powerful sobriety stories. For many, the option to attend a rave without the pressure of drinking was refreshing, while others were glad to have a space where they could fully enjoy the experience without risking their recovery. The First of Many? Topping’s enthusiasm for the event’s success was palpable. “I was so nervous for this, but I had a massive feeling it would work and thankfully it did. I’m f*kin buzzing!”, he shared. The night was so impactful that he’s already planning the next one, hinting at a potential “Dry January” event to keep the momentum going. For Topping, it’s all about creating a “proper” rave environment that’s true to his high-energy vibe, minus the booze. And as he promised, more info on the next event is coming soon. As sober raving gains traction, Patrick Topping’s venture could be the spark that lights a new path in nightlife, offering an experience that’s both high-energy and hangover-free. Sign up for updates on future sober raves here. The post Patrick Topping Celebrates Success Of First Sober Rave appeared first on EDMTunes.

The Progressive and Melodic House duo Sultan + Shepard have just dropped two fresh tracks: ‘Hyper Cycle’ and ‘Looking For.’ These releases showcase the duo’s return to their roots in Progressive and Melodic House, adding to an already impressive 2024 following their recent album, Endless, Dawn. Exploring ‘Hyper Cycle’ and ‘Looking For’ ‘Hyper Cycle’ delivers a blend of atmospheric synths and driving beats, embodying Sultan + Shepard’s signature sound. It’s a track that takes listeners on a deep, immersive journey. Meanwhile, ‘Looking For’ leans into emotive melodies and dynamic rhythms, reflecting the duo’s evolving artistry in Melodic House. Disappearing in their music happens in seconds of listening and these two new tracks embody that world of euphoria. The Story Behind Sultan + Shepard The duo, consisting of Ossama Al Sarraf and Ned Shepard, first crossed paths at an after-hours club in Montreal back in 2002. Their chemistry was immediate, leading to early releases on Bedrock and collaborations with some of EDM’s biggest names. Over the years, they’ve remixed tracks for major Pop artists and earned a Grammy nomination for their remix of ‘Locked Out of Heaven’ by Bruno Mars. They’ve also received two Juno Award nominations for Best Dance Recording. via Sultan + Shepard Social Media Back to Their Roots In recent years, Sultan + Shepard have made a clear return to their Progressive roots. Signing with This Never Happened, Lane 8‘s label, they’ve launched Dialekt Radio and released new music that emphasizes introspective and emotive soundscapes. Their second album, Something, Everything (2021), and third album, Forever, Now (2023), both garnered critical acclaim and highlighted collaborations with leading names in the genre. Via Sultan + Shepard Social media What’s Next for Sultan + Shepard? Tour. With the release of ‘Hyper Cycle’ and ‘Looking For,’ Sultan + Shepard continue to push the boundaries of Dance music. These tracks signal a deeper commitment to atmospheric sounds that resonate with longtime fans and new listeners alike. Also, Sultan + Shepard, have unveiled their ‘Circle In Time’ tour, set to commence in early 2025. This tour will feature live performances across North America, including stops in Denver, San Francisco, Los Angeles, and New York. Fans can anticipate an immersive experience as the duo showcases tracks from their recent album, Endless, Dawn, alongside new material. ‘Circle In Time’ Tour Tour Dates: January 24, 2025: Commodore Ballroom, Vancouver, BC January 25, 2025: Roseland Theater, Portland, OR January 31, 2025: Mission Ballroom, Denver, CO February 1, 2025: The Warfield, San Francisco, CA February 7, 2025: The Novo, Los Angeles, CA February 15, 2025: Rockwell at The Complex, Salt Lake City, UT February 20, 2025: Variety Playhouse, Atlanta, GA February 21, 2025: Echostage, Washington, DC February 22, 2025: New City Gas, Montreal, QC February 28, 2025: Royale, Boston, MA March 1, 2025: Terminal 5, New York, NY For more details and ticket purchases, please visit Sultan + Shepard’s official website. Listen to ‘Hyper Cycle’ and ‘Looking For’ now on all major streaming platforms, and catch Sultan + Shepard’s latest updates on their Instagram. The post Sultan + Shepard Come Back With ‘Hyper Cycle’ and ‘Looking For’ appeared first on EDMTunes.

Are we dreaming? or are we getting new Grum music? Shortly after an astonishing release for ‘Through the Dark’ earlier this month, Grum debuts his newest track ‘If It’s Just’ to close out spooky season. The Scottish Electro producer immerses the audience with an auditory desert. The track is a beautiful trip into slumber. Moreover, it is available on all streaming platforms through Being Records. ‘If It’s Just’ With a breakbeat that keeps a dynamic tempo, ‘If It’s Just’ dives into the ethereal realm of sound. With harmonies and synths that give you chills straight into your spine, the single presents us with kind vocals that ride the rhythm of the track. The lyrics are simple but powerful: “Don’t wake me up if it’s just a dream“. The chorus repeats the entire lenght of the track, adding distinguised elements throughout this journey that will leave you inspired, empowered, and serene. ‘If It’s Just’ is the perfect track to represent that feeling you have when you’re having an amazing dream you never want to wake up from. The Anjunabeats regular has had a reputable career, dating back to 2009. Moreover, his tracks have enjoyed the support of industry giants like Armin van Buuren, Above & Beyond, and Solomun. With the perfect blend of deep, trancey Electro, the track ought to take the dancefloors to a brand new level of euphoria. Moreover, his podcast Deep State Radio represents the wide array of deep, soulfuls tracks from his own tracks and music he admires. Up Next Grum is busy for Halloween week, as he just enjoyed two shows in Seattle and Toronto. Furthermore, he remains in Canada for one night in Montreal, closing out the weekend back in the states in Durham. We will remain asleep just to stay in this dream, here is ‘If It’s Just’: The post Grum Engulfs You In a Dream With ‘If It’s Just’ appeared first on EDMTunes.

One of the world’s global leaders in Electronic music festivals, Creamfields (presented by Rockstar Energy) returns to take over the fields of Daresbury in Cheshire next August Bank Holiday weekend. As organizers continue their quest of pushing the boundaries of festival production, 2025 is set to be their most ambitious to date as they’ve just announced a groundbreaking outdoor mega stage will be unveiled – HALO. HALO represents an evolution of the beloved Runway stage that first appeared in 2022, offering fans a breathtaking 45-meter-wide circular outdoor arena. This immersive setup includes an advanced 360-degree video, lighting, and sound experience, designed by the renowned creative studio Lucid Creates. “Creamfields has never underestimated the importance of pushing boundaries with high-end production, keeping their dedicated audience excited and engaged with numerous site upgrades, as well as new arenas and stages year on year“, says Chriss Carr, from Lucid. “We’re incredibly grateful to be given the space and the opportunity to create such ambitious structures and shows like RUNWAY and now HALO with Creamfields“. “It’s not an easy thing to pull off, but creating these groundbreaking experiences really is what drives us all” — Chris Carr With over 300 acts set to perform across four days, Creamfields continues to blaze ahead as a must-attend event for both fans and artists. Over the past decade, Creamfields has pioneered iconic structures like Steel Yard, Arc, Runway, and the recently launched APEX—the world’s largest indoor festival stage—hosting stars like Chase and Status Live, Fisher, Chris Stussy, Sammy Virji, Disclosure, Steve Angello, Tiësto, Armin van Buuren, and Martin Garrix. Adding even more excitement, the innovative Teletech will return with a dynamic three-day takeover in a new 15,000-capacity arena. Following their debut this year, Teletech’s bold lineups are a refreshing addition, bringing intense, genre-blending performances that promise to electrify the weekend. Tickets on sale now at https://creamfields.com/tickets/. The post Creamfields Unveils New 2025 360° Mega Stage appeared first on EDMTunes.

Kaskade and Wilkinson have joined forces for "Shine On," a stunning drum & bass track reminding us that sometimes, the people who shine brightest in our lives do so long after they're gone. The track is a marriage of Kaskade's melodic touch and Wilkinson's drum & bass finesse, merging into a tender anthem that works both as peak-time euphoria and solitary night-drive therapy. With an uplifting urgency, they turn what could have been just another drum & bass banger into something that catches in your throat. Wilkinson's percussive backbone rattles with signature precision while Kaskade's atmospheric touches add pangs of warmth that feel like shots of serotonin straight to the temporal lobe. Meanwhile, Paige Cavell casts a spell with her haunting vocals, especially through the lyrical grenade, "Everywhere I go you'll be shining down on me."There's something almost painfully human about it, capturing that profound ache of missing someone while they help guide your own internal compass. Listen to "Shine On" below and find the new single on streaming platforms here. View the original article to see embedded media. Follow Kaskade:X: x.com/kaskade Instagram: instagram.com/kaskade TikTok: tiktok.com/@kaskade Facebook: facebook.com/kaskade Spotify: spoti.fi/3fHaUGk Follow Wilkinson:X: x.com/WilkinsonUK Instagram: instagram.com/wilkinsonuk TikTok: tiktok.com/@wilkinsonuk Facebook: facebook.com/wilkinsonuk Spotify: spoti.fi/3hZraof Follow Paige Cavell:X: x.com/paigecavell Instagram: instagram.com/paigecavell TikTok: tiktok.com/@paigecavell Spotify: tinyurl.com/4sfmj2rt

Miss Monique really can’t go wrong. Just have a listen! Originally dubbed a bridge between rave and classical music by Billboard, ‘Feeling So Real‘ remains one of Moby‘s most distinctive and respected works. The track became a founding pillar of what we now know so well as Moby’s unique artistic vision. Why are we bringing this up? Turns out that, decades later, ‘Feeling So Real’ is being reimagined with Ukranian superstar Miss Monique, for a tribute which not only refreshes the tune, but does so on its 30th birthday, down to the day. And it’s a double milestone for our beloved MiMo, as she got to collaborate with one of the indisputable legends of the music world, while also landing this fresh take on her very own label, Siona Records. If this is not a sign of how fast she’s growing and how she’s got no plans of stopping anytime soon, I don’t know what is. ‘Feeling So Real 2024’ This update is something else. You may have had the chance to hear it a few weeks ago at ADE, when Miss Monique played it during her ASOT appearance, or in other places where the track has been rinsed. It’s a powerful, groovy, and pleasantly boxy structured record which truly pays tribute to an old friend. ‘Feeling So Real 2024’ is a result of both her and Moby actually teaming up, and I’d say the result is a proper reflection of said comment. It’s got original elements, and those which aren’t still are very respectful to the classic tune, which makes this update all that more special. “[Moby’s] iconic status as a true pioneer of Electronic music needs no explanation. ‘Feeling So Real’ is one of his rave anthems and it was a dream to collaborate with my sonic and sound 30 years later“, says Miss Monique. Credit: Gregory Harris “To be on a record with MOBY for my own label is an absolute career highlight for me.“ -Miss Monique Listen to Moby and Miss Monique‘s latest banger ‘Feeling So Real 2024’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice. Are you a producer and you’d like to see your tracks on our page? Then head over to this link right here, you champ. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post Miss Monique And Moby Update His 90s Hit ‘Feeling So Real’ For Its 30th Anniversary appeared first on EDMTunes.

Thanks to INZO, bass music will be the first sounds on display when Red Rocks opens their gates next year. The surging DJ and bass music producer in 2023 hosted a successful, large-scale tour that took him to nearly 40 cities from winter to spring. Outside the live music realm, he released collaborations with Rezz and LSDREAM, among others. INZO is now rounding out his career year with a major show announcement: his debut headlining set at Red Rocks. And it's going down March 28th, the first day of the iconic open-air venue's 2025 season. INZO will be joined by special guest Dirt Monkey alongside Supertask and his touring partners from last year, Blookah and Lhasa Petik. One supporting artist has not yet been revealed at the time of this writing. Tickets to INZO's debut Red Rocks headline go on sale Halloween day, October 31st at 10am MT here. RED ROCKS — I’m honored to be headlining this historical & iconic venue for the first time.. this also happens to be the first Red Rocks show of 2025! How cool haha. Anyways. some important info for y’all: Anyone who comments on my instagram post will be messaged the presale… pic.twitter.com/mCuADHmTWv — ⧩ INZO ⧩ (@Inzo_Music) October 29, 2024 Follow INZO:Facebook: facebook.com/inzo.music.official Instagram: instagram.com/inzomusic X: x.com/Inzo_Music TikTok: tiktok.com/@inzomusic Spotify: tinyurl.com/bdfma4nh

Not to put any more pressure on you up-and-coming DJs, but 10-year-olds are coming for your jobs. LC Danger has been DJing since she was just seven years old. Catching on quickly, she's gained hundreds of thousands of online followers interested in seeing her compete with DJs who've been around decades longer. Now, she's been recognized by the NBA's Detroit Pistons, who invited her to perform during halftime of their 2024-2025 season home opener against the Indiana Pacers. Her sounds may have pumped up the Pistons, but the music wasn't enough to propel the team to victory after they finished last season with the league's worst record. The diminutive DJ's NBA debut was not her first high-profile performance. Earlier in the year in Kansas City, LC Danger took the stage with Shaquille O'Neal, or DJ Diesel, for the Big 12 Men's Basketball Championship. She also joined Disco Lines onstage at last year's HARD Summer festival at the age of nine. Check out footage from LC Danger's performance below.

Nightclubs and bars may suffer due to cuts on Buisness rates relief in the new Labour government's first budget, despite a 1p reduction in the price of a pint Continue reading...

After soaring through the cosmos and into fans' hearts over two decades ago, Daft Punk's Interstella 5555: The 5tory of the 5ecret 5tar 5ystem is heading to the big screen for one night only. The legendary electronic music duo's classic anime film will be screened in cinemas worldwide in remastered 4K on December 12th, 2024. The film made its North American debut in late-September, when it aired at LA's United Theater prior to a rare panel featuring Daft Punk's former manager, Pedro Winter and Creative Director, Cédric Hervet. Originally released in May 2003 as a visual companion to Daft Punk's sophomore album Discovery, the audacious sci-film film was created by Thomas Bangalter, Guy-Manuel de Homem-Christo and Hervet alongside manga legend Leiji Matsumoto. Setting a stratospheric benchmark for audiovisual storytelling at the time, the hourlong film was splintered into scenes for a number of Daft Punk music videos, including the ageless "One More Time." "'One More Time' was playing all over the town at that time," said Shinji Shimizu of Toei Animation, who produced the film. "I felt so proud that I wanted to shout to people on the street, 'We are making its animation now!'" In partnership with Trafalgar Releasing, the momentous global screening of Interstella 5555 will take place across over 800 theaters in more than 40 countries. Tickets are scheduled to go on sale Wednesday, November 13th. In addition to the screenings, Daft Punk are also rolling out a limited physical release for the Discovery: Interstella 5555 Edition album. It contains the album's original Japanese edition artwork, stickers and Daft Club card as well as gold vinyl (limited to 5,555 copies), numbered CDs (5,555 copies) and black vinyl (25,000 copies). The duo also launched a limited-edition merch line featuring the Crescendolls, the animated band at the core of Interstella 5555. Fans can purchase items on Daft Punk's official shop. Follow Daft Punk:X: x.com/daftpunk Instagram: instagram.com/daftpunk TikTok: tiktok.com/@daftpunk Facebook: facebook.com/daftpunk Spotify: spoti.fi/3hbaTeV

CEO Marian Goodell has asked fans to help save the festival following fewer sales of higher-priced tickets this year Continue reading...

After select fan and festival screenings this year, the 4K remastered version of Daft Punk & Leiji Matsumoto’s 2003 anime masterpiece Interstella 5555: The 5tory of the 5ecret 5tar 5ystem will be screened in cinemas globally for one night only on December 12, 2024 in partnership with Trafalgar Releasing. Says Marc Allenby, CEO of Trafalgar Releasing, “We’re excited to bring Daft Punk’s iconic Interstella 5555, now fully remastered in stunning 4K, to cinemas for this one-night-only global event. This is a rare opportunity to experience the film on the big screen, along with accompanying Daft Punk music videos, and we can’t wait to share it with audiences everywhere.” Interstella 5555: The 5tory of the 5ecret 5tar 5ystem was created by Daft Punk and Cédric Hervet in collaboration with Leiji Matsumoto and Toei Animation, and tells the story of the abduction of an alien music band by an evil human character who has dark plans. Essentially an anime visual album, Interstella features the entirety of Daft Punk’s seminal 2001 album Discovery as its soundtrack, including iconic anthems such as “One More Time,” “Harder, Better, Faster, Stronger,” and “Veridis Quo.” Says Shinji Shimizu of Toei Animation, who produced the film, “‘One More Time’ was playing all over the town at that time! I felt so proud that I wanted to shout to people on the street, ‘We are making its animation now!’” As a visual album, the film was cut into individual music videos, and until this year it has been very rare to see the film in its entirety in cinemas. To celebrate this global event, Discovery: Interstella 5555 Edition will be released in limited physical quantities. This physical edition of Discovery will contain the original Japanese edition artwork, stickers and Daft Club card, which became a true collectors’ item around its original release. The limited release will consist of 5555 gold vinyl, 5555 numbered CDs, and 25,000 black vinyl. Along with this special album re-release and film screening comes a limited-edition merch run featuring the Crescendolls, the animated band at the centre of Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Items are available now through Daft Punk’s official shop. “Veridis Quo” a standout track from Discovery was used widely over the summer in social content, and can now be heard in a global advertising campaign for Chanel N°5 called “A rendez-vous” directed by Luca Guadagnino, featuring Margot Robbie and Jacob Elordi. Since the track’s original release, it has also been widely sampled in music from artists all over the world including Maluma, G-Dragon, and Jazmine Sullivan, and used in live sets from DJs including John Summit. Earlier this year, Apple Music named Discovery as the #23 best album of all time. It has also landed on best album lists from Rolling Stone, Pitchfork, Rhapsody, Resident Advisory, BBC Radio 1, British GQ. Guardian critic Alexis Petridis wrote in 2020 that “Daft Punk were incredibly prescient: play Discovery and it sounds utterly contemporary.” Discovery has been certified Gold in the US, Platinum in Japan, 2x Platinum in the UK and 3x Platinum in France. The one night only global screening of Interstella 5555: The 5tory of the 5ecret 5tar 5ystem will be screened in 800+ cinemas in 40+ countries, and tickets will go on sale Wednesday, November 13. More information can be found here. DISCOVERY : INTERSTELLA 5555 EDITION – TRACKLIST One More Time Aerodynamic Digital Love Harder, Better, Faster, Stronger Crescendolls Nightvision Superheroes High Life Something About Us Voyager Veridis Quo Short Circuit Face to Face Too Long The post Daft Punk’s Interstella 5555: The 5tory of the 5ecret 5tar 5ystem to screen in cinemas appeared first on Decoded Magazine.

As we speak, Dada Life’s longtime member Stefan Engblom is in the Intensive Care Unit of a Stockholm hospital, fighting severe infection following postoperative complications. Just a few weeks ago, on October 16th, he’d had an endoscopic retrograde cholangiopancreatography (ERCP for short), where he caught, in his own words, “a nasty bacteria“. After being looked after at the hospital and treated with IV antibiotics, he was eventually released, and a few days later, bacteria started growing in his body again at alarming rates. This is when he got to the ER, where he was fed antibiotics and painkillers, but the situation worsened to the point he was admitted at the ICU. Yesterday, he uploaded a video to his Instagram account where he recalls how intense of an experience it’s been. He says, “Felt like I couldn’t breathe, uncontrollably puking bile, shaking and couldn’t control my body. The thoughts in my brain was, as long as I can scream for help I can breathe“. Watch the entire video below. We wish Stefan a speedy and full recovery. We can’t wait to dance with him again. The post Dada Life’s Stefan Engblom Hospitalized After Post-Op Infection appeared first on EDMTunes.

Imagine a three-and-a-half-hour event with sixty thousand people or more, all locked in on the same vibe: to have the time of their lives. That is The Eras Tour, Taylor Swift‘s latest worldwide tour. Not many traditional concerts can match major festivals in terms of size, production, public expectations, or the artist’s capabilities. However, one artist pulled that off in 2023 and 2024, and we couldn’t miss the opportunity to check out why. Taylor Swift is one of the biggest (if not the biggest) music artists of the past 20 years. From her debut single, “Tim McGraw” in 2006, to now, she has sold over 114 million album-equivalent units worldwide, won 14 Grammy Awards, released 11 original studio albums, 4 re-recorded albums, 5 extended plays (EPs), and 4 live albums. Although her team hasn’t released any official boxscore from her current tour, it’s clear that Taylor’s “Midas touch” goes beyond “Chevy doors”, since “The Eras Tour” is set to become the biggest tour in the world and has already surpassed the $1 billion revenue mark. This astonishing figure reflects the immense demand for tickets, as fans had to engage in a cyber battle to secure their spots—a struggle not unlike the one EDM lovers face each year to attend one of the biggest festivals in the world: Tomorrowland Belgium. Tomorrowland is known for its high demand and limited ticket availability, making it a tough festival to get into, and creating high expectations months before the event, even before tickets go on sale. Swift’s tour experienced the same high demand, with some concerts selling out a year in advance (like the Miami shows). Outfits? Many people plan their festival looks far in advance, and the same is true for Swifties, who often plan or craft their own outfits months before their concert date, building an atmosphere of excitement leading up to the big day. The Belgium festival expected around 67,000 people per day for its 2023 and 2024 editions, which is actually less than the 72,000 average attendance at Swift’s U.S. shows, proving that size is no issue for the American singer. Every year, festivals like Tomorrowland and Ultra wow us with different stages, using cutting-edge technology to enhance the experience and create visuals that blow our minds, even if we’re far from the stage. Swift’s team seems to have taken notes on this and created a meticulously planned presentation, with large screens and camera shots so well-rehearsed it felt like Taylor was “looking at you”—a moment reminiscent of the intimacy found in “Out of the Woods”—even from afar. Often unsung heroes, the production teams for both festivals and concerts are spot on. From lighting technicians, who made sure that the “lights were so bright, but never “blind” me”, to designers, sound system engineers, and the security crew keeping everything safe and clean, Swift’s concert truly offered festival-level quality. Things like interactive light bracelets that match the theme of each Era, numerous outfit changes (including a debut of the golden Reputation bodysuit), and iconic moments like the “Don’t Blame Me” song where lights create a holy, choral atmosphere, and the seamless and powerful transition from “Don’t Blame Me” to “Look What You Made Me Do”, are just a few reasons why this tour matches EDM festival production levels. Taylor Swift’s new outfit debut during the Reputation Era at the Miami concert on October 18. At festivals, attendees can jump from stage to stage and listen to whoever they like most. Swift, on the other hand, has the task of keeping her audience entertained for the entire duration, a feat she accomplishes during her 44-46 song setlist, divided into 10 acts that fly by. You only realize the time has passed when you stopped “feeling like 22”, and your legs and back start to ache from dancing and jumping along for hours. Swift’s stage presence is both smart and fun—she moves around to get close to all her fans in the floor section without overexerting herself, all while singing for more than three hours. A highlight of the night is her performance of “All Too Well (10 Minute Version)(Taylor’s Version),” where the entire stadium sings with her for ten straight minutes, words carried by personal meaning and smiles all around. In an era where attention spans barely last a minute, forming a ten-minute connection with your audience is remarkable, a feat typically only achieved by A-list DJs like Eric Prydz or Solomun. Taylor Swift during “All Too Well (10 Minute Version)(Taylor’s Version)” at the first night Miami concert. Can we say that “The Eras Tour” is the Tomorrowland of music concerts? Not quite—that would be disrespectful to their unique identities and misses the fact that they belong to different worlds. But can we say they both excel at delivering unforgettable experiences, reaching star quality levels that are hard to match? Absolutely. “Long Live” Swift and her team know how to put on a show and give their audience the time of their lives. I can say “I was “Enchanted” to meet” with the opportunity to experience the biggest tour in the world. Saying goodbye to “The Eras Tour” is “Death By A Thousand Cuts”, but knowing the striking force Swift is —”a real tough kid”— she is “still writing pages” that will keep her outside the bubble that she once broke. Fun fact: Swift had a taste of the EDM field years ago. She is credited as the lyricist, composer, and backing vocalist of the EDM track “This Is What You Came For” by Calvin Harris and Rihanna. The post Why Taylor Swift’s Eras Tour Show Feels Like the Tomorrowland of Concerts appeared first on EDMTunes.

Georgia’s club community rallied outside parliament earlier this week Continue reading...

Like any good idea, the conception of such requires patience, determination, and a strong foundation. Buntai, like many local brands, started out with an objective to impose their blueprint onto the London scene. In this case, through designing and selling clothes. Until four years ago, during lockdown, when they decided to embark on a musical journey that would see them become one of London’s most authentic underground collectives – achieving a flurry of accolades throughout this period. Post lockdown, they began their guest mix and interview series with their first event and an EP drop following shortly after. From uk garage, dubstep, bassline, and a whole host of other 140 sounds, alongside their occasional foray into the jungle arena, Buntai represent a modern and forward-thinking approach when representing the underground scene in its entirety. Recent releases from Four Eyes, Nik Fury, Rolla B, OP Breaks, Architek, and Jaz have instigated an indisputable anticipation around the label side of the brand. With an array of new music coming out from the likes of the legendary DJ Hybrid, Tommy Villiers, Ance, Four Eyes, Jaz, FSHR, Jaynie, and CamUKG over the course of the back end of 2024 and beginning of 2025. We can be certain that momentum will not ease up as Buntai begin to mark their stamp on the UK electronic scene as a whole. A lack of fear when showcasing new sounds, and genres, is exactly what makes this project tick. Buntai means ‘squad’ in Japanese, and the tight knit team they’ve built certainly lives up to its name. Run by London-based music entrepreneur Akira, as well as creative pillar Mia Marshall, whilst counting on an extremely talented DJ and producer roster at their disposal has forged a community that is flourishing on all fronts. Throwing some of the best raves around London, curating a continual body of exciting releases, and obtaining a strongly followed radio and social media presence, collectively, is no mean feat. The scene sorely needs outlets such as Buntai to push the artists who have the talent to reach the top. With an undeniable vision in place, we caught up with Akira and Mia to find out more about their beginnings, as well uncovering plans on the immensely exciting releases coming up for the label. Before we take a look at the present day, why don’t we have a quick chat about how and why, you started Buntai? It started through our love to rave. We both needed a creative outlet during lockdown. When we started, we didn’t know what it was going to be. We didn’t know if we wanted it to be a podcast, a radio show, a clothing line, an events brand, or a bunch of other stuff. We basically took a year trying to do all of the above. Buntai essentially started in lockdown, but was fully established in September 2021 – where our first party took place, our first clothing drop happened, and where it ultimately felt like everything really began. This was definitely the teething ground stage, but we really enjoyed doing it. Although, unofficially, the concept of Buntai started way before this, back when I (Akira) was still in secondary school. The idea was that I could design clothes that me and my friends could afford. So everyone could wear good quality clothes for not nearly as much. The meaning of Buntai in Japanese connotes the word family, and that’s what the idea has always been about – to help the ‘family’ out. That ethos has run right through bringing us to today, whether it be giving a DJ a set who doesn’t normally get to play out in front of a crowd or allowing an up-and-coming producer a chance to release a track. We’re here to help the community out however we can. Establishing yourselves into the scene must’ve been a change of pace from coming out of lockdown? For sure. Our first proper event was in collaboration with LAVALAND/NiNE8COLLECTIVE at Werkhaus. We’ve got to give a big shout out to Lava La Rue and Nige for believing in us and wanting to work with Buntai. Without that push I don’t think we’d be where we are today. That must’ve been a nice feeling for such an established brand to give you the nod of approval! How did that come about in the first place? We first met Nige in a pub, and by the end of the evening he was super invested in us. I think he saw a hunger in us to want to get to the top. Their whole ethos is community driven, so once the other members of the collective knew about us, they were willing to help us out. Nige featured on the first Buntai Sessions, during lockdown, which was a mini series fusing mixing and podcasting into one. He bigged up our future plans, and it felt nice to have someone support us like he did. Shortly after, NiNE8 member Bone Slim actually joined Buntai. Which was such an amazing feeling for us. He brought a new light to our brand and has consistently supported us in every way he can. Being able to run our Rinse FM show together will always be one of our greatest memories and achievements. I’d love to hear some Buntai highlights over the years. Being able to have Four Eyes on our team, someone we’ve supported from the beginning of his journey, and to see how much he’s blossomed, has been a real privilege to witness – getting to see Girls Don’t Sync spin his release with us at Boomtown’s Origin stage in 2023 was crazy. Hearing a track that we released, on such a big stage in the world of dance, was unbelievable. I’d also have to say getting a room 3 takeover at Fabric was a real moment for the whole brand. We took it all in as we saw Citizen close the evening with a heaving room 3. I guess once you established yourselves as a top grade events brand, the natural progression was to start churning out the releases. Why was it the right time for Buntai to do this? We want to have a catalogue that has longevity and is tangible. The events are great, but we’re not doing them all the time. It essentially gives the brand a sound. You can go on our bandcamp or soundcloud page and see what we’re all about. We love going through submissions, and now we’ve grown we get submissions from some of our favourite producers. Uk garage and dubstep are definitely our foundation, but we will always be down to branch out – as long as the song is to our taste. Why don’t we go through some of the releases coming up soon on Buntai. Let’s start with the DJ Hybrid 2-tracker EP. Side 1 is a rolling garage track called ‘Dedicate The Style’ and side 2 is a dubstep track called ‘Mish Mash’. It’s a very interesting combination. He’s obviously known for his jungle and drum & bass sounds, but these two tunes are serious. He sent us about 10 tracks, we were going through them and they were all insane. It was hard to whittle it down. The route we want to go down for the foreseeable future is to release two-trackers, with a potential longer LP in the future – with a collection of tracks from everyone that’s released on the label so far. And other releases we can look forward to over the next 6 months. Yes, plenty. We’ve got an Ance one coming out soon too called ‘Matter Of Time’. He’s such a versatile artist, it’s only a matter of time before he properly breaks through. Also coming up is a Tommy Villiers remix of ‘Too Much Sauce’ by Bakey and Capo Lee, as well as a two-part EP coming from him next year which will be his original music. He’s someone who really cares about the music despite all his success and he’s really on board with what Buntai stands for. So it was about time we got him on a release to be honest. Of course, we’ve got more Four Eyes releases, with an imminent Chris Stussy remix of ‘Desire’ coming next year. We’ve got stuff coming from Buntai resident Jaz, who’s already released with us this year with her debut track ‘Harder, Better, Faster, Stronger’. DEEPROT even premiered it on their Youtube channel, which was massive for all of us. We’re going to put together a 5 track dubpack with her, similar to the one we did with Four Eyes, and have a limited amount on our Bandcamp. We met her right at the beginning of our journey, she helped us out by getting us an event at the Red Bull HQ which was pretty much the first real brand we ever got to work with. It’s really nice that we’ve still got her around and the fact she’s now able to release with us is a real full circle moment. Also next year, we’ve got Jaynie and FSHR releasing a heavy dubstep number with us, as well as a CamUKG track who’s still a pretty fresh name with a serious armoury of production behind him. To wrap up, who are some names you’d love to work with in the future? There’s a producer called Moreofus who the whole Buntai family really vibe with when it comes to production. We saw him at Outlook this year and were completely blown away. Shout out to White Peach boss ZHA as well, a big inspiration in every form. Then the likes of Sicaria and Neffa T would be unreal too. We were lucky enough to have Neffa at our Lengfield Festival back in 2022. We’d love to also mention some stand out names from over the years. Plenty of amazing figures that deserve some light. Shout out Modula, a core Buntai member that’s been with us from the beginning. Lakiya, a new creative pillar for Buntai that has the brightest of futures ahead of her. The rest of the team – LISH, Citizen, Insectcrusha, Andz, CTRL, TS, Zero, Rishi, and Holly, head of Favourite Child and Digital Footprint, a GOAT in this scene. Also, Sam and John, the boys behind Pull Up Recordings. Too many amazing names to mention.

EDM pioneer Rob GEE is back with a new track that bridges the gap between old-school rave energy and modern production techniques. “This Is My Sound” showcases the veteran producer’s ability to evolve while staying true to his roots; delivering a fresh perspective on dance music that’s already igniting dancefloors across the globe. Known for his signature 200 BPM productions, GEE takes an interesting turn with “This Is My Sound,” setting the tempo at 168 BPM. This deliberate choice allows the track’s powerful kick drum to breathe while maintaining the high-energy atmosphere that fans have come to expect. GEE dubs this fusion of groovy beats and hard dance energy ‘NüCøre,’ marking an exciting evolution in his sound while staying true to the harder styles. The track has already proven its worth in clubs across the Netherlands, United States, Italy, Austria, and Australia and lit up the dancefloor at major festivals such as Defqon1, Escape, and Ground Zero, demonstrating that GEE’s musical instincts remain as sharp as ever. “I wanted to go back to my roots a bit and really bring the 909 to the forefront because there’s a lot piepness going on right now,” GEE explains. “At the same time, I wanted to put some of today’s sauce on it production wise, and most of all I just want to see people dance.” The track features GEE’s distinctive vocals and melodies, but with an endearing twist – the vocal samples used in the track are actually the same ones he uses to communicate with his famous dog, Buster Black. This personal touch adds another layer of authenticity to a production that’s already brimming with character. Speaking of Buster Black, the track’s artwork pays clever homage to the iconic RCA Victor logo, which featured Nipper the dog listening to a phonograph. GEE’s modern interpretation places Buster Black in front of a wall of speakers, creating a perfect visual metaphor for the track’s blend of classic and contemporary elements. In an era where many artists chase trends, “This Is My Sound” stands as a testament to GEE’s commitment to artistic authenticity. The track’s groovy, yet energetic approach demonstrates that innovation doesn’t require abandoning one’s musical identity. Instead, it’s about finding new ways to express that identity while keeping the dancefloor moving. “This Is My Sound” is available now on all major platforms from GEE thAng Music. #PositivianVibes Connect with Rob GEE -Website: https://therealrobgee.com/ -Instagram: https://www.instagram.com/therealrobgee/ -Facebook: https://www.facebook.com/TheRealRobGEE -YouTube: https://www.youtube.com/@Therealrobgee * Featured image by Samantha Wong