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Rounding up festival news from across the dance and electronic world Continue reading... View the full article

This edition includes a project linking Mancunian and Palestinian artists Continue reading... View the full article

This edition includes a project linking Mancunian and Palestinian artists Continue reading...

For decades, audio engineers have lived by Hofmann's Iron Law, the fun-killing principle that essentially says you can have deep bass or portability, but never both. It's like being told you can have either cheese or chocolate, when any reasonable person demands both. Enter Brane Audio's mind-boggling Brane X, which solves that problem with a technological apparatus that essentially gaslights the laws of physics. Founded in 2015 in Austin, Texas—because of course a company breaking audio rules would set up shop in the live music capital—the organization has been quietly plotting this sonic coup since the pandemic while its competitors were busy adding another 15 minutes of battery life or an even more confusing voice assistant. EDM.com visited Brane Audio's storefront in Austin to demo the Brane X, which the company claims is the "first portable speaker with a true subwoofer built in." CEO Joe Pinkerton played music through speakers from a number of high-profile competitors, and it took no less than three seconds to hear the difference not only in bass, but in overall fidelity. It's one of those things you experience and instantaneously think, "I need this now." Their subwoofer breakthrough represents one of the most significant commercial advancements in speaker technology in some time—no small claim in an industry that thrives on hyperbole. In fact, Pinkerton tells us, the Brane X delivers 10 times the bass of competing speakers that dwarf its size. Brane Audio In this eternally crowded landscape of portable speakers, where incremental improvements masquerade as innovation, the sleek and unassuming Brane X is a genuine paradigm shift. The secret lies in what Brane calls its Repel-Attract Driver (RAD), which elegantly circumvents Hofmann's Iron Law, the long-standing acoustic principle that has forced speaker designers to choose between size, efficiency and bass response. By deploying a proprietary configuration of permanent magnets to neutralize internal air pressure forces, the Brane X can produce notes as low as 27Hz, territory previously accessible only to speakers approximately 35 times its size. For context, that's like having a concert subwoofer that fits in your tote bag—a solid value proposition at a $499 price point. What's perhaps most impressive about the Brane X is how it achieves this sonic sorcery without demanding the typical sacrifices. Battery life isn't compromised. Size remains manageable. It's waterproof. And your grandmother could figure out is connectivity right out of the box, not to mention Alexa is built in. Brane Audio Brane Audio Developed by a phalanx of renowned physicists and engineers, it's very much the real deal. Pinkerton studied applied physics at Columbia University before leaving to pursue entrepreneurship. In the early 1990s, he founded a tech company in Austin that developed a battery-free, energy-efficient backup power system, which he took public in 2000. After leading the company for six years, he briefly retired before launching Clean Energy Labs, which went on to incubate Brain Audio. The company has now been issued seven patents, according to Pinkerton, who says the best is still yet to come. Brane is now developing a "substantially more powerful" speaker that delivers the same experience, but outside. "This [Brane X] sounds great in a room, but we're working on something that—when you take it outside—sounds just like what you heard, but in the middle of a field. This thing scales to concert level speakers with the same advantages. Right now we've got about a tenfold advantage over everyone else, but our next product will be between 30 and 40x... And we've got a pretty good line to get to 100x." In an era where genuine innovation often feels like a marketing mirage, the Brane X reminds us that sometimes, the most impressive technology isn't another screen to stare at or app to download, but one that fundamentally transforms how we experience the things we love—or at least how we irritate our neighbors from much greater distances than previously possible. You can find out more about the Brane X here.

Leave it to Tchami, the Parisian priest of house music, to give temptation its own sound. Teaming up with OOTORO, their new single "Late Night Secrets" is a sultry yet pumping house track where every beat feels like it's biting its lip. The Indonesian upstart said it took a year for him and Tchami to finish the track, which released today via Confession. "Late Night Secrets" is tailored for those who love their house music with a wink and a smudge of lipstick. While Tchami keeps the production polished and cinematic, OOTORO injects just enough heat to fog up the windows. Silky yet urgent, the song's breathy vocal delivery perfectly suits its clandestine mood, a lovers' pact sealed between shadows and synths. Meanwhile, a slick groove from the producers unfurls like a bedsheet at 2am, setting the scene for lyrics that feel ripped from a locked Notes app: "I need you like I need water." Listen to "Late Night Secrets" below and find the new single on streaming platforms here. Follow Tchami:X: x.com/iamtchami Instagram: instagram.com/tchami TikTok: tiktok.com/@tchami Facebook: facebook.com/iamtchami Spotify: spoti.fi/30ORbPE Follow OOTORO:X: x.com/ootorowho Instagram: instagram.com/ootorowho Spotify: tinyurl.com/5n6ftdn9

Tate Sedar learned about electronic music from his parents’ compilation CDs and Dance Dance Revolution. Now he’s making the kind of dance tracks that would absolutely wreck both those things, and I mean that as a compliment. His debut EP “POST-EDM” arrives exactly one year after he first coined the term, and it’s a surprisingly personal collection from a genre not exactly known for vulnerability. From the funk-infused opener “San Francisco” (a nod to his hometown roots) to the radio-friendly “Our Goodbye” with Liv Kennedy (which cracked rotation on SiriusXM’s BPM), each track feels like Sedar opening another page in his musical diary. The EP’s strength lies in knowing when to honor dance music traditions and when to ditch them entirely. “Emotions” featuring P$YCHEDELIC blends tech house with hip-hop in ways that feel seamless rather than gimmicky. By the time closer “Dream” hits with Otto Palmborg’s ethereal vocals, you realize you’ve been listening to a producer who actually cares about crafting a song as much as sound design. The post Tate Sedar drops his ‘THIS IS POST-EDM’ EP appeared first on Dancing Astronaut.

Signifying the immortal classic’s first-ever official makeover, “Sweet Caroline (Two Friends Remix)” is now streaming everywhere via Geffen Records in partnership with Universal Music Group. Famous for their “Big Bootie” mixes and pop-electronic original catalog, Two Friends’ Eli Sones and Matthew Halper, also known for synthetically reimagining nostalgic pop anthems, have freshly primed Neil Diamond’s multi-platinum record for modern dance floors. According to Diamond’s manager, “An official dance remix of ‘Sweet Caroline’ has been a long-standing idea. The new Two Friends’ version both honors the song’s legacy while infusing it with an electrifying new energy.” Two Friends’ creative interpretation of “Sweet Caroline” marks the duo’s first original offering in 2025, having capped 2024 with independent release “All For Me (feat. HRVY)” that subsequently saw official remixes from YDG, Deerock & Vaance, and Spring Street. Looking ahead, Two Friends will be continuing their “Heatwave” North American tour run. Between small cities and major festivals, the DJ duo will be adding the finishing touches to “Big Bootie Mix, Volume 26,” due May 31st during Two Friends’ annual event, Big Bootie Land, held in Seattle, WA. View Two Friends’ range of tour dates here, and be sure to stream “Sweet Caroline (Two Friends Remix)” below. Featured image: Matt Winkelmeyer The post Two Friends reinvigorate Neil Diamond’s classic ‘Sweet Caroline’ with official remix appeared first on Dancing Astronaut.

Founded by Carl Cox in 1998, Intec quickly became a powerhouse in the techno world, responsible for seminal anthems like Sunshine, D-Clash, and Pontape. After closing in 2006 and relaunching in 2010, the label continued to push forward-thinking, groove-heavy techno before going on hiatus again in 2020, with Roel Salemink’s Eskes as its last release. Now, the time is right for Intec to return and do what it does best – delivering dancefloor-shaking records from both fresh talent and familiar names. Few artists embody that ethos better than Carlo Lio and M.I.T.A., two producers whose sound is built on relentless energy and undeniable groove. Carlo Lio, hailing from Toronto, has long been a staple of the underground scene, known for his hypnotic, driving beats that captivate audiences worldwide. As a DJ, producer, and co-founder of Rawthentic Music alongside Nathan Barato, he has released music on influential labels such as Tronic, Suara, and KD Raw. His sound, championed by industry heavyweights like Dubfire, Marco Carola, Carl Cox, and Loco Dice, seamlessly translates raw emotion into deep, pulsing grooves that define dancefloors across the globe. M.I.T.A., from the Italian island of Ischia, is equally committed to pushing the boundaries of techno. With releases on respected imprints like CROWD, Virgo, Suara, Uncage, and Tronic, his music has received strong support from leading figures such as Pan-Pot, Sam Paganini, Ilario Alicante, and Marco Faraone. His DJ career has taken him to renowned clubs like fabric, D-Edge, and Melkweg, as well as major festival stages including Awakenings, Time Warp, Tomorrowland, and Sonus, where his tracks have resonated with massive crowds. With Chasing Ghosts, the duo makes a powerful statement, setting the tone for the next chapter of Intec. The title track is a relentless, peak-time techno weapon, while ‘AFREAKA’ and ‘The Artist’s Struggle’ explore deeper, funkier, hard-groove territory, embodying the signature energy that has defined the label since its inception. Intec has long championed high-energy, tribal, and groove-driven techno, alongside its more melodic aspects. Now, after nearly 25 years, the label returns with a renewed vision—unearthing standout releases from fresh talent while also bringing back familiar names from its rich history. Listen here. The post Carl Cox’s Intec Return to The Underground With Chasing Ghosts EP From Carlo Lio & M.I.T.A. appeared first on EDMTunes.

Global electronic music powerhouse Alesso unites with the UK’s reigning dance music sensation, Becky Hill, for their electrifying new single, ‘Surrender,’ out now via Capitol Records. This collaboration marks a milestone for the duo—while Becky previously penned the lyrics to Alesso’s smash hit ‘Words,’ ‘Surrender’ is the first time her powerhouse vocals take center stage alongside the industry titan. A fusion of Alesso’s euphoric, high-energy production and Becky Hill’s hypnotic, soul-stirring vocals, ‘Surrender’ is a sonic journey that takes you through love’s most exhilarating highs as well as its most heart-wrenching lows. Alesso’s signature progressive-house mastery builds a thrilling pulse, transforming raw emotion into a dancefloor-driven anthem. Meanwhile, Becky’s rich, impassioned delivery infuses the track with depth and authenticity, making every note resonate with power and vulnerability. From its soaring melodies to its pulse-pounding drops, ‘Surrender’ captures the magic of two global forces at the peak of their artistry. Let yourself get lost in the moment — listen here. The post Alesso & Becky Hill Release Milestone Collab: ‘Surrender’ appeared first on EDMTunes.

As we head into the summer everyone’s looking for new songs to set the tone for sunny days and define the upcoming season. Thankfully Italian DJ/Producer BECH is here with ‘Love Drunk’ to provide the chill vibes for a day under the sun. Through beautiful atmospherics and a well-crafted beat ‘Love Drunk’ instantly transports you to a beach in the middle of summer. The production is excellent as has come to be expected from BECH following on from his other immaculate releases such as ‘Another Night’ and ‘With You.’ It’s yet another display of his diverse skills as he continues to explore different genres and energies. The inspiration behind the track came from BECH’s partner who this track is also dedicated to with the lyrics reflecting the love between them. BECH’s work has earnt recognition from the likes of Dimitri Vegas & Like Mike, Sam Feldt, W&W, and Nicky Romero which is a testament to his talent. ‘Love Drunk’ is an excellent addition to BECH’s plethora of undeniably great music which will continue to grow his name within the dance music scene. You can follow BECH on Instagram through the link below: https://www.instagram.com/bechmusic/: BECH Drops Entrancing New Song ‘Love Drunk’

We recently sat down with one of the most successful Organic & Progressive House producers out there, for a friendly chat. I’ve been quite the gifted kid while doing press. I’ve been lucky enough to speak to so many referents of mine, and so many people who have shaped the scene into what it is today. Best of all, I’ve been able to share those meaningful conversations with the world, so that we get to experience the point of view of the person behind many musical miracles. Why do I say all of this before kicking this one off? Because this is yet another treat for me. I’ve been following Khen for many years, and things happened, and we ended up having a super wonderful chat. Read on for me to introduce you to the absolute genius that is this guy. With releases on labels such as Anjunadeep, All Day I Dream, Lost & Found, the newly founded early morning, and even his own imprint closure, Khen is part of the Israeli gang of producers who are at the literal forefront of Progressive House and Organic House these days. We’re talking people like Guy J, Eli Nissan, Roy Rosenfeld, Guy Mantzur, Sahar Z, Shai T, Chicola, and many, many, many more. And just off the heels of his debut EP on All Day I Dream, My Pure Soul, we sat down with him to have a chat regarding the EP itself, mindset when producing, early influences, burnout, and much more. So sit back and read on, as we have a very interesting interview with Khen. The Interview (Please note, the bolded text represents a question (or EDMTunes intervention), while the paragraph(s) following it represent Khen’s answers.) Thank you for being here. It’s a pleasure to have you on EDMTunes. Also for me, because I’m a huge fan, so it’s double the prize. Thank you for having me. I’ve been following and I was happy to make it happen. I appreciate it. Well, first off, congratulations on your new EP coming out on All Day I Dream. Now, we would love to know, what does it feel like to put out a 3-tracker on Lee Burridge’s All Day I Dream label? How does it make you feel? Or does it sparkle something inside you? So, first of all, 100% yes. I think it happened naturally. I always felt connected with the All Day I Dream sound and the All Day I Dream people and dreamers in general. So, I’m very happy that our paths finally crossed, especially with this special EP. I guess it was the right time and the right music to put out on the label. And I’m very happy with the results and the collaboration with Lee and the team. Amazing. Now, we are aware that the title track from the EP, ‘My Pure Soul’, has a very special meaning behind it. If you feel comfortable about it, could you walk us through it, please? Yes. So, the last two or three years, my father was in a bad situation, health-wise. And it was a very difficult time for me and my family in general, especially in the last year of his life. And I’d been spending a lot of time with him in the hospital, it wasn’t easy to see how he suffered. And one day I just started to make this track, that melody came to me during this time. Last year, he passed away, and I finished the track just a few weeks after. But I felt okay with producing in that time, thinking “I’m escaping to the studio and this is for him”, you know? That’s how I put everything together in this track. It was a very emotional and difficult time, but I think for me, music is how I express myself. And eventually, I called it ‘My Pure Soul’ and I dedicated it to my father. And the track is, if I can speak about it a bit more, the melody is kind of sad and has something very emotional within it. But I’m always keeping some optimism in the music, so the contrast between both feels special. So life keeps going, and I feel that he’s always with me. And every time I’m playing the track I feel that my father is with me, at the party. He always brought the party on, and now he’s part of it in all of my sets. That’s the closure. That’s a beautiful take on it all, because having to endure something so rough, of course it’s not easy, but being able to try and transform it into something that’s even cheerful for other people, it’s quite a task. And we’ve seen videos of it being played by you and by your fellow artist mates from Lost and Found, all the way to Anjuna, and they enjoy it and people enjoy it, so I guess it’s a beautiful tribute. Yes, I’m getting a lot of comments from people. I’m getting all comments from different kinds of people that experienced some kind of loss in their life and then they feel really connected to the song, and they really feel that vibe in the track. And on the other hand, it makes people happy, which is something I’m happy with, because there is a sad background behind it, but as I said, for me, the music is also optimistic and something to get over things and to process things, and I’m happy that it handled both. Well, now that we know the story behind the title track, would you mind sharing with us a brief story on how the other two tracks came along? ‘Lyup’, and ‘Uchi Mata’? Yeah, the second I call it “Laeeyup”, but there is no wrong or right here, that doesn’t mean anything, I guess. Only to me. Only I know what’s the name behind it, but I’m not going to say. Keep your secrets. [laughter] So this track, from time to time, I like to try to make something a little different, more dedicated to the groove. I think most of the music is dedicated to the groove, but some of the tracks are more melodic. Well, this one is less melodic. More like a dancefloor, underground, but sexy vibe, you know? So it just started with that groove, many small basslines and things that make it like a little bit mysterious, but very groovy. That’s how I worked on it. And it’s something that I meant for the dancefloor, I made it with my focus on playing it out. And I was very, very surprised with the reactions because it became a very requested ID during the time me and my friends played it, Sébastien, Roy, Guy, Mantzur and the other guys. So every time, I’m getting comments and people are sending me reels from sets from somewhere, like, “What is this? What is that track in this set?”. Which was kind of weird to me because it’s not melodic and doesn’t have much. It’s not very catchy in that memorable melody sense, but it happened with this track. And the third track, ‘Uchi Mata’, I’m really into that House-infused Prog. So I like those basslines, funky bass lines, stabby chords, things that remind me of old school House. And Uchi Mata is kind of a combination between that organic, almost aggressive Melodic and a more Housey proper tune. That’s what I feel the last few years musically. I like when I put out an EP with two, three tracks. Usually I like the tracks to be a bit different from one another. It’s still the same style though. You can play all three of them in one set, but still different tracks. It’s neither a second track that’s similar to the first one nor three completely different tracks, it’s a middle point. So that’s how we built the whole EP. Well, that’s interesting because, to me, you have a signature sound that is mostly groove, mostly percussion, mostly whatever little candy you add alongside the tracks. But yeah, the EP doesn’t have like a melodic thread or link to it all, but it does have something. It feels like it all belongs there in the package. Yeah, it’s not the same, but it works together. At the end of the day, music is music. We can talk about genres a lot, but if it works, it works. Now that we’re talking about this, let me ask you this. Actually let me start with a bit of context prior. You’re an artist who has, in my opinion, really few elements, but they all work, they all have a role, and they fill out the space. I feel like your simplicity works wonders. How do you do that? How do you put yourself in the mindset? I think, everyone who produces, most of the people I know at least, are not thinking about it too much. So it’s not something that I plan to put more channels or more layers or fewer. I’d say with years and years of making music, when it comes naturally to you, I feel like you know when and where less is more, do you know what I mean? I mute channels a lot, I’m making some ideas, and I can listen to it, and, “Okay, this one is adding something or maybe takes something away”. If we talk about production in general, technically, at the end of the work, you have one file, WAV, 16-bit or 24-bit, and there is a space to fill. And sometimes if you add something, it takes the space away from another thing. So you need to really listen, and just by listening, make decisions if this added channel is adding value to the track, or maybe that’s the opposite. Many times, it just takes away some space that you need, and then maybe the main lead or the main percussion doesn’t stand out because something else is taking over. So that’s technically production-wise how it works for me. But if I’m talking about ideas, if I make a melodic idea and I’m starting from the melody — for example, in ‘My Pure Soul’, I started from that chord progression, and then the piano, and then everything else is there to support, in the best way, support the main ingredients, let’s say. Not taking over, but yet being groovy and pushing forward. So that’s, for me, the balance I worked on this track specifically. But it also depends on the genre, right? Because there are some more classic, heavier Progressive tracks with a lot of elements, a lot of delays, which is good for that. So there’s no one formula. Yeah, I get it. Well, let’s talk a bit about production then. I’m a fan, so you’ve got an impressive sound to me. To the guys that you sign to as well, Anjuna, Lee, etc. You’ve got amazing music and a steady amount of releases year after year, which is something that not everybody can say. Where do you find inspiration to produce? Is it Nature? Is it spontaneous? What gets you inspired to hit the studio? Things that can get me inspired, first of all, I wish I could know. I know what inspired me in the past, but I can never know what will in the future. That’s a good question. But I can tell you that things that happen in life, Nature, movies, I don’t know, experiences in general. So that’s where I’m taking some inspiration, also from other kinds of music. Maybe I will listen to something and get inspired to do something. But it’s usually not music, inspiration comes more frequently from feelings. I get you. And when you get to the studio to actually produce, do you often come with an empty mind or do you have a melody or something in mind? Does it all happen magically whenever you’re producing, when you open up your DAW, or do you come with something? Most of the time, nothing comes out if I push myself to make something. There are a few tracks that I remember that came with the idea, or when I started I already had a concrete idea. ‘My Pure Soul’ was like that. ‘Out Of A Dream’ was like that. ‘Carolina’, ‘Manginot’, all those tracks I started with the main melody, I played the riff, the synths, and “OK, that sounds interesting”. Then once that backbone is strong enough for me, or makes me excited, I already feel what kind of groove, what kind of bassline to add. So it comes to me fast in this case. But the other case, which is most of the time when I produce, starting something from nothing, from a blank page and playing with groove, playing with some elements. Most of the time, nothing really comes out of it. Sometimes I will make tracks that are more dancefloor-focused, a little more underground, which I really like to play. So that combination is something that I like. So there are two different ways for me to make music. But if we talk about it technically, if I don’t have an idea, I can take some sequence or loop and try to make it very special with some effects. I’m running through it and making it something, “This loop is kind of talking or has something like sounds weird or sounds different”, and then, that will make me inspired to make a track out of it. The thing that is the least inspiring to me is when everything is kick and bass only. It’s too broad. Anything can be born from that. Which is an interesting approach, because when changing from genre to genre, there’s people who say this is the foundation of the song. If you don’t get the kick-bass combo right and you don’t think of all your song in terms of the kick and bass, you’re done for. But then we’ve got people who say otherwise. That’s correct. If the kick and bass don’t work, the track won’t work on the dancefloor for sure. But if you just have the kick and the bass and you don’t have music and ideas, you don’t have a track. And if you have music, you can always change the kick and the bass. So they are here to support and not to lead the music. I get your point. Now, you’ve been producing for a handful of years already. Do you remember the first time, or a very memorable time, that you recall working on a track and feeling like you had something interesting, like a really good product in your hands? Obviously, with ‘My Pure Soul’, but also the remix for HANA [‘Hot Night’]. Because when I got the vocals, when I got the original, I said, “Wow, it’s a banging track, but I don’t know what I can do with that”. And then I put just the acapella on Cubase and started playing with it. I figured, the original is like 130 BPM, kind of banging Melodic Techno, almost Trance-y. And then I said, “OK, I will take it to the House-y vibe”. But banging House-y, not just… No, I’ve heard it live, so I can testify! Yeah, so I played those chords, “pum pum, pum pum” with the vocal and that’s when I felt, “I got it”. I felt that it was going to be strong. You’re really good at that, because I remember two tracks that got me super hooked to you were ‘Closing Doors’, which I discovered thanks to Tony [McGuinness]. And then also thanks to Tony, I started hearing your ‘Every Little Beat’ remix when it was still in production. And it’s got the same groove. It’s something that makes you move your body unconsciously. Yeah, it was a pleasure to work on the Above & Beyond remix. Again, it’s a challenge to take a Trance, melodic vocal track and turn it into more House-y styles, a more laid-back House-y vibe. And it was during COVID, so I said, “Alright, no rush for the dancefloor anytime soon. Let’s just make something nice to hear”. But it works. It also works on the dancefloor. So it’s an added bonus. For sure. Now, why do you make the sound you make? Why Organic House and not other genres? What has you hooked to the style you produce? First of all, I don’t make Organic House. [laughs] I’m joking. I think for me… I’m known as a Progressive House artist first, and then Organic. But the Organic title is something that’s new. It’s four, five years old, not more. I think it’s a way to describe Melodic House, progressive, but deeper music. It’s not really for me one specific genre I’m really doing. And why I’m doing what I’m doing in general is because of influences from the past. So I started making music and playing music thanks to my older brother. My older brother, Vic, was a big DJ in Israel and a great producer. And we have 14 years of an age gap. So when I was a little baby, he was already playing music. That’s my biggest influence. So we’re talking about the 90s, House music, Trance music, Techno music. I was really into Trance when I was young. So I really like the melodic, epic Trance vibe, but also the Progressive Trance back then. Push, Bonsai Records, ‘Airwave’, that kind of sound. So this is a big influence for me. The years passed and I grew a bigger interest towards House, Tribal House, Progressive House. And that’s my childhood background. But when I was growing up, Tech House was the leader. Like, 2007, 2008, 2009, Tech House was up there. And I discovered it, and really liked the grooves and the drums. But I was like, “Hey, where are the melodies?”. So I started to make Tech House with melodies. And I didn’t know that combination was considered Progressive for some people. So it’s not that I really choose a genre or follow one genre. I put what I like in music in general. And something new may come out. So Hernan Cattaneo, Guy J, Guy Mantzur, John Digweed, they started playing my music, automatically putting me as a young newcomer under the topic of Progressive, which then I discovered more. And I loved it. I was surprised so many artists were doing what I was doing. So that’s a combination that leads me into that sound at the beginning. But then, in doing this, I started to work on my album in 2016, my album for Lost and Found. I was given free hand to do whatever I wanted because, it’s an album. So I remember the first track I made was ‘One Day of Independence’. And then the second was ‘Authentica’. ‘Authentica’ was a different kind of Progressive, deeper, groovier, more breathing kind of vibe, not very banging. And then ‘Carolina’, which is, I don’t know what it is, Latin, Afro, Prog, whatever. But back then, even Afro was not a genre on Beatport. So I only knew I had put together elements that I liked, groovy, Latin kind of vibe with proggy elements. What happened during the years is, that sound turned into Organic House. But these tracks I produced four or five years before Organic House was even a name. So I don’t really follow a genre. I’m just making whatever I like and whatever influenced me. Sometimes it becomes a genre afterwards. Thank you. Now another question, since we’ve discussed your debut album it only makes sense. What’s your opinion on albums, and how the current Dance scene is sort of stepping away from releasing them, making it all more focused on singles, EPs, radio edits, and so on? Do you think there’s a change for the worse, for the better? Do you think there’s a change at all? I don’t know if there is a change. Personally, as a music consumer, I love albums. I appreciate albums, I’m still listening to albums. While scrolling Instagram, I’ve seen some producers, not only from House music, and some say albums are not a thing anymore, because people are listening to playlists, and they create their own playlists on Spotify. But me, personally, maybe I’m old school here, I love albums, I really appreciate a good artist album. It’s beyond one or two tracks. When you listen to a good album, you can find things on the first listen, on the hundredth listen, on the thousandth listen. You always get to hear new things, and you get something that is more than one song. For me, maybe one day I will make my second album. Thank you. Now, next question, I guess the answer to this is yes, but I’ll let you give it a go. Do you ever go through burnout? And if so, how do you overcome it? Of course it happens with the standard 9-5 job, but I guess it’s an interesting thing to ask artists, because there’s often the belief that, “Oh, artists, they’re doing what they love all day, every day, so they just can’t really get tired of it”. I think I learned the last few years, actually, that I cannot stress myself to make music, for example, or to work on music, and sometimes when you feel like it’s too much and you’re not in the mood, it’s OK. I’m releasing, because I used to have days in which I would say “Nothing comes out, I don’t like the studio anymore and don’t like the music anymore”, and then I would stress myself out for nothing. So, yeah, what I do is take some space, do something else. I like to play football when I’m home twice a week. I like to meet friends, drink good wine. It’s good to have other hobbies. And then you feel refreshed, and at the end of the day, I decide I actually like to make music, so I go back to the studio and I’m starting again. Touching on the same topic again, do — or did — you ever feel guilty when stepping away from the studio and taking time off? Yeah, I used to, but again, I worked on it a lot with myself to avoid those feelings, because it’s for nothing. Better for me, in my opinion, is that when I get into the studio, I enjoy it. When I enjoy it, I make better music. If I suffer or I don’t like it, I’m not in the mood, so what will come out of the studio? There are other people that say this is like a normal job, you have to get up every morning, every day, and get into the studio, and work hard, and something will happen. OK, maybe, but when you’re in that burnout situation that you really don’t like making music, you don’t precisely love what you’re putting out, so I don’t think that for me to stress out is the right choice. Now, a bit of a hypothetical question. If you could travel to the past, say, 10, 15, 20 years, whatever amount of years you feel like interesting to bring up, and meet your past self, what would you tell him? Was there anything that young Khen was worrying about, far more than necessary? Yes, of course. In the beginning, you’re always asking yourself, will it happen one day that I really become someone who plays, and gets invited? “I make nice music, some DJs play it, but there are so many steps on the way”, and sometimes I felt like, maybe it wouldn’t happen. If I could go back and talk to myself, I would say, “Relax, boy, keep doing what you’re doing, it will happen”. Amazing. And this one is kind of the same question, but applied to someone else. So, suppose there’s someone in our audience, aspiring producer, who looks up to you, and really looks up to your work, what would be the one piece of advice that you’d give them, in order to find success through music? Good advice? I have to say that, what was good 10 years ago, is not necessarily good now. Because things are changing all the time. So, I would say, genres and trends are always changing. If you start to make music, you have to enjoy what you’re doing, and commit with a lot of passion to it, and keep doing what you like. It’s good to absorb inspirations from outside, and from what is going on, but you have to make something that is yours. And if you got it, it will be unique, it will be yours. So, try to be unique in your own way. It doesn’t matter if it’s trendy now or not, but if you’re unique and you do that for a long time, it will happen. Got it. Amazing, thank you. Well, I’ve got one more question. How do you see yourself in a few years’ time? Like, what do you wish will be your legacy as an artist in the future? Two years ago, I founded my own label, closure. So, I want that to grow, and represent the sound I like, and my sound. And for me, something that really makes me happy, and I wish it will be the same in a few years, is that when I make something from my heart, and people listen to it, I see them feeling something out of my music for me. That makes me feel accomplished. I did it all, you know? Yeah, that’s my wish for five, ten years from now. Final Words Huge thanks to Khen and the whole team who made this happen. It’s turned into a beautiful product that, as I always try and excel at, gives an insight into the person behind the music, much more than the music itself. I believe artists are a very interesting, and often left behind aspect of music. Yet without them, there’s no music at all. Thank you Khen! You can listen to his My Pure Soul EP below. And below that, you’ll find a remix he just released in Guy J’s early morning. The post [INTERVIEW] Khen Talks My Pure Soul EP, Early Influences, Mindset, And More appeared first on EDMTunes.

"In the end, Progressive House always wins." Those are the words of Nicky Romero, whose new collaboration with DubVision whisks us back to the genre's golden era, when euphoric drops and unapologetic emotion washed over EDM festivals. Out now via Martin Garrix's STMPD RCRDS, "Live My Life" is a melancholic reflection on lost love, entwining shimmering synths though a pulsing bassline and aching vocals from Oaks. The release arrives in the midst of an explosive revival of progressive house music. And while the Dutch compatriots don't reinvent the genre's wheel here, they spin it with such finesse that you'll swear it's flying. Memory serves as both muse and tormentor in Oaks' vocals, which channel a bittersweet alchemy. Grand, doomed and drenched in longing, her anguished lyricism is Romeo and Juliet meets Ibiza sunrise. The chorus, a vow to "live my life for you," lands like an emotional gut-punch amid Romero and DubVision's crescendoing production. Listen to "Live My Life" below and find the new single on streaming platforms here. Follow DubVision:X: x.com/dubvisionmusic TikTok: tiktok.com/@dubvisionmusic Instagram: instagram.com/dubvisionmusic Facebook: facebook.com/dubvisionmusic Spotify: spoti.fi/2Zv75N1 Follow Nicky Romero:X: x.com/nickyromero TikTok: tiktok.com/@nickyromero Instagram: instagram.com/nickyromero Facebook: facebook.com/djnickyromero Spotify: sptfy.com/6IW1 Follow Oaks:X: x.com/winonaoak Instagram: instagram.com/winonaoak TikTok: tiktok.com/@winonaoak Facebook: facebook.com/winonaoak Spotify: tinyurl.com/5acv9zrt

In the heart of Thonglor, a fashionable district in Bangkok, sits Classy—a luxury social club redefining nightlife. Sleek, exclusive, and quietly decadent, the space blends intimate design with lively energy. VIP tables are spread across the venue, each one feeling like a world of its own. Gold and rose accents shine under perfect lighting, creating a refined but not overwhelming aesthetic. The club’s layout encourages connection as much as celebration. There’s a flow to how people move, mingle, and return to their tables with champagne in hand. Meanwhile, beautifully adorned outdoor seating makes for more intimate conversations. It’s not just about luxury—it’s about taste. The attention to detail shows in everything from the polished bar to the reserved service. No corner is neglected, and every guest feels like they’re stepping into something intentionally exclusive. As Bangkok overflows with nightlife options, Classy holds its own with confident restraint. The Scene: Sparklers, Sound, and the Right Kind of Energy Thonglor has always been a magnet for those seeking high-end nights. But Classy pushes that expectation higher with a fresh kind of Bangkok energy. Since opening earlier this year, it’s become a go-to for in-the-know locals and visiting tastemakers. The crowd feels curated—stylish, connected, and effortlessly cool. Bubbly flows steadily, with top-shelf bottles igniting sparklers almost every hour. Neon-lit signs flash across the room, matching the rhythm of curated beats. It’s the kind of place where every night could be your best one. But somehow, it doesn’t feel try-hard. The club breathes with authenticity, even when the energy spikes to full throttle. During one visit, we caught James Jay on the decks—one of the headliners from EDC Thailand this January. His set moved seamlessly between club anthems and unreleased remixes. His ability to read the room was spot-on. He dropped the heat to keep things climbing without losing the room’s elevated tone. The lighting and visuals were immersive, but never distracting. The sound system delivered every beat cleanly—enough to feel it in your chest. It’s that rare balance of sonic power and aesthetic control that makes you want to stay longer. More Than a Club, It’s a Lifestyle Statement Classy isn’t just about dancing or drinks—it’s a curated social experience in Bangkok. You come here to see, be seen, and connect. There’s an underlying sense of belonging, like everyone shares a silent nod of approval. From stylish couples to tight-knit friend groups, the club feels more like a private gathering than a public party. The staff add to the experience with a level of professionalism that never slips into stiffness. Attentive, warm, and always a step ahead, they round out what makes Classy stand out. You’re not rushing to the bar here. You’re being guided through a night built just for you. There’s a certain electricity in the air. It hums quietly beneath the volume, only noticeable if you stop and feel it. That’s when you realize—this place isn’t just a club. It’s a mood, a network, a statement. Whether it’s your first visit in Bangkok or your fifth, Classy Thonglor leaves its mark. It elevates every evening into something more intentional. In a district known for style, this social club carves its own space—bold, refined, and unmistakably Classy. The post Keeping It ‘Classy’ In Bangkok — Inside One Of The Best New Social Clubs In Thonglor appeared first on EDMNOMAD. View the full article

Our weekend just became a ton Housier, wink wink. Did we say this exact thing yesterday? Well, let me double down on it: House music is in great hands. I say this as more evidence has risen today: Veteran Chicago House music innovator DJ Sneak has become the newest collaborator to join Spaghetti Moretti Records. The artist lends his distinctive, energetic House style to a reimagining of label head Mia Moretti’s track, ‘Best I Can‘. Originally released last year, Moretti’s ‘Best I Can’ showcases the voice of Baltimore native Vonita White. The song pairs her powerful vocal delivery and compelling instrumental arrangements, even including a sample from Jasper Street Co., newly recorded by White and Moretti thirty years after the original’s debut. The initial release swiftly gained traction with renowned DJs such as Felix Da Housecat, A-Trak, and Danny Tenaglia. ‘Best I Can (DJ Sneak 12″ Edit)’ The fresh rendition is available on a limited-edition 7-inch promotional vinyl. The A-side features the main track, while the B-side offers an exclusive vinyl treat: DJ Sneak’s own composition, ‘The Gas’, remixed by Mia Moretti. Eager enthusiasts had an early opportunity to acquire the record at Spaghetti Moretti’s showcase during Miami Music Week. Sneak’s edits, available on both 7-inch and 12-inch formats, offer a more stripped-back and intensified feel, giving the original an even Housier, old-school feel. White’s vocals stay front and centre, shining on top of a powerful instrumental base which has enough power to kick you back to the nineties. A solid blast from the past in modern times, if you ask me. Listen to DJ Sneak‘s vinyl-built rendition of Mia Moretti’s ‘Best I Can’, by hitting the ‘Play‘ button on the Spotify player below. Also, click here to support the release on your platform of choice, and follow this link to acquire a physical copy of the record. Be sure to follow our page to stay up to date on the latest news and views regarding our beloved Dance music industry. The post DJ Sneak Brings The Heat With House Remix Of Mia Moretti’s ‘Best I Can’ appeared first on EDMTunes.

It’s new music Friday and out today is Swedish label boss Jeremy Olander‘s first collaboration in five years, Flashpoints EP with Fahlberg. Now available on all platforms, this thrilling three track collaborative EP marks Vivrant’s first release of 2025. Flashpoints EP This EP opens with the title track ‘Flashpoints’ setting the stage for the charming sounds of ‘Outrun’ and ‘For Your Mind’. ‘Flashpoints’ exudes classic Vivrant energy, featuring deep, emotive synth work with evolving layers and tension. Olander’s influence is evident in the refined structure. It is characterized by hypnotic melodies, subtly shifting progressions, and the signature cinematic buildup that teases and releases with precision. His passion for melodic storytelling shines through in this piece. You can sense Fahlberg’s grit in the driving percussion and slightly raw edge. His style often brings a darker, club focused intensity. You hear it in the punchy bassline and the tight, straightforward groove—adding urgency without overwhelming the overall space. ‘Outrun’ feels more introspective and spacious — a hallmark of Jeremy’s deeper side. The pads and atmosphere stretch wide, giving a sense of motion and escape. ‘Outrun’ leans into a more mechanical, driving rhythm — a place where Fahlberg excels. His signature often lies in the slightly more techno-leaning beats. You hear that with crisp hats, syncopated percussion, and a restless momentum that keeps the track alive throughout. ‘For Your Mind’ plays with the cerebral — deep layers, filtered vocal textures, and rhythmic intricacies. Jeremy’s influence is felt in how textured and fluid everything is. Fahlberg injects the track with pulse and punch — the kind that hits right in the middle of a peak time set. The low-end is tight and assertive, and he balances Jeremy’s more ethereal choices with a grounding foundation. Influences of Jeremy & Fahlberg Each artist brings their distinctive style, merging Fahlberg’s infectious grooves with Jeremy’s unforgettable melodies to create a bold and innovative musical landscape. Drawing inspiration from the vibrant 90s UK piano house, contemporary melodic house, and classic progressive styles, this project becomes a powerful fusion that reflects their diverse influences from every corner of the dance music world. The result is not just an EP, but an exhilarating journey that invites listeners into a fresh realm of sound. With its innovative use of playful chopped-up vocals, uplifting trance-inspired extended breaks, and euphoric yet refined drops, each track on this EP stands as a compelling statement in its own right. This collection is not only cohesive but also showcases the brilliance of every individual piece. The Flashpoints EP is a groundbreaking project that exemplifies the duo’s relentless drive to elevate the electronic music genre, boldly defying trends and setting their own path. Hope you enjoy Flashpoints EP and let us know your thoughts! Stay tuned to EDMTunes for all your new music updates. The post Jeremy Olander & Fahlberg Release Exhilarating Flashpoints EP appeared first on EDMTunes.

While many dance music lovers gathered in Miami last week for the annual Miami Music Week festivities, many spring breakers touched down in Cabo, Mexico for a getaway on the opposite coast. The resort is located on the absolutely stunning Playa El Medano and a stroll away from the fabolous marina, boutiques and dining venues. When you arrive at the resort, the first thing you notice is the open air view of the pacific ocean and the incredible view of Bahia de Cabo San Lucas. The incredible view allows you to immerse yourself in the vacation vibes. Me Cabo masterfully blends a chic, modern aesthetic with a lively atmosphere, evident in its emphasis on design, art, and music. The moment you step into the lobby, the Aura team will greet you with a glass of champagne as you start your check in process. The lobby interior is open air and exudes elegance, comfort, and luxury which sets the tone for the whole resort experience. FOOD + BEVERAGES At the ME Cabo resort, there are 5 restaurants onsite to provide all different kinds of dining experiences. Their Craft – Open Air Kitchen restaurant is their steakhouse located on the rooftop of the resort. Their menu offers a wide variety of meat selections as well as seafood options. Located outdoors atop the resort has it’s benefits especially if you arrive there for dinner. Standout dishes include their Flaming Porterhouse and grilled octopus. The sunset view is absolutely magnificent as you gaze out into the ocean when the clouds turn magenta pink. At the conclusion of your dinner, they bring you marshmallows on a stick for you to roast campfire style in an open pit. There’s no doubt that the dining experience is top notch. Drinks here are absolutely stunning as well. Their signature cocktails intersect creativity and tradition to bring you distinctive cocktails that reflect the spirit of the region. Mixologists use local ingredients in innovative ways, resulting in surprising blends that defy expectations with extraordinary presentations. Another restaurant located at the Me Cabo resort is the Funky Geisha restaurant that offers an Asian-inspired cuisine. Located beach side at the resort, the restaurant offers an a wide variety of Asian selections. Some of the notable options include Thai spring rolls, lobster Pad Thai, sashimi options and much more. The restaurant decor is also worth noting as the Asian inspired ornaments will also make you forget you’re on a Mexican beach. What’s more is that the restaurant completely transforms if you dine there during the day versus at night in terms of the aesthetic, so if you have time to check it out at different times of the date, it’s highly recommended. Taboo Beach Club and Restaurant had some of the best seafood selections at the resort. Their seafood spaghetti, octopus tacos and even their catch of the day selection were all top notch. The restaurant is located pool side at the resort so you can enjoy your food at the table or on your daybed as you vibe to the music at the pool. If you’re looking for a quick snack while you’re on the beach or if you’re just craving an ice cold drink, look no further than Tamara Beach Club located on the beach at the ME Cabo resort. Their food options include a wide variety of tacos and ceviches that will satisfy all your seafood cravings while lounging on the beach. Their drink menu features also a handful of Mexican-inspired drinks including a pina colada in a real coconut. When booking your stay, it is recommended to book your stay with breakfast included. Every morning, you’ll be directed to Mamazzita located at the center of the ME Cabo resort. There you’ll have the option of having buffet breakfast or you can also select the a-la-carte option. The buffet offers an incredible variety of selections including fruit platters, avocado toasts, omelets, pancakes and much more. The salsa infused dishes will remind you that you are currently indulging on the beaches of Mexico. Drink options include fresh juice and black coffee. POOL + BEACH CLUB While Cabo is the destination for many springbreakers, there’s no doubt that ME Cabo Resort is the core location to party at within Cabo. The resort prioritizes bringing the best dance music talents from around the world to offer the grandest party experience Cabo has to offer. This year’s spring break, the resort featured performances from James Hype, Louis The Child and of course the Aussie himself, FISHER. The admission to pool parties at the resort are included for all those staying at the hotel but if you’re staying at a nearby resort, you are still welcomed to attend but will come at with cover fee. If you’re looking to party in style, table service and daybeds surrounding the pool are also purchase options for the pool parties. When FISHER was down in Cabo, the venue was flooded with springbreakers who knew exactly what to expect from FISHER. Thousands of college students arrived at the venue to party at ME Cabo. Dropping all his biggest tunes including ‘Losing It’, ‘Atmosphere’, ‘TAKE IT OFF’ and even his latest release called ‘Stay’. ME Cabo also brought on a handful of local talent to open and close for FISHER to complete the event. The supporting cast was well selected as the parted lasted well into the night after FISHER completed his set but vibes kept flowing. Note to all future attendees, there’s no question that staying at the resort is the move if you’re looking to party with the best music in the world while in Cabo. LOCATION ME Cabo’s location in Los Cabos is truly exceptional, placing it at the heart of the area’s vibrant atmosphere. Situated on the stunning Playa El Medano, it offers guests direct access to one of Los Cabos’s most desirable swimmable beaches, with breathtaking views of the iconic Arch. Furthermore, its proximity to the bustling marina, diverse boutiques, and an array of dining venues ensures that guests are perfectly positioned to explore and enjoy all that Cabo San Lucas has to offer. This prime location blends the tranquility of a beachfront resort with the excitement of a lively social hub, making it a standout destination. For those who enjoy nightlife, the downtown area is located a short 10 minute walk away where you can find the famous bars and clubs such as Mandala, Squid Roe, and Senor Frog. Me Cabo offers a range of room options designed to cater to different preferences, from comfortable standards to luxurious suites. Here’s a breakdown. Standard ME Rooms These rooms offer a solid base for your stay, measuring 40 m2 / 425 sq. ft. and are characterized by sleek, contemporary interiors and balconies that offer varied views: garden, pool, or ocean. Leveled Up Standard ME Rooms Essentially an enhanced version of the Standard ME, these rooms maintain the same 40 m2 / 425 sq. ft. This room is good for people that want a slightly better view, or slightly better amenities than the standard room. Superior ME+ Rooms (Pool and Ocean View) These rooms elevate the experience with a focus on premium views and services and measure 40 m2 / 425 sq. ft but feature a private, furnished terrace overlooking the ocean. Extra ME+ Junior Suites (Beachfront) These suites represent the pinnacle of luxury at Me Cabo. They offer more space (46 m2 / 496 sq. ft) and are located beachfront, providing uninterrupted ocean views. A key feature is the private hot tub, adding a touch of indulgence. The suites also include a beautifully appointed bathroom with a jet shower and the ME+ services. This room is the best option for people who want the best views, the most space, and the most luxurious amenities. The service is attentive and personalized, particularly with the Aura team, who act as knowledgeable local guides, enhancing the guest experience beyond the typical concierge role. The wellness programs, including yoga and spa treatments that cater to personal relaxation. You can view all the different types of rooms on the official website here. AMENITIES ME Cabo offers a wide range of amenities and services, categorized into general, leisure, and exclusive tiers, designed for a luxurious and personalized experience. General Amenities: Comprehensive services including concierge, 24-hour room service, valet parking, car rental, laundry, and babysitting (all with potential extra charges). Accessibility features for disabled guests. Convenience services like VIP airport pick-up (extra charge), and high-speed internet. Wellness and fitness options: outdoor training area, wellness program with yoga and pilates, and in-room spa experiences (extra charge). Pet-friendly accommodations. Bilingual staff. Leisure Services: KORPO Wellness experience with a steam bath, hydromassages, and a gym. Two heated pools, one with a wet bar. Poolside Bali beds (extra charge). Personalized local connections through the “Aura” team. Exclusive ME+ Services (for suite guests): Enhanced personalized service: in-room check-in, personalized room escort, and dedicated Aura team attention. Premium amenities: extra C.O. Bigelow products. Convenience and perks: restaurant and bar booking services, and a complimentary local drink. Transportation: Free airport transfers for certain suite types. Wellness perks: Complimentary massage for certain suite types. Exclusive experiences: Complementary boat tour for the ultimate suite. In summary, ME Cabo is ideal for travelers seeking a stylish and vibrant resort experience in Los Cabos. The resort’s focus on design, wellness, and nightlife creates a unique and memorable atmosphere. The personalized service from the Aura team and the exclusive ME+ services enhance the luxury experience. While some services come with extra charges, the overall quality and location of the resort make it a compelling choice for those seeking a sophisticated and lively getaway. If a traveler is looking for a trendy location with a vibrant night life, and has the budget to enjoy the extra services, this resort would be a great choice. Follow ME Cabo on socials below: The post A Curated Escape: FISHER Delivers Sunset Sounds at ME Cabo in San Lucas For Spring Break 2025 appeared first on EDMTunes.

As one of the newest festivals in the world Upclose has already made an impact having sold out on their debut. This year on May 17th and 18th they’re making their return to Spaarnwoude Park in The Netherlands for their second edition with a tantalizing techno lineup. Upclose is Awakenings newest festival which successfully captured the raw essence of dance floor culture right from the start with their debut last year. For 2025 they’re diving even deeper into the world of techno as they explore the outer regions of the genre with a focus on the more progressive and niche parts of techno. The types of sets available to see also spark excitement and intrigue with a mixture of DJ sets, live sets, back 2 backs, and 6 deck sets. From fresh faces to longstanding icons, the lineup is a display of techno’s finest talents across a range of its sub-genres. Featuring the likes of Donato Dozzy, Jane Fitz, Jeff Mills, KI/KI, Ben Klock, Ignez, Marrøn, Rødhåd, Luigi Tozzi, Chris Stussy, Sally C and many more it’s heaven for any techno fan. Upclose is also fielding plenty of local legends including Cynthia Spiering, Benny Rodrigues, Moody Mehran, Ineffekt, and Stef Mendesidis who will be flying the Dutch flag high. Community and culture are another focus of Upclose as they break the barrier between the DJ booth and the dance floor through their intimate scale. Connection is a key word as people connect with the music, connect with each other, and connect with the moment. To get your tickets for Upclose click the link below: https://www.awakenings.com/en/events/2025/05/awakenings-upclose-2025/318856/: Upclose Festival Announces Lineup For Their Highly Anticipated Return

Italian duo, Agents of Time, just released their official remix of Sonny Fodera & Clementine Douglas’ chart-topping single ‘Tell Me’. This follows the pair’s fresh two stunning performances at Tomorrowland Winter. Agents Of Time’s signature melodic techno sound transforms the original into a powerful, emotive anthem set to dominate dance floors. The Italian duo’s remix takes listeners on a euphoric journey, seamlessly blending hypnotic energy and soaring synth breakdowns with Douglas’ soul-drenched vocals. As you listen, you’ll hear the original shine through, and Andrea and Luigi elevate it with their intricate synthwork, creating a stellar soundscape. The techno backbone is uplifting and driving, often characteristic in their remixes. The energy is ready for clubs and festivals around the world. Their sophisticated, meticulous sound design is crisp and renders this one standout melodic techno track. Additionally, it is well received by the community. Clementine Douglas is also the perfect vocalist for this track which perfectly accompanies this remix. The sought-after songwriter has featured on numerous musical collaborations. Renowned artist collaborations include those with Gorgon City, Duke Dumont, Hannah Wants, Franky Wah, Sub Focus and Wilkinson, Meduza, and more. Great work from both artists on this one. Now, this release follows a stellar year for Andrea Di Ceglie and Luigi Tutolo. Successful tracks this year include original track ‘Only Human’ and high-profile remixes for Martin Garrix and Zerb. Known for their adventurous spirit and heady sound palette, their studio work reflects in their on-stage symbiotic energy and experimentation. What’s more, this wonderful remix marks their fourth major release of the year. As they continue pushing boundaries in 2025, this latest remix reaffirms their status as one of electronic music’s most innovative forces. Lastly, catch them on an international tour this year with a show ending at The Brooklyn Mirage at Avant Gardner in New York. Listen to Sonny Fodera & Clementine Douglas – Tell Me (Agents Of Time Remix) on all streaming platforms. Sonny Fodera & Clementine Douglas – Tell Me (Agents Of Time Remix) | Buy/Stream The post Sonny Fodera, Clementine Douglas – Tell Me (Agents of Time Remix) appeared first on EDMTunes.

The architectural impossibility of the Vegas Sphere finds its sonic equivalent in "Work," Anyma's new single featuring surging hip-hop phenom Yeat. The track's recent debut during Anyma's historic residency at the $2.3 billion Sphere marked a significant cultural milestone. Yeat delivered the venue's first-ever rap performance, shattering yet another invisible barrier between techno's underground roots and hip-hop's mainstream cultural dominance. View the original article to see embedded media. The accompanying music video presents the duo as silhouettes against a backdrop of frenetic lasers, creating a visual as disorienting and compelling as the music itself. Rocking sinister masks and metallic, monochrome clothing, the duo channels the man-machine aesthetic of Kraftwerk, but reimagined for a more dystopian world. "Work" will appear on The End Of Genesys, Anyma's third album, which is set to release May 23rd. According to a press release, the album "will complete the score of the Genesys trilogy" and feature recent singles "Hypnotized" (with Ellie Goulding) and "Voices In My Head" (with Argy and Son of Son) alongside new music Anyma premiered live throughout his Sphere residency. Other collaborations rumored to appear on The End Of Genesys, which is primed to be one of the year's biggest electronic albums, include tracks with Grimes, FKA twigs, 070 Shake and Luke Steele of Empire of the Sun. You can watch the official "Work" music video below and stream the new single here. Follow Anyma:X: x.com/anyma_eva Instagram: instagram.com/anyma TikTok: tiktok.com/@anyma Facebook: facebook.com/anyma.ofc Spotify: tinyurl.com/2p976k79

The Town of Boom in Belgium is considering a tax increase for the major music festival Tomorrowland. The event that usually happens two weekends during the summer may need to pay more taxes to help the financial shortfall in its hometown. Economics Earlier this week, the mayor of Boom announced that the municipality will have to go through staff cuts due to the lack of funds the treasury is dealing with. As of now, 40 employees may be let go. The finance director also explained that they need to make these harsh decisions. Otherwise, by 2027, the local staff won’t get a salary. The new measures they’re discussing include staff cuts and a tax increase for local events, including Tomorrowland. This may come as a surprise to some. However, the town of Boom is a big supporter of the festival. Most recently, the cabinet signed an agreement that allowed Tomorrowland to take place in Boom for another 66 years. Nevertheless, the town only makes 1,5 Million Euros yearly, while hosting the event. Other possible measures are outsourcing and reducing the energy bill. Moreover, they’re trying to limit contract extensions and sell municipal buildings that are vacant. It seems like the festival will not necessarily be affected by the changes in Boom. Regardless, they can definitely allocate some of their focus in helping out the city that’s the home of the festival, and that it will allow it to happen for decades and decades to come. The post Tomorrowland Faces Tax Increase as Boom Suffers Financial Woes appeared first on EDMTunes.

In just a few short years, Oliver Heldens successfully parlayed his career in mainstream dance music into a much-lauded alter-ego in the techno world as HI-LO, gaining widespread acceptance from the underground scene in the process. Making the most of an era when genre boundaries are less important or distinct than ever and younger generations cast aside the snobbery of old, the name HI-LO is now synonymous with cutting-edge, quality, hard-hitting, innovative techno. Combining a big room sensibility with a dark, underground, raw edge, HI-LO has become a trusted tastemaker, with his tracks receiving massive support from luminaries of the scene. Today. HI-LO is back with another dancefloor explosion, this time with British singer, songwriter, producer, and DJ: Sarah de Warren. ‘Born to Love’ is pulsating dark and sexy techno heater. As the track begins, the energy immediately intensifies, pulling you into a realm where desire and passion pulse through every beat. The seductive rhythm grips you tight, lingering in your mind long after the last note fades. From the first beat, Sarah’s sultry vocals glide effortlessly over HI-LO’s dark, driving production, crafting a hypnotic soundscape that keeps you hooked. Listen here. Reflecting on the track’s inspiration, Sarah shared, “I was driving home after a show one night and thinking about how dance music has always felt so natural to me, like part of my DNA. I was making electronic music in my bedroom way before I was old enough to go to a rave or a club. It’s like I was born to make this music and play it for people who feel the same way… that’s why the dance community always feels like family. So, as I was driving, these lyrics just flowed off my tongue, and I voice-noted them and recorded them as soon as I got home. I’d been dying to collaborate with HI-LO, so I sent him the vocal, and he worked his magic. Now we have an absolute banger on our hands.” The post HI-LO & Sarah de Warren: ‘Born to Love’ appeared first on EDMTunes.

Bass music is on the brink of a powerful transformation as DJ DIESEL (Shaquille O’Neal), GorillaT, and Fraxure have recently revealed their dynamic collaboration, ‘Pay Respect’, on Friday, March 28th, through the Monstercat record label. This track captures Shaq’s signature energetic spirit while highlighting his dedication to building meaningful friendships within the bass music community. By teaming up with artists who resonate with him, Shaq creates tracks that reflect their shared passion for impactful soundscapes. Furthermore, this moment marks another leap in their rapid rise, marking them as artists to watch in today’s transforming bass music landscape. Click ‘Play’ on the Spotify link below to stream ‘Pay Respect’ from DJ DIESEL, GorllaT and Fraxure, a track that lets listeners strongly feel the great vibes all around them while getting down hard to the powerful bass. DJ DIESEL, GorillaT, and Fracture unleashed ‘Pay Respect’ during MMW The track dropped just one day before Shaq’s Bass All-Stars event took over Mana Wynwood on March 29th during Miami’s most-anticipated week-long celebration, Miami Music Week. Furthermore, this single will soon invigorate festival grounds and embody the raw energy of the Bass All-Stars movement. With GorillaT joining DJ DIESEL on the Bass All-Stars lineup, fans can look forward to an unforgettable night of powerful performances. Featuring Jon Casey, Celo, and the chart-topping duo Two Friends, the event had proven itself as one of Miami Music Week’s most explosive experiences. With DJ DIESEL paving the way, both GorillaT and Fraxure are firmly placing themselves as emerging forces in bass music. GorillaT, celebrated for his genre-defying performances and vibrant bass-driven soundscapes, has garnered a loyal following throughout his ongoing Wonk Factory Tour, continually pushing the boundaries of dubstep, trap, and experimental bass. Meanwhile, Fraxure, a Denver-based DJ-producer hybrid, is making impressive strides with his expert sound design and electrifying sets, seamlessly blending heavy dubstep, wonky basslines, hard-hitting drum and bass, and more. The powerful forces that will rock the bass music scene After the launch of ‘Pay Respect’, just before Miami Music Week’s beloved bass event, this track stands to become an anthem of inspiration. More than a mere single, it represents the friendships and creative bonds that energize the bass music scene. Additionally, it provides an exciting preview of DJ DIESEL’s remarkable year ahead, brimming with powerhouse collaborations and unforgettable performances. For GorillaT and Fraxure, this moment marks another leap in their rapid rise, marking them as artists to watch in today’s transforming bass music landscape. ‘Pay Respect’ grips listeners from the outset with a hard-hitting, trap-inspired intro, establishing an exhilarating tone. As Shaq’s commanding voice calls on listeners to “pay respect,” the energy of the track surges into overdrive. The drop merges thunderous wubs, trap elements, and electrifying dubstep, fusing each artist’s distinctive sound into an inspiring sonic journey. With bone-rattling production at its core, this song is crafted for the most passionate headbangers and the fiercest mosh pits. The post DJ DIESEL, GorillaT, and Fraxure Get Down in ‘Pay Respect’ appeared first on EDMTunes.

Tiësto continues to innovate and explore new sounds with the release of his latest Cool ‘N Calm EP, a slick three-track collab with French producer Rafael Cerato that dives deep into the underground, late-night grooves and stripped-back club energy. The Cool ‘N Calm EP is out now on Musical Freedom. After building excitement over the last few months with releases like ‘Flex‘ with Oscar L (February), ‘All Right‘ with Dyzen (March), and most recently, the haunting ‘Shadows‘ with Undercatt (March), Tiësto sets the stage for the underground sound in 2025 with this new EP. It’s Tiësto showing love for the deeper side of dance music — and bringing fresh faces with him. “I love to explore new sounds that I’m not hearing anywhere else. This release is all about that shift and spotlighting producers who are shaping what’s next !” -Tiësto Enter Laherte, the 23-year-old Italian producer and mixing engineer who co-produced two of the tracks — ‘Get Naughty‘ (feat. Astrid James) and ‘Bad Jokes.’ Laherte’s been turning heads with releases on Solomun’s Diynamic and Maceo Plex’s Ellum, and his forward-thinking sound adds serious finesse to this EP. Whether it’s the silky tension of ‘Cool ‘N Calm,’ the seductive vibe of ‘Get Naughty,’ or the cheeky punch of ‘Bad Jokes,’ this project proves Tiësto’s not just watching the underground — he’s stepping right into it, bringing rising talents like Cerato and Laherte along for the ride. Stream the EP below and stay tuned for more EDM news. The post Tiësto & Rafael Cerato Unveil ‘Cool ‘N Calm EP’ appeared first on EDMTunes.

Adriatic Sound Festival is a new electronic music festival debuting in Fano, Italy, from June 13 to 14. The venue is none other than the Fano Airport, situated on the Adriatic coastline. This unique festival blends rich Roman heritage of the coastal town with top-tier techno, house, electro, pop, and everything in between. What’s more, this is shaping up to be an immersive audio-visual experience. The inaugural edition boasts a significant lineup of international electronic music artists. Some prominent names include Sven Väth, Richie Hawtin, Sama’ Abdulhadi, Stephan Bodzin Live, Avision, and Stella Bossi. Firstly, a weekend like this calls for two main stages, the Infinity Stage and the Hangar Stage. Designed by STUFISH Entertainment Architects, the Infinity draws inspiration from classical Roman arenas and colosseums. Secondly, it is reinterpreted with a modern and avant-garde approach and features elements reminiscent of Fano’s ancient Arch of Augustus. Meanwhile, the Hangar is located within the airplane hangars of Fano Airport. Let this area be the raw, sound of the underground with an atmosphere enhanced with cutting-edge 3D mapping projections. Purchase tickets here along with a few more early bird passes. General sales start on April 7th. Check out the lineup below. Adriatic Sound Festival appears to be a highly anticipated new entrant to the European electronic music festival scene. With a promising a unique blend of historical setting and a top-tier lineup of international DJs and producers, how will you spend your summer? The post Sven Väth, Richie Hawtin, Stephan Bodzin, and More Headline Adriatic Sound Festival appeared first on EDMTunes.

Music is more than just a sound; it’s a way to travel back in time, especially for seniors. Their favorite songs bring back happy memories, connecting them to their past. We asked 596 people over 50 about their music habits and found some interesting things. In a case study by Carewell, they asked 596 people over 50 about their music habits and came up with interesting findings. In particular, over 1 in 10 adults aged over 50 list electronic music as their favorite genre. Avicii and Daft Punk are noted as being popular amongst seniors. What Seniors Like: Where they listen: YouTube (61%) is the most popular, followed by radio (45%) and Spotify (28%). Favorite artists: The Beatles, Fleetwood Mac, and Queen are top choices. Surprising fans: 22% like Metallica, and 17% enjoy Taylor Swift. Happy sounds: Rock music makes them the happiest, then pop. Memory triggers: 79% say music brings back good memories, and 77% say it lowers stress. Music in Daily Life: Many seniors listen to music every day. They love classic rock, pop, and R&B/soul. Music helps them remember good times and feel less stressed. The 1980s are a favorite decade for many, bringing back strong memories and happiness. How Music Helps: Music does more than entertain; it helps seniors in many ways: Strengthens Memory and Cognitive Function: Music activates the brain’s memory centers. Familiar songs can unlock vivid recollections, even in those with advanced dementia. Singing along also boosts language skills and mental engagement. Reduces Anxiety and Depression: Music naturally lowers cortisol, the stress hormone, promoting relaxation. Upbeat tunes lift spirits, while soothing melodies ease restlessness. Personalized playlists help create emotional balance. Encourages Social Connection: Music brings people together, whether through group sing-alongs or shared playlists. Even seniors with speech difficulties can connect through music. For caregivers, playing a favorite song can be a meaningful bonding experience. Promotes Physical Movement: A strong beat encourages movement, from toe-tapping to dance therapy. Music-driven movement improves balance, coordination, and flexibility, supporting overall physical health. Reduces Agitation in Dementia Patients: Music can soothe common dementia-related behaviors like anxiety, aggression, and confusion. It’s a natural, non-medication approach to calming seniors. A structured musical routine can bring comfort and familiarity. Provides a Creative Outlet: Music is a powerful form of self-expression for seniors. Whether they sing, play an instrument, or simply listen, it can inspire creativity and help them express their thoughts or feelings. The post Study Shows EDM Is the Top Genre for 1 in 10 Seniors appeared first on EDMTunes.